Sources for Grateful Dead

SHNIDDateVenueCityStateArchive Identifier
182251983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
FOB Sennheiser 421s>Sony PCM F-1>DAT>CDR>EAC(secure)>SHN seed provided by jim powell. EAC>SHN by j.barnes (heyitsmejess@aol.com) see notes for patch information.
254071983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
*Set 1 Only*
Soundboard->Cassette Master->1st Generation Cassette. 1st Generation Cassette->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano
1389381983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
Source: Audience recording > Schoeps > pcm > dat (44k) recorded FOB, taper unknown. Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick August 2017
1403681983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
flac16/48kHz; Recording Info: 1st Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; 2nd Set: Unknown Audience Master; possibly recorded at the soundboard by a crew member, presumably, this is what is in the vault for this date; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
1419451983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
flac24/48 Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Tom Pinney Kyle Holbrook John Hance Transferred by Kyle Holbrook
1419461983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
flac16/44.1 Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Tom Pinney Kyle Holbrook John Hance Transferred by Kyle Holbrook
1633831983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
flac1648 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1633841983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
flac2496 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1680291983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
flac1648 Ken Kelley's Master Audience Cassettes; Beyer M201 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90) Transfer Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
1680301983-05-14Greek Theatre, University Of CaliforniaBerkeleyCA
flac2496 Ken Kelley's Master Audience Cassettes; Beyer M201 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90) Transfer Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
341671983-05-15Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Set 2 ONLY; Source: 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master #05 Transfer by Mark McCue. EAC, patch, conversion, and seeding to bt.etree.org by Alex Ford
943971983-05-15Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
945161983-05-15Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94397
965651983-05-15Greek Theatre, University Of CaliforniaBerkeleyCA
flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter)> -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D6 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone and Waves RBass > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16
22171983-05-15Greek Theatre, University Of CaliforniaBerkeleyCA
FOB Aud Sony ECM 220T > Sony D5 using Fuji Metals no dolby> Played back on a Nak DR1 with Azimuth adjustment > Sony PCMR500 DAT 48KHz SBM ON > PC transfer via Turtle Beach Montego II Digital I/O > SHN; via Rango Keshavan
1478981983-05-15Greek Theatre, University Of CaliforniaBerkeleyCA
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1478991983-05-15Greek Theatre, University Of CaliforniaBerkeleyCA
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1581511983-05-15Greek Theatre, University Of CaliforniaBerkeleyCA
flac1648 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
1581521983-05-15Greek Theatre, University Of CaliforniaBerkeleyCA
flac2496 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
1633851983-05-15Greek Theatre, University Of CaliforniaBerkeleyCA
flac1648 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1633861983-05-15Greek Theatre, University Of CaliforniaBerkeleyCA
flac2496 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
46051983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
Sennheiser 421's> Sony D-5 taped by Jim Wise; cass master> CDR; via Tony Gardner with thanks to Paul B.; Note-May circ with mislabelled tracks, they would read 6-13-83
144111983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
Source: Senn 421's > Sony D-5 > CDR taped by Jim Wise *these are not the originally seeded shns (well mostly) see below for details * I rejoined the Morning Dew and Crowd tracks that were separated with a disc break and a fade out from the Dew into one track with Cool Edit Pro. The original md5's are the same except for the Morning Dew and the track names have changed on Space and all the tunes after that. - Doug Nawrocki
217411983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
(Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat
1032851983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
1032931983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; Set 2 only, Recording Info: (Front Row Balcony) Sennheiser 441 -> PCM -> Dat -> CD -> Dat Transfer Info: Dat (Sony D8) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> Samplitude Professional v10.22 -> FLAC; Recorded by Jeff Silberman; This is a re-master of source ID 21741; All Transfers and Mastering By Charlie miller
1052361983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; Recording Info: (2) Beyer M160 + (1) Beyer M88 -> Cassette Master (Nakamichi 550/TDK SA90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Rudy Huston
1194381983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
1194371983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2012
1244691983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac24; Set 2 Only; Original Recording By Jeff Silberman; Sennheiser 441 (Front Row Balcony) > PCM > Dat >?; DAT Transfer Info: Friend's Dat (2 Hour) > (Possibaly 1 PCM) > (Unknown Cassette Deck) > Tape TDK MA 110; Transfer Information: Nakamichi MR-1 > Korg MR-1000 @ 1Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz
1244731983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; Set 2 Only; Original Recording By Jeff Silberman; Sennheiser 441 (Front Row Balcony) > PCM > Dat >?; DAT Transfer Info: Friend's Dat (2 Hour) > (Possibaly 1 PCM) > (Unknown Cassette Deck) > Tape TDK MA 110; Transfer Information: Nakamichi MR-1 > Korg MR-1000 @ 1Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1388601983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
1388591983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
1422701983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1khz Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby. Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90. Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor Transferred: Kyle Holbrook
1422711983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac24/48 Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8. Mastered: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor Transferred: Kyle Holbrook
1432671983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac16; Lineage: Aud Pcm Master# 16-441 Recorded Front Row Balcony>Dat>cool edit Pro 16-441; Unknown Pcm Recorder Most Likely 2 Or 3 Sennheiser 441 Mics; Remasterd Beerengineer On 10-05 18
1480431983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1480441983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1546601983-06-18Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 Source: Sennheiser 441 > Technics 14 Bit Pcm > Dat Location: Front Row Balcony Transfer Info: Pcm Vhs Master > Sony Pcm 2500 Dat Recorder @khz (by Jeff); Tascam Da20 Mark Ii Dat > Roland Src-2 Sample Rate Format Converter (from Spdif To Optical) > Mac Mini > Audacity@k > Wave (by John) Recorded By Jeff Silberman Pcm To Dat Transfer By Jeff Silberman Dat Transfer By John Ammons Edited & Mastered (adobe Audition) By Joe Noel November 05, 2021
837621983-06-20Merriweather Post PavilionColumbiaMD
flac16; Source: fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6 taped and transferred by David Minor Lineage: MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8 encoding etc. by Matt Vernon
327951983-06-20Merriweather Post PavilionColumbiaMD
flac16; Source: Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (outside in the insane weather and thick sound!) Thanks to Ted (?) for the patch Transfer: Maxell XLIIS Master > Nakamichi DR-3 > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1
326431983-06-20Merriweather Post PavilionColumbiaMD
flac16; Source:FOB-35FT off Stage@10ft 2 Sennheiser Md421's>Sony TCD5>Maxell XL2 Cassettes Recorded by Rick Colyard Transfer.Sony TCD21>Soundforge 8.0(record,resample,fades,anti-alias filter in highest setting)>CDWav(tracks)>Flacfrontend(flac16bit) Trandsfer and editing by: MULETAPER
39261983-06-20Merriweather Post PavilionColumbiaMD
set 2; Sen. 441 -> D5 -> Dat Recorded by J. Silberman; Mastering: Pan SV3700 -> Za2 -> .shn by SWS
119311983-06-20Merriweather Post PavilionColumbiaMD
Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD; Set 2 From Space to Sugar Mags is FOB-Sennheiser 441>PCM>Dat>CD; Seeded to etree by SWS
1020421983-06-20Merriweather Post PavilionColumbiaMD
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section Right Loge, Row J, Seat 208 by Bob Morris
1175311983-06-20Merriweather Post PavilionColumbiaMD
flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1198161983-06-20Merriweather Post PavilionColumbiaMD
flac24; source: (3) audio technica atm11> d-5; conversion: sony tc we435> soundcard> cdwave 44100/stereo/24 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
1406721983-06-20Merriweather Post PavilionColumbiaMD
flac24; source: nak 300 (location ?) > tcd5m MX90 +dolby > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, tracks, fades) > flac2496 > act (tags, checksums); recorded: david lane + david barfield; transferred/seeded: barfield
1480151983-06-20Merriweather Post PavilionColumbiaMD
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1480161983-06-20Merriweather Post PavilionColumbiaMD
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1634311983-06-20Merriweather Post PavilionColumbiaMD
flac1648 Source Info: Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
1634321983-06-20Merriweather Post PavilionColumbiaMD
flac2496 Source Info: Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
837631983-06-21Merriweather Post PavilionColumbiaMD
flac16; Source: fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6 by David Minor Lineage: MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8 encoding etc. by Matt Vernon
328811983-06-21Merriweather Post PavilionColumbiaMD
Source: Nakamichi 300's w/CP-4 capsules > Sony TCD5M > Sony D-6 Maxell XLIIS & MX Master Transfer: Maxell XLIIS & MX Master > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski
114911983-06-21Merriweather Post PavilionColumbiaMD
AUD>MC>DAT>CDRSony ECM-939's; via Paul; seeded to etree by Ernie Dodd
1020411983-06-21Merriweather Post PavilionColumbiaMD
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section Right Loge, Row H, Seat 212 by Bob Morris
1173171983-06-21Merriweather Post PavilionColumbiaMD
flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1406981983-06-21Merriweather Post PavilionColumbiaMD
flac24; Set 1 source: nak 300 (7’ right front corner of sbd w/+nod from healy) > tcd5m > mx90 +dolby > master > tascam 122mkii -dolby > apogee rosetta 200 (24/96) > audacity (fix levels, normalize, fades, tracks) > flac2496 > act (tags,checksums); recorded: david barfield; transferred/seeded: barfield
1479531983-06-21Merriweather Post PavilionColumbiaMD
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1479521983-06-21Merriweather Post PavilionColumbiaMD
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1501021983-06-22City IslandHarrisburgPA
flac16; Source: Sennheiser 422's > Sony D5; Location: FOB; No other source or transfer information
922081983-06-22City IslandHarrisburgPA
flac16; AUD: FOB, Sennheiser ME-88 shotguns > patched thru 1 or 2 decks > Marantz PMD-340 cassette deck > TDK SA-90's, Dolby on. Transfer: MAC > Nakamichi DR-8 (Dolby on) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F.
888811983-06-22City IslandHarrisburgPA
flac16; source: Nakamichi CM300/CP4 > Sony TCD5M > Sony D-6 > Maxell XL-IIS masters transfer: Master cassettes > Nakamichi CR-2A > Tascam HD-P2 (88.2/24) > firewire > DAW WAVELAB (UV22HR) > CDWAVE > FLAC
72221983-06-22City IslandHarrisburgPA
Recorded on Sony D5M using (2) Sennheiser ME-80 and (2) AKG D-1000 mikes run through mixer, 30 feet from stage dead center. Recorded by Tommy McKeown; Master > Peak encoded AIFF using Audiophile 2496 A/D converter > SHN; note spaces in tracknames; note user DES reports this show circulates with a shntool fix of d2. Those md5's are listed here along with the originals.; upgrade in circulation
149081983-06-22City IslandHarrisburgPA
2 Sennheiser ME-80 and 2 AKG D-1000 mikes run through mixer>Sony D5M (30 feet from stage dead center. Recorded by Tommy McKeown) Note- This is the same source as the previous etree seed (shnid #7222), though I believe the previous seed has been normalized. The previous seed was also missing the last 4 minutes of Deal, and had small (DAO) silent spots between all the tracks; via Eric Ray; Seeded to etree by Willy
812741983-06-22City IslandHarrisburgPA
flac16; Recordist: Kyle Holbrook Location : ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
815111983-06-22City IslandHarrisburgPA
flac24/96; Recordist: Kyle Holbrook Location: ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
1020681983-06-22City IslandHarrisburgPA
flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8
1198061983-06-22City IslandHarrisburgPA
flac24; Updated Lineage: (3) audio technica atm11 (fob)> d-5 mc> sony tc we435> pcm-m10> cdwave> traders little helper encoding option 8; conversion rate: 96/24 bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
1367191983-06-22City IslandHarrisburgPA
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
1367201983-06-22City IslandHarrisburgPA
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1406811983-06-22City IslandHarrisburgPA
flac24; source: nak 300 (12’ only patch of grass near soundboard) > tcd5m > udxliis -1st fuji fr-metal90 2nd +dolby > tascam 122mkii -dolby > apogee rosetta 200 (24/96) > audacity > (fades, tracks, normalize) > xact (tags, checksums); recorded: david barfield + david lane; transferred/seeded: david barfield
1480291983-06-22City IslandHarrisburgPA
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1480301983-06-22City IslandHarrisburgPA
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1514561983-06-22City IslandHarrisburgPA
flac16/48khz Source Info: Master Audience Cassettes (possibly 1st generation); Unknown equipment Transfer Info: Cassette Master (possibly 1st generation)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
1514571983-06-22City IslandHarrisburgPA
flac24/96khz Source Info: Master Audience Cassettes (possibly 1st generation); Unknown equipment Transfer Info: Cassette Master (possibly 1st generation)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
1559651983-06-22City IslandHarrisburgPA
flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1559661983-06-22City IslandHarrisburgPA
flac24/96 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
72911983-06-24Dane County ColiseumMadisonWI
D5>Nakamichi 300 Shotguns in front of the stage 10th row; via Clark Ohnesorge; Seeded to etree by Willy
1188881983-06-24Dane County ColiseumMadisonWI
flac16; Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always Sennheisser 421s>Sony TCD5M>Sony TCD5M (1st gen backup copy from Justin Lee) No Dolby on master cassettes. The first gen. cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011; additional lineage: files tagged with Tag&Rename, checksums created with traderslittlehelper, Tagging, checksums and text February 12,2012 - John Wenzel
1353761983-06-24Dane County ColiseumMadisonWI
flac24; Audience recording, taper, gear and generation unknown; 24 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; flac level 8 and checksums with traderslittlehelper; tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016
1353751983-06-24Dane County ColiseumMadisonWI
flac16; Audience recording, taper, gear and generation unknown; 16 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; 24/48 resampled and dithered to 16/44.1 with dBpoweramp; flac level 8 and checksums with traderslittlehelper; Tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016
1354811983-06-24Dane County ColiseumMadisonWI
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
1354821983-06-24Dane County ColiseumMadisonWI
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1405201983-06-24Dane County ColiseumMadisonWI
flac24; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
1411591983-06-24Dane County ColiseumMadisonWI
flac16; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
1460471983-06-24Dane County ColiseumMadisonWI
flac24; Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24; Taper: Michael Gardner; Transfer and editing: Tony Suraci
1460541983-06-24Dane County ColiseumMadisonWI
flac16; Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16; Taper: Michael Gardner; Transfer and editing: Tony Suraci
1461491983-06-24Dane County ColiseumMadisonWI
flac16/44.1khz Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16 Taper: Michael Gardner Transfer and editing: Tony Suraci. Note - This version has the fixed track for Brown Eyed Women
1461501983-06-24Dane County ColiseumMadisonWI
flac24 Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24 Taper: Michael Gardner Transfer and editing: Tony Suraci. Note - This version has the fixed track for Brown Eyed Women
1479901983-06-24Dane County ColiseumMadisonWI
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1479911983-06-24Dane County ColiseumMadisonWI
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1669191983-06-24Dane County ColiseumMadisonWI
flac1648 Source Info: 1st Set:Gordon Sharpless' 1st generation (FOB) Audience Cassettes; (2) Nakamichi 300 mics + (1) Sennheiser 421 mic (8' high stand) > Nakamichi 550; Nakamichi 550 > Gordon's Sony D6M (1st generation cassettes)(Maxell UDXL-II) 2nd Set: Gordon Sharpless' Master (FOB) Audience Cassettes; (2) Nakamichi 300 mics + (1) Sennheiser 421 mic (8' high stand) > Nakamichi 550 (Maxell UDXL-II) Transfer Info: 1st Set 1st Generation Cassette / 2nd Set Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
1669201983-06-24Dane County ColiseumMadisonWI
flac2496 Source Info: 1st Set:Gordon Sharpless' 1st generation (FOB) Audience Cassettes; (2) Nakamichi 300 mics + (1) Sennheiser 421 mic (8' high stand) > Nakamichi 550; Nakamichi 550 > Gordon's Sony D6M (1st generation cassettes)(Maxell UDXL-II) 2nd Set: Gordon Sharpless' Master (FOB) Audience Cassettes; (2) Nakamichi 300 mics + (1) Sennheiser 421 mic (8' high stand) > Nakamichi 550 (Maxell UDXL-II) Transfer Info: 1st Set 1st Generation Cassette / 2nd Set Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
118021983-06-25St. Paul Civic CenterSt. PaulMN
ACM>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
1180041983-06-25St. Paul Civic CenterSt. PaulMN
flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Center Of Horseshoe 1/2 Way Up)> Sony WM-D6 (Maxell UD-XLII); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
1180051983-06-25St. Paul Civic CenterSt. PaulMN
flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Center Of Horseshoe 1/2 Way Up)> Sony WM-D6 (Maxell UD-XLII); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
1189001983-06-25St. Paul Civic CenterSt. PaulMN
flac16; Sennheisser 421s>Sony TCD5M>cassette>cassette, Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz) 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen
1354731983-06-25St. Paul Civic CenterSt. PaulMN
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
1354741983-06-25St. Paul Civic CenterSt. PaulMN
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1405211983-06-25St. Paul Civic CenterSt. PaulMN
flac24; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
1411601983-06-25St. Paul Civic CenterSt. PaulMN
flac16; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
1423621983-06-25St. Paul Civic CenterSt. PaulMN
flac16 44.1khz Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 ++ First Gen patch: [Same mics]Marantz Superscope PMD420| Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~40 feet from stage, 25 feet LOC (in front of Phil) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
1423631983-06-25St. Paul Civic CenterSt. PaulMN
flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 ++ First Gen patch: [Same mics]Marantz Superscope PMD420| Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~40 feet from stage, 25 feet LOC (in front of Phil) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
1480021983-06-25St. Paul Civic CenterSt. PaulMN
flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1480031983-06-25St. Paul Civic CenterSt. PaulMN
flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1669751983-06-25St. Paul Civic CenterSt. PaulMN
flac1648 Gordon Sharpless' Master Audience Cassettes; Sennheiser 441 mics > Sony D6M > Gordon's Sony D6M (Maxell UDXL-II) Transfer Info: Master Audience Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24 bit/96 hz) > Adobe Audition 2024 > TLH 2496
1669761983-06-25St. Paul Civic CenterSt. PaulMN
flac2496 Gordon Sharpless' Master Audience Cassettes; Sennheiser 441 mics > Sony D6M > Gordon's Sony D6M (Maxell UDXL-II) Transfer Info: Master Audience Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24 bit/96 hz) > Adobe Audition 2024 > TLH 2496
897901983-06-27Poplar Creek Music TheatreHoffman EstatesIL
flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat -> CD Transfer Info #1: Dat (Sony D8) -> CD (Tascam CD-RW700) Transfer Info #2: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
99941983-06-27Poplar Creek Music TheatreHoffman EstatesIL
Aud>Cass Master>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
1195771983-06-27Poplar Creek Music TheatreHoffman EstatesIL
flac16; Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; FOB Recorded by the late George "Fingers" Bethke; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011
1353771983-06-27Poplar Creek Music TheatreHoffman EstatesIL
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
1353781983-06-27Poplar Creek Music TheatreHoffman EstatesIL
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1405221983-06-27Poplar Creek Music TheatreHoffman EstatesIL
flac24; Robert Bryant recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
1411611983-06-27Poplar Creek Music TheatreHoffman EstatesIL
flac16; Robert Bryant recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
1417701983-06-27Poplar Creek Music TheatreHoffman EstatesIL
flac16; Updated Recording Info: FOB Sennheiser 441 mics > Canare Cable > Technics SV100 PCM > Panasonic VHS; Taper: Timon Malloy; Master FOB PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
1423891983-06-27Poplar Creek Music TheatreHoffman EstatesIL
flac16/44.1 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~100 feet from stage, 15 feet LOC (just left of SBD cage) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
1423901983-06-27Poplar Creek Music TheatreHoffman EstatesIL
flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~100 feet from stage, 15 feet LOC (just left of SBD cage) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
1480451983-06-27Poplar Creek Music TheatreHoffman EstatesIL
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1480461983-06-27Poplar Creek Music TheatreHoffman EstatesIL
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
283611983-06-28Poplar Creek Music TheatreHoffman EstatesIL
flac16; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller
35931983-06-28Poplar Creek Music TheatreHoffman EstatesIL
FOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended); Jim Vita recording, 17th Row center; Analog> digital> cdr: tascam 112mk11> Sony PCM R500 @44.1khz> HHB CDR-850 transfer by Jim Wise; Eac/SHN by Chuck Hogan with thanks to John Tallmadge
1195791983-06-28Poplar Creek Music TheatreHoffman EstatesIL
flac16; Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions)
1353551983-06-28Poplar Creek Music TheatreHoffman EstatesIL
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
1353561983-06-28Poplar Creek Music TheatreHoffman EstatesIL
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1405231983-06-28Poplar Creek Music TheatreHoffman EstatesIL
flac24; Robert Bryant recording: unknown mics > cassette master (sony wm-d6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
1411621983-06-28Poplar Creek Music TheatreHoffman EstatesIL
flac16; Robert Bryant recording: unknown mics > cassette master (sony wm-d6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
1423941983-06-28Poplar Creek Music TheatreHoffman EstatesIL
flac16/44.1 First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 > Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90 Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
1423951983-06-28Poplar Creek Music TheatreHoffman EstatesIL
flac24/48 First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 > Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90 Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
1461871983-06-28Poplar Creek Music TheatreHoffman EstatesIL
flac16; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16; Taper: Michael Gardner; Transfer and editing: Tony Suraci
1461881983-06-28Poplar Creek Music TheatreHoffman EstatesIL
flac24; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24; Taper: Michael Gardner; Transfer and editing: Tony Suraci
1499211983-06-28Poplar Creek Music TheatreHoffman EstatesIL
flac24/192kHz; Mics: Mics: AKG 460B with the CK1 capsules; Recorder: 1981 TCD-5M Sony Cassette Pro Portable; Location: Sec 100 Row C Seat 107; Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback; Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment; Chord Company Interconnect Cable (Naim Co.); Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz; Sound Forge just to track
1499441983-06-28Poplar Creek Music TheatreHoffman EstatesIL
flac16; Mics: AKG 460B with the CK1 capsules; Recorder: 1981 TCD-5M Sony Cassette Pro Portable; Location: Sec 100 Row C Seat 107; Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback; Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment; Chord Company Interconnect Cable (Naim Co.); Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz; Sound Forge just to track 24/192 > 16/44.1
964011983-07-30Ventura County FairgroundsVenturaCA
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
119321983-07-30Ventura County FairgroundsVenturaCA
ACM>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
1403171983-07-30Ventura County FairgroundsVenturaCA
flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
1502831983-07-30Ventura County FairgroundsVenturaCA
flac16; Source: Nakamichi 100 shotguns > Sony D5 > ? > FLAC; Location: FOB; Taped by John O'Connor
1509391983-07-30Ventura County FairgroundsVenturaCA
flac16/48 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1509401983-07-30Ventura County FairgroundsVenturaCA
flac24/96 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1618781983-07-30Ventura County FairgroundsVenturaCA
flac2496 Recorded by Les Shields and Kevin T. Hughes, AICP, CEP; (San Luis Obispo, CA 1981-1985) Source: Two Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder > Sony D6 Recorder > (Master) Maxell MX 90 Cassette(s) 9 feet high located FOB Transfer: Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > CD Wave Editor (WAV to FLAC 2496 Conversion) by Kevin T. Hughes
1672301983-07-30Ventura County FairgroundsVenturaCA
flac1648 Ken Kelley's Master Audience Cassettes; Nakamichi 100 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90) Transfer Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > TLH 2496
1672311983-07-30Ventura County FairgroundsVenturaCA
flac2496 Ken Kelley's Master Audience Cassettes; Nakamichi 100 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90) Transfer Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > TLH 2496
881491983-07-31Ventura County FairgroundsVenturaCA
flac16; SBD -> Cassette Master -> Cass -> Dat -> CD All Transfers and Mastering By Charlie Miller
964091983-07-31Ventura County FairgroundsVenturaCA
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Recorded by Rango Keshavan
981251983-07-31Ventura County FairgroundsVenturaCA
flac16; SBD -> Cassette Master -> Cass -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC -> Audio CDs Burned as one track -> Windows Media Player -> SB Audigy 4 - > Sound Forge 5.0 -> removed dead space between tracks caused by WMP playback -> CDWave Editor 1.94.8 -> Wavs -> Flac 1.2b level 6; audio extraction and re-flac by Charles Bandrofcheck
119331983-07-31Ventura County FairgroundsVenturaCA
AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
1403201983-07-31Ventura County FairgroundsVenturaCA
flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
1511371983-07-31Ventura County FairgroundsVenturaCA
flac16/48khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
1511381983-07-31Ventura County FairgroundsVenturaCA
flac24/96khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
1622941983-07-31Ventura County FairgroundsVenturaCA
flac2496 Recorded by Les Shields and Kevin T. Hughes, AICP, CEP; (San Luis Obispo, CA 1981-1985) Source: Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder (Set I-1st; Set II 3rd patch in Master Recording Chain) > Maxell MX 90 Cassette(s) Transfer: Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > Audacity 3.2.3 (Wave Editor S/W for WAV to FLAC file Conversion) by Kevin T. Hughes
1674681983-07-31Ventura County FairgroundsVenturaCA
flac1648 Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90) Source Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
1674691983-07-31Ventura County FairgroundsVenturaCA
flac2496 Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90) Source Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
1674701983-07-31Ventura County FairgroundsVenturaCA
flac1648 Master Soundboard Cassette > Technics Reel to Reel > Panasonic SV-3800 Dat (16/48) Transfer Info: Sony PCM-R500 (16/48) -> Tascam DA-3000 > .wav 16/48 > Adobe Audition 2024 > TLH flac1648
1115281983-08-20Frost AmphitheatrePalo AltoCA
flac16; Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
963871983-08-20Frost AmphitheatrePalo AltoCA
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
120811983-08-20Frost AmphitheatrePalo AltoCA
AUD(Neumann KM 84?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
1480661983-08-20Frost AmphitheatrePalo AltoCA
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1480671983-08-20Frost AmphitheatrePalo AltoCA
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1508921983-08-20Frost AmphitheatrePalo AltoCA
flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1508931983-08-20Frost AmphitheatrePalo AltoCA
flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1511391983-08-20Frost AmphitheatrePalo AltoCA
flac16/48khz MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
1511401983-08-20Frost AmphitheatrePalo AltoCA
flac24/96khz MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
1559671983-08-20Frost AmphitheatrePalo AltoCA
flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1559681983-08-20Frost AmphitheatrePalo AltoCA
flac2496 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1634291983-08-20Frost AmphitheatrePalo AltoCA
flac2496 Recorded by Les Shields and Kevin T. Hughes, AICP, CEP; (San Luis Obispo, CA 1981-1985) Source: Taper Location: Front Of Boards, approximately 6 to 8 feet left of dead center, closer to Jerry Garcia position on left side off Stage. recorded by a pair of Nak CM300 Mics w CP4 Shotgun Caps > Sony D5 Recorder > (Master) TDX MA-R90 Cassettes Transfer: Denon DRM-555 Player > Hp PC portal > Audacity 3.2.2 (Wave Editor) > FLAC Conversion by Kevin T. Hughes
956721983-08-21Frost AmphitheatrePalo AltoCA
flac16; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Michael Kirschner; All Transfers and Mastering By Charlie Miller
956871983-08-21Frost AmphitheatrePalo AltoCA
flac24; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Michael Kirschner; All Transfers and Mastering By Charlie Miller
238531983-08-21Frost AmphitheatrePalo AltoCA
Recording Info: (Immediate Left Of SBD) Nakamichi 300/CP4 -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) Process Info:Processed through Nuendo using Waves (slight eq and rendered down to a 16 bit wave file). Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller
109201983-08-21Frost AmphitheatrePalo AltoCA
FOB Senn 441>Sony TC-D5>DAT>CD; via Pete; Seeded to etree by Jim Bennett
1115361983-08-21Frost AmphitheatrePalo AltoCA
flac16; Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1428981983-08-21Frost AmphitheatrePalo AltoCA
flac16/44.1khz Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~125 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Transferred: Kyle Holbrook
1428991983-08-21Frost AmphitheatrePalo AltoCA
flac24/48khz Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~125 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Transferred: Kyle Holbrook
1480731983-08-21Frost AmphitheatrePalo AltoCA
flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1480721983-08-21Frost AmphitheatrePalo AltoCA
flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1509431983-08-21Frost AmphitheatrePalo AltoCA
flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1509441983-08-21Frost AmphitheatrePalo AltoCA
flac24/96khz ource Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1511411983-08-21Frost AmphitheatrePalo AltoCA
flac16/48khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
1511421983-08-21Frost AmphitheatrePalo AltoCA
flac24/96khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
1559881983-08-21Frost AmphitheatrePalo AltoCA
flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
1559891983-08-21Frost AmphitheatrePalo AltoCA
flac2496 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
122581983-08-26Portland Memorial ColiseumPortlandOR
AUD (Senn. 421's)> MC >DAT>CDR; Eac >cool edit > shntool > cdwav >shnv3, by Ernie Dodd
1109031983-08-26Portland Memorial ColiseumPortlandOR
flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
1429001983-08-26Portland Memorial ColiseumPortlandOR
flac16/44.1khz Source Audience Recording: Beyer M 201c;1st gen TDK MA metal 90 Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC Lineage: Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5M Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook
1429011983-08-26Portland Memorial ColiseumPortlandOR
flac24/48khz Source Audience Recording: Beyer M 201c;1st gen TDK MA metal 90 Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC Lineage: Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5M Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook
1488321983-08-26Portland Memorial ColiseumPortlandOR
flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90); Transfer Info: Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1488331983-08-26Portland Memorial ColiseumPortlandOR
flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90); Transfer Info: Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
316351983-08-27Seattle Center ColiseumSeattleWA
flac16; source: unknown mics > Sony D5 cassette deck (probable) Location: (FOB?) Recorded by: Jamie Herbst transfer: cassettes (2nd gen) > PC > CDWAV (track splits) > GOLDWAVE (fades) > FLAC
923071983-08-27Seattle Center ColiseumSeattleWA
flac16; FOB, Nakamichi CM300's > Sony TC-D5. Tape copied after show, MAC > C1, Sony TC-D5 > Marantz PMD-340 > TDK SA-90's (no Dolby). Transfer: C1 > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
123591983-08-27Seattle Center ColiseumSeattleWA
AUD(Senn. 421?s)>MC>DAT>CDR Eac >shn (secure with proper offsets) by Ernie Dodd; Note Ernie has since supplied the missing tracks (disc 3); See info file for details
164391983-08-27Seattle Center ColiseumSeattleWA
Unknown AUD, with patches from an alternate source; via Darryl Hinko
1118181983-08-27Seattle Center ColiseumSeattleWA
flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1429021983-08-27Seattle Center ColiseumSeattleWA
flac16/44.1khz Source Audience Recording: Beyer M 201c: Master Maxell MX90 Location: set 1: 70 feet from stage|DFC Lineage: Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook
1429031983-08-27Seattle Center ColiseumSeattleWA
flac24/48khz Source Audience Recording: Beyer M 201c: Master Maxell MX90 Location: set 1: 70 feet from stage|DFC Lineage: Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook
1487491983-08-27Seattle Center ColiseumSeattleWA
flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1487501983-08-27Seattle Center ColiseumSeattleWA
flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1634701983-08-27Seattle Center ColiseumSeattleWA
flac1648 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Sony D5 > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1634711983-08-27Seattle Center ColiseumSeattleWA
flac2496 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Sony D5 > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
116031983-08-29Silva Hall, Hult CenterEugeneOR
SBD>Cass(2)>DAT>CDR; Seeded to etree by Willy
1052851983-08-29Silva Hall, Hult CenterEugeneOR
flac16; Source: Unknown audience recording > cass (unknown gens) Lineage: cass > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > flac 16
1055231983-08-29Silva Hall, Hult CenterEugeneOR
flac16; FOB AUD: Nakamichi CM300's > unknown deck > MAC > 1st Gen tape. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F.
1110871983-08-29Silva Hall, Hult CenterEugeneOR
flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
1359451983-08-29Silva Hall, Hult CenterEugeneOR
flac16; Soundboard > PCM;Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for Minor Edits by Jamie Waddell; channels flipped, minor cuts, and tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the original seed for this had errors
1403301983-08-29Silva Hall, Hult CenterEugeneOR
flac16/48kHz; Recording Info: Master Soundboard Cassette -> Tascam MKIII 1st Gen Cassette -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
1414851983-08-29Silva Hall, Hult CenterEugeneOR
flac24; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300) > Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496
1414861983-08-29Silva Hall, Hult CenterEugeneOR
flac16; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
1429241983-08-29Silva Hall, Hult CenterEugeneOR
flac16/44.1 Source: Master Was: Beyer M201's X-Y 6'up > Sony TCD5M no dolby. Denon DXM 90 Metal x 2. This take: First Gen TDK MA90 x 2 Location: ~80 feet from stage, 40'ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1429251983-08-29Silva Hall, Hult CenterEugeneOR
flac24/48 Source: Master Was: Beyer M201's X-Y 6'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 This take: First Gen TDK MA90 x 2 Location: ~80 feet from stage, 40'ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1487621983-08-29Silva Hall, Hult CenterEugeneOR
flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mics on pole, held head high, 50' from stage - row O, seats 208 & 209- DFC) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1487631983-08-29Silva Hall, Hult CenterEugeneOR
flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mics on pole, held head high, 50' from stage - row O, seats 208 & 209- DFC) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1634821983-08-29Silva Hall, Hult CenterEugeneOR
flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
1634831983-08-29Silva Hall, Hult CenterEugeneOR
flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
1637311983-08-29Silva Hall, Hult CenterEugeneOR
flac2448; 2nd Set; Source: Unknown mics > Sony TC-D5M > Maxell MX-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Andrew F. 02/2023
293421983-08-30Silva Hall, Hult CenterEugeneOR
flac16; Source: Sennheiser 421's > Sony TC-D5 Lineage: MAC > C (first generation cassette used for this transfer) Transfer: C > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC. Seeded by nfagdtrfbyahoo
124851983-08-30Silva Hall, Hult CenterEugeneOR
AUD (Senn. 421?s)> MC> DAT> CDR; Eac >cool edit > shntool > cdwav >shnv3 by Ernie Dodd; missing second half of set 2
151101983-08-30Silva Hall, Hult CenterEugeneOR
Keysey intro: MSC>Cass. x 2>PCM>DAT>CDR Set Ip + Set II: Kesey's MSC>DAT>CDR Audience patches: Sennheiser 421's>Sony TC-D5M>Cass.>DAT>CDR taped by Rick Saeger (previous seed)
1115901983-08-30Silva Hall, Hult CenterEugeneOR
flac16; Source: 2 Sennheiser 441 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1414871983-08-30Silva Hall, Hult CenterEugeneOR
flac24; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496
1414881983-08-30Silva Hall, Hult CenterEugeneOR
flac16; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
1429961983-08-30Silva Hall, Hult CenterEugeneOR
flac16/44.1kh Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 Location: ~70 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1429971983-08-30Silva Hall, Hult CenterEugeneOR
flac24/48 Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 Location: ~70 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1487641983-08-30Silva Hall, Hult CenterEugeneOR
flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid, center omni, row R, seat 208, DFC) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1487651983-08-30Silva Hall, Hult CenterEugeneOR
flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid, center omni, row R, seat 208, DFC) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
349281983-08-31Silva Hall, Hult CenterEugeneOR
flac16; Lineage: AUD > unknown mics > Sony TC-D5 > MAC > 1st generation cassettes Transfer: Sony UCX-S 90s > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC
124861983-08-31Silva Hall, Hult CenterEugeneOR
AUD (Senn. 421?s)> MC> DAT> CDR, via Paul B, seeded to Etree by Ernie Dodd
849341983-08-31Silva Hall, Hult CenterEugeneOR
flac16; AUD (Senn. 421’s)>MC>DAT>CDR>Eac >cool edit > shntool > cdwav >shnv3 repitched to 103.37% and converted to FLAC
1115981983-08-31Silva Hall, Hult CenterEugeneOR
flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1403361983-08-31Silva Hall, Hult CenterEugeneOR
flac16/48kHz; Recording Info: Master Soundboard Cassette -> Tascam MKIII 1st Gen Cassette -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
1414891983-08-31Silva Hall, Hult CenterEugeneOR
flac24; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496
1414901983-08-31Silva Hall, Hult CenterEugeneOR
flac16; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
1429261983-08-31Silva Hall, Hult CenterEugeneOR
flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 100 feet from stage, DFC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1429271983-08-31Silva Hall, Hult CenterEugeneOR
flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 100 feet from stage, DFC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1487671983-08-31Silva Hall, Hult CenterEugeneOR
flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted in a hat)(row U, seat 104) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
1487661983-08-31Silva Hall, Hult CenterEugeneOR
flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted in a hat)(row U, seat 104) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1635301983-08-31Silva Hall, Hult CenterEugeneOR
flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
1635311983-08-31Silva Hall, Hult CenterEugeneOR
flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
179581983-09-02Boise State University PavillionBoiseID
Source: FOB AUD PCM (DBX) > DBX Decode > DAT > CDR > EAC > *Cool Edit Pro 2.0 > CDWave > FLAC *Original source had most of the between track crowd cut out I applied crossfades to smooth these cuts. Patched D/O in Eyes. Original source was also in need of retracking. EAC'd... by Doug Nawrocki
1009301983-09-02Boise State University PavillionBoiseID
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
13741983-09-02Boise State University PavillionBoiseID
FOB AUD PCM(dbx)> dbx decode> DAT> CD> EAC>WAV> SHN; Extracted and posted to alt.binaries.gdead by Bob Donnelly; later to etree
21741983-09-02Boise State University PavillionBoiseID
SBD> cassette master> (cass?)> DAT> CDR; via anonymous benefactor; upgrade in circulation
238541983-09-02Boise State University PavillionBoiseID
10th Row Center 2 BeyerM160 Left & Right Channels 1 Sennheiser 421 Center Chanel Sony TCD5M Cassette Master>SoundForge5; upgrade in circulation
338191983-09-02Boise State University PavillionBoiseID
SBD> cassette master>DAT>CDR>SHN - Patched fix of shnid 2174 by Bill Tetzeli
1031811983-09-02Boise State University PavillionBoiseID
flac16, FOB MAC 2 Beyer M160 and 1 Sennheiser 421 > Sony TCD5M > Soundblaster PCI.
This is a new transfer from the same FOB MACs as SHNID 23854. Recorded by vlenihan.
1429981983-09-02Boise State University PavillionBoiseID
flac16/44.1 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1429991983-09-02Boise State University PavillionBoiseID
flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1492231983-09-02Boise State University PavillionBoiseID
flac16/48kHz; Set 2 Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1492241983-09-02Boise State University PavillionBoiseID
flac24; 2nd Set Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
1635601983-09-02Boise State University PavillionBoiseID
flac1648 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1635611983-09-02Boise State University PavillionBoiseID
flac2496 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1020501983-09-04Park West Ski ResortPark CityUT
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
352141983-09-04Park West Ski ResortPark CityUT
flac16; Seamless fix of shn id 2193 - MSC>C>DAT>CD>EAC>SHN>WAV>FLAC w/patch in drums. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
21931983-09-04Park West Ski ResortPark CityUT
Master Soundboard Cassette > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; upgrade in circulation
102531983-09-04Park West Ski ResortPark CityUT
Master Tape; 2 Beyer M160, 1 Sennheiser 441 Blend; Sony TCD5M > Sound Forge 5 > MKW .96f > Power Post 2K
1049561983-09-04Park West Ski ResortPark CityUT
flac16; MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav
1110321983-09-04Park West Ski ResortPark CityUT
flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
1420471983-09-04Park West Ski ResortPark CityUT
flac16; SBD MC>DAT>Clone>file created in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8
1171851983-09-04Park West Ski ResortPark CityUT
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
1198041983-09-04Park West Ski ResortPark CityUT
flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
1198051983-09-04Park West Ski ResortPark CityUT
flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1322451983-09-04Park West Ski ResortPark CityUT
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:117185) SBD -> Cassette Master -> Reel (Technics Deck) -> Dat (Panasonic SV3800/48k); Dat -> Samplitude Professional v11.2 -> FLAC and Audience (shnid:104956) MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav
1383361983-09-04Park West Ski ResortPark CityUT
flac16/48kHz; Set 2 Recording from Unknown taper: Senn 421, 3 mic blend> MAC> DAT set 2 only; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
1430001983-09-04Park West Ski ResortPark CityUT
flac16/44 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1430011983-09-04Park West Ski ResortPark CityUT
flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1492281983-09-04Park West Ski ResortPark CityUT
flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1492291983-09-04Park West Ski ResortPark CityUT
flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
1503341983-09-04Park West Ski ResortPark CityUT
flac16; Source: Nakamichi 100 shotguns > Sony D5 > ? > FLAC; Location: FOB; Recorded by John O'Connor
350841983-09-06Red Rocks AmphitheatreMorrisonCO
flac16; Master: Beyer M201's (X-Y) > Sony TCD5M (Maxell MX 90, no dolby) Location: 140 feet from stage (behind board) Transfer: Sony TC-RX 370 > Echo Gina 24 @ 16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7808 > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed
958201983-09-06Red Rocks AmphitheatreMorrisonCO
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
54891983-09-06Red Rocks AmphitheatreMorrisonCO
Master Soundboard Cassette > Cassette > DAT > CDR, with AUD patches from 2 Master Audience Cassettes: Sennheiser 421 mics > Sony D5, Sennheiser 441 mics > Sony D6 (see info file); Patching / CD Mastering, EAC'ed / SHN'ed by Scott Clugston
115891983-09-06Red Rocks AmphitheatreMorrisonCO
2 Sennheiser 421 > Sony TCD5M Half way between stage and board Master tape> Sound Forge5>Powerpost 2k To abgd via Walstib
1020511983-09-06Red Rocks AmphitheatreMorrisonCO
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
1110331983-09-06Red Rocks AmphitheatreMorrisonCO
flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
1117111983-09-06Red Rocks AmphitheatreMorrisonCO
flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
1118661983-09-06Red Rocks AmphitheatreMorrisonCO
Senn 421's (FOB) > Analog Master > DAT > Montego > SoundForge 6 (normalize) > SHN; taped: Dean Grabski; seeded: Lou Wilkinson
1430391983-09-06Red Rocks AmphitheatreMorrisonCO
flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 40 feet from stage (sixth row), DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1430401983-09-06Red Rocks AmphitheatreMorrisonCO
flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 40 feet from stage (sixth row), DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1479101983-09-06Red Rocks AmphitheatreMorrisonCO
flac16; Matrix: Source One: shnid 5489: Master Soundboard Cassette > Cassette > DAT > CDR; Source Two: shnid 11589: Two Sennheiser 421 > Sony TCD5M: Source Three: shnid 35084: Beyer M201's X-Y 5.5'up > Maxell MX90 x 2 (Sony TCD5M, dolby off); Source Four: shnid 111711: Two Sennheiser 421 microphones > Sony TC-D5M > master analog cassettes; Matrix created with Audacity by Joe Noel
1483361983-09-06Red Rocks AmphitheatreMorrisonCO
flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1483351983-09-06Red Rocks AmphitheatreMorrisonCO
flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
102541983-09-07Red Rocks AmphitheatreMorrisonCO
3 Beyer Dynamics M160> Sony TCD5m Mater Tape Recorded Half way between Board and Stage; Sound Forge 5> Power Post 2K
1020521983-09-07Red Rocks AmphitheatreMorrisonCO
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
1109131983-09-07Red Rocks AmphitheatreMorrisonCO
flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
1110341983-09-07Red Rocks AmphitheatreMorrisonCO
flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
1135501983-09-07Red Rocks AmphitheatreMorrisonCO
flac16; Recording Info: (FOB) 3 Nakamichi 700 Omni's -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded Bob Wagner; All Transfers and Mastering By Charlie Miller
1430411983-09-07Red Rocks AmphitheatreMorrisonCO
flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 50 feet from stage 8ft ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1430421983-09-07Red Rocks AmphitheatreMorrisonCO
flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 50 feet from stage 8ft ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1483051983-09-07Red Rocks AmphitheatreMorrisonCO
flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1483041983-09-07Red Rocks AmphitheatreMorrisonCO
flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1636051983-09-07Red Rocks AmphitheatreMorrisonCO
flac1648 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1636061983-09-07Red Rocks AmphitheatreMorrisonCO
flac2496 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Jim Vita's 1st Generation Cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
790471983-09-08Red Rocks AmphitheatreMorrisonCO
flac16; Source: Nakamichi CM304's>Sony D5>Sony D6 Location: At SBD, stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16bit>CDwav>flac16 Tapers: Mike G. and Tony S
848561983-09-08Red Rocks AmphitheatreMorrisonCO
flac16; SOURCES: Set 1: Nakamichi CM304's > Sony D5 > Sony D6 (shnid=79047) with patches for tuning before Shakedown & L.L. Rain from: Senn. 441s? > MC > DAT > CDR (shnid=12482) Set 2: MSC (except for AUD Scarlet>Fire) > Reel > DAT > CDR > EAC > SHN > WAV > FLAC (level 8) (shnid=20536) with patches for start of Baby Blue from: Nakamichi CM304's > Sony D5 > Sony D6 (shnid=79047)
124821983-09-08Red Rocks AmphitheatreMorrisonCO
AUD (Senn. 441's)> MC> DAT> CDR; via Paul B. Seeded to etree by Ernie Dodd
205361983-09-08Red Rocks AmphitheatreMorrisonCO
Lineage: MSC>Reel>DAT>CDR (Scarlet>Fire from Eaton's MAC)
1020531983-09-08Red Rocks AmphitheatreMorrisonCO
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
1110351983-09-08Red Rocks AmphitheatreMorrisonCO
flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
1117281983-09-08Red Rocks AmphitheatreMorrisonCO
flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
1136841983-09-08Red Rocks AmphitheatreMorrisonCO
flac16; Recording Info: (FOB) 3 Nakamichi 700 Omni's -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
1430561983-09-08Red Rocks AmphitheatreMorrisonCO
flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 3 Location: 140 feet from stage, 10 ft. ROC (~10 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
1430571983-09-08Red Rocks AmphitheatreMorrisonCO
flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 3 Location: 140 feet from stage, 10 ft. ROC (~10 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
844871983-09-10Santa Fe DownsSanta FeNM
flac16; Recording Info: (FOB) Sennheiser 441 -> PCM (Technics SV100) -> Dat Transfer Info: Dat (Sony R500) -> VX Pocket v2 -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller