Band: Grateful Dead
Date: 1971-04-17 (Saturday)
Venue: Dillon Gym, Princeton University
Location: Princeton, NJ

DTS-Audio-CD 5.1 Mix 

Set 1
d1t01: tuning*
d1t02: Truckin'
d1t03: Big Railroad Blues
d1t04: Big Boss Man
d1t05: Bird Song
d1t06: Playing In The Band
d1t07: Hard To Handle
d1t08: Loser
d1t09: Mama Tried
d1t10: Casey Jones
d1t11: False Start
d2t01: Sugar Magnolia

Set 2
d2t02: Good Lovin' ->
d2t03: Drums ->
d2t04: Good Lovin'
d3t01: Tuning
d3t02: Me &  Bobby McGee
d3t03: Deal
d3t04: Beat It On Down The Line
d3t05: I'm A King Bee
d3t06: Bertha (sbd version)
d3t07: Sing Me Back Home
d3t08: Goin' Down The Road Feeling Bad ->
d3t09: Turn On Your Lovelight

* note: all of set 1 will fit on 1 80 minute disk if this tuning is left out

Audio Source Information
SBD1 (shnid=89031)

lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 >R3 TANDBERG TD20A 7.5IPS
Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY >KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav

notes:

- pitch correction +24 cents
- right channel gain reduced by 2 decibels
- quite a number of small dropouts have been repaired, a few clicks removed and a little surplus material
   trimmed out.
- there is possibly a splice in Mama Tried with two different sources used, sound quality changes around 0:30
   to the end of the song on the raw file.  There was noticeably more hiss in the first part.
- Good Lovin'(part 1) fades in.
- there appears to be a cut in Lovelight around 12:16, hardly anything missing though!  This is also present in
   the other circulating source.

* ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
*Pigpen is the star of this show, may his Love Light forever shine*
* ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Thanks for getting this source to me, you know who YOU are.

edited & mastered by
SIRMick
November 2007

SBD2 (shnid = 122)
The lineage of these files is:
Main:  S:R?D
Dub:   S:RPD
Both DATs were downsampled into my computer via ZA2 (48>44.1)

The Main tape sounds much better than the dub - which is only used for 1.1
seconds (want to find it?  Listen to the last time the guys say "the blues"
in Bobbi McGee)

Given the differences in the reel flip (at the end of lovelight)
I would guess that the 'Main' tape represents a separate A>D transfer than
the 'Dub' tape.  If you know more, I'd love to hear about it.

This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D
conversion.  This is from a reel made in 1971, so you will hear some rough
bits.  To the best of my knowledge, this transfer represents the best
circulating copy in existence.

Rod Nayfield rod@nycheads.com
with thanks to D.H.

Audience Source Information:
(shnid = none)

MOTB Release: none  24/96
Analog Audience Source: FOB Master Reel (MAR)
Medium Stock Brands: MAR = 2 x BASF 7.5ips
Analog Lineage: Unknown mic(mono) >> unknown deck >> MAR
Analog Sound Preservation: MAR >> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC
Taped By: Will Boswell and Randy Smith
Transfer By: Will Boswell
Mastering By: Derek McCabe

Notes: Bertha missing from after King Bee, was not on the master.

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 29-APR-2010
---------------------------------------------------------
Audio Patches:

1) At the beginning of show, 1 minute 47.684 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

2) Between Truckin and Big Railroad Blues, 12.666 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

3) Between Big Railroad Blues and Big Boss Man, 1 minute and 41.578 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

4) Between Big Boss Man and Bird Song, 1 minute and 03.984 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

5) Between Bird Song and Playing In The Band, 2 minute and 31.487 seconds were missing from the SBD and was filled in with the audio from the MOTB AUD.

6) Between Playing In The Band and Hard To Handle, 1 minute and 28.531 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

7) 8 minutes into Hard To Handle, 08.981 seconds were missing from the MOTB AUD and was filled in with the audio from the SBD1.

8) Between Hard To Handle and Loser, 1 minute and 35.033 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

9) Between Loser and Mama Tried, 3 minute and 13.585 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

10) Between Mama Tried and Casey Jones, 44.146 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

11) Between Casey Jones and Sugar Magnolia, 3 minutes and 46.859 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

12) Also between Casey Jones and Sugar Magnolia, 05.479 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

13) At the beginning of set 2, 14.077 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD. This includes the first notes of Good Lovin

14) Between Good Lovin and Me & Bobby McGee, 1 minutes and 42.037 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

15) Between Me & Bobby McGee and Deal, 13.357 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

16) Between Deal and Beat It On Down The Line, 1 minute and 03.623 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

17) Between Beat It On Down The Line and I'm A King Bee, 45.497 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

18) Between I'm A King Bee and Bertha, 52.012 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

19) 6 minutes of Bertha (the entire song) were missing from the MOTB AUD and was filled in with the audio from the SBD2.

18) Between Sing Me Back Home and Goin' Down The Road Feeling Bad, 1 minute and 13.739 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

19) 16 minutes into Turn On Your Lovelight, 17.800 seconds were missing from the SBD1 and was filled in with the audio from the MOTB AUD.

20) NOTE: The MOTB Audience came in 24/96 format and the Sir Mick SBD also came in 24/96 format so this is probably the only true 24 bit matrix to date. The Nayfield SBD came in 16/44 and was upsampled using RBrain Pro - this was for Bertha only. After matrix was mixed, R8Brain Pro was used to reduce matrix to cd compatible 16/44. The individual AUD and SBD files were reduced to 16/44 using RBrain Pro to be used to create the DTS files.

21) Matrix\DTS were synced using the the MOTB as a reference. The Sir Mick SBD was extremely fast in comparison averaging 102.5 in adobe audition or approx 2 seconds per minute fast. When compared to the only other circulating sbd, the MOTB matched almost exactly.

22) Mixing comment - both the sbd and aud had extremely hot vocals which considering how this show highlights Pig Pen is a wonderful thing. I chose to emphasis the audience a little more than the sbd as the energy of show came out more in the audience. 

As Matt Vernom commented:
 "this was my 1st "Live" gd show.  I was sitting on the stage (~4 foot raised platform and only person from the audience to do so) directly in front of Phil's mic stand.  I was 2-3 people stage right of Bob and Barbara who were standing against the stage.

No time to give the full details, but it was my most memorable gd show regarding energy."

I hope this matrix helps capture that energy while retaining the clear notes and cymbals from the soundboard.

-----------------------------------------------------------
Front  
Left Channel -0db SBD
Right Channel -0db SBD

Center
Mixed to mono -1db SBD

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

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