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Live Concert Database
Sources for Grateful Dead
SHNIDDateVenueCityStateArchive Identifier
1423251981-02-17Club FrontSan RafaelCA
flac24; Recording Info: Rough Mixes > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
1424871981-02-17Club FrontSan RafaelCA
flac16; Recording Info: Rough Mixes > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
283831981-02-26Uptown TheaterChicagoIL
flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell
45971981-02-26Uptown TheaterChicagoIL
SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes
203421981-02-26Uptown TheaterChicagoIL
Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon
1287501981-02-26Uptown TheaterChicagoIL
flac16; Recorded By Mason Taylor on a Sony D5 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak Cr7A
1403601981-02-26Uptown TheaterChicagoIL
flac16; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/44; Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
1492261981-02-26Uptown TheaterChicagoIL
flac24; Source: Sennheiser MD-421's > MAC > 1st-Gen cassettes via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020
283841981-02-27Uptown TheaterChicagoIL
flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell
45981981-02-27Uptown TheaterChicagoIL
SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; note encore missing
203441981-02-27Uptown TheaterChicagoIL
Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon
1275111981-02-27Uptown TheaterChicagoIL
flac24; Recorded 1st row balcony Sony TCD-5M> Beyer M-160; MAC>Sony TCKA3ES>USBPre-2
1287121981-02-27Uptown TheaterChicagoIL
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
1303861981-02-27Uptown TheaterChicagoIL
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ work > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
1397311981-02-27Uptown TheaterChicagoIL
flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 (patched out of Rip Thompkins)> Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1397321981-02-27Uptown TheaterChicagoIL
flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 (patched out of Rip Thompkins)> Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
283981981-02-28Uptown TheaterChicagoIL
flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell
46681981-02-28Uptown TheaterChicagoIL
SBD > Cassette Master > DAT(0) (Reel> DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; d1 tracked for 80 min
203451981-02-28Uptown TheaterChicagoIL
Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon
1287471981-02-28Uptown TheaterChicagoIL
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550 properly
1424121981-02-28Uptown TheaterChicagoIL
flac16; Recording Info: Master Soundboard Cassette > Dat (Panasonic SV-3700 16/48k) > CDR > Dat (Sony PCM R-700 16/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
1438441981-02-28Uptown TheaterChicagoIL
flac16/48kHz; 2nd Set: Source Info: Frank Streeter's Master Audience Cassette; Beyer M-160 mics > Sony D5 Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1438451981-02-28Uptown TheaterChicagoIL
flac24; 2nd Set: Source Info: Frank Streeter's Master Audience Cassette; Beyer M-160 mics > Sony D5 Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
1519131981-02-28Uptown TheaterChicagoIL
flac16/44 This is an updated version of shnid142412 using an alternate soundboard source for patching rather than an audience source Recording Info: Master Soundboard Cassette > Dat (Panasonic SV-3700 16/48k) > CDR > Dat (Sony PCM R-700 16/44.1k) Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > TLH flac16
1519141981-02-28Uptown TheaterChicagoIL
flac16/44 Source Info: Master Soundboard Cassette > ? > DAT (16/44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 (16/44.1k) > Adobe Audition 2020 > TLH flac16
1548971981-02-28Uptown TheaterChicagoIL
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 151913, 20345 (set 1) & 143844 (set 2).
838261981-03-02Cleveland Music HallClevelandOH
flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither
891191981-03-02Cleveland Music HallClevelandOH
flac16; Recording by Bob Wagner: MOTB Release: 0058 16/44.1 Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe
891291981-03-02Cleveland Music HallClevelandOH
flac24; Recording by Bob Wagner: Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe
904501981-03-02Cleveland Music HallClevelandOH
flac24/96; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller
901651981-03-02Cleveland Music HallClevelandOH
flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
95111981-03-02Cleveland Music HallClevelandOH
Recording by Bob Wagner: Nak 700's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation
1127481981-03-02Cleveland Music HallClevelandOH
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v1.5 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
1397331981-03-02Cleveland Music HallClevelandOH
flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM-700 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1397341981-03-02Cleveland Music HallClevelandOH
flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM-700 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
838281981-03-03Cleveland Music HallClevelandOH
flac16; Recording by Mason Taylor and Mark Radnor: NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither
39021981-03-03Cleveland Music HallClevelandOH
aud> mics?> cassette master> dat> cdr; via Mike Lai
904731981-03-03Cleveland Music HallClevelandOH
flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
91131981-03-03Cleveland Music HallClevelandOH
Recording by Mark Horvath: fob> Sennheiser 421s> master cassette> cdr; via Mark Horvath; Seeded to etree by Sean Cheadle; Note- New d2t05 now circ's; See 'user comments' for details
185791981-03-03Cleveland Music HallClevelandOH
Recording by Bob Wagner; Nak 700s>Sony TC-D5. AUDMC > SHN conversion by David Minches
1127771981-03-03Cleveland Music HallClevelandOH
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation
1239781981-03-03Cleveland Music HallClevelandOH
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Dats Supplied By Rob Eaton; Transferred By Digitalrbb; Mastered By Charlie Miller
1397351981-03-03Cleveland Music HallClevelandOH
flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M88 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1397361981-03-03Cleveland Music HallClevelandOH
flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M88 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1423261981-03-04Club FrontSan RafaelCA
flac24; Recording Info: Master Production Disc > Cassette Master (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
1423301981-03-04Club FrontSan RafaelCA
flac24; Lineage: The tape was labelled "2nd generation off master", taken to mean MSR or MSC > Cass1 > Cass2; Transfer: Maxell UD-XLI > Nakamichi DR-8 (Dobly Off) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC1644
1424851981-03-04Club FrontSan RafaelCA
flac16; Recording Info: Master Production Disc > Cassette Master (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
834941981-03-05Stanley TheaterPittsburghPA
flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer by: Adam Gross - Cassette Master > HHB Porta-a-DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 (note: this was originally seeded with the files named incorrectly. The info file below reflects the corrected file names and a renamed md5 file has been included.)
140241981-03-05Stanley TheaterPittsburghPA
Set 2 soundboard, minus encore, last song cut; See info file for details; S : MC > C > D > CD > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.
39201981-03-05Stanley TheaterPittsburghPA
Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds
1283001981-03-05Stanley TheaterPittsburghPA
flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s > Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding
1283781981-03-05Stanley TheaterPittsburghPA
flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s > Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding 16/44.1 version
1297561981-03-05Stanley TheaterPittsburghPA
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550
1395061981-03-05Stanley TheaterPittsburghPA
flac16; AUD: Unknown taper & gear > Low-gen tapes, kindly provided from the collection of Craig L. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017
1397391981-03-05Stanley TheaterPittsburghPA
flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1397401981-03-05Stanley TheaterPittsburghPA
flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1525961981-03-05Stanley TheaterPittsburghPA
flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
1525971981-03-05Stanley TheaterPittsburghPA
flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
1660981981-03-05Stanley TheaterPittsburghPA
flac2448; 2nd Set; Source: SBD > ? > Cassette via Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
1686321981-03-05Stanley TheaterPittsburghPA
Recording Info: SBD > Cassette Master > Cassette > DAT > CD > SHN
Transfer Info: SHN > dBpoweramp (WAV) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/16
838271981-03-06Stanley TheaterPittsburghPA
flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither
140191981-03-06Stanley TheaterPittsburghPA
Set 2 soundboard, minus encore; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.
39211981-03-06Stanley TheaterPittsburghPA
Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds
1285791981-03-06Stanley TheaterPittsburghPA
flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
1286641981-03-06Stanley TheaterPittsburghPA
flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]); Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding (24/96 version)
1295521981-03-06Stanley TheaterPittsburghPA
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; mics spread 15' on lip of lower balcony onto Maxell Metal tapes
1397411981-03-06Stanley TheaterPittsburghPA
flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1397421981-03-06Stanley TheaterPittsburghPA
flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1660991981-03-06Stanley TheaterPittsburghPA
flac2448; 2nd Set; Source: SBD > ? > Cassette via Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
1686331981-03-06Stanley TheaterPittsburghPA
Recording Info: SBD > Cassette Master > Cassette > DAT > CD > SHN
Transfer Info: SHN > dBpoweramp (WAV) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/16
823701981-03-07Cole Field House, University Of MarylandCollege ParkMD
flac16; Recording by Barry Glassberg; MOTB-0008 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
823711981-03-07Cole Field House, University Of MarylandCollege ParkMD
flac24/96; Recording by Barry Glassberg: MOTB-0008: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
229331981-03-07Cole Field House, University Of MarylandCollege ParkMD
Recording by Jim Wise: Senn 421 mics, > SonyD5> MC> CD> ?> EAC> SHN
69611981-03-07Cole Field House, University Of MarylandCollege ParkMD
FOB> Nak 700 mics> Sony TCD5M> MC> Sony D8> DAT@48k> ZA2> @44.1khz> SF & CD Architect4.5> CD; EAC/SHN by Willy, from Scott Shindell seed discs; missing Passenger, cut in LLR; tracked for 2x80
1287551981-03-07Cole Field House, University Of MarylandCollege ParkMD
flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Location: set up at the SBD; Transfer and FLAC encoding by David Minches; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
1288121981-03-07Cole Field House, University Of MarylandCollege ParkMD
flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: May 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding 24/96 source
742201981-03-09Madison Square GardenNew YorkNY
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
950601981-03-09Madison Square GardenNew YorkNY
flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Steve Rolfe; All Transfers and Mastering By Charlie Miller
951791981-03-09Madison Square GardenNew YorkNY
flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
823721981-03-09Madison Square GardenNew YorkNY
flac16; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
823731981-03-09Madison Square GardenNew YorkNY
flac24/96; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
1011591981-03-09Madison Square GardenNew YorkNY
flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24)
1011681981-03-09Madison Square GardenNew YorkNY
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC16)
3281981-03-09Madison Square GardenNew YorkNY
Recording by Barry Glassberg: FOB Nak700> SonyTCD5M> Sony TCD-D8> HHB800> "Sonic Super Charge" (Jim Wise)> CDRs (Mastered by Jim Wise)> EAC> SHN; via DNC Permatree, D. Sacks; upgrade in circulation
49531981-03-09Madison Square GardenNew YorkNY
Sources: Master Soundboard Cassette > Cassette > DAT > CDR; Jim Wise's Master Audience Cassette; Nakamichi CM700 mics >Sony TC-D5 supplies the tuning and first few notes of "Deep Elem Blues" (d1t06), approximately 0:38. ; upgrade in circulation
74731981-03-09Madison Square GardenNew YorkNY
Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; upgrade in circulation
1302331981-03-09Madison Square GardenNew YorkNY
flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Location @ Soundboard; Transfer and FLAC encoding by David Minches: June 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]); Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
917641981-03-10Madison Square GardenNew YorkNY
flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
952751981-03-10Madison Square GardenNew YorkNY
flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
952761981-03-10Madison Square GardenNew YorkNY
flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
823741981-03-10Madison Square GardenNew YorkNY
flac16; Recording by Barry Glassberg: MOTB-0010 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
823751981-03-10Madison Square GardenNew YorkNY
flac24/96; Recording by Barry Glassberg: MOTB-0010: Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
76301981-03-10Madison Square GardenNew YorkNY
Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; ; upgrade in circulation
1155981981-03-10Madison Square GardenNew YorkNY
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
1315631981-03-10Madison Square GardenNew YorkNY
flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: September 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
1315641981-03-10Madison Square GardenNew YorkNY
flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: September 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
1317011981-03-10Madison Square GardenNew YorkNY
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
1526361981-03-10Madison Square GardenNew YorkNY
flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
1526371981-03-10Madison Square GardenNew YorkNY
flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
1575201981-03-10Madison Square GardenNew YorkNY
flac2448; Source: AUD of unknown lineage > Lo-gen cassette via Richie & Rip. Transfer: SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 08/2022
952431981-03-12Boston GardenBostonMA
flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
952591981-03-12Boston GardenBostonMA
flac24; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
1524421981-03-12Boston GardenBostonMA
flac1644 Recording Information: Microphones:Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90's Location: lower balcony behind drums This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
75841981-03-12Boston GardenBostonMA
Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette; 16th Row ; A>D by Noah Weiner; d1 tracked for 80 min; passes shntool check
33071981-03-12Boston GardenBostonMA
taped in "upper left", Sony ECM 280 > Sony TC-D5 > CD > EAC (see info) > SHN v3; via Mike Murray, Chris L.
1020251981-03-12Boston GardenBostonMA
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA except d3t1-t6: Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Floor Section BB, Row 45, Seat 2 by Bob Morris
1098721981-03-12Boston GardenBostonMA
flac16; AUD: 3x Nakamichi CM300/CP4's shotguns > Nakamichi 550 > Maxell XLII-S 90's, set up center balcony facing stage, section 102. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010
1398311981-03-12Boston GardenBostonMA
flac24; Source: (FOB) AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017
1452101981-03-12Boston GardenBostonMA
flac16; Source: (FOB) AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017; This file set is 16 bit @ 44.1
1524431981-03-12Boston GardenBostonMA
flac2448 Recording Information: Microphones:Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90's Location: lower balcony behind drums This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
333361981-03-13Utica Memorial AuditoriumUticaNY
flac16; Second Set Only; Source: Mono Soundboard of unknown lineage Transfer: Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, checksums, and FLAC compression)
904551981-03-13Utica Memorial AuditoriumUticaNY
flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
813921981-03-13Utica Memorial AuditoriumUticaNY
flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Sony TC-158 (Fuji FX-I 90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
991041981-03-13Utica Memorial AuditoriumUticaNY
flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
41671981-03-13Utica Memorial AuditoriumUticaNY
Recording by Jim Wise: Sennheiser 421>D5 , set up at SBD; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC> Soundforge > CD WAV > SHNv3 w/seek; A>D>CD Conversion by Jim Wise; CD>SHN by Jamie Lutch, 5/2001; QC courtesy dankseeds; see info file for flaws etc
1126591981-03-13Utica Memorial AuditoriumUticaNY
flac16; Partial Set 1, Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller; Upgrade in circulation
1131011981-03-13Utica Memorial AuditoriumUticaNY
flac16; Partial Set 1, Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller; Upgrade of Shn ID 112659
1326201981-03-13Utica Memorial AuditoriumUticaNY
flac16/48kHz; Cassette Audience Master recorded by Jim Wise; Sennheiser MD 421 mic's mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversion(r8brain) by Jim Wise
1326211981-03-13Utica Memorial AuditoriumUticaNY
flac24; Cassette Audience Master recorded by Jim Wise; Sennheiser MD 421 mic's mounted on a stand- Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name) Jim Wise
1400101981-03-13Utica Memorial AuditoriumUticaNY
flac24; Source: AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017
1478521981-03-13Utica Memorial AuditoriumUticaNY
flac24; Recording Info:Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (with bass EQ)> Sony D5M (dolby B)(Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1478511981-03-13Utica Memorial AuditoriumUticaNY
flac16/48kHz; Recording Info:Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (with bass EQ)> Sony D5M (dolby B)(Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
848261981-03-14Hartford Civic CenterHartfordCT
flac16; Recording by Barry Glassberg: MOTB-0029 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
952871981-03-14Hartford Civic CenterHartfordCT
flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
952881981-03-14Hartford Civic CenterHartfordCT
flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
813401981-03-14Hartford Civic CenterHartfordCT
flac16; Recorded by Bob Wagner Master Audience Cassette; 2 Nak 700s> Sony D5M (Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Patches supplied by A:C:D:CD recorded with Sennheiser 421s
72171981-03-14Hartford Civic CenterHartfordCT
Aud (?)-> CD-> EAC-> SHN; via Andy Hayum;Admin note:This is the Glassberg recording as noted in comments by C. Ladner. upgrade now in circulation.
1099891981-03-14Hartford Civic CenterHartfordCT
flac16; AUD: 3x Nakamichi CM300/CP4's shotguns > Nakamichi 550 > Maxell XLII-S 90's, set up in arena riser "all the way back" center, facing the stage. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010
1127201981-03-14Hartford Civic CenterHartfordCT
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:at (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller
1327571981-03-14Hartford Civic CenterHartfordCT
flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder-Location:Soundboard; Analog to Digital:Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]Transfer: David Minches:Oct 2014; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
1397961981-03-14Hartford Civic CenterHartfordCT
flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1397971981-03-14Hartford Civic CenterHartfordCT
flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1524441981-03-14Hartford Civic CenterHartfordCT
flac16/44 Recording Information: Microphones: Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90 no nr Location: behind drums > This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
1524451981-03-14Hartford Civic CenterHartfordCT
flac24/48 Recording Information: Microphones: Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90 no nr Location: behind drums > This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
1529011981-03-14Hartford Civic CenterHartfordCT
flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
1529021981-03-14Hartford Civic CenterHartfordCT
flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
1576781981-03-14Hartford Civic CenterHartfordCT
flac2496 Recording Info: (FOB/8th Row) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXL-IIS) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
1579261981-03-14Hartford Civic CenterHartfordCT
flac1644; Recording Info: (FOB/8th Row) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXL-IIS) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 157678 2469 > 1644
321421981-03-20Rainbow TheatreLondonEngland
AUD > MC > C > SB!Live > CD > EAC > WaveLab > CDWave > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, dolby B, Nakamishi DR1 Different mics position in set 2. via Bernd Weiskircher
91981981-03-20Rainbow TheatreLondonEngland
MAC > C > C > D > CD; via Jack Warner; seeded to etree by Matt Vernon
1049281981-03-20Rainbow TheatreLondonEngland
flac16; master soundboard cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE Seeded on The Winter Solstice 2009 (Note: The original 12-21-2009 version of this source had flaws and should not be circulated.)
1049381981-03-20Rainbow TheatreLondonEngland
flac24; soundboard master cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station MetaData with Tag and Rename TLH for FLAC Level 8
1134331981-03-20Rainbow TheatreLondonEngland
flac16: Soundcheck Source: AUD cassette (Unknown equipment & lineage). Tape kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged, May 2011.
1397431981-03-20Rainbow TheatreLondonEngland
flac16; Source Info: 1st Set: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 > Sony TC-D5M (TDK MA90); 2nd Set: Master FOB Audience Cassette; AKG 224> Sony TC-D5M > 1 cassette gen (Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1397441981-03-20Rainbow TheatreLondonEngland
flac24; Source Info: 1st Set: Frank Streeter's Master FOB Audience assette; Sennheiser 421 > Sony TC-D5M (TDK MA90); 2nd Set: Master FOB Audience Cassette; AKG 224> Sony TC-D5M > 1 cassette gen (Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1546841981-03-20Rainbow TheatreLondonEngland
FLAC2496 Recording Info: UDXL1 SBD cassettes from Bear via Jamie Waddell
Transfer Info: Nakamichi CR-7A (March 2021 transfer) > Tascam DA-3000 > Samplitude Pro X5 > Flac24

Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain
Track, FLAC, and pack by Steve Gravel
1546851981-03-20Rainbow TheatreLondonEngland
FLAC1648 Recording Info: UDXL1 SBD cassettes from Bear via Jamie Waddell
Transfer Info: Nakamichi CR-7A (March 2021 transfer) > Tascam DA-3000 > Samplitude Pro X5 > Flac24

Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain
Track, FLAC, and pack by Steve Gravel
858551981-03-21Rainbow TheatreLondonEngland
flac16; Set II Matrix Sources: 1) Master Soundboard Cassette > Cassette > CDR 2) AUD > MC > DAT > CDR > EAC > CDWAV > SHN Frank Streeter's Master Audience Cassette
35941981-03-21Rainbow TheatreLondonEngland
Senn 421's> Sony TC-D5 positioned at SBD> MC> DAT> CDR> EAC> CDWAV (retrack)> SHN (W/seek tables appended); Frank Streeter recording; A>D by Rich Gastwirt; D>CD Sony R-700> HHB CDR 800 by Jim Wise; EAC/SHN by Charles Hogan; d2 tracked for 80 min
66661981-03-21Rainbow TheatreLondonEngland
Master Soundboard Cassette > Cassette > CDR, with AUD Senn 421 patches (see info file); CD Mastering, Patching, EAC, SHN by Scott Clugston; tracked for 2x80; to abgd
321431981-03-21Rainbow TheatreLondonEngland
AUD > MC > C > Nakamishi DR1 > SB!Live > WaveLab > CDWave > SHN MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T C/1: TDK SA-C90, Maxell XL II, dolby B via Bernd Weiskircher
66841981-03-21Rainbow TheatreLondonEngland
SBD:MC> Cass> CD, with AUD Senn 421 patches (see info file); tracked for 2x80
1067781981-03-21Rainbow TheatreLondonEngland
flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1147101981-03-21Rainbow TheatreLondonEngland
flac16; SBD/AUD - Matrix SBD:MC > C > CD (speed corrected) & AUD:MC > C/1 > SB!Live > WaveLab > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, Maxell XL II, dolby B, Nakamishi DR1 minor denoising and equalising (WaveLab) Frank Streeter's Sennheiser 421 mic > Sony D5 Audience source supplies the Intro as well as a patch in Drums
1397981981-03-21Rainbow TheatreLondonEngland
flac16; Source Info: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1397991981-03-21Rainbow TheatreLondonEngland
flac24; Source Info: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
812751981-03-23Rainbow TheatreLondonEngland
flac16; Recording by B.Koucky. Source: Condenser mics, portable JVC Boombox, 20 ft from stage left, hand held on a riser 6ft off floor > Maxell UDXL-Is Transfer: MAC playback on Nakamichi DR-2, no NR > Presonus Firebox > firewire > PC, XP-Pro > recorded as 24 bit/96 KHz PCM WAV, Wavelab 5 > Waves X-Noise and L3 Multimaximizer @ 24 bit > UVHR-22 (dither to 16/44.1) > CDWAV 1.9 > WAV > FLAC
321451981-03-23Rainbow TheatreLondonEngland
AUD > MC > C > Nakamishi DR1 > SB!Live > WaveLab > CDWave > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, dolby B via Bernd Weiskircher
66851981-03-23Rainbow TheatreLondonEngland
AUD> MC> DAT> CD
1398421981-03-23Rainbow TheatreLondonEngland
flac16; Source Info: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1398431981-03-23Rainbow TheatreLondonEngland
flac24; Source Info: Frank Streeter's Master Audience Cassette(at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
103081981-03-24Rainbow TheatreLondonEngland
AUD > MC > C > SB!Live > CD > EAC > WaveLab > shn MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T C/1: Maxell XL II C90, dolby B, Nakamishi DR1; Seeded to etree by Bernd Weiskircher
105321981-03-24Rainbow TheatreLondonEngland
Recording by Frank Streeter: Senn 421's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Alan Schlissel
1398441981-03-24Rainbow TheatreLondonEngland
flac16; Source Info: 1st Set: Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M > 1 cassette gen (Maxell UDXLII); 2nd Set: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: 1st Set: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; 2nd Set: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
1398451981-03-24Rainbow TheatreLondonEngland
flac24; Source Info: 1st Set: Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M > 1 cassette gen (Maxell UDXLII); 2nd Set: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: 1st Set: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; 2nd Set: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
859581981-03-28GrugahalleEssenGermany
flac16; FM (live broadcast) > Revox A76 Tuner > Revox A77 (1/2 track, 3 1/2 ips, TDK LX 35) March 2007: TDK LX 35 > Revox A77 > Audiophile 2496 > WaveLab > CDWave > Flac frontend
228021981-03-28GrugahalleEssenGermany
flac16; SBE fixed and FLAC'd version of Stereo Soundboard Reel Master by deep_elem@despammed.com.
13431981-03-28GrugahalleEssenGermany
updated lineage: copy of bootleg CD "Trippin Around", not SBRD> Pre-FM> DAT> CD-R> EAC> SHN ("unconfirmed"); to abgd by Jeremy Duncan; 3/01 note- upgrade now in circulation
33061981-03-28GrugahalleEssenGermany
stereo FM -> reel master -> DAT -> CDWAV -> SoundForge -> CDR, with other FM patches; via Hanno Bunjes et al; see info file for detailed notes; Hanno's notes
164341981-03-28GrugahalleEssenGermany
partial set 2 (post Drums); Master time-coded pre-broadcast tapes> first-gen Hi-Fi VHS> WAV> SHN; via Sean Cribbs
1369771981-03-28GrugahalleEssenGermany
flac24; Recording Lineage: FM broadcast -> Master Reel on Revox B77; Playback Lineage: Master Reel on same Revox B77 -> Alesis Masterlink ML9600 @ 24/88 -> AIFF -> Foobar2000 to FLAC
1403231981-03-28GrugahalleEssenGermany
flac16/48kHz; Recording Info: Master FM Cassette > Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0> TLH flac1648
1576031981-04-25Berkeley Community TheaterBerkeleyCA
flac2496 Recording Info: TDK MA90 cassette from Bear via Jamie Waddell
Transfer Info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X5 > Flac24

Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and mastered by Jim Blackwood
Speed/pitch adjustment by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
1576041981-04-25Berkeley Community TheaterBerkeleyCA
flac1648 Recording Info: TDK MA90 cassette from Bear via Jamie Waddell
Transfer Info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X5 > Flac24

Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and mastered by Jim Blackwood
Speed/pitch adjustment by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
917281981-04-30Greensboro ColiseumGreensboroNC
flac16; Recording Info:SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
50571981-04-30Greensboro ColiseumGreensboroNC
Recording by Jim Wise: mixed-source AUD: set 1, Beyer M160's > Sony D5 @ SBD; set 2: NAK 700's > Sony D5 12th row center; Master cass> DAT> CD> EAC> (Tracked in)CoolWave> SHN> CD; EAC> tracking> shn by Seth Kaplan; etreed by Steve Bertoni; see info file for flaw notes
1345441981-04-30Greensboro ColiseumGreensboroNC
flac24; Cassette Audience Master recorded By Jim Wise; Set 1 Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Set 2 Nakamichi 700's -Sony TC D-5; Location @ 12 row center stage; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC ; encoding (dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing Jim Wise
1397581981-04-30Greensboro ColiseumGreensboroNC
flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
1397591981-04-30Greensboro ColiseumGreensboroNC
flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
1478541981-04-30Greensboro ColiseumGreensboroNC
flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (12th row)> Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1478531981-04-30Greensboro ColiseumGreensboroNC
flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (12th row)> Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1581951981-04-30Greensboro ColiseumGreensboroNC
flac2448; AUD Source: Unknown mics & deck > Sony-FeCr & Maxell-XLII, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2022
290871981-05-01Hampton ColiseumHamptonVA
flac16; SBD > MC > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
924161981-05-01Hampton ColiseumHamptonVA
flac24; 2 x Nakamichi CM-700 => Sony TCD5-M >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner Transfer By: Adam Egert Mastering By: Derek McCabe MOTB 0074 24bit
924151981-05-01Hampton ColiseumHamptonVA
flac16; CM-700 => Sony TCD5-M >> Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taper Bob Wagner, Transfer: aegert, Edit: dmccabe MOTB.0074
992331981-05-01Hampton ColiseumHamptonVA
flac16; Recording Info: (FOB) Sennheiser 421 -> Sony TC D-5 Transfer Info: Cassette Master(Dolby B) Maxell XL Type 2 -> Playback On Nackamichi Dragon -> Sony PCM R700 DAT -> Hard Drive (via Zefiro ZA-2 & Sound Forge 4.0) -> CD (via HHB CDR-800 PRO) ->FLAC recorded by Jim Wise; upgrade to the previous Jim Wise source
22181981-05-01Hampton ColiseumHamptonVA
Recording by Jim Wise: Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR; via Scott Clugston; upgrade in circulation
1074371981-05-01Hampton ColiseumHamptonVA
flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of shnid 29087
1077491981-05-01Hampton ColiseumHamptonVA
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
1350691981-05-01Hampton ColiseumHamptonVA
flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: FOB DFC; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches
1363861981-05-01Hampton ColiseumHamptonVA
flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII-S 90's, Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2016
1363871981-05-01Hampton ColiseumHamptonVA
flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII-S 90's, Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2016
1397741981-05-01Hampton ColiseumHamptonVA
flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
1397751981-05-01Hampton ColiseumHamptonVA
flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
1428451981-05-01Hampton ColiseumHamptonVA
flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
1428461981-05-01Hampton ColiseumHamptonVA
flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1478561981-05-01Hampton ColiseumHamptonVA
flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1478551981-05-01Hampton ColiseumHamptonVA
flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1529031981-05-01Hampton ColiseumHamptonVA
flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
1529041981-05-01Hampton ColiseumHamptonVA
flac24/96 Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
1582971981-05-01Hampton ColiseumHamptonVA
flac2448; AUD Source: Unknown mics & deck > Sony-FeCr 90's, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2022
1637401981-05-01Hampton ColiseumHamptonVA
flac1648 Source Info: Master Soundboard Cassettes > Cassettes > DAT (16-bit/48kHz) Transfer Info: DAT (Sony PCM-R500)(16-bit/48kHz) > Tascam DA-3000 > .wav 16/48 > Adobe Audition 2023 > TLH flac1648
301521981-05-02The SpectrumPhiladelphiaPA
flac16; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller
283041981-05-02The SpectrumPhiladelphiaPA
flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Transferred: CD> FLAC by Alex Ford
159811981-05-02The SpectrumPhiladelphiaPA
AUD : MC (FOB Senn 421s > Sony TC-D5M by Jim Wise) > DAT > CD > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net); Thanks to Charlie Miller for the seeds
223101981-05-02The SpectrumPhiladelphiaPA
Main Lineage: Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN.
Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN. Patch and patchwork provided by Charlie Miller. Soundboard seed and transfer by Joe Samaritano
74631981-05-02The SpectrumPhiladelphiaPA
Recording by Jim Wise. (FOB) Senn 421> Cm> Dat> CD; via Craig Reimer; Seeded to etree by Willy ; upgrade in circulation.
1347591981-05-02The SpectrumPhiladelphiaPA
flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing by Jim Wise
1355591981-05-02The SpectrumPhiladelphiaPA
flac16; 2 source matrix by Dusborne; Soundboard (shnid:30152) Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat; Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC,Transferred By Joe Samaritano,Patched and Edited By Charlie Miller; Audience (shnid:134759)Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder, Location: Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96],Recording,Editing & Processing by Jim Wise,Transfer by David Minches
1428471981-05-02The SpectrumPhiladelphiaPA
flac24; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
1428481981-05-02The SpectrumPhiladelphiaPA
flac16/48kHz; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
904541981-05-04The SpectrumPhiladelphiaPA
flac16; 1st Gen (FOB) 2 x Nakamichi 700 [on a stand] > Sony D5 > MAC > TDK MA90 (Set I) and Maxell XLII 90 (Set II). Taper: Nick Milner. 1st gen audience cassettes graciously provided by Mark McCue. Transferred and mastered by Alex Ford February 2008.
22501981-05-04The SpectrumPhiladelphiaPA
Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM300 mics > Sony D5 source; via Scott Clugston; see info file for notes
301121981-05-04The SpectrumPhiladelphiaPA
Recording by Ohr Weinberg. Master Audience Cassette : 2 Sony ECM-23F microphones > Nakamichi 550 Cassette Deck (Maxell XLII-S 90 Cassettes), Dolby B. Transfer: Master Cassette > Nakamichi Dragon > HHB CDR-830 Plus (by Ohr)> EAC > Sound Forge 5.0 (spliced tape flip during drums, fades, and cleanup) > CD Wave 1.71 > WAV > SHN (by Anne Cohen) 5/2005.
1347921981-05-04The SpectrumPhiladelphiaPA
flac24; Cassette Audience Master recorded By Jim Wise Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)
1355601981-05-04The SpectrumPhiladelphiaPA
flac16; 2 source matrix by Dusborne; Soundboard (shnid:2250), Master Soundboard Cassette > Cassette > DAT > CDR, CD Mastering by Scott Clugston; Audience (shnid:134792),Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder,Location:Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Recording,Editing and Mastering by Jim Wise, Transfer by David Minches
1414841981-05-04The SpectrumPhiladelphiaPA
flac16; Source Info: Master Soundboard Cassette > Cassette (Latvala)> Dat 16/44.1(Latvala); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000(.wav 16/44.1) > Adobe Audition 3.0 > TLH flac16
1428491981-05-04The SpectrumPhiladelphiaPA
flac24; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
1428501981-05-04The SpectrumPhiladelphiaPA
flac16/48kHz; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1514581981-05-04The SpectrumPhiladelphiaPA
flac16/48khz Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
1514591981-05-04The SpectrumPhiladelphiaPA
flac24/96khz Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
1521951981-05-04The SpectrumPhiladelphiaPA
flac16/48 Source Info: Jim Vita's Master (FOB) Audience Cassettes (12th row, center); Nakamichi DM500 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1521961981-05-04The SpectrumPhiladelphiaPA
flac24/96 Source Info: Jim Vita's Master (FOB) Audience Cassettes (12th row, center); Nakamichi DM500 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
283561981-05-05Glens Falls Civic CenterGlens FallsNY
flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred by Doug Mow; CDR> flac by Alex Ford
85951981-05-05Glens Falls Civic CenterGlens FallsNY
Recording by Jim Wise. Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston
1020231981-05-05Glens Falls Civic CenterGlens FallsNY
flac16; (FOB) Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB from floor Section 105, Row H, Seat 10 by Bob Morris
1258671981-05-05Glens Falls Civic CenterGlens FallsNY
flac16; Set 2 Source: Unknown AUD, lo-gen tape kindly provided by Ted Gidley. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013
1349511981-05-05Glens Falls Civic CenterGlens FallsNY
flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing by Jim Wise
1352541981-05-05Glens Falls Civic CenterGlens FallsNY
flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
1352551981-05-05Glens Falls Civic CenterGlens FallsNY
flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
1430431981-05-05Glens Falls Civic CenterGlens FallsNY
flac24; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
1430441981-05-05Glens Falls Civic CenterGlens FallsNY
flac16/48kHz; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1506171981-05-05Glens Falls Civic CenterGlens FallsNY
flac24; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; Recorded by Bob Wagner
1506591981-05-05Glens Falls Civic CenterGlens FallsNY
flac16; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; Recorded by Bob Wagner, This file set is 16 bit @ 44.1
1524461981-05-05Glens Falls Civic CenterGlens FallsNY
flac16/44 Recording Information: Microphones: Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
1524471981-05-05Glens Falls Civic CenterGlens FallsNY
flac24/48 Recording Information: Microphones: Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
823681981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Recording by Jim Wise. Sennheiser 421's > Sony TC-D5, set up near the soundboard. Taped and transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F
103791981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
Recording by Barry Glassberg. Nak 700's > Sony TC-D5M > MC > DAT > CD; via Jay Jurina; Seeded to etree by Matt Vernon; Note- This show is available as Dick's Picks 13 ; upgrade in circulation
176971981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon; Note- - this version supercedes a previous shn set from this same source
1367351981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
1367361981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
1397851981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Set 2 Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
1397861981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
flac24; Set 2 Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
1409021981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496; 24 bit > 16 bit via dBpoweramp
1409031981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
flac24; Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496
1447001981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1447011981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
1504301981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
flac24; AUD: Unknown mics & lead deck > Sony TC-D5 > Maxell XLII-S 90's. Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2020
1529491981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
1529501981-05-06Nassau Veterans Memorial ColiseumUniondaleNY
flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
1479031981-05-07Tommorow With Tom Snyder, NBC StudiosNew YorkNY
flac16/44.1khz Source: Cable Broadcast > VHS(M) > standalone DVD recorder > DVD(0) Lineage: DVD(0) > TMPGEnc [demux] > DVD Architect [chapters/author] > DVD Audio Specs: PCM 1.54Mbps Audio only, ffmpeg extraction from DVD (gd1981-05-07.tomsnyder.dvdf) down-sampled from 16-48 to 16-44.1 using ffmpeg sector boundary errors fixed using shntool
1394121981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Set 2 AUD: Unknown mics & lead decks > Sony TC-D5 > Maxell XLIIS-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged; Transferred by Andrew F. 09/2017
920021981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%)
957641981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Recording Info: SBD -> Master Cassette -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC; All Transfers and Mastering By Charlie Miller
283001981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
SBD> Master Cassette> Dat (44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source; Transferred and Patched By Charlie Miller
79121981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
Recording by Jim Wise: FOB Senn 421's> Sony D5> MC> DAT> CDR; via Mark Linden; Seeded to etree by Willy
176981981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon
1365371981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac24; Cassette Audience Master: Recorded By Jeff Hellman (lead deck) > Eddie Claridge (2nd deck) > Jim Wise (3rd deck); Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorders; Location: Soundboard Stand permitted by Dan Healy; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-FLAC encoding (dBpoweramp); Tagging (Tag & Re-name)
1367591981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
1367601981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
1394131981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac24; Set 2 AUD: Unknown mics & lead decks > Sony TC-D5 > Maxell XLIIS-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged; Transferred by Andrew F. 09/2017
1397871981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
1397881981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
1489451981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
1489441981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1529711981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
1529721981-05-08Nassau Veterans Memorial ColiseumUniondaleNY
flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
1530071981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
339301981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller
328831981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
flac16;Recording By Rob Eaton. Recording Info: (FOB) Sennheiser 421 + PZM -> Cassette Master (Nak 500) -> Dat (48k). Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC. All Transfers and Mastering By Charlie Miller
922461981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
flac16; MATRIX MIX: 1 SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 10, 2008
100311981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
Recording by Jim Wise. AUD> MC> DAT> CD; Missing encore; via Paul B; Seeded to etree by Willy
176991981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon
1188781981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Matrix of SBD (shnid=33930) and AUDs (shnid=17699 & 32883) by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging). This is a pitch corrected version of shnid=92246.
1373661981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
flac24; Sennheiser MD421 Dynamic Cardioid Microphones > TC D5 Cassette Recorders> Jim Wise's Cassette Audience Master; Location: Soundboard Stand permitted by Dan Healy; Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 > DSF 1-bit 5.6448 MHz Stereo > Korg AudioGate > WAV 24/96; Lineage: Wav 24/96 > Adobe Audition 3.0.1 > > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; Transferred by David Minches; Edited and mastered SIRMick
1373701981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
flac16; Sennheiser MD421 Dynamic Cardioid Microphones > TC D5 Cassette Recorders> Jim Wise's Cassette Audience Master; Location: Soundboard Stand permittted by Dan Healy; Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 > DSF 1-bit 5.6448 MHz Stereo > Korg AudioGate > WAV 24/96; Lineage: Wav 24/96 > Adobe Audition 3.0.1 > > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > WAv 16/44.1 > CD Wave > TLH > Flac16; Transferred by David Minches; Edited and mastered SIRMick
1396651981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger 10/2017
1396641981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger 10/2017
1489481981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
1489471981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1530081981-05-09Nassau Veterans Memorial ColiseumUniondaleNY
flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
306461981-05-11Veterans Memorial ColiseumNew HavenCT
flac16; SBD -> Master Cassette -> Reel -> Dat; Transferred and Edited By Charlie Miller (A version with a SBD version of To Lay Me Down (d2t04) sourced from .mp3 circulates.)
283551981-05-11Veterans Memorial ColiseumNew HavenCT
flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Taped and transferred by Doug Mow; CDR> FLAC by Alex Ford
41421981-05-11Veterans Memorial ColiseumNew HavenCT
FOB Healy authorized master audience cassette > 48k dats > delta dio 2496 > cooledit2000 > wav > shn; circulating via trades?; note d1 tracked for 80 min
1020851981-05-11Veterans Memorial ColiseumNew HavenCT
flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 10/09
1020861981-05-11Veterans Memorial ColiseumNew HavenCT
flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 10/09
1072521981-05-11Veterans Memorial ColiseumNew HavenCT
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
1189591981-05-11Veterans Memorial ColiseumNew HavenCT
flac16; source: (2) nakamichi 300> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit 44.1kHz> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit 44.1kHz; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
1367461981-05-11Veterans Memorial ColiseumNew HavenCT
flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind the stage speakers; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
1367471981-05-11Veterans Memorial ColiseumNew HavenCT
flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind the stage speakers; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
1398811981-05-11Veterans Memorial ColiseumNew HavenCT
flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
1398821981-05-11Veterans Memorial ColiseumNew HavenCT
flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
1491961981-05-11Veterans Memorial ColiseumNew HavenCT
flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1491971981-05-11Veterans Memorial ColiseumNew HavenCT
flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
1019241981-05-12Veterans Memorial ColiseumNew HavenCT
flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F. 10/2009
1396741981-05-12Veterans Memorial ColiseumNew HavenCT
flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind stage; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
990451981-05-12Veterans Memorial ColiseumNew HavenCT
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
990071981-05-12Veterans Memorial ColiseumNew HavenCT
flac16; Set 1 Source: Senn 421>?>Cassette, Set 2 Source: Senn 421>Cassette Master Lineage: AUD>MC>DAT>CD>EAC>WAV>FLAC Encoding Post DAE Editing: 1st Set was somewhat too speedy and needed to be reprocessed. 1st set was speed corrected by 2.2 percent with Audacity.
16641981-05-12Veterans Memorial ColiseumNew HavenCT
SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M.
52411981-05-12Veterans Memorial ColiseumNew HavenCT
essentially same as previous shn set, but with redundant, split China-Rider tacked onto d1; 9/01: noted at gdlive with incorrect info file and- d1.md5; see pub comments. ; upgrade in circulation