LCDB: Sources for Grateful Dead

Sources for Grateful Dead

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SHNID	Date	Venue	City	State
164611	1984-04-29	Nassau Coliseum	Uniondale	NY
flac2496 Set 2 only. Jim Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
167057	1984-04-29	Nassau Coliseum	Uniondale	NY
flac1648 Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
167058	1984-04-29	Nassau Coliseum	Uniondale	NY
flac2496 Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
34687	1984-04-30	Nassau Coliseum	Uniondale	NY
flac16; Source: FOB/Row 11 Sennheiser 441s > Sony D5 > Maxell MX90 Type IV Cassettes (Master Audience Cassette). Taped by Bill "whynotus" Koucky. Transfer/Mastering: MAC playback on Nakamichi DR-2 cassette deck > gold RCAs > Audiophile 24/96-Pentium IV PC > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered using Waves XNoise (learn mode) and L3 Multimaximizer, rendered to 16 bit/44.1 KHz WAV using hi-res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8)
91165	1984-04-30	Nassau Coliseum	Uniondale	NY
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller
5302	1984-04-30	Nassau Coliseum	Uniondale	NY
aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell
109497	1984-04-30	Nassau Coliseum	Uniondale	NY
flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (17th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
123922	1984-04-30	Nassau Coliseum	Uniondale	NY
flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
140354	1984-04-30	Nassau Coliseum	Uniondale	NY
flac1648 Set 1: (FOB) Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/48; Set 2: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac164
149176	1984-04-30	Nassau Coliseum	Uniondale	NY
flac16/44.1khz Source: 1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661\|24/48 SD Processing: SD\| Audacity \| cdwav editor \| TLH \| FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
149177	1984-04-30	Nassau Coliseum	Uniondale	NY
flac24/48khz Source: 1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661\|24/48 SD Processing: SD\| Audacity \| cdwav editor \| TLH \| FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
149692	1984-04-30	Nassau Coliseum	Uniondale	NY
flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661\|24/48 SD Processing: SD\| Audacity \| cdwav editor \| TLH \| FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
149695	1984-04-30	Nassau Coliseum	Uniondale	NY
flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661\|24/48 SD Processing: SD\| Audacity \| cdwav editor \| TLH \| FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
149982	1984-04-30	Nassau Coliseum	Uniondale	NY
flac16/44.1khz Recording Information: This is a 16 bit fileset Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661\|24/48 SD Processing: SD\| Audacity \| cdwav editor \| TLH \| FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
149983	1984-04-30	Nassau Coliseum	Uniondale	NY
flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661\|24/48 SD Processing: SD\| Audacity \| cdwav editor \| TLH \| FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
164612	1984-04-30	Nassau Coliseum	Uniondale	NY
flac1648 Jim Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
164613	1984-04-30	Nassau Coliseum	Uniondale	NY
flac2496 Jim Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
167104	1984-04-30	Nassau Coliseum	Uniondale	NY
flac1648 Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
167105	1984-04-30	Nassau Coliseum	Uniondale	NY
flac2496 Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
77302	1984-05-06	Silva Hall, Hult Center	Eugene	OR
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
29302	1984-05-06	Silva Hall, Hult Center	Eugene	OR
flac16; Source: Sen 421's > patched thru 3(?) decks > Toshiba KT-R2 Walkman Taped on Sony UCX-S 90 cassette (no dolby on the Toshiba walkman) Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC; Set 2 Only
107138	1984-05-06	Silva Hall, Hult Center	Eugene	OR
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
18638	1984-05-06	Silva Hall, Hult Center	Eugene	OR
SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko; upgrade in circulation
152043	1984-05-06	Silva Hall, Hult Center	Eugene	OR
flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
152044	1984-05-06	Silva Hall, Hult Center	Eugene	OR
flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
88850	1984-05-07	Silva Hall, Hult Center	Eugene	OR
flac16; source: sbd >dat x 2 > wav > shnn > wav > flac; upgrade in circulation
77303	1984-05-07	Silva Hall, Hult Center	Eugene	OR
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
96297	1984-05-07	Silva Hall, Hult Center	Eugene	OR
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; upgrade in circulation.
96343	1984-05-07	Silva Hall, Hult Center	Eugene	OR
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source.
350	1984-05-07	Silva Hall, Hult Center	Eugene	OR
SBD> Cass> DAT> cdr; via Chris Vinci, Mike Lai; upgrade in circulation
105436	1984-05-07	Silva Hall, Hult Center	Eugene	OR
flac16; Set 2 Only. Sennheiser 441's > patched thru unknown decks > Toshiba KTR2 Walkman. Recorded in the mezzanine. 1st Gen cassette transferred. Transfer: Maxell XLII > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F.
152056	1984-05-07	Silva Hall, Hult Center	Eugene	OR
flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
152057	1984-05-07	Silva Hall, Hult Center	Eugene	OR
flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
77312	1984-05-08	Silva Hall, Hult Center	Eugene	OR
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
29304	1984-05-08	Silva Hall, Hult Center	Eugene	OR
flac16; Source: Sony ECM-939LT stereo mic > Marantz PMD-340 cassette deck. Sony UCX-S 90 cassettes, with Dolby B On. Taped by Andrew F. Mic on 7-foot tent pole, center seat of 30th row (rear orchestra). Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > EAC > Soundforge > CD-Wave > FLAC Soundforge used for fades and to smooth out a few rough spots. There were too many yells and hand-claps to deal with, so I left those as-is. CD-Wave used for track-ID?s, and FLAC Frontend for lossless compression.
2573	1984-05-08	Silva Hall, Hult Center	Eugene	OR
SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation
12521	1984-05-08	Silva Hall, Hult Center	Eugene	OR
Set 2 only; (Mics?)>Sony D5>Master AUD Cassette>Cassette>WAV (CDWav)>SHN (MKWAct); Taped by Dave Morris, seeded by Jim Bennett and Brian Bontempo
134517	1984-05-08	Silva Hall, Hult Center	Eugene	OR
flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
134627	1984-05-08	Silva Hall, Hult Center	Eugene	OR
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
152058	1984-05-08	Silva Hall, Hult Center	Eugene	OR
flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
152059	1984-05-08	Silva Hall, Hult Center	Eugene	OR
flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
77322	1984-06-09	Cal Expo	Sacramento	CA
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
14950	1984-06-09	Cal Expo	Sacramento	CA
1st set only; Lineage: SBD -> Cm -> Dat -> MiniDisc -> Samplitude -> CD Recording Info: SBD -> Cm -> Dat; Note- Deal is patched from an aud source; See info file for details; upgrade in circulation
14565	1984-06-09	Cal Expo	Sacramento	CA
AUD (Nak 700?s)>MC>DAT>CD; Missing encore; via Paul B; Seeded to etree by Willy
18251	1984-06-09	Cal Expo	Sacramento	CA
SBD > MC > DAT > CD > EAC > SHN via Darryl Hinko; upgrade in circulation
106006	1984-06-09	Cal Expo	Sacramento	CA
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
148187	1984-06-09	Cal Expo	Sacramento	CA
flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M\|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
148188	1984-06-09	Cal Expo	Sacramento	CA
flac24/48 MAUD CA: Beyer M88's XY > Sony TCD5M\|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
151073	1984-06-09	Cal Expo	Sacramento	CA
flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
151074	1984-06-09	Cal Expo	Sacramento	CA
flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
77323	1984-06-10	Cal Expo	Sacramento	CA
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
32366	1984-06-10	Cal Expo	Sacramento	CA
FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC
10163	1984-06-10	Cal Expo	Sacramento	CA
SBD>MC>C>DAT>CDR; Stranger & Brokedown cut in, see info file for details; via Paul B; seeded to etree by Willy; upgrade in circulation
105976	1984-06-10	Cal Expo	Sacramento	CA
flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 ; All Transfers and Mastering By Charlie Miller
148189	1984-06-10	Cal Expo	Sacramento	CA
flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M\|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
148190	1984-06-10	Cal Expo	Sacramento	CA
flac24/48 MAUD CA: Beyer M88's XY > Sony TCD5M\|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
78162	1984-06-12	Red Rocks Ampitheatre	Morrison	CO
flac16; Source: Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: Mike G. and Tony Suraci. Transfer and upload by Tony Suraci
122131	1984-06-12	Red Rocks Ampitheatre	Morrison	CO
flac16; Set 2 Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassette
140181	1984-06-12	Red Rocks Ampitheatre	Morrison	CO
flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
140182	1984-06-12	Red Rocks Ampitheatre	Morrison	CO
flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
147344	1984-06-12	Red Rocks Ampitheatre	Morrison	CO
flac24/48khz Recording Information: Source: MAUD CA\|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M\|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
147368	1984-06-12	Red Rocks Ampitheatre	Morrison	CO
flac16/48khz Recording Information: Source: MAUD CA\|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M\|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
148191	1984-06-12	Red Rocks Ampitheatre	Morrison	CO
flac16/44 Recording Information: MAUD CA: Beyer M88 cardiod XY > Sony TCD5M\|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661\|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook
148192	1984-06-12	Red Rocks Ampitheatre	Morrison	CO
flac24/48 Recording Information: MAUD CA: Beyer M88 cardiod XY > Sony TCD5M\|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661\|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook
148388	1984-06-12	Red Rocks Ampitheatre	Morrison	CO
flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
148387	1984-06-12	Red Rocks Ampitheatre	Morrison	CO
flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
164766	1984-06-12	Red Rocks Ampitheatre	Morrison	CO
flac1648 Master Audience Cassettes; Unknown Equipment > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
164767	1984-06-12	Red Rocks Ampitheatre	Morrison	CO
flac2496 Master Audience Cassettes; Unknown Equipment > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
78363	1984-06-13	Red Rocks Ampitheatre	Morrison	CO
flac16; Source: Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: Mike G. and Tony S
11263	1984-06-13	Red Rocks Ampitheatre	Morrison	CO
SBD>PCM>DAT>CDR; via Rick M; Seeded to etree by Chris L
122132	1984-06-13	Red Rocks Ampitheatre	Morrison	CO
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassettes
135955	1984-06-13	Red Rocks Ampitheatre	Morrison	CO
flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD -> SHN -> WAV; Transfer Info: WAV -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC
140183	1984-06-13	Red Rocks Ampitheatre	Morrison	CO
flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
140184	1984-06-13	Red Rocks Ampitheatre	Morrison	CO
flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
148193	1984-06-13	Red Rocks Ampitheatre	Morrison	CO
flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M\|maxell MX90 x2 no NR ***[Hell in A Bucket from first generation same source] Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi MR2 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Chris Kidwell Transferred: Kyle Holbrook
148194	1984-06-13	Red Rocks Ampitheatre	Morrison	CO
flac24/48khz MAUD CA: Beyer M88's XY > Sony TCD5M\|maxell MX90 x2 no NR ***[Hell in A Bucket from first generation same source] Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi MR2 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Chris Kidwell Transferred: Kyle Holbrook
148390	1984-06-13	Red Rocks Ampitheatre	Morrison	CO
flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
148389	1984-06-13	Red Rocks Ampitheatre	Morrison	CO
flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
164736	1984-06-13	Red Rocks Ampitheatre	Morrison	CO
flac1648 Master Audience Cassettes; Unknown Equipment > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
164737	1984-06-13	Red Rocks Ampitheatre	Morrison	CO
flac2496 Master Audience Cassettes; Unknown Equipment > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
78371	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac16; Source: Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: Mike G. and Tony S.
351	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
AUD/1>CD (poss Sennheiser>D5); via Teddy GoodBear to abgd; extensive notes
18804	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
122133	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassettes
139553	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac16; Recording Info: SBD > PCM Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
140185	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
140186	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
147345	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac24/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M\|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661\|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
147367	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac16/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M\|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661\|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
148195	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac16/44 MAUD CA: Beyer M88 cardiod XY > Sony TCD5M\|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661\|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook
148196	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac24/48khz MAUD CA: Beyer M88 cardiod XY > Sony TCD5M\|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661\|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook
164768	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac1648 Master Audience Cassettes; Unknown Equipment > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
164769	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac2496 Master Audience Cassettes; Unknown Equipment > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
167059	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac1648 Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
167060	1984-06-14	Red Rocks Ampitheatre	Morrison	CO
flac2496 Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
164299	1984-06-21	Kingswood Music Theater	Maple	ON
flac1648 Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
32640	1984-06-21	Kingswood Music Theater	Maple	ON
flac16; AUD Source: Two Nakamichi CM-300's with CP-4 shotguns capsules, plus one Nakamichi CM-300 with CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Set up behind the soundboard. Taped by Ray Ackerman.
352	1984-06-21	Kingswood Music Theater	Maple	ON
"liberated" Bootleg CD > EAC > SHN; via B. de Vos; see flaw notes in pub comments
15405	1984-06-21	Kingswood Music Theater	Maple	ON
FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame
90982	1984-06-21	Kingswood Music Theater	Maple	ON
flac24; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90Âº (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.2.0, FLAC Frontend v1.7.0.1, Level 8 All transfers and DSP performed by Tim Burke
91024	1984-06-21	Kingswood Music Theater	Maple	ON
flac16; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90Âº (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.2, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned All transfers and DSP performed by Tim Burke
117777	1984-06-21	Kingswood Music Theater	Maple	ON
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (18th row)> Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
132582	1984-06-21	Kingswood Music Theater	Maple	ON
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
132583	1984-06-21	Kingswood Music Theater	Maple	ON
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
137832	1984-06-21	Kingswood Music Theater	Maple	ON
flac16/48kHz; FM > MC > DAT; DAT @ 48kHz > Sony PCM-R500 > Tascam SS-R1 > Canare Coax > Samplitude Pro X2 Suite (Build 256) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell
140157	1984-06-21	Kingswood Music Theater	Maple	ON
flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
140158	1984-06-21	Kingswood Music Theater	Maple	ON
flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
141522	1984-06-21	Kingswood Music Theater	Maple	ON
flac24; Ray Ackermanâ€™s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
145045	1984-06-21	Kingswood Music Theater	Maple	ON
flac16; Ray Ackermanâ€™s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1
147382	1984-06-21	Kingswood Music Theater	Maple	ON
flac16/44.1khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M\|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
147383	1984-06-21	Kingswood Music Theater	Maple	ON
flac24/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M\|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
148197	1984-06-21	Kingswood Music Theater	Maple	ON
flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M\|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
148198	1984-06-21	Kingswood Music Theater	Maple	ON
flac24/48khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M\|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
151253	1984-06-21	Kingswood Music Theater	Maple	ON
flac24/96khz Recording Info: FM > Cassette Master (Tascam 122) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k)
151598	1984-06-21	Kingswood Music Theater	Maple	ON
flac16/44khz Recording Info: FM > Cassette Master (Tascam 122) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) - 151253 24 -> 16 @ 44.1
164300	1984-06-21	Kingswood Music Theater	Maple	ON
flac2496 Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
164800	1984-06-21	Kingswood Music Theater	Maple	ON
flac1648 Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
164801	1984-06-21	Kingswood Music Theater	Maple	ON
flac2496 Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
109812	1984-06-23	City Island	Harrisburg	PA
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; Transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
81280	1984-06-23	City Island	Harrisburg	PA
flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
14951	1984-06-23	City Island	Harrisburg	PA
Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller
18226	1984-06-23	City Island	Harrisburg	PA
Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches
14566	1984-06-23	City Island	Harrisburg	PA
AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
81548	1984-06-23	City Island	Harrisburg	PA
flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke
124088	1984-06-23	City Island	Harrisburg	PA
flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
138873	1984-06-23	City Island	Harrisburg	PA
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441â€™s > sony d5; maxell xlIIS90â€™s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
138874	1984-06-23	City Island	Harrisburg	PA
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441â€™s > sony d5; maxell xlIIS90â€™s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
139571	1984-06-23	City Island	Harrisburg	PA
flac16/48kHz; Dan McSheffrey recording: Neumann KM84 > Cassette Master (Sony TC-D5M) > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
140159	1984-06-23	City Island	Harrisburg	PA
flac16/48kHz; Recording Info: Master Soundboard Cassette -> Reel to Reel -> Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 > Adobe Audition 3.0 -> TLH flac1648
140516	1984-06-23	City Island	Harrisburg	PA
flac24; source: nak 300 (12â€™ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5)
141597	1984-06-23	City Island	Harrisburg	PA
flac16; Ray Ackermanâ€™s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44
164770	1984-06-23	City Island	Harrisburg	PA
flac1648 Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
164771	1984-06-23	City Island	Harrisburg	PA
flac2496 Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
166999	1984-06-23	City Island	Harrisburg	PA
flac1648 Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2023 > TLH2496
167000	1984-06-23	City Island	Harrisburg	PA
flac2496 Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2023 > TLH2496
89559	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller.
27449	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac16: SBD> Cassette Master> Dat; patches from Nakamichi 300/CP1> Cassette Master> Dat; Transfer: Dat> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> FLAC; All Transfers and Editing By Charlie Miller
4628	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
Aud> Nak300> CM> CDR> EAC(Secure Mode)> CDWave(Retracking Only)> Shnv3(MKW ACT)
81627	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac16; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height \| Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
81707	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac24/96; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height \| Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format : 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
109483	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac24; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 08/2010
109484	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac16; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2010
117800	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
126261	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
132576	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
132577	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
138865	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441â€™s > sony d5; maxell xlIIS90â€™s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
138866	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441â€™s > sony d5; maxell xlIIS90â€™s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
139813	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
141137	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
165036	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac1648 Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
165037	1984-06-24	Saratoga Performing Arts Center	Saratoga Springs	NY
flac2496 Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
87511	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
81495	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
87625	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (patch upgrade of shn id 87511)
91181	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
20324	1984-06-26	Merriweather Post Pavilion	Columbia	MD
Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation
77449	1984-06-26	Merriweather Post Pavilion	Columbia	MD
Source Info:Sennheiser421's>Sony D5:CD Transfer: Denon DN-790r>Audiophile 2496>Cool Edit 200>wav>shn: Taped and Transferred by Phil Unger; originally posted to abgd July 2002; sbe's fixed with shntool 9/16/2006
7293	1984-06-26	Merriweather Post Pavilion	Columbia	MD
AUD SENN 421's>TCD5-M, Recorded by R. Pauline; MC transferred to CD by Lou B.; cdr > eac (secure) > mkwact > shn (seekable) by Matt Vernon
81741	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
81975	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac24/96; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke
110057	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
111458	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
123260	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
127526	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac16; Source from Doug Oade: Schoeps cmc441 > Sony TC-D5M > Sony PCM-601ESD > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created and SBE's fixed in Traders Little Helper
139840	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
141138	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
148233	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
148234	1984-06-26	Merriweather Post Pavilion	Columbia	MD
flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
87467	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac16; SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
81509	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
87658	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller. This is a pitch correction of the previous Miller source, shn id 87467
91375	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
4615	1984-06-27	Merriweather Post Pavilion	Columbia	MD
SBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd; upgrade in circulation
12929	1984-06-27	Merriweather Post Pavilion	Columbia	MD
SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation
6999	1984-06-27	Merriweather Post Pavilion	Columbia	MD
Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones
82420	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac16; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
82450	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac24; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
111477	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
122873	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac16; 2nd set only. Gen 1 audience cassette > Sony TC-W320 > Marantz CDR 500 > CDR > EAC > flac
139841	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
141139	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
148236	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
148235	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
163306	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
163307	1984-06-27	Merriweather Post Pavilion	Columbia	MD
flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
32781	1984-06-29	Blossom Music Center	Cuyahoga Falls	OH
SET 2 SOUNDBOARD Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
14682	1984-06-29	Blossom Music Center	Cuyahoga Falls	OH
Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD; Second set pitch corrected; via Paul B; Seeded to etree by Willy
111502	1984-06-29	Blossom Music Center	Cuyahoga Falls	OH
flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (18th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
140004	1984-06-29	Blossom Music Center	Cuyahoga Falls	OH
flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
141140	1984-06-29	Blossom Music Center	Cuyahoga Falls	OH
flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
150222	1984-06-29	Blossom Music Center	Cuyahoga Falls	OH
flac24/48khz MAUD CA: Beyer M160's PAS > Sony TCD5M\|s1 Maxell UDXLIIS90; s2 Maxell MX90 Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Eddie Wahba Transferred: Kyle Holbrook
150223	1984-06-29	Blossom Music Center	Cuyahoga Falls	OH
flac16/44.1khz MAUD CA: Beyer M160's PAS > Sony TCD5M\|s1 Maxell UDXLIIS90; s2 Maxell MX90 no NR Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Eddie Wahba Transferred: Kyle Holbrook
31225	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression
2542	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree?
18559	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
FOB MAC (Sennheiser 2 ME-80's & 2 441's 12th row center>sony d-5>WAV>SHN>SHNTOOL>mkwACT. Recorded by Tommy McKeown. sbe fix/seeding by MattMan.
109804	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
120740	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
123778	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
137072	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac24; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
137073	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac16; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
140199	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac16; Source Info: Master (FOB) Audience Cassette (11th row, DFC); 3 x Nakamichi CM700 mics > unknown deck > Dat > CDR; Transfer Info: CDR (EAC)> hard disk drive > Adobe Audition 3.0 > TLH flac16
150277	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac16/44.1khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M\|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook
150278	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac24/48khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M\|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook
152505	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
MAC> wav>shn Recorded by Tommy McKeown sony d-5 Sennheiser 2 ME-80 & 2 441's 12th. row center (originally circulated July 2003)
154326	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac16; Matrix 3 Source Mix - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M\|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - matrix mixing by Kevin Tobin
154327	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M\|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - dts mixing by Kevin Tobin
154329	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M\|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - surround mixing by Kevin Tobin
162896	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac1648 Source Info: Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496
162897	1984-06-30	Indianapolis Sports and Music Center	Indianapolis	IN
flac2496 Source Info: Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496
76620	1984-07-01	Pine Knob Music Theater	Clarkston	MI
flac16; Set 2 only - AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M cassette deck, onto Maxell UD-XLII tape, no Dolby. Taped by Ted Carpenter. MAC > CD transfer by Jim Wise (2002), likely done with Nakamichi Dragon > HHB Burner. Transfer Info: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, by Andrew F
25810	1984-07-01	Pine Knob Music Theater	Clarkston	MI
Recorded by Bill Reutelhuber with Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row center FOB
14683	1984-07-01	Pine Knob Music Theater	Clarkston	MI
AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy
150291	1984-07-01	Pine Knob Music Theater	Clarkston	MI
flac16/44.1khz MAUD CA: Beyer M88's XY > Sony TCD5M\|Sony UCX-S90 x2 no NR Location: 100 feet from stage DFC 6 feet up Transfer: Nakamichi LX5 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
109950	1984-07-01	Pine Knob Music Theater	Clarkston	MI
flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
115107	1984-07-01	Pine Knob Music Theater	Clarkston	MI
flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart and Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz
137029	1984-07-01	Pine Knob Music Theater	Clarkston	MI
flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
140005	1984-07-01	Pine Knob Music Theater	Clarkston	MI
flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
141151	1984-07-01	Pine Knob Music Theater	Clarkston	MI
flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
150292	1984-07-01	Pine Knob Music Theater	Clarkston	MI
flac24/48khz Location: 100 feet from stage DFC 6 feet up Transfer: Nakamichi LX5 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
77440	1984-07-03	Starlight Theater	Kansas City	MO
flac16; Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci./Nak700
31634	1984-07-03	Starlight Theater	Kansas City	MO
flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby
25811	1984-07-03	Starlight Theater	Kansas City	MO
Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by 10', and 14' high; recorded by Bill Reutelhuber
14909	1984-07-03	Starlight Theater	Kansas City	MO
AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy
115108	1984-07-03	Starlight Theater	Kansas City	MO
flac16; Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz
118236	1984-07-03	Starlight Theater	Kansas City	MO
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
118238	1984-07-03	Starlight Theater	Kansas City	MO
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
123823	1984-07-03	Starlight Theater	Kansas City	MO
flac16; nak300>cp4>d5 no dolby; ots dfc mics @ 10ft. pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.7>cdwave splits>tlh flac 8
139105	1984-07-03	Starlight Theater	Kansas City	MO
flac16; Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC
140013	1984-07-03	Starlight Theater	Kansas City	MO
flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
140693	1984-07-03	Starlight Theater	Kansas City	MO
flac24; Set 2 Recording Info: SBD > PCM Master > PCM Clone (Maxell HGX Gold); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
141152	1984-07-03	Starlight Theater	Kansas City	MO
flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
150307	1984-07-03	Starlight Theater	Kansas City	MO
flac16/44.1khz MAUD CA: Beyer M88's XY > Sony TCD5M\|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up Transfer: Nakamichi LX5 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
150308	1984-07-03	Starlight Theater	Kansas City	MO
flac24/48khz MAUD CA: Beyer M88's XY > Sony TCD5M\|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up Transfer: Nakamichi LX5 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook ============================
163308	1984-07-03	Starlight Theater	Kansas City	MO
flac1648 Source Info: Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496
163309	1984-07-03	Starlight Theater	Kansas City	MO
flac2496 Source Info: Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496
78958	1984-07-04	Five Seasons Center	Cedar Rapids	IA
flac16; Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S
87341	1984-07-04	Five Seasons Center	Cedar Rapids	IA
flac16; AUD: Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
93858	1984-07-04	Five Seasons Center	Cedar Rapids	IA
flac16; Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
14194	1984-07-04	Five Seasons Center	Cedar Rapids	IA
AUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman
27761	1984-07-04	Five Seasons Center	Cedar Rapids	IA
SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
27862	1984-07-04	Five Seasons Center	Cedar Rapids	IA
noise reduction> Bertha Remaster of Master Cassette> Cassette source, by Jay Ashley
109942	1984-07-04	Five Seasons Center	Cedar Rapids	IA
flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
140014	1984-07-04	Five Seasons Center	Cedar Rapids	IA
flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
141153	1984-07-04	Five Seasons Center	Cedar Rapids	IA
flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
150314	1984-07-04	Five Seasons Center	Cedar Rapids	IA
flac16/44.1khz MAUD CA: Beyer M88's XY > Sony TCD5M\|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Sean Murtha Transferred: Kyle Holbrook
150315	1984-07-04	Five Seasons Center	Cedar Rapids	IA
flac24/48khz MAUD CA: Beyer M88's XY > Sony TCD5M\|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661\|SD Recorded By: Executive Crew - Tom Pinney, Sean Murtha Transferred: Kyle Holbrook
158015	1984-07-04	Five Seasons Center	Cedar Rapids	IA
DTS-Audio-CD 5.1 Mix - SBD (shn id 93858) Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 78958) Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S - dts mixing by Kevin Tobin
158020	1984-07-04	Five Seasons Center	Cedar Rapids	IA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 93858) Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 78958) Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S - surround mixing by Kevin Tobin
158014	1984-07-04	Five Seasons Center	Cedar Rapids	IA
flac16; Matrix 2 Source Mix - SBD (shn id 93858) Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 78958) Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S - matrix mixing by Kevin Tobin
163413	1984-07-04	Five Seasons Center	Cedar Rapids	IA
flac1648 Source Info: Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
163414	1984-07-04	Five Seasons Center	Cedar Rapids	IA
flac2496 Source Info: Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
86943	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
13898	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
Fob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd
109746	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
139531	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac16; Recording Info: SBD > PCM Master > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
121095	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
121096	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
140032	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
141154	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
142540	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac16; Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew Transfer: Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44
150326	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac16/44.1khz MAUD: Beyer M88's XY 90' > Sony TCD-5M\|Maxell MX90 x2 no NR Location: 75 feet from stage DFC- pavilion Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
150327	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac24/48khz MAUD: Beyer M88's XY 90' > Sony TCD-5M\|Maxell MX90 x2 no NR Location: 75 feet from stage DFC- pavilion Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
150328	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac16/44.1khz MAUD: Beyer M201's XY 90' > Sony TCD-5M\|s1:Maxell MX60; s2:Maxell MX90 no NR Location: 60 feet from outside stacks, 310 feet from stage DFC, 9 feet up- lawn Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
150329	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac24/48khz MAUD: Beyer M201's XY 90' > Sony TCD-5M\|s1:Maxell MX60; s2:Maxell MX90 no NR Location: 60 feet from outside stacks, 310 feet from stage DFC, 9 feet up- lawn Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
163415	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac1648 Source Info: Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
163416	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac2496; Source Info: Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
165101	1984-07-06	Alpine Valley Music Theatre	East Troy	WI
flac2448 Upgrade To Shnid 142540 Source: (lawn, Spaced 10') Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Transfer: Master Cassette > Nakamichi Cr7a (no Dolby, Azimuth Adjusted) > Korg Mr2000 (1 Bitmhz) > Audiogate > Dbx Software Decode > Dolby B Software Decode > Wav24 48 Master Audience Recording By Bill Reutelhuber Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel January 19, 2023
91489	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac16; Set 2 Only, AUD: FOB, Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell XL-II, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
94379	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Cassette -> PCM -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
18752	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches
4861	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
Aud>Nak300>D5>CM>CDR>EAC(Secure Mode)>CDWave(Retracking Only)>shnv3(MKW ACT)
109750	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones - 13th row-center > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
121123	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
121124	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
140033	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
141155	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
142541	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac16; Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew Transfer: Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44
150335	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac16/44.1khz Recording Information: This is a 16 bit fileset MAUD: Beyer M88's XY 90' > Sony TCD-5M\|Maxell UDXLIIS 90 x2 no NR Location: 85 feet from stage DFC- pavilion Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
150336	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac24/48khz Recording Information: MAUD: Beyer M88's XY 90' > Sony TCD-5M\|Maxell UDXLIIS 90 x2 no NR Location: 85 feet from stage DFC- pavilion Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
150338	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac16/44.1khz MAUD: Beyer M201's XY > Sony TCD-5M\|Maxell MX 90 x2 no NR Location: 250 feet from stage DFC- lawn Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
150339	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac24/48khz MAUD: Beyer M201's XY > Sony TCD-5M\|Maxell MX 90 x2 no NR Location: 250 feet from stage DFC- lawn Transfer: Nakamichi LX5 > Marantz PMD661\|SD >WIN10 Audacity\|cdwav\|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
163425	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac1648; Source Info: Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
163426	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac2496 Source Info: Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
165104	1984-07-07	Alpine Valley Music Theatre	East Troy	WI
flac2448 Source: (lawn, Spaced 10') Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Transfer: Master Cassette > Nakamichi Cr7a (no Dolby, Azimuth Adjusted) > Korg Mr2000 (1 Bitmhz) > Audiogate > Dbx Software Decode > Dolby B Software Decode > Wav24 48 Master Audience Recording By Bill Reutelhuber Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel February 06, 2023
90464	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac16; SBD > ? > CDR > WAV > Cool Edit Pro (see notes) > FLAC(8); pitch corrected version of shn id 353
96153	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90/TDK MA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
31989	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac16; Source: FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC
353	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation"
105570	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
136425	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
139747	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac16; Partial Set 2 Recording Info: SBD > PCM (cloned from vault master); Transfer: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16
140048	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
141156	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
143392	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)
145333	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1
150404	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell
151689	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac16/44.1khz Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell. 24 bit > dbPowerAmp > 16 bit
152162	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90/TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
152324	1984-07-13	Greek Theatre, U. Of California	Berkeley	CA
flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90/TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24- 152162 24 > 16 @ 44.1

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