Orpheum Theatre, San Francisco, CA
Textdoc (download)
Grateful Dead Orpheum Theatre San Francisco, CA July 16, 1976 Set 2 DTS-Audio-CD 5.1 Mix Disc 1 - Set 2 01 [01:28] Tuning 02 [07:58] Playing In The Band > 03 [07:51] Stronger Than Dirt > 04 [08:07] Cosmic Charlie 05 [07:02] Samson & Delilah 06 [03:46] Space > 07 [05:24] Spanish Jam > 08 [03:52] Drums > 09 [06:36] The Wheel > 10 [05:52] Playing Reprise > 11 [08:51] Around & Around 12 [10:29] High Time 13 [00:51] Happy B-day Bill Graham 14 [09:52] Sugar Magnolia TT [87:59] ***Requires a 90 min CDR*** --------------------------------------------------------- Source Info SBD SBD: Master Reel -> Master Dat (44.1k) AUD FOBalcony: MAC > DAT > CD Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. Cool Edit Pro 2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the AUD source, center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by dan@am-dig.com - SHN conversion 13-OCT-2004 - Remix FLAC conversion 19-JAN-2005 - Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear single jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD: Master Reel -> Master Dat Right Channel SBD: Master Reel -> Master Dat Center Mono Mix -5db SBD: Master Reel -> Master Dat Surround Left Channel -3db FOB: ECM-280 mics > TC-152 Right Channel -3db FOB: ECM-280 mics > TC-152 Sub/LFE Mono Mix -4db SBD: Master Reel -> Master Dat --------------------------------------------------------- Notes This is all that circulates in the SBD source. The AUD source was lightly EQ'ed. A slight high end cut. The AUD source was a bit overwhelming in the 5.1 mix. While I usually leave the levels alone, this time I mixed the AUD into the rear channels at -3db. In my experience louder rear channels is an undiserable effect. AUD Patch Samson approx 4:35 to fill missing part of the SBD 29:58.490 to 31:31.560 total of 01:33.070. This is somewhat detectable but hardly. Which is really a statement to just how great the AUD source is. SBD Patch Drums approx 02:37 to fill missing part of the AUD 44:07.731 to 44:15.904 total of 0:08.172. This is smooth and most likely undetectable. Missing 22.027 crowd on AUD source between Around & Around and High Time. SBD trimmed accordingly to match with a 3 second crossfade. Smooth and most likely undetectable. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way you would burn any normal Audio-CD from .shn files. ---------------------------------------------------------
Media Size
0
Media Size Uncompressed
0
SHN Disc Count
2
WAV Disc Count
2
Date Circulated
9/1/2005
Entered By
mvernon
Created At
Thu Sep 01 2005 12:53:57 GMT+0000 (Coordinated Universal Time)
Updated At
Sun Dec 07 2008 19:54:35 GMT+0000 (Coordinated Universal Time)
Checksums
flac-md5 (download)
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ffp (download)
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