Carrier Dome, Syracuse University, Syracuse, NY

Summary (download all files)
flac24 48khz Source 1: First Gen of Audience Master Recording: Beyer M 201c Location: 120 feet from stage 12 Feet ROC directly even with SBD Lineage: Beyer M201's (hyper cardiod)handheld at shoulder height >> Sony TCD5M w TDK MA-C90 XL, Dolby B ON; First gen tape- Maxell UDXL-IIS
Source 2: Sennheiser 421's
Location: 60 feet from stage DFC
Lineage: Sennheiser 421's >> Sony TCD5M
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48
Processing:SD|WIN7|Audacity |cdwave editor|TLH flac 8
Recorded by: Executive Crew Kyle Holbrook, Mike Yacavone, olvy Johnson
Transferred by: Kyle Holbrook

Textdoc (download)
Grateful Dead
Date 1982-09-24
Carrier Dome
Syracuse NY

set 1
01. Jack Straw             ##
02. Friend of the Devil    ##
03. C.C. Rider             ##
04. Ramble on Rose         ##
05. New Minglewood Blues ## //
06. Bird Song               &
07. Looks Like Rain
08. China Cat Sunflower
09. I Know You Rider

Set2
01. Far From Me
02. Playin' in the Band
03. Crazy Fingers
04. Throwin' Stones ->
05. Space ->
06. Drums               //
07. Iko Iko
08. Truckin'
09. Goin' Down the Road Feelin' Bad
10. Black Peter
11. Around and Around
12. Sugar Magnolia      ///
encore
13., Brokedown Palace

Show notes:
Just before the encore Phil says "We have a special event for you, tonight is Bob's 5th wedding anniversary & we've brought Bob's wife out all the way from California to give him a big wet kiss." Of course, the band was punking us as Bob wasn't married!

Recording notes:
## NOT ON MASTER TAPE- missed due to interviewing Dan Healey at SBD (story to follow) First Gen from Source 2 (info below)
& accidental brief pause at start
// tape flip
/// tape swap to first tape side B for Sunshine Daydream|encore

Source 1: First Gen of Audience Master Recording: Beyer M 201c Location: 120 feet from stage 12 Feet ROC directly even with SBD Lineage: Beyer M201's (hyper cardiod)handheld at shoulder height >> Sony TCD5M w TDK MA-C90 XL, Dolby B ON; First gen tape- Maxell UDXL-IIS
Source 2: Sennheiser 421's
Location: 60 feet from stage DFC
Lineage: Sennheiser 421's >> Sony TCD5M
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48
Processing:SD|WIN7|Audacity |cdwave editor|TLH flac 8
Recorded by: Executive Crew Kyle Holbrook, Mike Yacavone, olvy Johnson
Transferred by: Kyle Holbrook
___________________________________________________________________________


___________________________________________________________________________
Tour Notes:
Mike decided we had to do an interview of the sound crew or anyone in the band about our studies of psychoacoustics. Of course, as 20 and 21 year olds, we thought we had invented the topic and somehow did not realize Dan Healey and company would have had to bump into a few audio technologists and/or acousticians along the way!

So Eric Arnum the director of operations at student run radio station WAER where he worked and several of us hung out "working" over the years called the Grateful Dead's record company. Surprisingly to us, they called back and eventually someone with the Dead called Eric to ask specifically what the interview request was about. When told it was some students studying psychoacostics requesting an interview with the sound engineer, Dan Healy, somehow they agreed to having us interview Dan plus Mickey Hart would be available for questions on that topic!    Amazing luck !!

This interview became the focus of our lives for the few weeks prior to the show. It came down to one backstage pass which became Mike being able to take the Sony deck with one microphone from WAER to the interview with Mickey about 5 hours prior to showtime. Lots of things were discussed about acoustics, sound, music and such but sadly this interview does not exist on tape because the newbies we were did not check the batteries prior to heading to the interview. The recording sounded like Mickey Hart sounding like Mickey mouse as the batteries were dying making the tape move at a much slower rate  so on playback it sounded very fast. Somehow they salvaged about 2-3 minutes at the start of the tape to use on air so we could claim the radio/student project side wasn't a failure. Of course, not even that tape exists in my archives- lost to the ether of life.

Mike called the house at some point and told me to get over to the Carrier Dome, he had talked them into a pass for me so both of us could do the interview of Dan Healy. I brought our Sony tape deck, fresh batteries and RCA cables with the idea we were going to ask Dan Healy for a sound board patch of the show. Brazen, young, foolish students! Luckily, we had a contingency plan of Olvy bringing the Beyer microphones and cables into the Dome later.

We interview Dan (all with an unbeknownst to us dying tape deck). The main thing I recall is him telling us one of his favorite moments during shows is when the audience responds to sound sequences which aren't obvious- clapping to a blues rhythm for instance, or a loud radical yell during a quiet moment during space. He told us he used many psychoacoustic elements in the design of their PA's over the years, panning instruments, odd stereo effects applied from the board, but what stuck with us over the years as we did FOH and sound tech work at school and later formed a company under the name Sonic Research Associates, was that IN GENERAL, the band sets their own tone and loudness from the stage. Once the sound was set at the board, the band generally handled most of the dynamics between them- it was a fascinating interview for two budding students of sound engineering lasting about 30 minutes.

So there we are, standing on the soundboard about 6 PM when the crew gets their dinner delivered. I think Mike was headed backstage with Eric and I was awkwardly standing there near the very rear of the riser when Dan brought his tray over and somehow dropped it onto a chair that had my brand new leather bomber jacket over its back, spilling most of his dinner onto the jacket. Mashed potatoes and gravy seemed to be the worst of it, leather wise. Dan reacted in an unexpected and kind manner. As a  leather jacket wearer, he knew it would need to be professionally cleaned; he apologized profusely and made the crew dudes find us some cash ($50 maybe $20 I don't recall this factoid) for cleaning the coat. Dan was so taken by this event, he sort of remembered me for about 2 more years, often speaking with me off the board and once in Hampton 84 coming out and asking about some mic configs we were trying. I guess his leather jacket wearing impulses were offended by spilling the food on the kids' jacket!

So, what do I do? I ask for a patch out of the soundboard! Brazen! Dan doesn't skip a beat, says they don't allow that much these days and I, in my extreme naïveté', I did not have anything to offer the man "in trade", so there was an awkward moment and he moved on while I stood at the rear of the board waiting for the show to start, the audience was already filing into the Dome. So about four songs in I slid down off the riser and found Olvy, Fran and a few friends in our seats just next to the soundboard about 120 feet from stage. We started the recording during Minglewood, and on this copy, I use a AUD version we located about 3 days after the show for the missing first five tunes.

We stood on our chairs and hand held the mics which were duct tape together. Olvy held the mics and I ran the deck from Minglewood on. For set 2 I held the mics while Mike ran the deck.The show was an odd combination of song sequences, such as a Looks Like Rain, China > Rider first set ending as well as the Ikko-Iko out of space and the entire ending of set 2 was standard early Eighties stomping it out Grateful Dead. Syracuse endured its' first GD show in the Carrier Dome; the sound quality wasn't amazing, but the Dead's Meyer system proved up to the challenge in such an acoustically challenging room.


Media Size
0
Media Size Uncompressed
0
SHN Disc Count
0
WAV Disc Count
0
Date Circulated
Entered By
mvernon
Created At
Mon Sep 25 2017 17:54:32 GMT+0000 (Coordinated Universal Time)
Updated At
Mon Sep 25 2017 18:05:11 GMT+0000 (Coordinated Universal Time)

Checksums
ffp (download)
gd1982-09-24beyerm201d1t01.flac:20a7f4a5ad7c720d597d08ce8fc4393c
gd1982-09-24beyerm201d1t02.flac:dd204ee4c57de5603415b883862b5735
gd1982-09-24beyerm201d1t03.flac:8674fb31407e867702b1f3874b77dd8c
gd1982-09-24beyerm201d1t04.flac:6de0b3dd6ec7c84c0c43f486a26c9851
gd1982-09-24beyerm201d1t05.flac:2ca1d55da8557d20329f85f7ef3b4caa
gd1982-09-24beyerm201d1t06.flac:e9f82d70c45bd1619b7a5558225f731b
gd1982-09-24beyerm201d1t07.flac:68f5ee9527a3ba5fd4be09fef5806651
gd1982-09-24beyerm201d1t08.flac:ef14ea3b04b67550000f79e8a2c4ef47
gd1982-09-24beyerm201d1t09.flac:f99249f2a7c5e5c025d3b1e18c524f40
gd1982-09-24beyerm201d2t01.flac:460c194eb53b960af9c7cfba9d08ebed
gd1982-09-24beyerm201d2t02.flac:000f1e279115a395feb9280262498616
gd1982-09-24beyerm201d2t03.flac:eea11bc47668d869e8a8938bd7633709
gd1982-09-24beyerm201d2t04.flac:77d32cf7c638bc64ab90e66889475806
gd1982-09-24beyerm201d2t05.flac:ee96d27faa417222d3c364d98b550bb2
gd1982-09-24beyerm201d2t06.flac:efedc12d2483ffcaf495163fa3205190
gd1982-09-24beyerm201d2t07.flac:f0cd5156b8d208c8c03b77d41398261f
gd1982-09-24beyerm201d2t08.flac:ddc4181bb206ddfc28e558eafd1a9408
gd1982-09-24beyerm201d2t09.flac:a20185cb2d902c1e3d79f795e2fdb709
gd1982-09-24beyerm201d2t10.flac:292d9315d1bc2ce840c7c98298e00d43
gd1982-09-24beyerm201d2t11.flac:7722720c5fa579505e05c918517d6d7d
gd1982-09-24beyerm201d2t12.flac:bc0023985f8473d4ae8e42593ab680d2
gd1982-09-24beyerm201d2t13.flac:816431d7b1c3100dcafec53174070acd
flac-md5 (download)
7dbf846f29569b991c250c1e99b18b04 *gd1982-09-24beyerm201d1t01.flac
cd803ed94351ec68e796e18132f6bce7 *gd1982-09-24beyerm201d1t02.flac
28d779aa93dc2937459095276f637429 *gd1982-09-24beyerm201d1t03.flac
a87e973291666e61e68a4599934af983 *gd1982-09-24beyerm201d1t04.flac
882ef8a8336ae0ff83263a2ebc79dfe8 *gd1982-09-24beyerm201d1t05.flac
c63aec0b8cff9370eb6dfd264d74588a *gd1982-09-24beyerm201d1t06.flac
07bacd5a13e60d09edce49d3f10e0a3e *gd1982-09-24beyerm201d1t07.flac
372fa4b5dd557e6ca23d1290e3530ee8 *gd1982-09-24beyerm201d1t08.flac
89d6ae2979a96716130fa84706d78a96 *gd1982-09-24beyerm201d1t09.flac
fb14593f1e818b0b2b665f6fae9adb7d *gd1982-09-24beyerm201d2t01.flac
a050bc862a2569a9335186956b4575c6 *gd1982-09-24beyerm201d2t02.flac
6d5c910196ba23923ed9ee3e21b4660d *gd1982-09-24beyerm201d2t03.flac
e18b9c7666fecb78f4e7ba34a2b46b12 *gd1982-09-24beyerm201d2t04.flac
0b074544c65a1acdcf7a3dd6b3c779a6 *gd1982-09-24beyerm201d2t05.flac
d516986a9787d0f196707774f871737b *gd1982-09-24beyerm201d2t06.flac
b7299261fc35a15f3f33f586a39f5866 *gd1982-09-24beyerm201d2t07.flac
5df3933184ec6d13ee210f2cbeb0425f *gd1982-09-24beyerm201d2t08.flac
8fb1a169f11e15e1e91f9185d6c50971 *gd1982-09-24beyerm201d2t09.flac
407d882cfd7899ec949b8022e4e9223d *gd1982-09-24beyerm201d2t10.flac
2f3a2c252a47c2e8a392fd8e18383dca *gd1982-09-24beyerm201d2t11.flac
883792dcd9a96d8b4c38ee2f0cd40074 *gd1982-09-24beyerm201d2t12.flac
3a1cf8feb73a7ebb129287d81b1db047 *gd1982-09-24beyerm201d2t13.flac

No users own this source