Sources for Grateful Dead

SHNIDDateVenueCityStateArchive Identifier
1272501988-06-19Alpine Valley Music TheatreEast TroyWI
flac16; Source (AUD): Shure SM57 (PAS, front row OTS, center, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
1510451988-06-19Alpine Valley Music TheatreEast TroyWI
flac24/96khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
1512001988-06-19Alpine Valley Music TheatreEast TroyWI
flac24/96 Patched version of: Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 (1 DVD FLAC)
1516021988-06-19Alpine Valley Music TheatreEast TroyWI
flac16/44.1khz Patched version of: Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 (1 DVD FLAC) - 151200 24 -> 16 @ 44.1
172691988-06-20Alpine Valley Music TheatreEast TroyWI
Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP.
1112661988-06-20Alpine Valley Music TheatreEast TroyWI
flac16; Source: 2 Neumann KMF4 microphones (11th row)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
1190671988-06-20Alpine Valley Music TheatreEast TroyWI
flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes, Maxell MX Set 1,TDK MA-X Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
1190681988-06-20Alpine Valley Music TheatreEast TroyWI
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes, Maxell MX Set 1,TDK MA-X Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
1193801988-06-20Alpine Valley Music TheatreEast TroyWI
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1234521988-06-20Alpine Valley Music TheatreEast TroyWI
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1272511988-06-20Alpine Valley Music TheatreEast TroyWI
flac16; Source (AUD): Shure SM57 (DIN, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
1472121988-06-20Alpine Valley Music TheatreEast TroyWI
flac16; Source: AKG 460(FOB 20th Row); Transfer: DAT > Sony PCM R300 > Tascam DR680
1514101988-06-20Alpine Valley Music TheatreEast TroyWI
flac24/48khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
1516141988-06-20Alpine Valley Music TheatreEast TroyWI
flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151410 24 -> 16 @ 44.1
173491988-06-22Alpine Valley Music TheatreEast TroyWI
AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN taped by Craig Camus via Todd Norman encoded by Chris Ladner
316331988-06-22Alpine Valley Music TheatreEast TroyWI
flac16; Source: AKG414 > Sony PCM > Tascam Porta 5 w/ Dolby DBX Transfer: Cassette Master > CD > LibParanoia > AIFF > FLAC Taped by: Jim O'Malley
1112761988-06-22Alpine Valley Music TheatreEast TroyWI
flac16; Source: 2 Neumann KMF4 microphones - 7th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
1193401988-06-22Alpine Valley Music TheatreEast TroyWI
flac24; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
1193411988-06-22Alpine Valley Music TheatreEast TroyWI
flac16; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1197801988-06-22Alpine Valley Music TheatreEast TroyWI
flac16; Set 2 Recording Info: SBD -> ? -> Cassette/4; Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1272521988-06-22Alpine Valley Music TheatreEast TroyWI
flac16; Source (AUD): Shure SM57 (A/B, 10" spacing, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
94561988-06-23Alpine Valley Music TheatreEast TroyWI
Likely eac of original DSBD source
130511988-06-23Alpine Valley Music TheatreEast TroyWI
yet another DAE/re-SHN of the exisitng DSBD?; posted to abgd by terrapin flyer
174071988-06-23Alpine Valley Music TheatreEast TroyWI
AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD430)>DAT>CDR>WAV>SHN. Recorded and transferred (CM > DAT > CDR) by Craig Camus. Encoding/edits by Chris Ladner.
301141988-06-23Alpine Valley Music TheatreEast TroyWI
flac16; Source: AKG414 > PCM > Stereo Line Out > Tascam Port 5 Analog Tape Deck w/ DBX Dolby Transfer: Cassette Master > DAT > CD > LibParanoia > Flac16 Taped by O'Malley
1112771988-06-23Alpine Valley Music TheatreEast TroyWI
flac16; Source: 2 Neumann KMF4 microphones - 11th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
1193421988-06-23Alpine Valley Music TheatreEast TroyWI
flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes Set 1 Maxell-MX, Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
1193431988-06-23Alpine Valley Music TheatreEast TroyWI
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes Set 1 Maxell-MX, Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1272531988-06-23Alpine Valley Music TheatreEast TroyWI
flac16; Source (AUD): Shure SM57 (A/B, 10" spacing, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
1423981988-06-23Alpine Valley Music TheatreEast TroyWI
flac16/48kHz; Recording Info: UltraMatrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Master by Charlie Miller
84781988-06-25Buckeye Lake Music CenterHebronOH
Schoeps MK2s fob; Unknown seeder
1073871988-06-25Buckeye Lake Music CenterHebronOH
flac16; Sennheiser 421s> Sony D5> Sony D5> MAC> 1st Gen cassettes Taped by Lucien Zaleski and Andrew Kolodjeski. Transferred, Edited and Mastered by Alex Ford.
1348601988-06-25Buckeye Lake Music CenterHebronOH
flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MA90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
1430771988-06-25Buckeye Lake Music CenterHebronOH
flac16; Master (FOB) Audience PCM; Schoeps MK2S split omnis > Tim Dalton's PCM clone (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
1492611988-06-25Buckeye Lake Music CenterHebronOH
flac16; Source Info: FOB Microphones Unknown-> PCM-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
1634741988-06-25Buckeye Lake Music CenterHebronOH
flac1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1634751988-06-25Buckeye Lake Music CenterHebronOH
flac2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1392461988-06-26Civic ArenaPittsburghPA
flac16/48kHz; Source: Audience recording > Schoeps MK2 > PCM > DAT (48k); provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017
56081988-06-26Civic ArenaPittsburghPA
SBD/Matrix > Dat > CDR > Sonic Solutions > CDR > EAC > CDWave > mkwACT; extracted/seeded by Doug Nawrocki
1157331988-06-26Civic ArenaPittsburghPA
flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XL-II 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
1157341988-06-26Civic ArenaPittsburghPA
flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XL-II 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
1238341988-06-26Civic ArenaPittsburghPA
flac16; Recording Info: (FOB) Schoeps CMC4/MK2 -> PCM -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
1392261988-06-26Civic ArenaPittsburghPA
flac16/48kHz; Source: Audience recording > Schoeps MK2 > PCM > DAT (48k); provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017
1635671988-06-26Civic ArenaPittsburghPA
flac1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
1635681988-06-26Civic ArenaPittsburghPA
flac2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
78021988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
(pre- FM) SBD> MC> DAT> CDR, EAC'ed/Shn'ed and Posted to abgd by Stephen Agan
78311988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
(Pre FM) SBD> MC> DAT> CDR> Shn, Digital editing, retracking and posted to abgd by Charlie Connor with thanks to Skankweed
121871988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
FM (matrix): DAT > CD > TrackThief > AIFF > Peak > WAV > SHN > shntool (corrected S.B.problems); Seeded to etree by Peter Braverman with thanks to Doug Nawrocki
179561988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
FM (matrix): DAT> CD> TrackThief> AIFF> Peak> WAV> SHN via Braverman (upgrade of prior seeds from this source)
1109531988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; Source: AKG 460b/ck63uls > AKG B18> Sony TCD5; Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16; Recorded by Ray Ackerman; Conversion by Ray Ackerman; Tracks, FLACs, Tags by Craig Taraszki
1304261988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Nakamichi CM100/CP4 Shotguns > Unknown Mixer > Sony TC-D5m, Tapes Maxell MX-90's; Recorded From The Official Taper's Section; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1304271988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Nakamichi CM100/CP4 Shotguns > Unknown Mixer > Sony TC-D5m, Tapes Maxell MX-90's; Recorded From The Official Taper's Section; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
1307811988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; Recording Info: SBD > MC > DAT > CDR > SHN; Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC; Retracked, remastered version of shnid 7831; Retracked and mastered by Bill Guarneri, July 30, 2014
1325231988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD-8-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
1325241988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD-8-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1345291988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
flac24; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Tascam 122mkII) -> Focusrite Scarlett -> AIFF (24bit/44.1k); Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller
1345301988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Tascam 122mkII) -> Focusrite Scarlett -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; Mastered By Charlie Miller
1417031988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
1456121988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k), Edited & Mastered by Joe Noel, WAV > Audacity > FLAC 24/96, April 10, 2018; This file set is 16 bit @ 44.1
1650031988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
flac1644 MAUDCA microphones: Beyer M88's XY > recorder: Sony TCD5|Maxell MX90 x 2 Conversion: Nakamichi LX-5> Sonic Benchmark ad2k @ 24/48> Marantz PMD661 Recorded by Kyle Holbrook & Tom Pinney Processing by Kyle Holbrook
1650041988-06-28Saratoga Performing Arts CenterSaratoga SpringsNY
flac2448 MAUDCA microphones: Beyer M88's XY > recorder: Sony TCD5|Maxell MX90 x 2 Conversion: Nakamichi LX-5> Sonic Benchmark ad2k @ 24/48> Marantz PMD661 Recorded by Kyle Holbrook & Tom Pinney Processing by Kyle Holbrook
815331988-06-30Silver StadiumRochesterNY
flac16; AUD Source: AKG 460's with CK3 hypercardioid capsules > Sony TC-D5M. Set up FOB, even with the front of the board. Taped by Ray Ackerman. Transfer: MAC > CD by Ray Ackerman (equipment unknown). CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007 by Andrew F
960711988-06-30Silver StadiumRochesterNY
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
4141988-06-30Silver StadiumRochesterNY
FOB split Schoeps CMC5/mk21's > PCM > DAT; Conversion: DAT->Montego II->HD via Soundforge->CDWav->MKW .shn; via A. Gustin
195301988-06-30Silver StadiumRochesterNY
Set 2 SBD > DAT [vault] > DAT [vault clone] > CDR. Discs kindly provided by Zeb Weber via David Gans. cd > eac > shnv3 by Ernie Dodd. [Note: This is a more complete and uncensored version of this source (/shninfo_detail.php?shnid=6670).]
66701988-06-30Silver StadiumRochesterNY
set 2; SBD> DAT> Sonic Solutions> CDR from David Gans; via Skankweed, David Finney
802691988-06-30Silver StadiumRochesterNY
flac16; Set 2 only: MAC > C1 (Maxell XLII 90) > Nakamichi 480, azimuth aligned > Tascam DA-40 (A/D only) > M-Audio Audiophile 192 > Adobe Audition > CDWave > FLAC Frontend
1351561988-06-30Silver StadiumRochesterNY
flac24; Set 2 Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MX-S 100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz
1380701988-06-30Silver StadiumRochesterNY
flac16; Set 2 Source: FOB recording by Ted Mattes; Schoeps CMC42s (omnis spaced 8 feet) > Apogee Mod Sony PCM F1 FOB; Transfer: John Ammons; Beta master > DAT > CD > Audacity; Patch, tags & checksums: Joe Noel in Audacity & xACT; fixed version cirulated 2017/03/29: cut between BION removed duplicate patch removed from end of space (crossfades re-applied) re-tracked; please don't circuulate the original source
1417041988-06-30Silver StadiumRochesterNY
flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
1424041988-06-30Silver StadiumRochesterNY
flac16; Ted Mattes FOB Recording: Schoeps CMC42s (omnis spaced 8 feet) > Apogee Mod Sony PCM F1 > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44
1445721988-06-30Silver StadiumRochesterNY
flac24; Ray Ackerman's Master Audience Cassette Recording & Transfer; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette; Located, front left side of sound board; Transfer: Master Cassettes > Kyocera D811 > Grace V3 > M-Audio MicroTrack II > WAV 96Hz/24bit; Edited & Mastered w/ Audacity by Joe Noel
1456611988-06-30Silver StadiumRochesterNY
flac16; Ray Ackerman's Master Audience Cassette Recording & Transfer; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette; Located, front left side of sound board; Transfer: Master Cassettes > Kyocera D811 > Grace V3 > M-Audio MicroTrack II > WAV 96Hz/24bit; Edited & Mastered w/ Audacity by Joe Noel. This file set is 16 bit @ 44.1
1468901988-06-30Silver StadiumRochesterNY
flac16; John Kemble & Don Crandall (FOB) Recording: Schoeps CMC4 + 41 Cardiod capsules @ 110ยบ > MIT Proline XLR cables > OADE 48V "wonder cap" power supply > PCM (Sony PCM-F1/SL-2000) > PCM(2); Bill Reutelhuber transfer: PCM(2) > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44; Edited & Mastered by Joe Noel Flac > Audacity > Flac 16/44
206061988-07-01The Inn By The Sea TapeCape ElizabethME
"The Inn By The Sea" tape; This tape was left in a room occupied by The Grateful Dead at "The Inn By The Sea," Cape Elizabeth, Maine when they were doing the July 2 and 3, 1988 at Oxford Plains, Maine; Recorded at Club Front?; SBD>DAT>CT>CD>EAC>SHN; shn(1)>cda(1)
1406731988-07-02Oxford Plains SpeedwayOxfordME
flac16; Set 1 from Robert Bryant (from an Oade Bros. patch) FOB; Recording: Schoeps MK2 spaced omni's > Sony F1 > PCM > DAT; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
868171988-07-02Oxford Plains SpeedwayOxfordME
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
925821988-07-02Oxford Plains SpeedwayOxfordME
DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details
925831988-07-02Oxford Plains SpeedwayOxfordME
flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
746521988-07-02Oxford Plains SpeedwayOxfordME
flac16 Fix of shn id 2328 - SBD>Master Cassette>DAT>CDR>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
827621988-07-02Oxford Plains SpeedwayOxfordME
flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: At SBD*, Stand at 8 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
326361988-07-02Oxford Plains SpeedwayOxfordME
Nakamichi 100's > Marantz 430-PDM [Maxell metals w/ dbx] Sony 59 ES > wavelab > cd wave > flac
986451988-07-02Oxford Plains SpeedwayOxfordME
DVD-VA: (Video Audio) DVD-Audio 5.1 Surround Sound (MLP Encoded 6ch x 16/44) SBD (ShnID = 86817) Transfer Info: SBD > DAT (48k) DAT (Sony R500) > Samplitude Professional v9.11 > FLAC and AUD (ShnID = 1031) Source: FOB Schoeps CMC42s, Spaced Omni > Sony PCM F1/SL2000 > PCM 601ES > DAT; Taper: Rich Gastwirt
23281988-07-02Oxford Plains SpeedwayOxfordME
SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M.
212111988-07-02Oxford Plains SpeedwayOxfordME
Source: SBD + AUD 'Matrix Mix' Source 1) FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR Source 2) SBD > Dat > Sonic Solutions > CDR Both sources were extracted using EAC and time aligned/mixed/shn'ed by dan@am-dig.com using Cool Edit 2k (see additional notes in text file)
214341988-07-02Oxford Plains SpeedwayOxfordME
Source: SBD + AUD '5.1 DTS'; FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR
1065881988-07-02Oxford Plains SpeedwayOxfordME
flac16; (FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris
1247661988-07-02Oxford Plains SpeedwayOxfordME
flac16; Taper: M. Laurentus; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
1248441988-07-02Oxford Plains SpeedwayOxfordME
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
1248451988-07-02Oxford Plains SpeedwayOxfordME
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1323931988-07-02Oxford Plains SpeedwayOxfordME
flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1323941988-07-02Oxford Plains SpeedwayOxfordME
flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
1387361988-07-02Oxford Plains SpeedwayOxfordME
flac16/48kHz; 5.1 LPCM Surround Sound (48k) Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
1387371988-07-02Oxford Plains SpeedwayOxfordME
flac16; Matrix 2 Source Mix Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
1387381988-07-02Oxford Plains SpeedwayOxfordME
DTS-Audio-CD 5.1 Mix; Set 2 Only SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
1406741988-07-02Oxford Plains SpeedwayOxfordME
flac16; Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons Transfer: Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
1417571988-07-02Oxford Plains SpeedwayOxfordME
flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
1429771988-07-02Oxford Plains SpeedwayOxfordME
flac16/48kHz; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648
1456661988-07-02Oxford Plains SpeedwayOxfordME
flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
1471581988-07-02Oxford Plains SpeedwayOxfordME
flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited asnd mastered SIRMick July 2019
1503231988-07-02Oxford Plains SpeedwayOxfordME
flac16; FOB Schoeps CMC42s (8ft. spaced omni) > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
1506831988-07-02Oxford Plains SpeedwayOxfordME
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
1507011988-07-02Oxford Plains SpeedwayOxfordME
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
1569171988-07-02Oxford Plains SpeedwayOxfordME
flac1644 Nakamichi CM-700's w/-15db attenuation > Sony TC-D5M (Mark) > Sony TC-D5M (me, dolby B ?) FOB, about 25-30 feet from stage, just left of center, slightly in the Phil zone. Mics on stand, about 6 feet high. Transfer: Nakamichi CR-7A > Edirol R-09HR or Sony PCM-M10. 24bit@44.1kHz Edited it Audacity. Tracked in CDWave. Recorded, Mastered & Edited by Joel Werner
1581611988-07-02Oxford Plains SpeedwayOxfordME
flac2448 Lineage: Nak 300s -> Sony TCD5M ( no dolby )-> Maxell MX 90s-> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, SBE, flac, checksums. Taped and Transferred by Ted Carpenter
1593761988-07-02Oxford Plains SpeedwayOxfordME
flac1648 OTS Nakamichi CM300/CP-4/Marantz PMD 420/Maxell XLII 90 Transfer: Nak DR3/SD 722/24/48 Taped By Jon Pasternak
1593771988-07-02Oxford Plains SpeedwayOxfordME
flac2448 OTS Nakamichi CM300/CP-4/Marantz PMD 420/Maxell XLII 90 Transfer: Nak DR3/SD 722/24/48 Taped By Jon Pasternak
1635691988-07-02Oxford Plains SpeedwayOxfordME
flac1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
1635701988-07-02Oxford Plains SpeedwayOxfordME
flac2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
925861988-07-03Oxford Plains SpeedwayOxfordME
flac16; FOB AUD: Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, July 2008. Transfer by Andrew F.
925841988-07-03Oxford Plains SpeedwayOxfordME
DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details
925851988-07-03Oxford Plains SpeedwayOxfordME
flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
828011988-07-03Oxford Plains SpeedwayOxfordME
flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
986471988-07-03Oxford Plains SpeedwayOxfordME
DVD-VA: (Video Audio) DVD-Audio 5.1 Surround Sound (MLP Encoded 6ch x 16/44) Source Info: SBD (ShnID = 3908) SBD > DAT > Sonic Solutions > CDR > EAC > CD > EAC > SHN and AUD (ShnID = 82801) Source: Nakamichi CM304's > BeyerM101 > Sony Mixer > Sony D5M Location: OTS, Stand at 9 Feet Transfer: NAK CR5A > Lunatec V3 > 722@24/96 > Adobe Audition 2.0 dither and resample 16Bit > CDwave > FLAC16; Taper: Tony Suraci
39081988-07-03Oxford Plains SpeedwayOxfordME
SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko
33251988-07-03Oxford Plains SpeedwayOxfordME
(FOB) AUD> Beyer Dynamic 201's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, mastered and seeded to abgd by Charlie Connor
1065871988-07-03Oxford Plains SpeedwayOxfordME
flac16; (FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris
1071171988-07-03Oxford Plains SpeedwayOxfordME
flac16; (FOB) Schoeps CMC42s (Spaced Omni) > Sony PCM F1/SL2000 > PCM 601ES > Dan Houck's DAT; Lineage: Sony TCD-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > WAV > FLAC
1323981988-07-03Oxford Plains SpeedwayOxfordME
flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1248101988-07-03Oxford Plains SpeedwayOxfordME
flac16; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus
1248551988-07-03Oxford Plains SpeedwayOxfordME
flac24; Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
1248561988-07-03Oxford Plains SpeedwayOxfordME
flac16; Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1323991988-07-03Oxford Plains SpeedwayOxfordME
flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes:Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
1390831988-07-03Oxford Plains SpeedwayOxfordME
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - surround mixing by Kevin Tobin
1390811988-07-03Oxford Plains SpeedwayOxfordME
flac16; Matrix 2 Source Mix - SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - matrix mixing by Kevin Tobin
1390821988-07-03Oxford Plains SpeedwayOxfordME
DTS-Audio-CD 5.1 Mix; SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - dts mixing by Kevin Tobin
1406751988-07-03Oxford Plains SpeedwayOxfordME
flac16; Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons Transfer: Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
1417581988-07-03Oxford Plains SpeedwayOxfordME
flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
1429781988-07-03Oxford Plains SpeedwayOxfordME
flac16/48kHz; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648
1456671988-07-03Oxford Plains SpeedwayOxfordME
flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
1475231988-07-03Oxford Plains SpeedwayOxfordME
flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick September 2019
1503241988-07-03Oxford Plains SpeedwayOxfordME
flac16; FOB Schoeps CMC42s (8ft. spaced omni) > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
1593781988-07-03Oxford Plains SpeedwayOxfordME
flac1648 OTS Nakamichi CM300/CP-4/Marantz PMD 420/Maxell XLII 90 Transfer: Nak DR3/SD 722/24/48 Taped By Jon Pasternak
1593791988-07-03Oxford Plains SpeedwayOxfordME
flac1648 OTS Nakamichi CM300/CP-4/Marantz PMD 420/Maxell XLII 90 Transfer: Nak DR3/SD 722/24/48 Taped By Jon Pasternak
1635791988-07-03Oxford Plains SpeedwayOxfordME
FLAC 2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
1635801988-07-03Oxford Plains SpeedwayOxfordME
FLAC 1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
347511988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Seamless fix of shn id 10343 - Ultramatrix>DAT>?>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
100791988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman
103431988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
Sources: Primary Source: Prev Braverman Matrix Seed Seconday Source: Prev Gardner Seed of Sean Weber-Small's Aud PCM Master The secondary source supplies a patch in Estimated Prophet(d2t05) from 3:03 thru 3:07; Patched by Scott Clugston. Vined and posted to abgd via Charlie Connor
92441988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner
1378881988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH
1380631988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Fixed version Source Info: Healy-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on/azimuth adjusted) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Converted to 16bit/44k w/ Audacity > Encoded to FLAC (level 8) w/ TLH; Original source marked pre-FM and had some files that were 44.1kHz and others 96kHz
1380641988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac24; Some file are 24 bit and others are 16bit; Source Info: pre-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Encoded to FLAC (level 8) w/ TLH; this entry is for documentation purposes
1407491988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
1419221988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
1419591988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Patched and Pitch Corrected Audience - AUD (original shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - pitch correction and patches by Kevin Tobin
1419611988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
DTS-Audio-CD 5.1 Mix; SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - dts mixing by Kevin Tobin
1419601988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Matrix 2 Source Mix - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - matrix mixing by Kevin Tobin
1419621988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - mixing by Kevin Tobin; Fixed version in circulation
1419641988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
1420141988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - surround mixing by Kevin Tobin
1430911988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
1431551988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1
1431871988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Sean Weber-Small recording: Schoeps CMC42S (Spaced Omni 14' Split)> Oade Power Supply> PCM (Sony PCM-F1 w/ Apogee modified A/D filters); Location (OTS, 2nd Row behind Healy); A Philly Crew transfer: PCM(1)> Sony PCM601esd (spdif out)> VX Pocket (spdif in)> Nuendo> FLAC 16/44
1608711988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac1644 Source: 1st Gen AUDCA: microphones: Beyer M201's aimedFWD (0')about 2 feet wide mixed with AKG ck61's XY> Tascam 442# mixed to 2 channels on the fly > recorder: Sony TCD5M|Maxell MX 90 x 2 No Dolby Location: 100 feet from stage 20 ft LOC Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Billy Myrick, Tom Pinney, Phil Schuman, Kyle Holbrook, John Goode Processed by: Kyle Holbrook # NOTES: This is first gen from the dbx 4 channel master decoded using an dbx224.
1608731988-07-15Greek Theatre, U. Of CaliforniaBerkeleyCA
flac2448 Source: 1st Gen AUDCA: microphones: Beyer M201's aimedFWD (0')about 2 feet wide mixed with AKG ck61's XY> Tascam 442# mixed to 2 channels on the fly > recorder: Sony TCD5M|Maxell MX 90 x 2 No Dolby Location: 100 feet from stage 20 ft LOC Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Billy Myrick, Tom Pinney, Phil Schuman, Kyle Holbrook, John Goode Processed by: Kyle Holbrook # NOTES: This is first gen from the dbx 4 channel master decoded using an dbx224.
877511988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
100801988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman
1070421988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Nak700/cp701>Bill Box>dbx224>D5: Nak>dbx224>mytek8x96AD6(24bit)ftp>r8brain>audacity>cdwave>tlh; Recorded and Transferred by Bill Reutelhuber
1380371988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Source: NAK-CM100-CP4 Shotguns(2) TOA-K1 Cardoids(2) > Tascam PortaOne 4-Track; Cassette w/DBX Type II on > Maxell XLII-S90; Set up right of center on the hill behind seating and walkway on 2 mic stands 8'&12' high; Processing: Maxell XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps/start/end and patching) > encoded to FLAC (level 8) w/ TLH FM masters for patch processed the same as the audience masters (w/out dbx-224X) Maxell MX-90 > w/Onkyo TA-2027(Dolby C on)
1398081988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Recording Info: UltraMatrix SBD (Broadcast Mix) > PCM Master; Transfer Info: PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
1404951988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac24; Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-FI VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496
1405491988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-FI VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496
1407501988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
1431561988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
1431601988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
1608751988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac1644 Source:1st gen AUDCA: microphones: Beyer M201's aimed FWD (0')about 2 feet wide mixed with AKG ck61's XY> Tascam 442# mixed to 2 channels on the fly > recorder: Sony TCD5M|Maxell XLII90 s1; Maxell MX 90 s2; No Dolby Location: 100 feet from stage 20 ft LOC Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Billy Myrick, Tom Pinney, Phil Schuman, Kyle Holbrook, John Goode Processed by: Kyle Holbrook # NOTES: This is first gen from the dbx 4 channel master decoded using an dbx224.
1608761988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac2448 Source: 1st gen AUDCA: microphones: Beyer M201's aimedFWD (0')about 2 feet wide mixed with AKG ck61's XY> Tascam 442# mixed to 2 channels on the fly > recorder: Sony TCD5M|Maxell XLII90 s1; Maxell MX 90 s2; No Dolby Location: 100 feet from stage 20 ft LOC Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Billy Myrick, Tom Pinney, Phil Schuman, Kyle Holbrook, John Goode Processed by: Kyle Holbrook # NOTES: This is first gen from the dbx 4 channel master decoded using an dbx224.
1646141988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac1648 Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
1646151988-07-16Greek Theatre, U. Of CaliforniaBerkeleyCA
flac2496 Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
877521988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
18081988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
SBD> DAT Master> CDR> EAC> WAV> SHN; known flaws: d2t05 - d/o's 4:34, 5:06; via Jeff M.; Note- This may be an FM source; See user comments
100811988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman.; Note- This may be an FM source; See user comments
92451988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
2nd Row Behind Healy (see notes). Schoeps CMC42S (Spaced Omni 10' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner
1380131988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; NAK-CM100-CP4 Shotguns(2) TOA-K1 Cardoids (2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up right of center on hill behind seating and walkway on 2 mic stands 8'&12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flips/start/end and patch) > encoded to FLAC (level 8) w/ TLH
1405111988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Set 1 Recording Info: (FOB) Master Audience PCM; AKG 414btl mics, Master PCM > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
1405121988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
flac24; Set 2 Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-Fi VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496; the original source had errors, please don't circulate that version
1405791988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Set 2 Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-Fi VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496; channels are correct on this 16 bit
1431571988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
flac24; Recording Info: In-House FM (SBD) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
1431581988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
1431731988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
1432111988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
flac16; Recording Info: In-House FM (SBD) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
1608781988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
flac1644 Source: Master AUDCA: microphones: Neumann KM84 XY > recorder: Sony TCD5M (patched)|Maxell MX 90 x 2 No Dolby Location: 80 feet from stage DFC (1st row OTS) Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Billy Myrick, Tom Pinney, Phil Schuman, Kyle Holbrook, John Goode
1608791988-07-17Greek Theatre, U. Of CaliforniaBerkeleyCA
flac2448 Source: Master AUDCA: microphones: Neumann KM84 XY > recorder: Sony TCD5M (patched)|Maxell MX 90 x 2 No Dolby Location: 80 feet from stage DFC (1st row OTS) Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Billy Myrick, Tom Pinney, Phil Schuman, Kyle Holbrook, John Goode
939701988-07-29Laguna Seca Recreation AreaMontereyCA
flac16; Hat Mounted Realistic pzm's w/sony WMD6-C 45 feet away,dead center MAC>D6>HD>Audacity>CDWave>TLH
862551988-07-29Laguna Seca Recreation AreaMontereyCA
flac16; Source: Schoeps cmc 4/mk2-> Sony pcm-f1->Beta->Dat->Sony pcm R-500(playback)->vx pocket v2->SF6 Taper: unknown
1053411988-07-29Laguna Seca Recreation AreaMontereyCA
flac16; Second Set Only 3rd gen sbd>NakCR-3A>AudigySE>Audacity>CDwave>TLH
53951988-07-29Laguna Seca Recreation AreaMontereyCA
Soundboard (was originally labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW)); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook
1029031988-07-29Laguna Seca Recreation AreaMontereyCA
flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (Hand Held FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
1060341988-07-29Laguna Seca Recreation AreaMontereyCA
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
1583841988-07-29Laguna Seca Recreation AreaMontereyCA
A Photoleon Matrix Source 1 (a Remastered Version Of Shnid 86255): Schoeps Cmc4 Mk2 > Sony Pcm-f1 > Beta > Dat Transfer: Dat > Sony Pcm R-500 > Vx Pocket V2 > Sf6 Taper: Unknown Transferred And Encoded To Flac By: M.watson Source Dat By: Wklitz Remastered In Adobe Audition By Joe Noel July 23, 2022 Source 2 (shnid 106034): Sbd > Cassette Master > Dat > Cd Transfer: Cd -> Adobe Audition V-> Samplitude Professional V-> Flac Transfer & Mastering By Charlie Miller February 14, 2010 Matrix Created In Adobe Audition By Joe Noel July 20, 2022
1671721988-07-29Laguna Seca Recreation AreaMontereyCA
flac16; Recording Info: Ultramatrix SBD > DAT (44.1k) > AIFF; Transfer Info: AIFF > Samplitude Pro X6 Suite > FLAC
944951988-07-30Laguna Seca Recreation AreaMontereyCA
flac16; Hat Mounted Realistic pzm's w/D6 45 feet,dfc MAC>D6>HD>Audacity>CDwave>TLH
822071988-07-30Laguna Seca Recreation AreaMontereyCA
flac 16:Primary Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Secondary Source: Bill Reutelhuber's Nakamichi CM700/CP701>dbx type II encoder>Cassette Master (Sony TC-D5M) (shn id 21092)Transfer:Nakamichi DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 Level 8: Taped and transferred by Charlie Connor
195851988-07-30Laguna Seca Recreation AreaMontereyCA
mixed sources: set1: sbd matrix> unknown cassette generations> ?dat?> cdr> wav> shn; set 2: aud (unknown taper)> unknown cassette generations> ?dat?> cdr> wav> shn; EAC> SHN by Robert Goetz from Mike Rider's source disc
210921988-07-30Laguna Seca Recreation AreaMontereyCA
Recording Info:(FOB/Split 10 to 20 Feet)Nakamichi CM700/CP701 -> dbx type II encoder -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN); Process Info: Very slight eq with waves Q10 and rendered to a 16 bit file with waves L2; Editing Info: Normalized and Tracked with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited By Charlie Miller 12/15/03
1029041988-07-30Laguna Seca Recreation AreaMontereyCA
flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
1311021988-07-30Laguna Seca Recreation AreaMontereyCA
flac16; 2nd Set SBD 2nd generation recording Sony D6-c dolby b on > Sony PCM M10@24/44.1; SDcard>SoundForge9>CDWave>TLH
859991988-07-31Laguna Seca Recreation AreaMontereyCA
flac16; Source: Audience FOB Recording, DFC Media: TDK-SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV
16691988-07-31Laguna Seca Recreation AreaMontereyCA
SBD > MR > DAT @48Khz; Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN3 (seekable); via John D'Auria; d2 tracked for 80 min; small glitch in Bucket, no other flaws
1029051988-07-31Laguna Seca Recreation AreaMontereyCA
flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
1422551988-07-31Laguna Seca Recreation AreaMontereyCA
flac16; Source Info: Master Soundboard Cassette > PCM; Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
1423961988-07-31Laguna Seca Recreation AreaMontereyCA
flac16/48kHz; Set 1 Recording Info: UltraMatrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
82151988-08-26Tacoma DomeTacomaWA
FOB Schoeps CMC34 --> Sony PCM-601ES --> DAT; Seeded to etree by Bill Gardner
1430621988-08-26Tacoma DomeTacomaWA
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
1431251988-08-26Tacoma DomeTacomaWA
flac16/48kHz; Master UltraMatrix Soundboard Dat > Steve Block's cassettes > Jim Blackwood's Dat (16-bit/48k)Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648
1431431988-08-26Tacoma DomeTacomaWA
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24. this file set is 16 bit at 44.1
1520771988-08-26Tacoma DomeTacomaWA
flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
1520781988-08-26Tacoma DomeTacomaWA
flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
1523931988-08-26Tacoma DomeTacomaWA
flac24/96 repaired the flutter from shnid=143062 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > Izotope RX8 Advanced > FLAC/24
1525801988-08-26Tacoma DomeTacomaWA
flac16/44 repaired the flutter from shnid=143062 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > Izotope RX8 Advanced > FLAC/24 - This is 152393 24 -> 16 @ 44.1
311071988-08-28Autzen Stadium, University Of OregonEugeneOR
flac16; Source: Healy SBD Ultramix Patch > Sony D5 > MSC(TDK MA-XG90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. Transfer and encoding by C. Ladner.
160851988-08-28Autzen Stadium, University Of OregonEugeneOR
SBD>MC>DAT>CDR; via Paul G; Seeded by T. Wiley
1393561988-08-28Autzen Stadium, University Of OregonEugeneOR
flac16 44.1khz Set 1 Only. Source: Schoeps CMC 34-> PCM-> DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel
1404881988-08-28Autzen Stadium, University Of OregonEugeneOR
flac16; Sony WM-D3 with stock mic > Maxell XL-II 90 minute cassette > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (16/44.1 capture to .wav) > iZotope RX and Ozone > FLAC
1520791988-08-28Autzen Stadium, University Of OregonEugeneOR
flac16/48 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
1520801988-08-28Autzen Stadium, University Of OregonEugeneOR
flac24/96 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
1638991988-08-28Autzen Stadium, University Of OregonEugeneOR
flac2496: Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-XG); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24 bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
1642471988-08-28Autzen Stadium, University Of OregonEugeneOR
flac1644: Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-XG); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24 bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 163899 2496 > 1644
829221988-09-02Capital CentreLandoverMD
flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac
287991988-09-02Capital CentreLandoverMD
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (SV3800/48k) Set 2: SBD -> Dat -> Sonic Solutions -> CD Transfer Info: Set 1: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC
277481988-09-02Capital CentreLandoverMD
flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
161561988-09-02Capital CentreLandoverMD
NAK 300's + CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7.AES/EBU out of AD into Fostex D5; Conversion: EAC>CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); Converted and seeded to etree by Steven Leeds; Thanks to Mark Lynn and Mike B for the source discs, to Willy for the patch source
825421988-09-02Capital CentreLandoverMD
flac16; Sennheiser 4xx's > Marantz PMDxxx > MC Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
1311281988-09-02Capital CentreLandoverMD
flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD
1407321988-09-02Capital CentreLandoverMD
flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (5th row center, OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
1574321988-09-02Capital CentreLandoverMD
flac2496; Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
1577201988-09-02Capital CentreLandoverMD
flac1644; Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24 - This is 157432 2496 > 1644
1637871988-09-02Capital CentreLandoverMD
flac1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
1637881988-09-02Capital CentreLandoverMD
flac2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
829671988-09-03Capital CentreLandoverMD
flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac
312241988-09-03Capital CentreLandoverMD
flac16; Vault dat SBD via Charlie Miller
277491988-09-03Capital CentreLandoverMD
flac16; verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller. (Note: The encore tracks circulate from the vault digital DAT separately here
829801988-09-03Capital CentreLandoverMD
flac16; Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci
59131988-09-03Capital CentreLandoverMD
Updated source: Unknown Mics> Cm> Sound Forge> Dat> CD> Cool Edit Pro> CD (Patched w/(FOB) Senn ME80>Cm), by Charlie Miller; EAC > MKW > SHNv3 by DES; level adjustments during d1t1,2; d2 tracked for 80 min
825111988-09-03Capital CentreLandoverMD
flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
1311301988-09-03Capital CentreLandoverMD
flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
1367501988-09-03Capital CentreLandoverMD
flac16; (original shnid = 27749) verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; & (original shnid = 31224) Vault dat SBD (of encore) - pitch correction and patches by Kevin Tobin
1367511988-09-03Capital CentreLandoverMD
flac16; (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - pitch correction and patches by Kevin Tobin
1367521988-09-03Capital CentreLandoverMD
flac16; Matrix 2 Source Mix - SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller & (original shnid = 31224) Vault dat SBD (of encore) via Charlie Miller + AUD (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - matrix mixing by Kevin Tobin
1367531988-09-03Capital CentreLandoverMD
DTS-Audio-CD 5.1 Mix; SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller & (original shnid = 31224) Vault dat SBD (of encore) via Charlie Miller + AUD (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - DTS mixing by Kevin Tobin
1367551988-09-03Capital CentreLandoverMD
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller & (original shnid = 31224) Vault dat SBD (of encore) via Charlie Miller + AUD (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - mixing by Kevin Tobin
1421421988-09-03Capital CentreLandoverMD
flac16; Don Crandall & Chris Huron OTS Recording: Schoeps CMC3 MK41 > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
1505491988-09-03Capital CentreLandoverMD
flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel
1576811988-09-03Capital CentreLandoverMD
flac2496; Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
1578321988-09-03Capital CentreLandoverMD
flac1644; Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24 - This is 157681 2496 > 1644
1637891988-09-03Capital CentreLandoverMD
flac1648 Source Info: Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
1637901988-09-03Capital CentreLandoverMD
flac2496 Source Info: Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
832501988-09-05Capital CentreLandoverMD
flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac
806301988-09-05Capital CentreLandoverMD
flac16; Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
164401988-09-05Capital CentreLandoverMD
NAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7; AES/EBU out of AD into Fostex D5; Conversion: EAC> CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); via Steven Leeds, with thanks to Mark Lynn and Mike B for discs
1311311988-09-05Capital CentreLandoverMD
flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD
1394731988-09-05Capital CentreLandoverMD
flac16; Matrix 3 Source Mix - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - matrix mixing by Kevin Tobin
1394741988-09-05Capital CentreLandoverMD
DTS-Audio-CD 5.1 Mix; - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - dts mixing by Kevin Tobin
1394751988-09-05Capital CentreLandoverMD
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - mixing by Kevin Tobin
1400151988-09-05Capital CentreLandoverMD
flac16; Source: Sennheiser ME-80 Mics>Unknown Lead Deck> Sony WM-D6C Cassette Deck>TDK MA 90 Metal Cassette Master Tapes>Sony TC-D5M; Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Edirol R-09 HR(Playback)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Section 128,Row EE Seats 4 Official Taper Section
1421431988-09-05Capital CentreLandoverMD
flac16; Don Crandall & Chris Huron FOB Recording: Schoeps sub cards @ 130ยบ > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
1655051988-09-05Capital CentreLandoverMD
flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
1658281988-09-05Capital CentreLandoverMD
flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 (Set 1) > Samplitude Pro X6 Suite > FLAC/24 - This is 165505 2496 > 1644
832951988-09-06Capital CentreLandoverMD
flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl > flac
277501988-09-06Capital CentreLandoverMD
flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
99841988-09-06Capital CentreLandoverMD
AUD>PCM>DAT>CDR (Schoeps CMC-34?s); via Paul Raoul; Seeded to etree by Brad Ingle
1311321988-09-06Capital CentreLandoverMD
flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
1400201988-09-06Capital CentreLandoverMD
flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Nakamichi 550 Cassette Deck (Lead Deck) >Sony WM-D6C Cassette Deck>TDK MA-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section 128 Row Bb,Seat 8
1421441988-09-06Capital CentreLandoverMD
flac16; Don Crandall & Chris Huron OTS Recording: Schoeps CMC3 MK41 > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
1637151988-09-06Capital CentreLandoverMD
flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24
1642461988-09-06Capital CentreLandoverMD
flac1644: Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 163715 2496 > 1644
15611988-09-08The SpectrumPhiladelphiaPA
SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree (A re-tracked version circulates as of April, 2009. The audio data is identical. The "fixed info file is below.)
1091761988-09-08The SpectrumPhiladelphiaPA
flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
1100211988-09-08The SpectrumPhiladelphiaPA
flac16; Source:Sony D6 Cassette Master>Beyer M160 Mics>Sony Tc-WE 325 Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac
1160621988-09-08The SpectrumPhiladelphiaPA
flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Flaoter,Transfer By Keo; Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
1160631988-09-08The SpectrumPhiladelphiaPA
flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Flaoter,Transfer By Keo; Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
1204871988-09-08The SpectrumPhiladelphiaPA
flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
1368861988-09-08The SpectrumPhiladelphiaPA
flac16; (original shnid = 1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree - pitch correction and patches by Kevin Tobin
1368871988-09-08The SpectrumPhiladelphiaPA
flac16; Matrix 2 Source Mix - SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin
1368881988-09-08The SpectrumPhiladelphiaPA
DTS-Audio-CD 5.1 Mix; SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - DTS mixing by Kevin Tobin
1368891988-09-08The SpectrumPhiladelphiaPA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - mixing by Kevin Tobin
1417411988-09-08The SpectrumPhiladelphiaPA
flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
1421471988-09-08The SpectrumPhiladelphiaPA
flac16; Don Crandall & Chris Huron Recording (OTS): Schoeps CMC4/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
1456701988-09-08The SpectrumPhiladelphiaPA
flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
1477751988-09-08The SpectrumPhiladelphiaPA
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
1478501988-09-08The SpectrumPhiladelphiaPA
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this file set is 16 bit @ 44.1
1479731988-09-08The SpectrumPhiladelphiaPA
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a pitch corrected version of shnid=147775 (tracks 04 through 06 were fixed)
1480851988-09-08The SpectrumPhiladelphiaPA
flac16/48kHz; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a pitch corrected version of shnid=147775 (tracks 04 through 06 were fixed); This file set is 16 bit @ 44.1
264651988-09-09The SpectrumPhiladelphiaPA
flac16; AKG 414's> SonyD5> MC> CDR> EAC> WAV> FLAC
148401988-09-09The SpectrumPhiladelphiaPA
SBD > Cass Master > DAT > CDR > CDR > EAC > SHN
1095171988-09-09The SpectrumPhiladelphiaPA
flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
1106541988-09-09The SpectrumPhiladelphiaPA
flac16;Sony D6 Cassette Master>Sennheiser 441 Mics>Sony TC- We 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By Boeditaper.
1204881988-09-09The SpectrumPhiladelphiaPA
flac16; Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
1388131988-09-09The SpectrumPhiladelphiaPA
flac16; Matrix 2 Source Mix - SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin
1388151988-09-09The SpectrumPhiladelphiaPA
DTS-Audio-CD 5.1 Mix; SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin
1388161988-09-09The SpectrumPhiladelphiaPA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - surround mixing by Kevin Tobin
1417421988-09-09The SpectrumPhiladelphiaPA
flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
1421481988-09-09The SpectrumPhiladelphiaPA
flac16; Don Crandall & Chris Huron Recording (FOB): Schoeps CMC3/MK4 ORTF > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
1456711988-09-09The SpectrumPhiladelphiaPA
flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
1478441988-09-09The SpectrumPhiladelphiaPA
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
1481471988-09-09The SpectrumPhiladelphiaPA
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
811751988-09-11The SpectrumPhiladelphiaPA
flac16; 1st set only: SBD (Healy Mix) > MC > CD (via Lisa Biasi) speed correction and patching by Kevin Tobin
920031988-09-11The SpectrumPhiladelphiaPA
flac16; Tapers: David Barfield and David Lane Source: (OTS) Nakamichi cm300/cp4->D-5M->Maxell MX90 x 2 Transfer: MAC->Nakamichi MR-1->Korg MR-1000I(DFF 1 Bit/5.6 Mhz)->Audio Gate->16/44.1 wav->FLAC Transferred and seeded on 5/25/2008 by: M. Watson
830701988-09-11The SpectrumPhiladelphiaPA
flac16; Source: Nak CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci