Sources for Grateful Dead

SHNIDDateVenueCityStateArchive Identifier
98881973-02-09Roscoe Maples Pavilion, Stanford UniversityPalo AltoCA
SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set
103611973-02-09Roscoe Maples Pavilion, Stanford UniversityPalo AltoCA
MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR; via D Finney; Seeded to etree by Popi; Note- This is another eac of the same original Finney seed discs according to Popi
125711973-02-09Roscoe Maples Pavilion, Stanford UniversityPalo AltoCA
Jay Ashley (Bertha) remaster of previous MR source; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA
149391973-02-09Roscoe Maples Pavilion, Stanford UniversityPalo AltoCA
S : MR > R > DAT > SS > CDR > DAW (Bertha) > CDA > SHN > COOL EDIT PRO > SHN; See info file for 'additional edit' notes from seeder Alan Fink.
1343981973-02-09Roscoe Maples Pavilion, Stanford UniversityPalo AltoCA
flac16; Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
1343991973-02-09Roscoe Maples Pavilion, Stanford UniversityPalo AltoCA
flac24; Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
1410011973-02-09Roscoe Maples Pavilion, Stanford UniversityPalo AltoCA
flac16; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA>>SHN>>COOL EDIT PRO>>SHN; Speed-corrected using Celemony Capstan done for each track individually; Reencoded to flac (level 8); SBE's fixed using Trader's Little Helper
1501661973-02-09Roscoe Maples Pavilion, Stanford UniversityPalo AltoCA
flac16; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (44.1k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller
15801973-02-15Dane County ColiseumMadisonWI
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion)
1128121973-02-15Dane County ColiseumMadisonWI
flac16; Lineage: sbd>?>?>CDR(s)(borrowed) & aud>?>?>cassette(s)(my tape); Transfer: audience tapes>Sony TD-C690 (heads aligned to each tape segment)> Phillips CDR-765>CDDA-R80 X 3>EAC>flac level 8> flacs & checksums with traderslittlehelper CDR > CDR and Analog > CDR transfer October 1999 by arfarf CDR > flac 2011-04-10 by arfarf
1241951973-02-15Dane County ColiseumMadisonWI
flac16; two channel mono MAC> ? > normal bias cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traderslittlehelper
1243601973-02-15Dane County ColiseumMadisonWI
flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1580): MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD and Audience (shnid:124195): two channel mono MAC> ? > normal bias cassettes (see notes) Two 60 minute and one 90 minute mid 70's vintage Memorex cassettes, Cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traders little helper
1340281973-02-15Dane County ColiseumMadisonWI
flac24; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
1340291973-02-15Dane County ColiseumMadisonWI
flac16; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
1501751973-02-15Dane County ColiseumMadisonWI
flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
325801973-02-17St. Paul AuditoriumSt. PaulMN
flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller
117711973-02-17St. Paul AuditoriumSt. PaulMN
SBD:MR> PCM> DAT> CD; retracking etc of previous shn set, by Randy Carman
328751973-02-17St. Paul AuditoriumSt. PaulMN
flac16; SBD > MR > PCM > DAT > CDA > WAV > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 32580
1503001973-02-17St. Paul AuditoriumSt. PaulMN
flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
1637921973-02-17St. Paul AuditoriumSt. PaulMN
flac1648 SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k) Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
830231973-02-19International AmphitheatreChicagoIL
flac16; Set 2 Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
128261973-02-19International AmphitheatreChicagoIL
set 2 partial; SBD> MC> C> DAT> CDR> WAV> SHN; Jeffrey Williams, Jim
155891973-02-19International AmphitheatreChicagoIL
SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03
1651973-02-21Assembly Hall, Univ. Of Illinois Urbana-ChampaignUrbanaIL
complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22
1111201973-02-21Assembly Hall, Univ. Of Illinois Urbana-ChampaignUrbanaIL
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
1111691973-02-22Assembly Hall, Univ. Of Illinois Urbana-ChampaignUrbanaIL
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
1661973-02-22Assembly Hall, Univ. Of Illinois Urbana-ChampaignUrbanaIL
sets 1p,2; MR > DAT > 1 cass> DAT > CDR 3x; via G. Hamilton; see info file for misc flaws,
109631973-02-22Assembly Hall, Univ. Of Illinois Urbana-ChampaignUrbanaIL
Partial; According to Deadlists this is missing the 4 songs after Playin' in Set 1, and Around from Set 2; See info file for details; SBD:MR>Cas>DAT>CD; Seeded to etree by Julian Elliot
122151973-02-22Assembly Hall, Univ. Of Illinois Urbana-ChampaignUrbanaIL
reworking of previous shn set, by Randy Carman (see notes in info file)
119291973-02-24Field House, University Of IowaIowa CityIA
Single track jam segment; see info file for details; SBD>?>GDH CD; seeded to etree by Jools
160511973-02-24Field House, University Of IowaIowa CityIA
Partial Set I - Last four songs SBD> MR> DAT> CDR by Sly_Wow Thanks to Raoul Duke
1420311973-02-24Field House, University Of IowaIowa CityIA
flac16; partial source: aud cassette master; taped by Mark Owen; sears & robuck deck, floor, 100’ from stage; nakamichi dragon > benchmark adc1 @ 24/96> adobe audition cc > fission > xACT flac 16/44.1; transferred by Rob Berger
12081973-02-26Pershing Municipal AuditoriumLincolnNE
S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25
99861973-02-28Salt PalaceSalt Lake CityUT
SBD:MR>?>DAT>CD; Missing several songs at the end of show; See info file for details; Seeded to etree by Jools
153861973-02-28Salt PalaceSalt Lake CityUT
Multiple sources SBMR via Noah Weiner and David Gans encoded by Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN.
1431331973-02-28Salt PalaceSalt Lake CityUT
flac16/48kHz; Source: SBD > MR > Cas >Dat (48k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16
140351973-03-15Nassau Veterans Memorial ColiseumUniondaleNY
composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman
134681973-03-15Nassau Veterans Memorial ColiseumUniondaleNY
Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon
1366521973-03-15Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Source: Soundboard > Reel Master > Cassette > DAT (48k)
1519021973-03-15Nassau Veterans Memorial ColiseumUniondaleNY
flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 02-27-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac
335561973-03-16Nassau Veterans Memorial ColiseumUniondaleNY
Source: Audience Lineage: ? > C > CDR > EAC > CE Pro > CDWAV > FLAV (level 8) Thanks to Dave Minor for the source. EAC etc by Matt Vernon
791861973-03-16Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC
1671973-03-16Nassau Veterans Memorial ColiseumUniondaleNY
SBD, complete; Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN; Set 2: MSR > Reel > DAT > CD > EAC > SHN; see info file for misc flaws; via G.S. Hamilton
147701973-03-16Nassau Veterans Memorial ColiseumUniondaleNY
fixup by Seth Jackson of 5 tracks from the previous shn set
191411973-03-16Nassau Veterans Memorial ColiseumUniondaleNY
Fixed composite sbd version (based on shnid = 167) by Sean Cribbs. See info file for details.
1520031973-03-16Nassau Veterans Memorial ColiseumUniondaleNY
flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 03-01-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac
974171973-03-19Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Taper Gerry Moskal Sony Stereo ECM x 2 -->SONY TCD126 Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
975061973-03-19Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Taper: Dan H. Location: Slightly too close to stage Transfer/editing/flac conversion: Dan McDonald Unknown Mic, Unknown Cassette recorder (mono) ->Master Cassette -> 24bit/96kHz wav -> slight edit (fade-in, out, azimuth adjustment, and slight level changes for crowd noise) -> 16-bit, 44.1 khz wav (triangular noise dither)
99871973-03-19Nassau Veterans Memorial ColiseumUniondaleNY
Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools
1239871973-03-19Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> Adobe Audition CS6 -> FLAC; All Transfers and Mastering By Charlie Miller
1412981973-03-19Nassau Veterans Memorial ColiseumUniondaleNY
flac24/96 Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k;
Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in track 16 (Playing In The Band)
1413091973-03-19Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band)
292631973-03-21Utica Memorial AuditoriumUticaNY
Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm
50721973-03-21Utica Memorial AuditoriumUticaNY
SBD> MR> ?> D> CD> SHN; shn EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Krakowka; see listening notes in info file
1520181973-03-21Utica Memorial AuditoriumUticaNY
flac16/48 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
1520191973-03-21Utica Memorial AuditoriumUticaNY
flac24/96 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
1521031973-03-21Utica Memorial AuditoriumUticaNY
flac16/44 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick March 2021
1521041973-03-21Utica Memorial AuditoriumUticaNY
flac24/96 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced edited and mastered SIRMick March 2021
18221973-03-22Utica Memorial AuditoriumUticaNY
MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks
833971973-03-22Utica Memorial AuditoriumUticaNY
flac 16; Source: 10" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's Tape) > disk; Transferred by Tim Deibert 6-10-2002
1362671973-03-22Utica Memorial AuditoriumUticaNY
flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz
1670221973-03-22Utica Memorial AuditoriumUticaNY
flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz
1670561973-03-22Utica Memorial AuditoriumUticaNY
flac1644 This is a patched version of shnid 136267.
1670961973-03-22Utica Memorial AuditoriumUticaNY
flac1644 This is a further patched version of shnid 167056 which itself was a patch of shnid 136267
1671401973-03-22Utica Memorial AuditoriumUticaNY
flac1644 Unknown audience recording > Cassettes (low gen) * - from the collection of Doug Lamarre Transfer: Cassettes > Nakamichi CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor > wav 24/96 Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX10 Advanced > iZotope Neutron 4 > iZotope Ozone 11 > iZotope RX10 Advanced > wav 16/44.1 CD Wav > flac16 edited and mastered SIRMick March 2024
1671411973-03-22Utica Memorial AuditoriumUticaNY
flac2496 Cassettes (low gen) * - from the collection of Doug Lamarre Transfer: Cassettes > Nakamichi CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor > wav 24/96 Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX10 Advanced > iZotope Neutron 4 > iZotope Ozone 11 > CD Wav > flac24 edited and mastered SIRMick March 2024
12161973-03-24The SpectrumPhiladelphiaPA
S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes
255081973-03-24The SpectrumPhiladelphiaPA
SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN
834071973-03-24The SpectrumPhiladelphiaPA
flac16; 10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk Transferred by Tim Deibert 5-18-02
1395951973-03-24The SpectrumPhiladelphiaPA
flac16; Primary Source: Betty's 10" MSR -> PCM -> DAT supplies the 2nd Set; Secondary Sources: MSR -> C -> DAT (gd73-03-24.sbd.hamilton.shnid1216) supplies the majority of the 1st set; Betty's 10" MSR -> PCM -> S/PDIF out -> disk -> digital noise reduction w/Sound Forge 6.0 (shnid83407) supplies from 7:38 of "Here Comes Sunshine" (t15)thru the end of the 1st Set; Transfer Info: DAT -> Sony PCM R500-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
347871973-03-26Civic CenterBaltimoreMD
flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller
13731973-03-26Civic CenterBaltimoreMD
SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes
864591973-03-28Springfield Civic CenterSpringfieldMA
flac16; SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller
868331973-03-28Springfield Civic CenterSpringfieldMA
flac16; Matrix 2 Source Mix - SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - matrix mixing by Kevin Tobin
868961973-03-28Springfield Civic CenterSpringfieldMA
DTS Audio 5.1; SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - dts mixing by Kevin Tobin
347591973-03-28Springfield Civic CenterSpringfieldMA
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
746821973-03-28Springfield Civic CenterSpringfieldMA
flac16; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
751381973-03-28Springfield Civic CenterSpringfieldMA
flac24; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/24 All Transfers and Mastering By Charlie Miller
10731973-03-28Springfield Civic CenterSpringfieldMA
set 2 partial; MSR> DATs> CDRs> EAC> SHN; without steady whine that marred previously-circulating copies; via Jack Warner, Darrin Sacks
114731973-03-28Springfield Civic CenterSpringfieldMA
Discs 1&2; AUD>MC>R>D>CD; Disc 3; SBD>MR>D>CD; Seeded to etree by J Cotsman
168861973-03-28Springfield Civic CenterSpringfieldMA
AudMC > R > DAT > WAV > SHN; taper: Andy Nourse - equipment unknown; via Noah Weiner; see background in txt
1543281973-03-30Rochester Community War MemorialRochesterNY
flac1644; Source: Unknown mono AUD, composite source, see notes below. Transfer Source-1: ID-11616 AUD tracks > SHN > TLH > WAV > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source-2: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
116161973-03-30Rochester Community War MemorialRochesterNY
AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman
1509841973-03-30Rochester Community War MemorialRochesterNY
flac16/44.1khz Recording Info: SBD > Reel Master (10in 7.5ips 1/2trk) > Apogee AD-500 > DAT (Panasonic SV-3700/48k) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k)
22371973-03-31Buffalo Memorial AuditoriumBuffaloNY
Master Soundboard Reel > Cassette > DAT > CD-R; via Morgan Evans, Ben Yerys; see info file for listening notes; note some offbeat tracking
29861973-03-31Buffalo Memorial AuditoriumBuffaloNY
SBD Reel master > cassette > DAT > CD > EAC > SHN> retrack> reSHN; retracking of previous shn set, by G.S. Hamilton; see info file for listening notes; to BUDD offer
316041973-03-31Buffalo Memorial AuditoriumBuffaloNY
flac16; SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2
1691973-04-02Boston GardenBostonMA
complete, with qualitative change in sound partway through; MSR > Cassette > DAT > CD (unknown gens) > DAE > SHN; mix problems in d1t1, bit of distortion in a few places, esp d1t2; brief dropout at d2t6 2:39; cut d3t1 11:46; via A. Cohen, G. Hamilton
1701973-04-02Boston GardenBostonMA
mSR > cassette > DAT > CDR; via B. Yerys
161761973-04-02Boston GardenBostonMA
Master 7.5 ips 2 Track reel> DAT> DAT> SONIC SOLUTIONS> CD> CD > EAC[secure] > SHN
173461973-04-02Boston GardenBostonMA
SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source.
222461973-04-02Boston GardenBostonMA
Bertha remaster of the Master Reel Soundboard source. SBD>>MR>>DAT>>SS>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
975581973-05-13Iowa State FairgroundsDes MoinesIA
flac16; Lineage-MR>??>TDK C90 cassettes(3)>R>Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs by Jamie Waddell on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH
1003021973-05-13Iowa State FairgroundsDes MoinesIA
flac16; Set 3 Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 100239
1002391973-05-13Iowa State FairgroundsDes MoinesIA
flac16; Set 3 Recording Info:SBD -> Master Reel -> Dat -> CD -> EAC -> FLAC; EAC -> FLAC conversion By Charlie Miller; fixed version now in circulation
72701973-05-13Iowa State FairgroundsDes MoinesIA
Complete; d1,2,3,5-SBD : MR > R > DAT > CDR via Paul B.; d4-SBD : MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN via David Minches
249971973-05-13Iowa State FairgroundsDes MoinesIA
Source: MSR>R>?>C>DAT>WAV>SHN except for 4th disc/end of second set which is from previously circulated SHN set (see below).
869051973-05-20Campus Stadium, UCSBSanta BarbaraCA
flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller
59151973-05-20Campus Stadium, UCSBSanta BarbaraCA
AUD (Sony Condenser): MC> R> C> DAT> HD> SHN> CD; see notes in info file; via Audience Devotional Tree
165311973-05-20Campus Stadium, UCSBSanta BarbaraCA
Set 3 only; MSR> C> DAT> CD; edits, Aud patch from prior shn set; edits by Sean Cribbs
195641973-05-20Campus Stadium, UCSBSanta BarbaraCA
7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
244951973-05-20Campus Stadium, UCSBSanta BarbaraCA
Patched Eyes with AUD source. Replaced AUD patch in Eyes with SBD source.
161581973-05-20Campus Stadium, UCSBSanta BarbaraCA
Set 3 only; SBD> MR> C> DAT >CDR ; by Sly_Wow, with thanks to Raoul Duke
1245671973-05-20Campus Stadium, UCSBSanta BarbaraCA
flac16; 2 Source Matrix by dusborne Soundboard (shinid:86905) Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat -> CD; Transfer Info: CD -> EAC -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:5915) MC>R>C>DAT>HD>SHN>CD
835351973-05-26Kezar StadiumSan FranciscoCA
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
818541973-05-26Kezar StadiumSan FranciscoCA
flac16; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>Audio DVD>DVD Audio Extractor 4.1.1>FLAC (44.1Khz/16bit)
77981973-05-26Kezar StadiumSan FranciscoCA
Re-eac of previous shn set; Betty Board SBD> Reel> PCM> DAT> Digi I/O> wav; via "Datsit, Other1 and Ripple"; note some low levels, brief d/o's; Row Jimmy splice
170761973-05-26Kezar StadiumSan FranciscoCA
MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003
834381973-05-26Kezar StadiumSan FranciscoCA
flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES (Beta HiFi) ( @ 44.055 kHz) > PCM501ES analog out > analog in Fostex D5 ( @ 48kHz) > Fostex D5 optical S/PDIF out (Jace's tape) > Sound Forge 5.0 > wav/shn Transferred by Tim Deibert 12-15-01
1473121973-05-26Kezar StadiumSan FranciscoCA
flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD; Editing performed in Adobe Audition; Flac Encoded
1507101973-05-26Kezar StadiumSan FranciscoCA
flac16; Source: SBD Reel Master > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered (Adobe Audition) by Joe Noel; original version had flaws
1545141973-05-26Kezar StadiumSan FranciscoCA
flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.
1545151973-05-26Kezar StadiumSan FranciscoCA
flac1644; Partial; Sources: Matrix of SBD ID-83438 & AUD ID-154514. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.
912361973-06-09Robert F. Kennedy StadiumWashingtonDC
flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft, w/arm raised up FOB center infield, between sbd platform and stage platform Lineage: MR cassette > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry; Upgrade in circulation
1721973-06-09Robert F. Kennedy StadiumWashingtonDC
SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry!
934751973-06-09Robert F. Kennedy StadiumWashingtonDC
Source: SBD (shn ID 172) with AUD patch by Monte Barry. Upgrade now in circulation.
936771973-06-09Robert F. Kennedy StadiumWashingtonDC
Original SBD Source (shnid = 172); Monte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). (This is a pitch corrected version of the previous patched SBD source.)
227901973-06-09Robert F. Kennedy StadiumWashingtonDC
AUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips. Added to etree by Noah Weiner
1174761973-06-09Robert F. Kennedy StadiumWashingtonDC
flac16; Matrix Recording From: Audience Lineage (shnid 91236): MR cassette > Nakamichi 550 > Lexicon Alpha > 48 Khz / 24-bit > USB > Samplitude 7.22 > 44.1 Khz /16-bit and SBD Lineage (shnid 172): S:MR > PCM > cassette > DAT > CD > EAC > SHN; pitch-corrected and matrixed by Monte Barry
1209581973-06-09Robert F. Kennedy StadiumWashingtonDC
flac16 Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform; Lineage:transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > 16/44 > TLH > SBEs fixed > CD Tag
1209591973-06-09Robert F. Kennedy StadiumWashingtonDC
flac24; Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag
1309391973-06-09Robert F. Kennedy StadiumWashingtonDC
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag; fixed version in circulation
1311691973-06-09Robert F. Kennedy StadiumWashingtonDC
flac16; Fix of 2 Source Matrix (130939) by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag
896811973-06-10Robert F. Kennedy StadiumWashingtonDC
flac16; partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant
896401973-06-10Robert F. Kennedy StadiumWashingtonDC
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. A fixed version now circulates
909791973-06-10Robert F. Kennedy StadiumWashingtonDC
flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected
907941973-06-10Robert F. Kennedy StadiumWashingtonDC
DTS Audio 5.1; SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin
907961973-06-10Robert F. Kennedy StadiumWashingtonDC
flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin
907711973-06-10Robert F. Kennedy StadiumWashingtonDC
flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin
897301973-06-10Robert F. Kennedy StadiumWashingtonDC
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640
903511973-06-10Robert F. Kennedy StadiumWashingtonDC
flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry
1741973-06-10Robert F. Kennedy StadiumWashingtonDC
SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available"
1210301973-06-10Robert F. Kennedy StadiumWashingtonDC
flac16; taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
1210311973-06-10Robert F. Kennedy StadiumWashingtonDC
flac24; Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
1310651973-06-10Robert F. Kennedy StadiumWashingtonDC
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
1362521973-06-10Robert F. Kennedy StadiumWashingtonDC
flac24; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
1362531973-06-10Robert F. Kennedy StadiumWashingtonDC
flac16; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
885261973-06-22P.N.E. ColiseumVancouverBC
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
923751973-06-22P.N.E. ColiseumVancouverBC
flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
859571973-06-22P.N.E. ColiseumVancouverBC
flac16; partial set 1: Lineage: Master cassette > reel @ 3.75 ips > cassette > HD Encoding: CDWave > flac frontend > flac Taped by: ? Transfered by: Pantagruel; reportedly fixed some flaws in the previous SBD source.
883471973-06-22P.N.E. ColiseumVancouverBC
flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details
58501973-06-22P.N.E. ColiseumVancouverBC
Master Sounbdoard Reel > PCM > DAT > CDR and likely MSR> C> D> CD, plus AUD patches from 2 sources; d4 tracked for 80 min; some crackle; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
168891973-06-22P.N.E. ColiseumVancouverBC
AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner
172701973-06-22P.N.E. ColiseumVancouverBC
composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs
1408681973-06-22P.N.E. ColiseumVancouverBC
flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original source had a dropout in track 22 (Black Peter); Fixed version in circulation
1408921973-06-22P.N.E. ColiseumVancouverBC
flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source is a fix of the two previous flawed sources circulated by Scott Clugston; there is another Fixed version of this source in circulation
1408971973-06-22P.N.E. ColiseumVancouverBC
flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source fixes the flaws in the three circulating Clugston sources: source ID 140868 and source ID 140892; this version includes a fix in track 11, Jack Straw
998521973-06-24Memorial ColiseumPortlandOR
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
1761973-06-24Memorial ColiseumPortlandOR
set 2 partial; MSBDR > 1 cass > CD > EAC > SHN; u/l via G. Hamilton; note fits on 1 shn disc w/ 5/25/72 disc
128281973-06-24Memorial ColiseumPortlandOR
partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman
52931973-06-26Seattle Center ArenaSeattleWA
set 2 partial, labeled as d2; MR > C1 (Latvala cassette?) > DAT; via Mike Lai
806021973-06-26Seattle Center ArenaSeattleWA
flac 16 Sources: 1 - SBD>MR>C1 (Latvalla?)>GoodBear DAT>5/2000 edit by GoodBear>CD>EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006; 2 - SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in 11/2006>FLAC; 3 - AUDMC>Reel>Reel>DAT>WAV>SHN (from "12076")>GoodBear heavy edit>FLAC
1000241973-06-26Seattle Center ArenaSeattleWA
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009
120761973-06-26Seattle Center ArenaSeattleWA
Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon
146731973-06-26Seattle Center ArenaSeattleWA
AUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner
1058401973-06-26Seattle Center ArenaSeattleWA
flac16:Taped and Transferred By: JEMS; Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic; Lineage: Master Reels @ full track mono>Tandberg Model 11>>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac. Originally seeded at Dime-A-Dozen ~ 2/4/2010
1155711973-06-26Seattle Center ArenaSeattleWA
flac16; Recorded by Don Amick; Lineage: MAC(Sony TC-126)>R@7.5 ips.(Don's edited copy)>R@3.3/4 ips(Matt Williams reel)>FLAC
116171973-06-29Universal AmphitheatreUniversal CityCA
Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman
297531973-06-30Universal AmphitheatreUniversal CityCA
flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell
858161973-06-30Universal AmphitheatreUniversal CityCA
flac16; remaster of shn id 6019: AudMR > R > DAT
1771973-06-30Universal AmphitheatreUniversal CityCA
SBD> ?> DAT> CD> EAC> SHN; (note Tiedrich's site lists a circulating? SBD> reel master> 1 reel gen> DAT> 1 cass gen> DAT> circulation); Known Flaws: Some digi-noise beginning d1t1, Reel flip middle d1t6,? Reel flip beginnning d3t2; via A. Jerugim; note "E2 USB" is not listed in databases as an encore- may be filler? (has 2 drummers?)- thanks to J. Grimes for alert
60191973-06-30Universal AmphitheatreUniversal CityCA
AudMR > R > DAT > WAV > SHN; A > D transfer by Noah Weiner; d1 tracked for 80 min; see info file for notes; via Audience Devotional Tree
199031973-06-30Universal AmphitheatreUniversal CityCA
SBD>?>DAT>CD>EAC>SHN patched with AudMR>R>DAT>WAV>SHN. This is a patched and re-tracked version of the previously circulating soundboard source.
997031973-06-30Universal AmphitheatreUniversal CityCA
flac16; AudMR(C?) > ? > DAT > WAV > FLAC : Alternate copy originating from same original master recording as source ID 6019. Transferred by Noah Weiner
1003461973-06-30Universal AmphitheatreUniversal CityCA
flac16; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)
1003451973-06-30Universal AmphitheatreUniversal CityCA
flac24; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8)
1282481973-06-30Universal AmphitheatreUniversal CityCA
flac16; SBD > ? > DAT > CD; CD > Sound Forge 10 > flac; Upgrade to existing source SBD 19903
1305571973-06-30Universal AmphitheatreUniversal CityCA
flac24; Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
1305611973-06-30Universal AmphitheatreUniversal CityCA
flac16; Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
885281973-07-01Universal AmphitheatreUniversal CityCA
flac16 MOTB Release: 0055 16/44.1 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell
303621973-07-01Universal AmphitheatreUniversal CityCA
flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA
898481973-07-01Universal AmphitheatreUniversal CityCA
flac16; Matrix 2 Source Mix - SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin
886081973-07-01Universal AmphitheatreUniversal CityCA
flac24 MOTB Release: 0055 24/96 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell
898531973-07-01Universal AmphitheatreUniversal CityCA
DTS Audio 5.1; SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin
1781973-07-01Universal AmphitheatreUniversal CityCA
daud> Sony ec M22P mics >Sony 770 MR> R1> DAT> CDR; via M. Lai; note info file lists as 2 CDs but shn set is tracked for 3 CDs
1270281973-07-01Universal AmphitheatreUniversal CityCA
flac16; Recording Info: SBD -> Master Reel -> Sound Devices 744T (24bit/96k); Transfer Info: WAV (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1272321973-07-01Universal AmphitheatreUniversal CityCA
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
1353811973-07-27Grand Prix RacecourseWatkins GlenNY
flac24; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger 3/2016
288821973-07-27Grand Prix RacecourseWatkins GlenNY
flac16; Lineage: cassette (unknown gen) > HD Encoding: CDWave > flac frontend > flac Taped by: Unknown Transfered by: Pantagruel
874641973-07-27Grand Prix RacecourseWatkins GlenNY
flac16; source: aud (unknown gen) > ??? > wav > flac; remaster of shn id 28882
277791973-07-27Grand Prix RacecourseWatkins GlenNY
flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
1004101973-07-27Grand Prix RacecourseWatkins GlenNY
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>Soundtrack>WAV>FLAC)
1801973-07-27Grand Prix RacecourseWatkins GlenNY
no regular info file (covers only); see 2 "history" posts; reported flaws: d2t3 (jam > wharf rat) has pops at 4:37, 9:22, 23:42; see pub comments for other flaw notes; circulated with 7/28/73
255091973-07-27Grand Prix RacecourseWatkins GlenNY
Soundcheck: Recording by Jeffrey Siniawsky and Joel Smith front row, 15' from stage, mic attached to top of lean-to tent via Noah Weiner Audience Devotional Tree Round 11 - Note: Soundcheck separated from 7/28/73
263631973-07-27Grand Prix RacecourseWatkins GlenNY
AudMC stereo> ? > C > DAT > WAV > SHN, unknown taper; A>D by Noah Weiner: Cassette playback on Nakamichi MR-1 > Fostex D5 DAT (A>D only)> Turtle Beach Montego II Digital I/O > Sound Forge(wav edits and track IDs)> SHNTOOL (SBE fix) > MKWAct (shn)
1234071973-07-27Grand Prix RacecourseWatkins GlenNY
flac24; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
1234081973-07-27Grand Prix RacecourseWatkins GlenNY
flac16; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
1353831973-07-27Grand Prix RacecourseWatkins GlenNY
flac16; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger 3/2016
1460571973-07-27Grand Prix RacecourseWatkins GlenNY
flac16; Soundboard Recording Info: SBD -> Master Reel -> Dat (48k) edited and patched with aud cassette master taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222 by cloverman using Roxio Sound Editor 2009
1520051973-07-27Grand Prix RacecourseWatkins GlenNY
flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 Circulation: 2-19-12
1006121973-07-28Grand Prix RacecourseWatkins GlenNY
flac16; taped by Jerry Moore source: aud cassette master, lineage: aud>akg d1000e>sony tc-110, tdk c-120sd cassettes, no nr nak dragon>hd-p2 24/48>hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 8/11/09
1811973-07-28Grand Prix RacecourseWatkins GlenNY
no regular info file (covers only); see 2 "history" posts; reported flaw: d2t6 (truckin) has pop at 2:15; see pub comments for other flaw notes; circulated with 7/27/73
114741973-07-28Grand Prix RacecourseWatkins GlenNY
Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry]
141961973-07-28Grand Prix RacecourseWatkins GlenNY
Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another.
1067941973-07-28Grand Prix RacecourseWatkins GlenNY
flac16: AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)
1067931973-07-28Grand Prix RacecourseWatkins GlenNY
flac24; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8)
1355841973-07-28Grand Prix RacecourseWatkins GlenNY
flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
1355851973-07-28Grand Prix RacecourseWatkins GlenNY
flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger
1366931973-07-28Grand Prix RacecourseWatkins GlenNY
flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (48k)
1413061973-07-28Grand Prix RacecourseWatkins GlenNY
flac16; Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496; 24-bit > 16-bit via dBpoweramp
1413071973-07-28Grand Prix RacecourseWatkins GlenNY
flac24; Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496
1413101973-07-28Grand Prix RacecourseWatkins GlenNY
flac16; Analog Audience Source: Sony ECM 270 mic > Sony TC 110 deck; Medium Stock Brands: TDK C120SD; Analog Sound Preservation: MAC > Nak DR-1 > Korg MR-2 2.8mhz > AudioGate 2496 WAV; Recorded by: Louis Falanga; Transferred by: Bob Menke; Mastering by: Derek McCabe
1504541973-07-28Grand Prix RacecourseWatkins GlenNY
flac16; Composite of 1. Source: SBD > Master Reels > DAT (Master Reels transferred by Rob Eaton); Mastering Info: DAT> Adobe Audition 3.0 24/96 > TLH > flac16; 2. Source: sony ecm22p’s > hitachi trq-232 > MAC; taped by Jim Cooper; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred by Rob Berger; 3. shnid 14196; Soundboard Master Reel > ? > Cassette > DAT > CDR > SHN; see info file for more details
1520041973-07-28Grand Prix RacecourseWatkins GlenNY
flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Circa (1984) 3-04-21 Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 Circulation: 3-04-21
1520061973-07-28Grand Prix RacecourseWatkins GlenNY
flac24/44 Taper Gerry Moskal *
Sony Stereo ECM ->SONY TCD126
Location: **
Transfer: Gerry Moskal
Master Cassette Transfer->RR ->Cassette
Transfer/editing//flac Conversion
Brian Mandel Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24
128831973-07-31Roosevelt StadiumJersey CityNJ
AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck. TDK C-120SD master cassettes EAC & SHN transfer by Noah Weiner
89091973-07-31Roosevelt StadiumJersey CityNJ
FOB>CM>C>DAT>CDR; via Greg Weister; seeded to etree by Willy
1211601973-07-31Roosevelt StadiumJersey CityNJ
flac16; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
1211611973-07-31Roosevelt StadiumJersey CityNJ
flac24; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
1339281973-07-31Roosevelt StadiumJersey CityNJ
flac24; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110 TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger
1339271973-07-31Roosevelt StadiumJersey CityNJ
flac16; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110; TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger
924781973-08-01Roosevelt StadiumJersey CityNJ
flac16; This is a remaster of shnid 12222 remastered by SIRMick June 2008
1821973-08-01Roosevelt StadiumJersey CityNJ
Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR; CD Mastering by D. Gans; EAC and encoding by M. Jungeblut
87241973-08-01Roosevelt StadiumJersey CityNJ
AudMR > R > DAT > WAV > SHN; via ADT; Seeded to etree by Noah Weiner
91451973-08-01Roosevelt StadiumJersey CityNJ
AudMR > C > C > C > CD; Reported upgrade to previous Weiner seed, see info file for details; Seeded to etree by Noah Weiner
118131973-08-01Roosevelt StadiumJersey CityNJ
Complete; Discs One and Two; SBD>MSR>R2>D>CD; Disc Three; SBD>7.5ips Master Reel>Cassette>20 bit A/D>CDR; See info file for info and tracking notes; Seeded to etree by Seth Kaplan
122221973-08-01Roosevelt StadiumJersey CityNJ
complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook
1125721973-08-01Roosevelt StadiumJersey CityNJ
aud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob Berger
1193711973-08-01Roosevelt StadiumJersey CityNJ
flac16; Complete show AUD: source - ElectroVoice RE-15 mic > Nakamichi 550 cassette recorder w/ Dolby NR > Maxell UD C90 Chromium Tapes. Taped, transferred, and remastered by Monte Barry. lineage - MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag.
1211271973-08-01Roosevelt StadiumJersey CityNJ
flac24; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
1211291973-08-01Roosevelt StadiumJersey CityNJ
flac16; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder; taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
1231281973-08-01Roosevelt StadiumJersey CityNJ
flac16; matrix of shnid 121129 (source 1) and shnid 92478 (source 2) Monte Barry on Dec 16, 2012
1358871973-08-01Roosevelt StadiumJersey CityNJ
flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger
1358861973-08-01Roosevelt StadiumJersey CityNJ
flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transfer & seeded by Rob Berger
25221973-08-??Record PlantSausalitoCA
Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F.
1137511973-08-??Record PlantSausalitoCA
Betty> BCM> DAT> DAT> DIO 2448> SHN
1408951973-08-??Record PlantSausalitoCA
flac16; Source: SBD Master Reels > PCM - Recorded by Betty Cantor and provided by Tim Dalton; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k) - Transferred by Charlie Miller; Lineage: Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick February 2018
1485281973-08-??Record PlantSausalitoCA
flac16; Taper: Betty Cantor; Editing: Joe D'Amico; SBD Master Reels > PCM > VHS Tape; Sony Hifi 4 Head Vhs Player > Sony Pcm 501 > Korg Mr-1000 > Audio Gate > Adobe Audition > Traders Little Helper
11261973-09-07Nassau Veterans Memorial ColiseumUniondaleNY
Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD; 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?); via Teddy GoodBear to abgd; later to etree; see flaw notes in pub comments
198931973-09-07Nassau Veterans Memorial ColiseumUniondaleNY
SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds
188541973-09-07Nassau Veterans Memorial ColiseumUniondaleNY
AUDMC > DAT > CD > EAC > SHN: Recorded by Jerry Moore, AKG 1000 mic > Sony 110 deck. TASCAM 112MKII cassette deck (MC playback) > Sony PCM-500 DAT deck > HHB800 stand alone burner (CD) > EAC (secure) > mkwact (SHN). Added to etree by Noah Weiner.
783491973-09-08Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Reel>Cass1>DAT1 (not widely circulated source)>5/1999? edit (no hiss reduction)>CD>hiss edit w/Cool Edit Pro>FLAC
1831973-09-08Nassau Veterans Memorial ColiseumUniondaleNY
SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s)
1260291973-09-08Nassau Veterans Memorial ColiseumUniondaleNY
flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger
1260701973-09-08Nassau Veterans Memorial ColiseumUniondaleNY
flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger
1260711973-09-08Nassau Veterans Memorial ColiseumUniondaleNY
flac16; SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf:(original shn 183) - pitch correction and patches by Kevin Tobin
1260721973-09-08Nassau Veterans Memorial ColiseumUniondaleNY
flac16; (original shnid = 126029) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - pitch correction and patches by Kevin Tobin
1260791973-09-08Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Matrix 2 Source Mix - SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - matrix mixing by Kevin Tobin
1260831973-09-08Nassau Veterans Memorial ColiseumUniondaleNY
DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
1841973-09-11College Of William & Mary HallWilliamsburgVA
MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes
1117421973-09-11College Of William & Mary HallWilliamsburgVA
flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; transferred/seeded by Rob Berger
1122201973-09-11College Of William & Mary HallWilliamsburgVA
flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; patched/seeded by Rob Berger 2011-03-03
1130511973-09-11College Of William & Mary HallWilliamsburgVA
flac16; SBD:MR>C1>DAT>Edit (see info file)>CD
1162311973-09-11College Of William & Mary HallWilliamsburgVA
flac16; Original source: AUD Jimmy Warburton's reel; Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger; Patch source 1: Lineage: MAUD>?>R>C>WAV>FLAC Transferred and Encoded by Cousinit; Patch source 2: Lineage: Unknown Provided by Micgram
1201431973-09-11College Of William & Mary HallWilliamsburgVA
flac16; 2 source matrix: SBD: MR>C1>DAT>Goodbear_Edit>CD (shnid=113051) and Original Audience Source: (shnid=116231) Jimmy Warburton's reel Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger 01.28.2011
1366941973-09-11College Of William & Mary HallWilliamsburgVA
flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1)
1520091973-09-11College Of William & Mary HallWilliamsburgVA
flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots.
Transfer Information: Mastering by Jamie Waddell and Jim Blackwood
Speed corrections by Jason Chastain
Listening assistance and track, FLAC and pack by Steve Gravel
FLAC Level 8 at 16 bit 44.1kHz
216181973-09-12College Of William & Mary HallWilliamsburgVA
SBD>MR>C>DAT>CD>WAV>SHN encoded by Susan
140101973-09-12College Of William & Mary HallWilliamsburgVA
SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow
1520151973-09-12College Of William & Mary HallWilliamsburgVA
flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots.
Transfer Information: Mastering by Jamie Waddell and Jim Blackwood
Speed corrections by Jason Chastain
Listening assistance and track, FLAC and pack by Steve Gravel
FLAC Level 8 at 16 bit 44.1kHz
1635491973-09-12College Of William & Mary HallWilliamsburgVA
flac1644 Source: Cassettes (unknown gens) from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Nectar 3 > iZotope Ozone 9 Maximiser > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > Flac 16 Edited and Mastered SIRMick February 2023
1635521973-09-12College Of William & Mary HallWilliamsburgVA
flac2496 Source: Cassettes (unknown gens) from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Nectar 3 > iZotope Ozone 9 Maximiser > CD Wave > Flac 24 edited and mastered SIRMick February 2023
10771973-09-15Providence Civic CenterProvidenceRI
set 2; SBD :Master Reel> DAT> Sonic Solutions workstation> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy
161741973-09-15Providence Civic CenterProvidenceRI
set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman
100821973-09-17Onondaga County War MemorialSyracuseNY
Source:MSR>C>DAT>DAT Conversion: DA-40>U2A>CDWave>MkW with seek tables appended
144731973-09-17Onondaga County War MemorialSyracuseNY
SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09)); SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09); Thanks to Peter Braverman; edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details
1075421973-09-17Onondaga County War MemorialSyracuseNY
flac16; Source:MR>C>DAT>DAT provided by Jeff Tiedrich>Andrew Gustin Conversion: DA-40>U2A>CDWave>MkW with seek tables appended Transferred by Tyler Jensen tylerlundby@yahoo.com
1509771973-09-17Onondaga County War MemorialSyracuseNY
Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > DAT (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3700/44.1k)
Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k)
Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC
98451973-09-20The SpectrumPhiladelphiaPA
Partial; Master Soundboard Reel > Reel to Reel > PCM > CDR; CD Re-Mastering, EAC'ed & SHN'ed by Scott Clugston; To fungus and abgd via Charlie Connor
116181973-09-20The SpectrumPhiladelphiaPA
Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman
335671973-09-21The SpectrumPhiladelphiaPA
flac16; analog>cd recorder on stereo>pc>goldwave>flac I used goldwave to only take the pop/clicks out. Casey Jones with Joe Ellis on trumpet and Martin Fierro on saxophone, last song of the 2'nd set right before the encore This is missing from all other copies out there. I got it from the tape I bought years ago.
40821973-09-21The SpectrumPhiladelphiaPA
SBD; via Mike Lai from Bruce Fried DAT; encore missing
174101973-09-21The SpectrumPhiladelphiaPA
SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller
1275481973-09-21The SpectrumPhiladelphiaPA
flac24; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring > FLAC
1275541973-09-21The SpectrumPhiladelphiaPA
flac16; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
1431011973-09-21The SpectrumPhiladelphiaPA
flac24; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 2; edited and mastered SIRMick September 2018
1451311973-09-21The SpectrumPhiladelphiaPA
flac16; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018; This file set is 16 bit @ 44.1
1543011973-09-21The SpectrumPhiladelphiaPA
flac1644; Partial; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021
957291973-09-24Civic ArenaPittsburghPA
flac16; MAR>R>CD CD's supplied by Matt Smith; Edited and Mastered by Jamie Waddell as a GEMS production; audio patches by Kevin Tobin
957401973-09-24Civic ArenaPittsburghPA
flac16; Mixed SBD\AUD with new sbd material to make a more complete show MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD; CD's supplied by Matt Smith; audio patches by Kevin Tobin
957441973-09-24Civic ArenaPittsburghPA
flac16; Matrix 4 Source Mix - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin
958151973-09-24Civic ArenaPittsburghPA
DTS-Audio-CD 5.1 Mix; - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin
58391973-09-24Civic ArenaPittsburghPA
partial sets 1,2; Unknown gen SBD > PCM > DAT > WAV > SHN DAT > WAV > SHN by Dan Stephens; Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool
116201973-09-24Civic ArenaPittsburghPA
Mixed AUD/SBD sources; See info file for details; via Michael Dixon, Alan Fink, & Dan Stephens; Seeded to etree by JCotsman
1289971973-09-24Civic ArenaPittsburghPA
flac16; Lineage is MAR(w/Harmon Kardon mics @ the board) > R @3 & 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
1288551973-09-24Civic ArenaPittsburghPA
flac24; Lineage is MAR(w/Harmon Kardon mics @ the board) > R @3 & 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
1502751973-09-24Civic ArenaPittsburghPA
flac16; SBD (shnid=95740) patched with the vault master reel from dead.net taper's section lossy stream; All remastering was done by Charlie Miller
801981973-09-26Community War Memorial AuditoriumBuffaloNY
flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01.
806651973-09-26Community War Memorial AuditoriumBuffaloNY
flac16; Unknown Audience Lineage provided by Chuck Diliberto transfered by SirMick speed corrected and patched by Kevin Tobin
807101973-09-26Community War Memorial AuditoriumBuffaloNY
DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> Dat (48k) and AUD:Unknown lineage transferred by SIRMick; mixed by kevtobin
828791973-09-26Community War Memorial AuditoriumBuffaloNY
flac16; Matrix 2 Source Mix - SBD (shnid 80198) + AUD (shnid 80665) mixed by Kevin Tobin
161551973-09-26Community War Memorial AuditoriumBuffaloNY
SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame
1871973-10-19Oklahoma City Fairgrounds ArenaOklahoma CityOK
mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that
81911973-10-21Omaha Civic AuditoriumOmahaNE
MSR->C->D->CD; Some static in spots, see info file for details; via Jeff Fishman; Steve Barbella
174131973-10-21Omaha Civic AuditoriumOmahaNE
SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller
927921973-10-23Metropolitan Sports CenterBloomingtonMN
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller
182271973-10-23Metropolitan Sports CenterBloomingtonMN
partial of set 1 and set 2; source:MR>Dat>cdr using EAC v0.9 prebeta 11 in secure mode to extract, and mkw ver 0.97 beta1 to create shn's conversion to .shn done by Todd Norman norma023@tc.umn.edu
188991973-10-23Metropolitan Sports CenterBloomingtonMN
MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets.
348371973-10-25Dane County ColiseumMadisonWI
flac16; MSR > D > CD > EAC > WAV > CD > EAC > WAV > FLAC; DAE(EAC) of shn id 29668 by Sean Cribbs (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73)
1891973-10-25Dane County ColiseumMadisonWI
Partial set 2; SBD > Unknown Analog Generation(s) > DAT > Mac (via Lucid PCI25) > CDR; via Tim Buller
296681973-10-25Dane County ColiseumMadisonWI
flac16; Original source: /shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow; (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73)
1881973-10-25Dane County ColiseumMadisonWI
SBD MR> DAT> Sound Forge> CDR; set 2; (shn discs have 10/19/73 filler); a few brief volume drops/noises in Let It Grow; via G. Hamilton; see public comments for a few more flaw notes
92131973-10-25Dane County ColiseumMadisonWI
Unsure if this is the "best in circ", but it is the most complete. SBD:MR>DAT>CD
144511973-10-25Dane County ColiseumMadisonWI
SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon.
1366951973-10-25Dane County ColiseumMadisonWI
flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)
1408631973-10-25Dane County ColiseumMadisonWI
flac16; Partial Set 2 Source Info: Master 1/2 track Soundboard Reel @ 15ips (Nagra Reel to Reel) > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
165831973-10-27Indianapolis State Fair ColiseumIndianapolisIN
Source: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine
1073231973-10-27Indianapolis State Fair ColiseumIndianapolisIN
flac16; Unknown Mics >> Unknown Deck >> MAC >> Reel 7.5 ips Revox A77 Reel @ 7.5 ips >> Revox A77 >> Akai GX636>Apogee Mini Me(24/96)>Apogee Mini Dac(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>FLAC Taped By: David Boswell
1427721973-10-27Indianapolis State Fair ColiseumIndianapolisIN
flac16/48kHz; Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16/48k)> Dat (16/48k); Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (16/48k)> Adobe Audition 3.01 > TLH flac1648
323521973-10-29Kiel AuditoriumSt. LouisMO
flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC