LCDB: Sources for Grateful Dead

Sources for Grateful Dead

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SHNID	Date	Venue	City	State
152429	1979-10-24	Springfield Civic Center	Springfield	MA
flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
90098	1979-10-25	Veterans Memorial Coliseum	New Haven	CT
flac16; Set 2 Recording by Steve Rolfe: Nakamichi 700 -> Cassette Master -> Dat -> CD. Transfer: CD -> EAC -> CEP -> Flac(level 8) by Matt Vernon. Set 1 already circulates.
93143	1979-10-25	Veterans Memorial Coliseum	New Haven	CT
flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
19599	1979-10-25	Veterans Memorial Coliseum	New Haven	CT
Aud:M?>?>CD (It may be either Aud:MC>Cas>DAT>CD or Aud:MC>DAT>CD) via Jools
22792	1979-10-25	Veterans Memorial Coliseum	New Haven	CT
Upgrade to previous shn set by Charlie Miller - "Steve Rolfe sent me CDs of the show which sounded better than what I originally used, so on 2/20/04, I re-patched the sbd"
21271	1979-10-25	Veterans Memorial Coliseum	New Haven	CT
Set 2 : SBD>Cassette Master>Cassette>DAT>CD (HHB 800 Pro Deck)>EAC .93b>SHN Transferred from DAT to CD-r (1998). Transcribed to SHN 11/28/2003 . JR Fishman : upgrade now in circulation.
22311	1979-10-25	Veterans Memorial Coliseum	New Haven	CT
Recording Info: Set 1: Nakamichi 700 -> Cassette Master -> Dat (Recorded By Steve Rolfe) Set 2: SBD -> Master Cassette (Sony TCD5M/Maxell UDXL II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Set 1: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN Set 2: Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) : upgrade now in circulation.
4627	1979-10-25	Veterans Memorial Coliseum	New Haven	CT
Set 2 SBD > Cass (Dolby S) > Nak DR-3 (playback) > RME 96/8 PST > SHN
145459	1979-10-25	Veterans Memorial Coliseum	New Haven	CT
flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
145460	1979-10-25	Veterans Memorial Coliseum	New Haven	CT
flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
152435	1979-10-25	Veterans Memorial Coliseum	New Haven	CT
flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
152436	1979-10-25	Veterans Memorial Coliseum	New Haven	CT
flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
92049	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
flac16; SBD and Audience Matrix Mix of about a 60% SBD to 40% Audience.
98950	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is a fix of shnid=29411, 29490 and 98561.)
19416	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
Recording by Steve Rolfe: MAC(Nakamichi CM-700 mics > Sony TC-158) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
317	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
SBD> [?]> DAT (D. DiProsa)> TB Montego Digi i/o (44.1)> .wav> .shn; transfer by A. Walton; see pub comments for listening notes : upgrade now in circulation.
13980	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
Master Soundboard Cassette > Cass > DAT > CD; Patches made with Audience recording mastered by Steve Rolfe (Nak CM300 > Sony TC-158); See info file for details; via Scott Clugston; Seeded to etree by Steve Barbella : upgrade now in circulation.
28832	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
Set 2 Only: zero gen source upgrade. Lineage: Master SBD Cassette > Master DAT > CDR > EAC > SHN. Seeded to etree by Seth Kaplan : upgrade now in circulation.
29002	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
Repatch of SHNid=28832; Lineage: Master SBD Cassette > Master DAT > CDR > EAC > SHN Source: Master SBD Cassette (Sony TC D5 on Maxell UD XL-II cassette tape) Source Playback: Sony D5 DAT Transfer: Panasonic SV3800 (48 KHZ sampling rate) DAT Playback: Sony PCM R-700 Disc Transfer: HHB CDR-800; This is a repatch of disc 2 done by charlie miller on 3/31/05 using samplitude : upgrade now in circulation.
29411	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation).
29490	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation).
98561	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC;All Transfers and Mastering By Charlie Miller; ( upgrade now in circulation).
105234	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
109777	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
flac16; AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII 90's. Set up behind the soundboard. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010
120367	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
flac16; Sennheiser 441's > Nakamichi 550 > CM > C1 > C2 (TDK SA-C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 > CD Wave Editor > Trader's Little Helper > Flac16; Transfer, edit/patch, and pitch correction by Bob Morris, May 2012.
127550	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
flac24; Recorded 14th row left center; Nakamichi 550>AKG D222e; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered by Richie Stankiewicz
145461	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
145462	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
145664	1979-10-27	Cape Cod Coliseum	South Yarmouth	MA
flac16; Recorded 14th row left center; Nakamichi 550>AKG D222e; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered by Richie Stankiewicz; 16bit, 44.1khz file set
30655	1979-10-28	Cape Cod Coliseum	South Yarmouth	MA
flac16; SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation
19590	1979-10-28	Cape Cod Coliseum	South Yarmouth	MA
Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon
7602	1979-10-28	Cape Cod Coliseum	South Yarmouth	MA
SBD : MC > R > DAT > CDR Beginning through Ship of Fools courtesy of Jim Wise AUD : MC ( NAK 700's > TC-158 by Steve Rolfe) > DAT > CDR Playin' through end of show From Peter Teitelbaum; via Peter Braverman : upgrade now in circulation.
105434	1979-10-28	Cape Cod Coliseum	South Yarmouth	MA
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional 10.22 -> Adobe Audition v1.5 -> FLAC; Transferred and Edited By Charlie Miller; This is a re-master of source ID 30655
105530	1979-10-28	Cape Cod Coliseum	South Yarmouth	MA
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
113747	1979-10-28	Cape Cod Coliseum	South Yarmouth	MA
flac24; AUD: 3x Nakamichi CM300/CP1's > patched thru Nakamichi 550 > Sony TC-153SD > Maxell UDXLII's, set up directly behind the soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F.
113748	1979-10-28	Cape Cod Coliseum	South Yarmouth	MA
flac16; AUD: 3x Nakamichi CM300/CP1's > patched thru Nakamichi 550 > Sony TC-153SD > Maxell UDXLII's, set up directly behind the soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011
134396	1979-10-28	Cape Cod Coliseum	South Yarmouth	MA
flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional 11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
145465	1979-10-28	Cape Cod Coliseum	South Yarmouth	MA
flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
145464	1979-10-28	Cape Cod Coliseum	South Yarmouth	MA
flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
29410	1979-10-31	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller
86239	1979-10-31	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Recording by Barry Glassberg: MOTB 0039: Source: Audience At SBD Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
87523	1979-10-31	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac24; Recording by Barry Glassberg: MOTB Release: 0039 24/96 Source: Audience At SBD Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM-700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
91040	1979-10-31	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; SBD and Audience Matrix Mix
96606	1979-10-31	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: unknown Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/flac Conversion Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
17360	1979-10-31	Nassau Veterans Memorial Coliseum	Uniondale	NY
Set1: SBD>>MC>>REEL>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Set2: SBD>>MC>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Last 20 minutes of show: MAC(Nak 700's)>>SonyTC-158>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B
7921	1979-10-31	Nassau Veterans Memorial Coliseum	Uniondale	NY
Partial 2nd Set; SB> MR> Dick Latvala's cass> DAT> CD> EAC> CDWAV> .shn & CD-R; via Alasdair Macdonald : upgrade now in circulation.
9372	1979-10-31	Nassau Veterans Memorial Coliseum	Uniondale	NY
D1 (set 1) SBD> MR> C> DAT> CD; D2 (set 2a) SBD> MR> Dick Latvala's Cass> DAT> CD; D3 (set 2b) AUDMC (Nak 700's> Sony TC158)> DAT> CD; Seeded to etree by Dave Shepard, w/ thanks to Chuck Reynolds; also to abgd : upgrade now in circulation.
151982	1979-10-31	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16/44 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151882 24 > 16 @ 44.1
151882	1979-10-31	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac24/96 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
78301	1979-11-01	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; This is a repatch of shn id 23445 & shn id 77363
77329	1979-11-01	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550 via David Minches
91762	1979-11-01	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; SBD and Audience Matrix Mix from SBD: shnid 23445 SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller and Audience: shnid 22316 Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550
2412	1979-11-01	Nassau Veterans Memorial Coliseum	Uniondale	NY
Master Soundboard Cassette > Cassette > Hi-Fi VHS > DAT > CDR, with nearly complete patches from AUD Nak CM300 (see info file for details); mastered by Scott Clugston; d2 tracked for 80 min; 9/01 update: upgrade now in circulation
5586	1979-11-01	Nassau Veterans Memorial Coliseum	Uniondale	NY
Master Soundboard Cassette, played back via Nakamichi DR-3> RME 96/8 PST > Harddrive > SHN; with patches from Master Soundboard Cassette > Cassette > Hi-Fi VHS> CDR, and Master Audience Cassette; Nakamichi CM300 mics > Nakamichi 550 > CDR sources (see info file); Patching / CD Mastering, SHN'ed by Scott Clugston, with thanks to Don Goodwin for new source; d1 tracked for 80 min : upgrade now in circulation
23445	1979-11-01	Nassau Veterans Memorial Coliseum	Uniondale	NY
SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info:Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN; Transferred and Edited By charliemiller87@earthlink.net Charlie Miller; Note: had originally circulated only as set 2; upgrade now in circulation
77363	1979-11-01	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller -- This is a repatch of shn id 23445: upgrade now in circulation
113354	1979-11-01	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Recording Info:SBD -> Master Cassette (Sony TC-D5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony R500) -> Tascasm SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
128311	1979-11-01	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
151772	1979-11-01	Nassau Veterans Memorial Coliseum	Uniondale	NY
Source: 2 Nakamichi 300s > Nakamichi 550 > Master Audience Cassettes Recording by Pete Jaeger. Edited & Remastered (Adobe Audition) by Joe Noel. January 30, 2021. Remaster of SHIND 77329
152532	1979-11-01	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16/44 A photoLeon Matrix Source #1 (151772); 2 Nakamichi 300s > Nakamichi 550 > Master Audience Cassettes Recording by Pete Jaeger Edited & reMastered (Adobe Audition) by Joe Noel January 30, 2021 Source #2 (113354); SBD > Master Cassette (Sony TC-D5M/UDXL-II) > Dat (Panasonic SV3800/48k) Transfer: Dat (Sony R500) > Tascam SS-R05 > Adobe Audition v3.0 > Samplitude Professional v11.2 > FLAC Transfer & Mastering by Charlie Miller May 5, 2011 Matrix created in Adobe Audition by Joe Noel May 02, 2021
94221	1979-11-02	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac24; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green
94220	1979-11-02	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green
96553	1979-11-02	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: Behind Stage Right 30' 300 Section elevation Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
7920	1979-11-02	Nassau Veterans Memorial Coliseum	Uniondale	NY
SBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald
12761	1979-11-02	Nassau Veterans Memorial Coliseum	Uniondale	NY
AUD> MC> DAT> CDR; via Paul B, Alan Schlissel
4672	1979-11-02	Nassau Veterans Memorial Coliseum	Uniondale	NY
SBD > Cass (Dolby S) > Nak DR-3 (playback) > RME 96/8 PST > SHN; First 30-60 seconds of Miss 1/2 Step is missing; to abgd; note spaces in filenames- may need rename : upgrade now in circulation
124392	1979-11-02	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
142393	1979-11-02	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II) > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k
152533	1979-11-02	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16/44 A photoLeon Matrix Source #1 (142393); 2 x Nakamichi CM-700's > Sony TCD5 > 37th Row Center on the Pole > MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green August 27, 2008 Source #2 (142393); SBD > Master Cassette (Sony TC-D5M/UDXL-II) > Dat (Panasonic SV3800/48k) Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k DATs provided by Rob Eaton Transfer & Mastering by Charlie Miller June 24, 2018 Matrix created in Adobe Audition by Joe Noel May 04, 2021
154424	1979-11-02	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac24/96 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded, Transferred and Mastered by Rob Eaton Additional Editing by Charlie Miller
154496	1979-11-02	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac16/44 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded, Transferred and Mastered by Rob Eaton Additional Editing by Charlie Miller - This is 154424 2496 > 1644
164279	1979-11-02	Nassau Veterans Memorial Coliseum	Uniondale	NY
flac1644 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Cardiod Microphones (don't remember which ones) > Marantz Superscope CD-320 (no NR, Set 1 & 2 - Maxell UD-XLII 90 Cassettes, Encore - Fuji FX-II 90 Cassette) (Way up front on the floor with stand) Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-830plus > CD Ohr : CD > EAC > WAV > FLAC
84210	1979-11-04	Providence Civic Center	Providence	RI
flac16; Unknown Taper: Master recorded with 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Master played back on unknown deck to unknown deck to record 1st Generation Cassette 1st Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding Transfer and FLAC encoding by David Minches
101485	1979-11-04	Providence Civic Center	Providence	RI
flac24; AUD: AKG D200's > Technics RS-646DS (lead deck) > Sony TC-153SD (Tim's deck) > Maxell XL-II 90's. Mics on stand, set up behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009
101486	1979-11-04	Providence Civic Center	Providence	RI
flac16; AUD: AKG D200's > Technics RS-646DS (lead deck) > Sony TC-153SD (Tim's deck) > Maxell XL-II 90's. Mics on stand, set up behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain TLH > FLAC 1644. Transfer by Andrew F. 09/2009
7919	1979-11-04	Providence Civic Center	Providence	RI
SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R; Reported upgrade to previous shn set; see info file for details; Timings are the same; via Alasdair Macdonald
6947	1979-11-04	Providence Civic Center	Providence	RI
Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; misc cuts, missing USB
128814	1979-11-04	Providence Civic Center	Providence	RI
flac16; Recording Info: SBD > MC > C > DAT > CDR. Transfer Info: CDR > wav > Sound Forge 10 >TLH > flac
142917	1979-11-04	Providence Civic Center	Providence	RI
flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5/Maxell UDXL-II) > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k
83710	1979-11-05	The Spectrum	Philadelphia	PA
flac16; Recording by Joel Barnehama: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
89053	1979-11-05	The Spectrum	Philadelphia	PA
flac16; Unknown Taper; Recorded with 3 Nak 300s> Nak 550 2nd Generation Audience Cassette provided by Gordon Sharpless Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
28932	1979-11-05	The Spectrum	Philadelphia	PA
Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R700) -> CD (HHB CDR800) Dat > CD Transfer By Jim Wise Patched By Charlie Miller charliemiller87@earthlink.net Patch Info: Estimated Prophet has a tape flip which I pacthed with SBD>Cm>Cass>Dat>CD. End of Lost Sailor through the end of the show patched with Nakamichi 300 -> Cassette Master > C2 > CD
2410	1979-11-05	The Spectrum	Philadelphia	PA
Master Soundboard Cassette > Cassette > DAT > CDR; pitch corrected and with AUD Nak CM300 patches (see info file for details); mastered by Scott Clugston : upgrade now in circulation
12177	1979-11-05	The Spectrum	Philadelphia	PA
Third in the series :O); This is the previous shn set with a shntool fix and silence removed from d2 (by Charles Weir); See info file for details; Master Soundboard Cassette > Cassette > DAT > CDR. : upgrade now in circulation
29735	1979-11-06	The Spectrum	Philadelphia	PA
flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat/0 (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller
85575	1979-11-06	The Spectrum	Philadelphia	PA
flac 16; set 2 only; Recording by Joel Barnehama: Source: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding;Transfer and FLAC encoding by David Minches:
2417	1979-11-06	The Spectrum	Philadelphia	PA
Master Soundboard Cassette > Cassette > DAT > CDR; mastered by Scott Clugston: upgrade now in circulation
125957	1979-11-06	The Spectrum	Philadelphia	PA
flac16; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
125956	1979-11-06	The Spectrum	Philadelphia	PA
flac24; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged.
137296	1979-11-06	The Spectrum	Philadelphia	PA
flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm
150952	1979-11-06	The Spectrum	Philadelphia	PA
flac24/96khz Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k)
150953	1979-11-06	The Spectrum	Philadelphia	PA
flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550/TDK-SA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
151466	1979-11-06	The Spectrum	Philadelphia	PA
flac16/44khz Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) 150952 24 -> 16 @ 44.1
151467	1979-11-06	The Spectrum	Philadelphia	PA
flac16/44khz Recording Info: SBD > Cassette Master (Nakamichi 550/TDK-SA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 150953 24 -> 16 @ 44.1
132455	1979-11-08	Capital Centre	Landover	MD
flac16; mac > hd or maybe the label was swapped and this is a first gen; unk equip. could be 2xshure sm58>sony 152
29503	1979-11-08	Capital Centre	Landover	MD
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC
3901	1979-11-08	Capital Centre	Landover	MD
set 2; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction); [had been marked sdb> master reel> dat> cdr]; via Mike Lai; note this set 2 material, labelled as d2-d3, has redundant tracks (d3t1-t5 simply repeat d2t3-t7 and can be omitted); 3/02 note: set 1 now circulates separately : upgrade now in circulation
8409	1979-11-08	Capital Centre	Landover	MD
set 1; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked sdb> master reel> dat> cdr] via Mike Lai, with thanks to Scott Kolber; meant to accompany previous set 2 shn set (with inclusive txt file), but circulates separately : upgrade now in circulation
8546	1979-11-08	Capital Centre	Landover	MD
retracked version of previous set 2 shn set, for 1x80; md5s do not change, redundant tracks omitted; via Dan MacNeill; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked sdb> master reel> dat> cdr] : upgrade now in circulation
18126	1979-11-08	Capital Centre	Landover	MD
This shn set combines into a single seed the set 1 and set 2 shn sets previously seeded to etree as singles; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin; updated source: both sets SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked SDB> MR> D> CDR] : upgrade now in circulation
132330	1979-11-08	Capital Centre	Landover	MD
flac16; AUD of unknown lineage; TDK D90's (c1979) > Nakamichi CR-5A > Edirol FA-66 Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F 01/2015
150270	1979-11-08	Capital Centre	Landover	MD
flac16; Set 2 Only; SBD > ? > FLAC
79702	1979-11-09	Community War Memorial Auditorium	Buffalo	NY
flac16; Audience tape of unknown lineage Transfer: C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, by Andrew F. November 2006
76499	1979-11-09	Community War Memorial Auditorium	Buffalo	NY
flac16; 2 Songs from AUD of unknown lineage via Andrew F and Dennis C (Seeded as filler on 12/10/79 aud from same seeders)
34936	1979-11-09	Community War Memorial Auditorium	Buffalo	NY
flac16; SBD> Cm> Cass> Dat> Sound Forge> CD > WAV > SHN > WAV > FLAC - Fix of shn id 318. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
318	1979-11-09	Community War Memorial Auditorium	Buffalo	NY
Updated source: SBD> Cm> Cass> Dat> Sound Forge> CD; 6ote d1t1 is JBG from 11/8/79 encore; to abgd previously; via A. Stern; note variable right-channel static throughout. : upgrade now in circulation
150448	1979-11-09	Community War Memorial Auditorium	Buffalo	NY
flac16; Soundboard Cassette Master > ? > flac; Speed Corrections by Jason Chastain; Audio Mastering by Jamie Waddell
152437	1979-11-09	Community War Memorial Auditorium	Buffalo	NY
flac16/44 shure mic's,sony cas,master cas,cd,eac,wav,flac. recorded 15'from stage center by jeff stevenson hand held mic's
14108	1979-11-10	Crisler Arena	Ann Arbor	MI
Master Soundboard Cassette > Reel to Reel > DAT> CDR, with AUD patches (see notes); via Scott Clugston; to abgd
10457	1979-11-10	Crisler Arena	Ann Arbor	MI
SBD>MR>DAT>CDR; Missing first three 1/2 songs of first set; via Paul B; Seeded to etree by Willy : upgrade now in circulation
152823	1979-11-10	Crisler Arena	Ann Arbor	MI
Source Info: Master Soundboard Cassettes > 1st generation cassettes > Tim Dalton's Beta PCM Transfer Info: Tim Dalton's Beta PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 > Adobe Audition 2020 > TLH flac16
77330	1979-11-23	Golden Hall, Community Concourse	San Diego	CA
flac16; Recording by Bob Wagner: A:C:R:D Nak 700s>Sony TC-158 via David Minches
7861	1979-11-23	Golden Hall, Community Concourse	San Diego	CA
SBD:MC>Cas>DAT>CD, patches from 3rd generation reel source
107405	1979-11-23	Golden Hall, Community Concourse	San Diego	CA
flac16; 2 x Nak cm700's >> Sony TC-D5 Â >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
136697	1979-11-23	Golden Hall, Community Concourse	San Diego	CA
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Mastering Info: Audition CC 2015 -> Samplitude Pro 11.2.1 -> FLAC; All Mastering By Charlie Miller
10022	1979-11-24	Golden Hall, Community Concourse	San Diego	CA
Sources:Primary Source:MSC>??>DAT>CDR>EAC>Shn;Alternate Soundboard Source MSC>C>CDR supplies patches in Lost Sailor, Sugar Mag, OMSN,. 2nd Alt Source; Master Aud Cassette>NakCM700>Sony TC-158>Reel>DAT>CDR source supplies patches in China Cat Sunflower , Playin, and Sugar Mag. This source is missing the material needed to patch "Althea" (d1t08). Primary Source Shs via Eric Salmassy; Cd remastered; patched and reshn'ed by Scott Clugston; to Fungus and abgd via Charlie Connor (Note: A sbe-fixed version is circulating as of 4/2008.)
106307	1979-11-24	Golden Hall, Community Concourse	San Diego	CA
flac16; 2 x Nak cm700's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
113499	1979-11-24	Golden Hall, Community Concourse	San Diego	CA
flac16; Recording Info: SBD -> Cassette Master; Transfer Info: Cassette Master (Tascam 122MKII) -> Sound Devices 744T -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Mastering By Charlie Miller
113741	1979-11-24	Golden Hall, Community Concourse	San Diego	CA
flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
145589	1979-11-24	Golden Hall, Community Concourse	San Diego	CA
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, section 401, row 8 seats 7 & 8)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
145590	1979-11-24	Golden Hall, Community Concourse	San Diego	CA
flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, section 401, row 8 seats 7 & 8)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
84489	1979-11-25	Pauley Pavilion, UCLA	Los Angeles	CA
flac16; Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen); repatched version of shn id 25609 (this has a new patch in Bertha)
90638	1979-11-25	Pauley Pavilion, UCLA	Los Angeles	CA
flac24; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
90636	1979-11-25	Pauley Pavilion, UCLA	Los Angeles	CA
flac16; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
90872	1979-11-25	Pauley Pavilion, UCLA	Los Angeles	CA
DTS Audio 5.1; SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - dts mixing by Kevin Tobin
90846	1979-11-25	Pauley Pavilion, UCLA	Los Angeles	CA
flac16; Matrix 2 Source Mix - SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin
90720	1979-11-25	Pauley Pavilion, UCLA	Los Angeles	CA
flac16; Recorded by Mark Severson; 2 Sony ECM-270s on stand 40' from stage> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
7192	1979-11-25	Pauley Pavilion, UCLA	Los Angeles	CA
SBD Cassmaster-> PCM-> DAT-> CDRs-> EAC-> SHN (Unconfirmed); Small splices in The Other One and Bertha, some digipops; via Cozmichuck and Dan : upgrade now in circulation
25609	1979-11-25	Pauley Pavilion, UCLA	Los Angeles	CA
Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen) via Charlie Miller : upgrade now in circulation
145602	1979-11-25	Pauley Pavilion, UCLA	Los Angeles	CA
flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
145601	1979-11-25	Pauley Pavilion, UCLA	Los Angeles	CA
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
95831	1979-11-29	Cleveland Public Hall	Cleveland	OH
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29421
11630	1979-11-29	Cleveland Public Hall	Cleveland	OH
2nd Set Only; SBD>?>CDR; via Dr. Sketchy, Stillman; Seeded to etree by jim@juddcreek : upgrade now in circulation
12376	1979-11-29	Cleveland Public Hall	Cleveland	OH
Master Soundboard Cassette > Cassette > DAT> Cassette > DAT > CDR complete via Scott Clugston : upgrade now in circulation
29421	1979-11-29	Cleveland Public Hall	Cleveland	OH
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation
151719	1979-11-29	Cleveland Public Hall	Cleveland	OH
flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
151720	1979-11-29	Cleveland Public Hall	Cleveland	OH
flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
29424	1979-11-30	Stanley Theatre	Pittsburgh	PA
flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller; Note: since no one had the previous seed I am just updating this source.
95832	1979-11-30	Stanley Theatre	Pittsburgh	PA
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29424
76348	1979-11-30	Stanley Theatre	Pittsburgh	PA
Recording by Charlie Connor: (FOB, 10th Row Center Stage)>Sony ECM 990>JVC 1636mkII(CM)Transfer:Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT)Taped and Transferred by Charlie Connor
3118	1979-11-30	Stanley Theatre	Pittsburgh	PA
Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM700 source (see info file for details); patching, CD mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation
21784	1979-11-30	Stanley Theatre	Pittsburgh	PA
Fixed version of /shn/3118 via cm : upgrade now in circulation
24226	1979-11-30	Stanley Theatre	Pittsburgh	PA
SBD > DAT > CDREAC'ed / SHN'ed by Bob Delaney. Circulated 04/19/2004 via Tom Donaldson : upgrade now in circulation
33215	1979-11-30	Stanley Theatre	Pittsburgh	PA
Soundboard > Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM700 source. Note: This is the Clugston source with minor fixes by Charlie Miller. Charlie has circulated a more recent soundboard recording since this fix. : upgrade now in circulation
126893	1979-11-30	Stanley Theatre	Pittsburgh	PA
flac16; 2 Source matrix by Dave Usborne;Soundboard (shnid:95832); All Transfers and Mastering By Charlie Miller;Recording Info:SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k);Transfer Info:Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 ->Adobe Audition v1.5 -> FLAC; Audience (shnid:76348);Taped and Transferred by Charlie Connor; Source: (FOB, 10th Row Center Stage)>Sony ECM 990>JVC 1636mkII(CM);Transfer:Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT)
148526	1979-11-30	Stanley Theatre	Pittsburgh	PA
flac24; Source Info: 1st Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 300 mics > Sony TC-158 (in the pit); 2nd Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-158 (in the pit); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
148525	1979-11-30	Stanley Theatre	Pittsburgh	PA
flac16/48kHz; Source Info: 1st Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 300 mics > Sony TC-158 (in the pit); 2nd Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-158 (in the pit); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
31330	1979-12-01	Stanley Theatre	Pittsburgh	PA
flac16; AUD (unknown equipment and lineage, speculated to have been taped by Scott Jones with Shure > Sony TC-158) via Andrew F
82489	1979-12-01	Stanley Theatre	Pittsburgh	PA
flac16; Recording by Joel Barnehama: Master Audience Cassette; 2 Sennheiser 421s> Nakamichi 550 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Digital Audio Labs Card Deluxe (24/96)>Adobe Audition> (dither/downsample)> FLAC encoding
96408	1979-12-01	Stanley Theatre	Pittsburgh	PA
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; this is a re-master of source id 29429
34294	1979-12-01	Stanley Theatre	Pittsburgh	PA
flac16; Source: DTS-Audio-CD 5.1 Mix of SBD: shn id 29429 and AUD: shn id 31330 Multichannel Mix by Dan dan@am-dig.com
31946	1979-12-01	Stanley Theatre	Pittsburgh	PA
flac16; Sick Bits Vol. 15: SBD/AUD Matrix[SBD: (shnid=29429) AUD: (shnid=31330)] via Chris Chappell
319	1979-12-01	Stanley Theatre	Pittsburgh	PA
set 2; MSR > Cassette > DAT > CDR; via S. Clugston, L. Revell; note reportedly no 10s dropout in LLR : upgrade now in circulation
6022	1979-12-01	Stanley Theatre	Pittsburgh	PA
mixed source: set 1: SBD> Rm> Cass> Dat> CD> EAC> SHN, Set 2: SBD> Rm> Dat> CD> EAC> SHN; via Skip Jenkins vine, from Charlie Miller seed; EAC>SHN by Steve Barbella; missing Easy to Love You, Splice in LLR, otherwise complete : upgrade now in circulation
29429	1979-12-01	Stanley Theatre	Pittsburgh	PA
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation
120453	1979-12-01	Stanley Theatre	Pittsburgh	PA
flac16; Low-gen Audience Cassette (Maxell UDXLII-C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 > CD Wave Editor > Trader's Little Helper > Flac16 Transfer, edit, pitch correction by Bob Morris, May 2012
148531	1979-12-01	Stanley Theatre	Pittsburgh	PA
flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
148532	1979-12-01	Stanley Theatre	Pittsburgh	PA
flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
150983	1979-12-01	Stanley Theatre	Pittsburgh	PA
flac24/96 Recording Info: Set 1: AUD (Unknown Mics) > Cassette Master (Nakamichi 350) Set 2: SBD > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k)
151468	1979-12-01	Stanley Theatre	Pittsburgh	PA
flac16/44khz Recording Info: Set 1: AUD (Unknown Mics) > Cassette Master (Nakamichi 350) Set 2: SBD > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) 150983 24 -> 16 @ 44.1
161627	1979-12-01	Stanley Theatre	Pittsburgh	PA
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 96408 & 148531.
29434	1979-12-03	Uptown Theater	Chicago	IL
flac16; Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller
83611	1979-12-03	Uptown Theater	Chicago	IL
flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding * from 1st generation cassette from same master; master played back on Nak 550> Nak 250
320	1979-12-03	Uptown Theater	Chicago	IL
SBD > Cassette Master > C0 > DAT > SHN (Latvala vault leak); via L. Orf; known flaws: from master, first few seconds of some songs clipped (Orf smoothed with fades), levels low from DAT- left alone (note encore louder) : upgrade now in circulation
1241	1979-12-03	Uptown Theater	Chicago	IL
"analog> PCMWAVs very close to the master reels"; see notes and flaws discussed in info files; via BongRipper to abgd; later via tol to etree
135897	1979-12-03	Uptown Theater	Chicago	IL
flac16; 2 source matrix by dusborne; Soundboard (shnid:29434), Recording Info: Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: Set 1: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC, Transferred and Edited By Charlie Miller and Audience (shnid:83611),Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC * from 1st generation cassette from same master; master played back on Nak 550> Nak 250
83593	1979-12-04	Uptown Theatre	Chicago	IL
flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
34937	1979-12-04	Uptown Theatre	Chicago	IL
flac16; lineage: Master Soundboard Cassette -> Cassette -> DAT transfer: DAT -> CD -> EAC -> SHN - Fix of shn id 2535. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
2535	1979-12-04	Uptown Theatre	Chicago	IL
Master Soundboard Cassette -> Cassette -> DAT; DAT -> CD -> EAC -> SHN conversion by Scott Clugston; to etree via Adam Jerugim; static from MR in d1t3,6 : seamless version upgrade now in circulation
130387	1979-12-04	Uptown Theatre	Chicago	IL
flac16; Recording Info: SBD > MC > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
135898	1979-12-04	Uptown Theatre	Chicago	IL
flac16; 2 source matrix by dusborne;Soundboard (shnid:34937), Master Soundboard Cassette -> Cassette -> DAT -> CD -> EAC -> SHN; Audience (shnid:83593), Recording by Ira Frisch:Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
31959	1979-12-05	Uptown Theater	Chicago	IL
flac16; SBD (set 2 only) -> Cassette Master -> Dat (44.1k) Transferred and Remastered By Charlie Miller
34874	1979-12-05	Uptown Theater	Chicago	IL
flac16; composite of shn id 19418 (set1 aud) + shn id 31959 (set2 sbd) with minor edit to smooth transition by Andrew Long
83532	1979-12-05	Uptown Theater	Chicago	IL
flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
19418	1979-12-05	Uptown Theater	Chicago	IL
MAC (Unknown equipment) > Unknown analog generations > Nakamichi RX-505 cassette > 20-bit conversion with Burr-Brown ADC, dithered to 16-bit for output > HHB CDR8930 > EAC > CoolEdit > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
9359	1979-12-05	Uptown Theater	Chicago	IL
2nd set minus ship of fools and don't ease; See info file for details; SBD>MC>DAT>CDR; via neo_levo/candyman FTP: upgrade now in circulation
112163	1979-12-05	Uptown Theater	Chicago	IL
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
112235	1979-12-05	Uptown Theater	Chicago	IL
flac16:Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/couple areas of EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
128622	1979-12-05	Uptown Theater	Chicago	IL
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
108853	1979-12-07	Indiana Convention Center	Indianapolis	IN
flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid=23682
14842	1979-12-07	Indiana Convention Center	Indianapolis	IN
(3) Nak 300>Cm>Reel>CD shn'd by Charlie Miller : same source as shnid 9114
23682	1979-12-07	Indiana Convention Center	Indianapolis	IN
Updated source info: SBD ->Cass Master > Reel > Dat (48k) Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Dat Supplied By Rob Eaton; Transferred By Charlie Miller (had been marked: BD -> Master Cassette -> Cassette -> Dat (48k))
9114	1979-12-07	Indiana Convention Center	Indianapolis	IN
MAC (3 Nak CM-300s-> Sony TC-158)>R>D>CD); via Jack Warner; Don Chase; Seeded to etree by Matt Vernon;upgrade now in circulation
108854	1979-12-09	Kiel Auditorium	St. Louis	MO
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid=27751
27751	1979-12-09	Kiel Auditorium	St. Louis	MO
flac16; SBD> Cassette Master> Reel (Technics)> Dat (3800/48k), plus patch from Nak 700> Cass> Reel source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; transferred and edited by Charlie Miller
8833	1979-12-09	Kiel Auditorium	St. Louis	MO
MAC(Nak CM-700s-> Sony TC-158)>R>D>CD; via Jack Warner; Don Chase
128713	1979-12-09	Kiel Auditorium	St. Louis	MO
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones. Transferred on a Nak CR 7A
77331	1979-12-10	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; Source: A:C:R:D Recorded with Nak 700s>Sony TC-D5 Played back on Akai GX-4000D R2R; Edited and normalized with Cool Edit Transfer and Flac encoding by David Minches
89136	1979-12-10	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
76498	1979-12-10	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; AUD of unknown lineage Transfer: Cassette > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, FLAC compression, and checksums) > FLAC via Andrew F
34938	1979-12-10	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN, Set 2 SBD>Cm>?>Dat>CD>EAC>SHN - Fix of shn id 3371 via Bill Tetzeli
3371	1979-12-10	Soldiers & Sailors Memorial Hall	Kansas City	KS
SBD> Cm> (set 1 = Reel, set 2 = ?)> Dat> CD> EAC> SHN; with AUD patch; see info file for notes; via Steve;upgrade now in circulation
126986	1979-12-10	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; 2 Source Matrix by dusborne; Soundboard (shnid:34938) Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN; Set 2 SBD>Cm>?>Dat>CD>EAC>SHN; Fix of shnid 3371 and Audience (shnid:89136) Recording Info: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16; All Transfers and Mastering By Charlie Miller
128746	1979-12-10	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak Cr7A
165179	1979-12-10	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac1644; Recording info: SBD Cassette Master > DAT > AIF via Anon; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel v2 - The previous release (Source ID 165179) had brief digital crackles in 'Space'. They've been removed from this version.
165584	1979-12-10	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 165179 & 34938 (SBD's), and 128746.
165876	1979-12-10	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac1644; Recording info: SBD Cassette Master > DAT > AIF via Anon; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel; Replaces Source IDs 165179 and 165429
89165	1979-12-11	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; Recording Info: SBD -> Cassette Master (Nak 550) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
89166	1979-12-11	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
92439	1979-12-11	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; SBD + AUD Matrix (60%-SBD/40%-AUD) Mixed by Dan Haugh
91366	1979-12-11	Soldiers & Sailors Memorial Hall	Kansas City	KS
DVD-Audio; (6ch x 24/48) 5.1 Mix; sources are shnid 89165 and shnid 89166 (Audio only, no video)
92287	1979-12-11	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (60%-SBD/40%-AUD); see info files for sources used
9799	1979-12-11	Soldiers & Sailors Memorial Hall	Kansas City	KS
Nak CM-700s-> Sony TC-D5; MAC>R>D>CD; via Jack Warner; Seeded to etree by Don Chase
28890	1979-12-11	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k). Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller charliemiller87@earthlink.net : upgrade now in circulation
32058	1979-12-11	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; SBD -> Cassette Master -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller : upgrade now in circulation
5981	1979-12-11	Soldiers & Sailors Memorial Hall	Kansas City	KS
SBD> Cm> Cass> Dat> CD (Tascam CDRW700)> EAC> CD; Tracked with CDWav; via Charlie Miller, Ron Speer, Jim Parzych, Steve Barbella (see notes);upgrade now in circulation
103092	1979-12-11	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89165
128800	1979-12-11	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak CR 7A; a complete version now in circulation
131731	1979-12-11	Soldiers & Sailors Memorial Hall	Kansas City	KS
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak CR 7A
89187	1979-12-26	Oakland Auditorium Arena	Oakland	CA
flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
81323	1979-12-26	Oakland Auditorium Arena	Oakland	CA
flac16; Lineage: SBD Transfer: SBD -> ? -> DAT; DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing:- All editing and mastering by Jamie Waddell Wavelab 6.0- BBE, L3(type 1 dither)>16/44.1 SBE FREE
16092	1979-12-26	Oakland Auditorium Arena	Oakland	CA
Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded by Matt Vernon with Soundcheck.
17418	1979-12-26	Oakland Auditorium Arena	Oakland	CA
AUD>Cm>?>Cass>MiniDisc>Samplitude>SHN Soundcheck via Charlie Miller : upgrade now in circulation
128505	1979-12-26	Oakland Auditorium Arena	Oakland	CA
flac16; Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; first generation "safety tape" transferred on a Nakamichi CR-7A
144773	1979-12-26	Oakland Auditorium Arena	Oakland	CA
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
144774	1979-12-26	Oakland Auditorium Arena	Oakland	CA
flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
150235	1979-12-26	Oakland Auditorium Arena	Oakland	CA
flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller
154873	1979-12-26	Oakland Auditorium Arena	Oakland	CA
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 150235 & 128505.
81601	1979-12-27	Oakland Auditorium Arena	Oakland	CA
flac16; 1st Set Only, Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
89199	1979-12-27	Oakland Auditorium Arena	Oakland	CA
flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
83944	1979-12-27	Oakland Auditorium Arena	Oakland	CA
flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
15081	1979-12-27	Oakland Auditorium Arena	Oakland	CA
Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon
5593	1979-12-27	Oakland Auditorium Arena	Oakland	CA
Recording by Steve Rolfe: Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DBX encoded Reel to Reel > DBX decoded > Panasonic SV3700 DAT > CDR; EAC'ed / SHN'ed by Scott Clugston : upgrade now in circulation
128618	1979-12-27	Oakland Auditorium Arena	Oakland	CA
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
144776	1979-12-27	Oakland Auditorium Arena	Oakland	CA
flac24; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
144775	1979-12-27	Oakland Auditorium Arena	Oakland	CA
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
154875	1979-12-27	Oakland Auditorium Arena	Oakland	CA
flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
154876	1979-12-27	Oakland Auditorium Arena	Oakland	CA
flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
167335	1979-12-27	Oakland Auditorium Arena	Oakland	CA
flac1648 Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506) Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
167336	1979-12-27	Oakland Auditorium Arena	Oakland	CA
flac2496 Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506) Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
89273	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
87394	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac16; SBD > MR > PCM > DAT > WAV > FLAC. Seeded by the Green Mountain Bros.
94267	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
16117	1979-12-28	Oakland Auditorium Arena	Oakland	CA
Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr taped via Dave Minor encoded by Matt Vernon
4145	1979-12-28	Oakland Auditorium Arena	Oakland	CA
SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown : upgrade now in circulation
19918	1979-12-28	Oakland Auditorium Arena	Oakland	CA
sector boundary errors fixed with shntool and new md5 generated of previous sbd source : upgrade now in circulation
103117	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac16;Recording Info:Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89273
128624	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
134499	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
140817	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac16; Recording Info: Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k) > Adobe Audition 3.0 > TLH flac16; fixed version in circulation
140833	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac16; Recording Info: Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k) > Adobe Audition 3.0 > TLH flac16; this sources fixes two 2 dropouts in the previous source
144777	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
144778	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac24; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
154877	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
154878	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
167365	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac1648 Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506) Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
167366	1979-12-28	Oakland Auditorium Arena	Oakland	CA
flac2496 Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506) Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
154879	1979-12-30	Oakland Auditorium Arena	Oakland	CA
flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
89259	1979-12-30	Oakland Auditorium Arena	Oakland	CA
flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller
35219	1979-12-30	Oakland Auditorium Arena	Oakland	CA
flac16; SBD>MC>DAT>CD - Seamless fix of shn id 4797. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
90677	1979-12-30	Oakland Auditorium Arena	Oakland	CA
flac16; Recorded by Mark Severson; 2 Sony ECM-270s on stand 35' from stage> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
18221	1979-12-30	Oakland Auditorium Arena	Oakland	CA
Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon
4797	1979-12-30	Oakland Auditorium Arena	Oakland	CA
SBD> MC> DAT> CD (except for Truckin' which is from an unknown AUD source); seeds via Charlie Miller; DAE and hosting by neo_levo;upgrade now in circulation
144785	1979-12-30	Oakland Auditorium Arena	Oakland	CA
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
144786	1979-12-30	Oakland Auditorium Arena	Oakland	CA
flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
154880	1979-12-30	Oakland Auditorium Arena	Oakland	CA
flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
167450	1979-12-30	Oakland Auditorium Arena	Oakland	CA
flac1648 Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506) Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
167451	1979-12-30	Oakland Auditorium Arena	Oakland	CA
flac2496 Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506) Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
88768	1979-12-31	Oakland Auditorium Arena	Oakland	CA
flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
17281	1979-12-31	Oakland Auditorium Arena	Oakland	CA
SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko
18589	1979-12-31	Oakland Auditorium Arena	Oakland	CA
Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded and patched by Matt Vernon
5477	1979-12-31	Oakland Auditorium Arena	Oakland	CA
Recording by Steve Rolfe: Master Audience Cassette: Nakamichi CM700 mics > Sony TC-158 cassette deck > DAT > CDR; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation
6031	1979-12-31	Oakland Auditorium Arena	Oakland	CA
Recording by Steve Rolfe: AUD > NAK 700s >Sony TC-158 > MC > DAT > CDR > EAC > SHN; EAC> SHN> etree by G. Gorinsky, with thanks to Glenn Gillis; cut in NFA : upgrade now in circulation
126183	1979-12-31	Oakland Auditorium Arena	Oakland	CA
flac16; SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin
126184	1979-12-31	Oakland Auditorium Arena	Oakland	CA
flac16; Matrix 3 Source Mix - SBD1 (shnid=17281) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko + AUD1 (shn id 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 + SBD2 (no shn id) low generation video - matrix mixing by Kevin Tobin
144796	1979-12-31	Oakland Auditorium Arena	Oakland	CA
flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
144795	1979-12-31	Oakland Auditorium Arena	Oakland	CA
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
154881	1979-12-31	Oakland Auditorium Arena	Oakland	CA
flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
154882	1979-12-31	Oakland Auditorium Arena	Oakland	CA
flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
156628	1979-12-31	Oakland Auditorium Arena	Oakland	CA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 126183) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin + AUD (shnid = 155895) (original shnid = 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 - surround mixing by Kevin Tobin
167560	1979-12-31	Oakland Auditorium Arena	Oakland	CA
flac1648 Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506) Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
167561	1979-12-31	Oakland Auditorium Arena	Oakland	CA
flac2496 Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506) Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
97925	1979-??-??	Go To Heaven Outtakes	Unknown	CA
flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC -> FLAC by Joe Samaritano
137649	1979-??-??	Go To Heaven Outtakes	Unknown	CA
flac24; Recording Info: SBD > Master Reels (24-track) > Betty's Cassette (Maxell UD-XLII); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
137673	1979-??-??	Go To Heaven Outtakes	Unknown	CA
flac16; Recording Info: SBD > Master Reels (24-track) > Betty's Cassette (Maxell UD-XLII); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, Thiss is 137649 24 bit > 16 bit with r8brain

Live Concert Database