LCDB: Sources for Grateful Dead

Sources for Grateful Dead

unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995

1 2 3

SHNID	Date	Venue	City	State
6145	1980-01-13	Oakland-Alameda County Coliseum	Oakland	CA
sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
106517	1980-01-13	Oakland-Alameda County Coliseum	Oakland	CA
flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
110680	1980-01-13	Oakland-Alameda County Coliseum	Oakland	CA
flac16; Recorded by BEAR. Transferred by Jim Blackwood at 32 bit 88.2 kHz Edited and Mastered by Jamie Waddell Weiss Saracon for 16 bit 44.1 kHz conversion
158146	1980-01-13	Oakland-Alameda County Coliseum	Oakland	CA
flac1648 Recording info: Maxell MX90 cassette from Bear via Jamie Waddell Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > FLAC24 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred (Nov 2021) and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
158145	1980-01-13	Oakland-Alameda County Coliseum	Oakland	CA
flac2496 Recording info: Maxell MX90 cassette from Bear via Jamie Waddell Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > FLAC24 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred (Nov 2021) and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
92666	1980-03-30	Capitol Theater	Passaic	NJ
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 & v10.1 -> Adobe Audition v1.5 -> FLAC
27752	1980-03-30	Capitol Theater	Passaic	NJ
flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
96014	1980-03-30	Capitol Theater	Passaic	NJ
flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0082
96015	1980-03-30	Capitol Theater	Passaic	NJ
flac24; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0082
96455	1980-03-30	Capitol Theater	Passaic	NJ
flac16; MTX; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe Sbd Source: 27752 flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
4740	1980-03-30	Capitol Theater	Passaic	NJ
Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead
4741	1980-03-31	Capitol Theater	Passaic	NJ
Recording by Rob Eaton: sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton; dat > cd was sony pcm r-700 > hhb cdr-800; nonseeking shns via Steve Barbella to CDead; some cuts and missing songs (see info file)
151345	1980-03-31	Capitol Theater	Passaic	NJ
flac24/96khz Recording Info: (FOB) Sennheiser 421 > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k)
151425	1980-03-31	Capitol Theater	Passaic	NJ
flac16/44.1khz Recording Info: (FOB) Sennheiser 421 > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) -- 151345 24 -> 16 @ 44.1
164195	1980-03-31	Capitol Theater	Passaic	NJ
flac2448 Recording Info: Set 2 Cassette From Doug Lamarre (Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC2023 > Dolby DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
165060	1980-03-31	Capitol Theater	Passaic	NJ
flac1644 flac1644 Recording Info: Set 2 Cassette From Doug Lamarre (Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC2023 > Dolby DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 164195 2448 > 1644
96452	1980-04-01	Capitol Theater	Passaic	NJ
flac16; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 x x Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >>MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
96453	1980-04-01	Capitol Theater	Passaic	NJ
flac16/96; MOTB.0076; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
96454	1980-04-01	Capitol Theater	Passaic	NJ
flac16; MTX; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe SBD Source: Miller's - 12386
4742	1980-04-01	Capitol Theater	Passaic	NJ
Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead
12386	1980-04-01	Capitol Theater	Passaic	NJ
mixed sources: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN, SBD> Rm> Cass> Dat> CD> Cool Edit Pro> CD> EAC> SHN, and AUD> Cm> Dat> CD> EAC> SHN; edited, converted, seeded by Charlie Miller
26178	1980-04-01	Capitol Theater	Passaic	NJ
Bertha remaster of Charlie Miller's previous seed, by Jay Ashley
9670	1980-04-01	Capitol Theater	Passaic	NJ
SBD>MC>??>CDR; 35 seconds of He's Gone and the Other One, as well as the Shakedown encore are provided by an audience source; See info file for details; via Paul B; Seeded to etree by Willy
152610	1980-04-01	Capitol Theater	Passaic	NJ
flac16/44.1khz Recording Info: SBD > Cassette Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16
119040	1980-04-05	Saturday Night Live, NBC Studios	New York	NY
flac16; Recorded by Jim Wise; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > 16/44.1 wav encoding; Wav > TLH (level 8) > flac + metadata B. Proctor 2/19/12
88858	1980-04-28	Boutwell Auditorium	Birmingham	AL
flac16 Recording by Barry Glassberg: MOTB Release: 0040 16/44.1 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
88906	1980-04-28	Boutwell Auditorium	Birmingham	AL
flac24 Recording by Barry Glassberg: MOTB Release: 0040 24/96 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
99886	1980-04-28	Boutwell Auditorium	Birmingham	AL
flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
3402	1980-04-28	Boutwell Auditorium	Birmingham	AL
Recording by Barry Glassberg: non-dank version, with differing md5s; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch> additional step(s) (reDAE, reSHN?) by unIDed person; to abgd and etree; upgrade in circulation
4993	1980-04-28	Boutwell Auditorium	Birmingham	AL
Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's shns as listed in info file; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; non-dank version may also circulate, but with different md5s; upgrade in circulation
128382	1980-04-28	Boutwell Auditorium	Birmingham	AL
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
163781	1980-04-28	Boutwell Auditorium	Birmingham	AL
flac1648 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
163782	1980-04-28	Boutwell Auditorium	Birmingham	AL
flac2496 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
88864	1980-04-29	Fox Theater	Atlanta	GA
flac24 Recording by Barry Glassberg; MOTB Release: 0041 24/96 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
88772	1980-04-29	Fox Theater	Atlanta	GA
flac16 Recording by Barry Glassberg; MOTB Release: 0041 16/44.1 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
88872	1980-04-29	Fox Theater	Atlanta	GA
flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
99887	1980-04-29	Fox Theater	Atlanta	GA
flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
3403	1980-04-29	Fox Theater	Atlanta	GA
Recording by Barry Glassberg; possible reshn or reDAE (in d1) by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; upgrade in circulation
5455	1980-04-29	Fox Theater	Atlanta	GA
Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's original version, note d1 md5s: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; alternate version may also be in circ; note dankseeds certified as of 1/8/02 ; upgrade in circulation
128627	1980-04-29	Fox Theater	Atlanta	GA
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
157080	1980-04-29	Fox Theater	Atlanta	GA
flac1644; Source: Handheld deck (mono) > Maxell XLII's, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2022
163794	1980-04-29	Fox Theater	Atlanta	GA
flac1648 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
163795	1980-04-29	Fox Theater	Atlanta	GA
flac2496 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
3418	1980-05-01	Greensboro Coliseum	Greensboro	NC
Recording by Barry Glassberg: possible reshn or reDAE by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; to abgd; upgrade in circulation
96316	1980-05-01	Greensboro Coliseum	Greensboro	NC
flac24; MAC = 2 x Maxell XLII C90, Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DFF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB0084
96313	1980-05-01	Greensboro Coliseum	Greensboro	NC
flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
99951	1980-05-01	Greensboro Coliseum	Greensboro	NC
flac16; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
5917	1980-05-01	Greensboro Coliseum	Greensboro	NC
Recording by Barry Glassberg; FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; QC courtesy dankseeds; see info file for listening notes etc
106612	1980-05-01	Greensboro Coliseum	Greensboro	NC
flac24; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from the floor by Bob Morris.
128684	1980-05-01	Greensboro Coliseum	Greensboro	NC
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
155931	1980-05-01	Greensboro Coliseum	Greensboro	NC
flac2448; Source: AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII's, set up at the soundboard, recording by the GD crew. Transfer: MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2022
163746	1980-05-01	Greensboro Coliseum	Greensboro	NC
flac1648 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
163747	1980-05-01	Greensboro Coliseum	Greensboro	NC
flac2496 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
88873	1980-05-02	Hampton Coliseum	Hampton	VA
flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
96450	1980-05-02	Hampton Coliseum	Hampton	VA
flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0085
96451	1980-05-02	Hampton Coliseum	Hampton	VA
flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0085
99952	1980-05-02	Hampton Coliseum	Hampton	VA
flac16; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
3202	1980-05-02	Hampton Coliseum	Hampton	VA
Recordings by John Hance and Jim Wise: Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; QC courtesy dankseeds; see info file for listening notes etc
106613	1980-05-02	Hampton Coliseum	Hampton	VA
flac24; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 Recorded FOB from the floor by Bob Morris; Upgrade in circulation
111142	1980-05-02	Hampton Coliseum	Hampton	VA
flac24; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0; Recorded FOB from the floor by Bob Morris
128515	1980-05-02	Hampton Coliseum	Hampton	VA
flac24; Beyer M-160>Nakamichi 550; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded in the "Sweet Spot"; Recorded and transfered By Richie Stankiewicz
128686	1980-05-02	Hampton Coliseum	Hampton	VA
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
155991	1980-05-02	Hampton Coliseum	Hampton	VA
flac2448; 2nd Set; Source: AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII, set up at the soundboard, recording by the GD crew. Transfer: MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2022
163748	1980-05-02	Hampton Coliseum	Hampton	VA
flac1648 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
163749	1980-05-02	Hampton Coliseum	Hampton	VA
flac2496 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
96584	1980-05-04	Baltimore Civic Center	Baltimore	MD
flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates
96910	1980-05-04	Baltimore Civic Center	Baltimore	MD
flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.)
96925	1980-05-04	Baltimore Civic Center	Baltimore	MD
flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.)
96585	1980-05-04	Baltimore Civic Center	Baltimore	MD
flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates.
99953	1980-05-04	Baltimore Civic Center	Baltimore	MD
flac16; Recorded by Bob Morris Nakamichi shotguns>Marantz Superscope CD320>Maxell XLII Nak Transfer: DR-1>Korg MR-1000>Audiogate>16/44>cdwav by Bob Morris, June, 2009
11768	1980-05-04	Baltimore Civic Center	Baltimore	MD
Nak 300's>MC>DAT>CD; via Paul B; Seeded to etree by Willy
106081	1980-05-04	Baltimore Civic Center	Baltimore	MD
flac16; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Marantz Superscope CD320>Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Patched w/ shnid 11768 Nak 300's using Soundforge 9.0; Recorded by Bob Morris
106622	1980-05-04	Baltimore Civic Center	Baltimore	MD
flac24; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Marantz Superscope CD320>Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96kHz) > Soundforge 9.0 Encore recorded with Charlie Connor's Sony ECM-990 stereo mic. Recorded by Bob Morris
118912	1980-05-04	Baltimore Civic Center	Baltimore	MD
flac24; 2 AKG-1000E> Sony D-5; Recorded by Jim Wise; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
128688	1980-05-04	Baltimore Civic Center	Baltimore	MD
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
163760	1980-05-04	Baltimore Civic Center	Baltimore	MD
flac1648 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
163761	1980-05-04	Baltimore Civic Center	Baltimore	MD
flac2496 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
99954	1980-05-06	Recreation Hall, Pennsylvania State University	State College	PA
flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob Morris; transferred & mastered by Bob Morris, June, 2009; Patched upgrade in circulation
5075	1980-05-06	Recreation Hall, Pennsylvania State University	State College	PA
Unknown Audience Recording: ??> cassette> wav> shn; playback: Sony es> soundblasterlive platinum> cooledit> cdwave editor> MKWact; A>D conversion, shn, seeded By Popi n. Feeldz; missing encore
6691	1980-05-06	Recreation Hall, Pennsylvania State University	State College	PA
Recording by Rob Eaton: Sennnheiser 421 > Nak 550 fob analog; mastering and analog to digital by Rob Eaton; dat > cd: sony pcm r-700 > hhb cdr-800; via Seth Kaplan, Steve Barbella
111027	1980-05-06	Recreation Hall, Pennsylvania State University	State College	PA
flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris. Transfer (6/09) & edit / patch (9/10) by Bob Morris
128608	1980-05-06	Recreation Hall, Pennsylvania State University	State College	PA
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
157537	1980-05-06	Recreation Hall, Pennsylvania State University	State College	PA
flac24 96kHz Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550; Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 Mastered by Scott Clugston
157536	1980-05-06	Recreation Hall, Pennsylvania State University	State College	PA
flac16 48kHz Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550; Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 Mastered by Scott Clugston
100242	1980-05-07	Barton Hall, Cornell University	Ithaca	NY
flac16; Source: (fob) Sony Ecm-990 Stereo Mic > Cassette Master (marantz Superscope Cd320 maxell Udxlii); Cassette Master (nakamichi Dr-1) > Korg Mr-1000 (1-bit 5.6mhz) > Audiogate (1-bit 5.6mhz > 16-bit 44.1khz) > Cdwav (edits); Recorded by Bob Morris w/ thanks to Sam R and Charlie Connor
3294	1980-05-07	Barton Hall, Cornell University	Ithaca	NY
Master Audience Cassette; Nakamichi CM700 + Nakamichi CM300 blend> Sony TC-D5M > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston
26349	1980-05-07	Barton Hall, Cornell University	Ithaca	NY
SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller
118940	1980-05-07	Barton Hall, Cornell University	Ithaca	NY
flac24; Recorded by Jim Wise; 2 Nakamichi CM-700s with shotguns> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
128832	1980-05-07	Barton Hall, Cornell University	Ithaca	NY
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
152801	1980-05-07	Barton Hall, Cornell University	Ithaca	NY
flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
152802	1980-05-07	Barton Hall, Cornell University	Ithaca	NY
flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
82434	1980-05-08	Glens Falls Civic Center	Glens Falls	NY
flac16; Master SDB Cassette > Cassette > DAT > CDR. Playback: CDR > Classic Portable CD Player > Panasonic EQ > Tascam CDRW 5000 Stand Alone CD Burner > CDR > increased the volume to acceptable levels and did some other tweaking > Flac frontend > flac; unknown relation to prior patched sbd in circulation
100243	1980-05-08	Glens Falls Civic Center	Glens Falls	NY
flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320 Maxell UDXLI);Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit 5.6MHz) >Audiogate 1-bit 5.6MHz > 16-bit 44.1KHz) > cdwav (edits); Recorded from Section 103, Row P, Seat 14 by Bob Morris with thanks to Sam R and Charlie Connor
100401	1980-05-08	Glens Falls Civic Center	Glens Falls	NY
flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
7538	1980-05-08	Glens Falls Civic Center	Glens Falls	NY
Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston; patched upgrade in circulation
15034	1980-05-08	Glens Falls Civic Center	Glens Falls	NY
Master Soundboard Cassette > Cassette > DAT> CDR (Primary Source) patched with the Jim Wise audience source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN; Patched by R.Carman
13189	1980-05-08	Glens Falls Civic Center	Glens Falls	NY
Updated lineage: Recording by Jim Wise: 3 nak 700's with cpu capsules at the sbd >Nak 550 taped by Jim Wise via Raoul Duke and the Miami SHN Machine
119061	1980-05-08	Glens Falls Civic Center	Glens Falls	NY
flac24; Recorded by Jim Wise; 2 Nakamichi CM-700s with shotguns> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
120093	1980-05-08	Glens Falls Civic Center	Glens Falls	NY
flac16; 3-Nak 700 Shotguns > Superscope CD-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
152803	1980-05-08	Glens Falls Civic Center	Glens Falls	NY
flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
152804	1980-05-08	Glens Falls Civic Center	Glens Falls	NY
flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
91938	1980-05-10	Hartford Civic Center	Hartford	CT
flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Dat -> Sound Forge -> WAV; Transfer Info: WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC
98724	1980-05-10	Hartford Civic Center	Hartford	CT
flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Recorded right beside the soundboard on the left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
83063	1980-05-10	Hartford Civic Center	Hartford	CT
flac16; Recording by Jim Wise: AUD Source: Three Nakamichi CM-300\'s > patched thru Nakamichi 550 > Sony TC-D5. Mics on a stand, next to the soundboard. Taped and transferred (MAC > CDR) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F
100248	1980-05-10	Hartford Civic Center	Hartford	CT
flac16; Source:(FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section B, Row R, Seat 12 by Bob Morris with thanks to Sam R and Charlie Connor
100402	1980-05-10	Hartford Civic Center	Hartford	CT
flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
7559	1980-05-10	Hartford Civic Center	Hartford	CT
Recording by Steve Rolfe: Nak 700's (was listed as Nak 300's) > Sony D5; Seeded to etree by Willy; upgrade in circulation
18158	1980-05-10	Hartford Civic Center	Hartford	CT
Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable) via Dave Minor, converted and shn'd by Marc Pujol and Matt Vernon
107544	1980-05-10	Hartford Civic Center	Hartford	CT
flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2010
107543	1980-05-10	Hartford Civic Center	Hartford	CT
flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2010
110830	1980-05-10	Hartford Civic Center	Hartford	CT
flac16; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg
110832	1980-05-10	Hartford Civic Center	Hartford	CT
flac24; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg
132517	1980-05-10	Hartford Civic Center	Hartford	CT
flac24; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
132518	1980-05-10	Hartford Civic Center	Hartford	CT
flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound Board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)Tagging(Tag & Re-name)Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
152805	1980-05-10	Hartford Civic Center	Hartford	CT
flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
152806	1980-05-10	Hartford Civic Center	Hartford	CT
flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
89577	1980-05-11	Cumberland County Civic Center	Portland	ME
flac16; SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller. This is a repatch and remaster of shn id 13087
33501	1980-05-11	Cumberland County Civic Center	Portland	ME
SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 - Patched version of the earlier soundboard version by Bill Tetzeli (upgrade in circulation). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
97523	1980-05-11	Cumberland County Civic Center	Portland	ME
flac24; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Audience Source: FOB Master Cassettes (MAC) Taped By: Barry Glassberg
97522	1980-05-11	Cumberland County Civic Center	Portland	ME
flac16; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Audience Source: FOB Master Cassettes (MAC) Taped By: Barry Glassberg
98929	1980-05-11	Cumberland County Civic Center	Portland	ME
flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding; Thanks to Joe B. Jones for pitch correction.
100250	1980-05-11	Cumberland County Civic Center	Portland	ME
flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
7539	1980-05-11	Cumberland County Civic Center	Portland	ME
Nak 300's>Sony D5>master cassette>DAT(3); Transfer by Frank Venezia; via JD Foltz; Seeded to etree by Willy; Note- d2t09 does not exist, this was a mistake in naming the files, the show is complete as is.
12259	1980-05-11	Cumberland County Civic Center	Portland	ME
SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 except for Brokedown, which is from an unknown AUD source; EAC and SHN'ed by terrapinstation ; patched upgrade in circulation
13087	1980-05-11	Cumberland County Civic Center	Portland	ME
Original SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR with patches from the etree Nak 300's> Sony D5>master cassette>DAT(3) source; see info file for details; patching done by Doug Nawrocki; upgrade in circulation
19266	1980-05-11	Cumberland County Civic Center	Portland	ME
Recording by Steve Rolfe: Nak 700's > Sony D5 recorded by Steve Rolfe from FOB left center about 40 feet from stage via David Minor, conversion and encoding by Marc Pujol and Matt Vernon
106615	1980-05-11	Cumberland County Civic Center	Portland	ME
flac24; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in Space patched (0:17-0:40) w/ ID 97523 Nak 700s. Recorded FOB from floor by Bob Morris.
107226	1980-05-11	Cumberland County Civic Center	Portland	ME
flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard". Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 04/2010
107227	1980-05-11	Cumberland County Civic Center	Portland	ME
flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard". Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010
126880	1980-05-11	Cumberland County Civic Center	Portland	ME
flac16; 2 Source Matrix By Dave Usborne;soundboard (shnid:89577); Transfers and Mastering By Charlie Miller;Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; Audience (shnid:98929);Recorded by Steve Rolfe;2 Nak 700s> Sony TC-D5;Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
152440	1980-05-11	Cumberland County Civic Center	Portland	ME
flac16/44 Microphones: Beyer M201c (worn in hat??) Recorder: Sony TC-D5 Maxell UDXLII no nr This Copy: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330\|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661\|24/48 SD Processing: SD\| Audacity \| cdwav editor \| TLH \| FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
152441	1980-05-11	Cumberland County Civic Center	Portland	ME
flac24/48 Recording Information: Microphones: Beyer M201c worn in hat Recorder: Sony TC-D5 Maxell UDXLII no nr This Copy: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330\|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661\|24/48 SD Processing: SD\| Audacity \| cdwav editor \| TLH \| FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
156013	1980-05-11	Cumberland County Civic Center	Portland	ME
flac2496 Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
156568	1980-05-11	Cumberland County Civic Center	Portland	ME
flac1644 Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156013 2496 > 1644.1
91931	1980-05-12	Boston Garden	Boston	MA
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation
92239	1980-05-12	Boston Garden	Boston	MA
flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931)
100251	1980-05-12	Boston Garden	Boston	MA
flac16; Source: Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
5922	1980-05-12	Boston Garden	Boston	MA
Recording by Steve Rolfe: Nak 700's > Sony TC158 Master Cassette, recorded by Steve Rolfe, front row balcony; A>D by Noah Weiner: AudMC > DAT > Soundforge normalizing and editing > CDWAV > SHN; via Audience Devotional Tree; tracked for 2x80
107021	1980-05-12	Boston Garden	Boston	MA
flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 04/2010
107022	1980-05-12	Boston Garden	Boston	MA
flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010
127287	1980-05-12	Boston Garden	Boston	MA
flac16; Matrix 70% sbd/30% aud; Soundboard source: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Professional v10.02 > Cool Edit Pro v2.0 > FLAC; All Transfers and Mastering By Charlie Miller and Audience source: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 16; Transfer by Andrew F.
157940	1980-05-12	Boston Garden	Boston	MA
flac1648 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
157941	1980-05-12	Boston Garden	Boston	MA
flac2496 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
3295	1980-05-14	Nassau Veterans Memorial Coliseum	Uniondale	NY
Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston
111028	1980-05-14	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris (from a not-so-good location -- sorry)
111136	1980-05-14	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Analog Audience Source: FOB Master Cassettes (MAC); Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > ? > flac/16; Taped By: Barry Glassberg
125962	1980-05-14	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac24; Recording by Jim Wise: Master Audience Cassette; 2 Nakamichi 700's with 1 Nakamichi 300 Blend> Nak 550> Sony D-5 at the SBD; Transfer and FLAC encoding by David Minches: October 25 2013; Master played back on: Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding
126608	1980-05-14	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; 2 source matrix by dusborne; Soundboard (shnid:3295) Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering by Scott Clugston and Audience (shnid:125962) Recording by Jim Wise: Master Audience Cassette 2 Nakamichi 700's with 1 Nakamichi 300 Blend> Nak 550> Sony D-5 at the SBD; Transfer and FLAC encoding by David Minches
141890	1980-05-14	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Source Info: Master Soundboard Cassettes > Reel to Reel > Dat > HHB-CDR 850 > EAC > Cool Edit Pro; This is a remaster of shnid 3295 from 2001
150723	1980-05-14	Nassau Veterans Memorial Coliseum	Uniondale	NY
FLAC 1644 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k) 2496 > 1644 using Wavelab 10.0 (resample, MBit+ dither) Recorded by Bob Wagner Mastered by Scott Clugston and Charlie Miller
150724	1980-05-14	Nassau Veterans Memorial Coliseum	Uniondale	NY
FLAC 2496 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k) Recorded by Bob Wagner Mastered by Scott Clugston and Charlie Miller
93426	1980-05-15	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
34721	1980-05-15	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; AUD Source: AUD MC > DAT > CDR > EAC > Cool Edit 2K > CDWave > SHN FM Patches: FM > CASS > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Edit: SHN > WAV > WaveMerge > Sound Forge > CDWave > FLAC (level 8)
12790	1980-05-15	Nassau Veterans Memorial Coliseum	Uniondale	NY
AUD> MC> DAT> CDR; via Alan Schlissel, with thanks to Paul B
103182	1980-05-15	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> 16/44.1
103183	1980-05-15	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac24;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert
126082	1980-05-15	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
126692	1980-05-15	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; 2 Source Matrix by dusborne; Soundboard (shnid:93426) Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:126082) Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
150725	1980-05-15	Nassau Veterans Memorial Coliseum	Uniondale	NY
FLAC 1644 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k) Tracking & 2496 > 1644: Wavelab 10.0 (resample, MBit+ dither) Recorded by Bob Wagner Mastered by Scott Clugston and Charlie Miller
150726	1980-05-15	Nassau Veterans Memorial Coliseum	Uniondale	NY
FLAC 2496 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k) Recorded by Bob Wagner Mastered by Scott Clugston and Charlie Miller
89473	1980-05-16	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Source 1: Master Soundboard Cassette > Cassette > DAT> CDR (shnid 7472) Supplies whole show up to half way through D3T5 Source 2: Recording: FM broadcast > cassette (TDK SA-90). Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC (shnid 34685) Supplies d3t7 Source 3: Unknown nth generation audience cassette > Sony TC-KE500S > TheCard > CoolEdit > shntool > FLAC Supplies end of D3T5 and all of D3T6 Seeded by Thomas Hempel 10-Jan-2008
111170	1980-05-16	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Source: FOB Audience Recording Media: MAC = Maxell UDXLII; Lineage: 2 x Nakamichi CM700 w/ EQ 26th Row Center> Sony TC-D5 (dolby encode) Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] > ? > flac16; Taped by: Barry Glassberg
100160	1980-05-16	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Source: 3 Nak 300's > NAK550 Lineage: MAUD>C>WAV>FLAC
7472	1980-05-16	Nassau Veterans Memorial Coliseum	Uniondale	NY
Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston
107187	1980-05-16	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Transfer: Master Cassette Transfer->RR ->Cassette Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
126104	1980-05-16	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s > Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding
126718	1980-05-16	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; 2 source matrix by Dusborne; Soundboard (shnid:89473) Source 1: Master Soundboard Cassette > Cassette > DAT> CDR (s101-s211) Source 2: Unknown nth generation audience cassette > Sony TC-KE500S > The Card > CoolEdit > shntool > FLAC (s211-s212) Source 3: FM broadcast > cassette (TDK SA-90). Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums and FLAC compression) > FLAC (s213) and Audience (shnid:126104) Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s > Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding
25993	1980-05-29	Des Moines Civic Center	Des Moines	IA
sets 1p,2; Nak 300, FOB right center of stage> Nak 550 > DAT, taper unknown; Transfer: DATs (48) > Sony 60ES > M-Audio Audiophile USB > CDWAV > Golwave minor edits and resampling > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman
14836	1980-05-29	Des Moines Civic Center	Des Moines	IA
Source: A:C:C:D > CDR via David Minches, shn encoding Matt Vernon
152534	1980-05-29	Des Moines Civic Center	Des Moines	IA
FLAC2496 Source Info: Roughly 10th row FOB master audience tapes from an Anonymous Benefactor, actual gear lost to the fog of memory Transfer Info: Transferred at 24 bit 96 kHz. Speed Correction by Jason Chastain Critical Listening and Track FLAC, Pack by Steven Gravel Mastering by Jamie Waddell FLAC Level 8 at 24 bit 96kHz
152539	1980-05-29	Des Moines Civic Center	Des Moines	IA
FLAC1648 Source Info: Roughly 10th row FOB master audience tapes from an Anonymous Benefactor, actual gear lost to the fog of memory Transfer Info: Transferred at 24 bit 96 kHz. Speed Correction by Jason Chastain Critical Listening and Track FLAC, Pack by Steven Gravel Mastering by Jamie Waddell 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither
152540	1980-05-29	Des Moines Civic Center	Des Moines	IA
FLAC1644 Source Info: Taper's Section Set Two SBD MP3 patched with GEMS AUD Source ID 152534 Transfer Info: Transferred at 16 bit 44.1 kHz Mastering by Jamie Waddell FLAC Level 8
91932	1980-05-30	Milwaukee Auditorium	Milwaukee	WI
flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
92217	1980-05-30	Milwaukee Auditorium	Milwaukee	WI
flac16 Recording Info:Set 1: SBD -> ? -> 5th Gen Cassette Set 2: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Set 1: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) ->Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; Set 2: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC/16; Set 1 Transferred By Charlie Miller; Set 2 Transferred By Rob Eaton; All Mastering By Charlie Miller
14837	1980-05-30	Milwaukee Auditorium	Milwaukee	WI
Source: A:C:C:D > CDR via David Minches shn encoding Matt Vernon
128381	1980-05-30	Milwaukee Auditorium	Milwaukee	WI
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
91763	1980-05-31	Metropolitan Sports Center	Bloomington	MN
flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
11927	1980-05-31	Metropolitan Sports Center	Bloomington	MN
AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy
34685	1980-05-??	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; FM broadcast > cassette (TDK SA-90) > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums and FLAC compression) > FLAC
144275	1980-05-??	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac24; FM Broadcast (King Biscuit Flower Hour); 7" Reel @ 3.75 ips; Transfer Info: 7" 3.75 ips reel (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496
144274	1980-05-??	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16/48kHz; FM Broadcast (King Biscuit Flower Hour); 7" Reel @ 3.75 ips; Transfer Info: 7" 3.75 ips reel (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
100252	1980-06-05	Compton Terrace Amphitheatre	Tempe	AZ
flac16; Source: (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
4663	1980-06-05	Compton Terrace Amphitheatre	Tempe	AZ
FOB (Sennheiser 421's)> Master Cassette> DAT> CDR> EAC> SHN; Processed with DCArt Millenium software; DAE (EAC) and SHN Encoding by Jeff M.; tracked for 2x80; missing encore
106616	1980-06-05	Compton Terrace Amphitheatre	Tempe	AZ
flac24; (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris. Transfer (Jul 09) and 24/96 edit/patch (Dec 09) by Bob Morris.
141714	1980-06-05	Compton Terrace Amphitheatre	Tempe	AZ
flac24; Set 2 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
141902	1980-06-05	Compton Terrace Amphitheatre	Tempe	AZ
flac16; Set 2 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
88451	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90) All Transfers and Mastering By Charlie Miller
31348	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
flac16; mac > 1st gen cass > cdr > eac > flac; tapes provided by Jeff "Mr Tapes" Maas (1980); transfer by Paul "ESPN" Epstein (2005); via SIRMick
96567	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole at soundboard> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
100253	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
flac16; Source: Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except d3t01-d3t12: UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
11533	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
Aud>?>CD; Distortion throughout post drums segment; via Tom G; Seeded to etree by Willy
128414	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
142841	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
flac24; Set 1 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496
142842	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
flac16/48kHz; Set 1 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
144747	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
144748	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
155700	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
155701	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
157131	1980-06-07	Folsom Field, University Of Colorado	Boulder	CO
flac2448; Source: Unknown mics & deck > Maxell XLII's (low-gen or possible master) via Richie & Rip. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2022
88452	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90) All Transfers and Mastering By Charlie Miller
100260	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
7193	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
Recording by Rob Eaton: FOB Senn 421's> Nak 550 Cm> DAT> CD> EAC> Soundforge4> SHN; Recorded By Rob Eaton; includes alternate AUD patches (see info for notes and flaws); stemming from DNC tree Round 9 (1/01); via Tome
7563	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
Master Audience Cassette; Sennheiser 421 mics > Sony D5> DAT> CDR, CD Mastering by Scott Clugston, EAC'ed / SHN'ed by Scott Clugston, Posted to abgd via Charlie Connor
128415	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
142843	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
flac24; Set 2 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496
142844	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
flac16/48kHz; Set 2 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
144749	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
144750	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
152600	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
152601	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
155741	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
FLAC 2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
155742	1980-06-08	Folsom Field, University Of Colorado	Boulder	CO
FLAC 1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
100261	1980-06-12	Portland Memorial Coliseum	Portland	OR
flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from the left-side riser by Bob Morris
7007	1980-06-12	Portland Memorial Coliseum	Portland	OR
set 2; Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; Shn'ed by Scott Clugston
11361	1980-06-12	Portland Memorial Coliseum	Portland	OR
AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
104967	1980-06-12	Portland Memorial Coliseum	Portland	OR
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nakamichi cm700 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> WAV [16/44.1] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0108 16/44.1
141798	1980-06-12	Portland Memorial Coliseum	Portland	OR
flac24; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
141805	1980-06-12	Portland Memorial Coliseum	Portland	OR
flac16; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
150005	1980-06-12	Portland Memorial Coliseum	Portland	OR
flac24; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fixes the out of phase left channel on source ID 141798
150233	1980-06-12	Portland Memorial Coliseum	Portland	OR
flac16; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fixes the out of phase left channel on source ID 141798, this file set is 16 bit @ 44.1
91220	1980-06-13	Seattle Center Arena	Seattle	WA
flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
100259	1980-06-13	Seattle Center Arena	Seattle	WA
flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except: d3t03-d3t08 UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded "extreme fob" at the stage barricade, center, by Bob Morris
7196	1980-06-13	Seattle Center Arena	Seattle	WA
Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston
141725	1980-06-13	Seattle Center Arena	Seattle	WA
flac24 Analog Audience Source: Nak CM700 on 10' stand > Sony TC D5 > DFC FOB Medium Stock Brands: Maxell UDXL II Cassettes Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz
144768	1980-06-13	Seattle Center Arena	Seattle	WA
flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 35' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
144767	1980-06-13	Seattle Center Arena	Seattle	WA
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 35' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
155743	1980-06-13	Seattle Center Arena	Seattle	WA
flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90, except Sugar Magnolia and Alabama Getaway-Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
155744	1980-06-13	Seattle Center Arena	Seattle	WA
flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90, except Sugar Magnolia and Alabama Getaway-Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
91362	1980-06-14	Spokane Coliseum	Spokane	WA
flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 50' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
100258	1980-06-14	Spokane Coliseum	Spokane	WA
flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
7198	1980-06-14	Spokane Coliseum	Spokane	WA
Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston
105537	1980-06-14	Spokane Coliseum	Spokane	WA
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nakamichi cm700 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe MOTB Release: 0030 16/44.1
106617	1980-06-14	Spokane Coliseum	Spokane	WA
flac24; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded by Bob Morris. Transfer (Jul 09) and edit/patch (Dec 09) by Bob Morris.
144771	1980-06-14	Spokane Coliseum	Spokane	WA
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 50' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
144772	1980-06-14	Spokane Coliseum	Spokane	WA
flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 50' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
155813	1980-06-14	Spokane Coliseum	Spokane	WA
flac16/48 Set 2 only. Source Info: Scott Wiseman's Master Audience Cassette; AKG SE-5E mics with CE-1 cardioid capsules (center, behind soundboard, 11' stand) > Sony TC-D5 (TDK SA 90, except One More Saturday Night encore - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
155814	1980-06-14	Spokane Coliseum	Spokane	WA
flac24/96 Set 2 only. Source Info: Scott Wiseman's Master Audience Cassette; AKG SE-5E mics with CE-1 cardioid capsules (center, behind soundboard, 11' stand) > Sony TC-D5 (TDK SA 90, except One More Saturday Night encore - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
89125	1980-06-19	West High Auditorium	Anchorage	AK
flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs + 1 Maxell UD XL-I) Recorded from Row M, Seat 12, Left Side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
80631	1980-06-19	West High Auditorium	Anchorage	AK
flac 16; Source: SBD -> Cassette Master; Transfer Info: Cassette Master -> Sonic Solutions -> SBM2 -> CD; Mastering Info: CD -> Samplitude Professional v8.01 -> FLAC; Cassette Masters supplied by Richard Hale; Transferred By David Gans; Patch Source Recorded By Mark Severson; Additional Mastering By Charlie Miller
80127	1980-06-19	West High Auditorium	Anchorage	AK
flac16; Recording Info: SBD -> Cassette Master Transfer Info: Cassette Master -> Sonic Solutions -> SBM2 -> CD Mastering Info: CD -> Samplitude Professional v8.01 -> FLAC; upgrade in circulation
10056	1980-06-19	West High Auditorium	Anchorage	AK
SBD>MC>??>DAT>CDR; via paul B; Seeded to etree by Willy; upgrade in circulation
113300	1980-06-19	West High Auditorium	Anchorage	AK
flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller
144905	1980-06-19	West High Auditorium	Anchorage	AK
flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, Row M, Seat 12, left side) > Sony TC-D5(2 Maxell XLII's, 1 Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
144904	1980-06-19	West High Auditorium	Anchorage	AK
flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, Row M, Seat 12, left side) > Sony TC-D5(2 Maxell XLII's, 1 Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
153162	1980-06-19	West High Auditorium	Anchorage	AK
flac16/44 flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 113300 & 144904.
156396	1980-06-19	West High Auditorium	Anchorage	AK
Matrix created in Adobe Audition by Joe Noel Source 1; 144904 Source Info: Mark Severson's Master (fob) Audience Cassettes; Nakamichi 700 Mics (mounted On Pole, Row M, Seat 12, Left Side) February 2019 Source 2; 113300 Recording Info: Sbd > Cassette Master > Sonic Solutions > Sbm-2 > Cd
89188	1980-06-20	West High Auditorium	Anchorage	AK
flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row J, Seat 2, Right Side; 25' from stage Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
92783	1980-06-20	West High Auditorium	Anchorage	AK
flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
1474	1980-06-20	West High Auditorium	Anchorage	AK
set 1; analog SBD -> Processed in Sound Forge 4.0 -> CDR; Generation Unknown; had been around for a while as data wavs in abgd circles, now shned by James Hicks; note most tracks have more than 1 song; upgrade in circulation
73846	1980-06-20	West High Auditorium	Anchorage	AK
flac16; SBD > MC > SS > SBM2 > CDA> WAV(EAC) > SHN > DAW(Bertha) > CDA/SHN > CE2k > FLAC [pitch corrected version of shn id 25468 by Bill Tetzeli]. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
13532	1980-06-20	West High Auditorium	Anchorage	AK
both sets; SBD> MC> 1C> WAV (via SBLive)> CDR; Conversion/Editing: SBLive!> COOLEDIT2000 (Noise reduction, tracking at sector boundaries and bass boost)> mkwACT> SHN; via Brian Donohue; see editing notes in info file; upgrade in circulation
17268	1980-06-20	West High Auditorium	Anchorage	AK
SBE-fixed version of previous source: Source: SBD>MC>1C>CD-R CONVERSION: SBLIVE>COOLEDIT2000>mkwACT>SHN Mastered, edited, and shn'd from first gen cassette by Brian Donohue, Kodiak, Alaska. ; upgrade in circulation
25468	1980-06-20	West High Auditorium	Anchorage	AK
SBD>>MC>>SS>SBM2>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN via Jay Ashley
25469	1980-06-20	West High Auditorium	Anchorage	AK
Recording Info: SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN (3 Discs Audio / 2 Discs SHN)Patch Info: Patches in Let It Grow and Drums supplied By AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN via Charlie Miller
20205	1980-06-20	West High Auditorium	Anchorage	AK
Recording by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck via John Gaetzi encoded by Matt Vernon
113301	1980-06-20	West High Auditorium	Anchorage	AK
flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller
141724	1980-06-20	West High Auditorium	Anchorage	AK
flac24 Analog Audience Source: Nakamichi CM700 > Sony TC D5 > Front Row Loge (Next to Healy & soundboard) Medium Stock Brands: Maxell UDXL II Cassettes Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz
144906	1980-06-20	West High Auditorium	Anchorage	AK
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on pole 25' from stage, right side, Row J Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
144907	1980-06-20	West High Auditorium	Anchorage	AK
flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on pole 25' from stage, right side, Row J Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
156397	1980-06-20	West High Auditorium	Anchorage	AK
Matrix Created In Adobe Audition By Joe Noel March 04, 2022Source 1; 144906 Source Info: Mark Severson's Master (fob) Audience Cassettes; Nakamichi 700 Mics (mounted On Pole 25' From Stage, Right Side, Row J Seat 2) Source 2; 113301 Recording Info: Sbd > Cassette Master > Sonic Solutions > Sbm-2 > Cd
89214	1980-06-21	West High Auditorium	Anchorage	AK
flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row M, Seat 2, Right Center Floor Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
32228	1980-06-21	West High Auditorium	Anchorage	AK
flac16; DTS-Audio-CD 5.1 Mix of SBD Cassette Master> Sonic Solutions (20bit) (shn id 27448) and AUD AKG 414 stereo mic -> Sony TC-158 deck (shn id 23531) note: info file now reflects tracking for 80 minutes CDs
74407	1980-06-21	West High Auditorium	Anchorage	AK
flac16; Repatched fix of shn id 8639 - Master Soundboard Cassette > Reel To Reel > DAT> CDR by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
28475	1980-06-21	West High Auditorium	Anchorage	AK
flac24; DVD-A 24/44 SBD+AUD Matrix Mix - 24 bit version of other Matrix source by Dan.
28470	1980-06-21	West High Auditorium	Anchorage	AK
flac16; SBD/AUD Matrix Mix (60%-SBD/40%-AUD) SBD source: Soundboard > Cassette Master > Sonic Solutions (20bit) > Sony SBM2 > Master CD > EAC > FLAC (shn id 27448); AUD source: Source: AKG 414 stereo mic -> Sony TC-158 deck, Taper: Eddie Claridge (shn id 23531). SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix. Mixed by dan@am-dig.com. note: info file now reflects tracking for 80 minutes CDs
27448	1980-06-21	West High Auditorium	Anchorage	AK
flac 16; Soundboard> Cassette Master> Sonic Solutions (20bit)> SBM2> Master CD> EAC> FLAC. Cassette Masters provided by Richard Hale, Transfer and patch by David Gans, FLAC and upload by Joe Samaritano
321	1980-06-21	West High Auditorium	Anchorage	AK
SBD -> ?? -> DAT(2) -> CDR; transfer: Sony PCM-M1 -> coaxial SRC -> Marantz CDR630 ->? Astarte CD-Copy 2.0.3 -> AIFF -> SoundApp (WAVE) -> SHN; seed via J. Wise et al; transfer by Dan M.; d1t1, Random digi-noise/distortion for first 45 seconds; d1t6,? Major Splice is on Master; d2t3, 1st Verse is missing; see additional flaw note about d2t7 in pub comments; upgrade in circulation
8639	1980-06-21	West High Auditorium	Anchorage	AK
Sources:Primary Source:Master Soundboard Cassette > Reel To Reel > DAT> CDR; Secondary Source:Master Audience Cassette; AKG 414 mics source supplies the "Announcements/Intro", portions of "Sugaree", "Loser", "Big Railroad Blues" "Drums". Patching/CD Mastering & shn'ed by Scott Clugston; To fungus and abgd via Charlie Connor ; upgrade in circulation
23531	1980-06-21	West High Auditorium	Anchorage	AK
Source: Recorded by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck Lineage: MAC > [DAT?] > CDR (no intermediate cassette generations) Encoding: EAC(secure) > Cool Edit Pro > CDWAV > shntool > mkwact > SHN(seekable) by Matt Vernon via John Gaetzi
27590	1980-06-21	West High Auditorium	Anchorage	AK
Bertha Remaster of Master Soundboard Cassette Source
112150	1980-06-21	West High Auditorium	Anchorage	AK
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
113302	1980-06-21	West High Auditorium	Anchorage	AK
flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller
144908	1980-06-21	West High Auditorium	Anchorage	AK
flac1648 Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, right center, Row M Seat 2) > Sony TC-D5 (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
144909	1980-06-21	West High Auditorium	Anchorage	AK
flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, right center, Row M Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
156398	1980-06-21	West High Auditorium	Anchorage	AK
Matrix Created In Adobe Audition By Joe Noel Source 1; 144908 Source Info: Mark Severson's Master (fob) Audience Cassettes; Nakamichi 700 Mics (mounted On Pole 25' From Stage, Right Side, Row M Seat 2) > Sony Tc-d5 (maxell Xlii) Source 2; 113302 Recording Info: Sbd > Cassette Master > Sonic Solutions > Sbm-2 > Cd
88977	1980-06-29	Pauley Pavilion, UCLA	Los Angeles	CA
flac24; Set 2 Only Ambient master recording by Mase Senn MD421 n.c. -> Sony TC-D5 w/ Maxell XLII 90 Master Maxell XLII cassette - TC-D5 -> Teac A100 casette deck 1st gen copy w/ TC-D5M no n.r. line-out -> Sound Devices 722 @ 24bit 48khz by mfrench track split by Sound Studios 2.2.4, with some "dead-air" removed at tape flip points, with no other edits
88976	1980-06-29	Pauley Pavilion, UCLA	Los Angeles	CA
flac16; Set 2 Only Ambient master recording by Mase Senn MD421 n.c. -> Sony TC-D5 w/ Maxell XLII 90 Master Maxell XLII cassette - TC-D5 -> Teac A100 casette deck 1st gen copy w/ TC-D5M no n.r. line-out -> Sound Devices 722 @ 24bit 48khz by mfrench track split by Sound Studios 2.2.4, with some "dead-air" removed at tape flip points, with no other edits dither to 44.1 kHz
10057	1980-06-29	Pauley Pavilion, UCLA	Los Angeles	CA
2nd set; SBD>MC>??>DAT>CDR; Missing Sunshine Daydream & US Blues; via Paul B; Seeded to etree by Willy
16438	1980-06-29	Pauley Pavilion, UCLA	Los Angeles	CA
set 1; SBD > ? > C > CDR; via Joey Browning, encoded by Matt Vernon
29917	1980-06-29	Pauley Pavilion, UCLA	Los Angeles	CA
flac16; Unknown Mikes> Sony D5 (Maxel XL2s) (master cassette)> Denon DRW-840G (Maxel XL2s) (1st gen cassette)> sony PCM-R300 (via sony 750es & monster interlink cables) (1st DAT gen) > HD (via CTD8000H-S SGI/Seagate Audio Capable DDS-2 DAT running dat2wav) > cdwav 1.54> converted to .flac w/ dbpowerAMP 11 using FLAC codec 1.1.2)
128523	1980-06-29	Pauley Pavilion, UCLA	Los Angeles	CA
flac16; Recorded by Mason Taylor; set one master tape; set two first generation safety copy
9361	1980-07-01	San Diego Sports Arena	San Diego	CA
sbd>?>dat; there are splices from an unknown source at Althea and also for the encore; Seeded to etree by Brian Cole
125844	1980-07-01	San Diego Sports Arena	San Diego	CA
flac16; Source: SBD > ? > DAT, however there are clearly multiple sources patched together; Conversion: My DAT > Tascam DA-20 S/PDIF > M-Audio Audiophile S/PDIF > Total Recorder (PC) (44.1/16-bit) > WAV > Split with CDWave > Encode to FLAC (Traders Little Helper); Conversion: Justin Mason
136754	1980-07-01	San Diego Sports Arena	San Diego	CA
flac16; Source: Unknown AUD, from the collection of Brian Schley. Transfer: Old TDK SA90s > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
137885	1980-07-01	San Diego Sports Arena	San Diego	CA
flac16: unknown audience recording from collection of CC Transfer: first gen cassette > VHS HiFi > HK CDR2 > FLAC
139308	1980-07-01	San Diego Sports Arena	San Diego	CA
flac16; source: sbd; Jerry Moore’s 2nd gen cassettes; maxell udxlII90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transfer & seeded by Rob Berger
139309	1980-07-01	San Diego Sports Arena	San Diego	CA
flac24; source: sbd; Jerry Moore’s 2nd gen cassettes; maxell udxlII90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transfer & seeded by Rob Berger
141396	1980-07-01	San Diego Sports Arena	San Diego	CA
flac16; Source Info: Master Soundboard Cassettes > ?? > Reel to Reel > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
88959	1980-08-16	Southern Illinois University	Edwardsville	IL
flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
128616	1980-08-16	Southern Illinois University	Edwardsville	IL
flac16; Set 1 & Partial Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; the original version had sector boundary errors; don't circulate the original version
20137	1980-08-16	Southern Illinois University	Edwardsville	IL
Recording by Joani Walker: FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR via Paul Scotton, tracking & tweaking by Scott Clugston, SHN encoding by Andy Lemieux ; upgrade in circulation
14044	1980-08-16	Southern Illinois University	Edwardsville	IL
Source: MAC>DAT>CDR & MAC>Cass. x ?>DAT>CDR via Andy Lemieux shn encoding by Matt Vernon
93037	1980-08-17	Kansas City Municipal Auditorium	Kansas City	MO
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
12107	1980-08-17	Kansas City Municipal Auditorium	Kansas City	MO
AUD>?>CD; via Paul B; Seeded to etree by Willy
88172	1980-08-19	Uptown Theater	Chicago	IL
flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> ? -> Dat (48k) Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.11 -> FLAC Set 2: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
28043	1980-08-19	Uptown Theater	Chicago	IL
set 2p; SBD > Cass(m) > Cass > reel > DAT; conversion: fostex d-5 > zoltrix nightingale > cdwave (resample to 44.1khz, tracking) > shn; upgrade in circulation
8739	1980-08-19	Uptown Theater	Chicago	IL
Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy
127497	1980-08-19	Uptown Theater	Chicago	IL
flac24; Set 1 Recorded 1st row balcony Sennheiser 421>Sony TCD-5M>Nak 550; Patched into Neil (aka froggy RIP); transfered by Richie Stankiewicz; 1st Gen>DAT Cakewalk UA-1G
131445	1980-08-19	Uptown Theater	Chicago	IL
flac16; Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
140366	1980-08-19	Uptown Theater	Chicago	IL
flac16/48kHz; Set 2 Audience Cassette of unknown lineage > PC > Soundforge

Live Concert Database