Sources for Grateful Dead
unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 1014 | 1973-10-29 | Kiel Auditorium | St. Louis | MO | |
| MSR> C> DAT> Circulation> EAC> SHN; no El Paso, otherwise complete show; Source disks from Bob Murphy, eac/shn by Darrin Sacks; Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy; Bob Murphy reports seed sounds cleaner than corresponding 10/30/73 | |||||
| 1070 | 1973-10-29 | Kiel Auditorium | St. Louis | MO | |
| Reel master > 1 cassette gen > DAT > CD > SHN; no El Paso, otherwise complete show; via S. Kaplan, G. Hamilton; see info file and pub comments for flaw notes; note anomalies fixed by Darrin for other shn set seemed to be already lacking here- if they really are still present, please let us know | |||||
| 16817 | 1973-10-29 | Kiel Auditorium | St. Louis | MO | |
| Source: MSR > C > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show in SBD w/ AUD patches (including AUD El Paso) via Dave Greenberg and Jim Powell. Retracked from CDA seed of this source circulated 3/2003 (incorporated brief separate crowd tracks into song tracks). Sector boundaries verified w/ shntool. | |||||
| 116118 | 1973-10-29 | Kiel Auditorium | St. Louis | MO | |
| flac16; Taper: Unknown; Source: Unknown Mics and Deck>??>C>WAV>FLAC; Transferred and Encoded by Cousinit | |||||
| 131409 | 1973-10-29 | Kiel Auditorium | St. Louis | MO | |
| flac16; Matrix mix of Shnid 32352(sbd) and Shnid 116118(aud) | |||||
| 131458 | 1973-10-29 | Kiel Auditorium | St. Louis | MO | |
| flac16; Set 2, Handheld Sony 1 point stereo mic from the 5th and 4th row sometimes standing on chair; Recorderd and transferred by Chaffe McIlhenny; Master cassette>Revox cassette deck to DAT in 1998> to Tascam P2 Flash Card in Oct 2014>Audacity>Traders Little Helper for FLAC Fingerprint creation | |||||
| 150875 | 1973-10-29 | Kiel Auditorium | St. Louis | MO | |
| flac16 Recording Info: SBD -> Master Reel -> Dat -> WAV Transfer Info: WAV -> Samplitude Professional v10.2.1 -> FLAC | |||||
| 32367 | 1973-10-30 | Kiel Auditorium | St. Louis | MO | |
| flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC | |||||
| 969 | 1973-10-30 | Kiel Auditorium | St. Louis | MO | |
| Reel master > 1 cassette gen > DAT > CD > EAC > SHN; seed via J. Merdler, DAE>SHN by G.S. Hamilton, retracking of d2 by A. J. Fink; some editing between songs; known flaws: d1t1 split-second cut into beginning, d1t6 cuts at 1:21, d2t1 volume change at 3:39, d3t3 cut/splice at 6:27 | |||||
| 16818 | 1973-10-30 | Kiel Auditorium | St. Louis | MO | |
| Source: MSR > D > PCM > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show with AUD patches via Dave Greenberg and Jim Powell. Retrack of CDA seed circulated 3/2003 to incorporate separate crowd tracks into song tracks. Different lineage from previous seed. Cut to start Me & My Uncle patched w/ AUD, no cut in Mexicali. Does have anomolies in China Cat & Eyes noted in that seed. | |||||
| 19809 | 1973-10-30 | Kiel Auditorium | St. Louis | MO | |
| Reel master > 1 cassette gen > DAT > CD > EAC > SHN. Appears to be a re-extraction of John Merdler seed. | |||||
| 154414 | 1973-10-30 | Kiel Auditorium | St. Louis | MO | |
| flac1644; 1st Set; Source: Unknown AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021 | |||||
| 80714 | 1973-11-01 | McGaw Memorial Hall, Northwestern University | Evanston | IL | |
| flac16; Set 2 only MR>C1>DAT>SHN (shnid=2178)>CD>EAC>CoolEdit Pro hiss reduction & minor other edits | |||||
| 2178 | 1973-11-01 | McGaw Memorial Hall, Northwestern University | Evanston | IL | |
| set 2; MR> C1> DAT; via Teddy Goodbear to abgd | |||||
| 8834 | 1973-11-01 | McGaw Memorial Hall, Northwestern University | Evanston | IL | |
| 2nd set only; SBDMR> Cass> DAT> CDR> EAC> Soundforge> DePopper> SHN; via Howling Bob; Seeded to etree by Mike Parrillo | |||||
| 15759 | 1973-11-01 | McGaw Memorial Hall, Northwestern University | Evanston | IL | |
| Source: Set 2 MR > C1 > DAT > CD > Toast Audio Extractor (overlap) > WAV > SHN SHNed and seeded by Jon Seff (jon@seff.net) | |||||
| 22795 | 1973-11-01 | McGaw Memorial Hall, Northwestern University | Evanston | IL | |
| [New Version] Set 2 MSR > C> DAT > PCM > DAT > CD (see notes in info file regarding correctness of genealogy) - Subsequent CD extraction (EAC), editing (Cool Edit Pro 2), and SHN encoding (mkwACT) by Sean Cribbs 12/2003 | |||||
| 136696 | 1973-11-01 | McGaw Memorial Hall, Northwestern University | Evanston | IL | |
| flac16; Set 2 Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k) | |||||
| 2657 | 1973-11-09 | Winterland Arena | San Francisco | CA | |
| SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes | |||||
| 3290 | 1973-11-10 | Winterland Arena | San Francisco | CA | |
| MSR> reel > PCM > DAT > CD; see info file for listening notes | |||||
| 140704 | 1973-11-10 | Winterland Arena | San Francisco | CA | |
| flac16; Partial Show Source Info: Master Soundboard Reel > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 | |||||
| 88485 | 1973-11-11 | Winterland Arena | San Francisco | CA | |
| flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller | |||||
| 83318 | 1973-11-11 | Winterland Arena | San Francisco | CA | |
| flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 166326 | 1973-11-11 | Winterland Arena | San Francisco | CA | |
| flac1648; Recorded by Charles Conner from dead center 10 rows back with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer and mastering of re-shelled master cassettes by Jim Blackwood on November 11, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Speed/pitch adjusted by Jason Chastain | |||||
| 1016 | 1973-11-11 | Winterland Arena | San Francisco | CA | |
| Source: Disks 1-2 MSR> Cass> Cass> DATs> CDRs> EAC> SHN; Disk 3 MSR> Cass> DATs> CDRs> EAC> SHN; via Bob Murphy, Darrin Sacks; see pub comment for flaw note; note apparent upgrade with patch now circulating | |||||
| 12178 | 1973-11-11 | Winterland Arena | San Francisco | CA | |
| Shntool fix (by Tony Gardner) of previous Tony Gardner 'patched eyes' seed; See info file for details; Disks 1-2 MSR>Cass>Cass>DATs>CDRs; Disk 3 MSR>Cass>DATs>CDRs; With Eyes patched from MSR>?>DAT>CDR | |||||
| 14105 | 1973-11-11 | Winterland Arena | San Francisco | CA | |
| Pitch correction applied by Alan Schlissel to patch in Eyes in previous shn set (which itself was a fix of another previous one). | |||||
| 166325 | 1973-11-11 | Winterland Arena | San Francisco | CA | |
| flac2496; Recorded by Charles Conner from dead center 10 rows back with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer and mastering of re-shelled master cassettes by Jim Blackwood on November 11, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Speed/pitch adjusted by Jason Chastain | |||||
| 79049 | 1973-11-14 | San Diego Sports Arena | San Diego | CA | |
| flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC | |||||
| 6197 | 1973-11-14 | San Diego Sports Arena | San Diego | CA | |
| edit of previous shn set by Bob Clevenger; see info file for notes | |||||
| 5612 | 1973-11-14 | San Diego Sports Arena | San Diego | CA | |
| Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file | |||||
| 14716 | 1973-11-14 | San Diego Sports Arena | San Diego | CA | |
| Lineage: 7" Master Reel > Cassette > CD Transferred, burned, shn'ed, and all by David Hollister | |||||
| 166344 | 1973-11-14 | San Diego Sports Arena | San Diego | CA | |
| flac1648; Recorded by Charles Conner from center right with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 12, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 13, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain | |||||
| 166343 | 1973-11-14 | San Diego Sports Arena | San Diego | CA | |
| flac2496; Recorded by Charles Conner from center right with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 12, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 13, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain | |||||
| 79548 | 1973-11-17 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| flac16; source: unknown sbd > ??? > shn > wav > flac | |||||
| 22799 | 1973-11-17 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| This is a FLAC composite of different sources that all have cassette/reel flip cuts at various points of the show. See text document for further info. | |||||
| 4749 | 1973-11-17 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected) | |||||
| 23472 | 1973-11-17 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN via Jay Ashley | |||||
| 23731 | 1973-11-17 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G (spreaddead@bellsouth.net) | |||||
| 166358 | 1973-11-17 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| flac1648; Recorded by Charles Conner from floor level seats on the right side with a Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain | |||||
| 166357 | 1973-11-17 | Pauley Pavilion, UCLA | Los Angeles | CA | |
| flac2496; Recorded by Charles Conner from floor level seats on the right side with a Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain | |||||
| 83165 | 1973-11-20 | Denver Coliseum | Denver | CO | |
| flac16; Partial set 2 matrix mix using Cary Wolfson AUD shnid=22879 and sbd shnid=1234 by Matt Vernon | |||||
| 76616 | 1973-11-20 | Denver Coliseum | Denver | CO | |
| flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234) patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879) | |||||
| 1234 | 1973-11-20 | Denver Coliseum | Denver | CO | |
| S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details | |||||
| 22879 | 1973-11-20 | Denver Coliseum | Denver | CO | |
| MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by David Minches EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet) | |||||
| 133392 | 1973-11-20 | Denver Coliseum | Denver | CO | |
| flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:1234) MR > DAT > CD > EAC > SHN and Audience (shnid:22879) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | |||||
| 144245 | 1973-11-20 | Denver Coliseum | Denver | CO | |
| flac16; This is a pitch corrected, patched and re-mastered version of the source ID 1234 sbd.hollister source: Source Info: Master Soundboard Reels > (most likely Dick's cassettes) > Dat > CD > EAC > SHN to flac via TLH) > Adobe Audition CC 2019 | |||||
| 144265 | 1973-11-20 | Denver Coliseum | Denver | CO | |
| flac16/48kHz; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?); This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 144266 | 1973-11-20 | Denver Coliseum | Denver | CO | |
| flac24; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips; There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?). This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496 | |||||
| 88612 | 1973-11-21 | Denver Coliseum | Denver | CO | |
| flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation | |||||
| 97468 | 1973-11-21 | Denver Coliseum | Denver | CO | |
| flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.) | |||||
| 192 | 1973-11-21 | Denver Coliseum | Denver | CO | |
| via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38 | |||||
| 22096 | 1973-11-21 | Denver Coliseum | Denver | CO | |
| MAC (Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | |||||
| 22097 | 1973-11-21 | Denver Coliseum | Denver | CO | |
| MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) | |||||
| 133522 | 1973-11-21 | Denver Coliseum | Denver | CO | |
| flac; 2 Source Matrix by Dusborne; Soundboard(shnid:97468) SBD -> Master Reel -> Cassette -> Dat -> CD; CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC and Audience(shnid:22096) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | |||||
| 194 | 1973-11-23 | County Coliseum | El Paso | TX | |
| SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1, d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8 | |||||
| 6702 | 1973-11-23 | County Coliseum | El Paso | TX | |
| retracked, edited version of previous shn set, for 90 min CDs (see info), by Bob Clevenger | |||||
| 112801 | 1973-11-23 | County Coliseum | El Paso | TX | |
| flac16; Recording Info:SBD -> Reel Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 2213 | 1973-11-25 | Feyline Field | Tempe | AZ | |
| MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01 | |||||
| 113007 | 1973-11-25 | Feyline Field | Tempe | AZ | |
| flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 150853 | 1973-11-25 | Feyline Field | Tempe | AZ | |
| flac16/44.1khz Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC | |||||
| 150897 | 1973-11-25 | Feyline Field | Tempe | AZ | |
| flac16/44khz 1Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC | |||||
| 8099 | 1973-11-30 | Music Hall | Boston | MA | |
| sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go buy it | |||||
| 17277 | 1973-11-30 | Music Hall | Boston | MA | |
| unknown audience recording via David Minor encoded by Matt Vernon and Marc Pujol | |||||
| 124131 | 1973-11-30 | Music Hall | Boston | MA | |
| flac16; 2 source matrix by dusborne; Soundboard (shnid:8099) sbd > ? > CDR > EAC(secure) > mkwact(seekable) and Audience (shnid:17277) Source: AUDMC(unknown mics) > ? > C > DAT; DAT > WAV(48Khz) Marc Pujol Encoding: WAV(48kHz) > Cool Edit > CDWav > mkwact > SHN | |||||
| 155310 | 1973-11-30 | Music Hall | Boston | MA | |
| flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2022 | |||||
| 98049 | 1973-12-01 | Music Hall | Boston | MA | |
| flac16; Audience Analog Master>cdr>eac>flac; Joe Maloney Master Recording | |||||
| 4337 | 1973-12-01 | Music Hall | Boston | MA | |
| SBD> MR> DAT> Sonic Solutions> CDR; shn by Tony Gardner, from Paul B.'s discs; note more complete than previous shn versions | |||||
| 4972 | 1973-12-01 | Music Hall | Boston | MA | |
| same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person? | |||||
| 6648 | 1973-12-01 | Music Hall | Boston | MA | |
| Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston | |||||
| 18094 | 1973-12-01 | Music Hall | Boston | MA | |
| AUDMC(unknown mics) > ? > C > DAT via David Minor, encoded by Marc Pujol and Matt Vernon | |||||
| 110781 | 1973-12-01 | Music Hall | Boston | MA | |
| flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. | |||||
| 112205 | 1973-12-01 | Music Hall | Boston | MA | |
| flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 124132 | 1973-12-01 | Music Hall | Boston | MA | |
| flac16; 2 source matrix by dusborne Soundboard (shnid:112205) SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC and Audience (shnid:110781) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. | |||||
| 158194 | 1973-12-01 | Music Hall | Boston | MA | |
| flac1644 Source: Recorded using a Sony TC-110A deck with built in microphone by Joe Maloney. Transfer (2022): Audience analog master cassette>Nakamichi DR-1 (w/manual azimuth adjustment)>Creative Soundblaster X-Fi HD Model #SB1240 WAV(24/96kHz)>MAGIX Audio Cleaning Lab for KRW track marks, volume adjustment, and edits>WAV(16/44.1kHz)>Trader's Little Helper FLAC (level 8) | |||||
| 158193 | 1973-12-01 | Music Hall | Boston | MA | |
| flac2496 Source: Recorded using a Sony TC-110A deck with built in microphone by Joe Maloney. Transfer (2022): Audience analog master cassette>Nakamichi DR-1 (w/manual azimuth adjustment)>Creative Soundblaster X-Fi HD Model #SB1240 WAV(24/96kHz)>MAGIX Audio Cleaning Lab for KRW track marks, volume adjustment, and edits>WAV(24/96kHz)>Trader's Little Helper FLAC (level 8) | |||||
| 3415 | 1973-12-02 | Music Hall | Boston | MA | |
| Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd | |||||
| 4733 | 1973-12-02 | Music Hall | Boston | MA | |
| same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person?; hosted by Mike Lai | |||||
| 17278 | 1973-12-02 | Music Hall | Boston | MA | |
| unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol | |||||
| 110782 | 1973-12-02 | Music Hall | Boston | MA | |
| flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassette, kindly provided by Tim Friend. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. | |||||
| 124133 | 1973-12-02 | Music Hall | Boston | MA | |
| flac16; 3 source matrix by dusborne Soundboard (shnid:3415) Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; Audience (shnid:17278) Source: MAC > ? > C > DAT > CDR DAT > WAV(48kHz) by Marc Pujol; Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54@attbi.com; and Audience (shnid:110782) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. | |||||
| 150276 | 1973-12-02 | Music Hall | Boston | MA | |
| flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller | |||||
| 86845 | 1973-12-04 | Cincinnati Gardens | Cincinnati | OH | |
| flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). | |||||
| 30656 | 1973-12-04 | Cincinnati Gardens | Cincinnati | OH | |
| flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller | |||||
| 86839 | 1973-12-04 | Cincinnati Gardens | Cincinnati | OH | |
| flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 11800 | 1973-12-04 | Cincinnati Gardens | Cincinnati | OH | |
| Partial; Half of last song and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools | |||||
| 6703 | 1973-12-06 | Public Hall | Cleveland | OH | |
| retracked, slightly edited version of previous shn set, for 1x90 min CD (see info), by Bob Clevenger | |||||
| 195 | 1973-12-06 | Public Hall | Cleveland | OH | |
| partial; S:MR> Cass> SonicSolutions> DAT> ZA2> CD; via R. Nayfield (from Gans seed?); Reel Splice in Eyes from master | |||||
| 4452 | 1973-12-06 | Public Hall | Cleveland | OH | |
| SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton | |||||
| 102750 | 1973-12-06 | Public Hall | Cleveland | OH | |
| flac16; Recording Info: SBD > MR > cassette > DAT > CD; Transfer Info: CD > Wav > Sound Forge 9 for compression, volume and EQ > FLAC; remastered version of source ID 4452 | |||||
| 105560 | 1973-12-06 | Public Hall | Cleveland | OH | |
| flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 4452 | |||||
| 132361 | 1973-12-06 | Public Hall | Cleveland | OH | |
| flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 147505 | 1973-12-06 | Public Hall | Cleveland | OH | |
| flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v11.2.1 > FLAC; Remastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/16 | |||||
| 164390 | 1973-12-06 | Public Hall | Cleveland | OH | |
| flac1644 Source: Unknown audience cassette from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick April 2023 | |||||
| 164391 | 1973-12-06 | Public Hall | Cleveland | OH | |
| flac2496 Source: Unknown audience cassette from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > CD Wave > Flac 24 edited and mastered SIRMick Aoril 2023 | |||||
| 166462 | 1973-12-06 | Public Hall | Cleveland | OH | |
| flac1648 Recorded by Dave Cubbedge on a Sony portable stereo recorder with a stereo mic. LINEAGE: Master > TDK SA copy > WAV > FLAC | |||||
| 1811 | 1973-12-08 | Cameron Indoor Stadium, Duke University | Durham | NC | |
| SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source | |||||
| 7586 | 1973-12-08 | Cameron Indoor Stadium, Duke University | Durham | NC | |
| Stereo Soundboard > Master Reel > ? > CD > SHN; via unknown person; May be a re-eac of previous shn set | |||||
| 105268 | 1973-12-08 | Cameron Indoor Stadium, Duke University | Durham | NC | |
| flac16; Sbd > MR > C > DAT > CD Re-master of shnid 1811 | |||||
| 105607 | 1973-12-08 | Cameron Indoor Stadium, Duke University | Durham | NC | |
| flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 1811 | |||||
| 106138 | 1973-12-08 | Cameron Indoor Stadium, Duke University | Durham | NC | |
| flac24; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0 (levels, dc offset)>cd wave>flac | |||||
| 106139 | 1973-12-08 | Cameron Indoor Stadium, Duke University | Durham | NC | |
| flac16; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0(levels, dc offset)>cd wave>16/44.1>flac transferred & seeded by Rob Berger | |||||
| 141376 | 1973-12-08 | Cameron Indoor Stadium, Duke University | Durham | NC | |
| flac16; Recording Info: Master Soundboard Reel > Dat (16/44.1k)(Dick Latvala); Transfer Info: Dat (Panasonic SV-3800) > Pro Tools (.wav 16/44.1k) > Samplitude Professional v10.22 > Adobe Audition 3.0 > TLH flac16 | |||||
| 152572 | 1973-12-08 | Cameron Indoor Stadium, Duke University | Durham | NC | |
| flac16/44 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021 | |||||
| 152573 | 1973-12-08 | Cameron Indoor Stadium, Duke University | Durham | NC | |
| flac24/96 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick June 2021 | |||||
| 11799 | 1973-12-10 | Charlotte Coliseum | Charlotte | NC | |
| Partial; Last two songs and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools | |||||
| 3401 | 1973-12-12 | The Omni | Atlanta | GA | |
| souncheck apparently circulates as filler on circulating copy of 11/4/77. | |||||
| 6023 | 1973-12-12 | The Omni | Atlanta | GA | |
| nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs | |||||
| 102910 | 1973-12-12 | The Omni | Atlanta | GA | |
| flac16; Remaster of SHNID 6023 (Recording Info: Sbd > MR > C > CDR) Transfer Info: CDR > Soundforge 8 for many adjustments > Flac Transfer notes: Soundcheck recording changes: Volume increase, EQ and balance adjustments. Main show recording changes: Pitch of entire show was slowed to match A=440. It's close but not perfect, as pitch varied throughout. Volume was increased to modern standards Tape hiss, while still present, was reduced, without compromising overall fidelity. | |||||
| 105561 | 1973-12-12 | The Omni | Atlanta | GA | |
| flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 6023; Upgrade in circulation | |||||
| 124585 | 1973-12-12 | The Omni | Atlanta | GA | |
| flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 105561 | |||||
| 12469 | 1973-12-18 | Curtis Hixon Convention Hall | Tampa | FL | |
| further retracking and slight editing of previous retracked shn set, by Bob Clevenger | |||||
| 97511 | 1973-12-18 | Curtis Hixon Convention Hall | Tampa | FL | |
| flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; Upgrade in circulation | |||||
| 3119 | 1973-12-18 | Curtis Hixon Convention Hall | Tampa | FL | |
| SBD Reel master > cassette > DAT > CDR (unknown gens); info file circulating with the shn set falsely says this is via G.S. Hamilton- it is not. Please use md5s to ID copies in circulation. This copy has 7 tracks in d2, Greg's real shn set has 9. Reel change in Wharf Rat (d3t04) @ 6:36; reported noise reduction on this copy- see comments | |||||
| 12214 | 1973-12-18 | Curtis Hixon Convention Hall | Tampa | FL | |
| SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry | |||||
| 113498 | 1973-12-18 | Curtis Hixon Convention Hall | Tampa | FL | |
| flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 122508 | 1973-12-18 | Curtis Hixon Convention Hall | Tampa | FL | |
| flac16; Audience Cassette->Nakamichi Dragon->Sony PCMR300 Dat (16/44.1)->Sound Forge eq and normalization | |||||
| 123373 | 1973-12-18 | Curtis Hixon Convention Hall | Tampa | FL | |
| flac16; matrix of shnid 122508 (source 1 AUD) and shnid 116498 (source 2 SBD); matrixed by Monte Barry | |||||
| 126123 | 1973-12-18 | Curtis Hixon Convention Hall | Tampa | FL | |
| flac16; 3 source matrix: Soundboard (shnid 97511); AdamG's audience recording (new flat transfer); and Dan McDonald's audience recording (new flat transfer) | |||||
| 97361 | 1973-12-19 | Curtis Hixon Convention Hall | Tampa | FL | |
| flac16; Recording Info:SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 197 | 1973-12-19 | Curtis Hixon Convention Hall | Tampa | FL | |
| "DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it | |||||
| 8602 | 1973-12-19 | Curtis Hixon Convention Hall | Tampa | FL | |
| Audience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; go buy it | |||||
| 107984 | 1973-12-19 | Curtis Hixon Convention Hall | Tampa | FL | |
| flac16; soundboard source shnid=97361: (Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC); Patch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-faded and cut on sector boundaries. Converted to flac with trader's little helper | |||||
| 113503 | 1973-12-19 | Curtis Hixon Convention Hall | Tampa | FL | |
| flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 126124 | 1973-12-19 | Curtis Hixon Convention Hall | Tampa | FL | |
| flac16; Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer) | |||||
| 97924 | 1973-??-?? | Studio Rehearsals | Various | CA | |
| flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC ->FLAC by Joe Samaritano | |||||
| 165907 | 1973-??-?? | Record Plant | Sausalito | CA | |
| Flac1648 Dead Net Mixer > Tascam SS-CDR200 (16-bit/48k) > Samplitude Pro X6 Suite > FLAC/16 Mixed and Mastered by charliemiller87@earthlink.net 2023-10-03 | |||||