LCDB: Sources for Grateful Dead

Sources for Grateful Dead

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SHNID	Date	Venue	City	State
6953	1978-01-06	Swing Auditorium	San Bernardino	CA
Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; upgrade in circulation
24629	1978-01-06	Swing Auditorium	San Bernardino	CA
SBD: MC>RR>DAT>CD>EAC>DC5>CD Discs From Jools Elliott AUD patches from Noah Weiner AUD: MC>RR>DAT>CD Taper=Bob Menke - Sony ECM280s>Sony TC-158 CD Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com.
152854	1978-01-06	Swing Auditorium	San Bernardino	CA
flac16/44 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick July 2021
152855	1978-01-06	Swing Auditorium	San Bernardino	CA
flac24/96 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > CD Wave > Flac24 edited and mastered SIRMick July 2021
153175	1978-01-06	Swing Auditorium	San Bernardino	CA
flac16/44 Source: Sbd > Cassette Master > Cassette (1st gen) Transfer: Cassette (1st gen) > Nakamichi CR7A > PCM > wav 16/44.1 via: Bob Menke Lineage: wav > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > Cd Wave > Flac16 edited and mastered SIRMick August 2021
152609	1978-01-07	Golden Hall, Community Concourse	San Diego	CA
Recording Info: SBD > Cassette Master > DAT > CD Transfer Info: CD > Samplitude Professional v10.1 > Adobe Audition v1.5 > FLAC
89474	1978-01-07	Golden Hall, Community Concourse	San Diego	CA
flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac
7204	1978-01-07	Golden Hall, Community Concourse	San Diego	CA
Master Soundboard Cassette > Reel to Reel > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; beginning and end cuts; low volume digiwhiz in mingle @ ~2:10; upgrade in circulation
17806	1978-01-07	Golden Hall, Community Concourse	San Diego	CA
SBD> MC> R> D> CD> EAC> SHN from previous Scot Clugston seed, patched with AUD> ??> CD> EAC> SHN; final edits/encoding by JCotsman
127345	1978-01-07	Golden Hall, Community Concourse	San Diego	CA
flac16; 2 Source Matrix by dusborne; Soundboard (shnid:17806) SBD>MC>R>D>CD>EAC>SHN patched with: AUD>?>CD>EAC>SHN final edits/encoding by JCotsman and Audience (shnid:89474) Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac; Transfer by: Pantagruel
7201	1978-01-08	Golden Hall, Community Concourse	San Diego	CA
Master Soundboard Cassette > Cassette > DAT> CDR, with AUD patch in Other One; CD Mastering / Patching, EAC'ed / SHN'ed by Scott Clugston; with thanks to Lawrence Peryer, Charlie Connor; d1 tracked for 80 min; upgrade in circulation
14670	1978-01-08	Golden Hall, Community Concourse	San Diego	CA
SBDMR > R > PCM > DAT > CD > EAC > SHN note: Jerry had laryngitis on this night and therefore he did not sing. d1t7 - cut in SBD cross faded with AUD/3 from 03:29 to 03:54 d2t5 - cut in SBD cross faded with AUD/3 from 01:00 to 07:12 EAC, SHN and cross fades by Noah Weiner - November, 2002
34854	1978-01-08	Golden Hall, Community Concourse	San Diego	CA
Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer
102349	1978-01-08	Golden Hall, Community Concourse	San Diego	CA
flac24; Analog Audience Source: Master Audience Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0109 24/96 (The original release of this source from 2009-11-03 had errors in the tags.)
102500	1978-01-08	Golden Hall, Community Concourse	San Diego	CA
flac16; Analog Audience Source: Master Audience Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UDXL II; Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By: Derek McCabe; MOTB Release: 0109
153085	1978-01-08	Golden Hall, Community Concourse	San Diego	CA
flac16/44 Recording Info: SBD -> Cassette Master -> AIFF Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC
95068	1978-01-10	Shrine Auditorium	Los Angeles	CA
flac16; Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
95069	1978-01-10	Shrine Auditorium	Los Angeles	CA
flac24; MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
95134	1978-01-10	Shrine Auditorium	Los Angeles	CA
flac16 Matrix: MAC = 3 x Maxell UDXL II A2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] and SBD>MC>?>CD>EAC>SHN (Source ID 14523)
14523	1978-01-10	Shrine Auditorium	Los Angeles	CA
SBD>MC>?>CD>EAC>SHN; (see lineage info); Thanks to Raoul Duke & Hanno Bunjes; edits/encoding by JCotsman
133618	1978-01-10	Shrine Auditorium	Los Angeles	CA
flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02)
133619	1978-01-10	Shrine Auditorium	Los Angeles	CA
flac24; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02)
92086	1978-01-11	Shrine Auditorium	Los Angeles	CA
flac16; Matrix, Sources used: 1) SBD > MC > R > PCM > D > CD > EAC > SHN and 2) audience recording on a Marantz pro cassette deck, don't recall the model & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Matrixed by SIRMick
89475	1978-01-11	Shrine Auditorium	Los Angeles	CA
flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac
12894	1978-01-11	Shrine Auditorium	Los Angeles	CA
SBD master reel > Cass > DAT > CD-R > EAC > .SHN ; upgrade in circulation
13190	1978-01-11	Shrine Auditorium	Los Angeles	CA
SBD>MC>R>PCM>D>CD>EAC>SHN (??); see comments on lineage; Thanks to Raoul Duke edits/encoding by Matt Vernon & JCotsman
110959	1978-01-11	Shrine Auditorium	Los Angeles	CA
flac16; Matrix: Analog Aud: 2 x AKG D224E >> Sony TC-158SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and Analog SBD: SBD >> MSC (dolby C) >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16
135498	1978-01-11	Shrine Auditorium	Los Angeles	CA
flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller; the original version had errors in the tracking; [lease don't circulate the original (19 track) version
135499	1978-01-11	Shrine Auditorium	Los Angeles	CA
flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
4629	1978-01-13	Arlington Theater	Santa Barbara	CA
Master Soundboard Cassette> Cassette> DAT> CDR> EAC> SHN
105208	1978-01-13	Arlington Theater	Santa Barbara	CA
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
135500	1978-01-13	Arlington Theater	Santa Barbara	CA
flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
135501	1978-01-13	Arlington Theater	Santa Barbara	CA
flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
88091	1978-01-14	Bakersfield Memorial Auditorium	Bakersfield	CA
flac16; source: aud > ??? > cdr > eac > wav > flac
99092	1978-01-14	Bakersfield Memorial Auditorium	Bakersfield	CA
flac16; Source: Unknown Audience recording, believed to be a 3rd gen cass Transfer: cass > Nakamichi DR-1 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab(with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac16
16114	1978-01-14	Bakersfield Memorial Auditorium	Bakersfield	CA
SBD> [MR>C ?] >DAT>CDR via Raoul Duke encoded by Matt Vernon
105758	1978-01-14	Bakersfield Memorial Auditorium	Bakersfield	CA
flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
105811	1978-01-14	Bakersfield Memorial Auditorium	Bakersfield	CA
flac16; MTX 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Soundboard Source: gd78-01-14.sbd.vernon.16114.sbeok.shnf
135521	1978-01-14	Bakersfield Memorial Auditorium	Bakersfield	CA
flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
135522	1978-01-14	Bakersfield Memorial Auditorium	Bakersfield	CA
flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
80954	1978-01-15	Selland Arena	Fresno	CA
flac16; AUD>MC>C>D>CD>EAC>SHN>?>FLAC; These are from the same source as the audience portion of shn id 13252. This completes what circulates from that aud.
13252	1978-01-15	Selland Arena	Fresno	CA
mixed source: set 1: SBD> ?> C> SHN (low number of analog gens); set 2: AUD> MC> C> D> CD> EAC> SHN; Thanks to Hanno Bunjes, Chuck Kiefe; final edits/encoding by JCotsman. Additional material from the audience recording used for this source can be found here.
106182	1978-01-15	Selland Arena	Fresno	CA
flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein
14555	1978-01-17	Sacramento Memorial Auditorium	Sacramento	CA
SBD>MR>C>D>CD>SHN; missing Around & US Blues; Thanks to Raoul Duke; edits/encoding by Matt Vernon & JCotsman
141144	1978-01-17	Sacramento Memorial Auditorium	Sacramento	CA
flac16; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit to 16-bit via dBpoweramp
141145	1978-01-17	Sacramento Memorial Auditorium	Sacramento	CA
flac24; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
141146	1978-01-17	Sacramento Memorial Auditorium	Sacramento	CA
flac16; Source Info: Master Soundboard Reels > Cassette > Dat > CD > EAC > SHN (shnid 14555); This is a patched and re-mastered version of the shnid14555 soundboard source from Matt Vernon & JCotsman
13101	1978-01-18	Stockton Civic Auditorium	Stockton	CA
SBD> MR> ?> D> CD> EAC> SHN; patched with AUD> MC> C> D> CD> EAC> SHN; technical problems with SBD (see caveat); Thanks to Mike Tausig and Jack Warner; edits/encoding by JCotsman
18656	1978-01-18	Stockton Civic Auditorium	Stockton	CA
Set Two AUD>MC>??>DAT>CDR via Raoul Duke encoded by Matt Vernon
28846	1978-01-22	McArthur Court, University Of Oregon	Eugene	OR
flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell
101437	1978-01-22	McArthur Court, University Of Oregon	Eugene	OR
flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
101436	1978-01-22	McArthur Court, University Of Oregon	Eugene	OR
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
287	1978-01-22	McArthur Court, University Of Oregon	Eugene	OR
Source: DNC Close Encounters Tree; SBD> M?> C> PCM> Sound Forge> CD-R> SHN; show is missing some tracks in the middle, but it's the only part of the show that circulates in a clean SBD
2014	1978-01-22	McArthur Court, University Of Oregon	Eugene	OR
Source: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 see additional notes in info file via John D'Auria
4974	1978-01-22	McArthur Court, University Of Oregon	Eugene	OR
d1,d3: sbd> ??> cd> eac> shn, d2 from previous shn set (see notes in info file); to gdlive, via popi
31940	1978-01-22	McArthur Court, University Of Oregon	Eugene	OR
flac16; SBD, 1st 4 songs in 2nd set AUD
110632	1978-01-22	McArthur Court, University Of Oregon	Eugene	OR
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> FLAC; Set 2: (1st 4 songs) (FOB) AKG D224E -> Cassette Master -> FLAC (shnid=101436); Set 2: (Terrapin through Saint Stephen) SBD -> Cassette Master > FLAC; Set 2: (Not Fade Away through U.S. Blues) SBD -> Reel Master > FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
32255	1978-01-30	Uptown Theatre	Chicago	IL
flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller
12437	1978-01-30	Uptown Theatre	Chicago	IL
Tim Powell recording (Sony ECM-99/Sony TC-152) AUD>MC>R>DAT>CDR via Raoul Duke.
148564	1978-01-30	Uptown Theatre	Chicago	IL
flac16; Source Info: Master Soundboard Reel > Dick Latvala's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> 16/44.1 .wav > Adobe Audition CC 2019 > TLH flac16
164894	1978-01-30	Uptown Theatre	Chicago	IL
flac1648 Low Gen audience recording; AKG mics, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
164895	1978-01-30	Uptown Theatre	Chicago	IL
flac2496 Low Gen audience recording; AKG mics, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
164896	1978-01-30	Uptown Theatre	Chicago	IL
flac1648 Tim Powell's Master Audience Cassettes; Sony ECM 99 mics > Sony TC-152 cassette deck > 1st Generation Reels > DAT (16/48) Transfer Info: DAT (Sony PCM-R500)(16/48) > Tascam DA-3000 > 16/48 .wav > Adobe Audition CC 2023 > TLH flac1648
32256	1978-01-31	Uptown Theater	Chicago	IL
flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller
1807	1978-01-31	Uptown Theater	Chicago	IL
set 2; SBDMR> Cass> DAT> CDR> EAC> SHN; via Mike (Dank Star) Parrillo; upgrade in circulation
17074	1978-01-31	Uptown Theater	Chicago	IL
set 1 mostly AUD>MC>R>CD>EAC>SHN, set 2 SBD>MR>C>D>CD>EAC>SHN with aud patches via Jack Warner and Mike Parrillo encoded/edits by Jeff Cotsman and Matt Vernon; upgrade in circulation
17807	1978-01-31	Uptown Theater	Chicago	IL
AUD> MC> R> CD> EAC> SHN; patched with SBD> MR> C> D> CD> EAC> SHN; Thanks to Jack Warner; edits/encoding by Matt Vernon & JCotsman; note d1t1-7 md5s same as in previous seed, others differ
101556	1978-01-31	Uptown Theater	Chicago	IL
flac16; Matrix: 60 sbd/40 aud. In addition the gain on the sbd was increased by 1 decibel and for the aud reduced by the same amount sbd: SBD > Master Reel > Dat > CD > FLAC (shnid 32256) and aud: AUD > MC > R > CD > EAC > SHN (shnid 17807)
123059	1978-01-31	Uptown Theater	Chicago	IL
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller
158700	1978-01-31	Uptown Theater	Chicago	IL
flac1644 Source Info: Master FOB Audience Cassettes (possibly Tim Powell); Sony ECM-99 mics > (most likely) Sony TC-152 > Reel to Reel > Tim McKenzie's DAT 16 bit/44.1 kHz (KAO Gold 460m) > CDR Transfer Info: DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O > Hosa DRA-501 coax cable > Tascam CD-RW750 > CDR CDR (Tascam SS-CDR200) > Tascam DA-3000 > .wav(16bit/44.1 kHz) > Adobe Audition 2022 > TLH flac16
164231	1978-01-31	Uptown Theater	Chicago	IL
flac1644 fixed version of shnid158700 . Master FOB Audience Cassettes (possibly Tim Powell); Sony ECM-99 mics > (most likely) Sony TC-152 > Reel to Reel > Tim McKenzie's DAT 16 bit/44.1 kHz (KAO Gold 460m) > CDR Transfer Info: DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O > Hosa DRA-501 coax cable > Tascam CD-RW750 > CDR CDR (Tascam SS-CDR200) > Tascam DA-3000 > .wav(16bit/44.1 kHz) > Adobe Audition 2023 > TLH flac16
97744	1978-02-01	Uptown Theater	Chicago	IL
flac16; MAC>R>C>WAV>FLAC
1017	1978-02-01	Uptown Theater	Chicago	IL
MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks
138451	1978-02-01	Uptown Theater	Chicago	IL
flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1
19464	1978-02-03	Dane County Coliseum	Madison	WI
Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano.
19465	1978-02-03	Dane County Coliseum	Madison	WI
Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
132731	1978-02-03	Dane County Coliseum	Madison	WI
flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHz; DAT Zero-(DL) > DAT#1 > DAT#2; 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
139370	1978-02-03	Dane County Coliseum	Madison	WI
flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; Six songs from Set 1 are .mp3 sourced
164048	1978-02-03	Dane County Coliseum	Madison	WI
flac1648 Source Info: Master Audience Cassettes; AKG mics > unknown deck > 1st generation cassettes > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi DR-1) > Tascam DA-300 (24/96 .wav) > Adobe Audition 2023 > TLH flac2496
164049	1978-02-03	Dane County Coliseum	Madison	WI
flac2496 Source Info: Master Audience Cassettes; AKG mics > unknown deck > 1st generation cassettes > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi DR-1) > Tascam DA-300 (24/96 .wav) > Adobe Audition 2023 > TLH flac2496
164050	1978-02-03	Dane County Coliseum	Madison	WI
flac1644 Master Audience Cassettes (unknown equipment) > PCM > Tim McKenzie's DAT (16/44.1) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > .wav 16/44.1 > Adobe Audition 2023 > TLH flac16
12199	1978-02-04	Milwaukee Auditorium	Milwaukee	WI
AUD> MC> R> C> DAT> CDR> EAC> CD; Re-mastered via the Owens?s Brothers Vault. ; via Raoul Duke; Seeded to etree by Matt Vernon
122949	1978-02-04	Milwaukee Auditorium	Milwaukee	WI
flac16; Partial 1 song Matrix by Hunter Seamons; Soundboard recording by Dan Healy; Audience recording transferred by Raoul Duke
132719	1978-02-04	Milwaukee Auditorium	Milwaukee	WI
flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS; Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHZ; DAT Zero-DAT#1 (Rob Bertrando); 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
138311	1978-02-05	Uni Dome, University Of Northern Iowa	Cedar Falls	IA
flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1
19466	1978-02-05	Uni Dome, University Of Northern Iowa	Cedar Falls	IA
Set Two only Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
19471	1978-02-05	Uni Dome, University Of Northern Iowa	Cedar Falls	IA
Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Dat seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano.
123360	1978-02-05	Uni Dome, University Of Northern Iowa	Cedar Falls	IA
flac16; Set 2 only; Two source matrix: Soundboard (shnid:19471) Soundboard->Master Reel->DAT->DAT->ZA2->Soundforge->.wav->mkw->SHN and Audience (shnid:19466) Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
138384	1978-02-05	Uni Dome, University Of Northern Iowa	Cedar Falls	IA
flac16; Set 2; Source: Unknown FOB AUD (mono) from Brian Schley tape collection; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2017
151646	1978-02-05	Uni Dome, University Of Northern Iowa	Cedar Falls	IA
flac16/44khz; Sick Bits Vol. 34 Matrix: SBD (Shnid=19471) + AUD1 (Shnid=19466) - primary and AUD2 (Shnid=138384) - patches Matrixed (edited, mixed and converted) by Chris Chappell
151822	1978-02-05	Uni Dome, University Of Northern Iowa	Cedar Falls	IA
flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick
151821	1978-02-05	Uni Dome, University Of Northern Iowa	Cedar Falls	IA
flac16 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and mastered SIRMick February 2021
151838	1978-02-05	Uni Dome, University Of Northern Iowa	Cedar Falls	IA
flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021
151837	1978-02-05	Uni Dome, University Of Northern Iowa	Cedar Falls	IA
flac16/44 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021
81508	1978-04-06	Curtis Hixon Convention Hall	Tampa	FL
flac16; SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD) Mix consisting of SBD - shn id 81307, AUD - shn id 81494
81307	1978-04-06	Curtis Hixon Convention Hall	Tampa	FL
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
81767	1978-04-06	Curtis Hixon Convention Hall	Tampa	FL
DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> PCM -> Dat and AUD:Recorded by Bob Wagner; Sony 54Ps> Sony TC-158; mixed by Kevin Tobin
81494	1978-04-06	Curtis Hixon Convention Hall	Tampa	FL
flac16; Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; patches and speed correction by Kevin Tobin
82030	1978-04-06	Curtis Hixon Convention Hall	Tampa	FL
DVD-VA: (Video Audio) 2 audio tracks; 1) SBD + AUD Matrix 2 Source Mix (shnid=81508) & 2) DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> PCM -> Dat and AUD:Recorded by Bob Wagner; Sony 54Ps> Sony TC-158 (shnid=81767); audio only - no video
290	1978-04-06	Curtis Hixon Convention Hall	Tampa	FL
mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR; upgrade in circulation
18510	1978-04-06	Curtis Hixon Convention Hall	Tampa	FL
Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; upgrade in circulation
140694	1978-04-06	Curtis Hixon Convention Hall	Tampa	FL
flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
147759	1978-04-06	Curtis Hixon Convention Hall	Tampa	FL
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2019
148069	1978-04-06	Curtis Hixon Convention Hall	Tampa	FL
flac24; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
148068	1978-04-06	Curtis Hixon Convention Hall	Tampa	FL
flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
83715	1978-04-07	The Sportatorium	Pembroke Pines	FL
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
10208	1978-04-07	The Sportatorium	Pembroke Pines	FL
7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out>DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT; Source DAT via Joe Samaritano; upgrade in circulation DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor
140736	1978-04-07	The Sportatorium	Pembroke Pines	FL
flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
148529	1978-04-07	The Sportatorium	Pembroke Pines	FL
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019
150559	1978-04-07	The Sportatorium	Pembroke Pines	FL
flac16; Source: Betty Cantor’s Master SBD Reel > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
164367	1978-04-07	The Sportatorium	Pembroke Pines	FL
flac1644 SBD > Master Reel (7in 7.5ips 1/2trk) > PCM > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16
83716	1978-04-08	Veterans Memorial Coliseum	Jacksonville	FL
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
4088	1978-04-08	Veterans Memorial Coliseum	Jacksonville	FL
SBD> Bettyboard 7" reels @ 7.5ips> PCM> DAT> CDR> SHN; seeded by Katy Miller; upgrade in circulation
4144	1978-04-08	Veterans Memorial Coliseum	Jacksonville	FL
SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; upgrade in circulation
83404	1978-04-08	Veterans Memorial Coliseum	Jacksonville	FL
flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > Fostex D5 > optical S/PDIF out (Jace's tape) > disk WBOTB Transferred by Tim Deibert 3-10-02
140789	1978-04-08	Veterans Memorial Coliseum	Jacksonville	FL
flac24; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
140922	1978-04-08	Veterans Memorial Coliseum	Jacksonville	FL
flac16; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
147787	1978-04-08	Veterans Memorial Coliseum	Jacksonville	FL
flac16/48kHz; Recording Info:Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
147788	1978-04-08	Veterans Memorial Coliseum	Jacksonville	FL
flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
148006	1978-04-08	Veterans Memorial Coliseum	Jacksonville	FL
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019
148615	1978-04-08	Veterans Memorial Coliseum	Jacksonville	FL
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 148006 & 147787.
150560	1978-04-08	Veterans Memorial Coliseum	Jacksonville	FL
flac16; Source: Betty Cantor’s Master SBD Reel > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
81262	1978-04-10	Fox Theater	Atlanta	GA
flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (or 441s) + Sony 54P> passed through Nakamichi 550> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC * Patches supplied by SB>MR>PCM>DAT>CD (Note: On 12/28/2006 David Minches circulated a fixed version of d3t04 through d3t07)
15782	1978-04-10	Fox Theater	Atlanta	GA
Betty Board>?>CD; Unknown seeder; upgrade in circulation
18098	1978-04-10	Fox Theater	Atlanta	GA
SBD -> Rm -> PCM -> Dat via Charlie Miller
5259	1978-04-10	Fox Theater	Atlanta	GA
Sbd > MR > PCM >Dat > cdr > Eac > wav > shn; Eac > Shnv3 by Ernie Dodd, from Paul B seed discs; see info file for flaw notes; upgrade in circulation
108665	1978-04-10	Fox Theater	Atlanta	GA
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
140836	1978-04-10	Fox Theater	Atlanta	GA
flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMickJanuary 2018
148538	1978-04-10	Fox Theater	Atlanta	GA
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019
150608	1978-04-10	Fox Theater	Atlanta	GA
flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 16, 2020
163314	1978-04-10	Fox Theater	Atlanta	GA
flac2448; Source: Unknown mics & deck > MAC > 1st Gen back-up copy, concert recording by John Hicks & Dennis Fong. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > WAV 2448 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2023
291	1978-04-11	Fox Theater	Atlanta	GA
SBD> Reel > PCM> DAT> CDR> SHN; note missing last 2 songs- Sugar Magnolia, encore JGB; known flaws: noticable clicking on d1t8, possibly from bad DAE; reel Glitch d/o d2t3 10:56 - 11:00; via M. Lai, C. Vinci; upgrade in circulation
18099	1978-04-11	Fox Theater	Atlanta	GA
SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation
81257	1978-04-11	Fox Theater	Atlanta	GA
flac16; SBD -> Rm -> PCM -> Dat - Seamless fix of shn id 18099 via Bill Tetzeli
108666	1978-04-11	Fox Theater	Atlanta	GA
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
141775	1978-04-11	Fox Theater	Atlanta	GA
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
150607	1978-04-11	Fox Theater	Atlanta	GA
flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 17, 2020
157181	1978-04-11	Fox Theater	Atlanta	GA
flac1644; 1st Set; Source: Handheld deck (mono) > Maxell XLII, concert recording by John Hicks & Dennis Fong. Transfer: MAC(?) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644. Transferred by Andrew F. 07/2022
157654	1978-04-11	Fox Theater	Atlanta	GA
flac2448; Source: Handheld deck (mono) > Maxell XLII, concert recording by John Hicks & Dennis Fong. Transfer: MAC(?) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022
11476	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry
14085	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
18805	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified)
95673	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN
105875	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
flac16; Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller
106985	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
107156	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; fix of shind 106985
134566	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
flac16; Matrix 2 Source Mix - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
134567	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
DTS-Audio-CD 5.1 Mix; SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
134820	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
141776	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
148071	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
148070	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
149339	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
149531	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
flac16; Source: Betty Cantor’s Master SBD Reel > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; this is a corrected version of source ID 149339
155360	1978-04-12	Cameron Indoor Stadium, Duke University	Durham	NC
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
83717	1978-04-14	Cassell Coliseum, Virginia Polytechnic	Blacksburg	VA
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
147789	1978-04-14	Cassell Coliseum, Virginia Polytechnic	Blacksburg	VA
flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
7251	1978-04-14	Cassell Coliseum, Virginia Polytechnic	Blacksburg	VA
Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; drop out followed by a short digi-snit in JBG ~ 0:28
147790	1978-04-14	Cassell Coliseum, Virginia Polytechnic	Blacksburg	VA
flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
148291	1978-04-14	Cassell Coliseum, Virginia Polytechnic	Blacksburg	VA
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2019
149542	1978-04-14	Cassell Coliseum, Virginia Polytechnic	Blacksburg	VA
flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
86412	1978-04-15	William & Mary Hall	Williamsburg	VA
flac 16; Sick Bits Vol. 24 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=33683) + AUD (shnid=18556). Matrixed by Chris Chappell.
33683	1978-04-15	William & Mary Hall	Williamsburg	VA
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC
7047	1978-04-15	William & Mary Hall	Williamsburg	VA
SBD> MR> PCM> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; missing encore, splice in NFA; upgrade in circulation
18556	1978-04-15	William & Mary Hall	Williamsburg	VA
Recorded by Bob Wagner; Sony 54Ps> Sony TC-158, transferred and encoded by David Minches
34932	1978-04-15	William & Mary Hall	Williamsburg	VA
flac16; SBD > MR > PCM > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 33683
116981	1978-04-15	William & Mary Hall	Williamsburg	VA
flac16 Source: (single) Nakamichi CM300 with CP1 cardioid capsule front of board> Nakamichi 550 deck with dolby B on; Transfer: (original) Nak 550 Dolby B on> Apogee Mini-Me @ 16/44> wav; Assembly: AA3 for fades and edits, CDWav for tracks, TLH for Flac7, Foobar for tags; Recorded by Mark Olkon; Transferred and Assembled by Mike Schuncke
137402	1978-04-15	William & Mary Hall	Williamsburg	VA
flac24; Set 2 Source: sbd; All Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6]
137403	1978-04-15	William & Mary Hall	Williamsburg	VA
flac16; Set 2 Source: sbd; Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor to Split Tracks & covert to Flac16 [Level 6]; TLH to fix SBE
147791	1978-04-15	William & Mary Hall	Williamsburg	VA
flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
147792	1978-04-15	William & Mary Hall	Williamsburg	VA
flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
148442	1978-04-15	William & Mary Hall	Williamsburg	VA
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick December 2019
148571	1978-04-15	William & Mary Hall	Williamsburg	VA
flac16/48kHz; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
148572	1978-04-15	William & Mary Hall	Williamsburg	VA
flac24; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
149543	1978-04-15	William & Mary Hall	Williamsburg	VA
flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
152890	1978-04-15	William & Mary Hall	Williamsburg	VA
flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021
81457	1978-04-16	Huntington Civic Center	Huntington	WV
flac16; Source: Betty Soundboard Media: master reels Lineage: SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac Taped by: Betty Cantor Transfer by: Jim Goldman Mastered by: Jim Goldman
82273	1978-04-16	Huntington Civic Center	Huntington	WV
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller
98510	1978-04-16	Huntington Civic Center	Huntington	WV
flac16; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave> adobe 2.0 16/44>flac transferred & seeded by Rob Berger
98535	1978-04-16	Huntington Civic Center	Huntington	WV
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
98791	1978-04-16	Huntington Civic Center	Huntington	WV
flac16; Recording by Bob Wagner: 3 Sony ECM-54 Ps> Sony 158 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 16 bit/ 44.1 kHz version
98509	1978-04-16	Huntington Civic Center	Huntington	WV
flac24; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac transferred & seeded by Rob Berger
292	1978-04-16	Huntington Civic Center	Huntington	WV
SBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream; upgrade in circulation
16619	1978-04-16	Huntington Civic Center	Huntington	WV
another version of previous shn set(s) with unknown relationship to either (parent, reshn, fix?); md5s differ from previous; upgrade in circulation
20085	1978-04-16	Huntington Civic Center	Huntington	WV
Possible lineage Master reel> PCM>??> DAT> Sonic Solutions>CD via David Gans, encoded by Brooke Hessel for GDH-Trading Tree; upgrade in circulation
34971	1978-04-16	Huntington Civic Center	Huntington	WV
Source: SBD>R2R>PCM>DAT>CDR>SHN ; Fix of shn id 292: SBE fixed on D1t12. Processed by xACT 1.55 to make WAVE headers canonical (44 bytes) on all SHN files.; upgrade in circulation
139240	1978-04-16	Huntington Civic Center	Huntington	WV
flac16 44.1khz Commercial bootleg release; "For The Faithful" Soundboard; Kiss The Stone records KTS 528/529 released 1996 EAC (secure) > Flacfrontend (level 8) 2/2008 by deadtrader
147801	1978-04-16	Huntington Civic Center	Huntington	WV
flac16/48kHz; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
147802	1978-04-16	Huntington Civic Center	Huntington	WV
flac24; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
148386	1978-04-16	Huntington Civic Center	Huntington	WV
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019
148565	1978-04-16	Huntington Civic Center	Huntington	WV
flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
148566	1978-04-16	Huntington Civic Center	Huntington	WV
flac24; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
149552	1978-04-16	Huntington Civic Center	Huntington	WV
flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
81315	1978-04-18	Civic Arena	Pittsburgh	PA
flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Patches supplied by A:C:D:CD recorded with Shure SM57s> Sony TC-158
14036	1978-04-18	Civic Arena	Pittsburgh	PA
SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) patched with aud via Joey Browning, Matt Vernon, & Raoul Duke mastered by Jeff Cotsman
12383	1978-04-18	Civic Arena	Pittsburgh	PA
Source: Shure SM57s>Sony TC-158 > MAC > DAT > CDR via Rauol Duke. shn encoding Matt Vernon
132410	1978-04-18	Civic Arena	Pittsburgh	PA
flac16; Set 2 Source: MAC>XL-IIS>XL-IIS (FOB,2); Transfer: Maxell XL-IIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged
94494	1978-04-19	Veterans Memorial Hall	Columbus	OH
flac16; Recording Info: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller
94522	1978-04-19	Veterans Memorial Hall	Columbus	OH
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
7286	1978-04-19	Veterans Memorial Hall	Columbus	OH
SBD > Master Reel > CD > Sonic Solutions > CD mastered by David Gans; Source shns from Bob Murphy; partial retrack by Darrin Sacks
9121	1978-04-19	Veterans Memorial Hall	Columbus	OH
SBD>Rm>CD>David Gans Sonic Solutions>CD; via Charlie Miller; Seeded to etree by Sean Cheadle
97501	1978-04-21	Rupp Arena, University Of Kentucky	Lexington	KY
flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
10149	1978-04-21	Rupp Arena, University Of Kentucky	Lexington	KY
SBD>MR>C>D>CD; Patched with AUD>MC>R>D>CD; Missing US Blues & most of Dire Wolf; See info file for details; via Jim Ballinger & Jeff Cook; Seeded to etree by J. Cotsman
123212	1978-04-21	Rupp Arena, University Of Kentucky	Lexington	KY
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
151823	1978-04-21	Rupp Arena, University Of Kentucky	Lexington	KY
flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
151824	1978-04-21	Rupp Arena, University Of Kentucky	Lexington	KY
flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
165006	1978-04-21	Rupp Arena, University Of Kentucky	Lexington	KY
flac1648 Low Gen audience recording; Unknown equipment, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
165007	1978-04-21	Rupp Arena, University Of Kentucky	Lexington	KY
flac2496 Low Gen audience recording; Unknown equipment, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
92808	1978-04-22	Nashville Municipal Auditorium	Nashville	TN
flac16; Recording Info:Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90);Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller
97508	1978-04-22	Nashville Municipal Auditorium	Nashville	TN
flac16; Set 1 Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
12384	1978-04-22	Nashville Municipal Auditorium	Nashville	TN
Source: Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR. via Willy shn encoding Matt Vernon
133786	1978-04-22	Nashville Municipal Auditorium	Nashville	TN
flac16; Recording Info: Set 1: SBD -> Master Cassette -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Set 1: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; Set 2: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
133792	1978-04-22	Nashville Municipal Auditorium	Nashville	TN
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
32899	1978-04-24	Horton Field House, Illinois State University	Normal	IL
flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller
97543	1978-04-24	Horton Field House, Illinois State University	Normal	IL
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
3296	1978-04-24	Horton Field House, Illinois State University	Normal	IL
MR> ?> R> D> Digi96> Soundforge> CDWAV> SHN; Mike McCaw; see info file for lineage notes; upgrade in circulation
20598	1978-04-24	Horton Field House, Illinois State University	Normal	IL
sbd attributed to Alan Thompson submitted by okcomputerboy (dkonrad99@hotmail.com); upgrade in circulation
20605	1978-04-24	Horton Field House, Illinois State University	Normal	IL
SBD Master Cass>DAT>Cass>DAT>CD>EAC>SHN. Remastered by Mattman from source discs supplied by David Hollister. ; upgrade in circulation
109177	1978-04-24	Horton Field House, Illinois State University	Normal	IL
flac16; Recorded on a small mono cassette recorder with built-in Wollensak 402 mic; First Generation Cassette>Tascam130>Pro Tools LE>wav>flac
82962	1978-05-05	Thompson Arena, Dartmouth College	Hanover	NH
flac16; Source: FOB Audience Recording (30 Rows Back) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
6149	1978-05-05	Thompson Arena, Dartmouth College	Hanover	NH
Sony ECM-99A's>Sony TC-152 > Master Audience Cass > DAT's; Taper: Steve Rolfe; dat> sek'd prodif+ card> hard drive> cdwav > shntool (pad zeros @ end of sets to have complete sectors) >mkw (seekable); dat>shn transfer by dale shepherd, from Matt Vernon DAT; see info file for flaw notes
18655	1978-05-05	Thompson Arena, Dartmouth College	Hanover	NH
Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation
112180	1978-05-05	Thompson Arena, Dartmouth College	Hanover	NH
flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
114348	1978-05-05	Thompson Arena, Dartmouth College	Hanover	NH
flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; This is a remaster of shnid=112180; All Transfers and Mastering By Charlie Miller
82963	1978-05-06	Patrick Gymnasium, University Of Vermont	Burlington	VT
flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
92356	1978-05-06	Patrick Gymnasium, University Of Vermont	Burlington	VT
flac16; set two partial, Undocumented audience cassette of unknown generations transfered at 24/96 on a tascam112 MKII deck>apogee minime>aes-ebu xlr>Lynx2>wavelab6.0 Mastered on the GEMS Edit Station In Wavelab 6.0 Weiss Saracon Dither to 16/44.1 by Jamie Waddell Trac'ed cdwave,flac'ed flac frontend level 8 Tagged in tag and rename
96896	1978-05-06	Patrick Gymnasium, University Of Vermont	Burlington	VT
flac16; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>adobe 16/44>flac
96897	1978-05-06	Patrick Gymnasium, University Of Vermont	Burlington	VT
flac24; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>flac
97070	1978-05-06	Patrick Gymnasium, University Of Vermont	Burlington	VT
flac16; partial; Source: fm > tandberg (probably TCD 310 MkII) with dolby > tdk sa C90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac
97071	1978-05-06	Patrick Gymnasium, University Of Vermont	Burlington	VT
flac16; Source: aud > unknown gens cassettes playback > pioneer ct-f1000 with dolby > maxell xlII c90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac (updated source info; had been marked as sbd)
6711	1978-05-06	Patrick Gymnasium, University Of Vermont	Burlington	VT
Sony ECM-99A's> Sony TC-152 > Master Audience Cass > DAT's; Dat Tascam DA-P1 > Sek'd Prodif+ card > Sek'd Red Roaster (edits, fades- see txt) > Cdwav (splits) > mkw; Boundaries verified with Shntool; No dae, no eq, no signal processing; Recorded by Steve Rolfe; Dat > shn transfer by Dale Shepherd; Source Dats from Matt Vernon
13726	1978-05-06	Patrick Gymnasium, University Of Vermont	Burlington	VT
1st set: SBD>MC>?>CD>EAC>SHN; 2nd set: AUD>MC>D>SHN; probably not more than one analog gen for the sbd portion; Thanks to Alex MacDonald, Dale Shepherd, and Matt Vernon; edits/encoding by JCotsman
18657	1978-05-06	Patrick Gymnasium, University Of Vermont	Burlington	VT
Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation
83498	1978-05-07	Field House, Rensselaer Polytechnic Institute	Troy	NY
flac16; Source: Audience FOB Recording Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
80126	1978-05-07	Field House, Rensselaer Polytechnic Institute	Troy	NY
SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD (shn id 8327) patched with MAC (1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT (shn id 8763)
8327	1978-05-07	Field House, Rensselaer Polytechnic Institute	Troy	NY
SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD; via Jeff Cook; Seeded to etree by Matt Vernon
8763	1978-05-07	Field House, Rensselaer Polytechnic Institute	Troy	NY
MAC(1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT; with SBD patches; via Dale Shepherd; seeded to etree by Matt Vernon
18672	1978-05-07	Field House, Rensselaer Polytechnic Institute	Troy	NY
Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal via Mark Cohen SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon; upgrade in circulation
130513	1978-05-07	Field House, Rensselaer Polytechnic Institute	Troy	NY
flac16; Fresh Legs Matrix using shnid=80126 and shnid=91347
152545	1978-05-07	Field House, Rensselaer Polytechnic Institute	Troy	NY
flac1644; Source: Stereo mic & recorder (models unknown) > TDK AD-90's (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2021
12184	1978-05-09	Onongada County War Memorial	Syracuse	NY
AUD (Sony 54P's) > MC > DAT > CDR or AUD (Sony 54P's) > MC > C > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon
132774	1978-05-09	Onongada County War Memorial	Syracuse	NY
flac16/48kHz; Cassette Audience Master recorded By Eddie Claridge; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Cassette Masters played back on Nakamichi Dragon-Sony PCM R-700 DAT (original A-D by J.W.); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz WAV; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
147972	1978-05-09	Onongada County War Memorial	Syracuse	NY
flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
147971	1978-05-09	Onongada County War Memorial	Syracuse	NY
flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
3899	1978-05-10	Veterans Memorial Coliseum	New Haven	CT
SBD; via Mike Lai
18753	1978-05-10	Veterans Memorial Coliseum	New Haven	CT
Aud, Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN Via JR Fishman
127408	1978-05-10	Veterans Memorial Coliseum	New Haven	CT
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03899) seeded by Mike Lai and Audience (shnid:18753) Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN; Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN; Transcribed by JR Fishman
127485	1978-05-10	Veterans Memorial Coliseum	New Haven	CT
flac24; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 > flac; transferred & seeded by Rob Berger
127486	1978-05-10	Veterans Memorial Coliseum	New Haven	CT
flac16; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger
1187	1978-05-11	Springfield Civic Center	Springfield	MA
sdb> reel master> cassette> dat> cdr; via Mike Lai; upgrade in circulation
6317	1978-05-11	Springfield Civic Center	Springfield	MA
FOB Nak mics > sony d5 > master audience cass > dat's; patches added (see info); dat@48> sek'd prodif+ card (resampled to 44.1)> cd wave> mkw; d1 tracked for 80 min; dat>shn transfer by Dale Shepherd, from Matt Vernon source DATs
16333	1978-05-11	Springfield Civic Center	Springfield	MA
SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD via Charlie Miller
18658	1978-05-11	Springfield Civic Center	Springfield	MA
Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches
127386	1978-05-11	Springfield Civic Center	Springfield	MA
flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:16333) SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD; Audience (shnid:06317) fob audience recording with a sbd patch nak mics > sony d5 > master audience cass > dat's; dat@48>sek'd prodif+ card (resampled to 44.1)>cd wave>mkw; and Audience (shnid:18658) **This source was used for Drums -> Space only Source: Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT
147803	1978-05-11	Springfield Civic Center	Springfield	MA
flac16/48kHz 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
147804	1978-05-11	Springfield Civic Center	Springfield	MA
flac24; 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
7207	1978-05-13	The Spectrum	Philadelphia	PA
Sony ECM33P7 + AKGD1000E > Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits) > Cdwav > Mkw; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd; see info file for editing and flaw notes; d1 tracked for 80 min; upgrade in circulation
17406	1978-05-13	The Spectrum	Philadelphia	PA
AudMC > DAT > WAV > SHN. Recorded by Steve Rolfe with two Sony ECM-33P's > Teac PC-10 deck left of center, about the 20th row. A > D and encoding by Noah Weiner.
116978	1978-05-13	The Spectrum	Philadelphia	PA
flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
152885	1978-05-13	The Spectrum	Philadelphia	PA
flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-Audua (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021
7639	1978-05-14	Providence Civic Center	Providence	RI
Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav; via Matt Vernon; Dale Shepherd
108840	1978-05-14	Providence Civic Center	Providence	RI
flac16;AUD: 1x AKG D200E (mono recording) > Sony TC-153SD > Maxell UD-XLII 90's. Recorded from lower arena riser, first section to left of stage, Section 110 Row G. Taped by Tim Friend. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 07/2010
108996	1978-05-14	Providence Civic Center	Providence	RI
flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
124932	1978-05-14	Providence Civic Center	Providence	RI
flac16; 2 source matrix by dusborne; Soundboard (shinid:108996) SBD -> Cassette Master -> Dat -> CD; CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:7639) Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav > Mkw; Boundaries verified with Shntool; No dae, no normalizing, no eq or processing of any kind; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd
152506	1978-05-14	Providence Civic Center	Providence	RI
flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021
164764	1978-05-16	Uptown Theater	Chicago	IL
flac1648 2 different sources combine to provide the complete show. Neither source appears to be in general circulation. The primary source containing the first set and Scarlet > Fire are of lesser quality than the secondary source which comprises El Paso thru the end of the show 1st Set & Scarlet Begonias > Fire On The Mountain: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassette El Paso thru the end of the show: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassette Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496
8333	1978-05-16	Uptown Theater	Chicago	IL
AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner
106548	1978-05-16	Uptown Theater	Chicago	IL
flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding Pitch Correction by Joe B. Jones
117206	1978-05-16	Uptown Theater	Chicago	IL
flac16; Partial Set 2 Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
128380	1978-05-16	Uptown Theater	Chicago	IL
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
164765	1978-05-16	Uptown Theater	Chicago	IL
flac2496 2 different sources combine to provide the complete show. Neither source appears to be in general circulation. The primary source containing the first set and Scarlet > Fire are of lesser quality than the secondary source which comprises El Paso thru the end of the show 1st Set & Scarlet Begonias > Fire On The Mountain: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassette El Paso thru the end of the show: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassette Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496
107950	1978-05-17	Uptown Theater	Chicago	IL
flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. The beginning of many songs were clipped and patched with SHNID 8334.
8334	1978-05-17	Uptown Theater	Chicago	IL
AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner
109000	1978-05-17	Uptown Theater	Chicago	IL
flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
109101	1978-05-17	Uptown Theater	Chicago	IL
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
128393	1978-05-17	Uptown Theater	Chicago	IL
flac16; Both Sets Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
131740	1978-05-17	Uptown Theater	Chicago	IL
flac16; Complete Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi 300 microphones
163477	1978-05-17	Uptown Theater	Chicago	IL
flac1648 Source Info: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496
163478	1978-05-17	Uptown Theater	Chicago	IL
flac2496 Source Info: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496
156757	1978-06-04	Campus Stadium, UC Santa Barbara	Goleta	CA
flac1644; Source: Lo-Fi mono AUD from the tape collection of Rich Petrunis. Transfer: Old TDK's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2022
87090	1978-06-04	Campus Stadium, UC Santa Barbara	Goleta	CA
flac16; Master audience cassettes> Open Reel (Sony 153>Tandberg 9141) > DAT (Tandberg 9141>Tascam DA-20 @ 44.1kHz)
94407	1978-06-04	Campus Stadium, UC Santa Barbara	Goleta	CA
flac16; Recording Info: SBD (Betty's Recording Mix) -> Master Cassette (Maxell UD C-90) -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
10530	1978-06-04	Campus Stadium, UC Santa Barbara	Goleta	CA
SBD>MC>C>D>CD; patched with AUD>MC>R>D>CD; See info file for details; via Raoul Duke and Mike Tausig; Seeded to etree by Matt Vernon & J. Cotsman
137295	1978-06-04	Campus Stadium, UC Santa Barbara	Goleta	CA
flac16; Set One & Set Two Partial; Source: FOB AUD unknown lineage, from Brian Schley tape collection. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016
7048	1978-06-25	Autzen Stadium, University Of Oregon	Eugene	OR
SBD> MC> ?> D> CD> EAC> SHN; ; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file; d2 tracked for 80 min
130649	1978-06-25	Autzen Stadium, University Of Oregon	Eugene	OR
flac16; Recording Info: SBD > MC? > ? > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked upgrade of shnid 7048.
145143	1978-06-25	Autzen Stadium, University Of Oregon	Eugene	OR
flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
145144	1978-06-25	Autzen Stadium, University Of Oregon	Eugene	OR
flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
152977	1978-06-25	Autzen Stadium, University Of Oregon	Eugene	OR
flac1648 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 > RX8 > Flac16 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain
152976	1978-06-25	Autzen Stadium, University Of Oregon	Eugene	OR
flac2496 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain
97424	1978-07-01	Arrowhead Stadium	Kansas City	MO
flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
7355	1978-07-01	Arrowhead Stadium	Kansas City	MO
Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr
97601	1978-07-03	St. Paul Civic Center	St. Paul	MN
flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
7356	1978-07-03	St. Paul Civic Center	St. Paul	MN
Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr
120130	1978-07-03	St. Paul Civic Center	St. Paul	MN
flac16; Low-gen Audience Cassette (Set 1: TDK SA-90; Set 2: Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (DFF 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 (pitch, edit) > CD Wave Editor (track) > Trader's Little Helper (wav > flac) > Flac16; Transfer, edit/patch, pitch correction by Bob Morris, May 2012
91785	1978-07-05	Omaha Civic Auditorium	Omaha	NE
flac16; MOTB Release: 0070 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe
91786	1978-07-05	Omaha Civic Auditorium	Omaha	NE
flac24; MOTB Release: 0070 24/96 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe
97299	1978-07-05	Omaha Civic Auditorium	Omaha	NE
flac16; Recorded by Bob Wagner Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
11481	1978-07-05	Omaha Civic Auditorium	Omaha	NE
AUD(Sony 54P?s>Sony TC-158)>MC>C>DAT>CD; via Paul B; Seeded to Etree by T. Wiley
82931	1978-07-07	Red Rocks Amphitheatre	Morrison	CO
flac16; AUD Source: Recording by Bob Wagner. Sony ECM-54P's > Sony TC-158. Transfer: MAC > Teac AN-180 outboard Dolby unit > Sony TC 755 open reel deck > Scotch Classic reels at 7.5 IPS, Dolby-B, by Jerry Moore. Reels > Sony TC 850 open reel deck > Teac AN-180 Dolby unit > Sony SBM-1 (super bit mapper) > Tascam CD-Rw4U stand alone burner, by Rob Berger. CDR > EAC > WavMerge > CD-Wave (new track ID's) > TLH (SBE-OK, lossless compression, and checksums) > FLAC, Feb 2007

Live Concert Database