LCDB: Sources for Grateful Dead

Sources for Grateful Dead

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SHNID	Date	Venue	City	State
91250	1994-02-25	Oakland-Alameda County Coliseum	Oakland	CA
flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky
1381	1994-02-25	Oakland-Alameda County Coliseum	Oakland	CA
FOB (unknown mics) > DAT; Transfer: Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN; SHNed and seeded by Jon Seff, from Mark Ramler's CDs; with 3/27/94 filler
15096	1994-02-25	Oakland-Alameda County Coliseum	Oakland	CA
Source: FOB (unknown mics) > DAT > Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN. THIS IS NOT A RE-EXTRACTION - the original SHNs had sector boundary errors on the last track of each disc, were not seekable (also minor), and the d2>d3 transition was not seamless (minor again). These issues have been resolved and the show tracked on 2 discs instead of 3 (minus the previously included "filler").
141174	1994-02-25	Oakland-Alameda County Coliseum	Oakland	CA
flac16/44.1 Source Info: Schoeps MK 4->Reutelhuber P/S-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
156420	1994-02-25	Oakland-Alameda County Coliseum	Oakland	CA
flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
156489	1994-02-25	Oakland-Alameda County Coliseum	Oakland	CA
flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 156420 2448 > 1644.1
18095	1994-02-26	Oakland-Alameda County Coliseum	Oakland	CA
Neumann KM84 -> Dat(48k) via Charlie Miller
141175	1994-02-26	Oakland-Alameda County Coliseum	Oakland	CA
flac16/44.1 Source Info: Schoeps CMC 5 MK 4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
141611	1994-02-26	Oakland-Alameda County Coliseum	Oakland	CA
flac16/48kHz; FOB recording by Kyle Porter: Neumann KM54 reconditioned tube mics, in hat > Custom PS > Spectra Sonics pre Amp > Apogee AD500 converter > Sony TCD-D7; Transfer by John Ammons: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
156421	1994-02-26	Oakland-Alameda County Coliseum	Oakland	CA
flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
156490	1994-02-26	Oakland-Alameda County Coliseum	Oakland	CA
flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156421 2448 > 1644.1
32577	1994-02-27	Oakland-Alameda County Coliseum	Oakland	CA
flac16; SBD -> Dat (44.1k) All Transfers and Mastering By Charlie Miller
85709	1994-02-27	Oakland-Alameda County Coliseum	Oakland	CA
flac16/48; Schoeps MK4's>Reutelhuber Preamp>Sony TCD-D10PROII FOB DFC Recorded By Keith Litzenberger, Roger Jones & Corey Clayton Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC
92803	1994-02-27	Oakland-Alameda County Coliseum	Oakland	CA
flac16; Fixed version of Matrix (SBD/AUD mixdown) by Bill Tetzeli (shnid 32637). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
32637	1994-02-27	Oakland-Alameda County Coliseum	Oakland	CA
Matrix (SBD/AUD mixdown), done in Cool Edit Pro, transition between discs 2 and 3 is seamless by Bill Tetzeli
5972	1994-02-27	Oakland-Alameda County Coliseum	Oakland	CA
DSBD> CM(?)> DAT; Tascam DA-20mkII > SBLive! > CDWAV > MKW; DAT > WAV > SHN: Dan Stephens; upload by Scott Thompson; see notes in info file
12097	1994-02-27	Oakland-Alameda County Coliseum	Oakland	CA
AUD (mics unknown)>DAT>CDR; via H. Wankleswurth; Seeded to etree by candyman
141176	1994-02-27	Oakland-Alameda County Coliseum	Oakland	CA
flac16/44.1 Source Info: Schoeps CMC 5 MK 4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
141375	1994-02-27	Oakland-Alameda County Coliseum	Oakland	CA
flac16/48kHz; Set 2 FOB recording by Kyle Porter: Neumann KM54 tube mics, in hat > Custom PS > Dennon DAT deck; Transfer by John Ammons; DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
89172	1994-03-04	Desert Sky Pavilion	Phoenix	AZ
flac16; Source:Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Transfer: DAT Master>Sony TCD-D10PROII>M-Audio Audiophile 192>Wavelab 5(Fades & Sample Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded and Transferred By Keith Litzenberger
33697	1994-03-04	Desert Sky Pavilion	Phoenix	AZ
flac16; SBD> ?> CDR> EAC> FLAC; via sailor_saint
8330	1994-03-04	Desert Sky Pavilion	Phoenix	AZ
DSBD --> DAT --> CDR; via Charlie Kidder
119517	1994-03-04	Desert Sky Pavilion	Phoenix	AZ
flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
119518	1994-03-04	Desert Sky Pavilion	Phoenix	AZ
flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
152011	1994-03-04	Desert Sky Pavilion	Phoenix	AZ
SBD > DAT 44.1 kHz DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999. Fresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020]
33585	1994-03-05	Desert Sky Pavilion	Phoenix	AZ
SBD > ? > CDR (see info file)
8331	1994-03-05	Desert Sky Pavilion	Phoenix	AZ
DSBD --> DAT --> CDR; via Charlie Kidder
113694	1994-03-05	Desert Sky Pavilion	Phoenix	AZ
flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
119532	1994-03-05	Desert Sky Pavilion	Phoenix	AZ
flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
119533	1994-03-05	Desert Sky Pavilion	Phoenix	AZ
flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
152012	1994-03-05	Desert Sky Pavilion	Phoenix	AZ
SBD > DAT 44.1 kHz DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999. Fresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020]
89190	1994-03-06	Desert Sky Pavilion	Phoenix	AZ
flac16; Source:Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Transfer: DAT Master>Sony TCD-D10PROII>M-Audio Audiophile 192>Wavelab 5(Fades & Sample Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded and Transferred By Keith Litzenberger
33613	1994-03-06	Desert Sky Pavilion	Phoenix	AZ
flac16; SBD> ?> CD (see info file for notes); via sailor_saint
8332	1994-03-06	Desert Sky Pavilion	Phoenix	AZ
DSBD --> DAT --> CDR; via Charlie Kidder
119559	1994-03-06	Desert Sky Pavilion	Phoenix	AZ
flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
119560	1994-03-06	Desert Sky Pavilion	Phoenix	AZ
flac16/48kHz & flac24; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1); Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
152013	1994-03-06	Desert Sky Pavilion	Phoenix	AZ
SBD > DAT 44.1 kHz DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999. Fresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020]
140065	1994-03-16	Rosemont Horizon	Rosemont	IL
flac16/44 Source Info: FOB Schoeps MK4-> Reutelhuber P/S-> DAT Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
567	1994-03-16	Rosemont Horizon	Rosemont	IL
DSBD->DAT-> DAP-1> Digital in through a Digital Audio Labs Card digital I/O> Computer->CD->SHN; downsampled set one only from 48KHz to 44.1KHz with Cool Edit Pro 1.1; encore patched from AUD; d1t3 ~6-9 min, d1t4 ~4 min, SBD probs; DAT tracking probs ~11 min into set II, smoothed; via 3D; note 11/00, apparently recirculating with different d2 md5s (d2alt, poss reextraction?)
7778	1994-03-16	Rosemont Horizon	Rosemont	IL
SBD> Dat> Sonic Solutions> CDR> WAV> SHNv3; This is an upgrade from the previously seeded SHN of this show w/o the digistatic in Scarlet>Fire and also a SBD of the encore. seeded by C. Ladner via candyman with thanks to C. Miller; also to abgd via Charlie Connor; tracked for 2x80
139174	1994-03-16	Rosemont Horizon	Rosemont	IL
flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700/44.1k); Transfer Info: Dat Master (Panasonic SV-3800) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
8023	1994-03-17	Rosemont Horizon	Rosemont	IL
SBD > DAT > CDR > EAC > SHNv3; DAE (EAC)> boundary checking (SHNTOOL)> SHN (MKWACT) via neo_levo. seeded via candyman, also to abgd via Charlie Connor
139336	1994-03-17	Rosemont Horizon	Rosemont	IL
flac16 44.1khz Source: AKG C391 ORTF in first row OTS 8 foot stand > Teac DAP20 @ 16/48. Transfer: DAT Master>Lynx Studio 1>Wavelab 3.0. Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Recorded by Dave Cohen and Justin Lee. Transfer by Dave Cohen 2010.
140066	1994-03-17	Rosemont Horizon	Rosemont	IL
flac16/44 Source Info: TS AKG 460->DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
79117	1994-03-18	Rosemont Horizon	Rosemont	IL
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
13930	1994-03-18	Rosemont Horizon	Rosemont	IL
Source: Audience (presumably DAT) Lineage: ?> Cassette> CD> SHN; Overall, a rather poor recording, though its the only available source after extensive searching.
140067	1994-03-18	Rosemont Horizon	Rosemont	IL
flac16/44 Source Info: FOB AKG 451 -> Koro P/S-> Panasonic SV255-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
10539	1994-03-20	Richfield Coliseum	Richfield	OH
AUD(Nak 300s)>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo
15464	1994-03-20	Richfield Coliseum	Richfield	OH
Source: AUD (SchoepsCMC34>Oade>SV255) > DAT > CDR > WAV > SHN; via M.Ratliff; Seeded to etree by neo_levo
110567	1994-03-20	Richfield Coliseum	Richfield	OH
flac16; Set 1 Source: (handheld/ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
111373	1994-03-20	Richfield Coliseum	Richfield	OH
flac16; Set 2 only Master: B&K 4011s > Neumann BS48i-2 > TCD-D3 Mics handheld, ORTF/110^, DFC in the 17th row by Alan Schmit; Conversion: Tascam DA-20>Microtrack 24/96>WAV>Sound Studio 2.2.4>xACT 2.05>FLAC by Dave Mallick
130902	1994-03-20	Richfield Coliseum	Richfield	OH
flac16; Source:Audience Recording(Sony Wm D6C Cassette Deck>Nakamichi 300 Mics W/CP4 Shotgun Mics)> Cassette Master>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 kHz)>CD Wav Editor> Traders Littrle Helper>Flac Level 8.Sector Coundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section
6258	1994-03-21	Richfield Coliseum	Richfield	OH
SBD > DAT > CDR > SHNv3; via johnathan miller, candyman
110568	1994-03-21	Richfield Coliseum	Richfield	OH
flac16; Source: (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
125739	1994-03-21	Richfield Coliseum	Richfield	OH
flac16; Matrix of Source 1: SBD > DAT > CDR > SHNv3 and Source 2: AUD Source (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; matrix by Roger Eichorn
130919	1994-03-21	Richfield Coliseum	Richfield	OH
flac16; Sony WM-D6C Cassette Deck>Cassette Master>Nakamichi 300 Micsd W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
140296	1994-03-21	Richfield Coliseum	Richfield	OH
flac16; Set 2 Recording Info: Master Soundboard Dat > Dat; Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston
158160	1994-03-21	Richfield Coliseum	Richfield	OH
flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24
158173	1994-03-21	Richfield Coliseum	Richfield	OH
flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24 - This is 158160 2496 > 1644
90740	1994-03-23	Nassau Coliseum	Uniondale	NY
flac16; Recording info: (OTS/Behind SBD/DFC/mics @ 90deg/stand @ 10') AKG 460b/ck61 -> custom pre-amp -> Teac DA-P20 Transfer info: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (3/11/08)
13793	1994-03-23	Nassau Coliseum	Uniondale	NY
Set 1: SBD DAT>WAV>CE>CDWAV>SHN Set 2: AUD DAT ( Nakamichi CM300's w/Cp4 shotguns>Denon DTR- 80P)>WAV>CE>CDWAV>SHN submitted by M.Walker via Steve Herman
14257	1994-03-23	Nassau Coliseum	Uniondale	NY
Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
26988	1994-03-23	Nassau Coliseum	Uniondale	NY
AUD fob (in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson
124020	1994-03-23	Nassau Coliseum	Uniondale	NY
flac16; All Set 1 & Partial Set 2 Source: SBD > DAT > CDR > EAC > FLAC; EAC'd/FLAC'd by Doug Nawrocki
134816	1994-03-23	Nassau Coliseum	Uniondale	NY
flac16; Source: NAK300 Guns > Shure FP32 > Sony D7; Location: Center Ice Owners Box; Transfer: Fostex D5 > Toslink > Motu Traveler > MacBook Pro > Peak Pro (Tracks/Fades); Recorded & Upped By: Ted Cappelen
139365	1994-03-23	Nassau Coliseum	Uniondale	NY
flac16 44.1khz Source Info: Soundboard-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
140153	1994-03-23	Nassau Coliseum	Uniondale	NY
flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
14258	1994-03-24	Nassau Coliseum	Uniondale	NY
Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
140154	1994-03-24	Nassau Coliseum	Uniondale	NY
flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
14189	1994-03-25	Nassau Coliseum	Uniondale	NY
Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3 via JABUZZ420 encoding by Candyman
140155	1994-03-25	Nassau Coliseum	Uniondale	NY
flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
150672	1994-03-25	Nassau Coliseum	Uniondale	NY
flac16/48kHz; Source: B&K 4010 > Beyer MV-100; Patch Taper Sony D7 @ 16/48: David Flaschner Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG)
4851	1994-03-27	Nassau Coliseum	Uniondale	NY
mixed sources: DAUD from bootleg CD "Headin' East", DSBD (see info); via unIDed seeder
14260	1994-03-27	Nassau Coliseum	Uniondale	NY
Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
20926	1994-03-27	Nassau Coliseum	Uniondale	NY
Recording Info: SBD -> Dat (Vault Master) -> Sonic Solutions -> CD -> Eac -> SHN; Patched and SHN'd By Charlie Miller
34561	1994-03-28	Nassau Coliseum	Uniondale	NY
flac16; Digital Master Audience Recording - Dan Lynch Master Series Vol 10 Recorded from 1st Row Taper's Section Sennheiser 441's > Sony D-7 > DAT Master DAT Master > Panasonic SV-3800 > digital coaxial > Audigy 2 ZS Platinum > CD Wave > 16 bit 44.1 wav > Soundforge (set fades, level boost) > CD Wave (tracking) > Flac Frontend (level 7, align sector boundaries) > flac Thanks to Danny Hupert for the patch!
14261	1994-03-28	Nassau Coliseum	Uniondale	NY
Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
17263	1994-03-28	Nassau Coliseum	Uniondale	NY
Shntool fixed version of Set 1 unknown DAUD source, Set 2 DSBD, d2t04 (drums) FM>DAT.
27057	1994-03-28	Nassau Coliseum	Uniondale	NY
AUD fob(in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson
32569	1994-03-28	Nassau Coliseum	Uniondale	NY
from 7th row tapers secion B&K 4010 w/balls > DAT master > DAT clone > SHN DAT transfer via PCM-M1 > Oade active cable > Edirol UA-5 (hardware resample) > USB > HP Omnibook 500 running CoolEdit2000 > CDWAV > MKW-Act non seekable SHNs due to winXP and Act issues transfer/encoding by nick@nickspicks.com
137898	1994-03-28	Nassau Coliseum	Uniondale	NY
Set 2 Source: SBD:D>ZA2>CD or SHN
140156	1994-03-28	Nassau Coliseum	Uniondale	NY
flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
3621	1994-03-30	The Omni	Atlanta	GA
SBD: DAT> ZA2> Samplitude2496> CDR> EAC> SHN; via Tony Gardner with thanks to Chris Larson; encore missing
14832	1994-03-30	The Omni	Atlanta	GA
Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Transfered By Charlie Miller.
31806	1994-03-30	The Omni	Atlanta	GA
Source: S:D>ZA2>Samplitude2496>CD-R transfer by clarson (BTWind@comcast.net)
110956	1994-03-30	The Omni	Atlanta	GA
flac16; Source: (ORTF/110^/DFC/FOB/16th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
34841	1994-03-31	The Omni	Atlanta	GA
flac16; Seamless fix of shn id 10930. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
10930	1994-03-31	The Omni	Atlanta	GA
Dsbd>cdr; Seeded to etree by Chaser
14833	1994-03-31	The Omni	Atlanta	GA
Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Encore Is Missing (I Fought The Law) Transfered By Charlie Miller.
110955	1994-03-31	The Omni	Atlanta	GA
flac16; Source: (ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
1210	1994-04-01	The Omni	Atlanta	GA
DSBD> DAT> CD> CD> SHN (Boot CD Rip); Seeded by: Brian Leonard; see misc flaw notes in info file
14834	1994-04-01	The Omni	Atlanta	GA
Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) ->Prodif Plus ->Samplitude v6.0 ->SHN Transfered By Charlie Miller encore from FOB source.
110954	1994-04-01	The Omni	Atlanta	GA
flac16; Set 2 Only; Source: (ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
116722	1994-04-01	The Omni	Atlanta	GA
flac16; First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
116723	1994-04-01	The Omni	Atlanta	GA
flac24; First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
119748	1994-04-01	The Omni	Atlanta	GA
flac16; nak300>cp4>2ch mixer>sony d7 16/44.1; OTS 2nd row dfc 12ft. DIN dat(m)> hhb830 cd>cdwave>tlh flac 8; t&s by c. cage
142364	1994-04-01	The Omni	Atlanta	GA
flac16; Source: SBD > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/48> iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018
87453	1994-04-04	Sports Arena	Orlando	FL
flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Mics on 7-foot stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
11502	1994-04-04	Sports Arena	Orlando	FL
SBD>DAT>Cassette>DAT>CDRx2; New eac of original seed discs; See info file for details; via Mick McGinnis; Seeded to etree by chris L
105813	1994-04-04	Sports Arena	Orlando	FL
flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [02/02/10]
141248	1994-04-04	Sports Arena	Orlando	FL
flac16/44.1 Source Info: OTS Sony CS-38b-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
141426	1994-04-04	Sports Arena	Orlando	FL
flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
156443	1994-04-04	Sports Arena	Orlando	FL
flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
156491	1994-04-04	Sports Arena	Orlando	FL
flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156443 2448 > 1644.1
91351	1994-04-06	Miami Arena	Miami	FL
flac16; Soundcheck: Source 1: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Source 2: SBD -> Dat -> MiniDisc -> Cool Edit Pro -> CD Transfer Source 1: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky; upgrade now in circulation
91391	1994-04-06	Miami Arena	Miami	FL
flac16; Soundcheck: Source 1: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Source 2: SBD -> Dat -> MiniDisc -> Cool Edit Pro -> FLAC -> Samplitude Professional v10.02 > TLH > FLAC Transfer Source 1: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise Transfer and Mastering for source 1: Bill Koucky Transfer and Mastering for source 2: Charlie Miller (fix of shn id 91351)
28358	1994-04-06	Miami Arena	Miami	FL
flac16; mixed sources, incl soundcheck: Set 1: (FOB) Schoeps MK4> Dat> CD, Set 2: SBD> Dat> CD, Encore: (FOB) Schoeps MK4> Dat> CD, Soundcheck: SBD> Dat> MiniDisc> Cool Edit Pro> CD; Transfer: WAV> Samplitude Professional v8.0> FLAC; Transferred and Edited By Charlie Miller
10311	1994-04-06	Miami Arena	Miami	FL
FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L
13110	1994-04-06	Miami Arena	Miami	FL
Soundcheck; SBD>Dat>MiniDisc>Behringer UltraMatch SRC2000>Dio2448>Cool Edit Pro>SHN; Seeded to etree by Charlie Miller
141427	1994-04-06	Miami Arena	Miami	FL
flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
10313	1994-04-07	Miami Arena	Miami	FL
FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L
20187	1994-04-07	Miami Arena	Miami	FL
DSBD > CD > EAC > SHN; Liberty supplied by the FOB-AUD(Schoeps MK4>SV250)>DAT>CDR source; EAC/SHN by Darryl Hinko
141428	1994-04-07	Miami Arena	Miami	FL
flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
141695	1994-04-07	Miami Arena	Miami	FL
flac16/48kHz; Taped by aka TW from about the 15th row; FOB/Schoeps Mics and Dat>Clone to me> File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking> TLH8; Fixed version in circulation
141885	1994-04-07	Miami Arena	Miami	FL
flac16; Taped by aka TW from about the 15th row; FOB/Schoeps Mics and Dat>Clone to me>File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8; The original upload had speed problems
10503	1994-04-08	Miami Arena	Miami	FL
AUD(Schoeps CMC521?s)>DAT>CDR; via Paul; Seeded to etree by Chris L
139358	1994-04-08	Miami Arena	Miami	FL
flac16 44.1khz Set 2 Only. Source: Soundboard->Cassette->DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel
85117	1994-06-08	Cal Expo	Sacramento	CA
flac16; Recorded by Keith Litzenberger & Roger Jones aka "Ace Cubby" Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII FOB DFC Transfer done on 5/08/2007 from DAT MASTER: Sony TCD-D10PROII>Edirol R-4>WL5 (Fades and Resampling to 44.1khz)>CDWAV>FLAC
10065	1994-06-08	Cal Expo	Sacramento	CA
AUD (KM 140?s)>DAT>CDR; via PB; Seeded to etree by neo_levo
117196	1994-06-08	Cal Expo	Sacramento	CA
flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
117197	1994-06-08	Cal Expo	Sacramento	CA
flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
10066	1994-06-09	Cal Expo	Sacramento	CA
Schoeps CMC 54's >DAT>CDR; via Paul B; Seeded to etree by neo_levo
119146	1994-06-09	Cal Expo	Sacramento	CA
flac16; Source: 2 Sonic Studio DSM-1S/x microphones (up front & center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
119693	1994-06-09	Cal Expo	Sacramento	CA
flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B On; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
119694	1994-06-09	Cal Expo	Sacramento	CA
flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B On; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
10067	1994-06-10	Cal Expo	Sacramento	CA
AUD(KM 140?s)>DAT>CDR; via Paul B; Seeded to etree by neo_levo
141214	1994-06-10	Cal Expo	Sacramento	CA
flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
8239	1994-06-13	Memorial Stadium	Seattle	WA
Schoeps CMC441s FOB > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol
137718	1994-06-13	Memorial Stadium	Seattle	WA
flac16; Partial Set 2 Source: SBD > ? > DAT > CDR; CDR (TaiyoYuden 80m japan) > EAC (secure, 100% quality) > Audacity (edits, fades, levels) > CDWav (tracking) > TLH (FLAC - level 8); Conversion by Chris Mrachek
141203	1994-06-13	Memorial Stadium	Seattle	WA
flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
145371	1994-06-13	Memorial Stadium	Seattle	WA
flac24; Source - Nakamichi CM300 > DAT; Transfer - TDK DAT master > Tascam DA30 (16/48kHz) > SPDIF > Sound Devices USBPre1.5 > Wavelab6 (32 bit) > CD Wave Editor > FLAC24; master DAT tape from the collection of John Anastas; Patched out of unknown taper and source deck
145463	1994-06-13	Memorial Stadium	Seattle	WA
flac16; Source - Nakamichi CM300 > DAT; Transfer - TDK DAT master > Tascam DA30 (16/48kHz) > SPDIF > Sound Devices USBPre1.5 > Wavelab6 (32 bit) > CD Wave Editor > FLAC24; master DAT tape from the collection of John Anastas; Patched out of unknown taper and source deck This file set is 16 bit @ 44.1
152516	1994-06-13	Memorial Stadium	Seattle	WA
flac16/44 Source: AKG(fob):D Transfer: Samplitude Project>Cool Edit>CDWAV>EZCD>CD-r Tapes provided by Paul Gibian Transfer by Chris Larson (exploregon@gmail.com)
8710	1994-06-14	Memorial Stadium	Seattle	WA
S:D>C>D>CD; Unknown Seeder; Liberty cuts
12523	1994-06-14	Memorial Stadium	Seattle	WA
SBD>DAT>CD; Seeded to etree by Chris Larson
141204	1994-06-14	Memorial Stadium	Seattle	WA
flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
156587	1994-06-14	Memorial Stadium	Seattle	WA
flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
157162	1994-06-14	Memorial Stadium	Seattle	WA
flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 156587 2448 -> 1644
9774	1994-06-17	Autzen Stadium, U. of Oregon	Eugene	OR
AUD (Nak700's)>DAT>CDR; via Paul B; Seeded to etree by neo_levo/candyman
28898	1994-06-17	Autzen Stadium, U. of Oregon	Eugene	OR
Source: A:Nuemann mics (model number unknown)>DAT Transfer: DAT>ZA2>Samplitude 2496>CD-r (or SHN) Transfer by Chris Larson
145696	1994-06-17	Autzen Stadium, U. of Oregon	Eugene	OR
flac16/48kHz; Source - Sennheiser 441 > DAT > patch DAT; Transfer - patch DAT master > Tascam DA30 > Spdif > SD USBPre1.5 > Wavelab6 (16/48kHz) > CD Wave Editor > FLAC
12098	1994-06-18	Autzen Stadium, U. Of Oregon	Eugene	OR
SBD>?>DAT>CDR; via Paul; Seeded to etree by C. Ladner
109217	1994-06-18	Autzen Stadium, U. Of Oregon	Eugene	OR
flac16; Master Audience Nakamachi CM300/CP4 Shotguns>Sony D-5/Dolby B Tapes:Sony Metal Select 90's Transfer by Keo: Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 32 Bit Float/96kHz Dithering with Korg Aqua to 16/44
109218	1994-06-18	Autzen Stadium, U. Of Oregon	Eugene	OR
flac24; Master Audience Nakamachi CM300/CP4 Shotguns>Sony D-5/Dolby B Tapes:Sony Metal Select 90's Transfer by Keo: Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 24 Bit/96kHz no dithering
119174	1994-06-18	Autzen Stadium, U. Of Oregon	Eugene	OR
flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
145949	1994-06-18	Autzen Stadium, U. Of Oregon	Eugene	OR
flac16; Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16; Tape flips and dead spots > crossfaded using Sound Forge 5.0; SBEs fixed using TLH.; Recorded by Primo Williams xfer Charles Bandrofcheck
141201	1994-06-18	Autzen Stadium, U. Of Oregon	Eugene	OR
flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
149181	1994-06-18	Autzen Stadium, U. Of Oregon	Eugene	OR
flac16/48kHz; Source: SBD; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper: Unknown; Transferred & Seeded by Bill Graves
82053	1994-06-19	Autzen Stadium, U. of Oregon	Eugene	OR
flac16; S:DAT>CDR Transfer: Panasonic sv3700>ZA2>Wavelab 3.03>CDWav>shn>patching/editing>flac
8240	1994-06-19	Autzen Stadium, U. of Oregon	Eugene	OR
FOB / Nak 100/CP1 cardioids > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol
12524	1994-06-19	Autzen Stadium, U. of Oregon	Eugene	OR
Source: S:DAT>CDR Transfer: Panasonic sv3700>ZA2>Wavelab 3.03>CDWav>shn; Seeded to etree by Chris Larson
97302	1994-06-24	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV
flac16/48; Source:Scheops CMC5/MK4->Sonosax SX-M2->ApogeeD1000??->Sony D10 Transfer:Tascam DA-20mkII->Edirol R-44->Cd Wave->FlacFrontend Taped by Eliot Byron Transered and uploaded by Frank D'Auria
13443	1994-06-24	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV
Audience recording by Neil Sturtevant Senn K3U mics w/ ME80 capsules > Master DAT (deck model unknown). DAT > CD transfer by Neil Sturtevant (untracked). Subsequent Extraction (EAC), tracking (CD Wave) and SHN conversion (mkwACT) by Sean Cribbs
16471	1994-06-25	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV
complete; SBD> DAT> CDR> EAC> WAV> CE> CDWAV> SHN; with Shoe Fits from previous seed; See info file for details
111610	1994-06-25	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV
flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell XLII-s 100,100; Transfer Info:Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6MHz Metadata added with AudioGate software SBE's Checked/Fixed with Trader's Little Helper Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion
85864	1994-06-26	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV
flac16; Encore only, Source: SBD>???>bootleg cassette Lineage: bootleg cassette>HD>WAV>FLAC
14943	1994-06-26	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV
Source: SBD > CASSETTE > DAT @48k Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff (jon@seff.net). This represents the SHNTOOL FIXED and STRIPPED version of the previous seed which had sector boundary errors on all tracks and noncanonical headers on the first disc. Distributed via candyman FTP.
106225	1994-06-26	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV
flac16; Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro ->Tascam DA20 MKII->Edirol R44->SD->PC->Audacity->CD Wave Editor->Flac Frontend
138699	1994-06-26	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV
flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
9369	1994-07-01	Shoreline Amphitheatre	Mountain View	CA
SBD>DAT>CDR; via p'bo; neo_levo/candyman FTP
116005	1994-07-01	Shoreline Amphitheatre	Mountain View	CA
flac16; source: 2 Neumann KMF4's > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
3988	1994-07-02	Shoreline Amphitheatre	Mountain View	CA
sbd > dat > cdr > eac > shnv3; via C. Ladner
10980	1994-07-02	Shoreline Amphitheatre	Mountain View	CA
DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW, by Dan Stephens (dms@well.com)
116006	1994-07-02	Shoreline Amphitheatre	Mountain View	CA
flac16; source: 2 Neumann KMF4 microphones -12th row-center > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
153258	1994-07-02	Shoreline Amphitheatre	Mountain View	CA
flac16/44 DSDB>clone>File cloned in Microtrack using a Tascam Dat deck> Goldwave Tracking>TLH8 Processed by Dolphinsmile for the Dolphinsmile Archive
86000	1994-07-03	Shoreline Amphitheatre	Mountain View	CA
flac16; Sennheiser Me-80s (could be 40s) > Panasonic SV-255 > Teac DA-P20 (clone) > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
86001	1994-07-03	Shoreline Amphitheatre	Mountain View	CA
flac16/48; Sennheiser Me-80s (could be 40s) > Panasonic SV-255 > Teac DA-P20 (clone) > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)
8067	1994-07-03	Shoreline Amphitheatre	Mountain View	CA
DSBD > DAT > CDR > WAV > SHNv3; liberated bootleg, partially repaired (see notes); via neo_levo; tracked for 2x80
11691	1994-07-03	Shoreline Amphitheatre	Mountain View	CA
DSBD > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW Audio Compression Tool v0.96f
118758	1994-07-03	Shoreline Amphitheatre	Mountain View	CA
flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
85719	1994-07-13	Franklin County Airport	Highgate	VT
flac16/48; Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII Recorded FOB by Roger,Rich, Seth, Keith & Jim Transferred to WAV By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC WAV>FLAC Transfer & Upload by Keith Litzenberger
32291	1994-07-13	Franklin County Airport	Highgate	VT
Source: Schoeps CMC 44 cardioids (ORTF) > Oade power supply > modified Panasonic SV-255 > Sony D3 DAT Master (spdif input) Location: taped up front on a 6 foot stand Transfer: DAT Master 60ES > M-Audio Microtrack 2496 (spdif) > WAV > Flac taper & transfer: jbraveman@hotmail.com
34299	1994-07-13	Franklin County Airport	Highgate	VT
flac16; Source: Neumann km-82i Shotguns > Teac DAT behind sbd 20 ft in front of speaker stack 20 ft high Transfer: Panasonic SV-3700 DAT > Audiophile 2496 > WaveLab 5.01 @ 24 bit/44.1 > converted to 16 bit> CD Wave Editor > EAC > Flac Recorded by and transfers by Bill Koucky
88931	1994-07-13	Franklin County Airport	Highgate	VT
flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
10384	1994-07-13	Franklin County Airport	Highgate	VT
AKG-460-CKIX>Sony D-7>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo
17029	1994-07-13	Franklin County Airport	Highgate	VT
M:D>SHN digital transfer via: Da-p1 > zoltrix Nightengale 48 > 44.1 via CoolEdit2k > tracked with CDWAV via Nick Georges. Note, this version has different md5s than the original but its directly from Nick's server...
103630	1994-07-13	Franklin County Airport	Highgate	VT
flac16; Source: Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLII C90 x 2) Lineage: mac > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > flac 16 taped by John Bleich, OTS just right of the soundboard
107916	1994-07-13	Franklin County Airport	Highgate	VT
flac16; Master: OTS Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
135271	1994-07-13	Franklin County Airport	Highgate	VT
flac16; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 2/2016
135272	1994-07-13	Franklin County Airport	Highgate	VT
flac16/48kHz; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 2/2016
147694	1994-07-13	Franklin County Airport	Highgate	VT
flac16; Source Info: FOB Schoeps CMC5 Mk 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
28741	1994-07-16	Robert F. Kennedy Stadium	Washington	DC
flac16; Recorded By Ron Keyser using his AMS ST250 on a Stand FOB, DFC> Modified Sony D10 Pro II.
95183	1994-07-16	Robert F. Kennedy Stadium	Washington	DC
flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Dat Clone>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded By Keith Litzenberger, Roger Jones, Rich Downey & More
97192	1994-07-16	Robert F. Kennedy Stadium	Washington	DC
flac16; Source: aud > Nak 300's with shotgun caps > Sony WM-D6 > mac taped from section 120, row 6, seat 11 Transfer: mac > Nak CR-5A > EMU 1212M > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CDWave > TLH > flac16
7461	1994-07-16	Robert F. Kennedy Stadium	Washington	DC
FOB AMS ST250 (ambisonic) >Modified Sony D10 pro2 > DAT > Tascam CDR 700; via Tim Wiley
147683	1994-07-16	Robert F. Kennedy Stadium	Washington	DC
flac16; Source Info: FOB Schoeps CMC5 Mk 4->Oade P/S->Panasonic SV255->DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
91363	1994-07-17	Robert F. Kennedy Stadium	Washington	DC
flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded By Keith Litzenberger, Ace Cubby, Carrion Crow and Others
97900	1994-07-17	Robert F. Kennedy Stadium	Washington	DC
flac16; Source: Audience recording Lineage: aud > Nakamichi 300 shotguns > Sony WM-D6 > mac > Cr-5a > Emu 1212M > 24/96 wave > Wavelab 5 > UAD Plugs > r8brain pro > ozone izotope > 16/44.1 Wave > cd wave > TLH ( lvl 8 ) > Tag And Rename
10540	1994-07-17	Robert F. Kennedy Stadium	Washington	DC
AMS-S250?s(ambisonic)>Sony D-10 pro 2>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo
147684	1994-07-17	Robert F. Kennedy Stadium	Washington	DC
flac16; Source Info: FOB Schoeps CMC5 Mk 4->Oade P/S->Panasonic SV255->DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
152517	1994-07-17	Robert F. Kennedy Stadium	Washington	DC
flac16/44 Source: A(ts):D Sennheiser Stereo Mic Transfer: DAT(48kHz)>ZA2(S/PDIF)>Wavelab 3.03>wav or shn Tapes provided by Tom and Roger Conversion by Chris Larson (gdvault@gmail.com) 2/1/2002
92433	1994-07-19	Deer Creek Music Center	Noblesville	IN
flac16; Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain > 32/44.1 wave > wavelab 5 (tracked) > L3 > 16/44.1 wave > flac16 (TLH lvl 8)
91836	1994-07-19	Deer Creek Music Center	Noblesville	IN
flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8
35164	1994-07-19	Deer Creek Music Center	Noblesville	IN
flac16; Fix of shn id 8476 - DSBD>?>CDR>EAC>WAV>SHNv3. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
91140	1994-07-19	Deer Creek Music Center	Noblesville	IN
flac16; Set 2 only, (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (3/31/08)
8476	1994-07-19	Deer Creek Music Center	Noblesville	IN
DSBd>?>CDR; Seeded to etree by Dan Carr
28163	1994-07-19	Deer Creek Music Center	Noblesville	IN
AudioTechnica 815A Shotguns> Panasonic SV250(48kHz); Transfer: DAT> ZA2(S/PDIF)> samplitude2496> CD-r; Transfer by Chris Larson, with thanks to Tom, Roger
147695	1994-07-19	Deer Creek Music Center	Noblesville	IN
flac16; Source Info: FOB Schoeps NK 4-> Reutelhuber P/S-> DAT; Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel
89561	1994-07-20	Deer Creek Music Center	Noblesville	IN
flac16; Schoeps MK4's>Rbox>Sony TCD-D10PRO (mod) FOB Transfer: DAT MASTER>Tascam DA-30>Sony TCD-D10PRO (mod) DAT CLONE>Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC Recorded By Roger Jones
91848	1994-07-20	Deer Creek Music Center	Noblesville	IN
flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8
12596	1994-07-20	Deer Creek Music Center	Noblesville	IN
SBD> DAT> WAV> CDR> WAV> SHN; via darkstar13311
31805	1994-07-20	Deer Creek Music Center	Noblesville	IN
Source: A: Audio Technica 815a Shotguns>Panasonic sv250 (48kHz) Transfer: DAT>ZA2(S/PDIF)>Wavelab3.03>CD-r Transfer by Chris Larson
119553	1994-07-20	Deer Creek Music Center	Noblesville	IN
flac16; Source: Audience Recording > Nakamichi 300's with CP-4 caps > Sony WMD-6 > MAC; Transfer: MAC > Sony WMD-6 > Edirol R-09HR > wav 24/48; Lineage: wav 24/48 > Adobe Audtion 1.5 > Wavelab 6 (with iZoptope Ozone 5 Advanced) > iZotope RX 2 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; Taped and transferred by John Bleich
139713	1994-07-20	Deer Creek Music Center	Noblesville	IN
flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel
140083	1994-07-20	Deer Creek Music Center	Noblesville	IN
flac16/48kHz; taper & equipment unknown: (FOB) AUD > Dat (48k); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
91838	1994-07-21	Deer Creek Music Center	Noblesville	IN
flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (BY JAZ) DAT master-> Sony PCM R-300-> COAX-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8
9406	1994-07-21	Deer Creek Music Center	Noblesville	IN
SBD> ?> DAT> CD> Cool Edit> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman
91155	1994-07-21	Deer Creek Music Center	Noblesville	IN
flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/2/08)
12099	1994-07-21	Deer Creek Music Center	Noblesville	IN
AUD (mic unk) >DAT>CD; via Paul; Seeded to etree by candyman
12322	1994-07-21	Deer Creek Music Center	Noblesville	IN
Shntool fix (by Chris Ladner) of previous Braverman seed; See info file for details; SBD>?>DAT>CD
18144	1994-07-21	Deer Creek Music Center	Noblesville	IN
Source: FOB Shure BG 4.0's > D7 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT EAC'd... By Doug Nawrocki
31804	1994-07-21	Deer Creek Music Center	Noblesville	IN
Source: A:D(48kHz) no mic info Transfer: D>ZA2>Samplitude2496>CD-r Transfer by Chris Larson
76309	1994-07-21	Deer Creek Music Center	Noblesville	IN
Source: Nak 300's/cp4's > D7 Transfer: DA-P1 > Phillips CDR870 > EAC > CDWave > mkwACT
112808	1994-07-21	Deer Creek Music Center	Noblesville	IN
flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
139714	1994-07-21	Deer Creek Music Center	Noblesville	IN
flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel
14853	1994-07-23	Soldier Field	Chicago	IL
flac16; SBD Monitor Mix > DAT @ 48k - Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac; missing Encore patched from FOB [15th Row] Schoeps (Unknown Model) > DAT; Transferred by: Ryan Burns
574	1994-07-23	Soldier Field	Chicago	IL
FOB (15th Row) Schoeps (Unknown Model) > DAT; via Tim Buller
14839	1994-07-23	Soldier Field	Chicago	IL
DSBD>D>CD>SHN Transcription from DAT and Encoding by JR Fishman
147691	1994-07-23	Soldier Field	Chicago	IL
flac16/48kHz; Source Info: FOB Schoeps CMC5 Mk 4-> Aerco P/S-> Panasonic SV255-> DAT; Location Sec B, Row 22, seat 30; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
166961	1994-07-23	Soldier Field	Chicago	IL
flac1648; Recording Info: SBD > DAT Master (48k) > DAT Clone > AIFF; Mastering Info: AIFF > Samplitude Pro X6 Suite > FLAC/16
10087	1994-07-24	Soldier Field	Chicago	IL
AUD (mic unk.)>DAT>CDR; via Paul B; Seeded to etree by neo_levo
112820	1994-07-24	Soldier Field	Chicago	IL
flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
119591	1994-07-24	Soldier Field	Chicago	IL
flac16; AKG C391 ORTF in hat FOB 18th row Left Center>Teac DAP20 @ 16/48; DAT Master>Lynx Studio 1>Wavelab 3.0; Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Recorded by Dave Cohen and Justin Lee
147692	1994-07-24	Soldier Field	Chicago	IL
flac16/48kHz; Source Info: FOB Schoeps CMC5 Mk 4-> Aerco P/S-> Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
91255	1994-07-26	Riverport Amphitheatre	Maryland Heights	MO
flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Waves X-Noise, iZotope Ozone 3 EQ and Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky
10225	1994-07-26	Riverport Amphitheatre	Maryland Heights	MO
Chase Smith recording, Shure BG-40?s>Sony D-7>DAT>CDR; via Paul; seeded to etree by neo_levo
119445	1994-07-26	Riverport Amphitheatre	Maryland Heights	MO
flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
119446	1994-07-26	Riverport Amphitheatre	Maryland Heights	MO
flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
120292	1994-07-26	Riverport Amphitheatre	Maryland Heights	MO
flac24; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies
120293	1994-07-26	Riverport Amphitheatre	Maryland Heights	MO
flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies
124310	1994-07-26	Riverport Amphitheatre	Maryland Heights	MO
flac16; Source: Sony C38B > SV-250; Conversion: DAP-1 > PMD661 > Audactiy (normalize and dither) > CDwave > TLH; Recorded by Stan Roberts
139723	1994-07-26	Riverport Amphitheatre	Maryland Heights	MO
flac16/44.1khz Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel
139978	1994-07-26	Riverport Amphitheatre	Maryland Heights	MO
flac16; Recording Info: SBD > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
8725	1994-07-27	Riverport Amphitheatre	Maryland Heights	MO
Shure BG-40/Sony D-7 recorded by Chase Smith > ? > CDR; via Mike Rodriguez; Seeded to etree by Matt Vernon
119473	1994-07-27	Riverport Amphitheatre	Maryland Heights	MO
flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
119474	1994-07-27	Riverport Amphitheatre	Maryland Heights	MO
flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
120300	1994-07-27	Riverport Amphitheatre	Maryland Heights	MO
flac24; Master Audience Recorded By Mr. Darby (2nd Source); AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies
120301	1994-07-27	Riverport Amphitheatre	Maryland Heights	MO
flac16; Master Audience Recorded By Mr. Darby (2nd Source); AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies
124311	1994-07-27	Riverport Amphitheatre	Maryland Heights	MO
flac16; Source: Sony C38B > SV-250; Conversion: DAP-1 > PMD661 > Audactiy (normalize and dither) > CDwave > TLH; Recorded by Stan Roberts
139724	1994-07-27	Riverport Amphitheatre	Maryland Heights	MO
flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel
91193	1994-07-29	Buckeye Lake Music Center	Hebron	OH
flac16; Taper: Todd Evans & Adam Gross Equipment: Schoeps Omnis (on stands spaced 10ft apart) -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Cable -> Oade Supply -> Monster M1000 Jumper -> Panasonic sv255 Transfer: DAT Master> TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 by Todd Evans All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed Flac Frontend level 8
4078	1994-07-29	Buckeye Lake Music Center	Hebron	OH
Schoeps mk4 (12' spread FOB) > DAT; DAT3@44.1> Tascam DA-30mkII> SBL spdif> SoundForge 4.5> wav> MKW> shn; unknown taper- uploaded by C.DiPietro; note both regular and fixed d1 md5s were submitted to db but no further details were provided
25582	1994-07-29	Buckeye Lake Music Center	Hebron	OH
Recording Info: (FOB) Beyer M101 (Omni) -> Dat (Casio DA-7) -> CD -> EAC -> SHN via Charlie Miller
110975	1994-07-29	Buckeye Lake Music Center	Hebron	OH
flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
96464	1994-07-31	The Palace	Auburn Hills	MI
flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
91974	1994-07-31	The Palace	Auburn Hills	MI
flac16; Tapers Section Lower level, section 120b, row JJJ, seat 3 Neumann skm 100/AK50's > Unknown deck > Marantz PMD 430 Master Cassettes > SB Audigy > Adobe Audition @24bit/48khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit/44khz. CDwave: Tracking. Trader's little Helper: md5, ffp, flacs Recorded by Chris LaPorte
2593	1994-07-31	The Palace	Auburn Hills	MI
DSBD> CDR> EAC> SHN; via Chase Runyon to sativa; not seekable?
2752	1994-07-31	The Palace	Auburn Hills	MI
DSBD> CDR> EAC> SHN; seeded by Chase Runyon, reshn for seeking by Carl Johnson
113009	1994-07-31	The Palace	Auburn Hills	MI
flac16; DSBD (unknown DAT) > GoodBear DAT (1999?) > CDR (1999?) > EAC (April 2011) > FLAC
96433	1994-08-01	The Palace	Auburn Hills	MI
flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
1026	1994-08-01	The Palace	Auburn Hills	MI
set 2; DSBD> CD> EAC; via Nick Georges; md5s listed as d2,d3; shns dated as "94-01-08"
12522	1994-08-01	The Palace	Auburn Hills	MI
Neumann TLM 170i's (cardioid) > Modified D10 pro II. Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1 on 4 w/anti alias) > CDWave > mkwACT by Doug Nawrocki
141177	1994-08-01	The Palace	Auburn Hills	MI
flac16/44.1 Source Info: Set #1: TS? Schoeps CMC5 Mk4->Oade P/S-> Sony D10 Pro II-> DAT Set #2: FOB Schoeps MK4-> Reutelhuber P/S-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
85704	1994-08-03	Giants Stadium	East Rutherford	NJ
flac16/48; Schoeps CMC54's>Aerco>Sony TCD-D10PROII, FOB (@15th Row Center) Recorded By Travitz & Keith Litzenberger Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC
8728	1994-08-03	Giants Stadium	East Rutherford	NJ
AUD>DAT>CDR; Unknown seeder
20291	1994-08-03	Giants Stadium	East Rutherford	NJ
Taper: Dan Sisler Source: FOB 25th row/center > Schoeps cmc5/mk4 > Sonosax > Sony d10 > digi out > Sony d7 @44.1 Clone: Master DAT/Master D7 > Sony PCM-R500 by Dan Sisler DAT to SHN: Dan's 1x clone > Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 > CDwave > SHN (seekable) by Marc Pujol
8729	1994-08-04	Giants Stadium	East Rutherford	NJ
DAUD (AKG 460's) >DAT> CDR> EAC (secure)> Cool Edit Pro> CD; Seeded to etree by Tim W
147726	1994-08-04	Giants Stadium	East Rutherford	NJ
flac16; Source Info: FOB Schoeps CMC5 Mk 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
2642	1994-09-16	Shoreline Amphitheatre	Mountain View	CA
AKG C61 Tube mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); via Jon Seff
136859	1994-09-16	Shoreline Amphitheatre	Mountain View	CA
flac16; Set 2 Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
141688	1994-09-16	Shoreline Amphitheatre	Mountain View	CA
flac16/48kHz; Set 2 Jeff Silberman Digital Recording; Neumann U89 > StellaDAT > DAT (mics spaced 40', front row, OTS); John Ammons Transfer; DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
10068	1994-09-17	Shoreline Amphitheatre	Mountain View	CA
SBD>DAT>C>DAT>CDR; via Paul B; Seeded to etree by neo_levo
109983	1994-09-17	Shoreline Amphitheatre	Mountain View	CA
flac16; Source: (OTS) Nakamichi CM-300's/CP-1 > Sony TCD-D10; Lineage: DAT-M > Tascam DA-30 > HHb CDR 800; Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>CDWav>FLAC]: Brad Foster
119979	1994-09-17	Shoreline Amphitheatre	Mountain View	CA
flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
10069	1994-09-18	Shoreline Amphitheatre	Mountain View	CA
AUD (Nak 300?s)>Aiwa DAT>CDR; via Paul B; Seeded to etree by neo_levo
116926	1994-09-18	Shoreline Amphitheatre	Mountain View	CA
flac16; Source: Nakamichi cm300/cp1's > Sony TCD-D10; Lineage: DAT/M > DA-30 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
136849	1994-09-18	Shoreline Amphitheatre	Mountain View	CA
flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (48k); Set 2: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
147727	1994-09-18	Shoreline Amphitheatre	Mountain View	CA
flac16; Source Info: Unknown Microphones-> DAT; Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel
83082	1994-09-27	Boston Garden	Boston	MA
flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.3 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
8480	1994-09-27	Boston Garden	Boston	MA
DAUD Nakamichi 300(2) + cp 4> D-7> DAT> CDR; Seeded to etree by Tim Wiley; seekable
10182	1994-09-27	Boston Garden	Boston	MA
unknown DAUD source; Seeded to etree by Nick Georges
14021	1994-09-27	Boston Garden	Boston	MA
PNB Microphones FOB via Dave Minor, shn conversion Marc Pujol
136852	1994-09-27	Boston Garden	Boston	MA
flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
140240	1994-09-27	Boston Garden	Boston	MA
flac16/48kHz; Set 2 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
150128	1994-09-27	Boston Garden	Boston	MA
flac16/48kHz; Source: Sennheiser ME 88's > Sony Sony TCD-D7 > Dat Master (48k)- Recorded from OST (mics on pole) by Dan Ragosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick June 2020
83238	1994-09-28	Boston Garden	Boston	MA
flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.3 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
10183	1994-09-28	Boston Garden	Boston	MA
unknown DAUD source; Seeded to etree by Nick Georges
14945	1994-09-28	Boston Garden	Boston	MA
PMB Microphones FOB via Dave Minor> D7> R300> RMEdigi96/8pad> SF6.0> CDWav> mkw> shn conversion by Marc Pujol
136872	1994-09-28	Boston Garden	Boston	MA
flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
152489	1994-09-28	Boston Garden	Boston	MA
Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick May 2021
96403	1994-09-29	Boston Garden	Boston	MA
flac16/48; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz) Taped by Carrion Crow and Ace Cubby Transferred by Jason Sobel: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav
83297	1994-09-29	Boston Garden	Boston	MA
flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
84947	1994-09-29	Boston Garden	Boston	MA
flac16; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (resample to 44.1 kHz) > WaveLab 5.01b (fades) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Carrion Crow and Ace Cubby; Transferred by Jason Sobel
1815	1994-09-29	Boston Garden	Boston	MA
Updated Lineage notes 12-10-00 M:D> dick latvala's cass> D> cooledit> cdwav> shn; Nick Georges' notes: my bad...my dat came labled as dsbd. some new clues came up suggesting the above lineage. Still, clean as a whistle!
10184	1994-09-29	Boston Garden	Boston	MA
unknown DAUD source; Seeded to etree by Nick Georges
12100	1994-09-29	Boston Garden	Boston	MA
Dsbd>D>C>D>CD; Seeded to etree by Chris Larson
15078	1994-09-29	Boston Garden	Boston	MA
PMB Microphones (German)(1) > Sony D7 @48k taped by Dave Minor, encoded by Marc Pujol
125635	1994-09-29	Boston Garden	Boston	MA
flac16; Matrix Source 1: Dsbd>D>C>D>CD, Source 2: (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz); Transfer: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav and Source 3: Taper Dave Minor; Source: PMB Microphones (German)(1) > Sony D7 @ 48k; Transfer 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable)
140241	1994-09-29	Boston Garden	Boston	MA
flac16/48kHz; Set 2 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: DAT > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
152490	1994-09-29	Boston Garden	Boston	MA
Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick May 2021
77224	1994-10-01	Boston Garden	Boston	MA
flac16/48; Digital FOB DFC Audience Recorded by Todd Evans & Adam Gross Floor Section CC; Row 21; Seat 6 FOB Schoeps Mk4 Cardiod Capsule -> Schoeps Active Cables -> Schoeps CMC 6 Mic Body -> Apogee AD500e -> CASIO DA-R100 MAD DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav 48k native resolution source: Patced in Adobe Audtion 1.5 w/ shnid 15079, aud source; remastered in wavleb(see notes) dithered wavlab UV22HR,tracked in wavleb, Flac Level 8 with Flacfrontend
95066	1994-10-01	Boston Garden	Boston	MA
flac16; Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC)
1025	1994-10-01	Boston Garden	Boston	MA
SBD> unknown analog? > DAT> CD> EAC; ripped and seeded by Nick Georges; note updated source based on pub comment
77223	1994-10-01	Boston Garden	Boston	MA
flac16; Digital FOB DFC Audience Recorded by Todd Evans & Adam Gross Floor Section CC; Row 21; Seat 6 Patced in Adobe Audtion 1.5 w/ shnid 15079, aud source; remastered in wavlab(see notes), SRC 48 to 44.1 using r8brain pro: min phasing, prevent clipping enabled, normalize peak dBFS not enabled dithered wavlab UV22HR,tracked in wavlab, Flac Level 8 with Flacfrontend
83671	1994-10-01	Boston Garden	Boston	MA
flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patch) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
4671	1994-10-01	Boston Garden	Boston	MA
SBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky; with thanks to Charlie Miller and Lee Umstead
14869	1994-10-01	Boston Garden	Boston	MA
Bertha Remaster of Master DAT source SBD>DAT>CDA>SHN>DAW(Bertha)>CDA>SHN, via Jay Ashley, seeded to Etree by Hub Spencer
15079	1994-10-01	Boston Garden	Boston	MA
PMB Microphones (German)(1) FOB> Sony D7 @48k taped by Dave Minor, encoding by Marc Pujol
31992	1994-10-01	Boston Garden	Boston	MA
Txt-file is exactly the same as for shnid=4671 - but MD5s doesn't match that one, or anything else in the db.
150116	1994-10-01	Boston Garden	Boston	MA
flac16; Recording Info: SBD > DAT Master > DAT Clone (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller

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