Grateful Dead 1979-06-30
Portland International Speedway, Portland, OR

Set 1
Jack Straw
Candyman
Me & My Uncle >
Big River
Tennessee Jed
Looks Like Rain
Deal

Set 2
I Need A Miracle >
Bertha >
Good Lovin'
Friend Of The Devil
Estimated Prophet >
He's Gone >
Drums >
Space >
The Other One >
Wharf Rat >
Sugar Magnolia

Encore:
One More Saturday Night

Set 3



Comment
There were technical difficulties after Tennessee Jed
McGuinn, Clark & Hillman opened
David Bromberg opened

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Sources
SHNIDDateVenueCityStateArchive Identifier
943861979-06-30Portland International SpeedwayPortlandOR
flac16; Recording Info: (2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; Taped By Rob Eaton; All Transfers and Mastering By Charlie Miller
906941979-06-30Portland International SpeedwayPortlandOR
flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 40' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
103461979-06-30Portland International SpeedwayPortlandOR
Senn. 441's>MC>DAT>CD; via Paul B; Seeded to etree by Willy
1055631979-06-30Portland International SpeedwayPortlandOR
flac16; 2 x AKG D224e's >> Sony TC-D5  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
1451411979-06-30Portland International SpeedwayPortlandOR
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpowweramp
1451421979-06-30Portland International SpeedwayPortlandOR
flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
1522151979-06-30Portland International SpeedwayPortlandOR
flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
1522161979-06-30Portland International SpeedwayPortlandOR
flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
Created At
Sun Apr 11 2021 00:53:41 GMT+0000 (Coordinated Universal Time)
Updated At
Tue Jul 10 2001 22:15:08 GMT+0000 (Coordinated Universal Time)

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