Grateful Dead 1983-04-26
The Spectrum, Philadelphia, PA

Set 1
Shakedown Street
New Minglewood Blues
They Love Each Other
Me & My Uncle >
Mexicali Blues
Maybe You Know
West L.A. Fadeaway
My Brother Esau
It Must Have Been the Roses
Let It Grow

Set 2
Help On The Way >
Slipknot! >
Franklin's Tower >
Man Smart (Woman Smarter) >
Drums >
Space >
Truckin' >
Nobody's Fault But Mine/Spoonful Jam >
Morning Dew >
Throwing Stones >
Not Fade Away
U.S. Blues

Set 3


Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Sources
SHNIDDateVenueCityStateArchive Identifier
343951983-04-26The SpectrumPhiladelphiaPA
flac16; Seamless fix of shn id 2606 - SBDMC>Cass>DAT>CDR>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
975441983-04-26The SpectrumPhiladelphiaPA
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
283601983-04-26The SpectrumPhiladelphiaPA
flac16; Unknown mics > MAC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac; transfer by David Dillon
26061983-04-26The SpectrumPhiladelphiaPA
SBDMC> Cass> DAT> CDR> EAC> SHN; via Mike 'Dank Star' Parrillo
281611983-04-26The SpectrumPhiladelphiaPA
set2; Sennheiser shotguns > Sony D-5 onto Maxell XLIIS-90, No dolby used; recorded by David Hanscom, center, about 2/3rds back on floor (FOB); Transfer: MC > CDR: NAK BX-300 > Philips CDR-820 standalone recorder, as long, multi-song files; EAC> CDWAV> shn by Bzl
1125831983-04-26The SpectrumPhiladelphiaPA
flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1326071983-04-26The SpectrumPhiladelphiaPA
flac16; 2 Source Matrix by Dusborne; Soundboard(shinid:97544) SBD -> Cassette Master -> Cassette -> Dat (48k); Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; and Audience(shinid:28360) Unknown mics > MC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac
1327841983-04-26The SpectrumPhiladelphiaPA
flac16/48kHz; Master Soundboard Cassette (Dan Healy)-1st Generation 7 Inch Reel @ 7.5 ips 1/4 Track(Dick L)-Tascam 122MK111 Cassette Deck-Technics 1506 Reel 2 Reel); Analog To Digital-Reel Playback on Otari MX5050-JVC SV-3700 DAT Deck @48KHz; DAT x Zero-DAT x One JVC 3700-JVC 3700 via AES cable; DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
1333841983-04-26The SpectrumPhiladelphiaPA
flac16; MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> UVHR22/Crystal Resampler> .wav@16/44.1> xAct> flac16. Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford
1333851983-04-26The SpectrumPhiladelphiaPA
flac24; MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> .wav@24/88.2> xAct> flac24; Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford
1367441983-04-26The SpectrumPhiladelphiaPA
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
1367451983-04-26The SpectrumPhiladelphiaPA
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1417371983-04-26The SpectrumPhiladelphiaPA
flac16/44.1 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No Dolby Location: set1 20ft from stacks RT side lower section set2 behind stage 20 feet from stacks 5 ' ROC Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Olvy Johnson Transferred by: Kyle Holbrook
1417381983-04-26The SpectrumPhiladelphiaPA
flac24/48 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No Dolby Location: set1 20ft from stacks RT side lower section set2 behind stage 20 feet from stacks 5 ' ROC Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Olvy Johnson Transferred by: Kyle Holbrook
1633591983-04-26The SpectrumPhiladelphiaPA
flac1648 Source Info: Jim Vita's Master (FOB) Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1633601983-04-26The SpectrumPhiladelphiaPA
flac2496 Source Info: Jim Vita's Master (FOB) Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Created At
Mon Feb 18 2019 10:16:18 GMT+0000 (Coordinated Universal Time)
Updated At
Thu Dec 06 2001 08:41:17 GMT+0000 (Coordinated Universal Time)

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