Sources for Grateful Dead
unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 108848 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 32542 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | |||||
| 15402 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN. Thanks to Johnny Venus for the disks. Normalized and seeded by Peter Braverman | |||||
| 9484 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to etree by Tim W | |||||
| 105612 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Recording Info:SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 108689 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B) Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 116407 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Source: (OTS) Superscope EC-7's (ortf/cardioids) > Sony WM-D6C; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster | |||||
| 124836 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus | |||||
| 138905 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT | |||||
| 139649 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac24; Set 2 Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/Maxell HGX GOLD); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/Maxell HGX GOLD); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller | |||||
| 139666 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Recording Info: SBD > PCM Master (Vault) > PCM Clone; Transfer Info: PCM (Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston | |||||
| 139794 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Set 2 Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/Maxell HGX GOLD); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/Maxell HGX GOLD); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller | |||||
| 140728 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp | |||||
| 140729 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac24; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 | |||||
| 140996 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small | |||||
| 163488 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac2496 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 > Samplitude Pro X6 Suite > FLAC/24 | |||||
| 164183 | 1989-02-05 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac1644 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 163488 2496 > 1644 | |||||
| 26330 | 1989-02-06 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; SBD> Master Cassette> CD (Marantz CDR 500 Pro); Transfer Info: CD (Sony CDP-XE500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> Cool Edit Pro v2.0> FLAC; Transferred and Edited By Charlie Miller, with thanks to Paul Scotton and Joani Walker | |||||
| 9485 | 1989-02-06 | Henry J Kaiser Convention Center | Oakland | CA | |
| Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to Etree by Tim W | |||||
| 107030 | 1989-02-06 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 116443 | 1989-02-06 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Source: (OTS) Superscope EC-7's (ortf/cardioids) > Sony WM-D6C; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster | |||||
| 124837 | 1989-02-06 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus | |||||
| 138906 | 1989-02-06 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Set 1 Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT | |||||
| 146587 | 1989-02-06 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 | |||||
| 147384 | 1989-02-06 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1 | |||||
| 32543 | 1989-02-07 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; SBD -> Cassette Master (TDK MA-X90) Transferred and Edited By Charlie Miller | |||||
| 9202 | 1989-02-07 | Henry J Kaiser Convention Center | Oakland | CA | |
| SBD>MC>DAT>CDR; Seeded to etree by Tim W | |||||
| 106929 | 1989-02-07 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 124838 | 1989-02-07 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus | |||||
| 138907 | 1989-02-07 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Mastered, ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT | |||||
| 149648 | 1989-02-07 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 149698 | 1989-02-07 | Henry J Kaiser Convention Center | Oakland | CA | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 | |||||
| 77647 | 1989-02-10 | Great Western LA Forum | Inglewood | CA | |
| flac16; Senn MKE2002 omni's HRTF -> Sony TC-D5M @ 6' 5" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 24/96 files imported via Mac Tiger 10.4.Flac compression by xACT to 7/8 compression conversion: by Bob Loy Samplitude Professional V8.01 > Declipping > -13db > Isotope Ozone loudness maximizer > new max peak -.1db > 16bit 44100hz >ffe l6 sbes aligned by set>1d3 tag | |||||
| 34569 | 1989-02-10 | Great Western LA Forum | Inglewood | CA | |
| flac16; Seamless fix of shn id 13060 - Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | |||||
| 74843 | 1989-02-10 | Great Western LA Forum | Inglewood | CA | |
| flac24/96; Senn MKE2002 omni\'s HRTF -> Sony TC-D5M @ 6\' 5\" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 23/96 files imported via Mac Tiger 10.4. Flac compression by xACT to 7/8 compression | |||||
| 77708 | 1989-02-10 | Great Western LA Forum | Inglewood | CA | |
| flac24/48; Senn MKE2002 omni's HRTF -> Sony TC-D5M @ 6' 5" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 24/96 files imported via Mac Tiger 10.4.Flac compression by xACT to 7/8 compression conversion 24/48: by Bob Loy Samplitude Professional V8.01 > Declipping > -13db > Isotope Ozone loudness maximizer > new max peak -.1db > 24bit 48hz >ffe l6; this is a clean-up of the original 24 bit source | |||||
| 13060 | 1989-02-10 | Great Western LA Forum | Inglewood | CA | |
| Source: Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN (via MKWACT) | |||||
| 124829 | 1989-02-10 | Great Western LA Forum | Inglewood | CA | |
| flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, Seat 8 | |||||
| 137004 | 1989-02-10 | Great Western LA Forum | Inglewood | CA | |
| flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller | |||||
| 137076 | 1989-02-10 | Great Western LA Forum | Inglewood | CA | |
| flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller | |||||
| 139760 | 1989-02-10 | Great Western LA Forum | Inglewood | CA | |
| flac16; Source Info: (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 > Dat (16/44); Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 | |||||
| 140997 | 1989-02-10 | Great Western LA Forum | Inglewood | CA | |
| flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small | |||||
| 140999 | 1989-02-11 | Great Western LA Forum | Inglewood | CA | |
| flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small | |||||
| 35158 | 1989-02-11 | Great Western LA Forum | Inglewood | CA | |
| flac24/96; Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two: ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96: Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac: DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT | |||||
| 76125 | 1989-02-11 | Great Western LA Forum | Inglewood | CA | |
| flac16; From the Impact Zone, fob/dfc Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two; ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level. ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96; Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac; DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT, by MF - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. New flacs, etc created | |||||
| 20759 | 1989-02-11 | Great Western LA Forum | Inglewood | CA | |
| DAUD[master] > CDR > EAC > AddaWav > CDWAV > SHN; EAC > SHN by harlan; CDR from D. Loebig. | |||||
| 9203 | 1989-02-11 | Great Western LA Forum | Inglewood | CA | |
| SBD>MC>DAT>CDR; Seeded to etree by Tim W | |||||
| 124830 | 1989-02-11 | Great Western LA Forum | Inglewood | CA | |
| flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, Seat 8 | |||||
| 134776 | 1989-02-11 | Great Western LA Forum | Inglewood | CA | |
| flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat; Set 2: SBD -> PCM Master -> Dat; Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> WAV -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 140719 | 1989-02-11 | Great Western LA Forum | Inglewood | CA | |
| flac16; Recording Info: Set 1: SBD > PCM; Set 2: UltraMatrix SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 140730 | 1989-02-11 | Great Western LA Forum | Inglewood | CA | |
| flac16; Set 1 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp | |||||
| 140731 | 1989-02-11 | Great Western LA Forum | Inglewood | CA | |
| flac24; Set 1 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 | |||||
| 140998 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small | |||||
| 89200 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.0.1 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 31265 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| flac24; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. | |||||
| 76126 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| flac16; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. - retracked, new flacs, etc created, files have been renamed to Etree conventions | |||||
| 429 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| SBD; via Mike Lai | |||||
| 4680 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| SBD> MC> DAT> CD> SHN | |||||
| 124818 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, seat 6 | |||||
| 137005 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller | |||||
| 137086 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller | |||||
| 139800 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| flac16; Set 1 Source Info: (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 > Dat (16/44); Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 | |||||
| 140913 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| flac16; Matrix 2 Source Mix - SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - matrix mixing by Kevin Tobin | |||||
| 140914 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| DTS-Audio-CD 5.1 Mix; SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - dts mixing by Kevin Tobin | |||||
| 140915 | 1989-02-12 | Great Western LA Forum | Inglewood | CA | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - surrround mixing by Kevin Tobin | |||||
| 81528 | 1989-03-27 | The Omni | Atlanta | GA | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | |||||
| 9204 | 1989-03-27 | The Omni | Atlanta | GA | |
| AUD(Schoeps CMC-441's)>DAT>CDR; Seeded to etree by Tim W | |||||
| 108015 | 1989-03-27 | The Omni | Atlanta | GA | |
| flac24; Lineage: Master Audience Cassette Nak300.Sony D3.Maxell XLII-S 90's Transfer:Nak MR-1>Korg MR-1000 1Bit/5.6MHz Sample rate conversion with AudioGate software to 24/96 FLAC | |||||
| 124946 | 1989-03-27 | The Omni | Atlanta | GA | |
| flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 124947 | 1989-03-27 | The Omni | Atlanta | GA | |
| flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 147800 | 1989-03-27 | The Omni | Atlanta | GA | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 147894 | 1989-03-27 | The Omni | Atlanta | GA | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 | |||||
| 158251 | 1989-03-27 | The Omni | Atlanta | GA | |
| flac1644 A Photoleon Matrix Source 1 Shnid 9204 Source: Aud(schoeps Cmc-441's)> Dat> Cdr Conversion: Eac(secure)> Cd Wav> Cool Edit Pro> Shn(seekable) Conversion Edit Seeded To Etree By Tim Wiley 4 1 02 Another Installment Of The Music Never Stopped Project! Source 2 Shnid 147894 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 24, 2019 Source 3 Shnid 108015 Lineage: Master Audience Cassette Nak300.sony D3.maxell Xlii-s 90's Transfer:nak Mr-1>korg Mr-1000 1bit Mhz. Sample Rate Conversion With Audiogate Software To 24 Flac. Taper: Baker Matrix Created In Adobe Audition By Joe Noel August 04, 2022 | |||||
| 164244 | 1989-03-27 | The Omni | Atlanta | GA | |
| flac1648 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496 | |||||
| 164245 | 1989-03-27 | The Omni | Atlanta | GA | |
| flac2496 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496 | |||||
| 81529 | 1989-03-28 | The Omni | Atlanta | GA | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | |||||
| 9205 | 1989-03-28 | The Omni | Atlanta | GA | |
| AUD>DAT>CDR; Seeded to etree by Tim W | |||||
| 111792 | 1989-03-28 | The Omni | Atlanta | GA | |
| flac 24; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [2/2/11] | |||||
| 111791 | 1989-03-28 | The Omni | Atlanta | GA | |
| flac 16; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [2/2/11] | |||||
| 124993 | 1989-03-28 | The Omni | Atlanta | GA | |
| flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 124994 | 1989-03-28 | The Omni | Atlanta | GA | |
| flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 147818 | 1989-03-28 | The Omni | Atlanta | GA | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 148154 | 1989-03-28 | The Omni | Atlanta | GA | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 | |||||
| 156410 | 1989-03-28 | The Omni | Atlanta | GA | |
| Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 | |||||
| 164338 | 1989-03-28 | The Omni | Atlanta | GA | |
| flac1648 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496 | |||||
| 164339 | 1989-03-28 | The Omni | Atlanta | GA | |
| flac2496 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496 | |||||
| 81531 | 1989-03-30 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 79836 | 1989-03-30 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Set 1 only: Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 10059 | 1989-03-30 | Greensboro Coliseum | Greensboro | NC | |
| Mark Horvath FOB Senn. 421?s>Sony TC-D5>MC>CDR; via Paul "Raoul" B; Seeded to etree by Brad Ingle | |||||
| 125411 | 1989-03-30 | Greensboro Coliseum | Greensboro | NC | |
| flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 125412 | 1989-03-30 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 133932 | 1989-03-30 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper | |||||
| 137921 | 1989-03-30 | Greensboro Coliseum | Greensboro | NC | |
| flac16/48kHz; Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48khz)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe | |||||
| 141801 | 1989-03-30 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 | |||||
| 147819 | 1989-03-30 | Greensboro Coliseum | Greensboro | NC | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 148153 | 1989-03-30 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 | |||||
| 164502 | 1989-03-30 | Greensboro Coliseum | Greensboro | NC | |
| flac1648 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496 | |||||
| 164503 | 1989-03-30 | Greensboro Coliseum | Greensboro | NC | |
| flac2496 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496 | |||||
| 32349 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |||||
| 95221 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S taped by John Bleich Transfer : mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96) > flac | |||||
| 3826 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| schoeps cmc?/mk21> DAT fob; via Childo and unIDed seeder; note offbeat track breaks; includes unIDed filler | |||||
| 16666 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| sbd>cass>dat>cd>eac>wav>shn>wav>shn; via Ray Hansen; seedeD | |||||
| 125425 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 125426 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 133938 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper | |||||
| 138065 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac16/48kHz; Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe | |||||
| 140966 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 | |||||
| 147823 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 148151 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this file set is 16 bit @ 44.1 | |||||
| 148612 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 | |||||
| 148611 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 149811 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac16; Matrix 2 Source Mix - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin | |||||
| 149813 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin | |||||
| 149814 | 1989-03-31 | Greensboro Coliseum | Greensboro | NC | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - surround mixing by Kevin | |||||
| 113358 | 1989-03-?? | Club Front - Grateful Dead Studio | San Rafael | CA | |
| flac16: Source reported to be:
(Video ~ 1st gen video8 > stand alone DVR) Audio ~ AC3 48000Hz 256 kb/s tot , stereo (2/0) Extracted, Tracked, Downsampled and Converted to FLAC May 2011 by Teddy "GoodBear" - Number of Audio channels: 2 Audio Coding mode: Linear PCM audio Sampling Rate: 44.1kHz | |||||
| 89780 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. | |||||
| 96554 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac16; source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell SII-S taped by John Bleich from Section 9F, Row TT, Seat 8 transfer: mac > Nakamichi BX-125E > EMU 020 > Wavelab > wav (24/96) > flac *except for It's All Over Now, Baby Blue: mac > Nakamichi ZX-9 > Tascam HD-P2 > wav (24/96) > flac | |||||
| 9206 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| AUD(Beyer M-88?s>Sony TC-D5)>MC>DAT>CDR; Seeded to etree by Tim W | |||||
| 17177 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan | |||||
| 29734 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Note this is the original shn seed for shn id9206 This source was made from my master cassettes and doesn't have the digital flaws noted on d2t01 (bad EAC) of shn id 9206. Digital Mastering by Charlie Connor Seeded to abgd 3/29/01; seeded to etree bt 6/21/05 | |||||
| 134822 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac16; Source: B&K4011 FOB AUD > ? > PCM unknown taper; Transfer: PCM (x) > DAT (0) > Microtrack 24/96 > WAV 44.1 > Flac 16/44.1 | |||||
| 135454 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| DTS-Audio-CD 5.1 Mix; SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - dts mixing by Kevin Tobin | |||||
| 135453 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac16; Matrix 2 Source Mix - SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - matrix mixing by Kevin Tobin | |||||
| 135455 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - mixing by Kevin Tobin | |||||
| 135452 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac16; (original shnid = 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - pitch correction and patches by Kevin Tobin | |||||
| 141669 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) | |||||
| 145673 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 | |||||
| 147793 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 147892 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 | |||||
| 149268 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac24; Source Info: TS Sennheiser-> Sony D5-> Sony D6-> Cassette; Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel | |||||
| 150550 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel | |||||
| 151401 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| Fresh Transfer and Remaster Of Source 141669. Source: (OTS) AKG 460 with ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette. Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz-24bit Recording & Transfer by Ray Ackerman. Edited & Mastered (Adobe Audition) by Joe Noel. January 2, 2021 | |||||
| 151419 | 1989-04-02 | Civic Arena | Pittsburgh | PA | |
| flac16/44.1khz Ackerman Archives Source: (OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit Recording & Transfer by Ray Ackerman Edited & Mastered (Adobe Audition) by Joe Noel | |||||
| 89791 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. | |||||
| 96796 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > mac taped by John Bleich Transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav (16/44.1) > Cd Wave > TLH > flac16 | |||||
| 100161 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac16; Source: (FOB) Schoeps CMC5/MK4->DAT (16/48) Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0 (fades, normalize (127.20%/2.09dB), resample)->FLAC; Taper: Unknown | |||||
| 7507 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell | |||||
| 29758 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor | |||||
| 125022 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 125023 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 125281 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac16; Matrix 4 Source Mix - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - matrix mixing by Kevin Tobin | |||||
| 125403 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| DTS-Audio-CD 5.1 Mix; SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - dts mixing by Kevin Tobin | |||||
| 125413 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac16; SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell (shnid 7507) - Patched, Pitch Correction and Tagged by Kevin Tobin | |||||
| 133939 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper | |||||
| 135433 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor - mixing by Kevin Tobin | |||||
| 141670 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) | |||||
| 145689 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 | |||||
| 147794 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 147893 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 | |||||
| 150551 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel | |||||
| 151402 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| Fresh Transfer And Remaster Of Source 141670. Source: (OTS) AKG 460 with ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette. Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz-24bit Recording & Transfer by Ray Ackerman. Edited & Mastered (Adobe Audition) by Joe Noel. January 4, 2021. | |||||
| 151420 | 1989-04-03 | Civic Arena | Pittsburgh | PA | |
| flac16/44.1khz Ackerman Archives Source: (OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit Recording & Transfer by Ray Ackerman Edited & Mastered (Adobe Audition) by Joe Noel | |||||
| 83501 | 1989-04-05 | Crisler Arena | Ann Arbor | MI | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 83800 | 1989-04-05 | Crisler Arena | Ann Arbor | MI | |
| flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone | |||||
| 100671 | 1989-04-05 | Crisler Arena | Ann Arbor | MI | |
| flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 | |||||
| 1091 | 1989-04-05 | Crisler Arena | Ann Arbor | MI | |
| Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop | |||||
| 5491 | 1989-04-05 | Crisler Arena | Ann Arbor | MI | |
| Healy Ultra Mix Cassette Master-> DAT-> CDR | |||||
| 111957 | 1989-04-05 | Crisler Arena | Ann Arbor | MI | |
| flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-16; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard | |||||
| 141802 | 1989-04-05 | Crisler Arena | Ann Arbor | MI | |
| flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 | |||||
| 144913 | 1989-04-05 | Crisler Arena | Ann Arbor | MI | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 145037 | 1989-04-05 | Crisler Arena | Ann Arbor | MI | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 | |||||
| 111974 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard | |||||
| 83508 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 85256 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| flac16; matrix sources: 1) SBD -> Cassette Master (TDK MA-XG90) transfer : Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 and 2) aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer : mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone except for Brokedown which is is from B&K 4011 source | |||||
| 83801 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone | |||||
| 100672 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 | |||||
| 1092 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop; missing encore; note most md5s and/or tracks of d3 were accidentally labelled as d2tn; renamed version (md5s shown here) may circulate >8/15/01 thanks to Aaron | |||||
| 5492 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| complete; Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source | |||||
| 126150 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| flac16; Matrix 2 Source Mix - SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - matrix mixing by Kevin Tobin | |||||
| 126149 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| flac16; (original shnid = 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - pitch correction and patches by Kevin Tobin | |||||
| 126153 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| DTS-Audio-CD 5.1 Mix; SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - DTS mixing by Kevin Tobin | |||||
| 141803 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 | |||||
| 147831 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 148148 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 | |||||
| 156411 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 | |||||
| 158252 | 1989-04-06 | Crisler Arena | Ann Arbor | MI | |
| A Photoleon Matrix Source 1 Shnid 156411 Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 Source 2 Shnid 148148 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 26, 2019 Matrix Created In Adobe Audition By Joe Noel July 29, 2022 | |||||
| 111975 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard | |||||
| 83510 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 84175 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16; Source: FOB Schoeps > PCM > DAT > CDR > EAC > *Adobe Audition 2.0 (Waves Q10 [pre-emphasis removal] and L3) > CDWave > FLAC EAC'd by Doug Nawrocki | |||||
| 94166 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) | |||||
| 83802 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone | |||||
| 7857 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor | |||||
| 26348 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| SBD> Cassette Master> Dat> CD> EAC> SHN; Converted to SHN By Charlie Miller | |||||
| 131015 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16; Master Digital Audience recording: Neumann KMR-81's> ?> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Panasonic SV-3700 (spdif)> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracks)> TLH (SBE/Flac16/ffp); Tranfer completed and uploaded to etree.org on August 22, 2014 by jwpetty | |||||
| 135469 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16; (original shnid = 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - pitch correction and patches by Kevin Tobin | |||||
| 135470 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16; Matrix 2 Source Mix - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin | |||||
| 135471 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| DTS-Audio-CD 5.1 Mix; SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin | |||||
| 135472 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - mixing by Kevin Tobin | |||||
| 140807 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16; Set 1 Source; Unknown taper: FOB Schoeps > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT | |||||
| 141804 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 | |||||
| 147838 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 147895 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 | |||||
| 149284 | 1989-04-08 | Riverfront Arena | Cincinnati | OH | |
| flac16; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)-> Down Sample 16-44.1; Taped & Transfers by Pete Ebel | |||||
| 83523 | 1989-04-09 | Freedom Hall | Louisville | KY | |
| flac16; Source: Audience FOB Recording, 12th row DFC Media: BASF Chrome Maxima II 90 min. Lineage: AKG C460b preÃÂs with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab5: Isotope Ozone 3 to brighten a little -> crosfaded at tape flips as noted -> Minor Z-Noise reduction -> Tracked w/ CDwave -> L3 Bit depth reduction/down sampled -> FlacFrontend Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Townshend | |||||
| 34962 | 1989-04-09 | Freedom Hall | Louisville | KY | |
| flac16; SBD> CM> DAT> CD> EAC> SHN; speed corrected version of shn id 13207 (via Charlie Miller, Patrick White); fix by Kevin Tobin | |||||
| 75504 | 1989-04-09 | Freedom Hall | Louisville | KY | |
| flac16; Seamless fix of shn id 34962 - SBD>CM>DAT>CD>EAC>SHN(>WAV>FLAC). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | |||||
| 84036 | 1989-04-09 | Freedom Hall | Louisville | KY | |
| flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone | |||||
| 7858 | 1989-04-09 | Freedom Hall | Louisville | KY | |
| Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. | |||||
| 13207 | 1989-04-09 | Freedom Hall | Louisville | KY | |
| SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White | |||||
| 138255 | 1989-04-09 | Freedom Hall | Louisville | KY | |
| flac16/48kHz; Source: Neumann KMR-82i > DAT (48 khz); Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe | |||||
| 147845 | 1989-04-09 | Freedom Hall | Louisville | KY | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 148146 | 1989-04-09 | Freedom Hall | Louisville | KY | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 | |||||
| 156412 | 1989-04-09 | Freedom Hall | Louisville | KY | |
| Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recorded By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 10, 2021 | |||||
| 94240 | 1989-04-11 | Rosemont Horizon | Rosemont | IL | |
| flac16; Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH) | |||||
| 15109 | 1989-04-11 | Rosemont Horizon | Rosemont | IL | |
| SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller | |||||
| 106238 | 1989-04-11 | Rosemont Horizon | Rosemont | IL | |
| flac16; Recorded by Justin L. Lee 2 Nakamichi CM300s CP4 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. | |||||
| 120302 | 1989-04-11 | Rosemont Horizon | Rosemont | IL | |
| flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo | |||||
| 120303 | 1989-04-11 | Rosemont Horizon | Rosemont | IL | |
| flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 141850 | 1989-04-11 | Rosemont Horizon | Rosemont | IL | |
| flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 | |||||
| 147985 | 1989-04-11 | Rosemont Horizon | Rosemont | IL | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 148145 | 1989-04-11 | Rosemont Horizon | Rosemont | IL | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 16 bit @ 44.1 | |||||
| 156413 | 1989-04-11 | Rosemont Horizon | Rosemont | IL | |
| Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 01, 2021 | |||||
| 83768 | 1989-04-12 | Rosemont Horizon | Rosemont | IL | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 95291 | 1989-04-12 | Rosemont Horizon | Rosemont | IL | |
| flac16; Source: Audience Recording Lineage: Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > Adobe Audition 3.0 > CDWave > Flac16 | |||||
| 9383 | 1989-04-12 | Rosemont Horizon | Rosemont | IL | |
| Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN; via PB (l'autre); Seeded to etree by Peter Braverman | |||||
| 9962 | 1989-04-12 | Rosemont Horizon | Rosemont | IL | |
| Shntool fix by-disc by Willy of previous Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD | |||||
| 29631 | 1989-04-12 | Rosemont Horizon | Rosemont | IL | |
| likely by-set shntool fix of Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN; | |||||
| 120337 | 1989-04-12 | Rosemont Horizon | Rosemont | IL | |
| flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 120338 | 1989-04-12 | Rosemont Horizon | Rosemont | IL | |
| flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo | |||||
| 140990 | 1989-04-12 | Rosemont Horizon | Rosemont | IL | |
| flac16; Set 2 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 | |||||
| 149393 | 1989-04-12 | Rosemont Horizon | Rosemont | IL | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 | |||||
| 149418 | 1989-04-12 | Rosemont Horizon | Rosemont | IL | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 This file set is 16 bit @ 44.1 | |||||
| 156414 | 1989-04-12 | Rosemont Horizon | Rosemont | IL | |
| Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 02, 2021 | |||||
| 83769 | 1989-04-13 | Rosemont Horizon | Rosemont | IL | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 5607 | 1989-04-13 | Rosemont Horizon | Rosemont | IL | |
| SBD > MC > Dat > CDR > EAC > CDWave > mkwACT; Extraction/Seeding by Doug Nawrocki, from Kevin Gills source discs | |||||
| 120339 | 1989-04-13 | Rosemont Horizon | Rosemont | IL | |
| flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo | |||||
| 120340 | 1989-04-13 | Rosemont Horizon | Rosemont | IL | |
| flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 134548 | 1989-04-13 | Rosemont Horizon | Rosemont | IL | |
| flac16; Source: Audience recording; Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-6; Transfer: MAC > tascam 112 > Edirol UA-5 > Audacity > 2448wav > R8 Brain > 1644 wav > Trader's Little Helper > flac16; Taped by Dan Taggart and Greg Holtz | |||||
| 140991 | 1989-04-13 | Rosemont Horizon | Rosemont | IL | |
| flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 | |||||
| 152345 | 1989-04-13 | Rosemont Horizon | Rosemont | IL | |
| flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 | |||||
| 154422 | 1989-04-13 | Rosemont Horizon | Rosemont | IL | |
| flac16/44; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152345 2496 > 1644 | |||||
| 156415 | 1989-04-13 | Rosemont Horizon | Rosemont | IL | |
| Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 03, 2021 | |||||
| 82405 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 80277 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| flac16; Source: Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 | |||||
| 430 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well; via A. Jerugim | |||||
| 102457 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps -> Sony WM-D6 TRANSFER: By JAZ, Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 | |||||
| 106308 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| flac16: Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3. 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen November 2009. | |||||
| 118400 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo | |||||
| 118401 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software | |||||
| 128700 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| flac16; Set One 2 source Matrix 80% sbd/20% soundtrack; Audio edited with iZotope Ozone 5 advanced; Matrix created with Adobe Audition 1.5; Audio editing and matrix by SIRMick | |||||
| 140992 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 | |||||
| 141013 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 | |||||
| 147300 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 | |||||
| 147385 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1 | |||||
| 156416 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 11, 2021 | |||||
| 167804 | 1989-04-15 | The Mecca | Milwaukee | WI | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 82405 & 141013. | |||||
| 81703 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 96081 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac16; Source: AKG 460B omni capsules, 7' high, 6' spread > Crown phantom power > Sony TC-D5M (pass-thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (D/A conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Amarok > Cool Edit (edits and fades) > CDWAV > FLAC Taped and transferred by Pat Volkerding | |||||
| 9371 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| SBD> DAT> C> DAT> CD; via Paul B; Seeded to etree by Peter Braverman | |||||
| 9963 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| Shntool fix by Willy of previous Braverman seed; SBD> DAT> C> DAT> CD | |||||
| 106339 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac16;Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 2, 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1 w/ Nakamichi 550>Sony TCD5M Oade erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. | |||||
| 112742 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac 16; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11] | |||||
| 112743 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac24; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11] | |||||
| 118402 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo | |||||
| 118403 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Litttle Helper; Metadata Tagging With AudioGate Software | |||||
| 122041 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac16; Matrix 3 Source Mix - SBD (shn id 81703) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shn id 118402) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin | |||||
| 140995 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 149618 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 | |||||
| 149699 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 | |||||
| 149793 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24.44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section PP,Row5,Seat 7 | |||||
| 156417 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 13, 2021 | |||||
| 167825 | 1989-04-16 | The Mecca | Milwaukee | WI | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 81703 & 140995, with a patch from 156417. | |||||
| 156066 | 1989-04-17 | Metropolitan Sports Center | Minneapolis | MN | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 138305 & 141003. | |||||
| 24003 | 1989-04-17 | Metropolitan Sports Center | Minneapolis | MN | |
| Source - 1st set MAC>C>C>D>cdwav>SHN; 2nd set MAC>C>D>cdwav>SHN; No deck or mic info; Seeded to tol.etree.org by John Stairs 4/04/04 | |||||
| 9207 | 1989-04-17 | Metropolitan Sports Center | Minneapolis | MN | |
| AUD>DAT>CDR; Seeded to etree by Tim W | |||||
| 117564 | 1989-04-17 | Metropolitan Sports Center | Minneapolis | MN | |
| flac24; Master Audience Recorded By Mr. Darby; AKGC451E/ck1's (PAS/Sec 2 Row 42 Seat 13/6 Feet High)> Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo | |||||
| 117565 | 1989-04-17 | Metropolitan Sports Center | Minneapolis | MN | |
| flac16; Master Audience Recorded By Mr. Darby; AKGC451E/ck1's (PAS/Sec 2 Row 42 Seat 13/6 Feet High)> Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software | |||||
| 138286 | 1989-04-17 | Metropolitan Sports Center | Minneapolis | MN | |
| flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 138305 | 1989-04-17 | Metropolitan Sports Center | Minneapolis | MN | |
| flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138286 24 bit -> 16 bit | |||||
| 141003 | 1989-04-17 | Metropolitan Sports Center | Minneapolis | MN | |
| flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 149521 | 1989-04-17 | Metropolitan Sports Center | Minneapolis | MN | |
| flac16; Set 2 Source: Sennheiser 441 Mics>Sony WM-D6C Cassette Deck>Maxell MX-90 Minute Metal Cassette Master Tape>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker | |||||
| 32087 | 1989-04-28 | Irvine Meadows | Irvine | CA | |
| flac24; Ambient Master by Tapers From Hell: A Journey to the Impact Zone Analog master by Mike French and John C. Sennheiser MKE2002 omni's(x2) HRTF @ 6'4" -> Sony TC-D5M "B"n.r. on the master. From Row WW, section 2, at the right front corner of the sbd, a few feet RoC. | |||||
| 88099 | 1989-04-28 | Irvine Meadows | Irvine | CA | |
| flac16; SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 77841 | 1989-04-28 | Irvine Meadows | Irvine | CA | |
| This is a 16/44.1 conversion by SirMick of this source: Ambient Master by Tapers From Hell: A Journey to the Impact ZoneAnalog master by Mike French and John C. (DelCor Pizza! yummy!)Mike as the Mic Stand, and John tweaking the knobs using Sennheiser MKE2002 omni's(x2) HRTF @ 6'4" | |||||
| 13755 | 1989-04-28 | Irvine Meadows | Irvine | CA | |
| Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor | |||||
| 82050 | 1989-04-28 | Irvine Meadows | Irvine | CA | |
| Master Soundboard Cassette > CDR > EAC > SHN > patching/editing > SHN | |||||
| 9208 | 1989-04-28 | Irvine Meadows | Irvine | CA | |
| AUD>PCM>DAT>CDR; Seeded to etree by Tim W | |||||
| 141008 | 1989-04-28 | Irvine Meadows | Irvine | CA | |
| flac16; Set 1 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 142343 | 1989-04-28 | Irvine Meadows | Irvine | CA | |
| flac16/48kHz; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 | |||||
| 161420 | 1989-04-28 | Irvine Meadows | Irvine | CA | |
| flac2496 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 | |||||
| 164178 | 1989-04-28 | Irvine Meadows | Irvine | CA | |
| flac1644 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 161420 2496 > 1644 | |||||
| 76495 | 1989-04-29 | Irvine Meadows | Irvine | CA | |
| flac24; patched/edited version of shn id 35360 Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits | |||||
| 76511 | 1989-04-29 | Irvine Meadows | Irvine | CA | |
| flac16; 16/44.1 conversion of shn id 76495 Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown. Patched and edited by Bob Loy -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping, convert sample rate ultra high 1 -> 44100hz, dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries aligned -> id3 tag | |||||
| 88124 | 1989-04-29 | Irvine Meadows | Irvine | CA | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 35360 | 1989-04-29 | Irvine Meadows | Irvine | CA | |
| flac24; Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master. From the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board. The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown as FLAC front end. | |||||
| 13756 | 1989-04-29 | Irvine Meadows | Irvine | CA | |
| Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor | |||||
| 9052 | 1989-04-29 | Irvine Meadows | Irvine | CA | |
| AUD>PCM>DAT>CDR; Seeded to etree by Tim W | |||||
| 141009 | 1989-04-29 | Irvine Meadows | Irvine | CA | |
| flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 142344 | 1989-04-29 | Irvine Meadows | Irvine | CA | |
| flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 | |||||
| 161421 | 1989-04-29 | Irvine Meadows | Irvine | CA | |
| flac2496 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 | |||||
| 164177 | 1989-04-29 | Irvine Meadows | Irvine | CA | |
| flac1644 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 161421 2496 > 1644 | |||||
| 88173 | 1989-04-30 | Irvine Meadows | Irvine | CA | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 95853 | 1989-04-30 | Irvine Meadows | Irvine | CA | |
| flac16; FOB AUD: Nakamichi CM-300's with CP-1 cardioid capsules > Sony TC-D5M > Maxell MX-90's, 17th row. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. | |||||
| 13757 | 1989-04-30 | Irvine Meadows | Irvine | CA | |
| Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor | |||||
| 141010 | 1989-04-30 | Irvine Meadows | Irvine | CA | |
| flac16; Set 1 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 161419 | 1989-04-30 | Irvine Meadows | Irvine | CA | |
| flac2496 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 | |||||
| 164176 | 1989-04-30 | Irvine Meadows | Irvine | CA | |
| flac1644 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 161419 2496 > 1644 | |||||
| 5423 | 1989-05-06 | Frost Amphitheatre | Palo Alto | CA | |
| DSBD, with some editing (see notes in info file); via Jay Serafin to gdlive | |||||
| 14262 | 1989-05-06 | Frost Amphitheatre | Palo Alto | CA | |
| shntool fixed shns of Jay Serafin dsbd seed | |||||
| 34769 | 1989-05-06 | Frost Amphitheatre | Palo Alto | CA | |
| Seamless fix of shn id 14262 - DSBD | |||||