Sources for Grateful Dead

SHNIDDateVenueCityStateArchive Identifier
173421979-01-05The SpectrumPhiladelphiaPA
Taper Unknown: Nakamichi 300/CP1 -> Cm -> Cass -> Dat(48k)Dat (Sony R500) -> Prodif plus -> Samplitude v6.0 -> SHN ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(Check/fix)>SHN(seekable)-NO DAE ; Via Charlie Miller ; remastered and seeded by T. Wiley
1560531979-01-05The SpectrumPhiladelphiaPA
flac2406 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
1658271979-01-05The SpectrumPhiladelphiaPA
flac1644 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156053 2496 > 1644
877391979-01-07Madison Square GardenNew YorkNY
flac16; Recording by Bob Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) (Set 2 has a Sennheiser 441 mixed in) All Transfers and Mastering By Charlie Miller
164671979-01-07Madison Square GardenNew YorkNY
AUD> MC> DAT> CDR; via Raoul Duke, encoded by Matt Vernon
876571979-01-08Madison Square GardenNew YorkNY
flac16; Recording by Robert Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
102831979-01-08Madison Square GardenNew YorkNY
Recording by Keith Gatto: Nak 300's>MC>DAT>CD; via Paul; Seeded to etree by Glyde (updated lineage; had been marked Shure SM57's)
773281979-01-10Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Recording by Bob Wagner: Master Audience Cassette; 2 Sony ECM-4 Ps w/ Senn 421 blend> Sony 158 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Egosys Waveterminal 2496>Art DI/O>Cool Edit 2000> SHN encoding > SHN > FLAC
3071979-01-10Nassau Veterans Memorial ColiseumUniondaleNY
Recording by Keith Gatto: FOB made with Nak 300's and Sony TC-158 > DAT > Soundforge > CDR > Cdparanoia > SHN; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly, J. Kempka.
350231979-01-10Nassau Veterans Memorial ColiseumUniondaleNY
Recording by Bob Wagner: Master Audience Cassette; 2 Sony ECM-4 Ps w/ Senn 421 blend> Sony 158 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Egosys Waveterminal 2496>Art DI/O>Cool Edit 2000> SHN encoding > SHN Note: d3t02 is will not play or decompress to .wav; d3t03 is missing. upgrade now in circulation .
1131141979-01-10Nassau Veterans Memorial ColiseumUniondaleNY
flac16;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner. upgrade of shnid# 77328
1134461979-01-10Nassau Veterans Memorial ColiseumUniondaleNY
flac24;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner
1254901979-01-10Nassau Veterans Memorial ColiseumUniondaleNY
flac16; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby bset I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > 16/44.1 > flac; transferred & seeded by Rob Berger 2013
1254911979-01-10Nassau Veterans Memorial ColiseumUniondaleNY
flac24; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > flac; transferred & seeded by Rob Berger 2013
1322361979-01-10Nassau Veterans Memorial ColiseumUniondaleNY
flac16/48kHz; Cassette Audience Master Recorded By Dr Keith J. Gatto; Nakamichi CM-300 Electret Condenser Microphones -Sony TCD 158 Cassette Recorder; Location @ FOB; Analog to Digital Transfer by Keith Gatto: Cassette Master played back on Sony TC-158 SD to a "Unknown Model" DAT deck @ 48KHz; Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-32 bit float 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); Digital Transfer,Editing & Processing performed in the 32 bit float digital domain By JW; This is a dithered 16 bit 48KHz file set
1571561979-01-10Nassau Veterans Memorial ColiseumUniondaleNY
flac2496 Recording Info: (FOB) (2)Sony 54P + (1)Sennheiser 441 > Namakichi 550 > Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
1571751979-01-10Nassau Veterans Memorial ColiseumUniondaleNY
flac1644; Recording Info: (FOB) (2)Sony 54P + (1)Sennheiser 441 > Namakichi 550 > Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 157156 2496 -> 1644.1
3081979-01-11Nassau Veterans Memorial ColiseumUniondaleNY
Recording by Keith Gatto: FOB (Nak 300's > Sony TC-158 )Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly for, J. Kempka
1024301979-01-11Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; upgrade in circulation
1024461979-01-11Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; This version has a fixed He's Gone; All Mastering By Charlie Miller
1254931979-01-11Nassau Veterans Memorial ColiseumUniondaleNY
flac24; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > flac; transferred & seeded by Rob Berger 2013
1254921979-01-11Nassau Veterans Memorial ColiseumUniondaleNY
flac16; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger 2013
1322501979-01-11Nassau Veterans Memorial ColiseumUniondaleNY
flac16/48kHz; Cassette Audience Master Recorded By Dr Keith J. Gatto; Nakamichi CM-300 Electret Condenser Microphones -Sony TCD 158 Cassette Recorder Location @ FOB; Analog to Digital Transfer by Keith Gatto: Cassette Master played back on Sony TC-158 SD to a "Unknown Model" DAT deck @ 48KHz (circa 1991); Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-32 bit float 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); Digital Transfer,Editing & Processing performed in the 32 bit float digital domain By JW
3091979-01-12The SpectrumPhiladelphiaPA
Recording by E. Claridge: Split 30' on the balcony with Sony ECM-280 mics > Sony TC158: Transfer: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by J. Wise; via R. Donnelly, J. Kempka
1322171979-01-12The SpectrumPhiladelphiaPA
flac16/48kHz; Cassette Audience Master Recorded 12'th Row FOB Dead Center by Eddie Claridge & Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Analog-Digital Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Sony PCM R-700 DAT @ 48 kHz (original A-D by J.W. circa 1991); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-16 bit 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-tagging(Tag & Re-name)By J.W. :November 2014
1525371979-01-12The SpectrumPhiladelphiaPA
Unknown audience recording - set 2 only; downloaded from a.b.gd 01/03;
1634101979-01-12The SpectrumPhiladelphiaPA
flac16: Source: FOB Aud -> CM -> C -> C Transfer: Dec-2000 D5 > Turtle Beach sound card > Goldwave > WAV > CD CD > dbPoweramp > FLAC 8 Transfer and mastering by Mark D Fulton (mdftunes)
1677291979-01-12The SpectrumPhiladelphiaPA
Source: Shure Sm57 Mics > Sony-tc158 (dolby ??) > Master Cassettes
Transfer: Master Cassettes (set I Udxl-ii 90; Set Ii Sony Type 1 C120) > Nak Cr-7a > Tascam Da-3000 (dsf 1-bit
Mhz) > Dbpoweramp > Adobe Audition > Flac @ 2496
Master Audience Recording By Kathy Sublette
Dsf Transfer By Mark Goldey Edited & Mastered By Joe Noel
184601979-01-14Utica Memorial ColiseumUticaNY
Taper unknown: (FOB) Nakamichi 300/CP1 -> Cm -> Cass -> Cass -> Cass -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN > WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Charlie Miller ; Remastered by T. Wiley 07/16/2003.
1662091979-01-14Utica Memorial ColiseumUticaNY
flac2448; 2nd Set: Source: Nakamichi CM300/CP1's > MAC > Lo-Gen tape, with thanks to Seaweed1010. Transfer: Maxell XLIIS-100 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Andrew F. 10/2023
1669171979-01-14Utica Memorial ColiseumUticaNY
flac1648 Master Audience Cassettes; AKG 220E mics > Technics 646D cassette deck; Doug Lamarre's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2024 > TLH flac 2496
1669181979-01-14Utica Memorial ColiseumUticaNY
flac2496 Source Info: Master Audience Cassettes; AKG 220E mics > Technics 646D cassette deck; Doug Lamarre's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2024 > TLH flac 2496
1672871979-01-14Utica Memorial ColiseumUticaNY
flac2448; 1st Set: Source: Nakamichi CM300/CP1's > MAC > Lo-Gen tape, with thanks to Seaweed1010. Transfer: Maxell XLIIS-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Andrew F. 03/2024
901001979-01-15Springfield Civic CenterSpringfieldMA
flac24; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/24 All Transfers and Mastering By Charlie Miller
1023891979-01-15Springfield Civic CenterSpringfieldMA
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller
3101979-01-15Springfield Civic CenterSpringfieldMA
Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules (one mic was pointed at the PA (left or right) and the other at the drums)> Master Audience Cassette > Sony TC158 > DAT > (J. Wise's 10dB noise reduction, bass boost @ 125Hz)> Tascam DA302 > HHB 850> Soundforge > CDR> 1 CD> Mac Plextor/ Toast> SHN; via A. Cohen; ; upgrade now in circulation.
46691979-01-15Springfield Civic CenterSpringfieldMA
Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules > Master Audience Cassette > Sony TC158; Played back on a Nak DR1 > Sony PCMR500 DAT with SBM ON @ 48KHz > (done by Rango Keshavan); Soundforge (noise reduction, bass boost) > CDR (done by Jim Wise) > EAC > SHN; see info file for additional details;; upgrade now in circulation.
900951979-01-15Springfield Civic CenterSpringfieldMA
flac16; Recording by Steve Rolfe :(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller
1115921979-01-15Springfield Civic CenterSpringfieldMA
flac16; Sick Bits Vol. 32 - matrix by Chris Chappell; Source: SBD: (shnid 102389) via Charlie Miller; AUD: (shnid 90095) recorded by Steve Rolfe via Charlie Miller
1275561979-01-15Springfield Civic CenterSpringfieldMA
flac16; Recorded by Steve Rolfe: Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B); Section 61 Row S Seat 7; Transfer and masteringg by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding
1275701979-01-15Springfield Civic CenterSpringfieldMA
flac24; Recorded by Steve Rolfe: Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B); Section 61 Row S Seat 7; Transfer and masteringg by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding
1478051979-01-15Springfield Civic CenterSpringfieldMA
flac16/48kHz; 1st Set, 2nd Set partial Recording Info: Kathy Sublette's Master (FOB)Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1478061979-01-15Springfield Civic CenterSpringfieldMA
flac24; 1st Set, 2nd Set partial Recording Info: Kathy Sublette's Master (FOB)Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1677281979-01-15Springfield Civic CenterSpringfieldMA
Source: Shure Sm57 Mics > Sony-tc158 (dolby ??) > Master Cassettes
Transfer: Master Cassettes (2x Udxl-ii 90) > Nak Cr-7a > Tascam Da-3000 (dsf 1-bit Mhz) > Dbpoweramp > Flac @ 2496
Master Audience Recording By Kathy Sublette
Dsf Transfer By Mark Goldey
Edited & Mastered By Joe Noel
838311979-01-17Veterans Memorial ColiseumNew HavenCT
flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
851011979-01-17Veterans Memorial ColiseumNew HavenCT
flac24; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
917831979-01-17Veterans Memorial ColiseumNew HavenCT
flac16; Matrix mix of new SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV and AUD Source Recording by Barry Glassberg FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav (Source ID 85101) Mastered by: D. McCabe Mastering Tools: Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend
917841979-01-17Veterans Memorial ColiseumNew HavenCT
flac24; Matrix mix of new SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV and AUD Source Recording by Barry Glassberg FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav (Source ID 85101) Mastered by: D. McCabe Mastering Tools: Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend
917871979-01-17Veterans Memorial ColiseumNew HavenCT
flac16; Lineage: SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV > FLAC Transfer & Mastering by: D. McCabe Mastering Tools: Plugins included Nomad Factory and Izotope
917881979-01-17Veterans Memorial ColiseumNew HavenCT
flac24; Lineage: SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > 24/96 WAV > FLAC Transfer & Mastering by: D. McCabe Mastering Tools: Plugins included Nomad Factory and Izotope
990091979-01-17Veterans Memorial ColiseumNew HavenCT
flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe (Left Center 17th Row); All Transfers and Mastering By Charlie Miller
772081979-01-17Veterans Memorial ColiseumNew HavenCT
flac16; SBD: MC > EQ > CDR > EAC > SHN > > FLAC patched w/ shn id 1220;; upgrade now in circulation.
122001979-01-17Veterans Memorial ColiseumNew HavenCT
Updated lineage: Recording by Steve Rolfe:TEAC PC-10 with nak 300 mic's pole-mounted fob; via Dave Minor; seeded to etree by Marc Pujol & Matt Vernon (had been marked as Nak 700 mics); upgrade now in circulation.
1024431979-01-17Veterans Memorial ColiseumNew HavenCT
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller
1002091979-01-18Providence Civic CenterProvidenceRI
flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Steve Rolfe
1002101979-01-18Providence Civic CenterProvidenceRI
flac24; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Steve Rolfe
130581979-01-18Providence Civic CenterProvidenceRI
Source: FOB AUD Master Cassette > DAT >CD-R > SHN. Mikes are allegedly Sennheiser 441's via Fishman
171751979-01-18Providence Civic CenterProvidenceRI
Updated lineage: Recording by Steve Rolfe: TEAC PC-10 with nak 300 mic's fob encoded by Matt Vernon (had been marked nak 700 mics)
1024441979-01-18Providence Civic CenterProvidenceRI
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller
1031861979-01-18Providence Civic CenterProvidenceRI
flac16; SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade/fix to source ID 102444
1069001979-01-18Providence Civic CenterProvidenceRI
flac16; FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H, taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010
1068991979-01-18Providence Civic CenterProvidenceRI
flac24; FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H, taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. 03/2010
993851979-01-20Shea's Buffalo TheaterBuffaloNY
flac16; Recording Info: (FOB/6th Row) Nakamichi 700 (Sony D5/Dolby B) -> Cassette Master -> Dat -> CD -> FLAC Transfer Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; Recorded By Jerry Moore; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 86374
1000251979-01-20Shea's Buffalo TheaterBuffaloNY
flac16; AUD>>MC>>DAT>>CDA>>FLAC>>DAW(Bertha)>>FLAC; Bertha Remaster of Jerry Moore's Master Cassette source (shn ID 99385)
3121979-01-20Shea's Buffalo TheaterBuffaloNY
Recording by Eddie Claridge: FOB (Split 30' on the balcony with Sony ECM-280 mics > Sony tc158) Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by Jim Wise; via Robert Donnelly, Jeff Kempka
1248611979-01-20Shea's Buffalo TheaterBuffaloNY
flac16; Source: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; Recorded by Eddie Claridge. Split 30' on the balcony with Sony ECM-280 mics > Sony tc158; EQ'd and turned up the volume with hard limiting, balancing the channels; noise reduction using the hiss from the beginning of disc 1 as a sample; numerous cuts between songs crossfaded to smooth out the flow
125751979-01-20Shea's Buffalo TheaterBuffaloNY
AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole. A > D by Mark Cohen - EAC > SHN by Noah Weiner. A previous digitization of this show was found to have digital errors (clicks and ticks), thus the redo;; upgrade now in circulation.
863741979-01-20Shea's Buffalo TheaterBuffaloNY
flac16; source: aud cassette master Nak 700's>Sony d5 w/dolby, 6th row center taped by Jerry Moore lineage: c.m.>dat>cdr>eac>cd wave>flac (c.m. played back w/correct eq setting...) transfered '99/encoded by Rob Berger tracked by Johnny(rider) Tallmadge
194131979-01-20Shea's Buffalo TheaterBuffaloNY
updated source info: AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole>PCM>Dat>Samplitude>Cool Edit Pro>CD Transfer Info: Sony R500>Prodif Plus>Samplitude 2496 v6.0>Cool Edit Pro v2.0>SHN via Charlie Miller : upgrade now in circulation .
1109771979-01-20Shea's Buffalo TheaterBuffaloNY
flac24; source: aud cassette master taped by Jerry Moore from 6th row center; lineage: aud>nak 700's>sony d5 or tc-153; tdk sa-90's, dolby b; transfer: nak dragon/b>hd-p2 24/96>hard drive> adobe audition 2.0 (levels, edits)>cd wave>tlh flac level 8; transferred & seeded by Rob Berger
190831979-01-21Masonic TempleDetroitMI
Source: Unknown AUD>?>SHN. Editing: SHN>WAV>CE2K>CDWAVE>shntool>mkwACT. Edited & seeded to etree by MattMan.
71161979-02-03Market Square ArenaIndianapolisIN
set 2; Master FOB Audience Cassette; Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR; CD Mastering, EAC\'ed / SHN\'ed by Scott Clugston
194141979-02-03Market Square ArenaIndianapolisIN
Set One only MAC (Unknown equipment) > Unknown analog generations > Cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
1024451979-02-03Market Square ArenaIndianapolisIN
flac16; Set 1 only, Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; upgrade in circulation
1028511979-02-03Market Square ArenaIndianapolisIN
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade to source ID 102455 (added patches); upgrade in circulation
1028761979-02-03Market Square ArenaIndianapolisIN
flac16; **set 1 Only** Recording Info:SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade/fix to source ID 102851
1545221979-02-03Market Square ArenaIndianapolisIN
Source: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 1644
Transfer Info: Unknown
320161979-02-04Dane County ColiseumMadisonWI
flac16; Set 1 only: Recording Info: (FOB) Nakamichi 700 -> Cassette Master -> 4th Gen Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
188881979-02-04Dane County ColiseumMadisonWI
Set 2 Nak 700's>MC>DAT>CDR>EAC>SHN
1547161979-02-04Dane County ColiseumMadisonWI
flac16/48 Source Info: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 2496 Transfer Info: Unknown
1547171979-02-04Dane County ColiseumMadisonWI
flac24/96 Source Info: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 2496 Transfer Info: Unknown
869411979-02-07SIU Arena, Southern Illinois UniversityCarbondaleIL
flac16; Set 1 only, Lineage: SBD > ? > Cassette Transfer: Maxell XL-II > Nakamichi BX-125 > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Aug 2007, by Andrew F.
138791979-02-07SIU Arena, Southern Illinois UniversityCarbondaleIL
SBD>??>C>CD>EAC>SHN (low gen); incomplete; portions of both sets; Thanks to Joey Browning; edits/encoding by JCotsman
138481979-02-09Soldiers & Sailors Memorial HallKansas CityKS
3 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN; Seeded to etree by Glyde
1440501979-02-09Soldiers & Sailors Memorial HallKansas CityKS
flac16/48kHz; Source Info: Audience Master (unknown equipment)> ?? > 7" reel @ 3.75ips (Maxell XL135-90B); Transfer Info: 7" reel @ 3.75 ips (Akai GX-636) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1440511979-02-09Soldiers & Sailors Memorial HallKansas CityKS
flac24; Source Info: Audience Master (unknown equipment)> ?? > 7" reel @ 3.75ips (Maxell XL135-90B); Transfer Info: 7" reel @ 3.75 ips (Akai GX-636) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
822391979-02-10Soldiers & Sailors Memorial HallKansas CityKS
flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source)
822381979-02-10Soldiers & Sailors Memorial HallKansas CityKS
flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source)
973521979-02-10Soldiers & Sailors Memorial HallKansas CityKS
flac16; **Set 2 Only-Soundboard** Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
973541979-02-10Soldiers & Sailors Memorial HallKansas CityKS
flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> Adobe Audition v1.5 -> FLAC/16; Recording by Joani Walker; All Transfers and Mastering By Charlie Miller
138491979-02-10Soldiers & Sailors Memorial HallKansas CityKS
AUD>MC>DAT>CDR>EAC>SHN; Seeded to etree by Glyde
1515061979-02-10Soldiers & Sailors Memorial HallKansas CityKS
flac24/88.2khz Audience Sound check from John Hance, Joe Beacon
164681979-02-11Kiel AuditoriumSt. LouisMO
AUD (3 Nak CM-300?s >Nak 550) > MC > R > CDR; via Raoul Duke, encoded by Matt Vernon
1557041979-02-11Kiel AuditoriumSt. LouisMO
flac16/44 remaster was created from the shn #16468 by acetboy
881231979-02-17Oakland-Alameda County ColiseumOaklandCA
flac16; Recording Info: SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
3131979-02-17Oakland-Alameda County ColiseumOaklandCA
SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN; Source DAT via T. Buller from Family Tree Batch #6; transfer by J. Kempka; some splices from source DAT cleaned up : upgrade now in circulation.
1052401979-02-17Oakland-Alameda County ColiseumOaklandCA
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
1056061979-02-17Oakland-Alameda County ColiseumOaklandCA
flac16; SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC - pitch correction and patches by Kevin Tobin (update of source ID 88123)
1056081979-02-17Oakland-Alameda County ColiseumOaklandCA
flac16; DTS-Audio-CD 5.1 Mix; SBD (shn id 88123) SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 105241) flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - dts mixing by Kevin Tobin
1056191979-02-17Oakland-Alameda County ColiseumOaklandCA
flac16; Matrix 2 Source Mix - SBD (shn id 88123) SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 105241) flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin
1452621979-02-17Oakland-Alameda County ColiseumOaklandCA
flac16/48kHz; Master Soundboard Cassettes > 1st generation reels > Sandy Troy's 2nd generation reels @ 3.75 ips; Transfer Info: 2nd generation reels > Technics RS-1506 > Apogee Mini Me (.wav 2496)> Mini DAC > Adobe Audition CC 2109 > TLH flac2496; 24-bit > 16-bit via dBpweramp
1452631979-02-17Oakland-Alameda County ColiseumOaklandCA
flac24; Master Soundboard Cassettes > 1st generation reels > Sandy Troy's 2nd generation reels @ 3.75 ips; Transfer Info: 2nd generation reels > Technics RS-1506 > Apogee Mini Me (.wav 2496)> Mini DAC > Adobe Audition CC 2109 > TLH flac2496
1508001979-02-17Oakland-Alameda County ColiseumOaklandCA
flac16; 2 Source Matrix of Soundboard shnid: 88123 Recording Info: SBD -> Master Reel -> ? -> Dat -> CD and Audience shnid:105240 FOB Master Cassettes (MAC); Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC; Matrix by dusborne
1669861979-02-17Oakland-Alameda County ColiseumOaklandCA
flac1648 Soundboard Reels @ 3.75 ips (Maxell) of unknown provenance (eBay tape liberation) Transfer Info: Soundboard reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 2496)> Adobe Audition CC 2024 > TLH flac2496
1669871979-02-17Oakland-Alameda County ColiseumOaklandCA
flac2496 Soundboard Reels @ 3.75 ips (Maxell) of unknown provenance (eBay tape liberation) Transfer Info: Soundboard reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 2496)> Adobe Audition CC 2024 > TLH flac2496
31211979-04-16Studio Rehersal, Club FrontSan RafaelCA
Master Soundboard Cassette > ?Cassette? > DAT > CDR; see info file for source speculation and listening notes; cuts smoothed; CD Mastering, EAC> SHN by Scott Clugston
41631979-04-16Studio Rehersal, Club FrontSan RafaelCA
sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol
1572281979-04-16Studio Rehersal, Club FrontSan RafaelCA
flac1648 Source: Master Cassette > DAT at 16/48 (with possible extra cassette generation)
Speed Correction by Jason Chastain
2022 DAT Transfer and Mastering by Jim Blackwood
Track, FLAC, and Pack by Steve Gravel
913461979-04-22Spartan Stadium, San Jose State UniversitySan JoseCA
flac16; Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90) Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
120011979-04-22Spartan Stadium, San Jose State UniversitySan JoseCA
Complete; Mixed sbd sources; Set 1 Source: SBD>?>C>C>WAV>SHN Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN; See info file for details; via Dave Morris, Jeffrey Smith; Seeded to etree by Jim Bennett
128951979-04-22Spartan Stadium, San Jose State UniversitySan JoseCA
Partial Set 2; WBOTB-CD Source: master reel > PCM-1 > DAT-1 > SHN; See info file for further details; Seeded to etree by Tim Deibert
94241979-04-22Spartan Stadium, San Jose State UniversitySan JoseCA
2nd set; SBD>MR>??>DAT>CDR; via Paul B; Seeded to etree by Willy
1053091979-04-22Spartan Stadium, San Jose State UniversitySan JoseCA
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rhineheart Holwein
1344011979-04-22Spartan Stadium, San Jose State UniversitySan JoseCA
flac16; 1st Set, Source: SBD > ? > Cassette, from the Brian Schley tape collection. Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. 09/2015
1378221979-04-22Spartan Stadium, San Jose State UniversitySan JoseCA
flac16; 4 source matrix by dusborne; Soundboard Set 1 (shnid:134401) Source: SBD > ? > Cassette,Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644; Soundboard Set 2 (shnid:12001) SBD MC> C> DAT> CDR> WAV> SHN; Audience 1 (shnid:91346), Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90)Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board, Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0>(dither/downsample)> FLAC; Audience 2 (shnid:105309),Taped By: Rhineheart Holwein, Transfer By: Bob Menke; Mastering By: Derek McCabe,Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
1451391979-04-22Spartan Stadium, San Jose State UniversitySan JoseCA
flac16/48kHz; Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1451401979-04-22Spartan Stadium, San Jose State UniversitySan JoseCA
flac24; Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
1485691979-04-22Spartan Stadium, San Jose State UniversitySan JoseCA
This is a soundboard composite of Brian Schley's (shnid134401) 1st Set soundboard source, the Bennett/Morris/Smith 2nd set soundboard source (shnid12001), as well as the 2nd set partial Betty board (fresh DSD transfer from Tim Dalton's PCM source)
1487081979-04-22Spartan Stadium, San Jose State UniversitySan JoseCA
flac16; Source Info: Betty's 7" Master Soundboard Ree1s > PCM > PCM; Transfer Info: Tim Dalton's PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe CC 2019 > TLH flac16
836741979-05-03Charlotte ColiseumCharlotteNC
flac16; Recording by Barry Glassberg: MOTB 0024:Source: Audience FOB Recording, 60 Feet back, DFC, 9 foot pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
888511979-05-03Charlotte ColiseumCharlotteNC
flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
188701979-05-03Charlotte ColiseumCharlotteNC
Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation.
891201979-05-04Hampton ColiseumHamptonVA
flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
848251979-05-04Hampton ColiseumHamptonVA
flac16; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
863891979-05-04Hampton ColiseumHamptonVA
flac24; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
38241979-05-04Hampton ColiseumHamptonVA
Recording by Barry Glassberg: FOB Nakamichi 700's> Sony D5> Master Cassette> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding by Jeff M.: upgrade now in circulation.
188781979-05-04Hampton ColiseumHamptonVA
Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation.
1478221979-05-04Hampton ColiseumHamptonVA
flac16; Source: AKG-222E x2 > Nakamichi 550, FOB recording by Richie Stankiewicz. Transfer: Back-up tapes (1st or 2nd gen) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2019
890561979-05-05Baltimore Civic CenterBaltimoreMD
flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
787481979-05-05Baltimore Civic CenterBaltimoreMD
flac16; Pitch and tempo adjusted version of soundboard shn id 34577 by fishmanj using Cool Edit 2000 and Adobe Audition correcting speed by 3%
188711979-05-05Baltimore Civic CenterBaltimoreMD
Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon
123771979-05-05Baltimore Civic CenterBaltimoreMD
presumed to be:SBD:MC>Cas>DAT>CD via Jools from GANS GDH Disc : upgrade now in circulation.
345571979-05-05Baltimore Civic CenterBaltimoreMD
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC: upgrade now in circulation.
1230011979-05-05Baltimore Civic CenterBaltimoreMD
flac16; Matrix with Soundboard (shnid:78748): Original Miller FLACs>WAV>Cool Edit 2k (using Pitch->Stretch functions correcting speed by 3%. Used Glassberg audience as baseline)>FLAC and Audience (shnid:89056): Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
39001979-05-07Allan Kirby Field House, Lafayette CollegeEastonPA
set 1; aud> mics?> master cassette> dat> cdr; via Mike Lai
188771979-05-07Allan Kirby Field House, Lafayette CollegeEastonPA
Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon
82161979-05-07Allan Kirby Field House, Lafayette CollegeEastonPA
Recording by Barry Glassberg: Master Audience Cassette; Nakamichi CM700 mics>Sony TC-158> DAT> CDR; Seeded to etree by Scott Clugston : upgrade now in circulation.
1396311979-05-07Allan Kirby Field House, Lafayette CollegeEastonPA
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
1396351979-05-07Allan Kirby Field House, Lafayette CollegeEastonPA
flac16; AUD: Unknown taper & gear > Low-gen tapes, kindly provided from the collection of Craig L. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017
1677271979-05-07Allan Kirby Field House, Lafayette CollegeEastonPA
Source: Shure Sm57 Mics > Sony-tc158 (dolby ??) > Master Cassettes
Transfer: Master Cassettes (2x Udxl-ii 90) > Nak Cr-7a > Tascam Da-3000 (dsf 1-bit Mhz) > Dbpoweramp > Flac @ 2496
Master Audience Recording By Kathy Sublette
Dsf Transfer By Mark Goldey
Edited & Mastered By Joe Noel
875171979-05-08Recreation Hall, Penn State UniversityState CollegePA
flac16 Recording by Barry Glassberg: MOTB Release: 0028 16/44.1 Source: Audience FOB Recording, Right Center Soundboard Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: J. Waddell
878061979-05-08Recreation Hall, Penn State UniversityState CollegePA
flac24; Recording by Barry Glassberg: MOTB Release: 0028 24/96 Source: Audience FOB Recording, Right Center Soundboard Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: J. Waddell
115521979-05-08Recreation Hall, Penn State UniversityState CollegePA
Recording by Barry Glassberg: Nak 700's>Sony D5>MC>DAT>CDR; Seeded to etree by Willy: upgrade now in circulation.
188761979-05-08Recreation Hall, Penn State UniversityState CollegePA
Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation.
1478281979-05-08Recreation Hall, Penn State UniversityState CollegePA
flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1478271979-05-08Recreation Hall, Penn State UniversityState CollegePA
flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1522091979-05-08Recreation Hall, Penn State UniversityState CollegePA
flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
1522101979-05-08Recreation Hall, Penn State UniversityState CollegePA
flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
854211979-05-09Broome County ArenaBinghamtonNY
flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, 50ft. DFC, Hand-Held Nak CM700's Media: Maxell UD-XLII 90 min. Lineage 1: Nakamichi CM700's > Sony 158SD > MAC > Sony 158SD > C1 Lineage 2: Nakamichi CM700's > Sony 158SD > MAC Transfer 1: C1 > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Transfer 2: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
990271979-05-09Broome County ArenaBinghamtonNY
flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller
48811979-05-09Broome County ArenaBinghamtonNY
FOB Naks > Teac PC-10 (cassette master) > DAT x2; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (tracking, downsampling [Set II only]) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; flips after Minglewood and Drums [Note: A sbe fixed version also circulates]
188751979-05-09Broome County ArenaBinghamtonNY
Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation.
1478291979-05-09Broome County ArenaBinghamtonNY
flac16/48kHz; 2nd Set Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1478301979-05-09Broome County ArenaBinghamtonNY
flac24; 2nd Set Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1558391979-05-09Broome County ArenaBinghamtonNY
flac1648 Source Info: FOB NAK 700-> Cassette-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
990291979-05-11Billerica ForumBillericaMA
flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller
3141979-05-11Billerica ForumBillericaMA
FOB Sony ECM 280's > cassette master > 48k DAT; Transfer: DA20 mkII > Audiowerk2 > Waveburner > Peak > Jam > Plex 8/2/20 (on-the-fly card resampling); via A. Gustin
192681979-05-11Billerica ForumBillericaMA
Recording by Keith Gatto via Mark Cohen encoded by Matt Vernon
852201979-05-12Alumni Stadium, University Of MassachusettsAmherstMA
flac16; Recording by Barry Glassberg: MOTB 0034: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM300's > Sony 158SD > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
103451979-05-12Alumni Stadium, University Of MassachusettsAmherstMA
Recording by Barry Glassberg: Nak CM700s> MC>DAT>CD; via Paul B; Seeded to etree by Willy: upgrade now in circulation.
188741979-05-12Alumni Stadium, University Of MassachusettsAmherstMA
Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation.
1064331979-05-12Alumni Stadium, University Of MassachusettsAmherstMA
flac24; Set 2, FOB AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII's. Set up FOB center aprx sixty feet from stage. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. 03/2010
1064341979-05-12Alumni Stadium, University Of MassachusettsAmherstMA
flac16; Set 2, FOB AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII's. Set up FOB center aprx sixty feet from stage. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010
1510401979-05-12Alumni Stadium, University Of MassachusettsAmherstMA
flac16/44.1khz Source: Audience FOB Recording Lineage: Nakamichi CM300's > Sony 158SD Hand-Held Transfer: MAC > Dat@44.1( K. Goto) Taped by: K. Gotto Transfer: MAC > Dat@44.1( K. Gotto) rebuilt Dat(taken Apart to Slice) Transfer Sony M1 analogue out > Edirol R09hr@24/88.2 > Wavelab6 > OzoneRx7A > Ozone6A > R8brain > CDWave
878541979-05-13Cumberland County Civic CenterPortlandME
flac16; Recording by Barry Glassberg: MotB Release: 0036 16/44.1 Source: Audience FOB Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Andy Foust
882611979-05-13Cumberland County Civic CenterPortlandME
flac24 Recording by Barry Glassberg: MOTB Release: 0036 24/96 Source: Audience FOB Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Andy Foust
80371979-05-13Cumberland County Civic CenterPortlandME
Recording by Barry Glassberg: Nak CM 700 > Sony TCD-D5 > DAT > CD; via JR Fishman : upgrade now in circulation (note: this source also circulates without the filler tracks)
188731979-05-13Cumberland County Civic CenterPortlandME
Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon : upgrade now in circulation.
1273541979-05-13Cumberland County Civic CenterPortlandME
flac24; First Set Nakamichi 550>AKG 222e; Second set Nakamichi 550>Sen 441; First Set MAC>Nakamichi 1000II>Sound Device USBPre2; Second set 1st Gen>Nakamichi 1000II>Sound Devices USBPre2; Various patches made with Barry Glassbergs recording; First set Recorded by Richie Stankiewicz; Second set Recorded By Dave Wienman; All transfered by Richie Stankiewicz
195141979-06-28Sacramento Memorial AuditoriumSacramentoCA
Set 2; SBD:MR> Cassettes x?> Pioneer 509 >CD; via Jools
111591979-06-28Sacramento Memorial AuditoriumSacramentoCA
Recording by Reinhardt Hollwein: Sony ECM>Sony-158>Cass>Reel>CD; 'Minor' static/distortion in spots; All Over Now, Fire, Samson, Ship, NFA, Peter; via David Minches & Paul B; Seeded to etree by Willy
943861979-06-30Portland International SpeedwayPortlandOR
flac16; Recording Info: (2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; Taped By Rob Eaton; All Transfers and Mastering By Charlie Miller
906941979-06-30Portland International SpeedwayPortlandOR
flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 40' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
103461979-06-30Portland International SpeedwayPortlandOR
Senn. 441's>MC>DAT>CD; via Paul B; Seeded to etree by Willy
1055631979-06-30Portland International SpeedwayPortlandOR
flac16; 2 x AKG D224e's >> Sony TC-D5  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
1451411979-06-30Portland International SpeedwayPortlandOR
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpowweramp
1451421979-06-30Portland International SpeedwayPortlandOR
flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
1522151979-06-30Portland International SpeedwayPortlandOR
flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
1522161979-06-30Portland International SpeedwayPortlandOR
flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
934331979-07-01Seattle Center ColiseumSeattleWA
flac16; Recording Info:SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
957421979-07-01Seattle Center ColiseumSeattleWA
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
906961979-07-01Seattle Center ColiseumSeattleWA
flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 35' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
3151979-07-01Seattle Center ColiseumSeattleWA
no source info; via D. Barrick; d3 now tracked out; update 7/00: listener Joe Doss reports that this sounds like a SBD, and Rob Bertrando points out that a SMC> VHS HiFi> R> D version circulates- one might infer that this is that version; see flaw notes in public comment section;; upgrade now in circulation
1052101979-07-01Seattle Center ColiseumSeattleWA
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nak CM 700's >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
1414121979-07-01Seattle Center ColiseumSeattleWA
flac16; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
1414131979-07-01Seattle Center ColiseumSeattleWA
flac24; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
1414141979-07-01Seattle Center ColiseumSeattleWA
flac16; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
1414151979-07-01Seattle Center ColiseumSeattleWA
flac24; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
1453581979-07-01Seattle Center ColiseumSeattleWA
flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
1453571979-07-01Seattle Center ColiseumSeattleWA
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1561761979-07-01Seattle Center ColiseumSeattleWA
flac24; Matrix 2 Source Mix - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - matrix mixing by Kevin Tobin
1561771979-07-01Seattle Center ColiseumSeattleWA
flac16; Matrix 2 Source Mix - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - matrix mixing by Kevin Tobin
1561791979-07-01Seattle Center ColiseumSeattleWA
DTS-Audio-CD 5.1 Mix; - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - dts mixing by Kevin Tobin
1561801979-07-01Seattle Center ColiseumSeattleWA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - surround mixing by Kevin Tobin
1536011979-07-11Studio Rehersal, Club FrontSan RafaelCA
flac16/44 From the collection of John Musgrave Source: Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > Korg Aqua (16-44) > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition -M-
1536021979-07-11Studio Rehersal, Club FrontSan RafaelCA
flac24/96 From the collection of John Musgrave A bit hissy but the Dolby decoding muffled this something awful so no Dolby on playback. Source: Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition -M-
1648731979-07-11Studio Rehersal, Club FrontSan RafaelCA
flac1644 Version 2 - Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > Korg Aqua (16-44) > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition
1648741979-07-11Studio Rehersal, Club FrontSan RafaelCA
flac2496 Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition
906991979-08-04Oakland Auditorium ArenaOaklandCA
flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 40' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
342591979-08-04Oakland Auditorium ArenaOaklandCA
Fix of soundboard shn id 9578 (sbd) by Bill Tetzeli - see info file for details
95781979-08-04Oakland Auditorium ArenaOaklandCA
SBD>MC>C>DAT>CDR; Missing Jack Straw; via Paul B; Seeded to etree by Willy;; upgrade now in circulation
1441601979-08-04Oakland Auditorium ArenaOaklandCA
flac16/44.1khz Source Info: Master Soundboard Cassettes > Cassette > PCM > Dat (16-bit/44.1k) Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
1489401979-08-04Oakland Auditorium ArenaOaklandCA
flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, right center, held shoulder high, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1489411979-08-04Oakland Auditorium ArenaOaklandCA
flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, right center, held shoulder high, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
987141979-08-05Oakland Auditorium ArenaOaklandCA
flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
987151979-08-05Oakland Auditorium ArenaOaklandCA
flac24; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
987161979-08-05Oakland Auditorium ArenaOaklandCA
flac16; Matrix Analog Audience Source: Aud Master Cassettes (MAC) Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe and Soundboard Source: gd79-08-05.sbd.munder.9579.sbeok.shnf
987171979-08-05Oakland Auditorium ArenaOaklandCA
flac24; Matrix Analog Audience Source: Aud Master Cassettes (MAC) Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe and Soundboard Source: gd79-08-05.sbd.munder.9579.sbeok.shnf
95791979-08-05Oakland Auditorium ArenaOaklandCA
SBD>MC>C>DAT>CDR; Some cuts, see info file for details; via Paul B; Seeded to etree by Willy; Note- Fixed versions of d1t09 & d1t10 now circ, courtesy of PainoMan. The 'splice' in Althea was found to be a skip and was fixed, and shntool fixed the resulting sbe for the remaining tracks on d1; 'original' and 'fixed' md5's are listed here
1489431979-08-05Oakland Auditorium ArenaOaklandCA
flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, held shoulder high, DFC, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
1489421979-08-05Oakland Auditorium ArenaOaklandCA
flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, held shoulder high, DFC, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1586451979-08-05Oakland Auditorium ArenaOaklandCA
flac1648; Source and transfer info: Set 1 and Scarlet Begonias: Bear-sourced cassette. Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz. Set 2 starting at Fire on the Mountain: Anon sourced file (same mix as Bear tape) upsampled to 96kHz to match Bear source
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred (July 2022) and mastered by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
1586441979-08-05Oakland Auditorium ArenaOaklandCA
flac24; Source and transfer info: Set 1 and Scarlet Begonias: Bear-sourced cassette. Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz. Set 2 starting at Fire on the Mountain: Anon sourced file (same mix as Bear tape) upsampled to 96kHz to match Bear source
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred (July 2022) and mastered by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
350381979-08-12Red Rocks AmpitheatreMorrisonCO
flac16; Seamless fix of soundboard shn id 9288 - MSC>R>PCM>CD>EAC>SHN>WAV>FLAC by Bil Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
976831979-08-12Red Rocks AmpitheatreMorrisonCO
flac16; Master AUD>C>C>WAV>FLAC
92881979-08-12Red Rocks AmpitheatreMorrisonCO
Master Soundboard Cassette > Reel to Reel > PCM > CDR; CD Mastering, Eac'ed & Shn'ed by Scott Clugston; to fungus & abgd via Charlie Connor;; upgrade now in circulation
1071661979-08-12Red Rocks AmpitheatreMorrisonCO
flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke
1303471979-08-12Red Rocks AmpitheatreMorrisonCO
flac16; Recording Info: SBD > MC > R > PCM > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
1454711979-08-12Red Rocks AmpitheatreMorrisonCO
flac16/kHz48; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 13, seats 68 & 69 - 1st set held head high, 2nd set mounted on pole)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 126-bit via dBpoweramp
1454721979-08-12Red Rocks AmpitheatreMorrisonCO
flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 13, seats 68 & 69 - 1st set held head high, 2nd set mounted on pole)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
1570831979-08-12Red Rocks AmpitheatreMorrisonCO
flac1644; Source: Handheld deck (mono) > MAC > 1st-Gen back-up tapes, concert recording by John Hicks & Dennis Fong. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2022
1643591979-08-12Red Rocks AmpitheatreMorrisonCO
flac1648 Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-158SD (Maxell XLII-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2023 > TLH flac2496
1643601979-08-12Red Rocks AmpitheatreMorrisonCO
flac2496 Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-158SD (Maxell XLII-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2023 > TLH flac2496
1680281979-08-12Red Rocks AmpitheatreMorrisonCO
Pitch corrected version of SHNID 9288
Recording Info: SBD > Cassette Master > PCM > CD
Mastering Info: CD > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC
Remastered by Charlie Miller
872711979-08-13McNichols Sports ArenaDenverCO
flac16; Set 1 only: SBD -> Cassette Master -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
335831979-08-13McNichols Sports ArenaDenverCO
Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > Revox Reel to Reel (DBX encoded) > DBX decoded > DAT > CDR > Flac (unknown taper at this time); "Phil's Big Night!"; converted 01 April 2006 by winterland121072@yahoo.com
92891979-08-13McNichols Sports ArenaDenverCO
Sources: Primary: Master Soundboard Cassette > Reel to Reel > PCM > CDR; Sedondary Source: Master Audience Cassette; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR Aud source supplies portions of "Friend of the Devil", "MInglewood Blues" , "Tuning / Announcements" , and "I Need A Miracle" ;Patching / CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston; to fungus and abgd via Charlie Connor
1199991979-08-13McNichols Sports ArenaDenverCO
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (48k); Set 2: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
1232081979-08-13McNichols Sports ArenaDenverCO
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
1548451979-08-13McNichols Sports ArenaDenverCO
FLAC 2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
1548461979-08-13McNichols Sports ArenaDenverCO
FLAC 1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
325001979-08-14McNichols Sports ArenaDenverCO
flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller
930471979-08-14McNichols Sports ArenaDenverCO
flac16;Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k) Recorded by Rob Eaton; Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
95631979-08-14McNichols Sports ArenaDenverCO
FOB-AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
1199491979-08-14McNichols Sports ArenaDenverCO
flac16; Partial Set 2 Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1522511979-08-14McNichols Sports ArenaDenverCO
flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
1522521979-08-14McNichols Sports ArenaDenverCO
flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
929241979-08-31Glens Falls Civic CenterGlens FallsNY
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
99731979-08-31Glens Falls Civic CenterGlens FallsNY
AUD(Nak 300's)>MC>DAT>CDR; via Paul; Seeded to etree by Glyde
1290301979-08-31Glens Falls Civic CenterGlens FallsNY
flac16; AUD: Set One, AKG D222E's > Nakamichi 550; Set Two, Nak 300's > Nakamichi 550. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.
1357751979-08-31Glens Falls Civic CenterGlens FallsNY
flac16; 2 source matrix by dusborne; Soundboard (shnid:92924), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 ->Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; Audience (shnid:9973)AUD(Nak 300?s)>MC>DAT>CDR>EAC>SHN
188981979-09-01Holleder Memorial StadiumRochesterNY
master SBD cassette (Dolby B) > cassette (Dolby C) > TC 2000 @ 24 bits > HHb 830 Patched wtih AUD>MC>DAT>CDR. Encoding and patching Ernie Dodd. SBD source from David Gans via Zeb Weber.
103631979-09-01Holleder Memorial StadiumRochesterNY
AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
1199641979-09-01Holleder Memorial StadiumRochesterNY
flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/Maxell UDXLII); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
1199651979-09-01Holleder Memorial StadiumRochesterNY
flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/Maxell UDXLII); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
1237421979-09-01Holleder Memorial StadiumRochesterNY
flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> Cassette (Dolby C) -> TC2000 EQ (24bit) -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
1254631979-09-01Holleder Memorial StadiumRochesterNY
flac24; AUD: 2x AKG D222E > Nakamichi 550, FOB center aprx 20 feet from the stage. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. August 2013.
1254641979-09-01Holleder Memorial StadiumRochesterNY
flac16; AUD: 2x AKG D222E > Nakamichi 550, FOB center aprx 20 feet from the stage. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. August 2013.
1394881979-09-01Holleder Memorial StadiumRochesterNY
flac24; Source: (FOB) Nakamichi 700 > Sony D5M Cassette Master (Maxell UDXLII) - taped by Bob Wagner; Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 edited and mastered SIRMick 2017
1451741979-09-01Holleder Memorial StadiumRochesterNY
flac16; Source: (FOB) Nakamichi 700 > Sony D5M Cassette Master (Maxell UDXLII) - taped by Bob Wagner; Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 edited and mastered SIRMick 2017; This file set is 16 bit @ 44.1
930111979-09-02Augusta Civic CenterAugustaME
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
103641979-09-02Augusta Civic CenterAugustaME
Recording by Steve Rolfe: Nak700's > D5: MC>DAT>CDR; via Paul B; Seeded to etree by Willy
1219421979-09-02Augusta Civic CenterAugustaME
flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
1279201979-09-02Augusta Civic CenterAugustaME
flac24; Set 2 Source AKG D-222e> Nakamichi 550; Recorded and transfered By Richie stankiewicz; Recorded 18th row left ctr; Transfer MAC>Nakamichi 1000II> USBPre2
1397381979-09-02Augusta Civic CenterAugustaME
flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017
1451831979-09-02Augusta Civic CenterAugustaME
flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit 44.1
1476851979-09-02Augusta Civic CenterAugustaME
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
1478361979-09-02Augusta Civic CenterAugustaME
flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1478371979-09-02Augusta Civic CenterAugustaME
flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1495081979-09-02Augusta Civic CenterAugustaME
flac16; Source: Nakamichi 300 cardioids > Sony D5 > ? > FLAC; Location: FOB
1510411979-09-02Augusta Civic CenterAugustaME
flac16/44.1khz Recorded by Keith Gatto Nak 300s> Sony TC-158 location: FOB Keith transferred his cassettes to Dat 16/44.1 *Dat clone playback Sony M-1(analogue out) > Edirol R09HR @ 24/88.2 Wav WaveLab 6 > Ozone RX4A > Ozone6A > R8brainPro
1531001979-09-02Augusta Civic CenterAugustaME
Source: Nakamichi 300 cardioids > Sony D5 Location: FOB speed-pitch correction : original flacs > Wav > Magix Music Studio > TLH > Flac 8 sidewindersf 2021
797471979-09-04Madison Square GardenNew YorkNY
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
83791979-09-04Madison Square GardenNew YorkNY
Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org
94521979-09-04Madison Square GardenNew YorkNY
Sources: Primary Source: Master Soundboard Cassette > Reel to Reel > PCM > CDR: Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics; Secondary source supplies portions of "Jack Straw", "Minglewood Blues", "China Cat Sunflower", "Looks Like Rain" in its entirety, as well as a patch in "Wharf Rat" ; Patching / CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation.
1177761979-09-04Madison Square GardenNew YorkNY
flac16; Nakamichi 700s > Sony TC-158, 14th row recording by Barry Glassberg. Transferred MAC > CDR by Jim Wise (c2000) CDR > EAC > TLH > FLAC 1644 tagged (Dec 2011)
1274911979-09-04Madison Square GardenNew YorkNY
flac24; Set 1 Recorded 6th row right center; Nakamichi 550 AKG D-222e; Transfer Nakamichi 1000II>Sound Devices USBPre2; Recorded and transfered by Richie Stankiewicz
1516561979-09-04Madison Square GardenNew YorkNY
flac24/96khz Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
1519881979-09-04Madison Square GardenNew YorkNY
flac16/44.1khz Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151636 24 > 16 @ 44.1
1563481979-09-04Madison Square GardenNew YorkNY
flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1563491979-09-04Madison Square GardenNew YorkNY
flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
797481979-09-05Madison Square GardenNew YorkNY
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
84571979-09-05Madison Square GardenNew YorkNY
Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org
94531979-09-05Madison Square GardenNew YorkNY
Sources: Primary Source;Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies "Loser", "Promised Land", patches in "Scarlet Begonias", "Estimated Prophet", "Eyes of theWorld", "Black Peter", "Bertha". Both the Soundboard and Audience sources are missing the begining of "Mississippi Half-step"; Patching/CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation.
24841979-09-05Madison Square GardenNew YorkNY
Recording by Barry Glassberg: Nak 700's> Sony TC-158> DAT> ZA-2> CDR> EAC> SHN; A>D Transfer by Jim Wise from Barry Glassberg Master; EAC> SHN> upload by Mike 'Dank Star' Parrillo
1024761979-09-05Madison Square GardenNew YorkNY
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
1108291979-09-05Madison Square GardenNew YorkNY
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16)
1518311979-09-05Madison Square GardenNew YorkNY
flac24/96 Recording Info: (FOB/11th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
1519871979-09-05Madison Square GardenNew YorkNY
flac16/44.1khz Recording Info: (FOB/11th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 151831 24 > 16 @ 44.1
1563501979-09-05Madison Square GardenNew YorkNY
flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1563511979-09-05Madison Square GardenNew YorkNY
flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
797491979-09-06Madison Square GardenNew YorkNY
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
84581979-09-06Madison Square GardenNew YorkNY
Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org
94541979-09-06Madison Square GardenNew YorkNY
Sources: Primary Source; Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41; Patching/CD Mastering by Scott Clugston; Also to abgd via Charlie Connor : upgrade now in circulation.
352181979-09-06Madison Square GardenNew YorkNY
flac16; Seamless fix of shn id 9454 - Master Soundboard Cassette > Reel to Reel > PCM > CDR > EAC > SHN > WAV > FLAC : upgrade now in circulation.
1517831979-09-06Madison Square GardenNew YorkNY
flac16 Source: Sony Stereo ECM -->SONY TCD126
Location: PA behind Stage
Transfer: Master Cassette Transfer->RR ->Cassette
Transfer/Flac Conversion by Brian Mandel - Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave
CD Wave Editor -> TLP->Flac Taper: Gerry Moskal
1519851979-09-06Madison Square GardenNew YorkNY
flac16/44 Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151832 24 > 16 @ 44.1
1518321979-09-06Madison Square GardenNew YorkNY
flac24/96 Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
1527181979-09-06Madison Square GardenNew YorkNY
flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2021
1564361979-09-06Madison Square GardenNew YorkNY
flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1564371979-09-06Madison Square GardenNew YorkNY
flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
974401979-10-24Springfield Civic CenterSpringfieldMA
flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller
931421979-10-24Springfield Civic CenterSpringfieldMA
flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
132981979-10-24Springfield Civic CenterSpringfieldMA
AUD(Senn 421's>Nak 350)>MC>DAT>CD; via Craig Reimer; seeded to etree by Willy
195891979-10-24Springfield Civic CenterSpringfieldMA
Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon
1453721979-10-24Springfield Civic CenterSpringfieldMA
flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1453731979-10-24Springfield Civic CenterSpringfieldMA
flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
1481621979-10-24Springfield Civic CenterSpringfieldMA
flac16; Set 1 lineage: SBD > ? > FLAC
1514241979-10-24Springfield Civic CenterSpringfieldMA
flac16; Recording Info: Master Soundboard Cassettes > DAT Transfer Info: Speed Corrections by Jason Chastain Mastering by Jamie Waddell with assistance from Jim Blackwood Track, FLAC and Pack by Steve Gravel 16bit 44.1kHz FLAC Level 8
1524281979-10-24Springfield Civic CenterSpringfieldMA
flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496