Sources for Grateful Dead
unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 93683 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller | |||||
| 93825 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.) | |||||
| 93827 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.) | |||||
| 93811 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008 | |||||
| 95656 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8) | |||||
| 337 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| source update: SBDMR> PCM> DAT> CD-R; via Dave Barrick; upgrade in circulation | |||||
| 5183 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| Rango Keshavan's FOB Master Audience Cassette; Sony ECM-220T mics > Sony TC-D5M > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; to abgd | |||||
| 23730 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| Soundboard->Cassette Master(MA-R90/Dolby B)-> 1st Generation Cassette(XLII-S90/Dolby C). 1st Generation Cassette->Fostex D5 (pass-through only)->ZA2->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano | |||||
| 15800 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| Main Source A : SBD>MR>PCM>DAT>CD-R ; Patch Source B : Rango Keshavan's FOB Master Audience Cassette, Sony ECM-220T mics > Sony TC-D5M > DAT > CDR ; Seeded by T. Wiley ; upgrade in circulation | |||||
| 110621 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 111040 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact | |||||
| 147105 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; Source: FOB Beyers M160's > Sony TC-D5M > Maxell MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019 | |||||
| 167454 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| flac1648 Source Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496 | |||||
| 167455 | 1982-10-09 | Frost Amphitheatre | Palo Alto | CA | |
| flac2496 Ken Kelley's Master Audience Cassettes; Shure SM57 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90) Source Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496 | |||||
| 109822 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller | |||||
| 109823 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller | |||||
| 79903 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Patched fix of shnid 338 - MC>DAT>ZA2>CD>EAC>SHN (shn id 338) patched with Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC>FLAC (shn id 29315) | |||||
| 93733 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller | |||||
| 93732 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller | |||||
| 29315 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan Flacs and covers by Tzuriel 5/2005 | |||||
| 95682 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8) | |||||
| 77325 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; AUD>>CASS>>DAT>>CDA>>WAV(EAC)>>FLAC>>DAW(Bertha)>>FLAC; Bertha remaster of shn id 29315 | |||||
| 92058 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 (A re-synchronized version of d2t06 was circulated in April, 2009. No other changes were made to the file set.) | |||||
| 338 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| SBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?); upgrade in circulation | |||||
| 86784 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| Matrix mix: SBD/AUD (About 60%/40%) AUD: Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan and SBD: MC>DAT>ZA2>CD>EAC>SHN | |||||
| 110626 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | |||||
| 110628 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | |||||
| 110744 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF tracking via Audacity > FLAC24 via xACT) | |||||
| 110784 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This source has the encores fixed | |||||
| 110783 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; This source has the encores fixed | |||||
| 110970 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF CD tracking via Audacity (w/dither) > FLAC16 via xACT) | |||||
| 111039 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact | |||||
| 123623 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded by David Gans; All Transfers and Mastering By Charlie Miller | |||||
| 123624 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by David Gans; All Transfers and Mastering By Charlie Miller | |||||
| 128807 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014. | |||||
| 128808 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014. | |||||
| 141523 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Source Info: Master Soundboard Cassettes (TDK MA-R90/Dolby B > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 143391 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k) | |||||
| 145248 | 1982-10-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1 | |||||
| 164908 | 1982-10-17 | Santa Fe Downs | Santa Fe | NM | |
| flac1648 Master Audience Cassettes; PZM mic (unknown brand) > JVC KD-2 deck w/ Super ANRS (Maxell XLII-S90) Transfer Info: Master Cassettes (JVC KD-A55 w/ Super ANRS)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496 | |||||
| 18108 | 1982-10-17 | Santa Fe Downs | Santa Fe | NM | |
| (FOB) Neumann KM84 > Sony TC-D5M Dolby B Cassette Master > Reel > My Dat (Supplied by Neil Sturtevant); Transfer Info: Dat>CD>EAC>SHN (Tascam DA20>Tascam CDRW700); All transfers done by Charlie Miller | |||||
| 150542 | 1982-10-17 | Santa Fe Downs | Santa Fe | NM | |
| flac16; Recording Info: (FOB) AUD > Cassette Master > Cassette > DAT > CD; Transfer Info: CD (Tascam SS-CDR200) > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X5 Suite > FLAC/16; Transferred and Mastered by Charlie Miller;this is a fixed version | |||||
| 150574 | 1982-10-17 | Santa Fe Downs | Santa Fe | NM | |
| flac24; Recording Info: (FOB) AUD > Cassette Master > Reel; Transfer Info: Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/48k) | |||||
| 150661 | 1982-10-17 | Santa Fe Downs | Santa Fe | NM | |
| flac16; Recording Info: (FOB) AUD > Cassette Master > Reel; Transfer Info: Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1 | |||||
| 157640 | 1982-10-17 | Santa Fe Downs | Santa Fe | NM | |
| flac2448; 1st Set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022 | |||||
| 161966 | 1982-10-17 | Santa Fe Downs | Santa Fe | NM | |
| flac1648 Source Info: Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5 > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 | |||||
| 161968 | 1982-10-17 | Santa Fe Downs | Santa Fe | NM | |
| flac2496 Source Info: Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5 > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 | |||||
| 164909 | 1982-10-17 | Santa Fe Downs | Santa Fe | NM | |
| flac2496 Master Audience Cassettes; PZM mic (unknown brand) > JVC KD-2 deck w/ Super ANRS (Maxell XLII-S90) Transfer Info: Master Cassettes (JVC KD-A55 w/ Super ANRS)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496 | |||||
| 164957 | 1982-10-17 | Santa Fe Downs | Santa Fe | NM | |
| flac2496 (FOB) Pressure Zone Microphone > Cassette Master (JVC KD-2/Maxell XLII-S90/Super ANRS) Transfer Info: Cassette Master (JVC KD-A55/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24 | |||||
| 165059 | 1982-10-17 | Santa Fe Downs | Santa Fe | NM | |
| flac1644 (FOB) Pressure Zone Microphone > Cassette Master (JVC KD-2/Maxell XLII-S90/Super ANRS) Transfer Info: Cassette Master (JVC KD-A55/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24 - This is 164957 2496 > 1644 | |||||
| 5647 | 1982-11-25 | Bob Marley Performing Arts Center | Montego Bay | Jamaica | |
| poss Master Soundboard Cassette > Reel to Reel > DAT> CDR; fix of previous version, by Scott Clugston: tick removed, channel patching, speed correction (see info file); upgrade in circulation | |||||
| 21065 | 1982-11-25 | Bob Marley Performing Arts Center | Montego Bay | Jamaica | |
| lineage: MSC(Sony TCD-5M) > WAV > SHN recording: MSC - master soundboard cassette w/ Dolby B by Frank Streeter digital transfer: Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) by Frank Streeter and Henry Fisher tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN (shntool 1.2.2) WAV sector boundaries verified with shntool by Ted Erhard | |||||
| 34204 | 1982-11-25 | Bob Marley Performing Arts Center | Montego Bay | Jamaica | |
| Source: SBD->CM->DAT Transfer: Tascam DA-20 mkII->Tascam HD-P2->Soundforge 6.0->CD Wave->mkwAct->.shn by Jake C | |||||
| 1419 | 1982-11-25 | Bob Marley Performing Arts Center | Montego Bay | Jamaica | |
| possible updated lineage: SBD MCass> Reel> PCM> DAT @44.1K> CDR (had been marked SBD> MR> PCM> DAT> CDR, with possible cass gen somewhere)- see pub comment; via Mike Lai, from Bruce Fried DAT seed; note had date typo at first as 11/25/82, now corrected; upgrade in circulation | |||||
| 112816 | 1982-11-25 | Bob Marley Performing Arts Center | Montego Bay | Jamaica | |
| flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 112817 | 1982-11-25 | Bob Marley Performing Arts Center | Montego Bay | Jamaica | |
| flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 126243 | 1982-11-25 | Bob Marley Performing Arts Center | Montego Bay | Jamaica | |
| flac16; SDB>>MR>>PCM>>DAT>>CDR>>SHN>>TLH>>FLAC8; tech notes: shorten files recoded to flac8 w/traders little helper v2.7.0 the source(B. Fried's) ran about 4 cents too fast. speed, pitch & tempo corrected -4.200% with Audacity(dc offsets, normalized, high qual shaped dithering) & exported as flac 8. tagged with foobar v1.2.9 & the tradersfriend/etree live show tagger | |||||
| 134118 | 1982-11-25 | Bob Marley Performing Arts Center | Montego Bay | Jamaica | |
| flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015 | |||||
| 134119 | 1982-11-25 | Bob Marley Performing Arts Center | Montego Bay | Jamaica | |
| flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015 | |||||
| 81602 | 1982-12-26 | Oakland Auditorium | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 1420 | 1982-12-26 | Oakland Auditorium | Oakland | CA | |
| SDB> MR> PCM> DAT> CDR, with possible cass gen somewhere; via Mike Lai, from Bruce Fried DAT seed; upgrade in circulation | |||||
| 95953 | 1982-12-26 | Oakland Auditorium | Oakland | CA | |
| flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 6665 | 1982-12-26 | Oakland Auditorium | Oakland | CA | |
| Master Soundboard Cassette > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; to abgd; upgrade in circulation | |||||
| 154593 | 1982-12-26 | Oakland Auditorium | Oakland | CA | |
| flac16/44 Source: (FOB) Senn MD441-U > Sony TC-D5 > Cassette Master (Maxell UDXLII C90 Dolby On) > Nakamichi 581 > Cassette (1st gen) Transfer: 1st gen Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF 24/96 PCM) > Audacity (Trim, both tracks both sides amplified by +4db) Lineage: wav 24/96 > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > flac 16 edited and mastered SIRMick December 2021 | |||||
| 154594 | 1982-12-26 | Oakland Auditorium | Oakland | CA | |
| flac24/96 Source: (FOB) Senn MD441-U > Sony TC-D5 > Cassette Master (Maxell UDXLII C90 Dolby On) > Nakamichi 581 > Cassette (1st gen) Transfer: 1st gen Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF 24/96 PCM) > Audacity (Trim, both tracks both sides amplified by +4db) Lineage: wav 24/96 > iZotope RX 9 Advanced > CD Wave > flac 24 edited and mastered SIRMick December 2021 | |||||
| 81515 | 1982-12-27 | Oakland Auditorium | Oakland | CA | |
| flac16; Set 2 only, Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | |||||
| 34705 | 1982-12-27 | Oakland Auditorium | Oakland | CA | |
| flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell | |||||
| 77463 | 1982-12-27 | Oakland Auditorium | Oakland | CA | |
| flac16; Recording by Bill Koucky: FOB Sennheiser 441s > Sony D5 > Sony D5 (first gen CM). Transfer: Playback on Nakamich BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV > FLAC. Recording, transfer, and original encoding by Bill K. Remastering: FLAC > WAV > Wavelab 5 (smoothed pauses/flips with crossfades > Waves L3 Multimaximizer (-2 dB threshold/-0.1 dB ceiling/type I dither/ultra shaping) > WAV > CDWAV1.9 (tracking and level 5 FLAC encoding) > FLAC by Chris L. | |||||
| 32134 | 1982-12-27 | Oakland Auditorium | Oakland | CA | |
| flac16; Source: SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried, 4/96 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV (depopping/retracking, see below)> FLAC (level 5). Original digital transfer and FLAC seeded by billk@neci.edu, January 2006 via planetflac. Remastering and retracking by C.Ladner. | |||||
| 95954 | 1982-12-27 | Oakland Auditorium | Oakland | CA | |
| flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 147919 | 1982-12-27 | Oakland Auditorium | Oakland | CA | |
| flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 147920 | 1982-12-27 | Oakland Auditorium | Oakland | CA | |
| flac24; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 | |||||
| 31967 | 1982-12-28 | Oakland Auditorium | Oakland | CA | |
| flac16; SBD -> Master PCM -> Dat/0 Transferred and Edited By Charlie Miller | |||||
| 34715 | 1982-12-28 | Oakland Auditorium | Oakland | CA | |
| flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell. | |||||
| 18980 | 1982-12-28 | Oakland Auditorium | Oakland | CA | |
| SBD > MC > DAT > CD > EAC > SHN; upgrade in circulation | |||||
| 126612 | 1982-12-28 | Oakland Auditorium | Oakland | CA | |
| flac16; Recording Info: Nak300 (hand-held) -> Sony D-5; Transfer Info: Sony D-5 -> Turtle Beach -> Goldwave -> WAV -> CD -> EAC -> FLAC; Recorded, transferred and edited by Mark Fulton | |||||
| 134177 | 1982-12-28 | Oakland Auditorium | Oakland | CA | |
| flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2) Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 | |||||
| 134178 | 1982-12-28 | Oakland Auditorium | Oakland | CA | |
| flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 | |||||
| 147921 | 1982-12-28 | Oakland Auditorium | Oakland | CA | |
| flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 147922 | 1982-12-28 | Oakland Auditorium | Oakland | CA | |
| flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 | |||||
| 150890 | 1982-12-28 | Oakland Auditorium | Oakland | CA | |
| flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 | |||||
| 150891 | 1982-12-28 | Oakland Auditorium | Oakland | CA | |
| flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 | |||||
| 77300 | 1982-12-30 | Oakland Auditorium | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | |||||
| 95955 | 1982-12-30 | Oakland Auditorium | Oakland | CA | |
| flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 8764 | 1982-12-30 | Oakland Auditorium | Oakland | CA | |
| SBD>MC>PCM>DAT>CDR (likely cass gen); Seeded to etree by Tony G; upgrade in circulation | |||||
| 105819 | 1982-12-30 | Oakland Auditorium | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 134319 | 1982-12-30 | Oakland Auditorium | Oakland | CA | |
| flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 | |||||
| 134322 | 1982-12-30 | Oakland Auditorium | Oakland | CA | |
| flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS 90s. Set up FOB near the SBD area, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 | |||||
| 134320 | 1982-12-30 | Oakland Auditorium | Oakland | CA | |
| flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 | |||||
| 134321 | 1982-12-30 | Oakland Auditorium | Oakland | CA | |
| flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS 90s. Set up FOB near the SBD area, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 | |||||
| 147923 | 1982-12-30 | Oakland Auditorium | Oakland | CA | |
| flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 147924 | 1982-12-30 | Oakland Auditorium | Oakland | CA | |
| flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 | |||||
| 150778 | 1982-12-30 | Oakland Auditorium | Oakland | CA | |
| flac24; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; Recorded by Bob Wagner | |||||
| 151469 | 1982-12-30 | Oakland Auditorium | Oakland | CA | |
| flac16/44khz ; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; Recorded by Bob Wagner 150778 24 -> 16 @ 44.1 | |||||
| 77301 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | |||||
| 5958 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| SBD> MR> DAT> CD> EAC> SHN; Show and lineage information from Charlie Miller; DAE, SHN conversion, by Keith Bode; upgrade in circulation | |||||
| 105820 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 113090 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; FM Radio Broadcast > Cassete > Wave > Flac | |||||
| 118487 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; Set 3 Only, source: sbd> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit; lineage: sbd> d-5> sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate | |||||
| 134485 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 | |||||
| 134486 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 | |||||
| 134487 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac24; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 | |||||
| 134488 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 | |||||
| 148506 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| DTS-Audio-CD 5.1 Mix; SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - dts mixing by Kevin Tobin | |||||
| 148505 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; Matrix 2 Source Mix SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - matrix mixing by Kevin Tobin | |||||
| 148507 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - surround mixing by Kevin Tobin | |||||
| 148498 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; Patched & Pitch Corrected Audience AUD (original shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 - pitch correction and patches by Kevin Tobin | |||||