Sources for Grateful Dead

SHNIDDateVenueCityStateArchive Identifier
1194021995-07-05Riverport AmphitheatreMaryland HeightsMO
flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1471181995-07-05Riverport AmphitheatreMaryland HeightsMO
flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
1471191995-07-05Riverport AmphitheatreMaryland HeightsMO
flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
913221995-07-06Riverport AmphitheatreMaryland HeightsMO
flac16; Taper: Greg Holtz: B&K 4006 Omni Cardoids > D6 > Master Cassette > Nak CD-1 > Emu 1212M > 24/96 Wave > wavelab 5 > Plugins > L3 > 16.44.1 Wave > Flac lvl 8 (TLH)
946751995-07-06Riverport AmphitheatreMaryland HeightsMO
flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> r8brain 44.1kHz-> Traders Little Helper flac8
351561995-07-06Riverport AmphitheatreMaryland HeightsMO
flac16; Source: S:C>D>CDR Conversion by Chris Larson. This version does not have the DAE step.
54521995-07-06Riverport AmphitheatreMaryland HeightsMO
Audience (Schoeps MK-4V/ Sony D-10) Master DAT> CDR> MKW> SHN; via Troy Richey from Chuck's seed discs
91191995-07-06Riverport AmphitheatreMaryland HeightsMO
SBD>DAT>C>DAT>CDR; Seeded to etree by Chris L w/ thanks to Braverman
308881995-07-06Riverport AmphitheatreMaryland HeightsMO
Remastered SBD>DAT>C>DAT>CDR>DAT>SHN by Ben Clem
1194291995-07-06Riverport AmphitheatreMaryland HeightsMO
flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
1194301995-07-06Riverport AmphitheatreMaryland HeightsMO
flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
1462201995-07-06Riverport AmphitheatreMaryland HeightsMO
flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003)* ; Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16 (TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci
985761995-07-08Soldier FieldChicagoIL
flac16; Pitch-adjusted version of shnid 35157; S: C> D> CDR > WAV > FLAC
351571995-07-08Soldier FieldChicagoIL
flac16; Source: S: C> D> CDR Conversion: Chirs Larson. Note: This version does not have a DAE step
43621995-07-08Soldier FieldChicagoIL
FOB B&K 4006 omni's (in hat, 36th row left of center) > Lunatec 316> Panasonic SV-250 by Marc Nutter; Transfer: Sony DTC-A6 > Dio 2448 > SF 4.5 @ 48K, Resample, add fades> CDWAV> SHN by Bill Gardner
100711995-07-08Soldier FieldChicagoIL
SBD>DAT>C>?>DAT>CDR; d1t07 (Eternity) from AUD source; See info file for details; via Paul B; seeded to etree by neo_levo
1143631995-07-08Soldier FieldChicagoIL
flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
1277361995-07-08Soldier FieldChicagoIL
flac16; 2 source matrix from mix of audience source id 004362 and soundboard source id 114363
1341291995-07-08Soldier FieldChicagoIL
flac16/48kHz; ecording info: Oade Micro Mics > DAT Master @ 16bit/48kHz - 11th Row; pedigree: DAT Master > DAT > DAT; processing: DAT > Tascam DA45-HR > SD Usbpre2 > Adobe Audition > CDWAV > TLH Flac 8
1471131995-07-08Soldier FieldChicagoIL
flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
1471141995-07-08Soldier FieldChicagoIL
flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
1674381995-07-08Soldier FieldChicagoIL
Matrix source built for new video by Josh Davis in January 2024 using the following 2 sources: Source 1: SBD - Dat (44.1k) Source 2: Oade Micro Mics - DAT Master @ 16bit/48kHz- 11th Row
864051995-07-09Soldier FieldChicagoIL
flac16; Unknown mics>Audience Patch by Mike Mahoney from unknown taper>Sony D6 Cassette Deck Transfer Done with Denon Cassette Deck>Soundforge>CDR
954441995-07-09Soldier FieldChicagoIL
flac16/48; Schoeps MK4's>Rbox>Casio DAR-100 FOB/DFC Transfer: DAT MASTER>Sony TCD-D10PROII>Tascam DA-30MKII, DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Ace Cubby Gear and Transfer By Keith Litzenberger
954451995-07-09Soldier FieldChicagoIL
flac16; Schoeps MK4's>Rbox>Casio DAR-100 FOB/DFC Transfer: DAT MASTER>Sony TCD-D10PROII>Tascam DA-30MKII, DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Ace Cubby Gear and Transfer By Keith Litzenberger
279771995-07-09Soldier FieldChicagoIL
flac16; unknown AUD> ?> Bootleg CD (marked AAD)> EAC> Flac (8); via Chris Larson
40911995-07-09Soldier FieldChicagoIL
dsbd (pre-FM)> dat> spdif> cdr> eac> shn; via Tony Gardner from dmac's CD; tracked for 2x80
72331995-07-09Soldier FieldChicagoIL
DSBD (pre FM) (@48kHz); Conversion: D8 > Waveterminal 2496 (@44.1kHz - Real Time Resample) > Soundforge 5.0 > CD Wave > mkwACT (saeeking); see info file for version comparison and editing notes; tracked for 2x80; via Jason Brantley
1143691995-07-09Soldier FieldChicagoIL
flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
1277351995-07-09Soldier FieldChicagoIL
flac16; 3 source matrix from mix of audience source id 95445, soundboard source id 114369, and audience source id 86405; the original source had a flaw in d2t06 please do not circulate that source
1341301995-07-09Soldier FieldChicagoIL
flac16/48kHz; recording info: Oade Micro Mics > DAT Master @ 16bit/48kHz -23rd Row; pedigree: DAT Master > DAT > DAT; processing: DAT > Tascam DA45-HR > SD Usbpre2 > Adobe Audition > CDWAV > TLH Flac 8
1470571995-07-09Soldier FieldChicagoIL
flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/04/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
1470581995-07-09Soldier FieldChicagoIL
flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/04/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
971111995-??-??Studio - Earthquake Country sessionsUnknownCA
live/rehearsal recordings (DAT and/or ADAT) > ? > cassette > at least one cassette generation > my cassette; transfer using an AIWA AD-F850 tape deck, played directly into the inputs of a Yamaha DS-XG sound card. I used CoolEdit 2000 v1.1 to do the initial analog > digital sampling, apply mild noise reduction (my source tape is somewhat hissy, not surprising give the number of analog generations) and reduce the length of some of the between-song gaps. I used CD Wav v1.73 to define track boundaries and mkwACT v0.97 to prepare a master SHN disc (track boundaries verified using SHNtool).