Grateful Dead 1979-11-25
Pauley Pavilion, UCLA, Los Angeles, CA
Set 1
Jack Straw
Tennessee Jed
Me & My Uncle >
Big River
Loser
New Minglewood Blues
Easy To Love You
Althea
Lost Sailor >
Saint Of Circumstance >
Deal
Tennessee Jed
Me & My Uncle >
Big River
Loser
New Minglewood Blues
Easy To Love You
Althea
Lost Sailor >
Saint Of Circumstance >
Deal
Set 2
Shakedown Street >
Bertha
Looks Like Rain
He's Gone >
The Other One >
Drums >
Space >
Truckin' >
Stella Blue >
Good Lovin'
Encore:
Johnny B. Goode
Bertha
Looks Like Rain
He's Gone >
The Other One >
Drums >
Space >
Truckin' >
Stella Blue >
Good Lovin'
Encore:
Johnny B. Goode
Set 3
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 84489 | 1979-11-25 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| flac16; Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen); repatched version of shn id 25609 (this has a new patch in Bertha) | |||||
| 90638 | 1979-11-25 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| flac24; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe | |||||
| 90636 | 1979-11-25 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| flac16; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe | |||||
| 90872 | 1979-11-25 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| DTS Audio 5.1; SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - dts mixing by Kevin Tobin | |||||
| 90846 | 1979-11-25 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| flac16; Matrix 2 Source Mix - SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin | |||||
| 90720 | 1979-11-25 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| flac16; Recorded by Mark Severson; 2 Sony ECM-270s on stand 40' from stage> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding | |||||
| 7192 | 1979-11-25 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| SBD Cassmaster-> PCM-> DAT-> CDRs-> EAC-> SHN (Unconfirmed); Small splices in The Other One and Bertha, some digipops; via Cozmichuck and Dan : upgrade now in circulation | |||||
| 25609 | 1979-11-25 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen) via Charlie Miller : upgrade now in circulation | |||||
| 145602 | 1979-11-25 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 | |||||
| 145601 | 1979-11-25 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
Created At
Tue Dec 04 2018 06:17:16 GMT+0000 (Coordinated Universal Time)
Updated At
Tue Jul 10 2001 22:15:08 GMT+0000 (Coordinated Universal Time)
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