Sources for Grateful Dead

SHNIDDateVenueCityStateArchive Identifier
838041986-02-08Henry J. Kaiser Convention CenterOaklandCA
flac16; Taped by "PA Deli Mike" 2x Sennheiser 441's OTS with 30 foot spread > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC by Mr. Chips
325411986-02-08Henry J. Kaiser Convention CenterOaklandCA
flac16; SBD -> Cassette Master (TDK MA-R90) Transferred and Edited By Charlie Miller
207241986-02-08Henry J. Kaiser Convention CenterOaklandCA
Source: SBD>MC>PCM>CDR>WAV>SHNv3 via neo_levo/candyman FTP
29871986-02-08Henry J. Kaiser Convention CenterOaklandCA
AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); Both Analog & Digital Mastering by Charlie Connor: seeded to abgd.hs
1060331986-02-08Henry J. Kaiser Convention CenterOaklandCA
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1402051986-02-08Henry J. Kaiser Convention CenterOaklandCA
flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
1423811986-02-08Henry J. Kaiser Convention CenterOaklandCA
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin
1423881986-02-08Henry J. Kaiser Convention CenterOaklandCA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin
1423801986-02-08Henry J. Kaiser Convention CenterOaklandCA
flac16; Matrix 2 Source Mix - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin
75431986-02-09Henry J. Kaiser Convention CenterOaklandCA
Master Soundboard Cassette > CDR, disc 2 runs 74:25, CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor
741351986-02-09Henry J. Kaiser Convention CenterOaklandCA
flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8)
1061191986-02-09Henry J. Kaiser Convention CenterOaklandCA
flac16; Recording Info:SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1193751986-02-09Henry J. Kaiser Convention CenterOaklandCA
flac24; Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
1193761986-02-09Henry J. Kaiser Convention CenterOaklandCA
flac16; Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1385221986-02-09Henry J. Kaiser Convention CenterOaklandCA
flac16; Matrix 2 Source Mix - SBD (shnid = 106119)Recording Info:SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - matrix mixing by Kevin Tobin
1385231986-02-09Henry J. Kaiser Convention CenterOaklandCA
DTS-Audio-CD 5.1 Mix: SBD (shnid = 106119) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - dts mixing by Kevin Tobin
1385251986-02-09Henry J. Kaiser Convention CenterOaklandCA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 106119) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - mixing by Kevin Tobin
1402061986-02-09Henry J. Kaiser Convention CenterOaklandCA
flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
117161986-02-11Henry J. Kaiser Convention CenterOaklandCA
Updated Source Info: SBD> Cassette Master DAT> CD; Seeded to etree by Willy; note see user comments re pre-emphasis (or not)
749611986-02-11Henry J. Kaiser Convention CenterOaklandCA
flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (lvl8)
1172611986-02-11Henry J. Kaiser Convention CenterOaklandCA
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1172631986-02-11Henry J. Kaiser Convention CenterOaklandCA
flac24; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller
1177971986-02-11Henry J. Kaiser Convention CenterOaklandCA
flac16; Matrix of SBD (shnid=117263) and AUD (shnid=74961) by Jubal H. Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
1177981986-02-11Henry J. Kaiser Convention CenterOaklandCA
flac24; 24 Bit Matrix at 96 kHz Rate of SBD (shnid=117263) and AUD (shnid=74961) by Jubal H. Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC24 via xACT w/meta-tagging)
1193631986-02-11Henry J. Kaiser Convention CenterOaklandCA
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/front Row Of Balcony/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
1193641986-02-11Henry J. Kaiser Convention CenterOaklandCA
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/front Row Of Balcony/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
1355191986-02-11Henry J. Kaiser Convention CenterOaklandCA
flac16; Set 2 Recording Info: SBD -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
815171986-02-12Henry J. Kaiser Convention CenterOaklandCA
flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
216141986-02-12Henry J. Kaiser Convention CenterOaklandCA
Bertha Remaster of the soundboard source. SBD>>(?)>>Wav(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A
33021986-02-12Henry J. Kaiser Convention CenterOaklandCA
AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, transferred and seeded to abgd by Charlie Connor; includes Nevilles set as d1; d3 tracked for 80 min
1193731986-02-12Henry J. Kaiser Convention CenterOaklandCA
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
1193741986-02-12Henry J. Kaiser Convention CenterOaklandCA
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1593811986-02-12Henry J. Kaiser Convention CenterOaklandCA
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 81517) Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 + AUD (shnid = 119373) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - dts mixing by Kevin Tobin
1593801986-02-12Henry J. Kaiser Convention CenterOaklandCA
flac16; Matrix 2 Source Mix - SBD (shnid = 81517) Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 + AUD (shnid = 119373) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - matrix mixing by Kevin Tobin
1593821986-02-12Henry J. Kaiser Convention CenterOaklandCA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 81517) Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 + AUD (shnid = 119373) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - Surround mixing by Kevin Tobin
294771986-02-14Henry J. Kaiser Convention CenterOaklandCA
Primary Source:Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's); Secondary Source: SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD (shn id 11625); The secondary source covers patches in the last 17 seconds of dt05(drums); the first 4:13 of d2t06 (space), and the first 6 seconds of d2t10 (Brokedown Palace: Recorded, Transferred, Patched and Tracked by Charlie Connor
3821986-02-14Henry J. Kaiser Convention CenterOaklandCA
SBD; via M. Lai; note d2t7 5:58? (Wharf Rat) reportedly skips back for a 1:27 repeat; fix up by 5/5/00; upgrade in circulation
109211986-02-14Henry J. Kaiser Convention CenterOaklandCA
SBD> PCM> Dat> Samplitude> Cool Edit Pro> CD; via David Gans; Seeded to etree by Charlie Miller
116251986-02-14Henry J. Kaiser Convention CenterOaklandCA
SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans; RE-Seeded to etree by Charlie Miller with 'simple bass lift'; See info file for details
1193911986-02-14Henry J. Kaiser Convention CenterOaklandCA
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
1193921986-02-14Henry J. Kaiser Convention CenterOaklandCA
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
1402271986-02-14Henry J. Kaiser Convention CenterOaklandCA
flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
1424271986-02-14Henry J. Kaiser Convention CenterOaklandCA
flac16; Recording Info: SBD > PCM (Vault Master) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
1505661986-02-14Henry J. Kaiser Convention CenterOaklandCA
flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > EQ using Final Cut > Mix and sync using Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 142427 & 140227.
1665641986-02-14Henry J. Kaiser Convention CenterOaklandCA
flac16; Patched & Pitch Corrected Audience - (original shnid = 119391) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8) - pitch correction and patches by Kevin Tobin
1665651986-02-14Henry J. Kaiser Convention CenterOaklandCA
flac16; Matrix 2 Source Mix - SBD (shnid = 142427) Recording Info: SBD > PCM (Vault Master) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 166564) (original shnid = 119391) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8) - pitch correction and patches by Kevin Tobin - matrix mixing by Kevin Tobin
1665661986-02-14Henry J. Kaiser Convention CenterOaklandCA
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 142427) Recording Info: SBD > PCM (Vault Master) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 166564) (original shnid = 119391) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8) - pitch correction and patches by Kevin Tobin - dts mixing by Kevin Tobin
1665671986-02-14Henry J. Kaiser Convention CenterOaklandCA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142427) Recording Info: SBD > PCM (Vault Master) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 166564) (original shnid = 119391) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8) - pitch correction and patches by Kevin Tobin - surround mixing by Kevin Tobin
779781986-03-19Hampton ColiseumHamptonVA
flac16; Sennheiser 421s > Sony D-5 (Dolby B in) > MAC taped by Tim Alexander Transfer: Playback on Nakamich DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Patch source: Mike Lai archive.org seed (Sony mikes > C > CD) - shnid 3905
781631986-03-19Hampton ColiseumHamptonVA
flac24; SRC: Sennheiser 421s > Sony D-5 (Dolby B in) > MAC taped by Tim Alexander Transfer: Playback on Nakamich DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC Patch source: Mike Lai archive.org seed (Sony mikes > C > CD) - shnid 3905
1098821986-03-19Hampton ColiseumHamptonVA
flac16; Set 1 ONLY; Source: unknown soundboard * Lineage: cass > Denon DRR-730 > Sony RCD-W10 > cdr > eac > wav > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > CD Wave > TLH > Flac 16
342231986-03-19Hampton ColiseumHamptonVA
flac16; Taper: JOEBEACON Nak 300 Mics w/ CP4 shotguns > Sony D5; upgrade in circulation
875971986-03-19Hampton ColiseumHamptonVA
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
39051986-03-19Hampton ColiseumHamptonVA
aud> sony mics> cassette master> cdr; via Mike Lai
817971986-03-19Hampton ColiseumHamptonVA
flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs
1098381986-03-19Hampton ColiseumHamptonVA
flac16; Set 1 only, Source: unknown soundboard * Lineage: cass > Denon DRR-730 > Sony RCD-W10 > cdr > eac > wav > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > CD Wave > TLH > Flac 16
1185171986-03-19Hampton ColiseumHamptonVA
flac16; Sennheiser 441 + Sennheiser ME80-> 4 channel mic preamp/mixer, (mixer unknown)-> analog stereo out-> Technics RS-B68R home deck; Config/Location: ORTF behind board OTS (~20' behind board); Transfer: Metal Master TDK cassette>JVC TD-V661 3 head>Technics RS-B68R>unbalanced RCA analog inputs of Egosys Waveterminal 2496 record/tracked with CDWave @ 44.1>Macbook>Sound Studio 3.6(normalize peak, +gain)>xACT 2.15(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Unknown; Patch taped and transferred by: Mike Buyers; Processing and seeded by: Lenny Stubbe
1275121986-03-19Hampton ColiseumHamptonVA
flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1326861986-03-19Hampton ColiseumHamptonVA
flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
1402721986-03-19Hampton ColiseumHamptonVA
flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
1475161986-03-19Hampton ColiseumHamptonVA
flac16; Matrix 2 Audience Source Mix - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin
1475171986-03-19Hampton ColiseumHamptonVA
DTS-Audio-CD 5.1 Mix; - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin
1475181986-03-19Hampton ColiseumHamptonVA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin
1511541986-03-19Hampton ColiseumHamptonVA
flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1511551986-03-19Hampton ColiseumHamptonVA
flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1517051986-03-19Hampton ColiseumHamptonVA
flac24/96khz Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by Kenny Mance. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. February 02, 2021.
1519761986-03-19Hampton ColiseumHamptonVA
flac24/96 This is a fixed version of shnid 151705. Original release had channels reversed. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by Kenny Mance. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 02, 2021.
1519491986-03-19Hampton ColiseumHamptonVA
flac16/44 Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by Kenny Mance Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 02, 2021. Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021
1560211986-03-19Hampton ColiseumHamptonVA
flac1644 Source: MAUD CA Microphones: set 1: AKG c422 cardioid's (X-Y at 90') head level|AKG B18 set 2: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel, Kyle Holbrook, Tom Pinney, John Hance Transferred: Kyle Holbrook
1560221986-03-19Hampton ColiseumHamptonVA
flac2448 Source: MAUD CA Microphones: set 1: AKG c422 cardioid's (X-Y at 90') head level|AKG B18 set 2: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel, Kyle Holbrook, Tom Pinney, John Hance Transferred: Kyle Holbrook
1647381986-03-19Hampton ColiseumHamptonVA
flac1648 Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
1647391986-03-19Hampton ColiseumHamptonVA
flac2496 Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
1680191986-03-19Hampton ColiseumHamptonVA
flac1644 Sennheiser me-80 mics > sony d5 > Master Cassettes - Taped by Stephen Porter Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta Lineage: DSF 1-bit/5.6MHz > Tascam Hi-Res Editor > wav 24/96 > Adobe Audition 3 > iZotope RX11 Advanced > iZotope Neutron 4 > iZotope RX11 Advanced > wav 16/44.1 > CD Wave > flac 16 edited and mastered SIRMick July 2024
1680201986-03-19Hampton ColiseumHamptonVA
flac24 Sennheiser me-80 mics > sony d5 > Master Cassettes - Taped by Stephen Porter Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta Lineage: DSF 1-bit/5.6MHz > Tascam Hi-Res Editor > wav 24/96 > Adobe Audition 3 > iZotope RX11 Advanced > iZotope Neutron 4 > CD Wave > flac 24 edited and mastered SIRMick July 2024
876111986-03-20Hampton ColiseumHamptonVA
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend
39061986-03-20Hampton ColiseumHamptonVA
aud> sony mics> cassette master> cdr; via Mike Lai; reportedly may circulate with or without Comes a Time, possibly from 3/31/86, as filler (d1t10)
80981986-03-20Hampton ColiseumHamptonVA
Updated Source info: Unknown Audience Recording (Had been marked: Matrix SBD>MC>C>CD) Some minor digi-noise noted; See txt for details; via Jim Skinner; Seeded to etree by Willy
818451986-03-20Hampton ColiseumHamptonVA
flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
1073211986-03-20Hampton ColiseumHamptonVA
flac16; Updated source info: Unknown Audience Source Respeed Processing: SHN>FLAC>WAV>Cool Edit Pro Processing>FLAC (Had been marked: Matrix SBD>MC>C>CD>SHN> Respeed Processing: SHN>FLAC>WAV>Cool Edit Pro Processing>FLAC)
1275131986-03-20Hampton ColiseumHamptonVA
flac24; source: (2) akg shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1326871986-03-20Hampton ColiseumHamptonVA
flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
1402731986-03-20Hampton ColiseumHamptonVA
flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
1511961986-03-20Hampton ColiseumHamptonVA
flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1511971986-03-20Hampton ColiseumHamptonVA
flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1560231986-03-20Hampton ColiseumHamptonVA
flac1644 Source: MAUD CA Microphones: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel?, Mike Davis, Kenny Davis, Kyle Holbrook?, Tom Pinney, John Hance Transferred: Kyle Holbrook
1560241986-03-20Hampton ColiseumHamptonVA
flac2448 Source: MAUD CA Microphones: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel?, Mike Davis, Kenny Davis, Kyle Holbrook?, Tom Pinney, John Hance Transferred: Kyle Holbrook
1647411986-03-20Hampton ColiseumHamptonVA
flac1648 Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
1647421986-03-20Hampton ColiseumHamptonVA
flac2496 Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
1688961986-03-20Hampton ColiseumHamptonVA
flac2496 Sennheiser me-80 mics > sony d5 > Master Cassettes - Taped by Stephen Porter Transfer: Master Cassettes > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta Lineage: DSF 1-bit/5.6MHz > Tascam Hi-Res Editor > wav 24/96 > Adobe Audition 3 > iZotope RX11 Advanced > iZotope Neutron 4 > CD Wave > flac 24 edited and mastered SIRMick September 2024
1688951986-03-20Hampton ColiseumHamptonVA
flac1644 Sennheiser me-80 mics > sony d5 > Master Cassettes - Taped by Stephen Porter Transfer: Master Cassettes > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta Lineage: DSF 1-bit/5.6MHz > Tascam Hi-Res Editor > wav 24/96 > Adobe Audition 3 > iZotope RX11 Advanced > iZotope Neutron 4 > iZotope RX11 Advanced > wav 16/44.1 > CD Wave > flac 16 edited and mastered SIRMick September 2024
876381986-03-21Hampton ColiseumHamptonVA
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
51781986-03-21Hampton ColiseumHamptonVA
Nakamichi 300 with Shotguns, Marantz PMD-430; Transfer: Nakamichi BR3 -> Cool Edit 2000 -> Shn; see info file for flaw notes; via Willy
84531986-03-21Hampton ColiseumHamptonVA
1st set only; Updated lineage: Unknown Audience recording (Had been marked: Matrix SBD>MC>C>CD); via Jim Skinner; Seeded to etree by Willy
818641986-03-21Hampton ColiseumHamptonVA
flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
1075551986-03-21Hampton ColiseumHamptonVA
flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files
1275311986-03-21Hampton ColiseumHamptonVA
flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1326881986-03-21Hampton ColiseumHamptonVA
flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M>Fuji Metal; Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
1402741986-03-21Hampton ColiseumHamptonVA
flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
1424501986-03-21Hampton ColiseumHamptonVA
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
1424921986-03-21Hampton ColiseumHamptonVA
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - dts mixing by Kevin Tobin
1424911986-03-21Hampton ColiseumHamptonVA
flac16; Matrix 2 Source Mix - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - matrix mixing by Kevin Tobin
1424931986-03-21Hampton ColiseumHamptonVA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - surround mixing by Kevin Tobin
1511981986-03-21Hampton ColiseumHamptonVA
flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1511991986-03-21Hampton ColiseumHamptonVA
flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1560251986-03-21Hampton ColiseumHamptonVA
flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel?, Kyle Holbrook?, Tom Pinney Transfer by: Kyle Holbrook
1560261986-03-21Hampton ColiseumHamptonVA
flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel?, Kyle Holbrook?, Tom Pinney Transfer by: Kyle Holbrook
1647721986-03-21Hampton ColiseumHamptonVA
flac1648 Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
1647731986-03-21Hampton ColiseumHamptonVA
flac2496 Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
798791986-03-23The SpectrumPhiladelphiaPA
flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci
876491986-03-23The SpectrumPhiladelphiaPA
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
152031986-03-23The SpectrumPhiladelphiaPA
MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn
152441986-03-23The SpectrumPhiladelphiaPA
MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn; Note- This is an sbefix of ; this source
795651986-03-23The SpectrumPhiladelphiaPA
Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools. Taped & Transfered by Brian Mandel
1021671986-03-23The SpectrumPhiladelphiaPA
flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
1119561986-03-23The SpectrumPhiladelphiaPA
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M (dolby off) - master analog cassettes; Transfer: Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1275361986-03-23The SpectrumPhiladelphiaPA
flac24; source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1327081986-03-23The SpectrumPhiladelphiaPA
flac16; FOB Schoeps CMC3s/MK4s>PCM>DAT; Transfer: DAT>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by Unknown; CDRs provided by Mark Lynn; Conversion to wav>flac by DATBRAD
1339401986-03-23The SpectrumPhiladelphiaPA
flac16; Partial Set 2 Source: SBD > ? > Cassette. Transfer: Hitachi ME-Metal > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 08/2015
1338731986-03-23The SpectrumPhiladelphiaPA
flac16; FOB Schoeps CMC3s/MK4s>PCM>DAT; Transfer: DAT>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by Unknown; de-emphasis version of source ID 132708 using xACT 2.34 by chillwig
1419981986-03-23The SpectrumPhiladelphiaPA
flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
1423921986-03-23The SpectrumPhiladelphiaPA
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
1457031986-03-23The SpectrumPhiladelphiaPA
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin
1457021986-03-23The SpectrumPhiladelphiaPA
flac16; Matrix 2 Source Mix - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin
1457051986-03-23The SpectrumPhiladelphiaPA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin
1488731986-03-23The SpectrumPhiladelphiaPA
flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1488721986-03-23The SpectrumPhiladelphiaPA
flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1560761986-03-23The SpectrumPhiladelphiaPA
flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
1560771986-03-23The SpectrumPhiladelphiaPA
flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
1566221986-03-23The SpectrumPhiladelphiaPA
flac1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1566231986-03-23The SpectrumPhiladelphiaPA
flac2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1593721986-03-23The SpectrumPhiladelphiaPA
flac1648 OTS Nak CM300/CP-4/Marantz PMD 420/TDK MA 90 All transfers made from Nakamchii DR-3 to SD 722 at 24/48 Taped by Jon Pasternak
1593731986-03-23The SpectrumPhiladelphiaPA
flac2448 OTS Nak CM300/CP-4/Marantz PMD 420/TDK MA 90 All transfers made from Nakamchii DR-3 to SD 722 at 24/48 Taped by Jon Pasternak
922751986-03-24The SpectrumPhiladelphiaPA
flac16; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
922761986-03-24The SpectrumPhiladelphiaPA
flac24; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
876551986-03-24The SpectrumPhiladelphiaPA
flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
55701986-03-24The SpectrumPhiladelphiaPA
AUD> Sony microphones> Nakamichi BX-300 deck> Maxell metal cassette, Recorded by Tony Cirella; Playback: Nakamichi DR?10> Monster analog cables> Tascam CD-RW700 CD burner> CD, transfer by Paul B.; EAC>SHN Greg Kerbel; tape flip in Space
74801986-03-24The SpectrumPhiladelphiaPA
Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Peter Braverman; upgrade in circulation
167461986-03-24The SpectrumPhiladelphiaPA
Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN This is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman)
178901986-03-24The SpectrumPhiladelphiaPA
Source: Schoeps CMC 4's/MK 4's > Sony D5 > DA-P1 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT The between track crowd noise in the first set was edited out on the source discs. I used crossfades to make this as fluid as possible. Thanks to Mark McCue for the source discs. EAC'd/Seeded by Doug Nawrocki
219201986-03-24The SpectrumPhiladelphiaPA
Soundboard > ? > CDR > Shn; seeded by Joey Browning; Shn converted with Mkw by Robert Goetz; upgrade in circulation
227831986-03-24The SpectrumPhiladelphiaPA
Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller
796101986-03-24The SpectrumPhiladelphiaPA
Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools
1021681986-03-24The SpectrumPhiladelphiaPA
flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8 (note: This source originally circulated with a corrupt track 02.)
1026541986-03-24The SpectrumPhiladelphiaPA
flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick; recorded by Jon Pasternak
1034421986-03-24The SpectrumPhiladelphiaPA
flac16; FOB recording By Tony Lochner Schoeps CMC-441 60 degrees AUD>PCM-F1/SL-2000 Betamax>F1 Copy>F1 Copy Transferred media is Sony PRO-X L-500, master and intermediate copy unknown Mic power supply unknown, probably Doug Oade 18V supply Transfer: Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 at 24/44.1 Mike Grace Fall2009 Editing-Mastering:Jamie Waddell on GEMS Edit Station. Weiss=Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither FLACLevel8
1074131986-03-24The SpectrumPhiladelphiaPA
flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files
1275351986-03-24The SpectrumPhiladelphiaPA
flac24; source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1397721986-03-24The SpectrumPhiladelphiaPA
flac16; Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
1487321986-03-24The SpectrumPhiladelphiaPA
flac16; Matrix 3 Source Mix - SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - matrix mixing by Kevin Tobin
1487341986-03-24The SpectrumPhiladelphiaPA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - surround mixing by Kevin Tobin
1487331986-03-24The SpectrumPhiladelphiaPA
flac16; DTS-Audio-CD 5.1 Mix SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - dts mixing by Kevin Tobin
1512141986-03-24The SpectrumPhiladelphiaPA
Recording Info: (FOB) Neumann KM84i > PCM Master (Sony PCM F1/SL2000) > PCM Clone
Transfer Info: PCM Clone (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X5 Suite > FLAC/16
1560781986-03-24The SpectrumPhiladelphiaPA
flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook
1560791986-03-24The SpectrumPhiladelphiaPA
flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook
799011986-03-25The SpectrumPhiladelphiaPA
flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
94041986-03-25The SpectrumPhiladelphiaPA
SBD> Master Cassette> DAT> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start; upgrade in circulation
876721986-03-25The SpectrumPhiladelphiaPA
flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
98801986-03-25The SpectrumPhiladelphiaPA
Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start
800021986-03-25The SpectrumPhiladelphiaPA
Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
31881986-03-25The SpectrumPhiladelphiaPA
AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min
1021691986-03-25The SpectrumPhiladelphiaPA
flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
1055801986-03-25The SpectrumPhiladelphiaPA
flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD front row of taper's section behind soundboard by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
1119541986-03-25The SpectrumPhiladelphiaPA
flac16; MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford
1178251986-03-25The SpectrumPhiladelphiaPA
flac16; Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1275401986-03-25The SpectrumPhiladelphiaPA
flac24; source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1397731986-03-25The SpectrumPhiladelphiaPA
flac16; Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
1456231986-03-25The SpectrumPhiladelphiaPA
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - dts mixing by Kevin Tobin
1456181986-03-25The SpectrumPhiladelphiaPA
flac16; Patched & Pitch Corrected Soundboard - SBD (original shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start - pitch correction and patches by Kevin Tobin
1456201986-03-25The SpectrumPhiladelphiaPA
flac16; Matrix 2 Source Mix - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - matrix mixing by Kevin Tobin
1456191986-03-25The SpectrumPhiladelphiaPA
flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 3118) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - pitch correction and patches by Kevin Tobin
1456241986-03-25The SpectrumPhiladelphiaPA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - surround mixing by Kevin Tobin
1510981986-03-25The SpectrumPhiladelphiaPA
flac16/48khz Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1510991986-03-25The SpectrumPhiladelphiaPA
flac24/96khz Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1560801986-03-25The SpectrumPhiladelphiaPA
flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
1560811986-03-25The SpectrumPhiladelphiaPA
flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
791871986-03-27Cumberland County Civic CenterPortlandME
flac24; MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
790671986-03-27Cumberland County Civic CenterPortlandME
flac16; MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
877001986-03-27Cumberland County Civic CenterPortlandME
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
352891986-03-27Cumberland County Civic CenterPortlandME
flac16; Source: FOB Nakamichi 700s > Sony D6 > Maxell MX90 metal master audience cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (preamp and A/D) > firewire/P4/XP Pro > recorded as 24 bit/96 KHz WAV (Wavelab 5) > rendered to 16 bit/44.1 KHz WAV (Waves L3 Multimaximizer, hi res CD settings) > tracking (CDWAV 1.9) > FLAC, level 8 encoding
50031986-03-27Cumberland County Civic CenterPortlandME
FOB (center)> AUD> MC> CDR; Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan recording; EAC/SHN by Charles Hogan
240291986-03-27Cumberland County Civic CenterPortlandME
Source: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03.
263471986-03-27Cumberland County Civic CenterPortlandME
SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller; Upgrade in circulation
958081986-03-27Cumberland County Civic CenterPortlandME
S:D>C>D>CDR Set two could have a extra analog generation. Downloaded from Furthur 10/2008 - no other info in text file
1065651986-03-27Cumberland County Civic CenterPortlandME
flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) . Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
1070681986-03-27Cumberland County Civic CenterPortlandME
flac16; Beyer M-88's XY 90w/D5 40 feet away,5 feet high,center Mac>NakCR-3A>AudigySE>Audacity>CDwave>TLH; Recorded by Tom Pinney Transferred by Russ Cansler
1216001986-03-27Cumberland County Civic CenterPortlandME
flac16; SBD -> Cassette Master -> Reel -> Dat -> ? -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
1275431986-03-27Cumberland County Civic CenterPortlandME
flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1393241986-03-27Cumberland County Civic CenterPortlandME
flac16; Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
1394681986-03-27Cumberland County Civic CenterPortlandME
flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
1410481986-03-27Cumberland County Civic CenterPortlandME
flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
1561301986-03-27Cumberland County Civic CenterPortlandME
flac1644 Microphones: set 1 Beyer m201 (hypercardioid) XY 90º set 2 AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens Transfer by: Kyle Holbrook
1561311986-03-27Cumberland County Civic CenterPortlandME
flac2496 Microphones: AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens Transfer by: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
1673721986-03-27Cumberland County Civic CenterPortlandME
flac2496 Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
1673711986-03-27Cumberland County Civic CenterPortlandME
flac1648 Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
1675931986-03-27Cumberland County Civic CenterPortlandME
flac2496 Set 1 SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
1684371986-03-27Cumberland County Civic CenterPortlandME
flac1648 Set 1 SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24 - This is 167593 2496 > 1648
792891986-03-28Cumberland County Civic CenterPortlandME
flac16; Sennheiser 421s + Nakamichi 300s > Yamaha mixer > Sony D5 (Dolby B) > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
793281986-03-28Cumberland County Civic CenterPortlandME
flac24; MAC (2 Sennheiser 421s + 2 Nakamichi 300 shotguns > Yamaha mixer > Sony D5) taped by Tim Alexander. Transfer: MAC played back on Nakamichi DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
889501986-03-28Cumberland County Civic CenterPortlandME
flac16; MOTB Release: 0032 16/44.1Source: Audience FOB Recording Media: MAC = Denon HD8 90 Lineage: 2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC Transfer: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] Taped by: D. Thompson Transfer by: A. Egert Mastering by: D. McCabe
889531986-03-28Cumberland County Civic CenterPortlandME
flac24; MOTB Release: 0032 24/96 Source: Audience FOB Recording Media: MAC = Denon HD8 90 Lineage: 2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC Transfer: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] Taped By: D. Thompson Transfer By: A. Egert Mastering By: D. McCabe
325201986-03-28Cumberland County Civic CenterPortlandME
flac16; Source: FOB Sennheiser ME88 > D5 > Maxell Metal Cassette master. Transfer: Playbackon Nakamichi BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > FLAC. Original recording, transfer, and FLAC'ing by Bill K. Mastering: Wavelab 5 (crossfades to smooth flips, minimal Waves L3 (-1 dB threshold)) > CDWAV 1.9 > FLAC by Chris L.
316031986-03-28Cumberland County Civic CenterPortlandME
flac16; Updated Lineage: SBD (Tascam322 to Marantz CDR500) > Cx? > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend
955981986-03-28Cumberland County Civic CenterPortlandME
flac16; Sick Bits Vol. 28 - AUD1/SBD/AUD2 matrix of 3 previously circulating sources: AUD1 (shnid=32520) + SBD (shnid=31603) + AUD2 (shnid=5004)-low end only. Matrixed by Chris Chappell.
877061986-03-28Cumberland County Civic CenterPortlandME
flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
50041986-03-28Cumberland County Civic CenterPortlandME
FOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan Recording; EAC/SHN by Charles Hogan
1065641986-03-28Cumberland County Civic CenterPortlandME
flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
1275441986-03-28Cumberland County Civic CenterPortlandME
flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1393251986-03-28Cumberland County Civic CenterPortlandME
flac16; Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
1394691986-03-28Cumberland County Civic CenterPortlandME
flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
1410491986-03-28Cumberland County Civic CenterPortlandME
flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
1561321986-03-28Cumberland County Civic CenterPortlandME
flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
1561331986-03-28Cumberland County Civic CenterPortlandME
flac2496 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
1673731986-03-28Cumberland County Civic CenterPortlandME
flac1648 Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
1669631986-03-28Cumberland County Civic CenterPortlandME
flac1648 Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
1669641986-03-28Cumberland County Civic CenterPortlandME
flac2496 Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
1673741986-03-28Cumberland County Civic CenterPortlandME
flac2496 Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
877411986-03-30Providence Civic CenterProvidenceRI
flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
100761986-03-30Providence Civic CenterProvidenceRI
Nak 300/Sony D5> Nakamichi BX-300> CD; via Stephen B. Porter; Seeded to etree by Peter Braverman
255261986-03-30Providence Civic CenterProvidenceRI
Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
1032291986-03-30Providence Civic CenterProvidenceRI
flac16; Master: Nakamichi CM300\'s/CP4\'s>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
1061101986-03-30Providence Civic CenterProvidenceRI
flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1065661986-03-30Providence Civic CenterProvidenceRI
flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
1275451986-03-30Providence Civic CenterProvidenceRI
flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1394701986-03-30Providence Civic CenterProvidenceRI
flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
1395231986-03-30Providence Civic CenterProvidenceRI
flac16; Source: FOB recording > Schoeps cmc4 mk41 > pcm > dat (44.1k) - recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 10/07/2017
1410501986-03-30Providence Civic CenterProvidenceRI
flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
1424061986-03-30Providence Civic CenterProvidenceRI
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
1561861986-03-30Providence Civic CenterProvidenceRI
flac1648 Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
1561871986-03-30Providence Civic CenterProvidenceRI
flac2448 ource: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
799121986-03-31Providence Civic CenterProvidenceRI
flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 7 Row C, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci
831861986-03-31Providence Civic CenterProvidenceRI
flac16; Source: Audience FOB Recording Media: TDK HX-90 Cassette Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: D. Thompson Transfer by: A. Egert Mastering by: SIRMick
834751986-03-31Providence Civic CenterProvidenceRI
flac24/96; Source: Audience FOB Recording Media: TDK HX-90 Cassette Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: D. Thompson Transfer by: A. Egert Mastering by: SIRMick
880011986-03-31Providence Civic CenterProvidenceRI
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shot guns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
134631986-03-31Providence Civic CenterProvidenceRI
AUD>MC>CDR; via Mr.Benson; seedeD
252941986-03-31Providence Civic CenterProvidenceRI
Taped:Joe Damico Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Brian Mandel Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verified via shn tools
255271986-03-31Providence Civic CenterProvidenceRI
Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller; the origianal seed for this source had a flaw in d2t06; Upgrade in circulation
1065561986-03-31Providence Civic CenterProvidenceRI
flac16; Nakamichi Cm-300 X2 > Cassette Master (sony Tcd5m/maxell Mx 90) Cassette Master (nakamichi Dr-1) > Korg Mr-1000 (1-bit/5.6mhz) > Audiogate (1-bit/5.6mhz > 16-bit/44.1khz) > Cdwav (edits); Recorded from Taper section 8, Row F, Seat 2 by Bob Morris
1023371986-03-31Providence Civic CenterProvidenceRI
flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
1061111986-03-31Providence Civic CenterProvidenceRI
flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1220011986-03-31Providence Civic CenterProvidenceRI
flac16; Recording Info: (FOB) Schoeps -> PCM -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> SHN -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Recorded By Jon Pasternak
1275521986-03-31Providence Civic CenterProvidenceRI
flac24; source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1275681986-03-31Providence Civic CenterProvidenceRI
flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc;conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1394711986-03-31Providence Civic CenterProvidenceRI
flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
1410511986-03-31Providence Civic CenterProvidenceRI
flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
1424291986-03-31Providence Civic CenterProvidenceRI
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
1561881986-03-31Providence Civic CenterProvidenceRI
flac1644 Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
1561891986-03-31Providence Civic CenterProvidenceRI
flac2448 Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
799251986-04-01Providence Civic CenterProvidenceRI
flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 7 Row F, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
880161986-04-01Providence Civic CenterProvidenceRI
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
1011031986-04-01Providence Civic CenterProvidenceRI
flac24; AUD: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F.
1011041986-04-01Providence Civic CenterProvidenceRI
flac16; AUD: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F.
73421986-04-01Providence Civic CenterProvidenceRI
Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman. [Note: Original shn set had sbe's on all tracks - a sbe-fixed-by set- version also circulates]
255291986-04-01Providence Civic CenterProvidenceRI
Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 300/CP4 -> Master Cassette (Sony D5) -> CD via Charlie Miller
178101986-04-01Providence Civic CenterProvidenceRI
Unknown Sony Mics> Sony TC-D5> Maxell Metal Cassette; Transfer: Nakamichi DR-10> Monster Analog cables> Tascam CD-RW700 Burner; Edit: EAC (IOMEGA CDRW9602EXT-B, Secure with C2, accurate stream, NO disable cache, Read offset correction = -147)> CE2K> SHNTOOL> mkwACT; via mattman
1061141986-04-01Providence Civic CenterProvidenceRI
flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1065551986-04-01Providence Civic CenterProvidenceRI
flac16:Recording by Bob Morris. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90). Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
1275531986-04-01Providence Civic CenterProvidenceRI
flac24; source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1276761986-04-01Providence Civic CenterProvidenceRI
flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1394721986-04-01Providence Civic CenterProvidenceRI
flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
1410521986-04-01Providence Civic CenterProvidenceRI
flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
1424521986-04-01Providence Civic CenterProvidenceRI
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
1561901986-04-01Providence Civic CenterProvidenceRI
flac1644 Source: MAUD CA Microphones: AKG c422 cardiods's (X-Y at 90')|AKG B18 7' high Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 150 feet from stage; Front row OTS Transfer: Nakamichi LX-5> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook
1561911986-04-01Providence Civic CenterProvidenceRI
flac2448 Recording Information: Source: MAUD CA Microphones: AKG c422 cardiods's (X-Y at 90')|AKG B18 7' high Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 150 feet from stage; Front row OTS Transfer: Nakamichi LX-5> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook
773461986-04-03Hartford Civic CenterHartfordCT
flac16; Source: Nakamichi CM304's(pointed)>Sony D5M(Maxell MX) Location: OTS Stand at 10 feet. Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>cdwav>flac16 Taped, Transfered and uploaded by Tony Suraci
880221986-04-03Hartford Civic CenterHartfordCT
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
27891986-04-03Hartford Civic CenterHartfordCT
SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.
185091986-04-03Hartford Civic CenterHartfordCT
Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano
868241986-04-03Hartford Civic CenterHartfordCT
Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Location: 10Flor Sec 8 Row N Seat 3 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Taped & Transfered by Brian Mandel
760971986-04-03Hartford Civic CenterHartfordCT
flac16; FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl 8
1033571986-04-03Hartford Civic CenterHartfordCT
flac24; source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby) transfer: master cassette > tcd5m (orig recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24) recorded: david lane/david barfield transferred/seeded: david barfield
1065531986-04-03Hartford Civic CenterHartfordCT
flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
1276951986-04-03Hartford Civic CenterHartfordCT
flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1426901986-04-03Hartford Civic CenterHartfordCT
flac24; Recording Info: PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk); Transfer Info: Reel > Pro Tools (24-bit/96k) > WAV; Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; fixed version in circulation
1426991986-04-03Hartford Civic CenterHartfordCT
flac24; Recording Info: PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk); Transfer Info: Reel > Pro Tools (24-bit/96k) > WAV; Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This is a patched version of shnid=142690
1427121986-04-03Hartford Civic CenterHartfordCT
flac16; Recording Info: PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk); Transfer Info: Reel > Pro Tools (24-bit/96k) > WAV; Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This is 142699 24 -> 16
1485821986-04-03Hartford Civic CenterHartfordCT
flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1485811986-04-03Hartford Civic CenterHartfordCT
flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1562351986-04-03Hartford Civic CenterHartfordCT
flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This AKG c422 recording dedicated to our brother Kenny Davis
1562361986-04-03Hartford Civic CenterHartfordCT
flac2448 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This AKG c422 recording dedicated to our brother Kenny Davis
1675191986-04-03Hartford Civic CenterHartfordCT
flac1648 Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1675201986-04-03Hartford Civic CenterHartfordCT
flac2496 Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
799861986-04-04Hartford Civic CenterHartfordCT
flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 8 Row F, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
295801986-04-04Hartford Civic CenterHartfordCT
Recording Info: Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA-R60 1st set; MA-R90 2nd set)Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded, Transferred, Patched and Tracked by Charlie Connor
881061986-04-04Hartford Civic CenterHartfordCT
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
134641986-04-04Hartford Civic CenterHartfordCT
AUD>MC>CDR; via Mr.Benson; seedeD
872461986-04-04Hartford Civic CenterHartfordCT
Source: Nakamichi 300 Shotguns CP4's & Sony TCD5M. Location: 10Flor Sec 8 Row M Seat 4 Transfered:Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Taped and transfered by Brian Mandel
761521986-04-04Hartford Civic CenterHartfordCT
flac16; Schoeps CMC 44 Cardioids > Sony PCM F1, FOB/TS > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl8
1032281986-04-04Hartford Civic CenterHartfordCT
flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
1049431986-04-04Hartford Civic CenterHartfordCT
flac24; source: nak 300/cp4 (12', ots) > tcd5m/tdk ma-r90 (+dolby) -- master cassette > tcd5m (orig recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)
1084721986-04-04Hartford Civic CenterHartfordCT
flac16; AKG C-422>D5; AUD Master Cassettes (2-Maxell MX90)>NAK 1.5>wav>flac16 (Traders Little Helper) Type I - No Dolby - No Normalization or mastering of any kind
1277001986-04-04Hartford Civic CenterHartfordCT
flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
1485841986-04-04Hartford Civic CenterHartfordCT
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1485831986-04-04Hartford Civic CenterHartfordCT
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1562371986-04-04Hartford Civic CenterHartfordCT
flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (first in line) Location: approximately 75 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook
1562381986-04-04Hartford Civic CenterHartfordCT
flac2448 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (first in line) Location: approximately 75 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook
851261986-04-12Irvine MeadowsIrvineCA
flac16; (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes. Tapers: Adam & Justin. 1st Gen Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford May 2007.
134651986-04-12Irvine MeadowsIrvineCA
AUD>MC>DAT>CDR; Schoeps CMC44?s; via Joe Brown; seedeD
1487781986-04-12Irvine MeadowsIrvineCA
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1487771986-04-12Irvine MeadowsIrvineCA
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1511491986-04-12Irvine MeadowsIrvineCA
flac16/48khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648