Grateful Dead 1982-12-31
Oakland Auditorium, Oakland, CA
Set 1
Cold Rain & Snow
C.C. Rider *
Cumberland Blues
Far From Me
Cassidy
Ramble On Rose
Looks Like Rain
Keep Your Day Job
C.C. Rider *
Cumberland Blues
Far From Me
Cassidy
Ramble On Rose
Looks Like Rain
Keep Your Day Job
Set 2
New Years Countdown >
Sugar Magnolia >
Sugaree >
Man Smart (Woman Smarter)
Ship Of Fools
Playing In The Band >
Drums >
Space >
Not Fade Away > #
Deal >
Sunshine Daydream
Sugar Magnolia >
Sugaree >
Man Smart (Woman Smarter)
Ship Of Fools
Playing In The Band >
Drums >
Space >
Not Fade Away > #
Deal >
Sunshine Daydream
Set 3
Introductions
Turn On Your Lovelight >
Tell Mama @
Baby What You Want Me To Do * $
Hard To Handle @
In The Midnight Hour &
Encore:
Brokedown Palace
Turn On Your Lovelight >
Tell Mama @
Baby What You Want Me To Do * $
Hard To Handle @
In The Midnight Hour &
Encore:
Brokedown Palace
Comment
Neville Brothers opened
Last time performed @
Not performed since September 7, 1969 $
Not performed since April 29, 1971 @
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Matthew Kelly - Harmonica *
John Cipollina - Guitar #
Etta James - Vocals (Set 3)
?? - Percussion (Set 3)
Tower Of Power Horns - (Set 3)
Greg Adams - Trumpet
Mic Gillette - Trombone
Stephen "Doc" Kupka - Baritone Saxophone
Marc Russo - Tenor Saxophone
Emilio Castillo - Alto Saxophone
Last time performed @
Not performed since September 7, 1969 $
Not performed since April 29, 1971 @
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Matthew Kelly - Harmonica *
John Cipollina - Guitar #
Etta James - Vocals (Set 3)
?? - Percussion (Set 3)
Tower Of Power Horns - (Set 3)
Greg Adams - Trumpet
Mic Gillette - Trombone
Stephen "Doc" Kupka - Baritone Saxophone
Marc Russo - Tenor Saxophone
Emilio Castillo - Alto Saxophone
Sources
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 77301 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | |||||
| 5958 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| SBD> MR> DAT> CD> EAC> SHN; Show and lineage information from Charlie Miller; DAE, SHN conversion, by Keith Bode; upgrade in circulation | |||||
| 105820 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 113090 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; FM Radio Broadcast > Cassete > Wave > Flac | |||||
| 118487 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; Set 3 Only, source: sbd> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit; lineage: sbd> d-5> sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate | |||||
| 134485 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 | |||||
| 134486 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 | |||||
| 134487 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac24; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 | |||||
| 134488 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 | |||||
| 148506 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| DTS-Audio-CD 5.1 Mix; SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - dts mixing by Kevin Tobin | |||||
| 148505 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; Matrix 2 Source Mix SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - matrix mixing by Kevin Tobin | |||||
| 148507 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - surround mixing by Kevin Tobin | |||||
| 148498 | 1982-12-31 | Oakland Auditorium | Oakland | CA | |
| flac16; Patched & Pitch Corrected Audience AUD (original shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 - pitch correction and patches by Kevin Tobin | |||||
Created At
Thu Nov 29 2018 11:04:51 GMT+0000 (Coordinated Universal Time)
Updated At
Tue Jul 10 2001 22:15:08 GMT+0000 (Coordinated Universal Time)
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