Sources for Grateful Dead
unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 152638 | 1977-10-11 | Lloyd Noble Center, University Of Oklahoma | Norman | OK | |
| flac16/44 Source: Unknown audience cassettes from the collection of by Doug Lamarre. Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021 | |||||
| 152829 | 1977-10-11 | Lloyd Noble Center, University Of Oklahoma | Norman | OK | |
| flac16/44 Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 1, 2007 | |||||
| 3919 | 1977-10-12 | Manor Downs | Austin | TX | |
| no source listed; "Compendium Crew release"; d2 tracked for 80 min; via Teddy Goodbear to abgd, 5/01 to etree; upgrade in circulation | |||||
| 19291 | 1977-10-12 | Manor Downs | Austin | TX | |
| SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches | |||||
| 121616 | 1977-10-12 | Manor Downs | Austin | TX | |
| flac16/48kHz; Set 2 Only. Recording Info: Unknown Mics -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/48kHz; All Transfers and Mastering By Charlie Miller | |||||
| 121618 | 1977-10-12 | Manor Downs | Austin | TX | |
| flac16; Set 2 Only. Recording Info: Unknown Mics -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/44.1K; All Transfers and Mastering By Charlie Miller | |||||
| 110400 | 1977-10-14 | Hofheinz Pavilion | Houston | TX | |
| flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | |||||
| 6693 | 1977-10-14 | Hofheinz Pavilion | Houston | TX | |
| SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; woth thanks to Bill Golden | |||||
| 34260 | 1977-10-14 | Hofheinz Pavilion | Houston | TX | |
| Fix of shnid 6693 (sbd) by Bill Tetzeli - see info file for details | |||||
| 110419 | 1977-10-14 | Hofheinz Pavilion | Houston | TX | |
| flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Fix of shnid 110400 | |||||
| 6664 | 1977-10-15 | Moody Coliseum, S.M.U | Dallas | TX | |
| SBD : MC > R > DAT > CD; via Steve Tobani, Alan J. Fink; upgrade in circulation | |||||
| 19154 | 1977-10-15 | Moody Coliseum, S.M.U | Dallas | TX | |
| SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected | |||||
| 125642 | 1977-10-15 | Moody Coliseum, S.M.U | Dallas | TX | |
| flac16; Master AUD -> 1st gen Hi-Fi VHS -> wav ->flac | |||||
| 129898 | 1977-10-15 | Moody Coliseum, S.M.U | Dallas | TX | |
| flac16; Recording Info: SBD > mc > r > d > CD; Transfer Info: CD > wav > Sound Forge 10 > TLH > flac | |||||
| 137270 | 1977-10-15 | Moody Coliseum, S.M.U | Dallas | TX | |
| flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:19154), SBD>MC>R>D>CD>EAC>SHN and Audience (shnid:125642),Master AUD -> 1st gen Hi-Fi VHS -> wav -> flac | |||||
| 144158 | 1977-10-15 | Moody Coliseum, S.M.U | Dallas | TX | |
| flac24; 2nd Set, Source: AUD of unknown lineage > ? > Cassette, via Richie & Rip; Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018 | |||||
| 145159 | 1977-10-15 | Moody Coliseum, S.M.U | Dallas | TX | |
| flac16; 2nd Set, Source: AUD of unknown lineage > ? > Cassette, via Richie & Rip; Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F.; This file set is 16 bit @ 44.1 | |||||
| 86712 | 1977-10-16 | Assembly Center, Lousiana State University | Baton Rouge | LA | |
| flac16; partial Set 1: Sony CR-O2 C-90 Cassette tape MASTER > JVC TD-W209 cassette playback deck >JVC XL-R5010 stand-alone>cdr (0)>your cdr | |||||
| 3350 | 1977-10-16 | Assembly Center, Lousiana State University | Baton Rouge | LA | |
| sdb> MR> C> D> CD; via Mike Lai | |||||
| 151785 | 1977-10-16 | Assembly Center, Lousiana State University | Baton Rouge | LA | |
| Flac 1648 Source Info: Analog Audience source (unknown equipment) > Reel to Reel @ 3ips > John Brennan's Cassettes Transfer Info: John Brennan's Cassettes (most likely 2nd generation)(Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz)> Sound Forge (.wav 24-bit/48k) > Adobe Audition 2021 > TLH flac24/48 | |||||
| 151786 | 1977-10-16 | Assembly Center, Lousiana State University | Baton Rouge | LA | |
| Flac 24 Source Info: Analog Audience source (unknown equipment) > Reel to Reel @ 3ips > John Brennan's Cassettes Transfer Info: John Brennan's Cassettes (most likely 2nd generation)(Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz)> Sound Forge (.wav 24-bit/48k) > Adobe Audition 2021 > TLH flac24/48 | |||||
| 151787 | 1977-10-16 | Assembly Center, Lousiana State University | Baton Rouge | LA | |
| Master Soundboard Reels > Cassette > DAT > CDR Patched version of SHNID 3350 | |||||
| 96159 | 1977-10-28 | Soldiers & Sailors Memorial Hall | Kansas City | KS | |
| flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 96569 | 1977-10-28 | Soldiers & Sailors Memorial Hall | Kansas City | KS | |
| flac16; Recording Info: Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding | |||||
| 101243 | 1977-10-28 | Soldiers & Sailors Memorial Hall | Kansas City | KS | |
| DTS-Audio-CD 5.1 Mix; SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - dts mixing by Kevin Tobin | |||||
| 101196 | 1977-10-28 | Soldiers & Sailors Memorial Hall | Kansas City | KS | |
| flac16; Matrix 2 Source Mix - SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - matrix mixing by Kevin Tobin | |||||
| 8520 | 1977-10-28 | Soldiers & Sailors Memorial Hall | Kansas City | KS | |
| Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy | |||||
| 148907 | 1977-10-28 | Soldiers & Sailors Memorial Hall | Kansas City | KS | |
| flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44 | |||||
| 137373 | 1977-10-29 | Evans Field House, Northern Illinois University | DeKalb | IL | |
| flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:92085) Recording Info: SBD -> Master Reel -> PCM -> Dat -> CDTransfer Info:CD -> Samplitude Professional v10.02 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:108010), Recorded By Steve Maizner, Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF, Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 92085 | 1977-10-29 | Evans Field House, Northern Illinois University | DeKalb | IL | |
| flac16 Recording Info:SBD -> Master Reel -> PCM -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 28613 | 1977-10-29 | Evans Field House, Northern Illinois University | DeKalb | IL | |
| flac16; MSR>PCM>DAT>CDx?>EAC>WAV>FLAC; patch source: shnid=8035; EAC extraction, editing, and FLAC encoding by Sean Cribbs 3/11/05 | |||||
| 98032 | 1977-10-29 | Evans Field House, Northern Illinois University | DeKalb | IL | |
| flac16; matrix of SBD: shnid=92085 and AUD: shnid=8035 by hansokolow using ProTools | |||||
| 280 | 1977-10-29 | Evans Field House, Northern Illinois University | DeKalb | IL | |
| SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka | |||||
| 8035 | 1977-10-29 | Evans Field House, Northern Illinois University | DeKalb | IL | |
| Sony ECM-990s>Sony TC-158>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon | |||||
| 108010 | 1977-10-29 | Evans Field House, Northern Illinois University | DeKalb | IL | |
| flac16; Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF; Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; Recorded By Steve Maizner; All Transfers and Mastering By Charlie Miller | |||||
| 148908 | 1977-10-29 | Evans Field House, Northern Illinois University | DeKalb | IL | |
| flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; the original source had a "nearly undetectable" flaw in d2t06 which had to be fixed for nearly undetectable reasons | |||||
| 99765 | 1977-10-30 | Assembly Hall | Bloomington | IN | |
| flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version now in circulation | |||||
| 99939 | 1977-10-30 | Assembly Hall | Bloomington | IN | |
| flac16; source: aud 1st gen reel taped by Steve Maizner sony ecm 990s>sony tc-158sd; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac | |||||
| 99838 | 1977-10-30 | Assembly Hall | Bloomington | IN | |
| flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 99765 | |||||
| 100165 | 1977-10-30 | Assembly Hall | Bloomington | IN | |
| flac16; Recorded by Steve Maizner Sony ECM-990> Master Cassette; Master cassette> reel> FLAC 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC Transfer and FLAC encoding by David Minches Pitch correction by Joe B. Jones | |||||
| 7564 | 1977-10-30 | Assembly Hall | Bloomington | IN | |
| sbd> mr> pcm> dat> cdr> eac >shn via mkwAct 0.97 beta 1; via Bob Allred GDH-Trading tree; see flaw notes in info file; upgrade in circulation | |||||
| 14946 | 1977-10-30 | Assembly Hall | Bloomington | IN | |
| Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki | |||||
| 137374 | 1977-10-30 | Assembly Hall | Bloomington | IN | |
| flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:99838), Recording Info: SBD -> Master Reel -> PCM -> Dat,Transfer Info:Dat -> Samplitude Professional v10.21 -> FLAC, All Transfers and Mastering By Charlie Miller,Audience (shnid:100165), Recorded by Steve Maizner,Sony ECM-990> Master Cassette; Transfer and FLAC encoding by David Minches:Master cassette> reel> FLAC; 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC | |||||
| 82574 | 1977-11-01 | Cobo Arena | Detroit | MI | |
| flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 2485 | 1977-11-01 | Cobo Arena | Detroit | MI | |
| SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing); upgrade in circulation | |||||
| 81012 | 1977-11-02 | Field House, Seneca College | Toronto | ON | |
| flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC | |||||
| 86546 | 1977-11-02 | Field House, Seneca College | Toronto | ON | |
| flac16; SBD/AUD Matrix by SIRMick; Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN (shn id 14743) and Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Recorded by Alan Zimmerman (shn id 81012) | |||||
| 86233 | 1977-11-02 | Field House, Seneca College | Toronto | ON | |
| flac 16; Sick Bits Vol. 23 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=14743) + AUD (shnid=81012). Matrixed by Chris Chappell. | |||||
| 14743 | 1977-11-02 | Field House, Seneca College | Toronto | ON | |
| Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy | |||||
| 167734 | 1977-11-02 | Field House, Seneca College | Toronto | ON | |
| Source: Shure Sm57 Mics > Sony-tc158 (dolby On) Transfer: Master Cassettes (2x Udxli 90) > Nak Cr-7a > Tascam Da-3000 (dsf 1-bit Mhz) > Dbpoweramp > Adobe Audition > Flac @ 2496 Master Audience Recording By Kathy Sublette Dsf Transfer By Mark Goldey Edited & Mastered By Joe Noel | |||||
| 29091 | 1977-11-04 | Cotterell Gym, Colgate University | Hamilton | NY | |
| flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell | |||||
| 81110 | 1977-11-04 | Cotterell Gym, Colgate University | Hamilton | NY | |
| flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC | |||||
| 2595 | 1977-11-04 | Cotterell Gym, Colgate University | Hamilton | NY | |
| SBD:MR > DAT > CD-R; noted at gdlive (also to abgd?); upgrade in circulation | |||||
| 3739 | 1977-11-04 | Cotterell Gym, Colgate University | Hamilton | NY | |
| SBD:MR > DAT > CD-R; material from previous shn set, plus patched intro from AUD (see notes in info file); seeded by Peter Braverman | |||||
| 15208 | 1977-11-04 | Cotterell Gym, Colgate University | Hamilton | NY | |
| MAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9 beta 4) > editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by John Steinthal, CD > SHN by Joe Jupille and Noah Weiner. | |||||
| 130927 | 1977-11-04 | Cotterell Gym, Colgate University | Hamilton | NY | |
| flac16; SBD Source ID 3739 Adjusted amplitudes and equalization with Cool Edit 2000; shn > wav > flac | |||||
| 139656 | 1977-11-04 | Cotterell Gym, Colgate University | Hamilton | NY | |
| flac16; This source is a DAE of the GDLive material listed as source ID 2595; Source/Lineage: SBD Master > DAT > dl gd server > CD-R (15+ yrs) > xACT 2.41 (ffp’s, sector boundaries) > Flac 6 | |||||
| 141004 | 1977-11-04 | Cotterell Gym, Colgate University | Hamilton | NY | |
| flac24; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018 | |||||
| 141005 | 1977-11-04 | Cotterell Gym, Colgate University | Hamilton | NY | |
| flac16; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018 | |||||
| 141833 | 1977-11-04 | Cotterell Gym, Colgate University | Hamilton | NY | |
| flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 81180 | 1977-11-05 | Community War Memorial Auditorium | Rochester | NY | |
| flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC | |||||
| 3293 | 1977-11-05 | Community War Memorial Auditorium | Rochester | NY | |
| Master Audience Cassette > possible analog gen> DAT > CDR; Mastered to disc> EAC> SHN by Scott Clugston. [Note: An alternate shn set differeing only in disks 2 and 3 also circulates. This might have an additional EAC generation.] | |||||
| 6934 | 1977-11-05 | Community War Memorial Auditorium | Rochester | NY | |
| Master Soundboard Cassette > 1 Reel to Reel gen > DAT, with AUD patches (see info file); Patching, CD Mastering, EAC'ed, SHN'ed by Scott Clugston; to abgd | |||||
| 16757 | 1977-11-05 | Community War Memorial Auditorium | Rochester | NY | |
| A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs | |||||
| 152193 | 1977-11-05 | Community War Memorial Auditorium | Rochester | NY | |
| flac16/48 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 | |||||
| 152194 | 1977-11-05 | Community War Memorial Auditorium | Rochester | NY | |
| flac24/96 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 | |||||
| 92273 | 1977-11-06 | Broome County Arena | Binghamton | NY | |
| flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) June 13, 2008 | |||||
| 283 | 1977-11-06 | Broome County Arena | Binghamton | NY | |
| Reel -> DAT -> CDR; Transfer: EAC -> SHN by D. Nawrocki | |||||
| 16758 | 1977-11-06 | Broome County Arena | Binghamton | NY | |
| A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs | |||||
| 122296 | 1977-11-06 | Broome County Arena | Binghamton | NY | |
| flac16; MR>PCM>DAT>HD>CDR>EAC>Flac level 8 via TLH | |||||
| 139055 | 1977-11-06 | Broome County Arena | Binghamton | NY | |
| flac16; Soundboard Master Reels > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44 | |||||
| 148411 | 1977-11-06 | Broome County Arena | Binghamton | NY | |
| flac1648 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 148412 | 1977-11-06 | Broome County Arena | Binghamton | NY | |
| flac24; 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 | |||||
| 2989 | 1977-12-27 | Winterland Arena | San Francisco | CA | |
| Master Reel > DAT > Sonic Solutions remastering > Gans CD-R; via redbeard to abgd; possibly different extraction relative to previous circulation?; "F*cker" in Wharf Rat was muted out during remastering; sonic glitch in Around is present on the master reel; missing Samson; upgrade in circulation | |||||
| 19288 | 1977-12-27 | Winterland Arena | San Francisco | CA | |
| SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches | |||||
| 24069 | 1977-12-27 | Winterland Arena | San Francisco | CA | |
| Bertha Remaster of the Master Reel source. SBD>>MR>>SS>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN | |||||
| 137166 | 1977-12-27 | Winterland Arena | San Francisco | CA | |
| flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 92374 | 1977-12-29 | Winterland Arena | San Francisco | CA | |
| flac16; Partial set 2 only, unknown generation maxell cassette-> sb audigy-> audacity-> cd wav-> flac | |||||
| 18675 | 1977-12-29 | Winterland Arena | San Francisco | CA | |
| Dick's Picks 10 outtakes SBD>?>SHN via Terrapin Station | |||||
| 20370 | 1977-12-29 | Winterland Arena | San Francisco | CA | |
| Set I & Encore MSR>R>R>R>C>DAT>WAV>SHN Set II MSR>R>C>DAT>WAV>SHN C>SHN Conversions by Cousinit | |||||
| 108432 | 1977-12-29 | Winterland Arena | San Francisco | CA | |
| flac16; Reinhardt Holwein Audience Reel > ???? > DAT > CDR > EAC Secure Mode > WAV > FLAC | |||||
| 133041 | 1977-12-29 | Winterland Arena | San Francisco | CA | |
| flac24; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith | |||||
| 133042 | 1977-12-29 | Winterland Arena | San Francisco | CA | |
| flac16; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith | |||||
| 137198 | 1977-12-29 | Winterland Arena | San Francisco | CA | |
| flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller | |||||
| 137650 | 1977-12-29 | Winterland Arena | San Francisco | CA | |
| flac16; Updated Source Info: Audience recording (Sennheiser 421s) > Cass x 2 > cdr > eac > wav 16/44.1; Recorded by Ron Ellner; Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wav TLH > Flac16; edited and mastered SIRMick | |||||
| 141740 | 1977-12-29 | Winterland Arena | San Francisco | CA | |
| flac16; Source Info: Analog Soundboard > Cassette > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 | |||||
| 20009 | 1977-12-30 | Winterland Arena | San Francisco | CA | |
| partial; SBD> MR> DAT> CD; via Candyman | |||||
| 30624 | 1977-12-30 | Winterland Arena | San Francisco | CA | |
| SBDMR>DAT>Sonic Solutions>CD>EAC>SHN | |||||
| 112745 | 1977-12-30 | Winterland Arena | San Francisco | CA | |
| flac16; Audience Recording by Gene Taback; One Casette Master Transferred by Jim Blackwood at 24bit 96 kHz Edited and Mastered by Jamie Waddell Weiss-Saracon for 16 bit 44.1 kHz TLH for FLAC8 Tag&Rename for MetaData | |||||
| 132379 | 1977-12-30 | Winterland Arena | San Francisco | CA | |
| flac16; Recording Info: SBD -> Master Reel -> Dat -> FLAC; Transfer Info: FLAC -> Samplitude Professional v11.2.1 -> FLAC; fixed version levels were increased approximately 14db; please do not circulate the original files; All Transfers and Mastering By Charlie Miller | |||||
| 139533 | 1977-12-30 | Winterland Arena | San Francisco | CA | |
| flac24; Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 | |||||
| 139536 | 1977-12-30 | Winterland Arena | San Francisco | CA | |
| flac16; Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; This is a patched version of shnid=132379 | |||||
| 142696 | 1977-12-30 | Winterland Arena | San Francisco | CA | |
| flac16; Matrix 2 Source Mix - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - matrix mixing by Kevin Tobin | |||||
| 142697 | 1977-12-30 | Winterland Arena | San Francisco | CA | |
| DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - dts mixing by Kevin Tobin | |||||
| 142698 | 1977-12-30 | Winterland Arena | San Francisco | CA | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - surround mixing by Kevin Tobin | |||||
| 286 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim | |||||
| 20596 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) | |||||
| 35291 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| Seamless fix of shn id 286 - SBD > Master Reel > DAT > CDR > EAC > SHN | |||||
| 140951 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| flac16; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24 bit > 16 bit via dBpoweramp | |||||
| 140952 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| flac24; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 | |||||
| 141124 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| flac16; Patched/Pitch Corrected Soundboard (original shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) - pitch correction and patches by Kevin Tobin | |||||
| 141126 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| DTS-Audio-CD 5.1 Mix; SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - dts mixing by Kevin Tobin | |||||
| 141127 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - mixing by Kevin Tobin | |||||
| 141125 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| flac16; Matrix 2 Source Mix - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - matrix mixing by Kevin Tobin | |||||
| 141799 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| flac16; Source: SBD > Umatic videotape masters (noted as "remote") - From Bob Gurman; Transfer: Umatic masters > Sony VO-2600 > Tascam CDRW-700 > CDR - Transfered by Alan Bershaw November 26, 2002; Lineage: CDR > wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and master SIRMick April 2018 | |||||
| 151250 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| flac16/48khz Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither -- v2 This fixed version was created on December 30, 2020. The previous version (Source ID 151250) had the L&R channels reversed on tracks 1-15. Keith is now on the left side of the mix where he belongs ;-) 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither | |||||
| 151251 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| flac24/96khz Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596 24 Bit 96 kHz FLAC Level 8 v2 - This fixed version was created on December 30, 2020. The previous version (Source ID 151251) had the L&R channels reversed on tracks 1-15. Keith is now on the left of the mix where he belongs ;-) | |||||
| 151332 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| flac1648 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596. This updated "version three" was created on January 1, 2021. ...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151250 + 151297), please don't continue to share them elsewhere. 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither | |||||
| 151333 | 1977-12-31 | Winterland Arena | San Francisco | CA | |
| flac2496 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596 This updated "version three" was created on January 1, 2021. ...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151251 + 151298), please don't continue to share them elsewhere. 24 Bit 96 kHz FLAC Level 8 | |||||