Sources for Grateful Dead

SHNIDDateVenueCityStateArchive Identifier
1540341984-10-20Carrier Dome, Syracuse USyracuseNY
flac16/44 A Photoleon Matrix: (fob) Nakamichi 100 Shotguns > Master Cassette + Sbd > Pcm Master > Dat > Dat. Fob Recorded By Anon. Sbd Provided By Rob Eaton & Dick Latvala. Matrix Created By Joe Noel June 21, 2021
1681821984-10-20Carrier Dome, Syracuse USyracuseNY
flac1648 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
1681831984-10-20Carrier Dome, Syracuse USyracuseNY
flac2496 Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
174141984-10-27Berkeley Community TheaterBerkeleyCA
Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon
1067971984-10-27Berkeley Community TheaterBerkeleyCA
flac16; SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller (note: This source was originally seeded as part of a collection of uncirculated SBD tracks.)
1237431984-10-27Berkeley Community TheaterBerkeleyCA
flac16; Partial SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller
1455761984-10-27Berkeley Community TheaterBerkeleyCA
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row nn, seat 15; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
1455771984-10-27Berkeley Community TheaterBerkeleyCA
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row nn, seat 15; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
1682831984-10-27Berkeley Community TheaterBerkeleyCA
flac1648 Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
1682841984-10-27Berkeley Community TheaterBerkeleyCA
flac2496 Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
881811984-10-28Berkeley Community TheaterBerkeleyCA
flac16; Taped by Jay Abrams (jra-sm) and Keith Prior Digitized and edited by Jay Abrams Location: Section CTR - Row GG - Seat 23 Source: Quad Nakimichi's - (Nakimichi 700's and Nakimichi 100's) - mixed down to two channels at show Sony WM-D6C > Maxell Metal - Dolby C > Wav > CD Wav > xAct encoding to Flac
219351984-10-28Berkeley Community TheaterBerkeleyCA
Source: SBD>MC>DAT>CDR>WAV>SHN - entire first set except for aud splice during LLR. First three tracks of second set are SBD with the remainder from an unlineaged FOB audience recording.
173581984-10-28Berkeley Community TheaterBerkeleyCA
Source: Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR. Encoding by Willy Munder and Matt Vernon
290801984-10-28Berkeley Community TheaterBerkeleyCA
flac16; AudMC > DAT > CD > EAC > FLAC Recoreded by Michael Parrish from taper section with 2 Nak mini-700s (with pressure zones) and 2 Senn 441s > battery powered DBX 224X > Sony D-6 (master cassette) - CD>FLAC by Noah Weiner, April 2005.
1061671984-10-28Berkeley Community TheaterBerkeleyCA
flac16; Recording Info: Nakamichi 300/CP1 Mics -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1455791984-10-28Berkeley Community TheaterBerkeleyCA
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
1455781984-10-28Berkeley Community TheaterBerkeleyCA
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
1682851984-10-28Berkeley Community TheaterBerkeleyCA
flac1648 Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
1682861984-10-28Berkeley Community TheaterBerkeleyCA
flac2496 Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
222561984-10-30Berkeley Community TheaterBerkeleyCA
Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks) AUD(Senn 441?s>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore)
174151984-10-30Berkeley Community TheaterBerkeleyCA
Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon
1061681984-10-30Berkeley Community TheaterBerkeleyCA
flac16; Recording Info: Nakamichi 300/CP1 Mics -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1455821984-10-30Berkeley Community TheaterBerkeleyCA
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
1455831984-10-30Berkeley Community TheaterBerkeleyCA
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
1507821984-10-30Berkeley Community TheaterBerkeleyCA
flac24/48khz Source: MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22 Lineage: Nakmichi LX5 > Marantz PMD661|SD Recorded by: Sean Murtha, Gary Steel, Executive Crew Transferred: Kyle Holbrook
1507831984-10-30Berkeley Community TheaterBerkeleyCA
flac16/44.1khz Source: MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22 Lineage: Nakmichi LX5 > Marantz PMD661|SD Recorded by: Sean Murtha, Gary Steel, Executive Crew Transferred: Kyle Holbrook
1682871984-10-30Berkeley Community TheaterBerkeleyCA
flac1648 Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
1682881984-10-30Berkeley Community TheaterBerkeleyCA
flac2496 Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
149471984-10-31Berkeley Community TheaterBerkeleyCA
Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details
1067981984-10-31Berkeley Community TheaterBerkeleyCA
flac16; SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller (note: This source was originally seeded as part of a collection of uncirculated SBD tracks.)
1424221984-10-31Berkeley Community TheaterBerkeleyCA
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
1424941984-10-31Berkeley Community TheaterBerkeleyCA
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
1456131984-10-31Berkeley Community TheaterBerkeleyCA
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's; center floor, row OO, seat 13; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
1456141984-10-31Berkeley Community TheaterBerkeleyCA
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's; center floor, row OO, seat 13; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
1682891984-10-31Berkeley Community TheaterBerkeleyCA
flac1648 Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
1682901984-10-31Berkeley Community TheaterBerkeleyCA
flac2496 Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
93821984-11-02Berkeley Community TheaterBerkeleyCA
Set 1: SBD> Master Cassette> Cassette> DAT> CD; Set 2: SBD> PCM> DAT> CD; via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation
97531984-11-02Berkeley Community TheaterBerkeleyCA
Tony G shntool fix of original Braverman SBD seed; ; upgrade in circulation
101721984-11-02Berkeley Community TheaterBerkeleyCA
Set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN:Set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)> SHNv3 (MKW ACT) Set 1 source via Trip Bates shntool fixed version of Braverman SBD seed; Set 2 source: DAT via Joe Samaritano. Seeded to Fungus and abgd by Charlie Connor
778781984-11-02Berkeley Community TheaterBerkeleyCA
flac16; Sennheiser 421s? > PCM > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8)
1379681984-11-02Berkeley Community TheaterBerkeleyCA
flac24; Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette; Transfer: Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 24
1379691984-11-02Berkeley Community TheaterBerkeleyCA
flac16; Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette; Transfer: Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Recording Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 16; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping
1474851984-11-02Berkeley Community TheaterBerkeleyCA
flac16; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 27; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger
1474861984-11-02Berkeley Community TheaterBerkeleyCA
flac24; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 27; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger
1522021984-11-02Berkeley Community TheaterBerkeleyCA
flac14/44 Speed-correction done with Celemony Capstan by Roger Eichorn
82121984-11-03Berkeley Community TheaterBerkeleyCA
SBD> MC> DAT> CD; Seeded to etree by Peter Braverman
217611984-11-03Berkeley Community TheaterBerkeleyCA
MSP > D > CD patched with MAC > C > C > D EAC & SHN conversion by John Mollman from Jim Powell's seed
181111984-11-03Berkeley Community TheaterBerkeleyCA
AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon
787041984-11-03Berkeley Community TheaterBerkeleyCA
flac16; Sennheiser 421s > PCM > DAT > Sony DTC-2000ES > M-Audio Delta 410 > Soundforge 8.0 wav > Adobe Audition 1.5 > Shntool > FLAC lvl8
1107731984-11-03Berkeley Community TheaterBerkeleyCA
flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller
1474781984-11-03Berkeley Community TheaterBerkeleyCA
flac16; source: aud cassette master; sennheiser 441's > sony d5 center floor, row nn, seat 19; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger
1474791984-11-03Berkeley Community TheaterBerkeleyCA
flac24; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 19; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger
1508011984-11-03Berkeley Community TheaterBerkeleyCA
flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Gary Steel
1508021984-11-03Berkeley Community TheaterBerkeleyCA
flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Gary Steel
809531984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford.
1061031984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac16; Sennheiser 441 > Sony TCD5-M > Maxell MX CM>Nakamichi CR7A > Edirol R4Pro (Oade Preamp Mod ) > WaveBurner > xACT > FLAC
165841984-12-28San Francisco Civic AuditoriumSan FranciscoCA
Audience cassette > ? > DAT > CDR > SHN
1050021984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row OTS, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
1182491984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
1182501984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
1324951984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald
1401681984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
1401691984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
1426111984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
1483971984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1483981984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1511751984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac16/44.1khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
1511761984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac24/48khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
1511771984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
1511781984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
1522271984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1522281984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1673871984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac1644 analog audience recording gen: master tapes taper: mossa -: NAK shotgun mics (CM 300??) -> Sony TCD5-M -> TDK MA-R 90 tapes (thanks to Bob Alongi) transfer: master tapes -> Sony TDC5-M -> Fostex DAT (standalone) -> CD -> EAC -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2024-04 (16-44)
1676251984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac1648 Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
1676261984-12-28San Francisco Civic AuditoriumSan FranciscoCA
flac2496 Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
817581984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac16; MAC; 2 Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Location: Front row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Lineage: MAC > Nakamichi Cassette Deck 2(azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(A/D at 24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5 > editing > Waves L3 UltraMaximizer > 16 bit 44.1 kHz > CDWave Editor > TLH > FLAC16
956941984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller
129261984-12-29San Francisco Civic AuditoriumSan FranciscoCA
AUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN; via Brian Bontempo; Seeded to etree by jim@juddcreek
242941984-12-29San Francisco Civic AuditoriumSan FranciscoCA
Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN
877051984-12-29San Francisco Civic AuditoriumSan FranciscoCA
Source Update: Unknown Audience Source (Had been marked:MSC > C > DAT > WAV > SHN with patches from Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN)
1050321984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac16; TAPER: Greg Holtz & Tony Bolton. SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M. TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
1061691984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac16; Recording Info: SBD -> ? -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1182511984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
1182521984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
1325201984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dan McDonald & Dave Usborne
1401871984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac16; Recording Info: 1st Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); 2nd Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: 1st Set: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 24/96 > dBpoweramp 16/44 > Adobe Audition 3.0 > TLH flac16; 2nd Set: Master PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
1427611984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
1483991984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1484001984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1508941984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac16/48khz Source Info: FM Broadcast Mix > (?PCM?) > Cassettes Transfer Info: Cassettes (analog master?)(Nakamichi CR7-A) > Sound Devices MixPre-3M (24/48) > Adobe Audition CC 2019 > TLH flac2448
1508951984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac24/48khz Source Info: FM Broadcast Mix > (?PCM?) > Cassette Transfer Info: Cassettes (analog master?)(Nakamichi CR7-A) > Sound Devices MixPre-3M (24/48) > Adobe Audition CC 2019 > TLH flac2448
1512011984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
1512021984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
1525351984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1525361984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
1671801984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac1648 Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
1671811984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac2496 Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
1673881984-12-29San Francisco Civic AuditoriumSan FranciscoCA
flac2496 analog audience recording gen: master tapes taper: mossa -: NAK shotgun mics (CM 300??) -> Sony TCD5-M -> TDK MA-R 90 tapes (thanks to Bob Alongi) transfer: master tapes -> Sony TDC5-M -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2023-03 (24-96)
323471984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16; Recording Info: FM -> Master Reel (1/4 Track 7.5ips Dolby B Tandberg Deck) -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC
820461984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16; MAC; 2 Sennheiser 421s > Sony D5 > TDK MA-R 90 (Set I & II) & Maxell MX 90 (Set III) Location: 1st row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24bit/96kHz .wav files (1 per tape side) > Waves L3 UltraMaximizer(dither) > 16bit/44.1kHz > CD Wave Editor > TLH > FLAC16.
964351984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16; Nak 300 shotguns w/D6 OTS MAC>NakCR-3A>HD>Audacity>CDwave>TLH; recorded and transferred by Russ Cansler
63951984-12-31San Francisco Civic AuditoriumSan FranciscoCA
SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN; EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden
1051541984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
1062511984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
1066841984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16; Recording Info: AKG Mics -> Cassette Master (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Rango Keshavan; All Transfers and Mastering By Charlie Miller
1183051984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
1183061984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
1217251984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; This is a remaster of source ID 106251; All Transfers and Mastering By Charlie Miller
1285921984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Droncit; No changes to the file except for minor edits, fade-ins/fade-outs, and level changes as needed. One short blank space in Jack Straw cut out for flow. Editing with Diamond Cut Forensics 8 and Forensics 9 (alpha). Paragraphic and Spectral Filters applied for equalization.
1401601984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
1401611984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
1473281984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16; Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1; Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16
1484011984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
1484021984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
1508961984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16 this is a fixed version of shnid147328 (patched "Fire On The Mountain") Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16
1512771984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16/44.1khz Master: Sennheiser 421's, NORTF, front row balcony 150 feet from stage>Sony TCD5M; Maxell MX 90 w/dolby B Nr second deck in line; patched from Eddie Claridge mics & rig. Transfer: Nakamichi LX-5|ESI Juli@ @24/48||WIN10| Audacity| cdwav editor | TLH | FLAC Recorded by: Executive Crew- Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode Transferred by Kyle Holbrook
1512781984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac24/48khz Master: Sennheiser 421's, NORTF, front row balcony 150 feet from stage>Sony TCD5M; Maxell MX 90 w/dolby B Nr second deck in line; patched from Eddie Claridge mics & rig. Transfer: Nakamichi LX-5|ESI Juli@ @24/48||WIN10| Audacity| cdwav editor | TLH | FLAC Recorded by: Executive Crew- Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode Transferred by Kyle Holbrook
1546581984-12-31San Francisco Civic AuditoriumSan FranciscoCA
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - dts mixing by Kevin Tobin
1546591984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - surround mixing by Kevin Tobin
1546571984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac16; Matrix 2 Source Mix - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - matrix mixing by Kevin Tobin
1652641984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac2496 Source: FM Master > TDK-SA C90 Transfer: FM Master > Nakamichi CR-7A > Tascam DA-3000 > wav 24/96k. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 > iZotope Ozone 9 Maximiser > CD Wave > Flac 24 edited and mastered SIRMick July 2023
1652631984-12-31San Francisco Civic AuditoriumSan FranciscoCA
flac1644 Source: FM Master > TDK-SA C90 - recorded by Tim Mckenzie Transfer: FM Master > Nakamichi CR-7A > Tascam DA-3000 > wav 24/96k. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 > iZotope Ozone 9 Maximiser > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick July 2023
166131984-??-??1984 Studio MaterialSan Rafael?CA
demos and rehearsals; Master Cassette Soundboard-> DAT-> Sonic Solutions-> CD-> EAC-> SHN; CD-> EAC-> SHN Done by Joe Samaritano from Gans seed; part of the KPFA Marathon broadcast on 2/22/2003 by David Gans