Sources for Grateful Dead
unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 131516 | 1971-01-21 | Freeborn Hall, University of California | Davis | CA | |
| flac24; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller | |||||
| 131517 | 1971-01-21 | Freeborn Hall, University of California | Davis | CA | |
| flac16; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller | |||||
| 153406 | 1971-01-21 | Freeborn Hall, University of California | Davis | CA | |
| flac16/48 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 | |||||
| 153417 | 1971-01-21 | Freeborn Hall, University of California | Davis | CA | |
| flac24/96 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 | |||||
| 153472 | 1971-01-21 | Freeborn Hall, University of California | Davis | CA | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - surround mixing by Kevin Tobin | |||||
| 153470 | 1971-01-21 | Freeborn Hall, University of California | Davis | CA | |
| flac16; Matrix 2 Source Mix - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - matrix mixing by Kevin Tobin | |||||
| 153471 | 1971-01-21 | Freeborn Hall, University of California | Davis | CA | |
| DTS-Audio-CD 5.1 Mix; - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - dts mixing by Kevin Tobin | |||||
| 12592 | 1971-01-22 | Lane Community College | Eugene | OR | |
| SBD> (unknown analog gens)> C> CD> EAC> SHN; Walter Schnell analog-> CD conversion; shn encoding Jeff Cotsman | |||||
| 6247 | 1971-01-24 | Seattle Center Arena | Seattle | WA | |
| SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B. | |||||
| 150274 | 1971-01-24 | Seattle Center Arena | Seattle | WA | |
| flac16; Recording Info: SBD > Master Reel > Cassette > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitide Pro X5 Suite > FLAC | |||||
| 85478 | 1971-02-18 | Capitol Theater | Port Chester | NY | |
| flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. | |||||
| 107 | 1971-02-18 | Capitol Theater | Port Chester | NY | |
| SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct) | |||||
| 6672 | 1971-02-18 | Capitol Theater | Port Chester | NY | |
| direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson | |||||
| 111793 | 1971-02-18 | Capitol Theater | Port Chester | NY | |
| flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 123539 | 1971-02-18 | Capitol Theater | Port Chester | NY | |
| flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC | |||||
| 123881 | 1971-02-18 | Capitol Theater | Port Chester | NY | |
| flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger | |||||
| 132101 | 1971-02-18 | Capitol Theater | Port Chester | NY | |
| flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented | |||||
| 132136 | 1971-02-18 | Capitol Theater | Port Chester | NY | |
| flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show | |||||
| 143183 | 1971-02-18 | Capitol Theater | Port Chester | NY | |
| flac16/48kHz; SBD Master Reels>Dat>Clone directly to me via snail mail>file cloned into Microtrack using Tascam Dat deck>Goldwave tracking and removal on one glitch (reel change)>TLH8 | |||||
| 148238 | 1971-02-18 | Capitol Theater | Port Chester | NY | |
| flac16/48kHz; Source Info: Source A: Master Audience Cassettes; unknown taper, unknown equipment > 1st generation reels; Source B: Master Audience Cassette; unknown taper, unknown equipment > 1st generation reels; Transfer Info (both sources): 1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 148239 | 1971-02-18 | Capitol Theater | Port Chester | NY | |
| flac24; Source Info: Source A: Master Audience Cassettes; unknown taper, unknown equipment > 1st generation reels; Source B: Master Audience Cassette; unknown taper, unknown equipment > 1st generation reels; Transfer Info (both sources): 1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496 | |||||
| 157425 | 1971-02-18 | Capitol Theater | Port Chester | NY | |
| flac1648 Source: Original transfer Betty Cantor Jackson's Soundboard Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (48k) Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/48 Lineage: wav 16/48 > iZotope RX 9 Advanced > CD Wave > flac 1648 edited and mastered SIRMick July 2022 | |||||
| 31210 | 1971-02-19 | Capitol Theatre | Port Chester | NY | |
| flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell. | |||||
| 91849 | 1971-02-19 | Capitol Theatre | Port Chester | NY | |
| DVD-VA; (Video-Audio) 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > DAW (Bertha)>>Audio DVD; audio only - no video | |||||
| 30230 | 1971-02-19 | Capitol Theatre | Port Chester | NY | |
| flac16; unknown mono audience recording source: 1st gen reel> Teac A-2300SX> RCA out> Audiophile 2496> Wavelab 4.0 lineage: Wavelab 4.0> CD Wave> MKWact> WAV> FLAC recordist unknown transfered and remastered by Clinton Vadnais (cleantone@hotmail.com) | |||||
| 1029 | 1971-02-19 | Capitol Theatre | Port Chester | NY | |
| 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers) | |||||
| 132102 | 1971-02-19 | Capitol Theatre | Port Chester | NY | |
| flac16; Partial 1st Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented | |||||
| 151881 | 1971-02-19 | Capitol Theatre | Port Chester | NY | |
| flac16/44khz Recording Info: SBD > Master Reel (Sony TC-770/Scotch 7in 1/4 track 7.5ips) Transfer Info: Master Reel (Technics RS-1506) > Sony PCM-R500 (pass through) > Sound Forge > CD Mastering Info: CD > Samplitude Pro X5 Suite > FLAC/16 | |||||
| 85912 | 1971-02-20 | Capitol Theater | Port Chester | NY | |
| flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. | |||||
| 111 | 1971-02-20 | Capitol Theater | Port Chester | NY | |
| 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs | |||||
| 6188 | 1971-02-20 | Capitol Theater | Port Chester | NY | |
| likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01) | |||||
| 116617 | 1971-02-20 | Capitol Theater | Port Chester | NY | |
| flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 87134 | 1971-02-21 | Capitol Theater | Port Chester | NY | |
| flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner. | |||||
| 98034 | 1971-02-21 | Capitol Theater | Port Chester | NY | |
| flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.) | |||||
| 1980 | 1971-02-21 | Capitol Theater | Port Chester | NY | |
| SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different | |||||
| 116618 | 1971-02-21 | Capitol Theater | Port Chester | NY | |
| flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 123830 | 1971-02-21 | Capitol Theater | Port Chester | NY | |
| flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation | |||||
| 123885 | 1971-02-21 | Capitol Theater | Port Chester | NY | |
| flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013 | |||||
| 82755 | 1971-02-23 | Capitol Theater | Port Chester | NY | |
| flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell | |||||
| 98406 | 1971-02-23 | Capitol Theater | Port Chester | NY | |
| flac16; Partial Set 2 source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac | |||||
| 113 | 1971-02-23 | Capitol Theater | Port Chester | NY | |
| SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes) | |||||
| 110353 | 1971-02-23 | Capitol Theater | Port Chester | NY | |
| flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 151502 | 1971-02-23 | Capitol Theater | Port Chester | NY | |
| flac16/44.1khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021 | |||||
| 151503 | 1971-02-23 | Capitol Theater | Port Chester | NY | |
| flac24/96khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021 | |||||
| 87570 | 1971-02-24 | Capitol Theater | Port Chester | NY | |
| flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner. | |||||
| 114 | 1971-02-24 | Capitol Theater | Port Chester | NY | |
| via Leigh Orf; WBOTB source > distortion removed digitally (see notes) | |||||
| 6189 | 1971-02-24 | Capitol Theater | Port Chester | NY | |
| retracked version of previous shn set, by Bob Clevenger | |||||
| 6190 | 1971-02-24 | Capitol Theater | Port Chester | NY | |
| seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation | |||||
| 121065 | 1971-02-24 | Capitol Theater | Port Chester | NY | |
| flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 125171 | 1971-02-24 | Capitol Theater | Port Chester | NY | |
| flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger | |||||
| 140834 | 1971-02-24 | Capitol Theater | Port Chester | NY | |
| flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16 | |||||
| 162394 | 1971-02-24 | Capitol Theater | Port Chester | NY | |
| flac1644 Source: akg d190e > Uher 4000 5" reel > cassette (unknown gens) from the collection of Doug Lamarre. Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick | |||||
| 162395 | 1971-02-24 | Capitol Theater | Port Chester | NY | |
| flac2496 Source: akg d190e > Uher 4000 5" reel > cassette (unknown gens) from the collection of Doug Lamarre. Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > CD Wave > flac24 edited and mastered SIRMick | |||||
| 120486 | 1971-02-?? | Unknown | Unknown | Unknown | |
| flac16; unknown low gen Maxell XLII Cassette>Wav via Teac Stand Alone CD Burner > ? > SBE found - fix (TLH) shift backwards > MD5 + FFP made with (TLH) | |||||
| 6248 | 1971-03-03 | Fillmore West | San Francisco | CA | |
| SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B. | |||||
| 130986 | 1971-03-03 | Fillmore West | San Francisco | CA | |
| flac16; Recording Info: SBD > MR > ? > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing SBD source. First four tracks are stereo, balance of show is 2 track MONO. Transferred, tracked and mastered by Bill Guarneri, August 18, 2014 | |||||
| 149685 | 1971-03-03 | Fillmore West | San Francisco | CA | |
| flac16; Master Soundboard Recording, unknown pedigree; Transfer - Nak BX-300 > Sony 75ES > DAT; Mastering by Jamie Waddell and Jason Chastain | |||||
| 149879 | 1971-03-03 | Fillmore West | San Francisco | CA | |
| flac16/48kHz; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 149880 | 1971-03-03 | Fillmore West | San Francisco | CA | |
| flac24; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496 | |||||
| 6249 | 1971-03-14 | Camp Randall Field House, University of Wisconsin | Madison | WI | |
| SBD> MR> C> DAT> CDR; disc # 1 is 80 minutes, Truckin? fades in at "typical daydream", splice in Hard To Handle; via Mike Lai, with thanks to Paul B. | |||||
| 6115 | 1971-03-14 | Camp Randall Field House, University of Wisconsin | Madison | WI | |
| Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1 | |||||
| 130581 | 1971-03-14 | Camp Randall Field House, University of Wisconsin | Madison | WI | |
| flac16; Recording Info: SBD > MR > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC | |||||
| 1663 | 1971-03-18 | Fox Theatre | St. Louis | MO | |
| SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke | |||||
| 130560 | 1971-03-18 | Fox Theatre | St. Louis | MO | |
| flac16; Recording Info: SBD > R > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC | |||||
| 132491 | 1971-03-18 | Fox Theatre | St. Louis | MO | |
| flac16; Set 2 Only; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bob Mathews)- Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Sony PCM-R500 DAT Deck @ 44.1KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) | |||||
| 5582 | 1971-03-20 | University of Iowa | Iowa City | IA | |
| SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella | |||||
| 12074 | 1971-03-21 | Exposition Center | Milwaukee | WI | |
| AUD>MC>LP>R>CD; Missing Truckin'; See info file for details; via Chuck Kiefe; Seeded to etree by JCotsman | |||||
| 165920 | 1971-03-21 | Exposition Center | Milwaukee | WI | |
| flac1644 LP "Spring Tour '71" | |||||
| 85585 | 1971-03-24 | Winterland Arena | San Francisco | CA | |
| flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller | |||||
| 95869 | 1971-03-24 | Winterland Arena | San Francisco | CA | |
| flac16; Source: unknown aud > cdr > eac > wav > flac | |||||
| 25313 | 1971-03-24 | Winterland Arena | San Francisco | CA | |
| Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transfered and Edited By Charlie Miller | |||||
| 9501 | 1971-03-24 | Winterland Arena | San Francisco | CA | |
| Partial; SBD>MR>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman | |||||
| 76807 | 1971-04-04 | Manhattan Center | New York | NY | |
| flac16; source: MSR > C >DAT3 > Delta DiO 2496 > SoundForge 7.0 > cdwav > flac > wav > flac; this is a partial clean up of shn id 35252. see text file (note: this source was originally seeded with some files out of order) | |||||
| 35252 | 1971-04-04 | Manhattan Center | New York | NY | |
| flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac | |||||
| 10358 | 1971-04-04 | Manhattan Center | New York | NY | |
| AUD>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman | |||||
| 110325 | 1971-04-04 | Manhattan Center | New York | NY | |
| flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 96269 | 1971-04-05 | Manhattan Center | New York | NY | |
| flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros. | |||||
| 100052 | 1971-04-05 | Manhattan Center | New York | NY | |
| flac16; Partial show source: aud of unknown origin lineage: mono aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/7/09 | |||||
| 117 | 1971-04-05 | Manhattan Center | New York | NY | |
| remastered de-whined version? (see notes) of version circulating 8/99, via Leigh Orf; his other comments: "I also fixed track sector boundaries (urk why can't people get this right the 1st time), cut a couple of annoying micro-dropouts, put smooth fades in/out where the reel stopped/started, and did a seamless crossfade-merge on the reel flip in Lovelight" and retracked d3 | |||||
| 12367 | 1971-04-05 | Manhattan Center | New York | NY | |
| shntool fix of Orf seed (?- note doesn't jibe with what is know of prev seed), by Chris Ladner | |||||
| 16606 | 1971-04-05 | Manhattan Center | New York | NY | |
| 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens | |||||
| 110127 | 1971-04-05 | Manhattan Center | New York | NY | |
| flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | |||||
| 110185 | 1971-04-05 | Manhattan Center | New York | NY | |
| flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; This source is a fix of shnid=110127 (Fixed track mark on d2t04); All Transfers and Mastering By Charlie Miller | |||||
| 96299 | 1971-04-06 | Manhattan Center | New York | NY | |
| flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 8, 2008, Green Mountain Bros. | |||||
| 100040 | 1971-04-06 | Manhattan Center | New York | NY | |
| flac16; source: aud of unknown origin; lineage: mono aud>?>7" reel @ 3.34 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/6/09 | |||||
| 118 | 1971-04-06 | Manhattan Center | New York | NY | |
| SBD; via M. Lai | |||||
| 18735 | 1971-04-06 | Manhattan Center | New York | NY | |
| 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens | |||||
| 109026 | 1971-04-06 | Manhattan Center | New York | NY | |
| flac24; Unknown lineage soundboard reels > Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC by Matt Smith Edited and Mastered by Jamie Waddell on the GEMS Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8 | |||||
| 152611 | 1971-04-06 | Manhattan Center | New York | NY | |
| flac16/44 Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1) Transfer Info: DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16 | |||||
| 154656 | 1971-04-06 | Manhattan Center | New York | NY | |
| Source: Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k) Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1 Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16 | |||||
| 96225 | 1971-04-07 | Music Hall | Boston | MA | |
| flac16; Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros. | |||||
| 119 | 1971-04-07 | Music Hall | Boston | MA | |
| Betty Board, details as outlined in Compendium; via Leigh Orf; corrupt d2t7 replaced 3/17; note Phil low/absent in mix | |||||
| 83301 | 1971-04-07 | Music Hall | Boston | MA | |
| flac16; 7" BBD Reel > PCM501ES > Fostex D5 > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 1-12-02 WBOTB Project | |||||
| 136892 | 1971-04-07 | Music Hall | Boston | MA | |
| flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 | |||||
| 141029 | 1971-04-07 | Music Hall | Boston | MA | |
| flac16; Source: sbd > master reel > pcm > dolby A decoded dat > pcm (Sony beta HG) - recorded by Betty Cantor and provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 | |||||
| 96627 | 1971-04-08 | Music Hall | Boston | MA | |
| flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros. | |||||
| 83756 | 1971-04-08 | Music Hall | Boston | MA | |
| flac16; 7" Betty Board Reel > PCM501ES analog out > Dolby A Decoder > Analog in PCMF1 PCM501ES analog out > Fostex D5 optical S/PDIF out > disk Transferred by Tim Deibert 9-16-02 WBOTB | |||||
| 120 | 1971-04-08 | Music Hall | Boston | MA | |
| SBD; via Mike Lai; updated info file with tracklist and notes provided by Cosmic Chuck | |||||
| 14397 | 1971-04-08 | Music Hall | Boston | MA | |
| SMR>PCM>WAV>Shn; Conversion via SEK'd Prodif96Pro, editing via Samplitude filtered the right channel to reduce 60-cycle hum using narrowband filter reducing it a few db's; uploaded by theotherwayne@yahoo.com | |||||
| 23732 | 1971-04-08 | Music Hall | Boston | MA | |
| sbd; same as /shninfo_detail.php?shnid=120 with SBEs fixed and seektables appended with shntool. | |||||
| 141099 | 1971-04-08 | Music Hall | Boston | MA | |
| flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 8674 | 1971-04-10 | East Hall, Franklin & Marshall College | Lancaster | PA | |
| SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy | |||||
| 31960 | 1971-04-12 | Civic Arena | Pittsburgh | PA | |
| flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller | |||||
| 82986 | 1971-04-13 | Catholic Youth Center | Scranton | PA | |
| DVD VA; (Video Audio) SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha remaster of the Master Reel source (shn id 32015); audio only - no video | |||||
| 32015 | 1971-04-13 | Catholic Youth Center | Scranton | PA | |
| flac16; MSR>DAT3x>Delta Dio 2496 soundcard>Soundforge>Flac16 | |||||
| 9410 | 1971-04-13 | Catholic Youth Center | Scranton | PA | |
| set 2 partial; Master Soundboard Reel > DAT> CDR | |||||
| 32077 | 1971-04-13 | Catholic Youth Center | Scranton | PA | |
| flac16; SBD > MR > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 6) | |||||
| 6250 | 1971-04-14 | Davis Gymnasium | Lewisburg | PA | |
| SBD> MR> DAT> CDR; several spots of irreparable reel static; via Mike Lai with thanks to Paul B.; note 4 tracks in d2 had been misnumbered, corrections shown in fixed md5s: 1> 3, 2>4, 3>1, 4>2 | |||||
| 130916 | 1971-04-14 | Davis Gymnasium | Lewisburg | PA | |
| flac16; Recording Info: SBD > MR > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > Flac; Cleaned up, retracked, remastered version of shnid 6250. Cleaned up, retracked and mastered by Bill Guarneri, August 9, 2014 | |||||
| 132543 | 1971-04-14 | Davis Gymnasium | Lewisburg | PA | |
| flac16/48kHz: 7 Inch 1/4 Track Reel Master @ 7.5 ips (Recorded By Bob Mathews); Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel to Reel-Sony PCM-R500 DAT Deck @ 48KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing (Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)- Tagging(Tag & Re-name) | |||||
| 132733 | 1971-04-14 | Davis Gymnasium | Lewisburg | PA | |
| flac16/48kHz; Static reduced, speed corrected, slightly eq'ed & gain normalized version of source ID 132543 (SBD> MR> DAT) by Dan McDonald | |||||
| 11652 | 1971-04-15 | Allegheny College | Meadville | PA | |
| SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr) | |||||
| 88760 | 1971-04-17 | Dillon Gym, Princeton University | Princeton | NJ | |
| flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav | |||||
| 89031 | 1971-04-17 | Dillon Gym, Princeton University | Princeton | NJ | |
| flac24; source: soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate | |||||
| 121 | 1971-04-17 | Dillon Gym, Princeton University | Princeton | NJ | |
| set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield | |||||
| 122 | 1971-04-17 | Dillon Gym, Princeton University | Princeton | NJ | |
| set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield | |||||
| 107075 | 1971-04-17 | Dillon Gym, Princeton University | Princeton | NJ | |
| flac16; Unknown mic(mono)Â >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith | |||||
| 107384 | 1971-04-17 | Dillon Gym, Princeton University | Princeton | NJ | |
| flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobin | |||||
| 107385 | 1971-04-17 | Dillon Gym, Princeton University | Princeton | NJ | |
| DTS-Audio-CD 5.1 Mix; SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + SBD2 (shn id 122) set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield + AUD1 (no shn id) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - dts mixing by Kevin Tobin | |||||
| 138033 | 1971-04-17 | Dillon Gym, Princeton University | Princeton | NJ | |
| flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017 | |||||
| 6251 | 1971-04-18 | Lusk Field House, S.U.C.N.Y | Cortland | NY | |
| SBD> MR> ??> DAT> CDR; splice at 4:20 of Casey Jones, missing a couple seconds, UJB cuts at 3:21; via Mike Lai, with thanks to Paul B. | |||||
| 7112 | 1971-04-18 | Lusk Field House, S.U.C.N.Y | Cortland | NY | |
| SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes | |||||
| 130710 | 1971-04-18 | Lusk Field House, S.U.C.N.Y | Cortland | NY | |
| flac16; Recording Info: SBD > MR > C > C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC; This fresh transfer is a nice upgrade over existing sources which are very degraded with loud tape hiss. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014 | |||||
| 2578 | 1971-04-21 | Rhode Island Auditorium | Providence | RI | |
| sdb> MR> PCM> CD; via Mike Lai | |||||
| 8227 | 1971-04-21 | Rhode Island Auditorium | Providence | RI | |
| MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan | |||||
| 130598 | 1971-04-21 | Rhode Island Auditorium | Providence | RI | |
| Recording Info: SBD > R > DAT >CD; Transfer Info: CD >WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked version of Source ID 8227 | |||||
| 141116 | 1971-04-21 | Rhode Island Auditorium | Providence | RI | |
| flac16; Source Info: Master Soundboard Reels > 1st generation reels > 2nd generation reels > PCM (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 2176 | 1971-04-22 | Bangor Municipal Auditorium | Bangor | ME | |
| Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree | |||||
| 167465 | 1971-04-22 | Bangor Municipal Auditorium | Bangor | ME | |
| flac1644; Recording info: Master soundboard reel > first generation reel > PCM > DAT (via Anon); Transfer info: Tascam DA-302 > Sound Devices 722 (digital transfer); DAT transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel | |||||
| 2579 | 1971-04-24 | Wallace Wade Stadium, Duke University | Durham | NC | |
| sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file | |||||
| 143959 | 1971-04-24 | Wallace Wade Stadium, Duke University | Durham | NC | |
| flac24; Source Info:Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496 | |||||
| 143958 | 1971-04-24 | Wallace Wade Stadium, Duke University | Durham | NC | |
| flac16/48kHz; Source Info: Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 95625 | 1971-04-25 | Fillmore East | New York | NY | |
| flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 96096 | 1971-04-25 | Fillmore East | New York | NY | |
| DVD-VA; (Video-Audio) SBD>>MR>>CD>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel source (source id 95625) Audio only, no video | |||||
| 30886 | 1971-04-25 | Fillmore East | New York | NY | |
| flac16; Source: SBD -> ? -> C -> CDR via Dave Minor, encoding Matt Vernon | |||||
| 8761 | 1971-04-25 | Fillmore East | New York | NY | |
| Partial set 2; sbd>RM>?>DAT>CD; via Charlie Miller; Seeded to etree by Grote | |||||
| 113038 | 1971-04-25 | Fillmore East | New York | NY | |
| flac16; This remaster uses Charlie Miller's gd71-04-25.sbd.miller.95625.sbeok.flac16 as a baseline. Amplitude and Equalization adjustments were made using Cool Edit 2000. | |||||
| 2214 | 1971-04-26 | Fillmore East | New York | NY | |
| MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead | |||||
| 4330 | 1971-04-26 | Fillmore East | New York | NY | |
| source not specified; includes (wrong) NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine? | |||||
| 4991 | 1971-04-26 | Fillmore East | New York | NY | |
| GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers | |||||
| 105815 | 1971-04-26 | Fillmore East | New York | NY | |
| flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller | |||||
| 105814 | 1971-04-26 | Fillmore East | New York | NY | |
| flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller | |||||
| 113839 | 1971-04-26 | Fillmore East | New York | NY | |
| Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11 | |||||
| 126270 | 1971-04-26 | Fillmore East | New York | NY | |
| flac16; MR 7.5 ips > R > FLAC Will Boswells from Peter Kafer; Transfer: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; remastered by Matt Smith 2013 | |||||
| 143159 | 1971-04-26 | Fillmore East | New York | NY | |
| flac24; Source: Master Soundboard Reel 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018 | |||||
| 145130 | 1971-04-26 | Fillmore East | New York | NY | |
| flac16; Source: Master Soundboard Rell 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018; This file set is 16 bit @ 44.1 | |||||
| 2221 | 1971-04-27 | Fillmore East | New York | NY | |
| MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead | |||||
| 2998 | 1971-04-27 | Fillmore East | New York | NY | |
| SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead | |||||
| 4331 | 1971-04-27 | Fillmore East | New York | NY | |
| MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine? | |||||
| 5165 | 1971-04-27 | Fillmore East | New York | NY | |
| mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.) | |||||
| 106550 | 1971-04-27 | Fillmore East | New York | NY | |
| flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller | |||||
| 106562 | 1971-04-27 | Fillmore East | New York | NY | |
| flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller | |||||
| 114094 | 1971-04-27 | Fillmore East | New York | NY | |
| flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith | |||||
| 114461 | 1971-04-27 | Fillmore East | New York | NY | |
| flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 141129 | 1971-04-27 | Fillmore East | New York | NY | |
| flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 2248 | 1971-04-28 | Fillmore East | New York | NY | |
| MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead | |||||
| 4332 | 1971-04-28 | Fillmore East | New York | NY | |
| MR> R> CDR and MR> CDR; includes NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine? | |||||
| 11257 | 1971-04-28 | Fillmore East | New York | NY | |
| Complete; Previous splices patched with 'official release' material; See info file for details; Truckin'through Bird Song 02:07.38: MSR>Reel>Alesis Masterlink>CDR; Bird Song 02:08.70 through end of show: MSR 7 inch (7.5 ips) Revox A 77> Alesis Masterlink> CDR (previous splices patched via multi- track sources as noted below); Seeded to etree by Seth D Kaplan and Alan J Fink | |||||
| 32862 | 1971-04-28 | Fillmore East | New York | NY | |
| MR>R>CDR and MR>CDR with alt. SBD patches; Refined, patched, re-tracked and SHN'ed by Chris Frisco. | |||||
| 102859 | 1971-04-28 | Fillmore East | New York | NY | |
| flac24; SBD MR>R@ 7 1/2 ips. Tape stock:Maxell UD35-7 tape. Transfer info:Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC. Edited on the GEMS Edit Station by Jamie Waddell. Pow-r3 Dither in Weiss-Saracon FLAC Level 8 in Trader's Lil Helper Meta-Data with Tag&ReName | |||||
| 106099 | 1971-04-28 | Fillmore East | New York | NY | |
| flac16; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16; All Mastering By Charlie Miller | |||||
| 106100 | 1971-04-28 | Fillmore East | New York | NY | |
| flac24; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/24; All Mastering By Charlie Miller | |||||
| 114029 | 1971-04-28 | Fillmore East | New York | NY | |
| flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > CD FLAC; Transfered and mastered by Matt Smith | |||||
| 114088 | 1971-04-28 | Fillmore East | New York | NY | |
| flac24; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0 > FLAC 24 bit; Transfered and mastered by Matt Smith 6/11 | |||||
| 126262 | 1971-04-28 | Fillmore East | New York | NY | |
| flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Truckin thru Bird Song is from a second gen reel. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transfered and mastered by Matt Smith | |||||
| 114145 | 1971-04-29 | Fillmore East | New York | NY | |
| flac16; SBD MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering) > Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > FLAC | |||||
| 33565 | 1971-04-29 | Fillmore East | New York | NY | |
| fake version of the show, seeded by Dan Am-Dig to bt.etree.org, actually a composite including material from 4/27,28 as "patches" or "interleaves" (see notes in 4/6 info) | |||||
| 97660 | 1971-04-29 | Fillmore East | New York | NY | |
| flac16; matrix of SBD: shnid=33565 and AUD: shnid=26568 by hansokolow using ProTools | |||||
| 26568 | 1971-04-29 | Fillmore East | New York | NY | |
| flac16; Master audience reel (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; A > D by Steven Martin; Tracking and EAC > SHN by Jack Warner | |||||
| 126 | 1971-04-29 | Fillmore East | New York | NY | |
| MR> R> DAT> CDR; note 4 CD best-of-run is available from the Dead | |||||
| 1858 | 1971-04-29 | Fillmore East | New York | NY | |
| complete, including NRPS; MSR 7 inch (Revox A-77) @ 7.5 ips > Alesis Masterlink >CD-R; via Bob Murphy, Dan Stephens; stemming from Jim Wise seed of Well vine; note d5 tracked for 80 min; see highly detailed commentary in pub comments; note 4 CD best-of-run is available from the Dead | |||||
| 4333 | 1971-04-29 | Fillmore East | New York | NY | |
| SBD>MR>CDR; includes NRPS; see info file for listening notes and detailed source info; tracked out and with same background info as previous shn set, but md5s differ; via vine? | |||||
| 16782 | 1971-04-29 | Fillmore East | New York | NY | |
| Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set | |||||
| 19639 | 1971-04-29 | Fillmore East | New York | NY | |
| SBD > 8 track RTR @ 15 i.p.s. (Vault Master) > 2 track RTR @ 15 i.p.s. (Phil Lesh 1987 mixdown Safety) > 24/96 DAT > SSSB (SHNTOOL used and verified) | |||||
| 105925 | 1971-04-29 | Fillmore East | New York | NY | |
| flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller | |||||
| 105926 | 1971-04-29 | Fillmore East | New York | NY | |
| flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller | |||||
| 114350 | 1971-04-29 | Fillmore East | New York | NY | |
| flac16; Recording Info: SBD -> 16 Track Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 19153 | 1971-05-29 | Winterland Arena | San Francisco | CA | |
| source 1: AUD>M?>C>CD>EAC>SHN; source 2: AUD>M?>C>D>SHN; see caveat for sound quality; Thanks to Jim Powell and others | |||||
| 110324 | 1971-05-29 | Winterland Arena | San Francisco | CA | |
| flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC (1 Disc Audio / 1 Disc FLAC) | |||||
| 31968 | 1971-05-30 | Winterland Arena | San Francisco | CA | |
| flac16; Unknown Mics -> ? -> Cassette -> Dat (44.1k) Transferred and Edited By Charlie Miller | |||||
| 94119 | 1971-05-30 | Winterland Arena | San Francisco | CA | |
| flac16; SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 94356 | 1971-06-21 | Chateau D'Herouville | Herouville | France | |
| flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 4643 | 1971-06-21 | Chateau D'Herouville | Herouville | France | |
| SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree | |||||
| 33659 | 1971-07-02 | Fillmore West | San Francisco | CA | |
| Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs | |||||
| 18289 | 1971-07-02 | Fillmore West | San Francisco | CA | |
| Source: Master Reel (Pre-FM) > PCM > DAT Conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwav Record and Index > FLAC (1.1GB) | |||||
| 6193 | 1971-07-02 | Fillmore West | San Francisco | CA | |
| FM; Bob Clevenger's clean-up of Leigh Orf's hosting of Mike Lai's previous shn set; see notes in info file | |||||
| 11798 | 1971-07-02 | Fillmore West | San Francisco | CA | |
| sdb (suspected FM); via Mike Lai; Sector boundaries fixed, files renamed correctly and txt file cleaned up by Dave Backus | |||||
| 118485 | 1971-07-02 | Fillmore West | San Francisco | CA | |
| flac16; Partial Set 2, FM>Reel>CDR>TLH>FLAC and Pre-FM MSR>DAT>CDR>TLH>FLAC | |||||
| 136638 | 1971-07-02 | Fillmore West | San Francisco | CA | |
| flac16; Pre Broadcast Recording > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audacity and Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH | |||||
| 5678 | 1971-07-31 | Yale Bowl, Yale University | New Haven | CT | |
| AKG 190E mic > Uher 4000 Report-L 5" Reel deck, Taper: Marty Weinberg; mixed genealogy: I: AudMR > CD > EAC > WAV > SHN, II: AudMR > C > DAT > CD > EAC > WAV >SHN; final digital version assembled by: Noah Weiner; see info file for details and flaw notes; via Audience Devotional Tree | |||||
| 132730 | 1971-07-31 | Yale Bowl, Yale University | New Haven | CT | |
| flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 134686 | 1971-07-31 | Yale Bowl, Yale University | New Haven | CT | |
| flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:132730)SBD -> Master Reel -> CD,CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; Audience (shnid:101438)Sources:I: AudMR > CD > EAC > WAV > SHN,II: AudMR > C > DAT > CD > EAC > WAV > SHN,single AKG 190E mic > Uher 4000 Report-L 5" Reel deck, 1/2 track tapes on a Revox A-700 (tweaked the head azimuth to match the original recording). Signal fed into DigiDesign Pro Tools on a Macintosh with Audio Media III sound card. The only post processing was normalization. | |||||
| 95308 | 1971-08-04 | Terminal Island Correctional Fac. | San Pedro | CA | |
| flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 88859 | 1971-08-05 | Hollywood Palladium | Hollywood | CA | |
| flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 137288 | 1971-08-05 | Hollywood Palladium | Hollywood | CA | |
| flac16; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; Mastered By Charlie Miller | |||||
| 94260 | 1971-08-05 | Hollywood Palladium | Hollywood | CA | |
| flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD 'loser' was missing on this reel but used Don Wolfe's MAR>R>R @ 3 3/4 ips copy... One of the mics malfunctioned before the second set resulting in a mono recording on set 2 R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH) | |||||
| 96540 | 1971-08-05 | Hollywood Palladium | Hollywood | CA | |
| flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 97014 | 1971-08-05 | Hollywood Palladium | Hollywood | CA | |
| flac 16; Sick Bits Vol. 29a - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=96540) + AUD (shnid=94260) as well as patch AUD sources (shnid=88859 and shnid=9768). Matrixed by Chris Chappell. | |||||
| 9768 | 1971-08-05 | Hollywood Palladium | Hollywood | CA | |
| AUD>MR>R>D>CD; via Jeff Krakowka & Jim Hale; Seeded to etree by J. Cotsman | |||||
| 137274 | 1971-08-05 | Hollywood Palladium | Hollywood | CA | |
| flac24; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller | |||||
| 141678 | 1971-08-05 | Hollywood Palladium | Hollywood | CA | |
| flac24; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick | |||||
| 144915 | 1971-08-05 | Hollywood Palladium | Hollywood | CA | |
| flac16; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; this file set is 16 bit @ 44.1 | |||||
| 147720 | 1971-08-05 | Hollywood Palladium | Hollywood | CA | |
| flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD; Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; converted to .wav files bit rate 14H kbps / 44 khz, retracked, tagged and patched in tracks from the Charlie Miller SBD source and the Boswell / Smith / Sirmick AUD source. Increased the volume on patched SBD tracks by 25%. All post work done by Brian Flegel (using Roxio Sound Editor 2009) | |||||
| 30224 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick | |||||
| 88816 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 94261 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH) | |||||
| 96541 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 96668 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009 | |||||
| 97015 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell. | |||||
| 77457 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected | |||||
| 129 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys | |||||
| 109430 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| flac24; FOB Sony ECM-22P mics New Riders - MAR>R@ 7.5 ips.>DVD; GD - lineage: MAR>R@ 7.5 ips>DVD; Akai GX636 (a rare black model) > Apogee Mini Me @24bit/96kHz > Apogee mini DAC (monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC | |||||
| 110278 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| DVD-VA: (Video Audio) SBD>>MR>>CDA>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (audio only, no video) | |||||
| 114390 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| flac24; Aud.7.5 ips>R(Don Wolfe) Transfer info:Akai GX636 > Apogee Mini Me @24/96; Transfered and mastered by Matt Smith 6/11 | |||||
| 127690 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| flac24; Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC | |||||
| 130793 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| flac16; Matrix 2 Source Mix - SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - matrix mixing by Kevin Tobin | |||||
| 130794 | 1971-08-06 | Hollywood Palladium | Hollywood | CA | |
| DTS-Audio-CD 5.1 Mix; SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - dts mixing by Kevin Tobin | |||||
| 1451 | 1971-08-14 | Berkeley Community Theater | Berkeley | CA | |
| SBD MR->DAT->CD; to abgd; info courtesy Trip, 9/13/00 | |||||
| 21268 | 1971-08-14 | Berkeley Community Theater | Berkeley | CA | |
| Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner Another installment of TMNSP, 12/03. | |||||
| 130871 | 1971-08-14 | Berkeley Community Theater | Berkeley | CA | |
| flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Transferred, tracked and mastered by Bill Guarneri, August 5, 2014 | |||||
| 131 | 1971-08-15 | Berkeley Community Theater | Berkeley | CA | |
| mSR> cass> DAT> Serafin remaster> CDR; via Andy Gustin; Andy's comments: "not 100% flawless (eg. reel flip in Rider, sporadic anomalies) but they are absolutely worth getting. To my knowledge this is the best that circulates. They do sound amazing." | |||||
| 21780 | 1971-08-15 | Berkeley Community Theater | Berkeley | CA | |
| Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner | |||||
| 130890 | 1971-08-15 | Berkeley Community Theater | Berkeley | CA | |
| flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing sources. No shn or CDR in lineage. Transferred, tracked and mastered by Bill Guarneri, August 7, 2014 | |||||
| 168861 | 1971-08-15 | Berkeley Community Theater | Berkeley | CA | |
| flac1648 Recording Info: Sony TC-D40 (Built-In Mic) > Cassette Master (TDK 120SD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16 Recording and Transfer by Bob Menke Mastering by Charlie Miller | |||||
| 168862 | 1971-08-15 | Berkeley Community Theater | Berkeley | CA | |
| flac2496 Recording Info: Sony TC-D40 (Built-In Mic) > Cassette Master (TDK 120SD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24 Recording and Transfer by Bob Menke Mastering by Charlie Miller | |||||
| 168863 | 1971-08-15 | Berkeley Community Theater | Berkeley | CA | |
| flac1644 Recording Info: SBD > Master Reel > Cassette > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/16 All Transfers and Mastering by Charlie Miller | |||||
| 168900 | 1971-08-15 | Berkeley Community Theater | Berkeley | CA | |
| flac1644 FIXED Version 2 SBD > Master Reel > Cassette > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/16 All Transfers and Mastering by Charlie Miller | |||||
| 83307 | 1971-08-21 | Mickey's Barn | Novato | CA | |
| flac16; listed as SBD from John Cipollina's reels > 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac (this is actually an audience recording) | |||||
| 17179 | 1971-08-21 | Mickey's Barn | Novato | CA | |
| AUDMC(Sony TC-24 with supplied Sony stereo mic) > Nakamichi Dragon (no Dolby) > Sony D7 DAT > optical digital cable (DTC-700 was the playback unit) through a Zefiro ZA2 soundcard tracked and normalized in Sound Forge. Known as "Mickey's Barn Jam" | |||||
| 9759 | 1971-08-23 | Auditorium Theatre | Chicago | IL | |
| AUD>MR>C>R>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman | |||||
| 125886 | 1971-08-23 | Auditorium Theatre | Chicago | IL | |
| flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 165864 | 1971-08-23 | Auditorium Theatre | Chicago | IL | |
| flac2496 Source: Audio Cassette (3rd gen) from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 11 Advanced > iZotope Neutron 3 > CD Wave > Flac 24 edited and mastered SIRMick September 2023 | |||||
| 165863 | 1971-08-23 | Auditorium Theatre | Chicago | IL | |
| flac1644 Audio Cassette (3rd gen) from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 11 Advanced > iZotope Neutron 3 > iZotope RX 11 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick September 2023 | |||||
| 32351 | 1971-08-26 | Gaelic Park | Bronx | NY | |
| Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12. | |||||
| 32303 | 1971-08-26 | Gaelic Park | Bronx | NY | |
| flac16; SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k) Transferred and Edited By Charlie Miller | |||||
| 35374 | 1971-08-26 | Gaelic Park | Bronx | NY | |
| flac16; Source 1: set 1 and Casey Jones - unknown aud and Source 2: the rest of set 2 - AKG190E > Uher 400L, taped by Marty Weinberg remastered by SIRMick | |||||
| 100292 | 1971-08-26 | Gaelic Park | Bronx | NY | |
| flac16; taped by Marty Weinberg: akg d190e mic > Uher 4000L; source: aud 1st gen reel lineage: aud 5" reel masters>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 7/25/09 | |||||
| 1559 | 1971-08-26 | Gaelic Park | Bronx | NY | |
| SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2 | |||||
| 126297 | 1971-08-26 | Gaelic Park | Bronx | NY | |
| flac16; source: aud cassette master taped by Jim & Laurie Cooper; 2 unknown mics > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger 2013 | |||||
| 16891 | 1971-09-29 | Studio Rehearsals with Keith Godchaux | Santa Venetia | CA | |
| MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt | |||||
| 116951 | 1971-09-29 | Studio Rehearsals with Keith Godchaux | Santa Venetia | CA | |
| flac16 Bootleg CDs "Unsurpassed Master Vol 4" And "Unsurpassed Master Vol 6" > EAC > Wav > FLAC | |||||
| 18109 | 1971-09-30 | Studio Rehearsals with Keith Godchaux | Santa Venetia | CA | |
| Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit | |||||
| 16897 | 1971-09-?? | Keith rehearsals | Santa Venetia | CA | |
| Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp | |||||
| 150976 | 1971-09-?? | Keith rehearsals | Santa Venetia | CA | |
| flac24 Complied From Multiple Sources Including Analog Tapes (from The Jeff Knudsen Archive, Curated By Tom Markson, And Blackwood Archives) As Well As Existing Shn And Bootleg Cd Sources. Cassette Source Transfers (nakamichi Cr-7a) > Tascam Da-3000 > Samplitude Pro X5 > Flac2496 Transfers And Mastering By Jim Blackwood Speed Corrections By Jason Chastain Project Assistance From Jamison Waddell | |||||
| 151081 | 1971-09-?? | Keith rehearsals | Santa Venetia | CA | |
| flac16/48khz omplied from multiple sources including analog tapes (from the Jeff Knudsen Archive, curated by Tom Markson, and Blackwood archives) as well as existing shn and bootleg cd sources. Regarding accuracy of dates within the sets of rehearsals: this is as-is as it may not all be 100% correct. Cassette source transfers (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transfers and Mastering by Jim Blackwood Speed Corrections by Jason Chastain Project assistance from Jamison Waddell | |||||
| 16896 | 1971-10-01 | Studio | Santa Venetia | CA | |
| MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived]. | |||||
| 3301 | 1971-10-19 | Northrop Auditorium, U. of Minn. | Minneapolis | MN | |
| PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston | |||||
| 114351 | 1971-10-19 | Northrop Auditorium, U. of Minn. | Minneapolis | MN | |
| flac16; Recording Info: SBD -> Reel Master (7 inch 1/4 track) -> Dat (48k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 5067 | 1971-10-21 | Auditorium Theatre | Chicago | IL | |
| Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston | |||||
| 5071 | 1971-10-21 | Auditorium Theatre | Chicago | IL | |
| SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file | |||||
| 9622 | 1971-10-21 | Auditorium Theatre | Chicago | IL | |
| Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA | |||||
| 112086 | 1971-10-21 | Auditorium Theatre | Chicago | IL | |
| flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 168695 | 1971-10-21 | Auditorium Theatre | Chicago | IL | |
| flac1648 FM Broadcast (WGLD 102.7 FM - Oak Park, IL) > ?? > Don Wolfe's Reels Transfer Info: Don Wolfe's reels (Revox A77 MK4) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 .wav > Adobe Audition 2024 > TLH2496 | |||||
| 168696 | 1971-10-21 | Auditorium Theatre | Chicago | IL | |
| flac2496 FM Broadcast (WGLD 102.7 FM - Oak Park, IL) > ?? > Don Wolfe's Reels Transfer Info: Don Wolfe's reels (Revox A77 MK4) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 .wav > Adobe Audition 2024 > TLH2496 | |||||
| 86728 | 1971-10-22 | Auditorium Theatre | Chicago | IL | |
| flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 112821 | 1971-10-22 | Auditorium Theatre | Chicago | IL | |
| flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 10359 | 1971-10-23 | Eastown Theater | Detroit | MI | |
| SBD>FM>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman | |||||
| 18666 | 1971-10-23 | Eastown Theater | Detroit | MI | |
| SBD>FM>?>CASS>CD>EAC>DC5>CD Thanks to the Wizard; seedeD | |||||
| 19862 | 1971-10-23 | Eastown Theater | Detroit | MI | |
| FM C/3; via Uli Teute and Hanno Bunjes | |||||
| 111673 | 1971-10-23 | Eastown Theater | Detroit | MI | |
| flac16; Recording Info:SBD -> Master Reel (7 Inch - 1/2 Track) -> Sound Devices 744T (24bit/96k) -> FLAC/24; Transfer Info:FLAC/24 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 3292 | 1971-10-24 | Eastown Theater | Detroit | MI | |
| Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston | |||||
| 125887 | 1971-10-24 | Eastown Theater | Detroit | MI | |
| flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 9761 | 1971-10-26 | The Palestra, U. of Rochester | Rochester | NY | |
| Source 1: (all material on discs 1 & 2) SBD>MR>R>C>D>CD(pre FM) Source 2: (all material on disc 3) SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman | |||||
| 32668 | 1971-10-27 | Onondaga County War Memorial | Syracuse | NY | |
| flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |||||
| 9503 | 1971-10-27 | Onondaga County War Memorial | Syracuse | NY | |
| Missing 3 2nd set tracks, see info file for details; SBD>FM>MR>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman | |||||
| 32869 | 1971-10-27 | Onondaga County War Memorial | Syracuse | NY | |
| flac16; SBD > MR > CASS > DAT > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha Remaster of shn id 32668 | |||||
| 4090 | 1971-10-29 | Allen Theatre | Cleveland | OH | |
| set 2; SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B. CD | |||||
| 10357 | 1971-10-29 | Allen Theatre | Cleveland | OH | |
| Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman | |||||
| 24999 | 1971-10-29 | Allen Theatre | Cleveland | OH | |
| Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller | |||||
| 2664 | 1971-10-30 | Taft Auditorium | Cincinnati | OH | |
| FM> Pioneer RT-707 (7" reel @ 19 ips)> CD; Conversion: Kenwood TrueX > EAC > shn v3 (seekable); via Brian Cole | |||||
| 26608 | 1971-10-30 | Taft Auditorium | Cincinnati | OH | |
| mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes) | |||||
| 130823 | 1971-10-30 | Taft Auditorium | Cincinnati | OH | |
| flac16; Updated Recording Info: Pre FM SBD > MR > RR @ 7 1/2 IPS; Transfer Info: RR > 1978 Teac 3440 > WAV > Sound Forge 10 > TLH > FLAC; Transfered, tracked and mastered by Bill Guarneri, August 1, 2014 | |||||
| 137408 | 1971-10-30 | Taft Auditorium | Cincinnati | OH | |
| flac16; Recording of the FM Broadcast on WEBN Cincinnati, DAT provided and transferred by Stuccoholmes, Editing and Mastering by Jamie Waddell in Wavelab 7.1, Critical Listening assitance by John Wenzel. Track, FLAC and Pack by Norm | |||||
| 79011 | 1971-10-31 | Ohio Theatre | Columbus | OH | |
| flac16; Set 1 & Encore: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC | |||||
| 16781 | 1971-10-31 | Ohio Theatre | Columbus | OH | |
| partial SBD pre-fm GDH Dick Pick's leftovers | |||||
| 142426 | 1971-10-31 | Ohio Theatre | Columbus | OH | |
| flac16; Recording Info: SBD > Master Reel (7in @ 7.5ips 1/2trk) > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller | |||||
| 6253 | 1971-11-06 | Harding Theater | San Francisco | CA | |
| SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B. | |||||
| 2580 | 1971-11-07 | Harding Theater | San Francisco | CA | |
| updated lineage: sdb> MR> [FM> ?>] D> CD; via Mike Lai | |||||
| 9570 | 1971-11-07 | Harding Theater | San Francisco | CA | |
| SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan | |||||
| 127490 | 1971-11-07 | Harding Theater | San Francisco | CA | |
| flac24; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC | |||||
| 127503 | 1971-11-07 | Harding Theater | San Francisco | CA | |
| flac16; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Telefunken tubes tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC | |||||
| 135990 | 1971-11-07 | Harding Theater | San Francisco | CA | |
| flac16; FM or Pre-FM > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Audacity and Wavelab 7.1 Mastering by Jamie Waddell | |||||
| 155687 | 1971-11-07 | Harding Theater | San Francisco | CA | |
| flac24/96 Recording Info:
FM > Master Reel (3.75ips) > Reel (3.75ips) Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 Remastered version of shnid=127490 | |||||
| 155721 | 1971-11-07 | Harding Theater | San Francisco | CA | |
| FLAC 1644 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips) Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 Remastered version of shnid=127490 This is 155687 2496 > 1644 | |||||
| 167790 | 1971-11-07 | Harding Theater | San Francisco | CA | |
| flac1648: Recording Info: FM (KSFX-FM) > Master Reels (3.75ips Quarter track) Transfer Info: Master Reel (Technics RS-1506) > Korg (DSF 1-bit-5.6MHz) > Korg Audio Gate (FLAC 24-bit-96k) Mastering Info: FLAC (24-bit-96k) > Adobe Audition 2023 > iZotope RX8 Advanced > Samplitude Pro X6 Suite (WAV 16-bit-48k) > flac16 Patch Info: Pre-FM > Master Reels > DAT (44.1k) Ramble On Rose (0:00 - 0:18) Recording and Transfer by Bob Menke. Mastering by Charlie Miller.June 11, 2024 Notes: -- There are mix issues at the start of Ramble On Rose (on all sources) -- Brokedown Palace has an extra reel gen -- Thanks to Bob Menke for sharing his recording -- Thanks to Jim Blackwood for his help with this project | |||||
| 8326 | 1971-11-11 | Atlanta Municipal Auditorium | Atlanta | GA | |
| Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd | |||||
| 155920 | 1971-11-11 | Atlanta Municipal Auditorium | Atlanta | GA | |
| flac1644 (Bootleg Tape - from FM broadcast) FM-Cassx?>CD>.wav>flac via Brian Flegel | |||||
| 142439 | 1971-11-12 | San Antonio Civic Auditorium | San Antonio | TX | |
| flac16; Partial Set 2 Source: Sbd > Master reel (vault) > Dick's dat (44.1) - Provided by Rob Eaton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; edited and mastered SIRMick June 2018 | |||||
| 3347 | 1971-11-12 | San Antonio Civic Auditorium | San Antonio | TX | |
| sdb> master reel> pcm> cdr; via Mike Lai | |||||
| 4759 | 1971-11-12 | San Antonio Civic Auditorium | San Antonio | TX | |
| Master Soundboard Reel > Cassette > DAT > CDR | |||||
| 14916 | 1971-11-12 | San Antonio Civic Auditorium | San Antonio | TX | |
| 2nd set only; S : MC > C > SONIC SOLUTIONS > CDR > EAC > COOL EDIT PRO >CD (patched with SBD : MR > PCM > CDR source); See info file for details; via Charlie Miller; Seeded to etree by Alan J Fink; | |||||
| 120716 | 1971-11-12 | San Antonio Civic Auditorium | San Antonio | TX | |
| flac16; Partial aud 1st gen reel Jerry Moore's copy; lineage: aud > AKG d190e > Marty Weinberg's Uher reel master > JM's 1st gen reel @ 3.75 ips/dolby b > dat; sony tc-765 reel > teac an-180/b > sbm1 > sony d8 reel transferred to dat in 1999 by Rob Berger, seeded June 2012 | |||||
| 137396 | 1971-11-12 | San Antonio Civic Auditorium | San Antonio | TX | |
| flac16; Source: Sbd > master reel (vault) > reel (dick latvala) > dat 48k (rob Eaton); Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/48; transfer by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope Ozone 5 Advanced > iZotope RX4 advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; edited and mastered SIRMick | |||||
| 6254 | 1971-11-14 | Texas Christian University | Fort Worth | TX | |
| SBD> MR> C> (additional analog gens?)> DAT> CDR; minor background noise from 3:21-3:23 of IKYR; via Mike Lai, with thanks to Paul B. | |||||
| 8738 | 1971-11-14 | Texas Christian University | Fort Worth | TX | |
| Charles Weir fix of original SBD source; including a written txt file | |||||
| 23568 | 1971-11-14 | Texas Christian University | Fort Worth | TX | |
| SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller | |||||
| 31607 | 1971-11-15 | Austin Municipal Auditorium | Austin | TX | |
| flac16; MSR>C>DAT2x>Delta Dio 2496>Soundforge>WAV>FLAC This is from a new single source (seeded 11/15/05) | |||||
| 7735 | 1971-11-15 | Austin Municipal Auditorium | Austin | TX | |
| partial: "Big Jam" portion; SBD:MR > Cassette > Sonic Solutions > CDR > EAC > SHN; CD mastering by David Gans. Extraction (EAC), re-tracking (CD Wave and WavMerge), and .shn encoding (mkwACT) by Joe Jupille | |||||
| 12438 | 1971-11-15 | Austin Municipal Auditorium | Austin | TX | |
| SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage); complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman | |||||
| 163803 | 1971-11-15 | Austin Municipal Auditorium | Austin | TX | |
| flac1644 Source Info: FM Broadcast > Unknown gear > ?? > DAT (16/44.1) Transfer Info: DAT (Sony PCM R-500)(16.44.1) > Tascam DA-3000 > 16./44.1 .wav > Adobe Audition 2023 > TLH flac16 | |||||