Sources for Artist Group Phish
unknown 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2002 2003 2004 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024
SHNIDArtistDateVenueCityStateArchive Identifier
632Phish1996-04-26Fair Grounds Race CourseNew OrleansLA
FOB Schoeps CMC6/mk41 > Sonosax SX-M2 > Tascam DA-P1; Tascam DA-P1 > SBLive via S/PDIF > SHN
92588Phish1996-04-26Fair Grounds Race CourseNew OrleansLA
FOB Schoeps CMC641 > Sonosax SX-M2 > Tascam DA-P1; DA302 -> audiowerks aw2 -> Peak -> xact -> flac; Transferred by Angelo DeSalvo
113765Phish1996-04-26Fair Grounds Race CourseNew OrleansLA
(FOB) Neumann KM54 > Lunatec V2 > HHb PDR-1000 (@16bit/44.1kHz); Tascam DA-40 > M-Audio Audiophile 2496 > Samplitude 7.0 > CD Wave > flac(16/44.1); Transferred by taylorc
633Phish1996-06-06Joyous LakeWoodstockNY
"Third Ball" Pre-FM SBD:D> CD> EAC> SHN; missing Jim from DAT source; via E. Levy; see public comments for flaw notes
14459Phish1996-06-06Joyous LakeWoodstockNY
SBD > Bootleg CD (except Jim and YEM vocal jam from DSBD > Cass/3)
15859Phish1996-06-06Joyous LakeWoodstockNY
SBD > Bootleg CDR > EAC > SHN; Note: missing Runaway Jim
83159Phish1996-06-06Joyous LakeWoodstockNY
SBD > Sony TCD-D8; DAT > ARCHIVE Python > vDAT > Samplitude > WaveLab4 > CDWav > FLAC; Transferred by Rusty Gray
3790Phish1996-07-03Stadia BratmascoTrentoItaly
AKG 414; Prodif Plus > Samplitude > CDWav > mkwACT > SHN; DAT proided by Jeff Kemp; Transfer by Levi Hunt
124039Phish1996-07-03Stadia BratmascoTrentoItaly
flac16; AKG 414; Sony PCM-R500 > Tascam SS-R1 > Wavelab v6.10 > CD Wave v1.98 > TLH (flac 8); Taped by Don Wright; Transferred by Jeff Mitchell
164331Phish1996-07-03Stadia BratmascoTrentoItaly
flac16 48kHz AKG414 > PS > Tascam DA-P1 > Sony TCD-7; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX10 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp); Transfer by Jeff Mitchell; DAT provided by Charlie Miller & Arielle Phares
157419Phish1996-07-05Stadio Olimpico, Curva SudRomeItaly
flac1644 source: Radio 1 FM broadcast -> DAT master -> first gen cassette obtained in 1998 from a trader in Italy - transferred by Hanno, May 2022 - This is for completists only. The radio presenters talk over the music a lot.
3794Phish1996-07-05Stadio Olimpico, Curva SudRomeItaly
AKG 414; Prodif Plus > Samplitude > CDWav > mkwACT > SHN; DAT proided by Jeff Kemp; Transfer by Levi Hunt
164332Phish1996-07-05Stadio Olimpico, Curva SudRomeItaly
flac16 48kHz AT4031; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com); DAT provided by Charlie Miller & Arielle Phares
3791Phish1996-07-06Duommo SquarePistoiaItaly
AKG 414; Prodif Plus > Samplitude > CDWav > mkwACT > SHN; DAT proided by Jeff Kemp; Transfer by Levi Hunt
164333Phish1996-07-06Duommo SquarePistoiaItaly
flac16 48kHz AKG414 > PS > Tascam DA-P1 > Sony TCD-7; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com); DAT provided by Charlie Miller & Arielle Phares
3792Phish1996-07-07Parco AquaticaMilanItaly
AKG 414; Prodif Plus > Samplitude > CDWav > mkwACT > SHN; DAT proided by Jeff Kemp; Transfer by Levi Hunt
164856Phish1996-07-07Parco AquaticaMilanItaly
flac16 48kHz AKG414 > PS > Tascam DA-P1 > Sony TCD-7; DAT @48kHz > Sony PCM-R500 > Korg MR-2000S > iZotope RX8 > Samplitude Pro X7 > dBpoweramp > Foobar Live Show Tagger; Transfer by Jeff Mitchell
12007Phish1996-07-09Centre International de DeauvilleDeauvilleFrance
FOB Schoeps mk4v (ORTF, 8' stand, row H, center) > kc5 > CMC6 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-2600 > Dio MAudio 2448 > Cool Edit Pro 2 (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Bill Gardner; Dankseed
164334Phish1996-07-09Centre International de DeauvilleDeauvilleFrance
flac16 48kHz AKG414; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX10 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com); DAT provided by Charlie Miller & Arielle Phares
152271Phish1996-07-10Le ZénithParisFrance
flac16/48 Tascam PE-125 cardioid microphones > Sony TCD-D7 (48k) DAT Master > Tascam us144-mkII > PC/WAV > Audacity > CD Wave > TLH FLAC 16/48 Recorded and transferred by - Bill Shaw
11732Phish1996-07-10Le ZénithParisFrance
FOB Schoeps mk4v (ORTF, 8' stand, 50' back, center) > KCY actives > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-2600 > Dio MAudio 2448 > Cool Edit Pro 2 (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Bill Gardner
164335Phish1996-07-10Le ZénithParisFrance
flac16 48kHz AKG414; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX10 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com) DAT provided by Charlie Miller & Arielle Phares
147346Phish1996-07-11Shepherds Bush EmpireLondonEngland
flac16/48khz Source: FOB AKG 414 > DAT @ 16/48 Transfer: DAT > Sony PCM R300 > Tascam DR 680 > Audacity > xACT(FLAC/TAG) 16/48 DiGiHoArDeRs
22400Phish1996-07-11Shepherds Bush EmpireLondonEngland
SBD > DAT; Tascam DA-20 > Delta DiO 2496 > Sound Forge 6.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Daniel Shay
126114Phish1996-07-11Shepherds Bush EmpireLondonEngland
flac16, 44.1kHz; SBD > DAT (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > Wave Editor 1.5.7 (iZotope Resampler) > xACT 2.23 > flac16 (level 8); Transferred by Lenny Stubbe
126115Phish1996-07-11Shepherds Bush EmpireLondonEngland
flac16, 48kHz; SBD > DAT (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.23 > flac16 (level 8); Transferred by Lenny Stubbe
143849Phish1996-07-11Shepherds Bush EmpireLondonEngland
flac16 48kHz AKG393 > Pre-amp > Sony SBM-1 > Sony D7; DAT(c) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Transfer & edits by Jeff Mitchell
152272Phish1996-07-11Shepherds Bush EmpireLondonEngland
flac16/48 Tascam PE-125 cardioid microphones > Sony TCD-D7 (48k) DAT Master > Tascam us144-mkII > PC/WAV > Audacity > CD Wave > TLH FLAC 16/48 Recorded and transferred by - Bill Shaw
2457Phish1996-07-12The MelkwegAmsterdamNetherlands
AKG 414; M1 > TB Montego II+ Digital I/O > HD > SHN; Transferred and shortened by Ron Dixon
21720Phish1996-07-12The MelkwegAmsterdamNetherlands
AKG 414 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
152273Phish1996-07-12The MelkwegAmsterdamNetherlands
flac16/48 Tascam PE-125 cardioid microphones > Sony TCD-D7 (48k) DAT Master > Tascam us144-mkII > PC/WAV > Audacity > CD Wave > TLH FLAC 16/48 Recorded and transferred by - Bill Shaw
164857Phish1996-07-12The MelkwegAmsterdamNetherlands
flac16 48kHz AKG414 > PS > Tascam DA-P1 > Sony TCD-7; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp); Transfer by Jeff Mitchell
109695Phish1996-07-13The Dour FestivalDourBelgium
(FOB) AKG 391's > Dat; Dat > DATDECK > PC > CD Wave > TLH > FLAC; Transferred by Jack Riley
22761Phish1996-07-13The Dour FestivalDourBelgium
AUD; Cass/x > Nakamichi BX-300E > HD > CDR > EAC > shntool > mkwACT > SHN; SHN Conversion by Volker Skrzeba
34951Phish1996-07-13The Dour FestivalDourBelgium
AKG391's > Sound devices > DAT > D5; Cass/2 > Dennon DRW-840 > Audiophile 2496 > FLAC
3793Phish1996-07-15La MarnaSesto CalendeItaly
Neumann km140 > Beyer MV100; Prodif Plus > Samplitude > CDWav > mkwACT > SHN; DAT proided by Jeff Kemp; Transfer by Levi Hunt
30443Phish1996-07-15La MarnaSesto CalendeItaly
Sennheiser MKE 66 > DA-P1; DA-20mkII > Micromega DUO BS2 > Tascam CD-RW 5000 > CDR > EAC > Adobe Audition 1.5 > CDWav > shntool > FLAC, Taped by Aldo Torre; Transferred by Friedemann Rothfuchs
152274Phish1996-07-15La MarnaSesto CalendeItaly
flac16/48 Tascam PE-125 cardioid microphones > Sony TCD-D7 (48k) DAT Master > Tascam us144-mkII > PC/WAV > Audacity > CD Wave > TLH FLAC 16/48 Recorded and transferred by - Bill Shaw
152275Phish1996-07-17Théâtre AntiqueVienneFrance
flac16/48 Tascam PE-125 cardioid microphones > Sony TCD-D7 (48k) DAT Master > Tascam us144-mkII > PC/WAV > Audacity > CD Wave > TLH FLAC 16/48 Recorded and transferred by - Bill Shaw
23215Phish1996-07-17Théâtre AntiqueVienneFrance
AUD; Cass/x > CDR > EAC > mkwACT > SHN; SHN Conversion by Volker Skrzeba
34952Phish1996-07-17Théâtre AntiqueVienneFrance
AKG391's > Sound Devices > DAT > D5; Cass/2 > Dennon DRW-840 > Audiophile 2496 > FLAC
123602Phish1996-07-17Théâtre AntiqueVienneFrance
flac16; AKG 414 -> Tascam DA-P1 (48k); Tascam DA-20 -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; Transferred by Charlie Miller
164370Phish1996-07-17Théâtre AntiqueVienneFrance
flac16 48kHz AKG414 > PS > Tascam DA-P1 > Sony TCD-7 Transfer: DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com) DAT provided by Charlie Miller & Arielle Phares
22537Phish1996-07-18Theater de VerdureNiceFrance
AUD; CDR > EAC > shntool > CDWav > mkwACT > SHN; SHN Conversion by Volker Skrzeba
152276Phish1996-07-18Theater de VerdureNiceFrance
flac16/48 Sonics Studios DSM-6's (in hat) > Sony TCD-D7 (48k) DAT Master > Tascam us144-mkII > PC/WAV > Audacity > CD Wave > TLH FLAC 16/48 Recorded and transferred by - Bill Shaw
123603Phish1996-07-18Theater de VerdureNiceFrance
flac16; AKG 414 -> Tascam DA-P1 (48k); Tascam DA-20 -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; Transferred by Charlie Miller
164371Phish1996-07-18Theater de VerdureNiceFrance
flac16 48kHz AKG414 > PS > Tascam DA-P1 > Sony TCD-7 Transfer: DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com) DAT provided by Charlie Miller & Arielle Phares
21721Phish1996-07-19Les ArenesArlesFrance
AKG 414 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
152277Phish1996-07-19Les ArenesArlesFrance
flac16/48 Tascam PE-125 cardioid microphones > Sony TCD-D7 (48k) DAT Master > Tascam us144-mkII > PC/WAV > Audacity > CD Wave > TLH FLAC 16/48 Recorded and transferred by - Bill Shaw
164372Phish1996-07-19Les ArenesArlesFrance
flac16 48kHz AKG414 Transfer: DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX10 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com) DAT provided by Charlie Miller & Arielle Phares
146892Phish1996-07-21The ForumNürnbergGermany
flac16/48khz Source: AKG 414 > DAT @ 16/48;DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG) 16/48; DiGiHoArDeRs 6/14/19
22912Phish1996-07-21The ForumNürnbergGermany
AKG 391; DAT > Phillips CDR880 > CDR > EAC > shntool > mkwACT > SHN; DAT>CDR Transfer by Ralf Karpa; SHN Conversion by Volker Skrzeba
29075Phish1996-07-22TanzbrunnenCologneGermany
AUD > ? > CD > EAC > Mastering > FLAC16
164373Phish1996-07-22TanzbrunnenCologneGermany
flac16 48kHz AKG414 Transfer: DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8> Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com) DAT provided by Charlie Miller & Arielle Phares
20461Phish1996-07-23MarkthalleHamburgGermany
Schoeps CMC6/mk41 > SBM-1 > DA-P1
30453Phish1996-07-23MarkthalleHamburgGermany
AKG 414 > DAT @48kHz; Aiwa XD-001 > Z-Cyber Nightingale Pro 6 > Adobe Audition 1.5 @44.1 kHz > CDWav > shntool > FLAC; DAT provided by Aldo Torre; Transferred by Friedemann Rothfuchs
152391Phish1996-07-23MarkthalleHamburgGermany
flac16/48 Tascam PE-125 cardioid microphones > Sony TCD-D7 (48k) DAT Master > Tascam us144-mkII > PC/WAV > Audacity > CD Wave > TLH FLAC 16/48 Recorded and transferred by - Bill Shaw
164374Phish1996-07-23MarkthalleHamburgGermany
flac16 48kHz AKG414 > PS > Tascam DA-P1 > Sony TCD-7 Transfer: DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com) DAT provided by Charlie Miller & Arielle Phares
29074Phish1996-07-24Music HallHannoverGermany
Unknown Daud > cass > cass
152278Phish1996-07-24Music HallHannoverGermany
flac16/48 Tascam PE-125 cardioid microphones > Sony TCD-D7 (48k) DAT Master > Tascam us144-mkII > PC/WAV > Audacity > CD Wave > TLH FLAC 16/48 Recorded and transferred by - Bill Shaw with Soundcheck Sonics Studios DSM-6's > Sony TCD-D7 (48k) DAT Master > Tascam us144-mkII > PC/WAV > Audacity > CD Wave > TLH FLAC 16/48 Recorded by: ??? / Transferred by Bill Shaw
164403Phish1996-07-24Music HallHannoverGermany
flac16 48kHz AKG414 > PS > Tascam DA-P1 > Sony TCD-7 Transfer: DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com) DAT provided by Charlie Miller & Arielle Phares
152279Phish1996-07-25StadtparkHamburgGermany
flac16/48 Tascam PE-125 cardioid microphones > Sony TCD-D7 (48k) DAT Master > Tascam us144-mkII > PC/WAV > Audacity > CD Wave > TLH FLAC 16/48 Recorded and transferred by - Bill Shaw
152280Phish1996-07-25StadtparkHamburgGermany
flac16/48 AKG 414's > Tascam DA-P1 (48k) DAT DAT clone1 > Tascam us144mkII > PC/WAV > Audacity > TLH FLAC 16/48 Taper: Don Wright / Transfer: Bill Shaw
23526Phish1996-07-25StadtparkHamburgGermany
AUD > Cass/1; Onkyo TA-6510 > Philips CDR 870 > CDR > EAC > Soundforge 6.0 > CDWav > shntool > SHN; Transferred by Brandon Johnston
164404Phish1996-07-25StadtparkHamburgGermany
flac16 48kHz AKG414 > PS > Tascam DA-P1 > Sony TCD-7 Transfer: DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com) DAT provided by Charlie Miller & Arielle Phares
3441Phish1996-08-02Wolf Mountain AmphitheaterPark CityUT
AKG 391 > Aerco; Fostex D-5 > EgoSys U2A > Cool Edit >SHN
26748Phish1996-08-02Wolf Mountain AmphitheaterPark CityUT
AKG C568 EB > Aerco preamp; Sony PCM-500 > Tascam CDRW700 > CDR > EAC > FLAC
131024Phish1996-08-02Wolf Mountain AmphitheaterPark CityUT
flac16 48kHz AKG C568 > ? > D7; DAT(m) @ 48kHz > Sony PCM-R500 > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.0.264 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Recorded by: chk & dyl; Transfer & edits by Jeff Mitchell
164405Phish1996-08-02Wolf Mountain AmphitheaterPark CityUT
flac16 48kHzMicrotech M300 > HHB PDR-1000 Transfer: DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com) DAT provided by Charlie Miller & Arielle Phares
4752Phish1996-08-04Red Rocks AmphitheatreMorrisonCO
DAUD, mics unknown; Fostex D-5 > U2A > CoolEdit > SHN
30160Phish1996-08-04Red Rocks AmphitheatreMorrisonCO
FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass rolloff) > D7 @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) CDWav > FLAC; Transferred by Greg Lance
121492Phish1996-08-04Red Rocks AmphitheatreMorrisonCO
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > audiogate (16/44.1) > cd wave > tlh(flac16); Taped by JK; Transferred by John M.
101744Phish1996-08-04Red Rocks AmphitheatreMorrisonCO
Schoeps cmc6/mk4v > Oade pre-amp > Panasonic SV-250 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Stan Lobitz; patch-taped by Jacob Pyne; Transferred by Jason Sobel
143850Phish1996-08-04Red Rocks AmphitheatreMorrisonCO
flac16 48kHz Neumann TLM170 > Stewart BPS1 PS > Teac DAP20 > Denon DTR-80p; DAT(c) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 Suite > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Scott Bernstein & Boris Lvovsky; Transfer & edits by Jeff Mitchell
105845Phish1996-08-04Red Rocks AmphitheatreMorrisonCO
Neumann TLM170 -> Stewart BPS1 PS -> Teac DAP20 (@16 bit/48khz/pre-emphasis ON) -> digital patch -> Denon DTR-80p(m); Sony R500 -> Sound Devices 722 -> Soundforge Pro 10.0a (Sample rate conversion 48khz to 44.1khz, volume normalization ) -> SOX 14.3.0 (remove pre-emphasis) -> CD Wave -> FLAC; Taped by Scott Bernstein and Boris Lvovsky; Transferred by Scott Bernstein
147687Phish1996-08-04Red Rocks AmphitheatreMorrisonCO
flac24/48khz Source: (3/4 ways back in TS) Akg 451's > Panasonic sv250 > Marantz Pmd 430 (DBX On/MX-S Metal 90 x 2) Transfer: (5.14.18) Marantz PMD 430 (DBX On) > Sd 702 @24/48 (+18db Gain) > Wavelab 6.0 > Cd Wave > 24/48 FLAC via gotfob
3720Phish1996-08-05Red Rocks AmphitheatreMorrisonCO
Microtech Geffel 300 > Lunatec; Sony R300 > optical SPDIF > Zoltrix Nightingale @48kHz > Samplitude 2496 (48>44.1kHz) > CDWav > mkwACT 0.97 > SHN; Transfer by Rob Garland
20997Phish1996-08-05Red Rocks AmphitheatreMorrisonCO
Schoeps CMC6/mk4v > Oade > SV-250 > DA-P1; Tascam DA-P1 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3; recorded by Stan Lobitz
30161Phish1996-08-05Red Rocks AmphitheatreMorrisonCO
FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass rolloff) > D7 @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) CDWav > FLAC; Transferred by Greg Lance
111097Phish1996-08-05Red Rocks AmphitheatreMorrisonCO
set 1 only; B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
106246Phish1996-08-05Red Rocks AmphitheatreMorrisonCO
Neumann TLM170s (cardoids) -> 2xStewart BPS1 power supplies -> Teac DA-P20 (48khz, EMPHASIS ON) -> digital patch -> Denon DTR-80p; Sony R500 -> Sound Devices 722 -> Soundforge Pro 10.0a (48khz to 44.1khz) -> SOX 14.3.0 (remove pre-emphasis) -> Soundforge Pro 10.0a (time aligning the L/R channel, volume normalization) -> CD Wave -> FLAC; Taped by Scott Bernstein & Boris Lvovsky; Transferred by Scott Bernstein
122116Phish1996-08-05Red Rocks AmphitheatreMorrisonCO
flac16; Schoeps CMC6/MK21 > Sonosax SX-M2 > Tascam DA-P1 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Macbook > Sound Studio 3.6 (normalize peak, +gain, track) > Wave Editor 1.5.7 (iZotope Resampler) > xACT 2.20 > flac16 (level 8); Taped by Craig Hillwig; Transferred by Lenny Stubbe
122117Phish1996-08-05Red Rocks AmphitheatreMorrisonCO
flac16, 48kHz; Schoeps CMC6/MK21 > Sonosax SX-M2 > Tascam DA-P1 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Macbook > Sound Studio 3.6 (normalize peak, +gain, track) > xACT 2.20 > flac16 (level 8); Taped by Craig Hillwig; Transferred by Lenny Stubbe
122966Phish1996-08-05Red Rocks AmphitheatreMorrisonCO
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > audiogate (16/44.1) > cd wave > tlh(flac16); Taped by JK; Transferred by John M.
124368Phish1996-08-05Red Rocks AmphitheatreMorrisonCO
flac16; Schoeps CMC6/mk4 > Sonosax SX-M2 > Sony TCD-D7; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Transferred by Jeff Mitchell
147688Phish1996-08-05Red Rocks AmphitheatreMorrisonCO
flac24/48khz Source: (1st row (17th row) DFC TS) Neumann Km140 > Da-P1 > Marantz Pmd 430 (DBX On/MX-S Metal 90 x 2) Transfer: (5.14.18) Marantz PMD 430 (DBX On) > Sd 702 @24/48 (+18db Gain) >Wavelab 6.0 > Cd Wave > 24/48 FLAC via gotfob
164406Phish1996-08-05Red Rocks AmphitheatreMorrisonCO
flac16 48kHz Schoeps MK41 > Schoeps CMC6 > Oade > Panasonic SC-250 Transfer: DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com) DAT provided by Charlie Miller & Arielle Phares
149688Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
flac16/44.1khz Source: Sennheiser ME-67 > DAT @ 16/44.1 Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG) DiGiHoArDeRs: 4/22/2020 Matt"LazyLightning"Lazor DAT collection
634Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
Microtech > Tascam DA-P1; DAT > Cool Edit 96 > SHN; Seeded by M. Stern
8384Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
Fixed sector boundary issues of previous seed with shntool; Microtech > Tascam DA-P1; DAT > Cool Edit 96 > SHN; Fixes by Paul Hofferkamp
20996Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
Schoeps CMC6/mk4v > Oade > SV-250 > DA-P1; Tascam DA-P1 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
30162Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass rolloff) > D7 @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) CDWav > FLAC; Transferred by Greg Lance
89672Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
Schoeps CMC6/mk21 > Sonosax SX-M2 > Tascam DA-P1 (@ 48kHz); Sony PCM-2600 > M-Audio Firewire Audiophile > Abelton Live > CDWave 1.94 > FLAC; Taped and Transferred by C. Hillwig (NOTE: 48 kHz seed)
96416Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
Schoeps cmc6/mk4 > Sonosax SX-M2 > Sony D7 (@ 48kHz); Sony D8 > M-Audio MicroTrack > WaveLab 5.01b (fades, 48 to 44.1 kHz) > CD Wave v1.94.7 > FLAC (level 8); Transferred by Jason Sobel
105985Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
Neumann TLM170 -> Stewart BPS1 PS -> Teac DA-P20 (@16 bit/48khz/pre-emphasis ON) -> Denon DTR-80p(m); Sony R500 -> Sound Devices 722 -> Soundforge Pro 10.0a (48khz to 44.1khz, time aligning the L/R channel, volume normalization, dither) -> SOX 14.3.0 (remove pre-emphasis) > CD Wave > FLAC; Taped by Scott Bernstein and Boris Lvovsky; Transferred by Scott Bernstein
119297Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
flac16; AKG 460's w/CK61's -> Oade M118 -> Sony SBM-1 -> Sony TCD-D7; Panasonic SV-3700 -> Marantz PMD-661 -> Audacity (Dither to 16/44.1) -> cd wave -> tlh -> flac8; Taped & Transferred by Jeff Moores
121514Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > audiogate (16/44.1) > cd wave > tlh(flac16); Taped by JK; Transferred by John M.
123792Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
flac16, 48kHz; Schoeps CMC6/MK21 > Sonosax SX-M2 > Tascam DA-P1 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (normalize peak, +gain, track) > xACT 2.21 (encode, tag, fingerprint) > flac16 (level 8); Taped by Craig Hillwig; Transferred by Lenny Stubbe
123793Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
flac16; Schoeps CMC6/MK21 > Sonosax SX-M2 > Tascam DA-P1 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (normalize peak, +gain, track) > Wave Editor 1.5.7 (iZotope Resampler) > xACT 2.21 (encode, tag, fingerprint) > flac16 (level 8); Taped by Craig Hillwig; Transferred by Lenny Stubbe
124369Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
flac16; Schoeps CMC6/mk4 > Sonosax SX-M2 > Sony TCD-D7; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Transferred by Jeff Mitchell
131025Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
flac16 48kHz Nakamichi 100 w/ CP1 > Sony D7; DAT(m) @ 48kHz > Sony PCM-R500 > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.0.264 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Recorded by: chk ; Transfer & edits by Jeff Mitchell
147689Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
flac24/48khz Source: (Marc Nutters rig) Microtech Geffell M296 (20' Spaced Omnis A/B,1st Row TS) > Lunatec 316 > Panasonic Sv 250 > Patchbay >Marantz Pmd 430 (DBX On/MX-S Metal 90 x 2) Transfer: (5.14.18) Marantz PMD 430 (DBX On) > Sd 702 @ 24/48 (+18db Gain) > Wavelab 6.0 > Cd Wave > 24/48 FLAC via gotfob
164407Phish1996-08-06Red Rocks AmphitheatreMorrisonCO
flac16 48kHZSchoeps MK41 > Schoeps CMC6 > Oade > Panasonic SC-250 Transfer: DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com) DAT provided by Charlie Miller & Arielle Phares
3442Phish1996-08-07Red Rocks AmphitheatreMorrisonCO
Nak 300/cp1> D7; Converted and Seeded by Levi Hunt
20995Phish1996-08-07Red Rocks AmphitheatreMorrisonCO
Schoeps CMC6/mk4v > Oade > SV-250 > DA-P1; Tascam DA-P1 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
30163Phish1996-08-07Red Rocks AmphitheatreMorrisonCO
FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass rolloff) > D7 @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) CDWav > FLAC; Transferred by Greg Lance
106005Phish1996-08-07Red Rocks AmphitheatreMorrisonCO
Neumann TLM170 -> Stewart BPS1 PS -> Teac DA-P20 (@16 bit/48khz/pre-emphasis ON) -> Denon DTR-80p(m); Sony R500 -> Sound Devices 722 -> Soundforge Pro 10.0a (48khz to 44.1khz, time aligning the L/R channel, volume normalization, dither) -> SOX 14.3.0 (remove pre-emphasis) > CD Wave > FLAC; Taped by Scott Bernstein and Boris Lvovsky; Transferred by Scott Bernstein
119288Phish1996-08-07Red Rocks AmphitheatreMorrisonCO
flac16; AKG 391's -> Oade M118 -> Sony SBM-1 -> Sony TCD-D7; Panasonic SV-3700 -> Marantz PMD-661 -> Audacity (Dither to 16/44.1) -> cd wave -> tlh -> flac8; Taped & Transferred by Jeff Moores
121516Phish1996-08-07Red Rocks AmphitheatreMorrisonCO
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > audiogate (16/44.1) > cd wave > tlh(flac16); Taped by JK; Transferred by John M.
124370Phish1996-08-07Red Rocks AmphitheatreMorrisonCO
flac16; set 2 only; Schoeps CMC6/mk4 > Sonosax SX-M2 > Sony TCD-D7; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Transferred by Jeff Mitchell
147690Phish1996-08-07Red Rocks AmphitheatreMorrisonCO
flac24/48khz Source: (1st row (17th row) DFC TS) Neumann Km140 >Da-P1 >Marantz Pmd 430 (DBX On/MX-S Metal 90 x 2) Transfer: (5.14.18) Marantz PMD 430 (DBX On) > Sd 702 @24/48 (+18db Gain) > Wavelab 6.0 > Cd Wave > 24/48 FLAC via gotfob
149637Phish1996-08-07Red Rocks AmphitheatreMorrisonCO
flac16/44.1khz Source: Sennheiser ME-67 > DAT @ 16/44.1 Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > iZotopeRX > xACT(FLAC/TAG) DiGiHoArDeRs: 4/19/2020 Matt"LazyLightning"Lazor DAT collection
164408Phish1996-08-07Red Rocks AmphitheatreMorrisonCO
flac16 48kHz Schoeps MK41 > Schoeps CMC6 > Oade > Panasonic SC-250 Transfer: DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell (jeffhmitchell@gmail.com) DAT provided by Charlie Miller & Arielle Phares
3443Phish1996-08-10Alpine Valley Music TheatreEast TroyWI
Sonic Studios > SBM > DAT; Fostex D-5 > ZA-2 > CDWav > SHN
9497Phish1996-08-10Alpine Valley Music TheatreEast TroyWI
FOB Microtech Geffel M300 > Sonosax SX-M2; Tascam DA-20 mkII > Apogee SPDIF > Audiophile 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Transferred by Jason Musante
22136Phish1996-08-10Alpine Valley Music TheatreEast TroyWI
B+K 4021 > PSP-2 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
112123Phish1996-08-10Alpine Valley Music TheatreEast TroyWI
B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
121144Phish1996-08-10Alpine Valley Music TheatreEast TroyWI
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Tascam DA-20 > M-Audio Microtrack II > audiogate (16/44.1) > cd wave > tlh > flac16; Taped by JK; Transferred by John M.
127410Phish1996-08-10Alpine Valley Music TheatreEast TroyWI
flac16 48kHz FOB (Row Q); Schoeps CMC6/MK21 > Sonosax SX-M2 > Technics SV-255; DAT(c) @ 48k > Sony PCM-R500 > Canare Coax > Korg MR-2000S > USB 2.0 > Samplitude Pro X v12.4.1.246 (fades, edits) > TLH v2.7.0 (flac 8, ffp)
100284Phish1996-08-10Alpine Valley Music TheatreEast TroyWI
AKG c3000's > DAT (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel
146227Phish1996-08-10Alpine Valley Music TheatreEast TroyWI
flac16/48khz Source: B&K 4021 > EAA PSP-2 > Tascam DA-P1 (M) (48 khz) Config/Location: POS/OTS section 202, row yy, seat 147 Transfer: Tascam DA-P1 > Tascam SS-R1 (16/48)> wav>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.47(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Eric Vandercar (ericv) #4EV Transferred by: Jeff Mitchell Processed and seeded by: Lenny Stubbe
4753Phish1996-08-12Deer Creek Music CenterNoblesvilleIN
AKG 3000; Fostex D-5 > U2A > CoolEdit > SHN
5626Phish1996-08-12Deer Creek Music CenterNoblesvilleIN
AT ATM61HE's > Niles Preamp > D7; DA-P1 > Phillips CDR870 > EAC > CDWav > mkwACT > SHN; Transfer by Doug Nawrocki
17774Phish1996-08-12Deer Creek Music CenterNoblesvilleIN
Microtech Gefell m300 > DAT @48khz; Aiwa XD-001 > Z-Cyber Nightingale Pro 6 S/PDIF > Cool Edit Pro > CDWav > mkwACT > SHN; Transferred by Friedemann Rothfuchs
22412Phish1996-08-12Deer Creek Music CenterNoblesvilleIN
Schoeps CMC6/mk4 (ORTF) > Sonosax > D10 Pro II > DA-P1 (OTS); Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
112124Phish1996-08-12Deer Creek Music CenterNoblesvilleIN
set 2 only; B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
89843Phish1996-08-12Deer Creek Music CenterNoblesvilleIN
Nakamichi CM300 & PZM 30D mix-> Niles Audiomixer-> Sony D3 (@ 48kHz); PCM-R300-> M-Audio Delta 1010Lt-> Wave Lab 5.0 (OZone3, Fades, L2Dither 44.1kHz) -> Traders Little Helper (flac8); Taped by Greg Holtz
135450Phish1996-08-12Deer Creek Music CenterNoblesvilleIN
flac16 (Set 1 48k Set 2 44k) AKG C1000's > D8; Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Transferred & Seeded by Bill Graves
100440Phish1996-08-12Deer Creek Music CenterNoblesvilleIN
Microtech Gefell m300 > Sonosax SX-M2 > HHb PDR-1000 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Marc Nutter; Patch-taper was Jacob Pyne; Transferred by Jason Sobel
164858Phish1996-08-12Deer Creek Music CenterNoblesvilleIN
flac16 48kHz Schoeps MK4V > Schoeps CMC6; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp); Transfer by Jeff Mitchell
4754Phish1996-08-13Deer Creek Music CenterNoblesvilleIN
AKG 3000; Fostex D-5 > U2A > CoolEdit > SHN
2510Phish1996-08-13Deer Creek Music CenterNoblesvilleIN
FOB Schoeps CMC6/mk4 > Sonosax SX-M2 > Panasonic SV-255; Wavecenter PCI soundcard (via SPDIF digital input) > Cool Edit Pro (48>44.1kHz) > SHN
89937Phish1996-08-13Deer Creek Music CenterNoblesvilleIN
Nakamichi CM300 & PZM 30D mix > Niles Audiomixer > D3; PCM-R300 > M-Audio Delta 1010Lt > Wave Lab 5.0 (BBE, Fades, L2Dither) > Traders Little Helper (flac8); Taped by Greg Holtz
90680Phish1996-08-13Deer Creek Music CenterNoblesvilleIN
Microtech Gefell m300-> SX-M2-> HHb (16/48); DAT -> SD744T -> CD Wave-> Wavelab (Normalize, 16/44)-> FLAC Frontend (level 6)-> FLAC
112125Phish1996-08-13Deer Creek Music CenterNoblesvilleIN
set 2 only; B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
100417Phish1996-08-13Deer Creek Music CenterNoblesvilleIN
Microtech Gefell m300 > Sonosax SX-M2 > HHb PDR-1000 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Marc Nutter; Patch-taper was Jacob Pyne; Transferred by Jason Sobel
138535Phish1996-08-13Deer Creek Music CenterNoblesvilleIN
flac16 48khz set 2 only. Core Sound Omnis (In hat/DFC/Lawn) > Sony D7 Transfer: DAT/m > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/48 Taped by: Matt “Lazy Lightning” Lazor Transfer: DiGiHoArDeRs 6/9/17
104911Phish1996-08-13Deer Creek Music CenterNoblesvilleIN
Schoeps mk4/cmc6 > Sonosax SX-M2 > Sony TCD-D10 pro II > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain PRO v1.5 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Jeff Lazzaro; patch-taper was Lenny Stubbe; Transferred by Jason Sobel
164859Phish1996-08-13Deer Creek Music CenterNoblesvilleIN
flac16 48kHz Unknown Audience Recording; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp); Transfer by Jeff Mitchell
3542Phish1996-08-14Hershey Park StadiumHersheyPA
Nak300/cp1> SBM-1; Prodif Plus > Samplitude 2496 > WAV > mkwACT > SHN; Transfered by Levi Hunt
17773Phish1996-08-14Hershey Park StadiumHersheyPA
Unknown source; Aiwa XD-001 > Z-Cyber Nightingale Pro 6 S/PDIF > Cool Edit Pro > CDWav > mkwACT > SHN; Transferred by Friedemann Rothfuchs
22117Phish1996-08-14Hershey Park StadiumHersheyPA
Schoeps CMC6/mk4 > Sonosax > D10 Pro II > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
105689Phish1996-08-14Hershey Park StadiumHersheyPA
Nakamichi CM300's/CP4's > Sony TC-D5 > Cass(m); Nak DR-2 > Tascam CDRW2000 > CD > xACT 1.69 (cdparanoia) > WAV > FLAC; Taped by Jon Pasternak; Transferred by Dave Mallick
122537Phish1996-08-14Hershey Park StadiumHersheyPA
flac16; Schoeps CMC6/MK4 > Sonosax SX-M2 > Sony D10 Pro II > Tascam DA-P1 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > Wave Editor 1.5.7 (iZotope Resampler) > xACT 2.20 > flac16 (level 8); Taped by Jeff Lazzaro; Patch taped & Transferred by Lenny Stubbe
122538Phish1996-08-14Hershey Park StadiumHersheyPA
flac16, 48kHz; Schoeps CMC6/MK4 > Sonosax SX-M2 > Sony D10 Pro II > Tascam DA-P1 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.20 > flac16 (level 8); Taped by Jeff Lazzaro; Patch taped & Transferred by Lenny Stubbe
140201Phish1996-08-14Hershey Park StadiumHersheyPA
flac16 44.1khz AUD>Sennheiser 441>sony d7 > fostex d5 > optical cable > zoltrix nightingale soundcard > cdwave > soundforge 4.5 xp (resample) > shn > flac(8).
147480Phish1996-08-14Hershey Park StadiumHersheyPA
flac16/44.1khz Source:2-AKG C460's W/CK-61 Cardiod ( 10" Apart ORTF ) Stand 8ft > Symetrix SX-202 Pre-Amp> Sony D-10 Pro II DAT DAT Transfer: Sony PCM-2700>SP/DIF>HHB CD-R 850 May 2000 CD Transfer: CD Opital Drive>Traders Little Helper FLAC Encoding Location: GA Field Right Side Of Soundboard Taper: Terry Sullivan
164860Phish1996-08-14Hershey Park StadiumHersheyPA
flac16 48kHz Schoeps MK4V > Schoeps CMC6 > Oade; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp); Transfer by Jeff Mitchell
30447Phish1996-08-15Plattsburgh Air Force BasePlattsburghNY
Soundcheck; Nak 300 > DAT > Cass/1 > HK TD4400 > Steinberg VSL2020 > Wavelab > WAV > FLAC
2229Phish1996-08-15Plattsburgh Air Force BasePlattsburghNY
88.9 KA2XZE FM > D7@48 kHz; DA-P1 > Turtle Beach Fiji > Sound Forge 4.5 > CD Wave > SHN v3; Taped by Marcus Thunich; Transfer and encoding by Mike Wren, with thanks to Caleb Epstein; the current md5's reflect the 8-15-96 scheme, not 5-15-96 as orginally seeded; Note: FLAC version circulated 07/26/04
34812Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
SBD + AUD Matrix Mix (65%-SBD/35%-AUD) - (NOTE: both 16 bit / 44.1 kHz & 24 bit / 48 kHz versions are available)
636Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
DSBD -> CD-R except for SOAMelt (DAUD), which was cut from the original? DSBD; includes flatbed jam [not sure if same source]; [AUD also circ by itself?]
3283Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
SBD > DAT > CDR > EAC > SHN
12457Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
SBD > DAT; (SOAM Sources: AUD SHN); Tascam DA40 @48kHz > REBA > Wavelab 4.0e > WAV > CDWav > SHNv3
27002Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
AKG C568 EB > Aerco preamp; SONY PCM-500 > Tascam CDRW700 > CDR (master) > EAC > FLAC
32540Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Tapeded by Dave Flaschner; Transferred by Jason Sobel
113413Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
130461Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
flac16 48kHz Set 1 & 3; Nakamichi CM700 shotguns > D6; Cass/1(from Master) > Yamamha KX530 > Tascam DR-100 MKII @ 16/48; 16/48 wav > Audacity > xACT (FLAC/TAG); Taped by Steve Baker; Transferred by DiGiHoArDeRs
76994Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
DTS 5.1 Audio CD (DSBD + AKG 460B/ck61 mix)
95358Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
(FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D10 pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (fades, patch, volume adjustments, resample to 44.1 kHz, track splits) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel
101557Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
132387Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
flac16, 48kHz; B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > SDHC card > usb 2.0 > pc > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades) > FLAC v1.3.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
138734Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
flac16 48khz source: (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D10 pro II (@ 48 kHz) (mics were ORTF) transfer: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > Samplitude SE v9.1.1 (fades, patch, volume adjustments, track splits) > FLAC v1.2.1 (Level 8) FLAC tags added with metaflac v1.2.1 recorded by Eliot Byron, transferred by Jason Sobel (jasonsobel@gmail.com). These 48 kHz files are identical copies of the original DAT recording (except where patched). A 44.1 kHz version for CD listening is also available.
147481Phish1996-08-16Plattsburgh Air Force BasePlattsburghNY
flac16/44.1khz Source:2-AKG C460's W/CK-61 Cardiod ( 10" Apart ORTF ) Stand 8ft > Symetrix SX-202 Pre-Amp> Sony D-10 Pro II DAT DAT Transfer: Sony PCM-2700>SP/DIF>HHB CD-R 850 May 2000 CD Transfer: CD Opital Drive>Traders Little Helper FLAC Encoding Location: GA Runway Left side Of Soundboard Taper: Terry Sullivan
136823Phish1996-08-17Plattsburgh Air Force BasePlattsburghNY
flac16, 44kHz; Source: Neumann km140's > Beyer mv100 > Sony TCD-D8 > DAT(c); Transfer: DAT(c) > Tascam DA-20mkII > Pro Tools > FLAC; Souce by Burris; Transfer by Dave Schall
637Phish1996-08-17Plattsburgh Air Force BasePlattsburghNY
DSBD -> CD-R except for Golgi -> Slave (DAUD), which  were cut from the original DSBD; [AUD also circ by itself?]; filler 9/24/88 IIp
1927Phish1996-08-17Plattsburgh Air Force BasePlattsburghNY
DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN; Except Slave: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN; Seeded by Art H.; d1 and d2 tracked for 80 min discs; see info files for notes; NOTE: Please make sure that your copies are from the md5's currently up (not bad), if not, do not circulate original shn's and md5's
12680Phish1996-08-17Plattsburgh Air Force BasePlattsburghNY
SBD > DAT (99% of the show); Old Home Place: Pre-FM SBD DAT; PYITE: 1st 1:05 DAUD DAT; Suzie Greenberg: 1st second taken from DAUD DAT; Slave: FM SBD Broadcast > DAT > CD > EAC; Note: Reseed of previously circulated source with pitch correction
22373Phish1996-08-17Plattsburgh Air Force BasePlattsburghNY
Flatbed Jam (partial); unknown mic > Sony D6 > Master DAT > Cass/1 > HHB 830; CDR > EAC > Soundforge 6.0 > FLAC; Taped by: Guy "Meatball" Gimbrone and Justin Clutter; Transferred and seeded to bt.etree.org by RevMike.
32121Phish1996-08-17Plattsburgh Air Force BasePlattsburghNY
FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
101610Phish1996-08-17Plattsburgh Air Force BasePlattsburghNY
B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
113416Phish1996-08-17Plattsburgh Air Force BasePlattsburghNY
B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
130654Phish1996-08-17Plattsburgh Air Force BasePlattsburghNY
flac16 48kHz Nakamichi 700’s shotguns > D6; Cass/1(from Master) > Yamamha KX530 > Tascam DR-100 MKII @ 16/48; 16/48 wav > Audacity > xACT (FLAC/TAG); Taper: Steve Baker
132388Phish1996-08-17Plattsburgh Air Force BasePlattsburghNY
flac16, 48kHz; B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > SDHC card > usb 2.0 > pc > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades, splice) > FLAC v1.3.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
147482Phish1996-08-17Plattsburgh Air Force BasePlattsburghNY
flac16/44.1khz Source:2-AKG C460's W/CK-61 Cardiod ( 10" Apart ORTF ) Stand 8ft > Symetrix SX-202 Pre-Amp> Sony D-10 Pro II DAT DAT Transfer: Panosonic SV-3700>SP/DIF>Sound Devices 702 @ 16/48 July 2019 Compact Flash Transfer: CD Wave Editor>Traders Little Helper FLAC Envoding Location: GA Runway Left side Of Soundboard Taper: Terry Sullivan
5470Phish1996-10-16Olympic CenterLake PlacidNY
Schoeps CMC6/mk4 > Oade > DA-P1 > Tascam DA-20 mkII > ZA2 > Soundforge 4.5 > CDWav > mkwACT > SHN; Transfer by Jason Musante
20163Phish1996-10-16Olympic CenterLake PlacidNY
Schoeps CMC6/mk4V > Oade > DA-P1; Casio DA-R100 > S/PDIF > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
7804Phish1996-10-17Bryce Jordan Center, Penn State Univ.State CollegePA
Microtech Gefell 210 > MV100 > DA-P1; DAT's provided by Pat Harvey; Transferred by Levi Hunt
20470Phish1996-10-17Bryce Jordan Center, Penn State Univ.State CollegePA
Microtech Geffel m210 (XY) > Beyer MV100 > DA-P1 (OTS); Tascam DA-P1 > M-Audio 24/96 via Coax SPDIF > Wavelab (48>44.1kHz) > CDWav > SHNv3
123600Phish1996-10-17Bryce Jordan Center, Penn State Univ.State CollegePA
flac16; AKG 460/CK63 -> Oade M248 -> Dat (48k); Tascam DA-20 -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; Transferred by Charlie Miller
124240Phish1996-10-17Bryce Jordan Center, Penn State Univ.State CollegePA
flac16, 44.1 kHz; Schoeps CMC6/MK4v > Oade Deluxe > Technics SVMD1 > Tascam DA-P1 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > Wave Editor 1.5.7 (iZotope Resampler) > xACT 2.21 > flac16 (level 8); Taped by Dr. Stan Lobitz; Transferred by Lenny Stubbe
124241Phish1996-10-17Bryce Jordan Center, Penn State Univ.State CollegePA
flac16, 48 kHz; Schoeps CMC6/MK4v > Oade Deluxe > Technics SVMD1 > Tascam DA-P1 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.21 > flac16 (level 8); Taped by Dr. Stan Lobitz; Transferred by Lenny Stubbe
147483Phish1996-10-17Bryce Jordan Center, Penn State Univ.State CollegePA
flac16/44.1khz Source:2-AKG C460's W/CK-61 Cardiod ( 10" Apart ORTF ) Stand 8ft > Symetrix SX-202 Pre-Amp> Sony D-10 Pro II DAT DAT Transfer: Sony PCM-2700>SP/DIF>HHB CD-R 850 May 2000 CD Transfer: CD Opital Drive>Traders Little Helper FLAC Encoding Location: GA Tapers Section Behind Soundboard Taper: Terry Sullivan
150990Phish1996-10-17Bryce Jordan Center, Penn State Univ.State CollegePA
flac16/44.1khz Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck>2 Maxell XL-II-S 90 Minute Master Cassette Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flac level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker.
164861Phish1996-10-17Bryce Jordan Center, Penn State Univ.State CollegePA
flac16 48kHz AKG CK63 > AKG460 > Oade > Tascam DA-P1; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp);Transfer by Jeff Mitchell
638Phish1996-10-18Civic ArenaPittsburghPA
DFOB (Schoeps CMC64 > Sonosax SX-M2 > SV-255 (@48)) > CD-R (DA20mkII > Audio Magic Presto II > ZA2 > Soundforge 4.5 (48 > 44.1) > CDWAV > SHN); Transfer by E. McRoberts; via C. Plemons to offer; d1t1 high levels; 7/10/96 filler (some digispots on filler)
83797Phish1996-10-18Civic ArenaPittsburghPA
AUD Matrix [Schoeps CMC6/mk4 > Sonosax SX-M2 > SV-255 > BTP + Bootleg]; WAV > Cakewalk Home Studio > FLAC
100294Phish1996-10-18Civic ArenaPittsburghPA
flac16, 44.1kHz; Microtech Gefell m210 > Sonosax SX-M2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Duncan Oldham & Lenny Stubbe; Transferred by Jason Sobel
131441Phish1996-10-18Civic ArenaPittsburghPA
flac16 48kHz Microtech Geffel 300 Cardiods > ? > Sony D7; DAT(m) @ 48kHz > Sony PCM-R500 > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.0.264 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Recorded by: chk; Transfer & edits by Jeff Mitchell
131230Phish1996-10-18Civic ArenaPittsburghPA
flac16, 48kHz; Microtech Gefell m210 > Sonosax SX-M2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Duncan Oldham & Lenny Stubbe; Transferred by Jason Sobel
8846Phish1996-10-19Marine Midland ArenaBuffaloNY
Schoeps CMC6/mk4 > Sonosax > Panasonic SV-255; Sony D8 > Zefiro ZA2 > CDWav > mkwACT > SHN; Transferred by Ben Fleahman
9499Phish1996-10-19Marine Midland ArenaBuffaloNY
FOB Schoeps CMC6/mk4 > Sonosax SX-M2 > Panasonic SV-255; Tascam DA-20 mkII > Apogee SPDIF > Audiophile 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Transferred by Jason Musante
20161Phish1996-10-19Marine Midland ArenaBuffaloNY
Schoeps CMC6/mk41 (ORTF) > Sonosax > D10 Pro II > DA-P1 (2nd row OTS); Casio DA-R100 > S/PDIF > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
20162Phish1996-10-19Marine Midland ArenaBuffaloNY
FOB Schoeps CMC6/mk4 > Sonosax > SV-255; Casio DA-R100 > S/PDIF > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
112225Phish1996-10-19Marine Midland ArenaBuffaloNY
AKG 414 + Audio Technica 4031 > Folio Notepad 4ch. mixer > Tascam DA-P1 > Sony TCD-D7 @ 48kHz; Tascam DA-20mkII > Sound Devices 702 > CF > Wavelab 6 (+gain, fades) > r8brain > CD Wave > TLH; Taped by Don Wright (rig) & K.C. Cadwallader (D7 patch); Transferred by K.C. Cadwallader
124435Phish1996-10-19Marine Midland ArenaBuffaloNY
flac16; Schoeps MK4 > KC5 > CMC6 > Sonosax SX-M2 > Tascam DA-P1 (@ 48 kHz); Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Taped by Ryan Varnum; Transferred by Jeff Mitchell
124489Phish1996-10-19Marine Midland ArenaBuffaloNY
flac16, 44.1kHz; Schoeps CMC6/MK4 > Sonosax SX-M2 > Sony D10 Pro II > Tascam DA-P1 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > Wave Editor 1.5.7 (iZotope Resampler) > xACT 2.22 > flac16 (level 8); Taped by Jeff Lazzaro; Patch taped & transferred by Lenny Stubbe
124490Phish1996-10-19Marine Midland ArenaBuffaloNY
flac16, 48kHz; Schoeps CMC6/MK4 > Sonosax SX-M2 > Sony D10 Pro II > Tascam DA-P1 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.22 > flac16 (level 8); Taped by Jeff Lazzaro; Patch taped & transferred by Lenny Stubbe
147484Phish1996-10-19Marine Midland ArenaBuffaloNY
flac16/44.1khz Source:2-AKG C460's W/CK-61 Cardiod ( 10" Apart ORTF ) Stand 8ft > Symetrix SX-202 Pre-Amp> Sony D-10 Pro II DAT DAT Transfer: Sony PCM-2700>SP/DIF>HHB CD-R 850 May 2000 CD Transfer: CD Opital Drive>Traders Little Helper FLAC Encoding Location: Floor 7 Row 52 Seat 3 Taper: Terry Sullivan
112406Phish1996-10-21Madison Square GardenNew YorkNY
Scheops CMC6/mk4 > Sonosax SX-M2 > Sony TCD-D7; D7 > Pindigi-coax > Samplitude Master (48 to 44.1kHz) > Wav > mkw > shn; Transferred by James Dunnican
7102Phish1996-10-21Madison Square GardenNew YorkNY
B+K 4021 > DA-P1 @48kHz (front TS); Tascam DA-20mkII > Apogee SPDIF > Audiophile 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped by Seth Breidbart; Transferred by Jason Musante
20469Phish1996-10-21Madison Square GardenNew YorkNY
B+K 4021 (ORTF) > EAA PSP-2 > DA-P1 (OTS); Tascam DA-P1 > M-Audio 24/96 via Coax SPDIF > Wavelab (48>44.1kHz) > CDWav > SHNv3
89338Phish1996-10-21Madison Square GardenNew YorkNY
Neumann TLM-170R > Sonosax SX-M2 > Teac DA-P20 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, 48 to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel
124460Phish1996-10-21Madison Square GardenNew YorkNY
flac16; Schoeps CMC6/MK41 > Oade Deluxe > Technics SVMD-1 > Sony TCD-D7 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > Wave Editor 1.5.7 (iZotope Resampler) > xACT 2.22 (encode) > flac16 (level 8); Taped by Dr. Stan Lobitz; Patch-taped by Craig Hillwig; Transferred by Lenny Stubbe
124461Phish1996-10-21Madison Square GardenNew YorkNY
flac16, 48kHz; Schoeps CMC6/MK41 > Oade Deluxe > Technics SVMD-1 > Sony TCD-D7 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.22 (encode) > flac16 (level 8); Taped by Dr. Stan Lobitz; Patch-taped by Craig Hillwig; Transferred by Lenny Stubbe
2034Phish1996-10-22Madison Square GardenNew YorkNY
B&K 4021's, Front & Center @ stacks; Transfer: Sony R300 DAT > optical SPDIF > Zoltrix Nightingale @ 48 kHz > Samplitude 2496 (resampled to 44.1 kHz) > CD Wave > Sound Forge (fades) > mkwACT 0.97 w/ seeking; Transferred by Rob Garland
20519Phish1996-10-22Madison Square GardenNew YorkNY
B+K 4021 (ORTF) > EAA PSP-2 > DA-P1 (OTS); Tascam DA-P1 > M-Audio 24/96 via Coax SPDIF > Wavelab (48>44.1kHz) > CDWav > SHNv3
102511Phish1996-10-22Madison Square GardenNew YorkNY
flac16, 44kHz; Nakamichi cm300's/cp4's > Sony TC-D5 > Cass(m); Cass(m) > Tascam CDRW2000 > CDR(m) > xACT > FLAC; Source by Jon Pasternak; Transfer by Dave Mallick
89485Phish1996-10-22Madison Square GardenNew YorkNY
Schoeps mk21 > kc5 > cmc5 > Sonosax SX-M2 > Sony D10 Pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel
108005Phish1996-10-22Madison Square GardenNew YorkNY
(FOB) Neumann TLM-170R's DAT (48 khz); Sony DTC-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > r8brain Pro (resample to 44.1 khz) > FLAC; Taped by Dan Haugh; Transferred by Bill Tetzeli (NOTE: both 44.1 kHz and 48 kHz versions are available)
108552Phish1996-10-22Madison Square GardenNew YorkNY
(FOB) Neumann TLM-170R's DAT (48 khz); Sony DTC-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > r8brain Pro (resample to 44.1 khz) > FLAC; Taped by Dan Haugh; Transferred by Bill Tetzeli
(NOTE: this is an upgrade to SHNID 108005. The track splits have been fixed and some dead air has been removed.)
124485Phish1996-10-22Madison Square GardenNew YorkNY
flac16, 44kHz; Schoeps CMC6/MK41 > Oade Deluxe > Technics SVMD-1 > Tascam DA-P1 > Sony TCD-D7; Sony PCM-2600 > Sound Devices 722 > Sound Studio > Wave Editor > xACT > FLAC; Source by Dr. Stan Lobitz; Transfer by Lenny Stubbe
124486Phish1996-10-22Madison Square GardenNew YorkNY
flac16, 48kHz; Schoeps CMC6/MK41 > Oade Deluxe > Technics SVMD-1 > Tascam DA-P1 > Sony TCD-D7 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.22 > flac16 (level 8); Taped by Dr. Stan Lobitz; Transferred by Lenny Stubbe
164862Phish1996-10-22Madison Square GardenNew YorkNY
flac16 48kHz Microtech Gefell M300 > Tascam DA-P1; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp); Transfers by Terry Watts & Jeff Mitchell
112441Phish1996-10-23Hartford Civic CenterHartfordCT
AKG 460/ck8 ; Tascam DA-20 mkii -> via external burner -> EAC -> SHN
5023Phish1996-10-23Hartford Civic CenterHartfordCT
B+K 4021 > EAA-PSP2 > DAP1 > Oade Cable > D7 @48k (OTS); DAT > Sony PCM-R500 > Klay Custom Coax (Canare) > RME Digi96/8 PST > Sound Forge 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped by Eric Vandercar; D7 patch by Jim Raras; Transfer by David Rothenberger
20518Phish1996-10-23Hartford Civic CenterHartfordCT
B+K 4021 (ORTF) > EAA PSP-2 > DA-P1 (OTS); Tascam DA-P1 > M-Audio 24/96 via Coax SPDIF > Wavelab (48>44.1kHz) > CDWav > SHNv3
108556Phish1996-10-23Hartford Civic CenterHartfordCT
Neumann TLM-170R > Sonosax SX-M2 > Teac DA-P20 (@ 48 kHz); Sony DTC-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > 48khz WAV > 44.1khz WAV (Audacity) > CD Wave > FLAC; Taped by Dan Haugh; Transferred by Bill Tetzeli
125849Phish1996-10-23Hartford Civic CenterHartfordCT
flac16, 48kHz; Microtech Gefell M300 > Beyer MV-100 > Tascam DA-P1 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.23 > flac16 (level 8); Taped by Craig Savarick; Transferred by Lenny Stubbe
125850Phish1996-10-23Hartford Civic CenterHartfordCT
flac16, 44.1kHz; Microtech Gefell M300 > Beyer MV-100 > Tascam DA-P1 (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > Wave Editor 1.5.7 (iZotope Resampler) > xACT 2.23 > flac16 (level 8); Taped by Craig Savarick; Transferred by Lenny Stubbe
164863Phish1996-10-23Hartford Civic CenterHartfordCT
flac16 48kHz BK4021; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell
3783Phish1996-10-25Hampton ColiseumHamptonVA
FOB AKG 483 > SX-M2 > D7 > S/PDIF > WAV > SHN
86720Phish1996-10-25Hampton ColiseumHamptonVA
AKG 460b/ck61 > AKG b18 > SBM-1 > D7; DAT > CDR > EAC > CDWav > FLAC
18175Phish1996-10-25Hampton ColiseumHamptonVA
FOB AKG 483s > Sonosax SX M2 > Sony D7
21722Phish1996-10-25Hampton ColiseumHamptonVA
AUD; Casio DA-R100 > M-Audio 24/96 > Wavelab > CDWav > SHNv3
85273Phish1996-10-25Hampton ColiseumHamptonVA
FOB Schoeps mk41 > Reutelhuber > Tascam DA-P1; Tascam DA-30mkII > Edirol R-4 > WL5 > CDWav > FLAC; Taped By Carrion Crow & Teddy; Transferred by Keith Litzenberger; Note: 48 kHz seed
109543Phish1996-10-25Hampton ColiseumHamptonVA
Nakamichi CM300's/CP4's > Sony TC-D5; Cass(m) > Tascam CDRW2000 > CD > xACT 2.00a (cdparanoia) > WAV > FLAC; Taped by Jon Pasternak; Transferred by Dave Mallick
123219Phish1996-10-25Hampton ColiseumHamptonVA
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > cd wave > tlh (16b/48khz); Taped by JK; Transferred by John M.
123220Phish1996-10-25Hampton ColiseumHamptonVA
flac16; Schoeps MK4/Schoeps CMBI -> Tascam DA-P1 (48kHz); Tascam DA-20 -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Transferred by Charlie Miller
123221Phish1996-10-25Hampton ColiseumHamptonVA
flac16, 48kHz; Schoeps MK4/Schoeps CMBI -> Tascam DA-P1 (48kHz); Tascam DA-20 -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC/48k; Transferred by Charlie Miller
130464Phish1996-10-25Hampton ColiseumHamptonVA
flac16, 48kHz; Nakamichi 700's > Sony D6; Cass/1 (from Master) > Yamamha KX530 > Tascam DR-100 MKII @ 16/48; 16/48 wav > Audacity > xACT (FLAC/TAG); Taped by Steve Baker; Transferred by DiGiHoArDeRs
131318Phish1996-10-25Hampton ColiseumHamptonVA
flac16 48kHz Nakamichi 100 w/ CP4 > Sony D7; DAT(m) @ 48kHz > Sony PCM-R500 > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.0.264 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Recorded by: chk; Transfer & edits by Jeff Mitchell
140088Phish1996-10-25Hampton ColiseumHamptonVA
flac16 44.1khz Source: AUD>Sennheiser 441>sony d7 Transfer: Fostex D-5>zoltrix nightingale>cdwave> soundforge 4.5 xp (resample)>cdwave (track splitting)>shn >flac8
86729Phish1996-10-26Charlotte ColiseumCharlotteNC
AKG 460b/ck61 > AKG b18 > SBM-1 > D7; DAT > CDR > EAC > CDWav > FLAC
130460Phish1996-10-26Charlotte ColiseumCharlotteNC
flac16 48kHz Nakamichi 700’s > D6; Cass/1(from Master) > Yamamha KX530 > Tascam DR-100 MKII @ 16/48; 16/48 wav > Audacity > xACT (FLAC/TAG); Taped by Steve Baker; Transferred by DiGiHoArDeRs
1236Phish1996-10-26Charlotte ColiseumCharlotteNC
Sony ECM959A > DAT; via Matt Lilli; d2t1 reportedly not tracked on sector boundary
19550Phish1996-10-26Charlotte ColiseumCharlotteNC
unknown; CDR > EAC > Wavelab > CDWav > SHNv3
31788Phish1996-10-26Charlotte ColiseumCharlotteNC
AKG 463 > Oade > Casio; Fostex D5 > M-Audio DiO 2496 > CDWav > Adobe Audition > CDWav > FLAC; Transferred by Kevin Davis
109544Phish1996-10-26Charlotte ColiseumCharlotteNC
Nakamichi CM300's/CP4's > Sony TC-D5; Cass(m) > Tascam CDRW2000 > CD > xACT 2.00a (cdparanoia) > WAV > FLAC; Taped by Jon Pasternak; Transferred by Dave Mallick
123222Phish1996-10-26Charlotte ColiseumCharlotteNC
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > cd wave > tlh (16b/48khz); Taped by JK; Transferred by John M.
123223Phish1996-10-26Charlotte ColiseumCharlotteNC
flac16; (2) Nakamichi CM300/CP4 + (1) Nakamichi CM300/CP1 -> Dat (48k); Tascam DA-20 -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC/48kHz; Transferred by Charlie Miller
148956Phish1996-10-26Charlotte ColiseumCharlotteNC
flac16/48khz Source: Likely taped by Don Wright and the source is AKG 414 / AT4031 > D7. Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC Transferred & Seeded by Bill Graves
164864Phish1996-10-26Charlotte ColiseumCharlotteNC
flac16 48kHz Nakamichi CP4 > Nakamichi CM300 Nakamichi CP1 > 1 Nakamichi CM300; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfers by Jeff Mitchell
86814Phish1996-10-27North Charleston ColiseumNorth CharlestonSC
AKG 460b/ck61 > AKG b18 > SBM-1 > D7; DAT > CDR > EAC > CDWav > FLAC
1589Phish1996-10-27North Charleston ColiseumNorth CharlestonSC
AKG 414 & AT 4030 mix > DAT > CDR > EAC > SHN; DAT > CDR Transfer by R. Dunn; CDR > EAC > SHN by J. Howell
18176Phish1996-10-27North Charleston ColiseumNorth CharlestonSC
Sennheiser ME-67's
100685Phish1996-10-27North Charleston ColiseumNorth CharlestonSC
Neumann km184 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > Samplitude SE v9.1.1 (fades, level adjustments, resample to 44.1 kHz, track splits) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel
109546Phish1996-10-27North Charleston ColiseumNorth CharlestonSC
Nakamichi CM300's/CP4's > Sony TC-D5; Cass(m) > Tascam CDRW2000 > CD > xACT 2.00a (cdparanoia) > WAV > FLAC; Taped by Jon Pasternak; Transferred by Dave Mallick
120473Phish1996-10-27North Charleston ColiseumNorth CharlestonSC
flac16; AKG 414/AT4031 > Sony TCD-D7; Sony TCD-D8 > Behringer UCA202 > Audacity (@48Hz) > WAV > FLAC; Taped by Don Wright; Patch-taped by Robert Dunbar; Transferred by Bill Graves
123251Phish1996-10-27North Charleston ColiseumNorth CharlestonSC
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > cd wave > tlh (16b/48khz); Taped by JK; Transferred by John M.
138435Phish1996-10-27North Charleston ColiseumNorth CharlestonSC
flac16, 48kHz; Sennheiser ME-67 > ??? > DAT(c); DAT(c) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by unknown; DAT(c) provided by Andrew Sawyer; Transfer by Terry Watts
639Phish1996-10-29Leon County Civic CenterTallahasseeFL
Microtech Gefell M210 > Sonosax > DAT > CDR; CDR> WAV (via SoundEdit 16) > SHN; Taped by Brian Conner; via S. Chen; filler from 11-28-94 (Tweezer), 12-11-95; note track names in d2,d3 have spaces; note on slow server
109547Phish1996-10-29Leon County Civic CenterTallahasseeFL
Nakamichi CM300's/CP4's > Sony TC-D5; Cass(m) > Tascam CDRW2000 > CD > xACT 2.00a (cdparanoia) > WAV > FLAC; Taped by Jon Pasternak; Transferred by Dave Mallick
121180Phish1996-10-29Leon County Civic CenterTallahasseeFL
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Tascam DA-20 > M-Audio microtrack II > audiogate(16/44.1) > cd wave > tlh; Taped by JK; Transferred by John M.
143945Phish1996-10-29Leon County Civic CenterTallahasseeFL
flac16 48kHz Neumann KM140 > Sonosax SXM2 > Sony TCD-10 Pro II; DAT(c) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 Live Show Tagger; Transfer & edits by Jeff Mitchell
143946Phish1996-10-29Leon County Civic CenterTallahasseeFL
flac16 48kHz Microtech Gefell M210 > Oade Preamp > Sony SBM-1; DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 Live Show Tagger; Transfer & edits by Jeff Mitchell
640Phish1996-10-31The OmniAtlantaGA
(2 possible sources out there for this, about then?)
1230Phish1996-10-31The OmniAtlantaGA
intended as replacement for d3 of previously-circulating flawed version
641Phish1996-10-31The OmniAtlantaGA
no source info; reported clicks and skips/elisions between tracks, and reportedly even elisions elsewhere within the songs
5622Phish1996-10-31The OmniAtlantaGA
Set I: Schoeps CMC6/mk41 > SX-M2 > AD1000 (TS), Set II and III: FOB Neumann km140 > SX-M2 > D10 Pro II; Set I and III: D8 > Active Oade > Monster Coax > CMI8738 > SF4.5 (48>44.1kHz) > CDWav > SHNv3; Set II: D8 > Turtle Beach Fiji > Samplitude@44.1khz > CDWav > SHN
4694Phish1996-10-31The OmniAtlantaGA
Schoeps CMC6/mk41 > Sonosax SX-M2 > DAP1 > DAP1 @48kHz; Sony PCM-R500 > Klay Custom Coax (Canare) > RME Digi96/8 PST > Sound Forge 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3 [Dankseeds]
17367Phish1996-10-31The OmniAtlantaGA
[AKG 414 + AT 4031] Matrix > Tascam DA-P1
86813Phish1996-10-31The OmniAtlantaGA
AKG 460b/ck61 > AKG b18 > SBM-1 > D7; DAT > CDR > EAC > CDWav > FLAC; Taped by Greg Bovell
115847Phish1996-10-31The OmniAtlantaGA
flac16; AKG 463 > Tascam DA-P1 (oade akg mod) @ 16/48; DAT(m) > Edirol R4 16/44.1 > CD Wave > TLH > flac (Level 8); Taped by Stan McPhail; Transferred by Chris Cage
151438Phish1996-10-31The OmniAtlantaGA
flac16/48khz Source: Microtech Gefell M300 > DA-P1 @ 16/48 Trasnfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG) DiGiHoArDeRs: 1/1/2021
123116Phish1996-10-31The OmniAtlantaGA
flac16, 48kHz; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > cd wave > tlh (16b/48khz); Taped by JK; Transferred by John M.
124436Phish1996-10-31The OmniAtlantaGA
flac16, 48kHz; AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @ 48k; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Taped by Dave Flaschner & Ryan Varnum; Transferred by Jeff Mitchell
124437Phish1996-10-31The OmniAtlantaGA
flac16, 48kHz; set 2+3 only; (FOB) Neumann KM140 > Sonosax SX-M2 > Tascam DA-P1 @ 48k; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Taped by Dave Flaschner & Ryan Varnum; Transferred by Jeff Mitchell
143851Phish1996-10-31The OmniAtlantaGA
flac16 48kHz Schoeps; DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Transfer & edits by Jeff Mitchell
642Phish1996-11-02Coral Sky AmphitheaterWest Palm BeachFL
DSBD
5880Phish1996-11-02Coral Sky AmphitheaterWest Palm BeachFL
Pre-FM > DAT > CDR > EAC > SHN
8155Phish1996-11-02Coral Sky AmphitheaterWest Palm BeachFL
unknown source; via gdlive
643Phish1996-11-02Coral Sky AmphitheaterWest Palm BeachFL
pre-FM SBD> DAT> CD-R; broadcast 3/97; filler on S. Cardner-seeded 12/4/99 shns to PCP
17551Phish1996-11-02Coral Sky AmphitheaterWest Palm BeachFL
Microtech Gefell m300 > Sonosax > DA-P1; DA-20 > Mackie 1202-VLZ > BBE-862 Sonic Maximizer > SBLive > Soundforge 4.5 > CDWav > CDR > EAC > mkwACT; Transferred by Michael Wentzell; SHN Conversion by Doug Nawrocki
22413Phish1996-11-02Coral Sky AmphitheaterWest Palm BeachFL
Microtech Geffel m300 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
79981Phish1996-11-02Coral Sky AmphitheaterWest Palm BeachFL
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
121388Phish1996-11-02Coral Sky AmphitheaterWest Palm BeachFL
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > M-audio microtrack II > audiogate (16/44.1) > cd wave > tlh (flac16); Taped by JK; Transferred by John M.
164865Phish1996-11-02Coral Sky AmphitheaterWest Palm BeachFL
flac16 48kHz Microtech Gefell M300 > Tascam DA-P1 Transfer: DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) Transfer by Jeff Mitchell
77454Phish1996-11-02Coral Sky AmphitheaterWest Palm BeachFL
DTS-Audio-CD 5.1 Mix (see info file for details)
19241Phish1996-11-03O'Connell CenterGainesvilleFL
Microtech Gefell m210 > Oade Preamp > DAT; Fostex D-5 > Zoltrix Nightingale > CDWav > Soundforge 4.5 XP (48>44.1kHz) > CDWav > SHN
105725Phish1996-11-03O'Connell CenterGainesvilleFL
Nakamichi CM300's/CP4's > Sony TC-D5 > Cass(m); Nak DR-2 > Tascam CDRW2000 > CD > xACT 1.69 (cdparanoia) > WAV > FLAC; Taped by Jon Pasternak; Transferred by Dave Mallick
121726Phish1996-11-03O'Connell CenterGainesvilleFL
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > audiogate (16/44.1) > cd wave > tlh(flac16); Taped by JK; Transferred by John M.
143954Phish1996-11-03O'Connell CenterGainesvilleFL
flac16 48kHz AKG460; DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 Live Show Tagger; Transfer & edits by Jeff Mitchell
143955Phish1996-11-03O'Connell CenterGainesvilleFL
flac16 48kHz Neumann KM140; DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 Live Show Tagger; Transfer & edits by Jeff Mitchell
3795Phish1996-11-06Civic ColiseumKnoxvilleTN
Schoeps mk4; Prodif Plus > Samplitude > CDWav > mkwACT > SHN; DAT proided by Jeff Kemp; Transfer by Levi Hunt
19321Phish1996-11-06Civic ColiseumKnoxvilleTN
AUD > Cass/0 > CDR > EAC (secure) > Soundforge > SHN
3947Phish1996-11-06Civic ColiseumKnoxvilleTN
Neumann KM184; SGI8000 > DAT2WAV > SoundForge 4.5 (44.1>48) > CDWav > SHN; Transfer by Mike Chesnut; Tape provided by John Alexa
121282Phish1996-11-06Civic ColiseumKnoxvilleTN
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Tascam DA-20 > M-Audio Microtrack II > audiogate (16/44.1) > cd wave > tlh > flac16; Taped by JK; Transferred by John M.
4755Phish1996-11-07Rupp ArenaLexingtonKY
Nakamichi CM300/CP4; Fostex D-5 > U2A > CoolEdit > SHN
22065Phish1996-11-07Rupp ArenaLexingtonKY
AKG 460/ck61>Oade>DA-P1; Tascam DA-302 > Digipro 002 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by LiverLobes@hotmail.com (John P. Tambroni) and The Mad Hermit)
22116Phish1996-11-07Rupp ArenaLexingtonKY
source: Shure V P88 > Refrence Audio Design Preamp > D7 > D(1) transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, BBE > L2 > sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3
75699Phish1996-11-07Rupp ArenaLexingtonKY
Microtech Gefell m300 > Aerco Preamp > Marantz PMD-700 (48 kHz); Fostex D5 > ipaq H5555 via PDAudio card optical input > SoundForge 6.0 (resampling & fades) > CD Wav (track splits) > FLAC; Taped by Joe Mahan; Transferred by Jordan Braunstein
118853Phish1996-11-07Rupp ArenaLexingtonKY
flac16; AKG 398 > DAT; Sony TCD-D8 > Behringer UCA202 > Audacity > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves
121411Phish1996-11-07Rupp ArenaLexingtonKY
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > audiogate (16/44.1) > cd wave > tlh (flac16); Taped by JK; Transferred by John M.
89994Phish1996-11-07Rupp ArenaLexingtonKY
Nakamichi CM300 & PZM 30D mix-> Niles Audiomixer-> D3 (@ 48kHz); PCM-R300-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> r8brain PRO (48 to 44.1kHz) -> Wave Lab 5.0 (BBE, Fades, L2Dither) -> Traders Little Helper (flac8); Taped by Greg Holtz; Transferred by JAZ
167718Phish1996-11-07Rupp ArenaLexingtonKY
flac1644 AKG-393>SBM>DAT 48 khz DAT ; DAT>s/pdif>Mac>Audacity>44.1 kHz> FLAC
2458Phish1996-11-08Assembly HallChampaignIL
AKG 393 (TS, at 103 degrees) > AKG B18's > Sony SBM1 > D8 @ 48kHz; Sony DTC-A6 > Maudio Dio 2448 card > SF 4.5 (resample, add fades) > CDWav > SHN; Taped and transferred by Bill Gardner
2516Phish1996-11-08Assembly HallChampaignIL
AKG 393 (TS, at 103 degrees) > AKG B18's > Sony SBM1 > D8 @ 48kHz; Sony DTC-A6 > Maudio Dio 2448 card > SF 4.5 (resample, add fades) > CDWav > SHN; Taped and transferred by Bill Gardner; NOTE: same soure and transfer as previous version, though fades were added to eliminate crowd noise, via Carl Johnson
22748Phish1996-11-08Assembly HallChampaignIL
Schoeps CMC6/mk4 > Sonosax > HHB; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
90093Phish1996-11-08Assembly HallChampaignIL
Nakamichi CM300 & PZM 30D mix > Niles Audiomixer > Sony D3 (@ 48kHz); PCM-R300 > M-Audio Delta 1010Lt > r8brain PRO (48 to 44.1kHz) > Wave Lab 5.0 (BBE, Fades, L2Dither) > Traders Little Helper (flac8); Taped by Greg Holtz; Transferred by JAZ