GRATEFUL DEAD
Saturday, October 2, 1976
River Front Coliseum -
Cincinnati, OH
SHNID: 134416
This is a restored version of shnid: 14560

AudMC > DAT > WAV > SHN
Recorded by Jerry Moore on the left side, maybe a third of the
way out from the stage and two thirds in front of center court,
about 20 rows off the floor with 2 hand held Sony ECM-33Ps >
Sony TC-153 deck.  Maxell UD-120 cassettes, with Dolby B ON.
A > D by Noah Weiner (noahbw@attbi.com) January 2003
Nakamichi MR-1 cassette deck (MC playback) > Teac AN-180 Dolby
decoder > Fostex D5 DAT deck (A>D only) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track IDs) > SHNTOOL (SBE fix) > MKW (shn)

--Set 1--
t101 - //The Promised Land*
t102 - They Love Each Other*
t103 - New, New Minglewood Blues
t104 - Row Jimmy
t105 - El Paso
t106 - Tennessee Jed
t107 - It's All Over Now
t108 - Brown Eyed Women
t109 - crowd
t110 - Let It Grow ->
t111 - Might as Well

--Set 2 --
t201- crowd
t202- The Music Never Stopped**
t203- Candyman
t204- Samson & Delilah
t205- It Must Have Been the Roses
t206- Big River
t207- Friend of the Devil
t208- crowd
t209- Dancing in the Streets ->
t210- Drums ->
t211- The Other One ->
t212- Stella Blue ->
t213- The Other One ->
t214- Sugar Magnolia

Notes from SHNID 14560

There was no encore played.
*taken from circulating AUD > ? > C > DAT > CD source.  EQ applied to somewhat improve sound quality and provide better transition into Moore's master.  Moore missed the first two songs due to "audience problems."
**left channel line distortion on master cassette corrected
with right channel blend at 04:12 (one second), 06:28 and
06:29 (under one second each)
There are occasional digital tick like sounds that upon
examination in Soundforge did not resemble digital errors.  After replaying the master cassettes, they were found there as well.  They are more than likely claps from very close to the mics or simply anomalies on the master cassettes themselves.  Because it was hard to determine the clap/anomaly truth, they have been left on the final product.  These occur only a handful of times throughout the show.

Droncit notes for SHNID 134416 (this version):
This restoration was requested because there is no soundboard and the audience recording is apparently the best-sounding version available.  It was still bassey and hard to hear individual instruments.
I used a multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization.  After the expansion was achieved, the hand-held mic noise was very evident, so I used a final channel blender to blend to mono below 125Hz, and that took care of 90% of the mic noise.
The first two songs (from a different source), I left alone.
I don't hear the problems in Stella blue evident in the earlier version; the restoration may have mitigated them.

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