Grateful Dead
Boston Music Hall
Boston, MA
June 11, 1976

Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*Matrix* 


----------------------------------------------------
SBD (shnid=22803)

SBD of unknown lineage, from gdlive.com

[3/16/02]

[Betty Board]

[Occasional, sudden mix fluctuations throughout the show, such as Jerry switching between channels, accompanied sometimes by a very faint click sound. One wonders if this same issue is present in the master reels.]

[Dropout in Brown Eyed Women patched with shnid=7824]

----------------------------------------------------
AUD (shnid=18387):

Source: Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge
Lineage: AUDMC > DAT converion master Tascamm 122 MKII> Tascam DA-40 by Mark Cohen
DAT -> SHN Conversion: Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > mkwact > SHN(seekable) by David Minches,
Info file by Matt Vernon

[7/14/03]

---------------------------------------------------
Thank you to Betty Cantor-Jackson and Jerry Moore for recording the show,
and to David Minches for the AUD transfer.

Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) 
January 15, 2012


Set I
-----
d1t01 - Might As Well
d1t02 - Mama Tried
d1t03 - Tennessee Jed
d1t04 - Cassidy
d1t05 - Candyman
d1t06 - Big River
d1t07 - Scarlet Begonias ->
d1t08 - Looks Like Rain
d1t09 - It Must Have Been The Roses
d2t01 - Lazy Lightning ->
d2t02 - Supplication
d2t03 - Brown Eyed Women
d2t04 - Promised Land

Set II
-----
d2t05 - Tuning
d2t06 - St. Stephen ->
d2t07 - Dancing In The Street ->
d2t08 - The Music Never Stopped
d2t09 - Ship Of Fools
d2t10 - Samson And Delilah
d3t01 - Sugaree
d3t02 - Sugar Magnolia ->
d3t03 - Eyes Of The World ->
d3t04 - Stella Blue ->
d3t05 - Sunshine Daydream

Encore
------
d3t06 - Johnny B. Goode




Notes:


1) Eyes is mesmerizing. Great show, great show.

2) Bob wishes Keith a happy birthday right before Sugaree, and the crowd goes nuts - although it wasn't Keith's birthday. (Love that gag.)




Note from the AUD text file, by Matt Vernon
-------------------------------------------

Here's verbatim an answer I received from Jerry Moore concerning details of his recordings for this date, which I have included unedited
with the permission of the author:

Hi Matt --

Hhmmmmmm......

I can never remember ANYTHING.

Ask Noah - no doubt he'll vouch for me on this one.

Maybe I can remember something, if I rack my brain. Nothing. Zip. Well,
maybe something. I was sitting in the first row loge one night, with the
mikes on the ledge. I think I spread them pretty well, too, even though the
Music Hall wasn't a venue I was terribly familiar with. Point of fact, I've
always been cautious about risky matters, but a tape recording? Hardly ever.

Come to think of it, I remember was more about making the tape in the loge
than I should. It comes back.... I believe I was actually sitting two or
three rows back, and fairly well centered. Jesus, this is a sorta
ridiculous sequence, unless I've got it mixed up with a totally different
show. I wouln't bet the farm on my being confused though, since some
incidentals are coming back as well.

I came prepared to compensate for the less than perfect seats. Each of my
mike cables was about fifteen feet long, and I had two twenty foot long
extensions. Add the whole string up, that's a run of about seventy feet of
cable, roughly the height of a seven story building. Never really thought
about that before. I ran the cables down the aisle, and split them along
the ledge, duct taping as necessary, and padded the mikes somewhat from
vibration with a couple of pieces of foam and wrapped them in towels as
well, leaving just the heads sticking out.

The place was already pretty full when I set up, and while most everybody
in the first row was pretty patient with me, there were a couple of
lunkheads, and to get around them I went scrambling out on the ledge
clinging to the rail, pretty much like any other monkey.

I was kind of paranoid about the mikes being that far out of sight and
reach, but I had asked some friendly looking types near the actual
positions to keep an eye on them, and ultimately everything went off
without a hitch.

The other night I was sitting on the floor, and all that comes back about
that is that I was quite close, and hand holding the mikes.

I was going to say that I don't remember where I sat on which night, and
that you'd have to listen to both tapes and try to guess from the results,
but I think I can place them exactly.

I have a very clear memory of pretty literally levitating out of my seat
howling at the first hint of Saint Stephen (pretty sure I was the first one
to react too, as I remember getting some strange looks behind it) and
damned surely wouldn't have been able to do that holding a microphone or
anywhere near one.

QED, whichever night they played Stephen, I was sitting upstairs.

Only other thing that comes to mind was that a union lighting guy saw me
doing my fairly blatant setup, and we had a rather surreal dialogue. He
told me something like "You can't do that, I get five hundred bucks if it's
a recording session," and went running to tell his boss or somebody.
Contractual obligations or not, the union rep must've had a functional
brain, because the guy came back bitching, having apparently been told to
go back to work and leave it alone.

Anyway, like I said, can't remember a damned thing.

                 Best,     Jerry



-----------------------------
facebook.com/GratefulDeadTrix
-----------------------------



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