LCDB: Sources for Grateful Dead

Sources for Grateful Dead

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SHNID	Date	Venue	City	State
108848	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
32542	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation
15402	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN. Thanks to Johnny Venus for the disks. Normalized and seeded by Peter Braverman
9484	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to etree by Tim W
105612	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac16; Recording Info:SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
108689	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B) Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
116407	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac16; Source: (OTS) Superscope EC-7's (ortf/cardioids) > Sony WM-D6C; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
124836	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus
138905	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac16; Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT
139649	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac24; Set 2 Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/Maxell HGX GOLD); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/Maxell HGX GOLD); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller
139666	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac16; Recording Info: SBD > PCM Master (Vault) > PCM Clone; Transfer Info: PCM (Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
139794	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac16; Set 2 Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/Maxell HGX GOLD); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/Maxell HGX GOLD); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller
140728	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac16; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
140729	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac24; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
140996	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small
163488	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac2496 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 > Samplitude Pro X6 Suite > FLAC/24
164183	1989-02-05	Henry J Kaiser Convention Center	Oakland	CA
flac1644 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 163488 2496 > 1644
26330	1989-02-06	Henry J Kaiser Convention Center	Oakland	CA
flac16; SBD> Master Cassette> CD (Marantz CDR 500 Pro); Transfer Info: CD (Sony CDP-XE500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> Cool Edit Pro v2.0> FLAC; Transferred and Edited By Charlie Miller, with thanks to Paul Scotton and Joani Walker
9485	1989-02-06	Henry J Kaiser Convention Center	Oakland	CA
Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to Etree by Tim W
107030	1989-02-06	Henry J Kaiser Convention Center	Oakland	CA
flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
116443	1989-02-06	Henry J Kaiser Convention Center	Oakland	CA
flac16; Source: (OTS) Superscope EC-7's (ortf/cardioids) > Sony WM-D6C; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
124837	1989-02-06	Henry J Kaiser Convention Center	Oakland	CA
flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus
138906	1989-02-06	Henry J Kaiser Convention Center	Oakland	CA
flac16; Set 1 Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT
146587	1989-02-06	Henry J Kaiser Convention Center	Oakland	CA
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
147384	1989-02-06	Henry J Kaiser Convention Center	Oakland	CA
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1
32543	1989-02-07	Henry J Kaiser Convention Center	Oakland	CA
flac16; SBD -> Cassette Master (TDK MA-X90) Transferred and Edited By Charlie Miller
9202	1989-02-07	Henry J Kaiser Convention Center	Oakland	CA
SBD>MC>DAT>CDR; Seeded to etree by Tim W
106929	1989-02-07	Henry J Kaiser Convention Center	Oakland	CA
flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
124838	1989-02-07	Henry J Kaiser Convention Center	Oakland	CA
flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus
138907	1989-02-07	Henry J Kaiser Convention Center	Oakland	CA
flac16; Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Mastered, ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT
149648	1989-02-07	Henry J Kaiser Convention Center	Oakland	CA
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
149698	1989-02-07	Henry J Kaiser Convention Center	Oakland	CA
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
77647	1989-02-10	Great Western LA Forum	Inglewood	CA
flac16; Senn MKE2002 omni's HRTF -> Sony TC-D5M @ 6' 5" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 24/96 files imported via Mac Tiger 10.4.Flac compression by xACT to 7/8 compression conversion: by Bob Loy Samplitude Professional V8.01 > Declipping > -13db > Isotope Ozone loudness maximizer > new max peak -.1db > 16bit 44100hz >ffe l6 sbes aligned by set>1d3 tag
34569	1989-02-10	Great Western LA Forum	Inglewood	CA
flac16; Seamless fix of shn id 13060 - Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
74843	1989-02-10	Great Western LA Forum	Inglewood	CA
flac24/96; Senn MKE2002 omni\'s HRTF -> Sony TC-D5M @ 6\' 5\" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 23/96 files imported via Mac Tiger 10.4. Flac compression by xACT to 7/8 compression
77708	1989-02-10	Great Western LA Forum	Inglewood	CA
flac24/48; Senn MKE2002 omni's HRTF -> Sony TC-D5M @ 6' 5" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 24/96 files imported via Mac Tiger 10.4.Flac compression by xACT to 7/8 compression conversion 24/48: by Bob Loy Samplitude Professional V8.01 > Declipping > -13db > Isotope Ozone loudness maximizer > new max peak -.1db > 24bit 48hz >ffe l6; this is a clean-up of the original 24 bit source
13060	1989-02-10	Great Western LA Forum	Inglewood	CA
Source: Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN (via MKWACT)
124829	1989-02-10	Great Western LA Forum	Inglewood	CA
flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, Seat 8
137004	1989-02-10	Great Western LA Forum	Inglewood	CA
flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller
137076	1989-02-10	Great Western LA Forum	Inglewood	CA
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
139760	1989-02-10	Great Western LA Forum	Inglewood	CA
flac16; Source Info: (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 > Dat (16/44); Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
140997	1989-02-10	Great Western LA Forum	Inglewood	CA
flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small
140999	1989-02-11	Great Western LA Forum	Inglewood	CA
flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small
35158	1989-02-11	Great Western LA Forum	Inglewood	CA
flac24/96; Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two: ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96: Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac: DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT
76125	1989-02-11	Great Western LA Forum	Inglewood	CA
flac16; From the Impact Zone, fob/dfc Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two; ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level. ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96; Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac; DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT, by MF - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. New flacs, etc created
20759	1989-02-11	Great Western LA Forum	Inglewood	CA
DAUD[master] > CDR > EAC > AddaWav > CDWAV > SHN; EAC > SHN by harlan; CDR from D. Loebig.
9203	1989-02-11	Great Western LA Forum	Inglewood	CA
SBD>MC>DAT>CDR; Seeded to etree by Tim W
124830	1989-02-11	Great Western LA Forum	Inglewood	CA
flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, Seat 8
134776	1989-02-11	Great Western LA Forum	Inglewood	CA
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat; Set 2: SBD -> PCM Master -> Dat; Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> WAV -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
140719	1989-02-11	Great Western LA Forum	Inglewood	CA
flac16; Recording Info: Set 1: SBD > PCM; Set 2: UltraMatrix SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
140730	1989-02-11	Great Western LA Forum	Inglewood	CA
flac16; Set 1 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
140731	1989-02-11	Great Western LA Forum	Inglewood	CA
flac24; Set 1 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
140998	1989-02-12	Great Western LA Forum	Inglewood	CA
flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small
89200	1989-02-12	Great Western LA Forum	Inglewood	CA
flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.0.1 -> FLAC All Transfers and Mastering By Charlie Miller
31265	1989-02-12	Great Western LA Forum	Inglewood	CA
flac24; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion.
76126	1989-02-12	Great Western LA Forum	Inglewood	CA
flac16; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. - retracked, new flacs, etc created, files have been renamed to Etree conventions
429	1989-02-12	Great Western LA Forum	Inglewood	CA
SBD; via Mike Lai
4680	1989-02-12	Great Western LA Forum	Inglewood	CA
SBD> MC> DAT> CD> SHN
124818	1989-02-12	Great Western LA Forum	Inglewood	CA
flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, seat 6
137005	1989-02-12	Great Western LA Forum	Inglewood	CA
flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller
137086	1989-02-12	Great Western LA Forum	Inglewood	CA
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
139800	1989-02-12	Great Western LA Forum	Inglewood	CA
flac16; Set 1 Source Info: (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 > Dat (16/44); Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
140913	1989-02-12	Great Western LA Forum	Inglewood	CA
flac16; Matrix 2 Source Mix - SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - matrix mixing by Kevin Tobin
140914	1989-02-12	Great Western LA Forum	Inglewood	CA
DTS-Audio-CD 5.1 Mix; SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - dts mixing by Kevin Tobin
140915	1989-02-12	Great Western LA Forum	Inglewood	CA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - surrround mixing by Kevin Tobin
81528	1989-03-27	The Omni	Atlanta	GA
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
9204	1989-03-27	The Omni	Atlanta	GA
AUD(Schoeps CMC-441's)>DAT>CDR; Seeded to etree by Tim W
108015	1989-03-27	The Omni	Atlanta	GA
flac24; Lineage: Master Audience Cassette Nak300.Sony D3.Maxell XLII-S 90's Transfer:Nak MR-1>Korg MR-1000 1Bit/5.6MHz Sample rate conversion with AudioGate software to 24/96 FLAC
124946	1989-03-27	The Omni	Atlanta	GA
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
124947	1989-03-27	The Omni	Atlanta	GA
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
147800	1989-03-27	The Omni	Atlanta	GA
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
147894	1989-03-27	The Omni	Atlanta	GA
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
158251	1989-03-27	The Omni	Atlanta	GA
flac1644 A Photoleon Matrix Source 1 Shnid 9204 Source: Aud(schoeps Cmc-441's)> Dat> Cdr Conversion: Eac(secure)> Cd Wav> Cool Edit Pro> Shn(seekable) Conversion Edit Seeded To Etree By Tim Wiley 4 1 02 Another Installment Of The Music Never Stopped Project! Source 2 Shnid 147894 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 24, 2019 Source 3 Shnid 108015 Lineage: Master Audience Cassette Nak300.sony D3.maxell Xlii-s 90's Transfer:nak Mr-1>korg Mr-1000 1bit Mhz. Sample Rate Conversion With Audiogate Software To 24 Flac. Taper: Baker Matrix Created In Adobe Audition By Joe Noel August 04, 2022
164244	1989-03-27	The Omni	Atlanta	GA
flac1648 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
164245	1989-03-27	The Omni	Atlanta	GA
flac2496 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
81529	1989-03-28	The Omni	Atlanta	GA
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
9205	1989-03-28	The Omni	Atlanta	GA
AUD>DAT>CDR; Seeded to etree by Tim W
111792	1989-03-28	The Omni	Atlanta	GA
flac 24; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [2/2/11]
111791	1989-03-28	The Omni	Atlanta	GA
flac 16; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [2/2/11]
124993	1989-03-28	The Omni	Atlanta	GA
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
124994	1989-03-28	The Omni	Atlanta	GA
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
147818	1989-03-28	The Omni	Atlanta	GA
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
148154	1989-03-28	The Omni	Atlanta	GA
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
156410	1989-03-28	The Omni	Atlanta	GA
Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021
164338	1989-03-28	The Omni	Atlanta	GA
flac1648 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
164339	1989-03-28	The Omni	Atlanta	GA
flac2496 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
81531	1989-03-30	Greensboro Coliseum	Greensboro	NC
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
79836	1989-03-30	Greensboro Coliseum	Greensboro	NC
flac16; Set 1 only: Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
10059	1989-03-30	Greensboro Coliseum	Greensboro	NC
Mark Horvath FOB Senn. 421?s>Sony TC-D5>MC>CDR; via Paul "Raoul" B; Seeded to etree by Brad Ingle
125411	1989-03-30	Greensboro Coliseum	Greensboro	NC
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
125412	1989-03-30	Greensboro Coliseum	Greensboro	NC
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
133932	1989-03-30	Greensboro Coliseum	Greensboro	NC
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
137921	1989-03-30	Greensboro Coliseum	Greensboro	NC
flac16/48kHz; Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48khz)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
141801	1989-03-30	Greensboro Coliseum	Greensboro	NC
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
147819	1989-03-30	Greensboro Coliseum	Greensboro	NC
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
148153	1989-03-30	Greensboro Coliseum	Greensboro	NC
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
164502	1989-03-30	Greensboro Coliseum	Greensboro	NC
flac1648 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
164503	1989-03-30	Greensboro Coliseum	Greensboro	NC
flac2496 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
32349	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
95221	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S taped by John Bleich Transfer : mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96) > flac
3826	1989-03-31	Greensboro Coliseum	Greensboro	NC
schoeps cmc?/mk21> DAT fob; via Childo and unIDed seeder; note offbeat track breaks; includes unIDed filler
16666	1989-03-31	Greensboro Coliseum	Greensboro	NC
sbd>cass>dat>cd>eac>wav>shn>wav>shn; via Ray Hansen; seedeD
125425	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
125426	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
133938	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
138065	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac16/48kHz; Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
140966	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
147823	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
148151	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this file set is 16 bit @ 44.1
148612	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
148611	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
149811	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac16; Matrix 2 Source Mix - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin
149813	1989-03-31	Greensboro Coliseum	Greensboro	NC
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin
149814	1989-03-31	Greensboro Coliseum	Greensboro	NC
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - surround mixing by Kevin
113358	1989-03-??	Club Front - Grateful Dead Studio	San Rafael	CA
flac16: Source reported to be: (Video ~ 1st gen video8 > stand alone DVR) Audio ~ AC3 48000Hz 256 kb/s tot , stereo (2/0) Extracted, Tracked, Downsampled and Converted to FLAC May 2011 by Teddy "GoodBear" - Number of Audio channels: 2 Audio Coding mode: Linear PCM audio Sampling Rate: 44.1kHz
89780	1989-04-02	Civic Arena	Pittsburgh	PA
flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008.
96554	1989-04-02	Civic Arena	Pittsburgh	PA
flac16; source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell SII-S taped by John Bleich from Section 9F, Row TT, Seat 8 transfer: mac > Nakamichi BX-125E > EMU 020 > Wavelab > wav (24/96) > flac *except for It's All Over Now, Baby Blue: mac > Nakamichi ZX-9 > Tascam HD-P2 > wav (24/96) > flac
9206	1989-04-02	Civic Arena	Pittsburgh	PA
AUD(Beyer M-88?s>Sony TC-D5)>MC>DAT>CDR; Seeded to etree by Tim W
17177	1989-04-02	Civic Arena	Pittsburgh	PA
Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan
29734	1989-04-02	Civic Arena	Pittsburgh	PA
AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Note this is the original shn seed for shn id9206 This source was made from my master cassettes and doesn't have the digital flaws noted on d2t01 (bad EAC) of shn id 9206. Digital Mastering by Charlie Connor Seeded to abgd 3/29/01; seeded to etree bt 6/21/05
134822	1989-04-02	Civic Arena	Pittsburgh	PA
flac16; Source: B&K4011 FOB AUD > ? > PCM unknown taper; Transfer: PCM (x) > DAT (0) > Microtrack 24/96 > WAV 44.1 > Flac 16/44.1
135454	1989-04-02	Civic Arena	Pittsburgh	PA
DTS-Audio-CD 5.1 Mix; SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - dts mixing by Kevin Tobin
135453	1989-04-02	Civic Arena	Pittsburgh	PA
flac16; Matrix 2 Source Mix - SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - matrix mixing by Kevin Tobin
135455	1989-04-02	Civic Arena	Pittsburgh	PA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - mixing by Kevin Tobin
135452	1989-04-02	Civic Arena	Pittsburgh	PA
flac16; (original shnid = 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - pitch correction and patches by Kevin Tobin
141669	1989-04-02	Civic Arena	Pittsburgh	PA
flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
145673	1989-04-02	Civic Arena	Pittsburgh	PA
flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
147793	1989-04-02	Civic Arena	Pittsburgh	PA
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
147892	1989-04-02	Civic Arena	Pittsburgh	PA
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
149268	1989-04-02	Civic Arena	Pittsburgh	PA
flac24; Source Info: TS Sennheiser-> Sony D5-> Sony D6-> Cassette; Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel
150550	1989-04-02	Civic Arena	Pittsburgh	PA
flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel
151401	1989-04-02	Civic Arena	Pittsburgh	PA
Fresh Transfer and Remaster Of Source 141669. Source: (OTS) AKG 460 with ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette. Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz-24bit Recording & Transfer by Ray Ackerman. Edited & Mastered (Adobe Audition) by Joe Noel. January 2, 2021
151419	1989-04-02	Civic Arena	Pittsburgh	PA
flac16/44.1khz Ackerman Archives Source: (OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit Recording & Transfer by Ray Ackerman Edited & Mastered (Adobe Audition) by Joe Noel
89791	1989-04-03	Civic Arena	Pittsburgh	PA
flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008.
96796	1989-04-03	Civic Arena	Pittsburgh	PA
flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > mac taped by John Bleich Transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav (16/44.1) > Cd Wave > TLH > flac16
100161	1989-04-03	Civic Arena	Pittsburgh	PA
flac16; Source: (FOB) Schoeps CMC5/MK4->DAT (16/48) Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0 (fades, normalize (127.20%/2.09dB), resample)->FLAC; Taper: Unknown
7507	1989-04-03	Civic Arena	Pittsburgh	PA
SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell
29758	1989-04-03	Civic Arena	Pittsburgh	PA
FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor
125022	1989-04-03	Civic Arena	Pittsburgh	PA
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
125023	1989-04-03	Civic Arena	Pittsburgh	PA
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
125281	1989-04-03	Civic Arena	Pittsburgh	PA
flac16; Matrix 4 Source Mix - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - matrix mixing by Kevin Tobin
125403	1989-04-03	Civic Arena	Pittsburgh	PA
DTS-Audio-CD 5.1 Mix; SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - dts mixing by Kevin Tobin
125413	1989-04-03	Civic Arena	Pittsburgh	PA
flac16; SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell (shnid 7507) - Patched, Pitch Correction and Tagged by Kevin Tobin
133939	1989-04-03	Civic Arena	Pittsburgh	PA
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
135433	1989-04-03	Civic Arena	Pittsburgh	PA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor - mixing by Kevin Tobin
141670	1989-04-03	Civic Arena	Pittsburgh	PA
flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
145689	1989-04-03	Civic Arena	Pittsburgh	PA
flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
147794	1989-04-03	Civic Arena	Pittsburgh	PA
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
147893	1989-04-03	Civic Arena	Pittsburgh	PA
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
150551	1989-04-03	Civic Arena	Pittsburgh	PA
flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel
151402	1989-04-03	Civic Arena	Pittsburgh	PA
Fresh Transfer And Remaster Of Source 141670. Source: (OTS) AKG 460 with ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette. Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz-24bit Recording & Transfer by Ray Ackerman. Edited & Mastered (Adobe Audition) by Joe Noel. January 4, 2021.
151420	1989-04-03	Civic Arena	Pittsburgh	PA
flac16/44.1khz Ackerman Archives Source: (OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit Recording & Transfer by Ray Ackerman Edited & Mastered (Adobe Audition) by Joe Noel
83501	1989-04-05	Crisler Arena	Ann Arbor	MI
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
83800	1989-04-05	Crisler Arena	Ann Arbor	MI
flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
100671	1989-04-05	Crisler Arena	Ann Arbor	MI
flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8
1091	1989-04-05	Crisler Arena	Ann Arbor	MI
Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop
5491	1989-04-05	Crisler Arena	Ann Arbor	MI
Healy Ultra Mix Cassette Master-> DAT-> CDR
111957	1989-04-05	Crisler Arena	Ann Arbor	MI
flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-16; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
141802	1989-04-05	Crisler Arena	Ann Arbor	MI
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
144913	1989-04-05	Crisler Arena	Ann Arbor	MI
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
145037	1989-04-05	Crisler Arena	Ann Arbor	MI
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
111974	1989-04-06	Crisler Arena	Ann Arbor	MI
flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
83508	1989-04-06	Crisler Arena	Ann Arbor	MI
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
85256	1989-04-06	Crisler Arena	Ann Arbor	MI
flac16; matrix sources: 1) SBD -> Cassette Master (TDK MA-XG90) transfer : Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 and 2) aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer : mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone except for Brokedown which is is from B&K 4011 source
83801	1989-04-06	Crisler Arena	Ann Arbor	MI
flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
100672	1989-04-06	Crisler Arena	Ann Arbor	MI
flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8
1092	1989-04-06	Crisler Arena	Ann Arbor	MI
Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop; missing encore; note most md5s and/or tracks of d3 were accidentally labelled as d2tn; renamed version (md5s shown here) may circulate >8/15/01 thanks to Aaron
5492	1989-04-06	Crisler Arena	Ann Arbor	MI
complete; Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source
126150	1989-04-06	Crisler Arena	Ann Arbor	MI
flac16; Matrix 2 Source Mix - SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - matrix mixing by Kevin Tobin
126149	1989-04-06	Crisler Arena	Ann Arbor	MI
flac16; (original shnid = 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - pitch correction and patches by Kevin Tobin
126153	1989-04-06	Crisler Arena	Ann Arbor	MI
DTS-Audio-CD 5.1 Mix; SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - DTS mixing by Kevin Tobin
141803	1989-04-06	Crisler Arena	Ann Arbor	MI
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
147831	1989-04-06	Crisler Arena	Ann Arbor	MI
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
148148	1989-04-06	Crisler Arena	Ann Arbor	MI
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
156411	1989-04-06	Crisler Arena	Ann Arbor	MI
Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021
158252	1989-04-06	Crisler Arena	Ann Arbor	MI
A Photoleon Matrix Source 1 Shnid 156411 Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 Source 2 Shnid 148148 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 26, 2019 Matrix Created In Adobe Audition By Joe Noel July 29, 2022
111975	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
83510	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
84175	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16; Source: FOB Schoeps > PCM > DAT > CDR > EAC > *Adobe Audition 2.0 (Waves Q10 [pre-emphasis removal] and L3) > CDWave > FLAC EAC'd by Doug Nawrocki
94166	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
83802	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
7857	1989-04-08	Riverfront Arena	Cincinnati	OH
Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor
26348	1989-04-08	Riverfront Arena	Cincinnati	OH
SBD> Cassette Master> Dat> CD> EAC> SHN; Converted to SHN By Charlie Miller
131015	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16; Master Digital Audience recording: Neumann KMR-81's> ?> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Panasonic SV-3700 (spdif)> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracks)> TLH (SBE/Flac16/ffp); Tranfer completed and uploaded to etree.org on August 22, 2014 by jwpetty
135469	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16; (original shnid = 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - pitch correction and patches by Kevin Tobin
135470	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16; Matrix 2 Source Mix - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin
135471	1989-04-08	Riverfront Arena	Cincinnati	OH
DTS-Audio-CD 5.1 Mix; SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin
135472	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - mixing by Kevin Tobin
140807	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16; Set 1 Source; Unknown taper: FOB Schoeps > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
141804	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
147838	1989-04-08	Riverfront Arena	Cincinnati	OH
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
147895	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
149284	1989-04-08	Riverfront Arena	Cincinnati	OH
flac16; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)-> Down Sample 16-44.1; Taped & Transfers by Pete Ebel
83523	1989-04-09	Freedom Hall	Louisville	KY
flac16; Source: Audience FOB Recording, 12th row DFC Media: BASF Chrome Maxima II 90 min. Lineage: AKG C460b preís with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab5: Isotope Ozone 3 to brighten a little -> crosfaded at tape flips as noted -> Minor Z-Noise reduction -> Tracked w/ CDwave -> L3 Bit depth reduction/down sampled -> FlacFrontend Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Townshend
34962	1989-04-09	Freedom Hall	Louisville	KY
flac16; SBD> CM> DAT> CD> EAC> SHN; speed corrected version of shn id 13207 (via Charlie Miller, Patrick White); fix by Kevin Tobin
75504	1989-04-09	Freedom Hall	Louisville	KY
flac16; Seamless fix of shn id 34962 - SBD>CM>DAT>CD>EAC>SHN(>WAV>FLAC). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
84036	1989-04-09	Freedom Hall	Louisville	KY
flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
7858	1989-04-09	Freedom Hall	Louisville	KY
Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern.
13207	1989-04-09	Freedom Hall	Louisville	KY
SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White
138255	1989-04-09	Freedom Hall	Louisville	KY
flac16/48kHz; Source: Neumann KMR-82i > DAT (48 khz); Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
147845	1989-04-09	Freedom Hall	Louisville	KY
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
148146	1989-04-09	Freedom Hall	Louisville	KY
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
156412	1989-04-09	Freedom Hall	Louisville	KY
Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recorded By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 10, 2021
94240	1989-04-11	Rosemont Horizon	Rosemont	IL
flac16; Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH)
15109	1989-04-11	Rosemont Horizon	Rosemont	IL
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
106238	1989-04-11	Rosemont Horizon	Rosemont	IL
flac16; Recorded by Justin L. Lee 2 Nakamichi CM300s CP4 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
120302	1989-04-11	Rosemont Horizon	Rosemont	IL
flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
120303	1989-04-11	Rosemont Horizon	Rosemont	IL
flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
141850	1989-04-11	Rosemont Horizon	Rosemont	IL
flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
147985	1989-04-11	Rosemont Horizon	Rosemont	IL
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
148145	1989-04-11	Rosemont Horizon	Rosemont	IL
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 16 bit @ 44.1
156413	1989-04-11	Rosemont Horizon	Rosemont	IL
Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 01, 2021
83768	1989-04-12	Rosemont Horizon	Rosemont	IL
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
95291	1989-04-12	Rosemont Horizon	Rosemont	IL
flac16; Source: Audience Recording Lineage: Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > Adobe Audition 3.0 > CDWave > Flac16
9383	1989-04-12	Rosemont Horizon	Rosemont	IL
Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN; via PB (l'autre); Seeded to etree by Peter Braverman
9962	1989-04-12	Rosemont Horizon	Rosemont	IL
Shntool fix by-disc by Willy of previous Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD
29631	1989-04-12	Rosemont Horizon	Rosemont	IL
likely by-set shntool fix of Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN;
120337	1989-04-12	Rosemont Horizon	Rosemont	IL
flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
120338	1989-04-12	Rosemont Horizon	Rosemont	IL
flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
140990	1989-04-12	Rosemont Horizon	Rosemont	IL
flac16; Set 2 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
149393	1989-04-12	Rosemont Horizon	Rosemont	IL
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
149418	1989-04-12	Rosemont Horizon	Rosemont	IL
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 This file set is 16 bit @ 44.1
156414	1989-04-12	Rosemont Horizon	Rosemont	IL
Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 02, 2021
83769	1989-04-13	Rosemont Horizon	Rosemont	IL
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
5607	1989-04-13	Rosemont Horizon	Rosemont	IL
SBD > MC > Dat > CDR > EAC > CDWave > mkwACT; Extraction/Seeding by Doug Nawrocki, from Kevin Gills source discs
120339	1989-04-13	Rosemont Horizon	Rosemont	IL
flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
120340	1989-04-13	Rosemont Horizon	Rosemont	IL
flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
134548	1989-04-13	Rosemont Horizon	Rosemont	IL
flac16; Source: Audience recording; Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-6; Transfer: MAC > tascam 112 > Edirol UA-5 > Audacity > 2448wav > R8 Brain > 1644 wav > Trader's Little Helper > flac16; Taped by Dan Taggart and Greg Holtz
140991	1989-04-13	Rosemont Horizon	Rosemont	IL
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
152345	1989-04-13	Rosemont Horizon	Rosemont	IL
flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
154422	1989-04-13	Rosemont Horizon	Rosemont	IL
flac16/44; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152345 2496 > 1644
156415	1989-04-13	Rosemont Horizon	Rosemont	IL
Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 03, 2021
82405	1989-04-15	The Mecca	Milwaukee	WI
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
80277	1989-04-15	The Mecca	Milwaukee	WI
flac16; Source: Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8
430	1989-04-15	The Mecca	Milwaukee	WI
Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well; via A. Jerugim
102457	1989-04-15	The Mecca	Milwaukee	WI
flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps -> Sony WM-D6 TRANSFER: By JAZ, Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
106308	1989-04-15	The Mecca	Milwaukee	WI
flac16: Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3. 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen November 2009.
118400	1989-04-15	The Mecca	Milwaukee	WI
flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
118401	1989-04-15	The Mecca	Milwaukee	WI
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
128700	1989-04-15	The Mecca	Milwaukee	WI
flac16; Set One 2 source Matrix 80% sbd/20% soundtrack; Audio edited with iZotope Ozone 5 advanced; Matrix created with Adobe Audition 1.5; Audio editing and matrix by SIRMick
140992	1989-04-15	The Mecca	Milwaukee	WI
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
141013	1989-04-15	The Mecca	Milwaukee	WI
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
147300	1989-04-15	The Mecca	Milwaukee	WI
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
147385	1989-04-15	The Mecca	Milwaukee	WI
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1
156416	1989-04-15	The Mecca	Milwaukee	WI
Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 11, 2021
81703	1989-04-16	The Mecca	Milwaukee	WI
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
96081	1989-04-16	The Mecca	Milwaukee	WI
flac16; Source: AKG 460B omni capsules, 7' high, 6' spread > Crown phantom power > Sony TC-D5M (pass-thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (D/A conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Amarok > Cool Edit (edits and fades) > CDWAV > FLAC Taped and transferred by Pat Volkerding , 2008-11.
9371	1989-04-16	The Mecca	Milwaukee	WI
SBD> DAT> C> DAT> CD; via Paul B; Seeded to etree by Peter Braverman
9963	1989-04-16	The Mecca	Milwaukee	WI
Shntool fix by Willy of previous Braverman seed; SBD> DAT> C> DAT> CD
106339	1989-04-16	The Mecca	Milwaukee	WI
flac16;Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 2, 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1 w/ Nakamichi 550>Sony TCD5M Oade erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
112742	1989-04-16	The Mecca	Milwaukee	WI
flac 16; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11]
112743	1989-04-16	The Mecca	Milwaukee	WI
flac24; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11]
118402	1989-04-16	The Mecca	Milwaukee	WI
flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
118403	1989-04-16	The Mecca	Milwaukee	WI
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Litttle Helper; Metadata Tagging With AudioGate Software
122041	1989-04-16	The Mecca	Milwaukee	WI
flac16; Matrix 3 Source Mix - SBD (shn id 81703) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shn id 118402) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin
140995	1989-04-16	The Mecca	Milwaukee	WI
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
149618	1989-04-16	The Mecca	Milwaukee	WI
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
149699	1989-04-16	The Mecca	Milwaukee	WI
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
149793	1989-04-16	The Mecca	Milwaukee	WI
flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24.44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section PP,Row5,Seat 7
156417	1989-04-16	The Mecca	Milwaukee	WI
Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 13, 2021
156066	1989-04-17	Metropolitan Sports Center	Minneapolis	MN
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 138305 & 141003.
24003	1989-04-17	Metropolitan Sports Center	Minneapolis	MN
Source - 1st set MAC>C>C>D>cdwav>SHN; 2nd set MAC>C>D>cdwav>SHN; No deck or mic info; Seeded to tol.etree.org by John Stairs 4/04/04
9207	1989-04-17	Metropolitan Sports Center	Minneapolis	MN
AUD>DAT>CDR; Seeded to etree by Tim W
117564	1989-04-17	Metropolitan Sports Center	Minneapolis	MN
flac24; Master Audience Recorded By Mr. Darby; AKGC451E/ck1's (PAS/Sec 2 Row 42 Seat 13/6 Feet High)> Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
117565	1989-04-17	Metropolitan Sports Center	Minneapolis	MN
flac16; Master Audience Recorded By Mr. Darby; AKGC451E/ck1's (PAS/Sec 2 Row 42 Seat 13/6 Feet High)> Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
138286	1989-04-17	Metropolitan Sports Center	Minneapolis	MN
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
138305	1989-04-17	Metropolitan Sports Center	Minneapolis	MN
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138286 24 bit -> 16 bit
141003	1989-04-17	Metropolitan Sports Center	Minneapolis	MN
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
149521	1989-04-17	Metropolitan Sports Center	Minneapolis	MN
flac16; Set 2 Source: Sennheiser 441 Mics>Sony WM-D6C Cassette Deck>Maxell MX-90 Minute Metal Cassette Master Tape>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker
32087	1989-04-28	Irvine Meadows	Irvine	CA
flac24; Ambient Master by Tapers From Hell: A Journey to the Impact Zone Analog master by Mike French and John C. Sennheiser MKE2002 omni's(x2) HRTF @ 6'4" -> Sony TC-D5M "B"n.r. on the master. From Row WW, section 2, at the right front corner of the sbd, a few feet RoC.
88099	1989-04-28	Irvine Meadows	Irvine	CA
flac16; SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
77841	1989-04-28	Irvine Meadows	Irvine	CA
This is a 16/44.1 conversion by SirMick of this source: Ambient Master by Tapers From Hell: A Journey to the Impact ZoneAnalog master by Mike French and John C. (DelCor Pizza! yummy!)Mike as the Mic Stand, and John tweaking the knobs using Sennheiser MKE2002 omni's(x2) HRTF @ 6'4"
13755	1989-04-28	Irvine Meadows	Irvine	CA
Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor
82050	1989-04-28	Irvine Meadows	Irvine	CA
Master Soundboard Cassette > CDR > EAC > SHN > patching/editing > SHN
9208	1989-04-28	Irvine Meadows	Irvine	CA
AUD>PCM>DAT>CDR; Seeded to etree by Tim W
141008	1989-04-28	Irvine Meadows	Irvine	CA
flac16; Set 1 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
142343	1989-04-28	Irvine Meadows	Irvine	CA
flac16/48kHz; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
161420	1989-04-28	Irvine Meadows	Irvine	CA
flac2496 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
164178	1989-04-28	Irvine Meadows	Irvine	CA
flac1644 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 161420 2496 > 1644
76495	1989-04-29	Irvine Meadows	Irvine	CA
flac24; patched/edited version of shn id 35360 Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits
76511	1989-04-29	Irvine Meadows	Irvine	CA
flac16; 16/44.1 conversion of shn id 76495 Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown. Patched and edited by Bob Loy -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping, convert sample rate ultra high 1 -> 44100hz, dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries aligned -> id3 tag
88124	1989-04-29	Irvine Meadows	Irvine	CA
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
35360	1989-04-29	Irvine Meadows	Irvine	CA
flac24; Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master. From the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board. The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown as FLAC front end.
13756	1989-04-29	Irvine Meadows	Irvine	CA
Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor
9052	1989-04-29	Irvine Meadows	Irvine	CA
AUD>PCM>DAT>CDR; Seeded to etree by Tim W
141009	1989-04-29	Irvine Meadows	Irvine	CA
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
142344	1989-04-29	Irvine Meadows	Irvine	CA
flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
161421	1989-04-29	Irvine Meadows	Irvine	CA
flac2496 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
164177	1989-04-29	Irvine Meadows	Irvine	CA
flac1644 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 161421 2496 > 1644
88173	1989-04-30	Irvine Meadows	Irvine	CA
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
95853	1989-04-30	Irvine Meadows	Irvine	CA
flac16; FOB AUD: Nakamichi CM-300's with CP-1 cardioid capsules > Sony TC-D5M > Maxell MX-90's, 17th row. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.
13757	1989-04-30	Irvine Meadows	Irvine	CA
Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor
141010	1989-04-30	Irvine Meadows	Irvine	CA
flac16; Set 1 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
161419	1989-04-30	Irvine Meadows	Irvine	CA
flac2496 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
164176	1989-04-30	Irvine Meadows	Irvine	CA
flac1644 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 161419 2496 > 1644
5423	1989-05-06	Frost Amphitheatre	Palo Alto	CA
DSBD, with some editing (see notes in info file); via Jay Serafin to gdlive
14262	1989-05-06	Frost Amphitheatre	Palo Alto	CA
shntool fixed shns of Jay Serafin dsbd seed
34769	1989-05-06	Frost Amphitheatre	Palo Alto	CA
Seamless fix of shn id 14262 - DSBD
135820	1989-05-06	Frost Amphitheatre	Palo Alto	CA
flac24; AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > TLH
135821	1989-05-06	Frost Amphitheatre	Palo Alto	CA
flac16; AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH

Live Concert Database