Sources for Grateful Dead

SHNIDDateVenueCityStateArchive Identifier
212641983-01-24Stone House StudioNovatoCA
Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
212651983-01-31Stone House StudioNovatoCA
Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
212661983-02-01Stone House StudioNovatoCA
Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
212701983-02-06Stone House StudioNovatoCA
Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
212691983-03-14Club Front - RehearsalsSan RafaelCA
Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
235721983-03-25Compton Terrace AmphitheatreTempeAZ
SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN;Patched with 3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN; Patched and Edited By Charlie Miller
73501983-03-25Compton Terrace AmphitheatreTempeAZ
FOB>3 Senn. 421's>MC>DAT>CD; via Tom Eliason; Seeded to etree by Willy
1343701983-03-25Compton Terrace AmphitheatreTempeAZ
flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015
1343711983-03-25Compton Terrace AmphitheatreTempeAZ
flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015
1395961983-03-25Compton Terrace AmphitheatreTempeAZ
flac16; Source Info: Master FOB Audience PCM; (3)Sennheiser 421 mics; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Adobe Audition 3.0> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
1413551983-03-25Compton Terrace AmphitheatreTempeAZ
flac16/44.1 Recording Information Master AUD Cassette: Nakamichi 300's >Sony TCD5> 3rd in line Sony TCD5M|TDK MA-C90 Location: 75 ft from stacks DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by: Kyle Holbrook Transferred: Kyle Holbrook
1413561983-03-25Compton Terrace AmphitheatreTempeAZ
flac24/48 Recording Information Master AUD Cassette: Nakamichi 300's >Sony TCD5> 3rd in line Sony TCD5M|TDK MA-C90 Location: 75 ft from stacks DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by: Kyle Holbrook Transferred: Kyle Holbrook
1488011983-03-25Compton Terrace AmphitheatreTempeAZ
flac16; Source Info: Master Soundboard Cassette > Cassette > PCM; Transfer Info: PCM (unknown equipment) > .wav (16/44.1) > Adobe Audition 2019 > TLH flac16
1576551983-03-25Compton Terrace AmphitheatreTempeAZ
flac1648 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1576561983-03-25Compton Terrace AmphitheatreTempeAZ
flac2496 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1671061983-03-25Compton Terrace AmphitheatreTempeAZ
flac1648 Ken Kelley's Master Audience Cassettes; Nakamichi 700 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90) Transfer Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > TLH 2496
1671071983-03-25Compton Terrace AmphitheatreTempeAZ
flac2496 Ken Kelley's Master Audience Cassettes; Nakamichi 700 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90) Transfer Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > TLH 2496
810921983-03-26Aladdin TheaterLas VegasNV
flac16; Recording Info: (FOB) Neumann KM54 -> Cassette Master -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
112601983-03-26Aladdin TheaterLas VegasNV
AUD>MC>DAT>CDR KM 54?s; via the Retired General; Seeded to etree by Ernie Dodd
796051983-03-26Aladdin TheaterLas VegasNV
flac16; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > *Adobe AUdition 1.5 > shntool > FLAC lvl8
796061983-03-26Aladdin TheaterLas VegasNV
flac16/48; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > Adobe Audition 1.5 > shntool > FLAC lvl8
1373711983-03-26Aladdin TheaterLas VegasNV
flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS, mics clamped to balcony rail center, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016
1403151983-03-26Aladdin TheaterLas VegasNV
flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
1413521983-03-26Aladdin TheaterLas VegasNV
flac16/44.1 Recording Info: First set: Unknown mics-> Sony PCMF1->Analog out-> Sony TCD5M (4th in line) Maxell XLII90 Dolby B on; 18th row DFC Second Set: JVC HM 200E Binaural headphone microphones worn on head >>Sony TCD5M; Maxell XLII 90, Dolby B on; 100 feet from stage DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Kyle Holbrook Transferred & Processed: Kyle Holbrook
1413531983-03-26Aladdin TheaterLas VegasNV
flac24/48 Recording Info: First set: Unknown mics-> Sony PCMF1->Analog out-> Sony TCD5M (4th in line) Maxell XLII90 Dolby B on; 18th row DFC Second Set: JVC HM 200E Binaural headphone microphones worn on head >>Sony TCD5M; Maxell XLII 90, Dolby B on; 100 feet from stage DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Kyle Holbrook Transferred & Processed: Kyle Holbrook
1576571983-03-26Aladdin TheaterLas VegasNV
flac1648 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1576581983-03-26Aladdin TheaterLas VegasNV
flac2496 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
112611983-03-27Irvine MeadowsIrvineCA
AUD> MC> DAT> CDR Senn 421s; via Paul; Seeded to etree by Ernie Dodd
1403161983-03-27Irvine MeadowsIrvineCA
flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
1427671983-03-27Irvine MeadowsIrvineCA
flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassettes > Technics Reel to Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.0 > TLH flac1648; This is a patched and pitch corrected version of shnid 140316
1427681983-03-27Irvine MeadowsIrvineCA
flac16/48kHz; Recording Info: Master Soundboard Cassettes > Cassette > Dat 16/48; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.0 > TLH flac1648
1427691983-03-27Irvine MeadowsIrvineCA
flac16; Source Info: Master Audience Cassettes; Sennheiser 421 mics > unknown deck > Dat > CDR, Eac > Cool Edit > shntool > cdwav >shnv3 EAC >shn; Re-Mastered by Scott Clugston; This is a pitch corrected and re-mastered version of shnid 11261
1622371983-03-27Irvine MeadowsIrvineCA
flac1648 ource Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1622391983-03-27Irvine MeadowsIrvineCA
flac2496 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
112621983-03-29Warfield TheaterSan FranciscoCA
AUD>MC>CDR Paul Hogan, 1st row behind SBD, Senn 441?s>Sony D-6; via Paul B; Seeded to etree by Ernie Dodd
1372691983-03-29Warfield TheaterSan FranciscoCA
flac16; Source: AUD from the Brian Schley tape collection (see note). Transfer: Maxell XLII 90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016
1622401983-03-29Warfield TheaterSan FranciscoCA
flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MAR-90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1622421983-03-29Warfield TheaterSan FranciscoCA
flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MAR-90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1396811983-03-30Warfield TheaterSan FranciscoCA
flac16 44.1khz Source Info: Sennheiser 441-> Cassette-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
770811983-03-30Warfield TheaterSan FranciscoCA
flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller
109191983-03-30Warfield TheaterSan FranciscoCA
SBD>CM>Cassette x1>DAT>CDRx2; Seeded to etree by Jim Bennett ; upgrade in circulation
1372431983-03-30Warfield TheaterSan FranciscoCA
flac16; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII-90, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016
1622441983-03-30Warfield TheaterSan FranciscoCA
flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1622451983-03-30Warfield TheaterSan FranciscoCA
flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
770861983-03-31Warfield TheaterSan FranciscoCA
flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
323061983-03-31Warfield TheaterSan FranciscoCA
flac16; SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller ; upgrade in circulation
322961983-03-31Warfield TheaterSan FranciscoCA
SBD > C(x5) > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, checksums, Flac compression) > bt.etree 01/06. ; upgrade in circulation
940161983-03-31Warfield TheaterSan FranciscoCA
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
181121983-03-31Warfield TheaterSan FranciscoCA
(FOB) Sennheiser 421 -> Cm (Sony D5) -> Dat via Charlie Miller
1622631983-03-31Warfield TheaterSan FranciscoCA
flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1622641983-03-31Warfield TheaterSan FranciscoCA
flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
931451983-04-09Hampton ColiseumHamptonVA
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN -> WAV -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
971091983-04-09Hampton ColiseumHamptonVA
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
91991983-04-09Hampton ColiseumHamptonVA
Senn 421 mics > Sony TC-D5 > MAC > DAT > CD; via Tiger-Rose; Seeded to etree by Sean Cribbs
141901983-04-09Hampton ColiseumHamptonVA
Audience Recording: Sennheiser 441-->Sony D6 Note: Track 1 is incomplete; posted to abgd
277031983-04-09Hampton ColiseumHamptonVA
SBD> Master Cassette> Reel> Dat (48k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Rob Eaton's FOB Senn 441 source; Transferred, Edited and Patched By Charlie Miller
1351901983-04-09Hampton ColiseumHamptonVA
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1351911983-04-09Hampton ColiseumHamptonVA
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
1370371983-04-09Hampton ColiseumHamptonVA
flac24; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2016
1370381983-04-09Hampton ColiseumHamptonVA
flac16; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2016
1416121983-04-09Hampton ColiseumHamptonVA
flac16/44.1 Source Audience Recording: Beyer M 201c Location: 60 feet from stage|DFC Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by Kyle Holbrook
1416131983-04-09Hampton ColiseumHamptonVA
flac24/48 Source Audience Recording: Beyer M 201c Location: 60 feet from stage|DFC Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by Kyle Holbrook
1416141983-04-09Hampton ColiseumHamptonVA
flac16/44.1 Source Audience Recording: JVC200E Binaural headphone microphones Location: 60 feet from stage|DFC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook
1416151983-04-09Hampton ColiseumHamptonVA
flac24/48 Source Audience Recording: JVC200E Binaural headphone microphones Location: 60 feet from stage|DFC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook
1454661983-04-09Hampton ColiseumHamptonVA
flac16/48kHz; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1454671983-04-09Hampton ColiseumHamptonVA
flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
1636331983-04-09Hampton ColiseumHamptonVA
flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1636341983-04-09Hampton ColiseumHamptonVA
flac2496 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1622651983-04-09Hampton ColiseumHamptonVA
flac1648 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1622661983-04-09Hampton ColiseumHamptonVA
flac2496 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1400841983-04-10West Virginia University ColiseumMorgantownWV
flac24; aud cassette master, nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
141911983-04-10West Virginia University ColiseumMorgantownWV
Audience Recording: Sennheiser 441-->Sony D6; posted to abgd
165791983-04-10West Virginia University ColiseumMorgantownWV
Set 1 SBD > PCM > Dat x 2 > CDR > SHN; Set 2 SBD > Cassette Master > Dat x 2 > CDR > SHN; via Bob Harrell; drgseeds
99931983-04-10West Virginia University ColiseumMorgantownWV
KG 581?s>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
1302791983-04-10West Virginia University ColiseumMorgantownWV
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
1302821983-04-10West Virginia University ColiseumMorgantownWV
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1376761983-04-10West Virginia University ColiseumMorgantownWV
flac24; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
1376771983-04-10West Virginia University ColiseumMorgantownWV
flac16; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
1400851983-04-10West Virginia University ColiseumMorgantownWV
flac16; aud cassette master, nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
1416301983-04-10West Virginia University ColiseumMorgantownWV
flac16/44.1 Source Audience Recording: JVC200E Binaural headphone microphones Location: 80 feet from stage|Right corner of SBD ~ 20' ROC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook
1416311983-04-10West Virginia University ColiseumMorgantownWV
flac24/48 Source Audience Recording: JVC200E Binaural headphone microphones Location: 80 feet from stage|Right corner of SBD ~ 20' ROC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook
1626971983-04-10West Virginia University ColiseumMorgantownWV
flac1648 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics (15th row, center) > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1626981983-04-10West Virginia University ColiseumMorgantownWV
flac2496 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics (15th row, center) > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
308081983-04-12Broome County ArenaBinghamtonNY
flac16; Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC
939611983-04-12Broome County ArenaBinghamtonNY
flac16; MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell UDXL II C90 Taper: Rick "Coyote" Colyard. Transferred and mastered by Alex Ford.
97641983-04-12Broome County ArenaBinghamtonNY
2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
99471983-04-12Broome County ArenaBinghamtonNY
Jim Wise recording, FOB Sennheuser 421s>Sony D5>DAT>CDR; Seeded to etree by Darrin Sacks
100751983-04-12Broome County ArenaBinghamtonNY
SBD>PCM>DAT>CDR; with aud patches; See info file for details; via Rick Martin, Willy, and Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation
172641983-04-12Broome County ArenaBinghamtonNY
Primary source: SBD > Cassette master > Dats > CDR > SHN. Patch source: FOB Sennheuser 421s > Sony D5 > DAT > CDR. via drgseeds; upgrade in circulation
1031661983-04-12Broome County ArenaBinghamtonNY
flac24; nakamichi 300 > tcd5m (udxl IIs, dolby on, @ soundboard) > master cassette/tcd5m (original recorder, +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)
1373561983-04-12Broome County ArenaBinghamtonNY
flac16; nakamichi 300 > tcd5m (udxl IIs, dolby on, @ soundboard) > master cassette/tcd5m (original recorder, +dolby) > minime (24/96) > sd744t > audacity > xact (flac24), 24bits > 16bits with r8brain; recorded by david barfield and david lane
1242531983-04-12Broome County ArenaBinghamtonNY
flac16; 3 Source Matrix by Dusborne: Soundboard (shnid:17264) Set 1 SBD > Cassette master > Dats > CDR > SHN by drgseeds, Soundboard (shnid:30808) Set 2 Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller and Audience (shnid:93961) Source: MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell UDXL II C90 Location: 20th Row center. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford.
1349981983-04-12Broome County ArenaBinghamtonNY
flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Fuji Metal (S1) and TDK MA-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016
1385601983-04-12Broome County ArenaBinghamtonNY
flac16/48kHz; Unknown Taper (FOB): Sennheiser 421 > cassette master* > dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack : Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
1400471983-04-12Broome County ArenaBinghamtonNY
flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston
1400861983-04-12Broome County ArenaBinghamtonNY
flac16; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
1400871983-04-12Broome County ArenaBinghamtonNY
flac24; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
1416321983-04-12Broome County ArenaBinghamtonNY
flac16/44.1 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA (TP,OJ,MY,KH) Marked as patched out of Jim Wise. Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by: Kyle Holbrook
1416331983-04-12Broome County ArenaBinghamtonNY
flac24/48 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA (TP,OJ,MY,KH) Marked as patched out of Jim Wise. Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by: Kyle Holbrook
1636371983-04-12Broome County ArenaBinghamtonNY
flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1636381983-04-12Broome County ArenaBinghamtonNY
flac2496 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1626991983-04-12Broome County ArenaBinghamtonNY
flac1648 Source Info: Jim Vita's Master (FOB) Audience Cassettes; 3 x Sennheiser 421 mics (20th row, center) > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1627001983-04-12Broome County ArenaBinghamtonNY
flac2496 Source Info: Jim Vita's Master (FOB) Audience Cassettes; 3 x Sennheiser 421 mics (20th row, center) > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
828761983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac16; AUD Source: Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard. Transfer: MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC. Taped and transferred by Andrew F
16141983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks
219211983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
Source: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath
238491983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
SDB>>CM>>C>>DAT>>CDR via Mike Lai
1028601983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac 16 Source: 3 Microphone Setup>unknown Deck>cassette Master->my Cassette
1138521983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac16; Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
1195311983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac24; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F.
1195541983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
1198451983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac24; Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
1383391983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac16/48kHz; Set 2 1st gen dbx cassette SBD > Cassette Master > Cassette (dbx) > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48
1400891983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac16; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
1400901983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac24; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
1416361983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac16/44.1 Location: 50ft from Right Stack about row 17 aisle seats First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook
1416371983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac24/48 Location: 50ft from Right Stack about row 17 aisle seats First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook
1627011983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac1648 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1627021983-04-13Patrick Gymnasium, U of VermontBurlingtonVT
flac2496 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1636481983-04-15Community War Memorial AuditoriumRochesterNY
flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
327801983-04-15Community War Memorial AuditoriumRochesterNY
Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat (48k) Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
877251983-04-15Community War Memorial AuditoriumRochesterNY
flac16; Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II) Transfer Info: Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 Recorded and Transfered By Charlie Miller
877531983-04-15Community War Memorial AuditoriumRochesterNY
flac24; Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II) Transfer Info: Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/24 Recorded and Transfered By Charlie Miller
942821983-04-15Community War Memorial AuditoriumRochesterNY
flac16;Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info:Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded and Transfered By Charlie Miller (Previous transfers were not dolby decoded, this one is.)
942831983-04-15Community War Memorial AuditoriumRochesterNY
flac24; Recording Info:(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded and Transfered By Charlie Miller (Previous transfers were not dolby decoded, this one is.)
886591983-04-15Community War Memorial AuditoriumRochesterNY
flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-11th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UD-XL2-S-Cassette MASTERS Transfer: Cassette Masters> Sony TC-W21>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Tapeflips joined with Media Join 2.0 Transfered and edited and seeded freely by Muletaper 11-18-2007
99741983-04-15Community War Memorial AuditoriumRochesterNY
Senn. 421?s > MC>DAT>CD; via Paul B; Seeded to etree by Ernie Dodd
99751983-04-15Community War Memorial AuditoriumRochesterNY
2nd set; SBD>PCM>DAT>Sonic Solutions>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation
238501983-04-15Community War Memorial AuditoriumRochesterNY
(FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller; upgrade in circulation
1354601983-04-15Community War Memorial AuditoriumRochesterNY
flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (Set 1 + JBG & Baby Blue), Hitachi ME-Metal (Set 2 thru A&A), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
1380671983-04-15Community War Memorial AuditoriumRochesterNY
flac16; 2 source matrix by Dusborne; Soundboard (shnid:32780), Recording Info: set 1: SBD -> Cassette Master -> Reel -> Dat (48k)Set 2: SBD -> PCM -> Dat (44.1k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC and Audience (shnid:94282), Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v10.1 -> FLAC/16, Recorded and Transfered By Charlie Miller
1400591983-04-15Community War Memorial AuditoriumRochesterNY
flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Sound Devices 744T (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston
1400951983-04-15Community War Memorial AuditoriumRochesterNY
flac24; aud cassette master, nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
1400941983-04-15Community War Memorial AuditoriumRochesterNY
flac16; aud cassette master; nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
1406871983-04-15Community War Memorial AuditoriumRochesterNY
flac24; source: nak-300 (12’ near sbd) > tcd5m > udxliis +dolby > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david barfield + david lane; transferred seeded: barfield
1416381983-04-15Community War Memorial AuditoriumRochesterNY
flac16/44.1 Recording Information Master AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- KAH, MY, OJ, assist to TP
1416391983-04-15Community War Memorial AuditoriumRochesterNY
flac24/48 Recording Information Master AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- KAH, MY, OJ, assist to TP
1416401983-04-15Community War Memorial AuditoriumRochesterNY
flac16/44.1 Recording Information First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby (TP) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded BY: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook
1416411983-04-15Community War Memorial AuditoriumRochesterNY
flac24/48 Recording Information First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby (TP) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded BY: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook
1430551983-04-15Community War Memorial AuditoriumRochesterNY
flac24; Recording Info: (FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller
1435041983-04-15Community War Memorial AuditoriumRochesterNY
flac16; Recording Info: (FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller; This file set is 16 bit @ 44.1
1636491983-04-15Community War Memorial AuditoriumRochesterNY
flac2496 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1403071983-04-16Meadowlands ArenaEast RutherfordNJ
flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
326181983-04-16Meadowlands ArenaEast RutherfordNJ
Set 2 Only: Source: Sennheiser 421's > Sony TCD5M > Sony D-6 Master Maxell XLIIS Tape Transfer: Nakamichi CR-2A > Apogee MiniMe (16/44.1) > EGOSYS WT2496 > Soundforge 7 Location: 4-5 rows up from the back of the floor dead center
282941983-04-16Meadowlands ArenaEast RutherfordNJ
flac16; mixed sources: SBD> Cassette Master> Reel> Dat> CD> EAC> WAV> FLAC; Set 2: SBD> PCM> Dat> Cool Edit Pro> WAV; WAV> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
73161983-04-16Meadowlands ArenaEast RutherfordNJ
AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; tracked for 2x80; passes shntool check
149401983-04-16Meadowlands ArenaEast RutherfordNJ
S : MC > DAT > CDR > EAC > SHN Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!; upgrade in circulation
238511983-04-16Meadowlands ArenaEast RutherfordNJ
(FOB) Beyer M160 -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller
1174771983-04-16Meadowlands ArenaEast RutherfordNJ
flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1199671983-04-16Meadowlands ArenaEast RutherfordNJ
flac24; Updated Lineage: Set 2 Only: (2) nakamichi 300 fob> d-5> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
1259241983-04-16Meadowlands ArenaEast RutherfordNJ
flac16; (FOB) Sennheiser 421s > Sony D5 > MAC (from lead deck) > 1st Gen Cassettes (via Mark McCue); Location: (FOB) 8th or 10th row center, chest to head level; Transfer/Lineage: 1st Gen Cassette> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)> .wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16; Taped by Tom G. Transferred, edited and mastered by Alex Ford
1328741983-04-16Meadowlands ArenaEast RutherfordNJ
flac16; Soundboard Master Cassettes > (Unk) Reel To Reel > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudioGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1373721983-04-16Meadowlands ArenaEast RutherfordNJ
flac24; Set 2 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller
1373761983-04-16Meadowlands ArenaEast RutherfordNJ
flac16; Set 2 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, 24bits > 16bits with r8brain
1382251983-04-16Meadowlands ArenaEast RutherfordNJ
flac16; 2 source matrix by Dusborne; Soundboard (shnid:28294),Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> WAV -> FLAC; Set 2: SBD -> PCM -> Dat -> Cool Edit Pro -> FLAC -> WAV, Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC; Audience (shnid:117477), Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes, Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1403081983-04-16Meadowlands ArenaEast RutherfordNJ
flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
1403581983-04-16Meadowlands ArenaEast RutherfordNJ
flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648
1403591983-04-16Meadowlands ArenaEast RutherfordNJ
flac16; Partial Set 1, All of Set 2 Recording Info: Master Soundboard Vault PCM > PCM Clone by Gans; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k)
1416811983-04-16Meadowlands ArenaEast RutherfordNJ
flac16/44.1 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook
1416841983-04-16Meadowlands ArenaEast RutherfordNJ
flac24/48 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook
1430701983-04-16Meadowlands ArenaEast RutherfordNJ
flac24; Set 2 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller
1432731983-04-16Meadowlands ArenaEast RutherfordNJ
flac16; Set 2 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller; This file set is 16 bit @ 44.1
1534971983-04-16Meadowlands ArenaEast RutherfordNJ
flac24/96 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
1543921983-04-16Meadowlands ArenaEast RutherfordNJ
flac1644; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153497 2496 > 1644
1627031983-04-16Meadowlands ArenaEast RutherfordNJ
flac1648 Source Info: Jim Vita's Master (FOB) Audience Cassettes; 3 x Sennheiser 421 mics (15th row, center) > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1627041983-04-16Meadowlands ArenaEast RutherfordNJ
flac2496 Source Info: Jim Vita's Master (FOB) Audience Cassettes; 3 x Sennheiser 421 mics (15th row, center) > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
73171983-04-17Meadowlands ArenaEast RutherfordNJ
AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; d1 tracked for 80 min; passes shntool check
149411983-04-17Meadowlands ArenaEast RutherfordNJ
SBD : MC > C > DAT > CDR Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!
238521983-04-17Meadowlands ArenaEast RutherfordNJ
(FOB/3 mic Mix) Three Beyer M160's -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller
1382771983-04-17Meadowlands ArenaEast RutherfordNJ
flac16; 2 source matrix by Dusborne;Soundboard (shnid:132876), Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's >Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD >SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Audience (shnid:117500) Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes, Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1175001983-04-17Meadowlands ArenaEast RutherfordNJ
flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1200261983-04-17Meadowlands ArenaEast RutherfordNJ
flac24; Updated Lineage: (2) beyers m88 fob> d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
1272561983-04-17Meadowlands ArenaEast RutherfordNJ
flac16; Updated source info: (FOB) Recoton mm180 mics > Sony D5 > master cassette > Aiwa home deck > 1st gen cassette(McCue); Location: FOB; center floor, approx. 35 ft. from stage. Lineage: MAC> Sony D5> Aiwa home deck> 1st gen cassettes (1983)> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)> .wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16(tags). Taper: Tom Gagen; Master cassette transfer by Mark McCue (April 1983); 1st Gen cassette transfer, editing, mastering: Alex Ford
1328761983-04-17Meadowlands ArenaEast RutherfordNJ
flac16; Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudiGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1373771983-04-17Meadowlands ArenaEast RutherfordNJ
flac24; Set 1 Recording Info: (FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller
1373781983-04-17Meadowlands ArenaEast RutherfordNJ
flac16; Set 1 Recording Info: (FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, 24bits > 16bits with r8brain
1373981983-04-17Meadowlands ArenaEast RutherfordNJ
flac24; Partial Show Source: sbd; Lineage: mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6]
1373991983-04-17Meadowlands ArenaEast RutherfordNJ
flac16; Partial Show Source: sbd; Lineage: mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE
1386021983-04-17Meadowlands ArenaEast RutherfordNJ
flac16; SBD > Cassette Master* > Dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
1403571983-04-17Meadowlands ArenaEast RutherfordNJ
flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648
1416821983-04-17Meadowlands ArenaEast RutherfordNJ
flac16/44.1khz First Gen AUD Cassette: Maxell XLII90 x 2 Master was: Beyer M201 hypercardiod XY 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred by: Kyle Holbrook
1416831983-04-17Meadowlands ArenaEast RutherfordNJ
flac24/48 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook
1535801983-04-17Meadowlands ArenaEast RutherfordNJ
flac24/96 Recording Info: (FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
1543931983-04-17Meadowlands ArenaEast RutherfordNJ
flac1644; Recording Info: (FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153580 2496 > 1644
1628931983-04-17Meadowlands ArenaEast RutherfordNJ
flac1648 Source Info: Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (15th row, center) > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1628941983-04-17Meadowlands ArenaEast RutherfordNJ
flac2496 Source Info: Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (15th row, center) > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1673431983-04-17Meadowlands ArenaEast RutherfordNJ
flac1648 Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
1673441983-04-17Meadowlands ArenaEast RutherfordNJ
flac2496 Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
837611983-04-19Alfond Arena, University Of MaineOronoME
flac16; Main Source: Rumored to be a Steve Rolfe Recording (FOB Nak700's > d5 ?) Lineage: cm>dat>cd>eac>Cool Edit Pro > cdwav flac16 (lev 8) via Dave Minor encoding etc. Matt Vernon
38561983-04-19Alfond Arena, University Of MaineOronoME
set 1; sdb> ?> cassette> cdr; transferred and edited by Mike Lai, from Bruce Fried seed
219221983-04-19Alfond Arena, University Of MaineOronoME
Recording Info: (FOB/Center) 3 Sennheiser 421 -> Mixer -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Dragon) -> Sony R700 (As A>D Converter) -> ZA2 -> Sound Forge -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) 12/9/03 Recorded and Transfered By Jim Wise Converted To SHN BY Charlie Miller
1180721983-04-19Alfond Arena, University Of MaineOronoME
flac24; AUD: 2x Nakamichi CM300 w/CP1 cardioids > Sony TC-D5M > Maxell MX-90s, floor, left of the soundboard (stage right), taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. January 2012
1180731983-04-19Alfond Arena, University Of MaineOronoME
flac16; AUD: 2x Nakamichi CM300 w/CP1 cardioids > Sony TC-D5M > Maxell MX-90s, floor, left of the soundboard (stage right), taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. January 2012
1230361983-04-19Alfond Arena, University Of MaineOronoME
flac16 Set 1 sbd, unknown gen, Jerry Moore's copy, Rob Berger transfer/seed; lineage: sbd > ? > cassette nak dragon > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac
1230371983-04-19Alfond Arena, University Of MaineOronoME
flac24; Set 1 sbd, unknown gen, Jerry Moore's copy, Rob Berger transfer/seed; lineage: sbd > ? > cassette nak dragon > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac
1230521983-04-19Alfond Arena, University Of MaineOronoME
flac16; Set 1 Recording Info: SBD -> Cassette Master -> Cassette -> FLAC (shnid=123036); Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller
1403031983-04-19Alfond Arena, University Of MaineOronoME
flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
1403041983-04-19Alfond Arena, University Of MaineOronoME
flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
1392131983-04-20Providence Civic CenterProvidenceRI
flac24; Set 1 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6C/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller
923221983-04-20Providence Civic CenterProvidenceRI
flac16; AUD: Sennheiser MD-421's > Sony TC-D5, recorded from "upper level". Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC
278601983-04-20Providence Civic CenterProvidenceRI
flac16; SBD> Master Cassette> Reel> Dat (SV3800/48k), plus patch from FOB Sennheiser 421> Master Cassette; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
100901983-04-20Providence Civic CenterProvidenceRI
FOB-Senn. 421?s>Sony D-5>CM>DAT>CDR; via Charlie Miller, Paul B; seeded to etree by Ernie Dodd
1020401983-04-20Providence Civic CenterProvidenceRI
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
1200981983-04-20Providence Civic CenterProvidenceRI
flac16; Beyer M160's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
1202871983-04-20Providence Civic CenterProvidenceRI
flac24; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, floor center section 23rd row, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2012
1202881983-04-20Providence Civic CenterProvidenceRI
flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, floor center section 23rd row, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2012
1392191983-04-20Providence Civic CenterProvidenceRI
flac16/48kHz; Unknown taper: (FOB) Sennheiser 441 > Master Cassette > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT
1392771983-04-20Providence Civic CenterProvidenceRI
flac16; Set 1 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6C/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, This is 139213 24 bit -> 16 bit
1406691983-04-20Providence Civic CenterProvidenceRI
flac24; source: nak 300 > tcd5m (udxliis +dolby) > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (fades, normalize, tracks) > flac2496 > xact; recorded: david barfield; transferred/seeded: barfield
1446781983-04-20Providence Civic CenterProvidenceRI
flac16; Set 2 source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5; maxell xlIIS90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred by Rob Berger
1446791983-04-20Providence Civic CenterProvidenceRI
flac24; Set 2 source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5; maxell xlIIS90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred by Rob Berger
880881983-04-22Veterans' Memorial ColiseumNew HavenCT
flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-14th row DFC @6 ft high on stand Taper: Rick "Coyotte" Colyard 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered and edited by muletaper 10/07
214421983-04-22Veterans' Memorial ColiseumNew HavenCT
Barry Glassberg FOB AUDMC w/Nak 700s > Sony TC-D5 > DAT > CDR
18631983-04-22Veterans' Memorial ColiseumNew HavenCT
FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes
1020451983-04-22Veterans' Memorial ColiseumNew HavenCT
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
1125221983-04-22Veterans' Memorial ColiseumNew HavenCT
flac16; Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1199861983-04-22Veterans' Memorial ColiseumNew HavenCT
flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012
1199871983-04-22Veterans' Memorial ColiseumNew HavenCT
flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012
1199951983-04-22Veterans' Memorial ColiseumNew HavenCT
flac24; Updated Lineage: (2) sennheiser 441 fob>d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
1245221983-04-22Veterans' Memorial ColiseumNew HavenCT
flac16; 1st Gen AUD Unknown Mics > DAT > CD > EAC > FLAC > TLH
1403181983-04-22Veterans' Memorial ColiseumNew HavenCT
flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
1403191983-04-22Veterans' Memorial ColiseumNew HavenCT
flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
1417331983-04-22Veterans' Memorial ColiseumNew HavenCT
flac16/44.1 First Gen AUD Cassette: Maxell XLII90 x 2 no NR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched) Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook
1417341983-04-22Veterans' Memorial ColiseumNew HavenCT
flac24/48 First Gen AUD Cassette: Maxell XLII90 x 2 no NR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched) Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook
1431281983-04-22Veterans' Memorial ColiseumNew HavenCT
flac16/48kHz; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1431291983-04-22Veterans' Memorial ColiseumNew HavenCT
flac24; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
1631391983-04-22Veterans' Memorial ColiseumNew HavenCT
flac1648 Source Info: Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1631401983-04-22Veterans' Memorial ColiseumNew HavenCT
flac2496 Source Info: Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1637961983-04-22Veterans' Memorial ColiseumNew HavenCT
flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1637971983-04-22Veterans' Memorial ColiseumNew HavenCT
flac2496 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
961501983-04-23Veterans' Memorial ColiseumNew HavenCT
flac16; Source:FOB-Sennheiser 421 > Master Cass (Sony D5) > Dat > CDR > EAC > SHN > Wav > flac; edited with Adobe Audition and remastered with iZotope Ozone by SIRMick, December 2008
884821983-04-23Veterans' Memorial ColiseumNew HavenCT
flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-11th row DFC @6 ft high on stand. Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and edited by muletaper 10/31/07
294691983-04-23Veterans' Memorial ColiseumNew HavenCT
flac16; SBD -> Cassette Master -> Reel -> Dat -> CD Transferred and Edited By Charlie Miller; Scarlet -> Fire patched from Charlie Miller's Aud: (FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD
18641983-04-23Veterans' Memorial ColiseumNew HavenCT
FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes
1020441983-04-23Veterans' Memorial ColiseumNew HavenCT
flac16; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded behind the board by Bob Morris
1175981983-04-23Veterans' Memorial ColiseumNew HavenCT
flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1197421983-04-23Veterans' Memorial ColiseumNew HavenCT
flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012
1197411983-04-23Veterans' Memorial ColiseumNew HavenCT
flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012
1198731983-04-23Veterans' Memorial ColiseumNew HavenCT
flac16; Set 2 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded, Transferred and Mastered By Charlie Miller
1198751983-04-23Veterans' Memorial ColiseumNew HavenCT
flac24; Set 2 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; Recorded, Transferred and Mastered By Charlie Miller
1200251983-04-23Veterans' Memorial ColiseumNew HavenCT
flac24; Updated Lineage: (2) nakamichi 300 fob> d-5> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
1245681983-04-23Veterans' Memorial ColiseumNew HavenCT
flac16; Set 2 only compilation of Soundboard and Audience sources: 1st Gen AUD Unknown Mics > DAT > CD > EAC > FLAC > TLH and sbd from Dick Latvala > ? > FLAC
1403251983-04-23Veterans' Memorial ColiseumNew HavenCT
flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
1403241983-04-23Veterans' Memorial ColiseumNew HavenCT
flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
1417351983-04-23Veterans' Memorial ColiseumNew HavenCT
flac16/44.1 First Gen AUD Cassette: TDK MA 90 x 2 no NR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook
1417361983-04-23Veterans' Memorial ColiseumNew HavenCT
flac24/48 First Gen AUD Cassette: TDK MA 90 x 2 no NR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook
1431261983-04-23Veterans' Memorial ColiseumNew HavenCT
flac16/48kHz; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1431271983-04-23Veterans' Memorial ColiseumNew HavenCT
flac24; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
1638331983-04-23Veterans' Memorial ColiseumNew HavenCT
flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1633041983-04-23Veterans' Memorial ColiseumNew HavenCT
flac1648 Source Info: Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (1st Set 17th row, center; 2nd set 20th row, center) > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1633051983-04-23Veterans' Memorial ColiseumNew HavenCT
flac2496 Source Info: Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (1st Set 17th row, center; 2nd set 20th row, center) > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1638341983-04-23Veterans' Memorial ColiseumNew HavenCT
flac2496 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
881641983-04-25The SpectrumPhiladelphiaPA
flac16; Source:2-Nak 700's>Sony D5 Location: FOB-7th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UDXL2-Cassette MASTERS Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16
97631983-04-25The SpectrumPhiladelphiaPA
Source: Senn 421's > MC > Dat > Cdr; via Paul B; Seeded to etree by Ernie Dodd
1125591983-04-25The SpectrumPhiladelphiaPA
flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes
1196421983-04-25The SpectrumPhiladelphiaPA
flac16; Set 1 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded, Transferred and Mastered By Charlie Miller
1196431983-04-25The SpectrumPhiladelphiaPA
flac24; Set 1 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; Recorded, Transferred and Mastered By Charlie Miller
1344171983-04-25The SpectrumPhiladelphiaPA
flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015
1344181983-04-25The SpectrumPhiladelphiaPA
flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
1367481983-04-25The SpectrumPhiladelphiaPA
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
1367491983-04-25The SpectrumPhiladelphiaPA
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1633271983-04-25The SpectrumPhiladelphiaPA
flac1648 Source Info: Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1633281983-04-25The SpectrumPhiladelphiaPA
flac2496 Source Info: Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
343951983-04-26The SpectrumPhiladelphiaPA
flac16; Seamless fix of shn id 2606 - SBDMC>Cass>DAT>CDR>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
975441983-04-26The SpectrumPhiladelphiaPA
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
283601983-04-26The SpectrumPhiladelphiaPA
flac16; Unknown mics > MAC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac; transfer by David Dillon
26061983-04-26The SpectrumPhiladelphiaPA
SBDMC> Cass> DAT> CDR> EAC> SHN; via Mike 'Dank Star' Parrillo
281611983-04-26The SpectrumPhiladelphiaPA
set2; Sennheiser shotguns > Sony D-5 onto Maxell XLIIS-90, No dolby used; recorded by David Hanscom, center, about 2/3rds back on floor (FOB); Transfer: MC > CDR: NAK BX-300 > Philips CDR-820 standalone recorder, as long, multi-song files; EAC> CDWAV> shn by Bzl
1125831983-04-26The SpectrumPhiladelphiaPA
flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1326071983-04-26The SpectrumPhiladelphiaPA
flac16; 2 Source Matrix by Dusborne; Soundboard(shinid:97544) SBD -> Cassette Master -> Cassette -> Dat (48k); Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; and Audience(shinid:28360) Unknown mics > MC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac
1327841983-04-26The SpectrumPhiladelphiaPA
flac16/48kHz; Master Soundboard Cassette (Dan Healy)-1st Generation 7 Inch Reel @ 7.5 ips 1/4 Track(Dick L)-Tascam 122MK111 Cassette Deck-Technics 1506 Reel 2 Reel); Analog To Digital-Reel Playback on Otari MX5050-JVC SV-3700 DAT Deck @48KHz; DAT x Zero-DAT x One JVC 3700-JVC 3700 via AES cable; DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
1333841983-04-26The SpectrumPhiladelphiaPA
flac16; MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> UVHR22/Crystal Resampler> .wav@16/44.1> xAct> flac16. Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford
1333851983-04-26The SpectrumPhiladelphiaPA
flac24; MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> .wav@24/88.2> xAct> flac24; Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford
1367441983-04-26The SpectrumPhiladelphiaPA
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
1367451983-04-26The SpectrumPhiladelphiaPA
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1417371983-04-26The SpectrumPhiladelphiaPA
flac16/44.1 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No Dolby Location: set1 20ft from stacks RT side lower section set2 behind stage 20 feet from stacks 5 ' ROC Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Olvy Johnson Transferred by: Kyle Holbrook
1417381983-04-26The SpectrumPhiladelphiaPA
flac24/48 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No Dolby Location: set1 20ft from stacks RT side lower section set2 behind stage 20 feet from stacks 5 ' ROC Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Olvy Johnson Transferred by: Kyle Holbrook
1633591983-04-26The SpectrumPhiladelphiaPA
flac1648 Source Info: Jim Vita's Master (FOB) Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1633601983-04-26The SpectrumPhiladelphiaPA
flac2496 Source Info: Jim Vita's Master (FOB) Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
328091983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master Transfer by Mark McCue
3411983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
FOB Sony Mics > D5 > DAT; Transfer:? D8 > ZA2 (S/PDIF) > SHN; Good Lovin' ends rather abruptly and may be cut; a dropout or two, but could be tape flips from cass master; DAT seed via Jon Boltz; transfer by Jeff Kempka
943931983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
945141983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94393
950591983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Recording Info: SBD -> Master Cassette -> PCM -> Apogee Ensemble -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
968171983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Audience Recording Lineage: 3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B )> CR-5A> HD-P2> 24/96 .wav> WaveLab 5.0> Waves L3 UltraMaximizer> 16/44.1 .wav> CD Wave Editor> TLH> flac16. Taped by the anonymous taper, Mark Severson and Jamie Poris.
182241983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
FOB Sony ECM-220T>TC-D5>DAT>CDR>EAC(secure)>SHN FOB Sony ECM-220T>TC-D5 by Rango Keshavan see notes for patch information Jim Powell provided the seed discs EAC>SHN by J.Barnes (heyitsmejess@aol.com)
253141983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
Set 1 Recording Info: SBD -> Master Cassette -> Reel -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Set 2 Recording Info: SBD -> Master Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller
1478961983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpweramp
1478971983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1633811983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
flac1648 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1633821983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
flac2496 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1676701983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
flac1648 Ken Kelley's Master Audience Cassettes; Neumann mics (unknown model) > JVC KD-2 w/Super ANRS (Maxell XLII-S90) Transfer Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
1676711983-05-13Greek Theatre, University Of CaliforniaBerkeleyCA
flac2496 Ken Kelley's Master Audience Cassettes; Neumann mics (unknown model) > JVC KD-2 w/Super ANRS (Maxell XLII-S90) Transfer Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
911361983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Set 1 only, Soundboard->Cassette Master->1st Generation Cassette repatched by Bill Tetzeli
943961983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
945151983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94396
965701983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter)> -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D6 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone and Waves RBass > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16; Taped by the anonymous taper, Jamie Poris, and the many others
335021983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. Mastered by the Executive Crew (T.P, K.H.) Transferred by Kyle Holbrook
3421983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
FOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer; Conversion: 3800-> Montego II Plus @44k > HD via Soundforge> CDWav, A. Gustin; known flaw: very end of Bertha is cut
153871983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
FOB: Sennheiser 421's > Sony PCM-F1 (Jeff Silberman's PCM Master) encoded by Jeff Fishman