Sources for Grateful Dead
unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 1185 | 1972-11-17 | Century II Convention Hall | Wichita | KS | |
| sdb> reel master> cassette> dat> cdr; via Mike Lai; note Jeff Tiedrich reports this is more likely MR> C> C> DAT | |||||
| 15982 | 1972-11-17 | Century II Convention Hall | Wichita | KS | |
| Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy | |||||
| 9002 | 1972-11-18 | Hofheinz Pavilion | Houston | TX | |
| 2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus | |||||
| 9182 | 1972-11-18 | Hofheinz Pavilion | Houston | TX | |
| set 2 (listed as d2,d3); Owsley MC> ?> D> CD; via Mike Lai with thanks to Wayne Gucwa | |||||
| 123077 | 1972-11-18 | Hofheinz Pavilion | Houston | TX | |
| flac16; Set 2 Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 3910 | 1972-11-19 | Hofheinz Pavilion | Houston | TX | |
| SBD; sound adjustments during Bertha, minor digi-noise at the end of Jack Straw; Transferred and seeded to etree by Mike Lai, from Bruce Fried DAT | |||||
| 17705 | 1972-11-19 | Hofheinz Pavilion | Houston | TX | |
| Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions. | |||||
| 122783 | 1972-11-19 | Hofheinz Pavilion | Houston | TX | |
| flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation | |||||
| 122784 | 1972-11-19 | Hofheinz Pavilion | Houston | TX | |
| flac24; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation | |||||
| 123577 | 1972-11-19 | Hofheinz Pavilion | Houston | TX | |
| flac24; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122784 | |||||
| 123578 | 1972-11-19 | Hofheinz Pavilion | Houston | TX | |
| flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122783 | |||||
| 132969 | 1972-11-19 | Hofheinz Pavilion | Houston | TX | |
| flac16; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC | |||||
| 132970 | 1972-11-19 | Hofheinz Pavilion | Houston | TX | |
| flac24; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC | |||||
| 142329 | 1972-11-19 | Hofheinz Pavilion | Houston | TX | |
| flac16; Source: SBD > Master Reel > 1st Gen Reel > DAT (44.1k) - Provided by Tim Dalton; Lineage: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018; the original version of this source was missing s2t13 | |||||
| 4081 | 1972-11-22 | Austin Municipal Auditorium | Austin | TX | |
| sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min | |||||
| 115730 | 1972-11-22 | Austin Municipal Auditorium | Austin | TX | |
| flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 115765 | 1972-11-22 | Austin Municipal Auditorium | Austin | TX | |
| flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC. fix of shnid 115730 | |||||
| 141188 | 1972-11-22 | Austin Municipal Auditorium | Austin | TX | |
| flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 141189 | 1972-11-22 | Austin Municipal Auditorium | Austin | TX | |
| flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 | |||||
| 5288 | 1972-11-24 | Dallas Memorial Auditorium | Dallas | TX | |
| SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs | |||||
| 141266 | 1972-11-24 | Dallas Memorial Auditorium | Dallas | TX | |
| flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 141267 | 1972-11-24 | Dallas Memorial Auditorium | Dallas | TX | |
| flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 | |||||
| 9248 | 1972-11-26 | San Antonio Civic Auditorium | San Antonio | TX | |
| SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B. | |||||
| 123022 | 1972-11-26 | San Antonio Civic Auditorium | San Antonio | TX | |
| flac16; Unknown SBD version of Dark Star > Bobby McGee; this alternate version has no cut in Dark Star, but is slightly hissier than the previous version | |||||
| 127478 | 1972-11-26 | San Antonio Civic Auditorium | San Antonio | TX | |
| flac16; This is a restored version of SHNID 9248 combined with SHNID 123022 to produce the full show. It is not based on any new sources. Modifications by Dan McDonald (droncit@yahoo.com). | |||||
| 152827 | 1972-11-26 | San Antonio Civic Auditorium | San Antonio | TX | |
| flac16/44 a remaster of shn #9248 with short patches from shn #123022 by acetboy 2021-07-07 | |||||
| 158749 | 1972-11-26 | San Antonio Civic Auditorium | San Antonio | TX | |
| flac1644 SBD > Master Reel > Reel > PCM > DAT (44.1k) | |||||
| 5801 | 1972-12-10 | Winterland Arena | San Francisco | CA | |
| MSR > Cass x 3 > DAT > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Justin Cucci, Mark Perini | |||||
| 132778 | 1972-12-10 | Winterland Arena | San Francisco | CA | |
| flac16; Restored version of source ID 5801 (MSR > Cass x 3 > DAT > CDR > EAC > SHN) by Droncit; Diamond Cut 8.5 Forensics was used for equalization and virtual valve simulation, an enhancer and some slight noise reduction. | |||||
| 141755 | 1972-12-10 | Winterland Arena | San Francisco | CA | |
| flac16/48kHz; Partial Show Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) (16-bit/48k)> Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/48k)> Adobe Audition 3.0 > TLH flac1648 | |||||
| 121029 | 1972-12-11 | Winterland Arena | San Francisco | CA | |
| flac16; 2 source matrix: Soundboard (shnid=107885): Lineage: "7 MR @ 7 1/2 ips.>R@ 3 3/4 ips.(Kidd dub for Jerry)>R @ 3 3/4 ips(Will Boswell)>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering)>> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz Audience (shnid=108946): Analog Audience Source: Taped from balcony Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x TDK c 90's sd Analog Lineage: External Stereo Mic >> Sony TC-124 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Matrix by dusborne using Adobe Audition CS6 and Audacity 2.0 | |||||
| 100398 | 1972-12-11 | Winterland Arena | San Francisco | CA | |
| flac16; Source: SBD>MR>R>C>WAV>FLAC Patch Source: Unknown AUD>??>C>WAV>FLAC; C>FLAC Conversion by Cousinit | |||||
| 5251 | 1972-12-11 | Winterland Arena | San Francisco | CA | |
| SBD > MR > ?? > CDR; EAC > Cool Edit (remove some pops, see info file) > CD Wave (split tracks) > SHN (seekable) by Matt Vernon, from Paul B. seed discs; missing some songs; see info file for other flaw notes | |||||
| 107885 | 1972-12-11 | Winterland Arena | San Francisco | CA | |
| flac16; Lineage: 7" MR @ 7 1/2 ips.>R@ 3 3/4 ips.>R @ 3 3/4 ips>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering) >> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz; All transfers, edits and mastering done in the 24 bit realm Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV | Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8 | |||||
| 108946 | 1972-12-11 | Winterland Arena | San Francisco | CA | |
| flac16; Taped from balcony External Stereo Mic >> Sony TC-124 >> MAC; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke | |||||
| 153091 | 1972-12-11 | Winterland Arena | San Francisco | CA | |
| flac16/48 Primary Source Info: Master 7" Soundboard Reels @ 7 1/2 ips > Reel to Reel @ 3 3/4 ips (Kidd dub for Jerry) > Reel to Reel @ 3 3/4 ips(Will Boswell) Secondary Source Info: Master Soundboard Reels > Taper's Section Stream Transfer Info: 2nd generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2021 > TLH flac2496 | |||||
| 153092 | 1972-12-11 | Winterland Arena | San Francisco | CA | |
| flac24/96 Primary Source Info: Master 7" Soundboard Reels @ 7 1/2 ips > Reel to Reel @ 3 3/4 ips (Kidd dub for Jerry) > Reel to Reel @ 3 3/4 ips(Will Boswell) Secondary Source Info: Master Soundboard Reels > Taper's Section Stream Transfer Info: 2nd generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2021 > TLH flac2496 | |||||
| 32041 | 1972-12-12 | Winterland Arena | San Francisco | CA | |
| SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC Transfered and Edited By Charlie Miller | |||||
| 5802 | 1972-12-12 | Winterland Arena | San Francisco | CA | |
| partial; mixed source SBD, AUD: MR > ? > DAT > CDR > EAC > SHN; Aud: Mcass > DAT > ZA2 > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Mark Wienke, Mark Perini; to CDead vine | |||||
| 2329 | 1972-12-15 | Long Beach Arena | Long Beach | CA | |
| SBDmR> C> D> CDR; via Ben Yerys, M. Weinke; reportedly stemming from David Gans; includes possibly extraneous Box of Rain, JGB repeats in d3? | |||||
| 17186 | 1972-12-15 | Long Beach Arena | Long Beach | CA | |
| Lineage: S:MR>Cass>DAT>PCM>DAT>CD, w/ patches from S:MR>R>R>DAT copy. Remastered, transferred to CD, and encoded to SHN by David Hollister | |||||
| 136651 | 1972-12-15 | Long Beach Arena | Long Beach | CA | |
| flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT | |||||
| 1563 | 1972-12-31 | Winterland Arena | San Francisco | CA | |
| Pre-FM KSAN Reel > DAT > .SHN; to abgd; note out of order tracking | |||||
| 6340 | 1972-12-31 | Winterland Arena | San Francisco | CA | |
| cleaned up version of previous shn set, by Charles Weir; tracked in as-played order; sector boundaries corrected with shntool; d1,d3 now tracked for 80 min | |||||
| 26559 | 1972-12-31 | Winterland Arena | San Francisco | CA | |
| Bertha Remaster of the patched PreFM source, by Jay Ashley | |||||
| 20559 | 1972-12-31 | Winterland Arena | San Francisco | CA | |
| Main Source: Vault pre-FM reels > DAT Patch Source: pre-FM KSAN reel (/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol WAV > SHN editing, encoding & patching by Matt Vernon | |||||
| 137465 | 1972-12-31 | Winterland Arena | San Francisco | CA | |
| flac16; Recording of FM Broadcast on KSAN > ? > DAT provided and transferred by Stuccoholmes; Mastering & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm | |||||
| 141135 | 1972-12-31 | Winterland Arena | San Francisco | CA | |
| flac16/48kHz; Source Info: Vault Master Soundboard Reels > Dat (16/48k); Transfer Info: Dat (Sony PCM-R500) 16/48k > Tascam DA-3000 (16-bit/48k) > Adobe Audition 3.0 (16/48k)> TLH flac1648; the original source had errors in track 6 | |||||
| 152205 | 1972-??-?? | Alembic Studios | San Francisco | CA | |
| flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC | |||||