Sources for Grateful Dead
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| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 150494 | 1992-06-08 | Richfield Coliseum | Richfield | OH | |
| flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k) | |||||
| 150518 | 1992-06-08 | Richfield Coliseum | Richfield | OH | |
| flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1 | |||||
| 164774 | 1992-06-08 | Richfield Coliseum | Richfield | OH | |
| flac1648 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496 | |||||
| 164775 | 1992-06-08 | Richfield Coliseum | Richfield | OH | |
| flac2496 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496 | |||||
| 81856 | 1992-06-09 | Richfield Coliseum | Richfield | OH | |
| flac16; Senn 441’s>Sony D-5>Sony D6 > ? > flac Recorded by Mike Mahoney | |||||
| 89985 | 1992-06-09 | Richfield Coliseum | Richfield | OH | |
| flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 111202 | 1992-06-09 | Richfield Coliseum | Richfield | OH | |
| flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich | |||||
| 12574 | 1992-06-09 | Richfield Coliseum | Richfield | OH | |
| flac16 format; Set I: AUD, FOB Schoeps CMC32's > DAT > PCM > DAT, Set II: AUD, OTS AKG 568's > DAT > PCM > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWav v1.71 > FLAC Frontend (no DAE) | |||||
| 141250 | 1992-06-09 | Richfield Coliseum | Richfield | OH | |
| flac16/44.1 Source Info: FOB B&K 4011-> DAT (Clay and Jamie?). Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel | |||||
| 150594 | 1992-06-09 | Richfield Coliseum | Richfield | OH | |
| flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k) | |||||
| 150703 | 1992-06-09 | Richfield Coliseum | Richfield | OH | |
| flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1 | |||||
| 164802 | 1992-06-09 | Richfield Coliseum | Richfield | OH | |
| flac1648 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496 | |||||
| 164803 | 1992-06-09 | Richfield Coliseum | Richfield | OH | |
| flac2496 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496 | |||||
| 139452 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac24; AKG 568s -> Oade Power Supply > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh, all digital end-to-end. Front row tapers, center section; Taped by Bob Block, tracked and seeded by bltz | |||||
| 152717 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac24/48 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 | |||||
| 86034 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC. Taped and transferred (June 2007) by Andrew F. | |||||
| 90105 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 86035 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac16/48; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (June 2007) by Andrew F. | |||||
| 8069 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| sbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo; upgrade in circulation | |||||
| 18581 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| AUD(unknown mics)> DAT > CDR via Raoul Duke encoded by Matt Vernon | |||||
| 110978 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo | |||||
| 110979 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo | |||||
| 116122 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped 1st Row Official Tapers Section.Taped By Dave Boedicker | |||||
| 134956 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 134957 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 137459 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck (Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal Tapes,2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section | |||||
| 137754 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger | |||||
| 137755 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger | |||||
| 149564 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac16; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel | |||||
| 149565 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac16; Source Info: TS: Schoeps CMC3 MK4-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped By Jeff Travitz; Transfers by Pete Ebel | |||||
| 154484 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 152717 2496 > 1644 | |||||
| 165914 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| FLAC 1648 Source: 2x Senn ME88s (stand, OTS) > TCD-D3 by Dan Rogosa Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, remove DC offset) > FLAC 1648 | |||||
| 165915 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| FLAC 2496 Source: 2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ) > FLAC 2496 | |||||
| 165916 | 1992-06-11 | Knickerbocker Arena | Albany | NY | |
| FLAC 1644
Source: 2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ, resample, Lin dither) > FLAC 1644 | |||||
| 83901 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16; Main Source: MSC > cassette > DAT > CoolEdit > CD > Peak edits > SHN (shnid 15821) Patch Source: (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3 (shnid 4882) Edit: SHN > WAV > editing in Cool Edit Pro > CD Wave (patched tracks) > shntool > FLAC. Pitch correction of shnid 15821 by Bill Tetzeli | |||||
| 86095 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC | |||||
| 90111 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 86096 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16/48; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC | |||||
| 96095 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16; Sennheiser MD421's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | |||||
| 4882 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3; via Scott Agne | |||||
| 15821 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| SBD > Master cassette> cassette> DAT> CoolEdit> CD> Peak edits> SHN via Johnny Venus encoded by Peter Braverman; upgrade in circulation | |||||
| 111079 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac24; Source: Master Audience > Nakamichi CM300 with CP4 caps > Sony D6 > (Maxell MX, 1x90, 1x100); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24; taped by Baker and transferred by Keo | |||||
| 111080 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (Maxell MX, 1x90, 1x100); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo | |||||
| 116279 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boudaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, 1st Row Taper Section. | |||||
| 123682 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16; Source: OTS/DFC/Audix shotguns > Sony WM-D6 (Set 1: 90 min Denon HD8; Set 2: 100 min Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/44.1) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (convert 16 bit, tracking, added fades and normalize) > TLH (flac@8/ffp/sbe); Recorded, transferred and seeded by Bob Crupi | |||||
| 134967 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 134968 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 137492 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck(Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal; Tapes, 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section | |||||
| 137823 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger | |||||
| 137824 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger | |||||
| 145128 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16; Recording info: Set I: AKG 451eb/ck3 (FOB) > DAT (Sony D10 Pro) > PCM; Set II: Neumann KMi86 (OTS) > DAT (Panasonic SV255) > PCM; Transfer info: Beta PCM (video track) digital output: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k); Digital Recordings made by unknown | |||||
| 152725 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac24/48 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 | |||||
| 154491 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 152725 2448 > 1644 | |||||
| 165917 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| FLAC 1648 Source: 2x Senn ME88s (stand, OTS) > TCD-D3 by Dan Rogosa Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, remove DC offset) > FLAC 1648 | |||||
| 165918 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| FLAC 2496 Source: 2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ) > FLAC 2496 | |||||
| 165919 | 1992-06-12 | Knickerbocker Arena | Albany | NY | |
| FLAC 1644 Source: 2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ, resample, Lin dither) > FLAC 1644 | |||||
| 85997 | 1992-06-14 | Giants Stadium | East Rutherford | NJ | |
| flac16; Source: FOB(30 yrd line) Neumann KM82i's > Sony D5 > Maxell MX90 type IV stereo cassette. Taped by B. Koucky. Transfer: MAC playback on Nakamichi CR-7A, azimuth adjusted > Lynx RCA-XLR cables > Lunatec V3 @ 96 KHz, AES XLR digital out > AES digital input, LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transferred and mastering by C.Ladner. | |||||
| 89071 | 1992-06-14 | Giants Stadium | East Rutherford | NJ | |
| flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 1035 | 1992-06-14 | Giants Stadium | East Rutherford | NJ | |
| "analog sbd", no further info available; 2-3 spots of diginoise; via Aaron Kowalski to BUDD offer; circ as 3-disc shn set with 7/10/89; txt/md5s here courtesy DES, 6/23/01; upgrade in circulation | |||||
| 105592 | 1992-06-14 | Giants Stadium | East Rutherford | NJ | |
| flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX. Set up front row OTS. Taped & transfer to CDR by Jon Pasternak. Transfer: MAC > Nakamichi DR-2 > Tascam CDRW2000 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. EAC thru FLAC by Andrew F. 01/2010 | |||||
| 138565 | 1992-06-14 | Giants Stadium | East Rutherford | NJ | |
| flac16/48kHz; Unknown Taper: B&K 4011 (ORTF) > Neumann PS > Sony D10Pro; FOB w/stand; Stand specified at 6' 5" for 2nd set; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT | |||||
| 153971 | 1992-06-14 | Giants Stadium | East Rutherford | NJ | |
| flac24/96 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (WAV 24-bit/48k) > FLAC/24 | |||||
| 154495 | 1992-06-14 | Giants Stadium | East Rutherford | NJ | |
| flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (WAV 24-bit/48k) > FLAC/24 - This is 153971 2448 > 1644 | |||||
| 32449 | 1992-06-15 | Giants Stadium | East Rutherford | NJ | |
| flac16; SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller | |||||
| 9972 | 1992-06-15 | Giants Stadium | East Rutherford | NJ | |
| FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250; via John Valter; Seeded to etree by eD(efojr) | |||||
| 105593 | 1992-06-15 | Giants Stadium | East Rutherford | NJ | |
| flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX. Set up front row OTS. Taped & transfer to CDR by Jon Pasternak. Transfer: MAC > Nakamichi DR-2 > Tascam CDRW2000 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. EAC thru FLAC by Andrew F. 01/2010 | |||||
| 122576 | 1992-06-15 | Giants Stadium | East Rutherford | NJ | |
| flac16; Matrix - sbd 65%/aud 35%: 1) SBD -> Dat -> CD and 2) FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 | |||||
| 32486 | 1992-06-17 | Charlotte Coliseum | Charlotte | NC | |
| flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | |||||
| 4673 | 1992-06-17 | Charlotte Coliseum | Charlotte | NC | |
| AUD (CMC-31)> DAT> CDR> EAC> CDWAVE (excess silences removed)> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs | |||||
| 110948 | 1992-06-17 | Charlotte Coliseum | Charlotte | NC | |
| flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo | |||||
| 110947 | 1992-06-17 | Charlotte Coliseum | Charlotte | NC | |
| flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24; taped by Baker and transferred by Keo | |||||
| 134986 | 1992-06-17 | Charlotte Coliseum | Charlotte | NC | |
| flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 134987 | 1992-06-17 | Charlotte Coliseum | Charlotte | NC | |
| flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 32487 | 1992-06-18 | Charlotte Coliseum | Charlotte | NC | |
| flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | |||||
| 96087 | 1992-06-18 | Charlotte Coliseum | Charlotte | NC | |
| flac16; Sennheiser ME-80's>Technics SV-MD1 Dat Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger | |||||
| 4674 | 1992-06-18 | Charlotte Coliseum | Charlotte | NC | |
| AUD (CMC-31)> DAT> CDR> EAC> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs; Known flaws: 25 ms analog dropout at 2:50 of He's Gone | |||||
| 29702 | 1992-06-18 | Charlotte Coliseum | Charlotte | NC | |
| Set II only: Source: Sbd > ?? > CD's (likely a cassette gen) Transfer: CD's > EAC (secure) > MKWACT > SHN EAC/SHN by Chris Davis; upgrade in circulation | |||||
| 134975 | 1992-06-18 | Charlotte Coliseum | Charlotte | NC | |
| flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 134976 | 1992-06-18 | Charlotte Coliseum | Charlotte | NC | |
| flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 139446 | 1992-06-18 | Charlotte Coliseum | Charlotte | NC | |
| flac24; Nakamichi CM-300, CP-4 Shotguns > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh | |||||
| 144379 | 1992-06-18 | Charlotte Coliseum | Charlotte | NC | |
| flac16/48khz Recorded by: Mark Lynn Source: NAK 300s + CP4 shotguns > Casio DA7 with emphasis > DAT @48 kHz (on floor) Transferred by Mark Lynn & morst: Mark Lynn: DAT master > Sound Devices 722 morst: FLAC > Audacity 2.1.0 > WAVs > xACT 2.47 > FLACs @ 48kHz | |||||
| 32488 | 1992-06-20 | Robert F. Kennedy Stadium | Washington | DC | |
| flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | |||||
| 33953 | 1992-06-20 | Robert F. Kennedy Stadium | Washington | DC | |
| flac16/48; Master Soundboard DAT @ 48KHZ->DAT x 4; Conversion: Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC, by Mark Lynn | |||||
| 94214 | 1992-06-20 | Robert F. Kennedy Stadium | Washington | DC | |
| flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | |||||
| 93996 | 1992-06-20 | Robert F. Kennedy Stadium | Washington | DC | |
| flac16; Recording Info: SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC with fixed d2t01 by Tim Leavy (see info file for details). This is a fixed version of shn ID shn id 32488 | |||||
| 34817 | 1992-06-20 | Robert F. Kennedy Stadium | Washington | DC | |
| flac16; FOB DFC Digital Audience Recording Schoeps CMC34 -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans | |||||
| 34827 | 1992-06-20 | Robert F. Kennedy Stadium | Washington | DC | |
| flac16/48; FOB DFC Digital Audience Recording Schoeps CMC34 -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans | |||||
| 546 | 1992-06-20 | Robert F. Kennedy Stadium | Washington | DC | |
| SBD> DATs> CDRs> EAC> SHN; via Darrin Sacks; level change during Corinna- a few min in the level suddenly goes up a bit and may actually clip then immediately goes down by about 6db and stays that way for the rest of the set; upgrade in circulation | |||||
| 2207 | 1992-06-20 | Robert F. Kennedy Stadium | Washington | DC | |
| DSBD, no other info available; has same change in level in Corinna as mentioned on the other shn set in circulation; via Tony Gardner; upgrade in circulation | |||||
| 32490 | 1992-06-22 | Star Lake Amphitheatre | Burgettstown | PA | |
| flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | |||||
| 86435 | 1992-06-22 | Star Lake Amphitheatre | Burgettstown | PA | |
| flac16; source : aud > Nak 300s > WMD-6 > mac taped by John Bleich transfer : mac > Aiwa AD-F410 > Creative Extigy > Wavelab > wav (24/96) > flac downsampled to 16/44.1 with Wavelab and dithered with iZotope Ozone | |||||
| 5218 | 1992-06-22 | Star Lake Amphitheatre | Burgettstown | PA | |
| DAUD (master) > CDR > EAC > CDWAV > SHN >wav > shn w/seeking, plus encore: SBD > DAT > Cassette > DAT > Delta Dio 2496 > CDR > EAC> .shn; via brothercrow, harlan from D. Loebig, Rob Harrison seeds | |||||
| 14043 | 1992-06-22 | Star Lake Amphitheatre | Burgettstown | PA | |
| Second Set Only SBD ?>DAT>WAV>CE>CDWAV>CDR & SHN [probable cassette generation]; upgrade in circulation | |||||
| 121415 | 1992-06-22 | Star Lake Amphitheatre | Burgettstown | PA | |
| flac16; Set 2 Source: 2 Beyer M160 microphones - 9th row/center> Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files | |||||
| 135071 | 1992-06-22 | Star Lake Amphitheatre | Burgettstown | PA | |
| flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 135072 | 1992-06-22 | Star Lake Amphitheatre | Burgettstown | PA | |
| flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 32491 | 1992-06-23 | Star Lake Amphitheatre | Burgettstown | PA | |
| flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | |||||
| 86634 | 1992-06-23 | Star Lake Amphitheatre | Burgettstown | PA | |
| flac16; source: aud > Nak 300s > WMD-6 > mac taped by John Bleich transfer : mac > Aiwa AD-F410 > Creative Extigy > Wavelab > wav (24/96) > flac downsampled to 16/44.1 with Wavelab and dithered with iZotope Ozone | |||||
| 6024 | 1992-06-23 | Star Lake Amphitheatre | Burgettstown | PA | |
| SBD> Dat> c> Dat> Cool Edit> cd> EAC> SHN (seekable);EAC>SHN Steve Barbella, from John Valter seed discs; upgrade in circulation | |||||
| 9985 | 1992-06-23 | Star Lake Amphitheatre | Burgettstown | PA | |
| DAUD (master) > CDR; via D. Loebig; Seeded to etree by Harlan | |||||
| 135073 | 1992-06-23 | Star Lake Amphitheatre | Burgettstown | PA | |
| flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 135074 | 1992-06-23 | Star Lake Amphitheatre | Burgettstown | PA | |
| flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 32496 | 1992-06-25 | Soldier Field | Chicago | IL | |
| flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | |||||
| 34801 | 1992-06-25 | Soldier Field | Chicago | IL | |
| flac16; Seamless fix of shn id 8959 - SBD > GD MASTER D > D > SSSB | |||||
| 548 | 1992-06-25 | Soldier Field | Chicago | IL | |
| SBD->CASS0->DAT @ 44.1 Khz (encore 48 Khz, resampled via CoolEdit Pro @ 999 qs); Transfer: DAT->PC (S/PDIF, TB Fiji), SHNs from original WAVs, A. Shiffman; see info file for flaw notes; upgrade in circulation | |||||
| 22794 | 1992-06-25 | Soldier Field | Chicago | IL | |
| Source: Soundboard (was originally labeled as Shure Beta 57's > Tascam Porta 5 DBX Analog Deck > Cass Master > DAT > CDR) Transfer: EAC > CDR > FLAC Taper: Jim O'Malley Location: "...down on the field close to the stage..." | |||||
| 2258 | 1992-06-25 | Soldier Field | Chicago | IL | |
| SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; Missing encore; upgrade in circulation | |||||
| 8959 | 1992-06-25 | Soldier Field | Chicago | IL | |
| SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) > Vault Archive ADAT > 24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB; Seeded to etree by Jay Serafin | |||||
| 138876 | 1992-06-25 | Soldier Field | Chicago | IL | |
| flac16/48kHz; Set 2, unknown taper: B&K 4011 at 110 degrees ORTF > Neumann PS > Sony D10Pro - FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT | |||||
| 139264 | 1992-06-25 | Soldier Field | Chicago | IL | |
| flac16 44.1khz Set 1 only. Recorded by David Cohen & Justin Lee. OTS 8 foot stand. 2 Nakamichi CM300 Omnis spaced 2 meters >Sony D10Pro II DAT 48K Master sample rate converted to 44.1 in Wavelab | |||||
| 139368 | 1992-06-25 | Soldier Field | Chicago | IL | |
| flac16 44.1khz Source Info: FOB Schoeps CMC3 MK2-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1).Transfers by Pete Ebel | |||||
| 139369 | 1992-06-25 | Soldier Field | Chicago | IL | |
| flac16 44.1khz Source Info: FOB B&K 4011-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel | |||||
| 32497 | 1992-06-26 | Soldier Field | Chicago | IL | |
| flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | |||||
| 9118 | 1992-06-26 | Soldier Field | Chicago | IL | |
| DAUD[master] > CDR; via D. Loebig; Seeded to etree by harlan | |||||
| 32550 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | |||||
| 90149 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| flac16/48; AUD: Schoeps CMC3/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > Sony DDS-Dat tape. Mics on seven foot stand, set up dead center, front edge of grass, just behind last seating row. Transfer: MAD > Sony TCD-D10P > Audiophile 2496 SPDIF-In > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. | |||||
| 90152 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| flac16; AUD: Schoeps CMC3/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > Sony DDS-Dat tape. Mics on seven foot stand, set up dead center, front edge of grass, just behind last seating row. Transfer: MAD > Sony TCD-D10P > Audiophile 2496 SPDIF-In > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1 kHz) > TLH > FLAC. Taped and transferred by Andrew F. | |||||
| 28395 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| flac16; SBD> Dat> CD> CD> Sonic Solutions> CD> CD> EAC> FLAC; via Charlie Miller; upgrade in circulation | |||||
| 97810 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| flac16; matrix of DSBD: shnid=32550 and DAUD: shnid=90152 by hansokolow using ProTools | |||||
| 550 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| FOB (hand held) B&K 4011's -> D10 Pro, P. Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32, D. Nawrocki | |||||
| 8601 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| SBD; Lineage; Master Cassette> DAT> CD; 1st set via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation | |||||
| 132788 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro | |||||
| 135321 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 135322 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 140204 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 140280 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 149397 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| flac16/48kHz; Source Info:;FOB B&K 4011-> Sony D-10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) | |||||
| 149398 | 1992-06-28 | Deer Creek Music Center | Noblesville | IN | |
| flac16/48kHz; Set 1 Source Info: Beyer CM 101-> Casio DA-7-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) | |||||
| 91644 | 1992-06-29 | Deer Creek Music Center | Noblesville | IN | |
| flac16; Sennheiser ME-80's>Technics SV-MD1 from Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | |||||
| 2281 | 1992-06-29 | Deer Creek Music Center | Noblesville | IN | |
| Nak300 (CP-4 shotgun caps) -> Sony D5M-Pro (used as mic preamp) -> Yamaha MT1X cassette deck using DBX type II encoding; A/D Playback: Cassette Master in Yamaha MT120S using DBX type II decoding ->Tascam DA20 -> Zefiro ZA2 -> CoolEdit editing -> CDR; slight bit of the beginning of Desolation is missing, as well as the first couple notes of Deal; tape flip in Drums/Space spliced together with Cool Edit; Recording by Pat Volkerding and Eddie Wahba; A>D>CDR transfer by by Pat Volkerding; upload by Chris Ladner; see info file for burning notes | |||||
| 9399 | 1992-06-29 | Deer Creek Music Center | Noblesville | IN | |
| SBD>DAT>C>DAT>CDR; Seeded to etree by Tony G | |||||
| 132789 | 1992-06-29 | Deer Creek Music Center | Noblesville | IN | |
| flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro | |||||
| 135350 | 1992-06-29 | Deer Creek Music Center | Noblesville | IN | |
| flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename | |||||
| 135351 | 1992-06-29 | Deer Creek Music Center | Noblesville | IN | |
| flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 140222 | 1992-06-29 | Deer Creek Music Center | Noblesville | IN | |
| flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 140285 | 1992-06-29 | Deer Creek Music Center | Noblesville | IN | |
| flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 149399 | 1992-06-29 | Deer Creek Music Center | Noblesville | IN | |
| flac16/48kHz; Source Info: FOB B&K 4011-> Sony D-10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) | |||||
| 81844 | 1992-07-01 | Buckeye Lake Music Center | Hebron | OH | |
| flac16; Schoeps CMC32's (8 foot spaced omnis on 6 foot stands) -> Monster M1000 Cable -> Oade Mic Preamp -> Monster M1000 Jumper Cables -> Panasonic sv255 DAT Deck; DAT > TASCAM DA-20 > M-Audio FireWire Solo > Soundforge 8.0 wav | |||||
| 5701 | 1992-07-01 | Buckeye Lake Music Center | Hebron | OH | |
| preFM SBD > CM > DAT > CDR > WAV > SHNv3; d1 tracked for 80 min; some clipping; via Chris L. | |||||
| 110853 | 1992-07-01 | Buckeye Lake Music Center | Hebron | OH | |
| flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D5 > MAC (1 x Maxell MX-S100 + 1 x MX-S90) Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo | |||||
| 110852 | 1992-07-01 | Buckeye Lake Music Center | Hebron | OH | |
| flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D5 > MAC (1 x Maxell MX-S100 + 1 x MX-S90) Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped by Baker and transferred by Keo | |||||
| 140128 | 1992-07-01 | Buckeye Lake Music Center | Hebron | OH | |
| flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 140226 | 1992-07-01 | Buckeye Lake Music Center | Hebron | OH | |
| flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 147571 | 1992-07-01 | Buckeye Lake Music Center | Hebron | OH | |
| flac16/48kHz; Source Info: Beyer CM 101-> Casio DA-7-> DAT (Taped by Pete Ebel); Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel | |||||
| 82302 | 1992-12-02 | McNichols Sports Arena | Denver | CO | |
| flac16; MAD FOB Digital Audience Recording - 13th Row Schoeps Mk4v Cardiod Capsule (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer- MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 | |||||
| 9991 | 1992-12-02 | McNichols Sports Arena | Denver | CO | |
| 2nd Set; AUD(Neumann KM 140's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | |||||
| 12228 | 1992-12-02 | McNichols Sports Arena | Denver | CO | |
| (Unknown Audience) Digital Master> DAT> DMXFire> CDWav> mkw> shn; shn info submitted by user ststephen | |||||
| 119981 | 1992-12-02 | McNichols Sports Arena | Denver | CO | |
| flac24; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo | |||||
| 119982 | 1992-12-02 | McNichols Sports Arena | Denver | CO | |
| flac16; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 132562 | 1992-12-02 | McNichols Sports Arena | Denver | CO | |
| flac16/48kHz; Recording Notes: recorded and transferred by jlevene; Source: undocumented (but probably Nak 300 > Sony D3) > DAT/master (32kHz); Transfer: Tascam DA-20 > analog connection > Marantz PMD661 (digital tansfer) .wav (16/48); SFv9, CDwave, TLH and mp3tag were used to finish the conversion to .flac; minor level adjustments during T2/FLAS | |||||
| 140148 | 1992-12-02 | McNichols Sports Arena | Denver | CO | |
| flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 140248 | 1992-12-02 | McNichols Sports Arena | Denver | CO | |
| flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 141410 | 1992-12-02 | McNichols Sports Arena | Denver | CO | |
| flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 | |||||
| 30071 | 1992-12-03 | McNichols Sports Arena | Denver | CO | |
| flac16; Recording Info: (FOB/ORTF) B&K 4011 -> Modified Neumann Power supply -> Dat (Modified Sony D10 Pro) -> Dat Clone Transfer Info: Dat Clone (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |||||
| 82352 | 1992-12-03 | McNichols Sports Arena | Denver | CO | |
| flac16; MAD FOB Digital Audience Recording - 14th Row Schoeps Mk4v Cardiod Capslue (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer: MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 | |||||
| 9474 | 1992-12-03 | McNichols Sports Arena | Denver | CO | |
| Neumann KM 140's > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon | |||||
| 120033 | 1992-12-03 | McNichols Sports Arena | Denver | CO | |
| flac24; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo | |||||
| 120034 | 1992-12-03 | McNichols Sports Arena | Denver | CO | |
| flac16; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 132563 | 1992-12-03 | McNichols Sports Arena | Denver | CO | |
| flac16/48kHz; Recording Notes: recorded and transferred by jlevene; Source: undocumented (but probably Nak 300 > Sony D3 in the taper section) > DAT/master (32kHz); Transfer: Tascam DA-20 > analog connection > Marantz PMD661 (digital tansfer) .wav (16/48); SFv9, CDwave, TLH and mp3tag were used to finish the conversion to .flac | |||||
| 140149 | 1992-12-03 | McNichols Sports Arena | Denver | CO | |
| flac24; Set 1 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 140249 | 1992-12-03 | McNichols Sports Arena | Denver | CO | |
| flac16; Set 1 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 141411 | 1992-12-03 | McNichols Sports Arena | Denver | CO | |
| flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 | |||||
| 33827 | 1992-12-05 | Compton Terrace Amphitheatre | Tempe | AZ | |
| Digital Audience Recording Taped by Todd Evans Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 DAT Master from Todd Evans MASTER DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Soundforge 8.0 for 48/44.1>tracked in shntool-2.0.3> FLAC Frontend Level8 | |||||
| 8757 | 1992-12-05 | Compton Terrace Amphitheatre | Tempe | AZ | |
| AUD(AKG-460's)>DAT>CDR; Seeded to etree by Tim W | |||||
| 140250 | 1992-12-05 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac16; Set 2 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 117622 | 1992-12-05 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DID/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo | |||||
| 117623 | 1992-12-05 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DID/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software | |||||
| 140150 | 1992-12-05 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac24; Set 2 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 33956 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac16; Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 soundforge 8.0 48kHz/44.1kHz conversion> tracked in CDWav>FLAC; Taped by Todd Evans; patched with shnid 8706, a GEMS production | |||||
| 166299 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac1644; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 165886 2448 > 1644 | |||||
| 94107 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 97819 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac16; matrix of DSBD: shnid=94107 and DAUD: shnid=33956 by hansokolow using ProTools | |||||
| 8706 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| SBD>D> Delta Dio 2496 > Cool Edit >CDR; Seeded to etree by Tim Wiley | |||||
| 10381 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| Unknown aud > ? > CDR; via Raoul Duke and Ziggy; Seeded to etree by Matt Vernon | |||||
| 114526 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac16; Source DAT labeled AKG C-61's w/ Hyper-Cardiod caps > Denon DTR-80P ; Source taped by Steve Fink and Marcus Barnett Tascam DA-40 > S/PDIF > M-Audio 2496 @ 48khz > 44khz sample rate conversion via iZotope SRC 64 bit SRC Tracking performed in Adobe Audition 3.0 FLAC conversion via Trader's Little Helper; All transfers by ifthir@hotmail.com 7/8/2011 | |||||
| 117301 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac16; dave homes dat master; lineage: audience dat master to cdr krw_co transfer to eac to tlh flac level 8 | |||||
| 117626 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software | |||||
| 117627 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo | |||||
| 125410 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac16; Shoeps 441>DAT>CM>WAV>FLAC; TRANSFER NAKCR1>TEAC CRW250>WAV>FLAC | |||||
| 141065 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac16/44.1khz Source Info: FOB AKG 460-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel | |||||
| 165886 | 1992-12-06 | Compton Terrace Amphitheatre | Tempe | AZ | |
| flac2448; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 | |||||
| 86009 | 1992-12-11 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007 | |||||
| 86010 | 1992-12-11 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007 ; 48k version | |||||
| 79264 | 1992-12-11 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master from collection of Todd Evans DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info - Wavelab 6.0 - 48/16 wav> BBE, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE | |||||
| 5548 | 1992-12-11 | Oakland-Alameda County Coliseum | Oakland | CA | |
| Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa\'s nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; missing Deal; upgrade in circulation | |||||
| 9534 | 1992-12-11 | Oakland-Alameda County Coliseum | Oakland | CA | |
| SBD DAT master > DAT/1 > CDR > iMac > SHN; note shntool-fixed version of previous shn set, via Nathan Scott; seekable | |||||
| 9773 | 1992-12-11 | Oakland-Alameda County Coliseum | Oakland | CA | |
| AUD (AKG-460's) >DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | |||||
| 139686 | 1992-12-11 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT | |||||
| 140828 | 1992-12-11 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 140846 | 1992-12-11 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 141731 | 1992-12-11 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Recording info: Set I: Schoeps CMC34 (110° ORTF) > MIT Cable > TAO Research P.S. > Panasonic SV225 > DAT Recorded by John Ammons, hand held @ 5'9" FOB, center; Set II: AMS ST-250 (ambisonic mode)> 4 track Nagra D open reel 24 bit digital deck> 2 channel stereo DAT (Blumlein pattern)> DAT; Recorded by Jeff Silberman, just left of center, FOB; Transfer info: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Transfer by John Ammons of his s1 Master DAT & s2 clone of Silberman Master DAT | |||||
| 150535 | 1992-12-11 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF)> MIT shotgun XLR > TAO-Oade PS > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz); Location, FOB, DFC; Mics handheld 5'9"-1st Set, 5'10"-2nd Set; Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording by Marcus Buick & Rob Darroch with assistance of John Ammons; Transfer by Marcus Buick; Edited & Mastered using Adobe Audition (2020) by Joe Noel | |||||
| 97937 | 1992-12-12 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; matrix of SBD: shnid=5549 and AUD: shnid: set 1=23220, set 2=28878 by hansokolow using ProTools | |||||
| 23220 | 1992-12-12 | Oakland-Alameda County Coliseum | Oakland | CA | |
| Source: fob 30' center(from stage) hand held cmc 4,41 ortf>canare star quad cables>koch power supply > canare star quad cables>koch modified panasonic sv-255 panasonic sv-3700>hhb 830>CD-r>EAC (secure mode)>.wav>Flac Taped and transfered (DAT to Cd-r) Ed Boardman & CD-r>EAC>.wav>Flac by C Evans | |||||
| 79599 | 1992-12-12 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Recording info-Digital FOB Audience Schoeps CMC54 taper: unknown Transfer info-DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info-Edited and Mastered By Blingfreein Adobe Audition 1.5; -48/44.1 SRC(Crystal Ultra), L3 type 1 dither in Wavelab 6.0 by Jamie Waddell - Flac Level 8 in FLACFrontend SBE FREE | |||||
| 5549 | 1992-12-12 | Oakland-Alameda County Coliseum | Oakland | CA | |
| Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; d2 tracked for 80 min | |||||
| 9510 | 1992-12-12 | Oakland-Alameda County Coliseum | Oakland | CA | |
| AUD (AKG-460's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | |||||
| 28878 | 1992-12-12 | Oakland-Alameda County Coliseum | Oakland | CA | |
| Set 2 only; Recording Info: (FOB) Soundfield AMS ST250 (Blumlein) -> Nagra D Digital Reel To Reel (20 bit) -> Dat -> Dat Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Jeff Silberman Dat Supplied By JC Mahoney Transferred By Charlie Miller | |||||
| 139687 | 1992-12-12 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT | |||||
| 140829 | 1992-12-12 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 140850 | 1992-12-12 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 150536 | 1992-12-12 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF, FOB) > MIT shotgun XLR > TAO-Oade PS > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit 48kHz); Location, FOB, DFC. Mic handheld 5'9"-1st Set, 5'10"-2nd Set; Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording by Marcus Buick & Rob Darroch with assistance of John Ammons; Transfer by Marcus Buick; Edited & Mastered using Adobe Audition (2020) by Joe Noel | |||||
| 86041 | 1992-12-13 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) | |||||
| 86037 | 1992-12-13 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) | |||||
| 79352 | 1992-12-13 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info - All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3(w type 1 dither), Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE | |||||
| 5550 | 1992-12-13 | Oakland-Alameda County Coliseum | Oakland | CA | |
| Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; d2 tracked for 80 min; upgrade in circulation | |||||
| 10928 | 1992-12-13 | Oakland-Alameda County Coliseum | Oakland | CA | |
| Steve Barbella retrack of of original Healy Master seed; Dan Healy 2 track pa sbd dat master > Healy cassette; via Tommy Banjo & MerryPranksterTree; Seeded to etree by StoneBear | |||||
| 139688 | 1992-12-13 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT | |||||
| 140381 | 1992-12-13 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 | |||||
| 140830 | 1992-12-13 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 140851 | 1992-12-13 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 149335 | 1992-12-13 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Source Info: FOB Neumann Mics-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel | |||||
| 25812 | 1992-12-16 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; FOB center (30' from stage) hand held CMC 4,41 ORTF> Canare star quad cables> Koch power supply > Canare star quad cables> Koch modified Panasonic sv-255 >hhb 830> CD-r> EAC >.wav> Flac; taped, transferred by Ed Boardman; DAE> flac by Chris Evans | |||||
| 79547 | 1992-12-16 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 type1 dither, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE | |||||
| 140853 | 1992-12-16 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 27580 | 1992-12-16 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Matrix mix of Set 2 SBD (shnid=5551) plus FOB (shnid=25812) by MattMan; SHN/FLAC> WAV> Adobe Audition> CDWAV> shntool> FLAC Frontend | |||||
| 5551 | 1992-12-16 | Oakland-Alameda County Coliseum | Oakland | CA | |
| Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear | |||||
| 9631 | 1992-12-16 | Oakland-Alameda County Coliseum | Oakland | CA | |
| AUD>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | |||||
| 15395 | 1992-12-16 | Oakland-Alameda County Coliseum | Oakland | CA | |
| FOB Schoeps MK4V> Sony D3> D> CD> EAC> WAV> SHN encoded by JR Fishman | |||||
| 138068 | 1992-12-16 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Set 2 Fob recording > AKG 414 > Oade preamp > Sony D-10 Pro > DAT; recorded by Jim Wise; Transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Taped and transferred by Jim Wise; Lineage: wav 16/48 > Adobe Audition 3.1 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick | |||||
| 138710 | 1992-12-16 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Source: unknown aud (possibly AKGs) > dat (48k) provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick | |||||
| 140423 | 1992-12-16 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Set 2 Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 | |||||
| 140831 | 1992-12-16 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 140956 | 1992-12-16 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Recording info: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > MIT Cable > Tao Research Power Supply > Panasonic SV255; Location info: FOB, one person right of center, directly under center court Warriors scoreboard. Set 1 handheld at 5'9" & Set 2 w/ 5'11" stand; Transfer info: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Master DAT Recording & transfer by John Ammons | |||||
| 87983 | 1992-12-17 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Matrix 4 Source Mix - SBD (shn id 5552) Dan Healy 2 track pa sbd dat master > Healy cassette + AUD1 (shn id 79732) Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 + AUD2 (shn id 29086) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz + AUD3 AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest - matrix mixing by Kevin Tobin | |||||
| 88013 | 1992-12-17 | Oakland-Alameda County Coliseum | Oakland | CA | |
| DTS Audio 5.1; 4 Source Mix - SBD (shn id 5552) Dan Healy 2 track pa sbd dat master > Healy cassette + AUD1 (shn id 79732) Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 + AUD2 (shn id 29086) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz + AUD3 AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest - dts mixing by Kevin Tobin | |||||
| 79732 | 1992-12-17 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master from collection of Todd Evans - DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 dither type1, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE | |||||
| 5552 | 1992-12-17 | Oakland-Alameda County Coliseum | Oakland | CA | |
| Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear | |||||
| 28903 | 1992-12-17 | Oakland-Alameda County Coliseum | Oakland | CA | |
| Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Transfer by Chris Larson | |||||
| 29086 | 1992-12-17 | Oakland-Alameda County Coliseum | Oakland | CA | |
| Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Transfer by Chris Larson | |||||
| 119222 | 1992-12-17 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Source: Sonic Solution DSM-1S/x microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files | |||||
| 140832 | 1992-12-17 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 140854 | 1992-12-17 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||