Sources for Grateful Dead
unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 94270 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller | |||||
| 101428 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller | |||||
| 1955 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd | |||||
| 20377 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| Source: Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Electric: MSR>R>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd 10/03 | |||||
| 120839 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| flac16; Loge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-20-2012 | |||||
| 122543 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| flac16; 3 Source Matrix: Soundboard (shnid=83158): Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Audience (shnid=94270): Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Audience (shnid=120839): Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger | |||||
| 131907 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| flac24; Partial Show; Beyer M-88>Sony TCD-5M 4th row right center; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered By Richie stankiewicz | |||||
| 132277 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| flac16/48kHz; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise | |||||
| 132278 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| flac24; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise | |||||
| 137449 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| flac16; Updated source Info: SBD Recording [This is A 2nd Generation]; Lineage: mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 12/27/2016; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; Converting Sample Rate: Adobe Audition 3.0 was also used to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE; the original seed of this source was marked as an AUD | |||||
| 137839 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| flac16; Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend; Transfer: Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; transferred, edited and mastered SIRMick | |||||
| 137840 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| flac24; Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend; Transfer: Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; transferred, edited and mastered SIRMick | |||||
| 140416 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| flac16; Source: 10” 1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10” 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (October 2009) and mastering (December 2017) by Alan Bershaw | |||||
| 141354 | 1980-10-31 | Radio City Music Hall | New York | NY | |
| flac16; Source Info: Satellite Feed > (McIntosh) 10" Master Reels @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 3380 | 1980-11-26 | The Sportatorium | Pembroke Pines | FL | |
| Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; 6/01 note: new d2.md5 from abgd submitted here with unspecified fixes on d2t3,4- not given how, or by whom | |||||
| 82278 | 1980-11-26 | The Sportatorium | Pembroke Pines | FL | |
| Main source: Master Soundboard Cassette > Cassette > DAT > CDR Patch source: Beyer M-160?s>Sony TC-D5>MC>DAT>CDRCD by Bill Tetzeli | |||||
| 13065 | 1980-11-26 | The Sportatorium | Pembroke Pines | FL | |
| Recording by Jim Wise: Beyer M-160?s>Sony TC-D5>MC>DAT>CDR; via Paul B; Seeded to etree by Willy | |||||
| 101699 | 1980-11-26 | The Sportatorium | Pembroke Pines | FL | |
| flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller | |||||
| 132221 | 1980-11-26 | The Sportatorium | Pembroke Pines | FL | |
| flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Masters (TDK SA-90) played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the properly dithered 16 bit 48 KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise | |||||
| 132222 | 1980-11-26 | The Sportatorium | Pembroke Pines | FL | |
| flac24; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the 24 bit 96KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise | |||||
| 132344 | 1980-11-26 | The Sportatorium | Pembroke Pines | FL | |
| flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03380) Source: Master Soundboard Cassette > Cassette > DAT > CDRCD and Audience (shnid:101699) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)by Jim Wise Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16 | |||||
| 134094 | 1980-11-26 | The Sportatorium | Pembroke Pines | FL | |
| flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 135530 | 1980-11-26 | The Sportatorium | Pembroke Pines | FL | |
| flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 150965 | 1980-11-26 | The Sportatorium | Pembroke Pines | FL | |
| Sick Bits Vol. 33a Source: Matrix (SBD-AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618-1 or 62%-38% SBD: (shnid=3380) Source: Master Soundboard Cassette > Cassette > DAT > CDR. via Scott Clugston (EAC-SHN) AUD: (shnid=13065) Jim Wise Beyer M-160’s > Sony TC-D5 > MC > DAT > CDR. via Paul B (CDRs). via Willy (EAC-SHN) Matrixed by Chris Chappell. (SHN > Vegas 5 > CD Wave > Flac16) March 17, 2007 | |||||
| 89932 | 1980-11-28 | Lakeland Civic Center | Lakeland | FL | |
| flac16; Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008 | |||||
| 90062 | 1980-11-28 | Lakeland Civic Center | Lakeland | FL | |
| flac16; Source: (original shnid 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon - speed correction and additional patching by Kevin Tobin | |||||
| 90057 | 1980-11-28 | Lakeland Civic Center | Lakeland | FL | |
| flac16; Matrix 2 Source Mix - SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - matrix mixing by Kevin Tobin | |||||
| 90013 | 1980-11-28 | Lakeland Civic Center | Lakeland | FL | |
| flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 90063 | 1980-11-28 | Lakeland Civic Center | Lakeland | FL | |
| DTS Audio 5.1; SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - dts mixing by Kevin Tobin | |||||
| 76519 | 1980-11-28 | Lakeland Civic Center | Lakeland | FL | |
| flac16; Source Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac ; upgrade in circulation | |||||
| 2222 | 1980-11-28 | Lakeland Civic Center | Lakeland | FL | |
| Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR; via Scott Clugston | |||||
| 20049 | 1980-11-28 | Lakeland Civic Center | Lakeland | FL | |
| Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon | |||||
| 127547 | 1980-11-28 | Lakeland Civic Center | Lakeland | FL | |
| flac24; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding | |||||
| 127546 | 1980-11-28 | Lakeland Civic Center | Lakeland | FL | |
| flac16; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding | |||||
| 150975 | 1980-11-28 | Lakeland Civic Center | Lakeland | FL | |
| flac16/44.1khz Sick Bits Vol. 33b Source: Matrix (SBD/AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618/1 or 62%/38% SBD: (shnid=20049) Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding: EAC(secure) > Cool Edit Pro > CDWAV > mkwact > SHN(seekable) via Matt Vernon - 10/18/2003 AUD: (shnid=76519) Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT via Bill Koucky - 8/14/2006 Matrixed by Chris Chappell (SHN > Vegas 5 > CD Wave > Flac16) April 19, 2007 | |||||
| 89938 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008 | |||||
| 90104 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 325 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| no source info; via D. Barrick | |||||
| 2409 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set | |||||
| 101722 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller | |||||
| 157370 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| Recording Info:
(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-C90)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 | |||||
| 127229 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac24; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz | |||||
| 132456 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise | |||||
| 132457 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac24; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise | |||||
| 134703 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac24; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015 | |||||
| 134704 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac16; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015 | |||||
| 139321 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac24; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 139322 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac16; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139321 24 bit -> 16 bit | |||||
| 145665 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac16; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz; 16bit, 44.1khz file set | |||||
| 155787 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Nakamichi 550 Cassette Deck (Maxell UD-XLII 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-830plus > CD Ohr : CD > EAC > WAV > FLAC | |||||
| 157406 | 1980-11-29 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | |
| flac 1644; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 157370 2496 > 1644 | |||||
| 90530 | 1980-11-30 | Fox Theater | Atlanta | GA | |
| flac24; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller | |||||
| 90497 | 1980-11-30 | Fox Theater | Atlanta | GA | |
| flac16; Set 2 only, Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 2416 | 1980-11-30 | Fox Theater | Atlanta | GA | |
| complete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to previous shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments | |||||
| 110921 | 1980-11-30 | Fox Theater | Atlanta | GA | |
| flac16; Set 1 Only, Recording Info: Taped by Dr. Bob Wagner Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble (24bit/44.1kHz) -> Peak Pro -> AIFF -> Vegas 10 > CD WAV -> FLAC/16 All Transfers and Mastering By Chris Chappell | |||||
| 110936 | 1980-11-30 | Fox Theater | Atlanta | GA | |
| flac16; Source: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: (shnid=2416): Source: MSC>Reel>DATs>CDRs>EAC>SHN (Through Scarlet>Fire only), AUD1: 24 bit (set 1 only) Recording Info: Taped by Dr. Bob Wagner Nakamichi 700s (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B), and AUD2: 24 bit (shnid=90530) (Scarlet>Fire only) AUD3: 16 bit (shnid=90497) (rest of the show - no matrix) Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Matrixed by Chris Chappell | |||||
| 123306 | 1980-11-30 | Fox Theater | Atlanta | GA | |
| flac24; Partial source: aud cassette master taped by Jerry Moore or ???*; sennheiser 421's > sony d5m, fofb; maxell mx-90/dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac; transferred & seeded by Rob Berger | |||||
| 127319 | 1980-11-30 | Fox Theater | Atlanta | GA | |
| flac24; Set 1 - Recording by Jim Oade & Jim Wise: Master Audience Cassette: 2 Teac ME-120s> Sony D-5; location: SBD and Partial Set 2 - Recording by Richie Stankiewicz & Jim Wise: Master Audience Cassette: 2 Beyer M160s> Sony D-5 location SBD; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding | |||||
| 128440 | 1980-11-30 | Fox Theater | Atlanta | GA | |
| flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones | |||||
| 157922 | 1980-11-30 | Fox Theater | Atlanta | GA | |
| flac2448; Source: Unknown mics & deck > Sony Fe-Cr 90's, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2022 | |||||
| 5478 | 1980-12-06 | Mill Valley Recreation Center | Mill Valley | CA | |
| Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston | |||||
| 151263 | 1980-12-06 | Mill Valley Recreation Center | Mill Valley | CA | |
| flac16/44.1khz AKG C414 Stereo Pair > Sony D5 - Betty Cantor-Jackson's Master Cassette (UD-XL II 60) Betty's Master Cassette (Dennon DN-770R) > Sony R500 Sony R500 > Tascam DA-3000 > Samplitude Pro X5 > FLAC (16-bit/44.1k) | |||||
| 89347 | 1980-12-12 | Swing Auditorium | San Bernardino | CA | |
| flac24: Recorded by Ron Ellner: MOTB Release: 0059 24/96 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Nakamichi 550 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick | |||||
| 89134 | 1980-12-12 | Swing Auditorium | San Bernardino | CA | |
| flac16; Recorded by Ron Ellner: MOTB Release: 0059 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick | |||||
| 31509 | 1980-12-12 | Swing Auditorium | San Bernardino | CA | |
| flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Transferred By Neil Sturtevant Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Transferred and Remastered Charlie Miller | |||||
| 13192 | 1980-12-12 | Swing Auditorium | San Bernardino | CA | |
| 2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy | |||||
| 16906 | 1980-12-12 | Swing Auditorium | San Bernardino | CA | |
| set 1; aud (unknown mics); via Brad Kelsey; encoded by Matt Vernon. | |||||
| 124542 | 1980-12-12 | Swing Auditorium | San Bernardino | CA | |
| flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave | |||||
| 136722 | 1980-12-12 | Swing Auditorium | San Bernardino | CA | |
| flac16; 3 source matrix by Dusborne; Soundboard(Shnid:31509) Recording Info: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On); Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Audience 1(Shnid:89134) Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC,Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] =>Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Ron Ellner; Audience 2(Shnid:124542) Recorded by: Ron Goldshine and John Musgrave 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters:Sony D5M (w/ Dolby, Bias @ 70us) > AkaiiGX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor | |||||
| 88964 | 1980-12-13 | Long Beach Arena | Long Beach | CA | |
| flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 91939 | 1980-12-13 | Long Beach Arena | Long Beach | CA | |
| flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 92889 | 1980-12-13 | Long Beach Arena | Long Beach | CA | |
| DVD-VA; (Video-Audio) Bertha Remaster of the Master Cassette source; SBD>>MC>>R>>D>>Flac>>Daw(Bertha)>>Audio DVD (Audio only; no video) | |||||
| 1633 | 1980-12-13 | Long Beach Arena | Long Beach | CA | |
| set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell | |||||
| 13412 | 1980-12-13 | Long Beach Arena | Long Beach | CA | |
| Complete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller | |||||
| 124551 | 1980-12-13 | Long Beach Arena | Long Beach | CA | |
| flac16; Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave | |||||
| 128617 | 1980-12-13 | Long Beach Arena | Long Beach | CA | |
| flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones | |||||
| 136725 | 1980-12-13 | Long Beach Arena | Long Beach | CA | |
| flac16; 3 source matrix by Dusborne;Soundboard (Shnid:91939) Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->Cool Edit Pro v2.0 -> FLAC; Audience 1 (Shnid:88964) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v9.12 -> FLAC/16; and Audience 2 (Shnid:124551) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes)) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) >NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor | |||||
| 155955 | 1980-12-13 | Long Beach Arena | Long Beach | CA | |
| flac1644 Mike Millard First Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 127 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First Generation Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 16/44.1 > Audacity > TLH > FLAC | |||||
| 157569 | 1980-12-13 | Long Beach Arena | Long Beach | CA | |
| flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 | |||||
| 157570 | 1980-12-13 | Long Beach Arena | Long Beach | CA | |
| flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 | |||||
| 89058 | 1980-12-14 | Long Beach Arena | Long Beach | CA | |
| flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 89003 | 1980-12-14 | Long Beach Arena | Long Beach | CA | |
| flac16; Recording Info: Nakamichi 700 -> Cassette Master (Sony D5M) -> Dat Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude Professional v6.0 -> SHN -> FLAC All Transfers And Mastering By Charlie Miller | |||||
| 13193 | 1980-12-14 | Long Beach Arena | Long Beach | CA | |
| AUD(Nak 700?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation | |||||
| 108813 | 1980-12-14 | Long Beach Arena | Long Beach | CA | |
| flac16; MSC>C (originally listed as nnknown generation cassette from sound board master) Transfer and FLAC encoding by David Minches: Cassette played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. Missing sections were patched with SHNID 89058. Patch Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Thanks to Michael Parrish for the sound board recording. | |||||
| 124583 | 1980-12-14 | Long Beach Arena | Long Beach | CA | |
| flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave | |||||
| 128626 | 1980-12-14 | Long Beach Arena | Long Beach | CA | |
| flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones | |||||
| 136726 | 1980-12-14 | Long Beach Arena | Long Beach | CA | |
| flac16; 3 source matrix by Dusborne; Soundboard (Shnid:108813) MSC > C; Cassette played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC; Audience 1 (Shnid:89058) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16; Audience 2 (Shnid:124583) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes) Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor | |||||
| 89260 | 1980-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 17279 | 1980-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit | |||||
| 15880 | 1980-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| Recording by Joani Walker: Nak 300's > D5 > ACM recorded by Joani Walker(1), ACM > CDR by Paul Scotton, encoding Matt Vernon ; upgrade in circulation | |||||
| 34400 | 1980-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording by Joan Walker: Source: Nak 300's > D5 > ACM recorded by Joani Walker(1) Lineage: ACM > CDR > EAC > Cool Edit > CDWAV > SHN; Fix: SHN > WAV > SoundForge > CDWave > SHNTOOOL > FLAC. Fix of shnid 15880 ; upgrade in circulation | |||||
| 121531 | 1980-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; MSR>C>DAT>WAV>SHN w/mono audio patch from video and timing correction. Originally converted by Cousinit (Shnid=17279) | |||||
| 121533 | 1980-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Matrix 3 Source Mix - SBD1 (shn id 17279) MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit + SBD2 Mono from Video soundtrack used to patch Sbd 1 + AUD1 (shn id 89260) Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin | |||||
| 121572 | 1980-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| DTS-Audio-CD 5.1 Mix; SBD1 (shn id 17279) MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit + SBD2 Mono from Video soundtrack used to patch Sbd 1 + AUD1 (shn id 89260) Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin | |||||
| 127564 | 1980-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Recorded with Sony TCD-5M>Beyer M-160; Recording made in the "Sweet Spot"; Transfer MAC>Sony TCDKA-3ES>USBPre2; Recorded and transfered by Richie Stankiewicz | |||||
| 157696 | 1980-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 | |||||
| 157697 | 1980-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 | |||||
| 89269 | 1980-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording by Joani Walker: Nakamichi 300/CP4 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 327 | 1980-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| SBD; via Stewart McCloskey (his transfer setup: PCM R500> AES/EBU monstercable> ZA2> Cooledit)? to ShortSnail/ shntraders list; d2 reportedly needs breaking up as desired (see addendum); info and md5s here courtesy Bill Borsodi, John Primozic | |||||
| 18736 | 1980-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| MSR>C>DAT>WAV>SHN; Conversion by Cousinit | |||||
| 107791 | 1980-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller | |||||
| 127152 | 1980-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Sony TCD-5M two Beyer M-88; Recorded in the "Sweet Spot"; Recorded and tansfered by Richie Stankiewicz | |||||
| 135987 | 1980-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Editing and Mastering by Jamie Waddell in Wavelab 7.1 | |||||
| 136139 | 1980-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Fix of shnid.135987 - Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Editing and Mastering by Jamie Waddell in Wavelab 7.1; shnid.135987 had the channels reversed in Set 1, this fixes that issue | |||||
| 141648 | 1980-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Source Info: Jeff Hellman's Master Soundboard Cassettes (dolby B) > Dan DeLuca's 1st generation reels > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 157945 | 1980-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 | |||||
| 157946 | 1980-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 | |||||
| 35036 | 1980-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Seamless fix of shn id 17421 - Main SRC: MSR>C>DAT>WAV>SHN with patches Patch source: shn id 13299 AUD (Nak 300's)>MC>DAT>CD>SHN from LlaMA by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | |||||
| 8862 | 1980-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| SB:>?>DAT>Tascam DA-20>EgoSys WaveTermanial 2496>CD-Wave > SHN; via Peter Gallagher; Seeded to etree by Willy | |||||
| 17421 | 1980-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| MSR>C>DAT>WAV>SHN via Cousin-It | |||||
| 13299 | 1980-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| AUD (Nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy | |||||
| 34638 | 1980-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; MSR>C>DAT>WAV>SHN; Patches from AUD (Nak 300's)>MC>DAT>CD; (Fix) SHN>WAV>Sound Forge>CDWAVE>SHNTOOL>FLAC; Patched, re-tracked and encoded by aolong. | |||||
| 107792 | 1980-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller | |||||
| 122408 | 1980-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Matrix: sbd 70%/aud 30%; sbd: Source: MSR>C>DAT>WAV>SHN; Edit: SHN>WAV>Sound Forge>CDWAVE>SHNTOOL>FLAC & aud: Recording Info: Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; editing and matrix: SIRMick | |||||
| 135991 | 1980-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums and tagged with xACT; Editing and Mastering by Jamie Waddell in Wavelab 7.1 | |||||
| 141649 | 1980-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Source Info: Jeff Hellman's Master Soundboard Cassettes (dolby B) > Dan DeLuca's 1st generation reels > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 157238 | 1980-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac1644 Source: AUD of unknown lineage > Lo-gen cassette via Richie & Rip. Transfer: SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 07/2022 | |||||
| 121396 | 1980-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Source: Matrix (50/50) using mono sbd from video mixed with (shnid = 13300): AUD (nak 300's); Mixed by kevtobin@yahoo.com; FLAC conversion 17-JUL-2012 | |||||
| 90468 | 1980-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Soundcheck Recording Info: Sennheiser 421 -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 13300 | 1980-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| Recording by Steve Rolfe: AUD (nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy | |||||
| 146511 | 1980-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Source: AUD of unknown lineage > Lo-gen cassette via Richie & Rip. Transfer: SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 05/2019 | |||||
| 35083 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; - SBD > Rm > Cass > Dat > Samplitude > CDR > EAC > SHN - Seamless fix and patch of shn id 6391 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | |||||
| 6391 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| SBD > Rm > Cass > Dat > Samplitude > CDR > EAC> SHN; plus AUD patches (see info file for notes and flaws); EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden | |||||
| 17693 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| MSR> C> DAT> WAV> SHN, plus Aud Patch - NAK 700's FOB> MAC> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit | |||||
| 16911 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon | |||||
| 104968 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 16/44.1 | |||||
| 105027 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; MSR>C>DAT>WAV>SHN - pitch correction and patches by Kevin Tobin (update of source ID 17693) | |||||
| 105029 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Matrix 3 Source Mix - SBD (shn id 17693) MSR>C>DAT>WAV>SHN, C>SHN Conversion by Cousinit + AUD1 (shn id 104971) Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation:: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 24/96 + AUD2 (shn id 16911) Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon - matrix mixing by Kevin Tobin | |||||
| 105031 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| DTS-Audio-CD 5.1 Mix; SBD (shn id 17693) MSR> C> DAT> WAV> SHN, plus Aud Patch - NAK 700's FOB> MAC> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit + AUD1 (shn id 104971) Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation:: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 24/96 + AUD2 (shn id 16911) Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon - dts mixing by Kevin Tobin | |||||
| 107822 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller | |||||
| 108290 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz | |||||
| 123336 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; set 3 only: aud cassette master, sennheiser 421's>d5m maxell mx-90's, dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac; unknown taper, transfer Rob Berger | |||||
| 155390 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Patched & Pitch Corrected Soundboard: - (original shnid = 108290) SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz - pitch correction and patches by Kevin Tobin | |||||
| 155424 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 155390) Patched & Pitch Corrected Soundboard: - (original shnid = 108290) SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz - pitch correction and patches by Kevin Tobin + AUD (shnid = 107822) Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller - surround mixing by Kevin Tobin | |||||
| 163631 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 | |||||
| 163632 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 | |||||
| 163455 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac1648; Source info: Two Maxell MX90s from Bear via Jamie Waddell, Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC, Recorded by Augustus Owsley Stanley III (aka Bear), Transferred and mastered by Jim Blackwood, Speed/pitch adjusted by Jason Chastain, Minor repairs, track, FLAC, and pack by Steve Gravel | |||||
| 163454 | 1980-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac2496; Source info: Two Maxell MX90s from Bear via Jamie Waddell, Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC, Recorded by Augustus Owsley Stanley III (aka Bear), Transferred and mastered by Jim Blackwood, Speed/pitch adjusted by Jason Chastain, Minor repairs, track, FLAC, and pack by Steve Gravel | |||||