Sources for Artist Group Phish
unknown 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2002 2003 2004 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024
SHNIDArtistDateVenueCityStateArchive Identifier
134926Phish2016-01-01Madison Square GardenNew YorkNY
flac16 AKG C414xls card/hyper > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2; pointed at PA array, behind SBD, dead center, 13 feet high; R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums ); Recorded, processed and let loose by Mike Kutik
134927Phish2016-01-01Madison Square GardenNew YorkNY
flac24 Schoeps mk41v>KC5>CMC6>Sonosax SX-R4 (24bit/96khz)(mics were DIN pointed at stacks from the ots dfc; WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
134929Phish2016-01-01Madison Square GardenNew YorkNY
flac16 Schoeps mk41v>KC5>CMC6>Sonosax SX-R4 (24bit/96khz)(mics were DIN pointed at stacks from the ots dfc); WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
134947Phish2016-01-01Madison Square GardenNew YorkNY
flac16 Schoeps mk4v>KC5>CMC6>Sonosax SX-R4 (24bit/96khz)(mics were NOS pointed at stacks from the ots dfc); WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
134948Phish2016-01-01Madison Square GardenNew YorkNY
flac24 Schoeps mk4v>KC5>CMC6>Sonosax SX-R4 (24bit/96khz)(mics were NOS pointed at stacks from the ots dfc); WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
135145Phish2016-01-01Madison Square GardenNew YorkNY
flac24 Microtech Gefell mg210>Sonosax SX-m32>Edirol R-44(24bit/48khz); (mics were pointed at stacks from the ots)WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Recorded by John Lynch; Transferred and seeded by Andy Murray
135146Phish2016-01-01Madison Square GardenNew YorkNY
flac16 Microtech Gefell mg210>Sonosax SX-m32>Edirol R-44(24bit/48khz); WAV>USB>Macbook Pro>Wave;(mics were pointed at stacks from the ots) Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded by John Lynch; Transferred and seeded by Andy Murray
134930Phish2016-01-02Madison Square GardenNew YorkNY
flac16 (OTS DFC) Schoeps mk41v (DIN)> NBob KCY> Naiant PFA> Busman Mod Tascam DR70d @ 24 bit / 48 kHz; SD Card> Macbook Pro> Sound Studio> Tracking and Fades> Izotope (Resample & Dither)> xact> Flaccing; Recorded and transferred by Noah Bickart
134931Phish2016-01-02Madison Square GardenNew YorkNY
flac24 (OTS DFC) Schoeps mk41v> NBob KCY> Naiant PFA> Tascam DR70d @ 24 bit / 48 kHz; SD Card> Macbook Pro> Sound Studio> Tracking and Fades> xact> Flaccing; Recorded and transferred by Noah Bickart
134932Phish2016-01-02Madison Square GardenNew YorkNY
flac24 Sennheiser ME66's (PAS, ROC, BOB, Sec 2/Row 1/Seat 22, stand~ 12') > Lunatec V3 > Tascam HD-P2 (digi in @ 24/48); Adobe Audition (tracking, fades) > xACT (flac 8, tagged); Recorded by Taper420
134933Phish2016-01-02Madison Square GardenNew YorkNY
flac16 (OTS DFC) Schoeps mk22 (NOS)> NBob KCY> Naiant PFA> Tascam DR70d @ 24 bit / 48 kHz; SD Card> Macbook Pro> Sound Studio> Tracking and Fades> Izotope (Resample & Dither)> xact> Flaccing; Recorded and transferred by Noah Bickart
134934Phish2016-01-02Madison Square GardenNew YorkNY
flac24 (OTS DFC) Schoeps mk22 (NOS)> NBob KCY> Naiant PFA> Tascam DR70d @ 24 bit / 48 kHz; SD Card> Macbook Pro> Sound Studio> Tracking and Fades> xact> Flaccing; Recorded and transferred by Noah Bickart
134938Phish2016-01-02Madison Square GardenNew YorkNY
flac24 Schoeps mk41v>KC5>CMC6>Sonosax SX-R4 (24bit/96khz)(mics were DIN pointed at stacks from the ots dfc); WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
134939Phish2016-01-02Madison Square GardenNew YorkNY
flac16 Schoeps mk41v>KC5>CMC6>Sonosax SX-R4 (24bit/96khz)(mics were DIN pointed at stacks from the ots dfc); WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
134940Phish2016-01-02Madison Square GardenNew YorkNY
flac24 Schoeps mk4v>KC5>CMC6>Sonosax SX-R4 (24bit/96khz)(mics were NOS pointed at stacks from the ots dfc); WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
134941Phish2016-01-02Madison Square GardenNew YorkNY
flac16 Schoeps mk4v>KC5>CMC6>Sonosax SX-R4 (24bit/96khz)(mics were NOS pointed at stacks from the ots dfc); WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
134946Phish2016-01-02Madison Square GardenNew YorkNY
flac16 Microtech Gefell M21>Nbob actives>Naiant PFA's>Sound Devices 702; (OTS, *Stand at 12 feet in row 1, slightly left of center) CF card>Adobe Aud. 3.0>CDwav>TLH>flac16; Taper: Tony Suraci
135011Phish2016-01-02Madison Square GardenNew YorkNY
flac16 SE Electronics/Rupert Neve RN17 Cardioid Caps > Zoom F8 24 bit, 44.1k; SD Card > MacBook Pro > Peak Pro (Dither, fades & ID's) > Xact; OTS, DFC, 12', Aimed @ Arrays; Recorded & Seeded By: Ted Cappelen
135012Phish2016-01-02Madison Square GardenNew YorkNY
flac16 AKG C414xls card/hyper > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2; pointed at PA array, behind SBD, dead center, 11.5 feet high; R4Pro > WaveBurner (track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums); Recorded, processed and let loose by Mike Kutik
135143Phish2016-01-02Madison Square GardenNew YorkNY
flac16 Microtech Gefells mg210>Sonosax SX-m32>Edirol R-44(24bit/48khz)(mics were pointed at stacks from the ots); WAV>USB>MacbookPro>WaveEditor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded by John Lynch; Transferred and seeded by Andy Murray
135144Phish2016-01-02Madison Square GardenNew YorkNY
flac24 Microtech Gefells mg210>Sonosax SX-m32>Edirol R-44(24bit/48khz); (mics were pointed at stacks from the ots)WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Recorded by John Lynch; Transferred and seeded by Andy Murray
135222Phish2016-01-02Madison Square GardenNew YorkNY
flac16 OTS Row A Seat 12; Microtech Gefell M210s > Oade M248 > SD722 > Tascam CDRW2000 > CD > me > EAC > TLH > flac 16 > you > enjoy; Recorded, Master, and Track by Jon Pasternak
148754Phish2016-01-02Madison Square GardenNew YorkNY
flac16/44.1khz Source: Shure BG 4.0/849 > Tascam DR-05 > wav (16/44.1) Transfer: SD > PC > Audacity (fades/volume) > wav > CDWavEditor > FLAC > TLH > foobar2k Location: OTS (Sect 2, Row 2, Seat 22) - PAS ~75∞ - Stand @ ~7' Taped & Transfered by: Ryan Sibert
168789Phish2016-01-02Madison Square GardenNew YorkNY
flac2448 2 AKG c451EBck8 mics> Sony D5 (as preamp)> Sony M10 24/48. Location: OTS DFC behind the SBD area on a 8’ stand mics pointed at the stacks. Lineage: Sony M10 24/48> Sony Sound Forge Studio 10.0 for all tracking, editing, fades and conversion to HD FLAC. Taped, Mastered and Uploaded by Mark Van Blunk
136116Phish2016-06-22Xcel Energy CenterSt. PaulMN
flac16, 44.1kHz; Microtech Gefell M210 > Nbob Active Cable > AETA 4MinX @ 24/48; SDHC > USB 2.0 > Soundforge Pro 11 > CD Wave Editor > iZotope > FLAC; Taped & Transferred by David Lawrence
136117Phish2016-06-22Xcel Energy CenterSt. PaulMN
flac16, 44.1kHz; Schoeps MK41 > NBob Actives > Naiant PFA > Tascam DR-70D (24/96); WaveLab v6.11 > CD Wave v1.98 > FLAC; Taped & Transferred by Bean
136118Phish2016-06-22Xcel Energy CenterSt. PaulMN
flac24, 96kHz; Schoeps MK41 > NBob Actives > Naiant PFA > Tascam DR-70D (24/96); WaveLab v6.11 > CD Wave v1.98 > FLAC; Taped & Transferred by Bean
136119Phish2016-06-22Xcel Energy CenterSt. PaulMN
flac16, 44.1kHz; Schoeps MK4V > Nbob Active Cable > Naiant PFA > AETA 4MinX @ 24/48; Soundforge Pro 11 > CD Wave Editor > iZotope > FLAC; Taped & Transferred by David Lawrence
136120Phish2016-06-22Xcel Energy CenterSt. PaulMN
flac24, 48kHz; Schoeps MK4V > Nbob Active Cable > Naiant PFA > AETA 4MinX @ 24/48; Soundforge Pro 11 > CD Wave Editor > FLAC; Taped & Transferred by David Lawrence
136121Phish2016-06-22Xcel Energy CenterSt. PaulMN
flac16, 44.1kHz; Berliner CM33 (Cardioid) > Naiant Tinybox > Tascam Dr60d (24 Bit, 48kHz); Soundforge (dither, resample to 16 bit 44.1kHz) > FLAC; Taped & Transferred by Cliff Morse
136491Phish2016-06-22Xcel Energy CenterSt. PaulMN
flac24 48kHz Microtech Gefell M21> Nbob Active Cable > Naiant PFA > AETA 4MinX @ 24/48; DINa (90 degrees 17 cm) OTS, Left Of SBD ~9'^; SDHC > USB 2.0 > PC
136768Phish2016-06-22Xcel Energy CenterSt. PaulMN
flac16 Sennheiser 421's > Tascam DR100; Recorded by Mike Mahoney
151925Phish2016-06-22Xcel Energy CenterSt. PaulMN
flac16 44.1kHz Shure BG 4.0/849 > Tascam DR-40 > wav (16/44.1); SD > PC > Audacity (fades/normalize) > CDWavEditor > FLAC > TLH > foobar2k; OTS LoC ~8', Front Left Corner of SBD, PAS ~60°, 90' from stage, Stand @ ~7.5'; Taped & Transfered By Ryan Sibert
136182Phish2016-06-24Wrigley FieldChicagoIL
flac24 JW MOD AKG461's > Grace Lunatec V3 > OCM Marantz PMD661 (24/48) > SDHC; SDHC > WAV > Sound Forge 11 (fades & volume) > CD Wave (tracks & flac) > FLAC24; FOB: - 90° @ 17cm - ~55' From Stage - Stand @ ~6'; Recorded & Transfered By: Brad Shears
136122Phish2016-06-24Wrigley FieldChicagoIL
flac16, 44.1kHz; (FOB) Schoeps MK4's > Nbobs > Nbox Platinum > Zoom F8 @ 24/48; SDXC > Sound Forge 10.0 (resample, dither, volume adjustment) > WAV (16/44.1) > CD Wave > Flac; Taped & Transferred by Dustin Lewis
136135Phish2016-06-24Wrigley FieldChicagoIL
flac16 JW MOD AKG461's > Grace Lunatec V3 > OCM Marantz PMD661 (24/48) > SDHC; SDHC > WAV > Sound Forge 11 (fades, volume & iZotope MBIT+ 16/44.1) > CD Wave (tracks & flac) > FLAC16; FOB: - 90° @ 17cm - ~55' From Stage - Stand @ ~6'; Recorded & Transfered By: Brad Shears
151926Phish2016-06-24Wrigley FieldChicagoIL
flac16 44.1kHz Shure BG 4.0/849 > Tascam DR-40 > wav (16/44.1); SD > PC > Audacity (fades/normalize) > CDWavEditor > FLAC > TLH > foobar2k ; FOB, DFC, PAIS ~ 65°, 55' from stage, , Stand @ 6'; Taped & Transferred by Ryan Sibert
136133Phish2016-06-25Wrigley FieldChicagoIL
flac16 Busman BSC2 (cardioid, ortf)> Tiny Box> + MBHO 440 (pointed at stacks) + Schoeps MK4 (ortf) (fob/dfc, 7ft)>DR-680; SD Card>hdd>r8brain (dither/resample)>cdwav>tlh (flac level 6)>foobar2000 (Live Show Tagging)
136134Phish2016-06-25Wrigley FieldChicagoIL
flac16 Schoeps MK41's > Nbobs > Nbox Platinum > Zoom F8 @ 24/48; FOB 50ft from the stage, DFC, DINa, 6.5'; SDXC > Sound Forge 10.0 (resample, dither, volume adjustment) > WAV (16/44.1) > CD Wave > Flac @ 8 > Foobar; Taped and Transferred by: Dustin Lewis
136160Phish2016-06-25Wrigley FieldChicagoIL
flac16 JW MOD AKG461's > Grace Lunatec V3 > OCM Marantz PMD661 (24/48) > SDHC ; SDHC > WAV > Sound Forge 11 (fades, volume & iZotope MBIT+ 16/44.1) > CD Wave (tracks & flac) > FLAC16; FOB: - 90° @ 17cm - ~55' From Stage - Stand @ ~6'; Recorded & Transfered By: Brad Shears
136417Phish2016-06-25Wrigley FieldChicagoIL
flac24 48kHz JW MOD AKG461's > Grace Lunatec V3 > OCM Marantz PMD661 (24/48) > SDHC; SDHC > WAV > Sound Forge 11 (fades & volume) > CD Wave (tracks & flac) > FLAC24; FOB: - 90° @ 17cm - ~55' From Stage - Stand @ ~6'; Recorded & Transfered By: Brad Shears
151927Phish2016-06-25Wrigley FieldChicagoIL
flac16 44.1kHz Shure BG 4.0/849 > Tascam DR-40 > wav (16/44.1) ; SD > PC > Audacity (fades/normalize) > CDWavEditor > FLAC > TLH > foobar2k; FOB DFC, PAIS ~ 65°, ~55' from stage, Stand @ 6'; Taped & Transferred by Ryan Sibert
136183Phish2016-06-26Klipsch Music CenterNoblesvilleIN
flac16 44.1kHz Nakamichi CM700 / CP701's > Lunatec V3 (@24bit/88.2kHz) > Edirol R4 pro; R4pro > SoundForge 8.0d (Normalized, fades, 24>16bit, 88.2>44.1kHz) > CDWav v1.98 (tracked) > FLAC v2.0 lVl8 > Foobar2000(tags); Section F Row F, directly behind soundboard, SLOC, ~ 11'; Taped and Transferred by: Mike Rhoades
136238Phish2016-06-26Klipsch Music CenterNoblesvilleIN
flac24 88.2kHz Nakamichi CM700 / CP701's > Lunatec V3 (@24bit/88.2kHz) > Edirol R4 pro; R4pro > CDWav v1.98 (tracked) > FLAC v2.0 lVl8 > Foobar2000(tags); Section F Row F, directly behind soundboard, SLOC, ~ 11'; Taped and Transferred by: Mike Rhoades
149108Phish2016-06-26Klipsch Music CenterNoblesvilleIN
flac16, 44.1kHz; Shure BG 4.0/849 > Tascam DR-40 > wav (16/44.1); SD > PC > Audacity (fades/normalize/splice) > CDWavEditor > FLAC > TLH > foobar2k; Taped and Transferred by Ryan Sibert
136320Phish2016-06-28The Mann Music CenterPhiladelphiaPA
flac16 Set 1 only: SP-BMC-2 > SP-SPSB-10 > MARANTZ-PMD620; MASTER > AUDACITY > CD WAVE > FLAC LEVEL (8); REC-SEED: LANCE; LOC: HILL TOP
136186Phish2016-06-28The Mann Music CenterPhiladelphiaPA
flac16 44.1kHz Center Balcony DFC, Clamped to a lighting pole; Schoeps mk22 (NOS)> Nbob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24bit/ 48 kHz; SD Card> Macbook Pro> Sound Studio (Fades and Tracking)> isotope Dither and Resample (if applicable); Recorded and transferred by Noah Bickart
136187Phish2016-06-28The Mann Music CenterPhiladelphiaPA
flac24 48kHz Center Balcony DFC, Clamped to a lighting pole; Schoeps mk22 (NOS)> Nbob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24bit/ 48 kHz; SD Card> Macbook Pro> Sound Studio (Fades and Tracking)> fact (flacing); Recorded and transferred by Noah Bickart
136189Phish2016-06-28The Mann Music CenterPhiladelphiaPA
flac24 48kHz Center Balcony DFC, Clamped to a lighting pole; Schoeps mk4v (PAS)> Nabob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24bit/ 48 kHz; SD Card> Macbook Pro> Sound Studio (Fades and Tracking)> xact; Recorded and transferred by Noah Bickart
136190Phish2016-06-28The Mann Music CenterPhiladelphiaPA
flac16 44.1kHz Center Balcony DFC, Clamped to a lighting pole; Schoeps mk4v (PAS @ 20cm ~ 80°)> Nabob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24bit/ 48 kHz; SD Card> Macbook Pro> Sound Studio (Fades and Tracking)> isotope Dither and Resample; Recorded and transferred by Noah Bickart
136239Phish2016-06-29The Mann Music CenterPhiladelphiaPA
flac16 44.1kHz Front Row Dead Center Balcony, Clamped to a lighting pole.; Schoeps mk22 (NOS)> Nbob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24bit/ 48 kHz; SD Card> Macbook Pro> Sound Studio (Fades and Tracking)> isotope Dither and Resample> xAct (Tagging and Flacing); Recorded and transferred by Noah Bickart
136240Phish2016-06-29The Mann Music CenterPhiladelphiaPA
flac24 48kHz Front Row Dead Center Balcony, Clamped to a lighting pole; Schoeps mk4v (PAS)> Nbob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24bit/ 48 kHz; SD Card> Macbook Pro> Sound Studio (Fades and Tracking)> isotope Dither and Resample> xAct (Tagging and Flacing); Recorded and transferred by Noah Bickart
136263Phish2016-06-29The Mann Music CenterPhiladelphiaPA
flac24 48kHz Front Row Dead Center Balcony, Clamped to a lighting pole; Schoeps mk22 (NOS)> Nbob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24bit/ 48 kHz; SD Card> Macbook Pro> Sound Studio (Fades and Tracking)> xAct (Tagging and Flacing); Recorded and transferred by Noah Bickart
136771Phish2016-06-29The Mann Music CenterPhiladelphiaPA
flac16 44.1kHz; Neumann km184 (ots/ortf) > Sound Devices 722 (@24bit/48kHz); WAV > PC > Audacity > CDWav > FLAC (16bit/44.1kHz); Taped and Transferred by Justin Marinoff
136274Phish2016-07-01Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 44.1kHz Chopped Sennheiser ME64>Custom K6 Box>Audient Mico> SPDIF>DR100MKII @24-44.1 7' 20cm 90deg; Left rear side of section 9 (loc lower level); Recorded by Greg Nash
136275Phish2016-07-01Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz Chopped Sennheiser ME64>Custom K6 Box>Audient Mico> SPDIF>DR100MKII 7' 20cm 90deg. Converted from 24-44.1 to 16-44.1 no other edits; Left rear side of section 9 (loc lower level); Recorded by Greg Nash
136308Phish2016-07-01Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 48kHz AKGck22 split 3' AKGck61 center F/R >Tascam DR680(24/48) >SD; SD > Audacity >CD WAV Editor > FLAC; Taped by Kyle Holbrook & Mike Deary
136326Phish2016-07-01Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz mics were DIN setup in the OTS; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136327Phish2016-07-01Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 96kHz mics were DIN setup in the OTS; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136373Phish2016-07-01Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz mics were NOS setup in the OTS; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge; Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136374Phish2016-07-01Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 96kHz mics were NOS setup in the OTS; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136375Phish2016-07-01Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz mics were NOS setup in the OTS; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136376Phish2016-07-01Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 96kHz mics were NOS setup in the OTS; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136434Phish2016-07-01Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz (FOB/ROC) Neumann AK40/LC3/KM100 (XY 45)> AETA PSP-3> Zoom F8 (24/48 on a SDHC Card); SDHC Card> Mac Mini> Audacity> Fission (flac 16/44.1); Recorded by: Ed Guidry
136277Phish2016-07-02Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz Chopped Sennheiser ME64>Custom K6 Box>Audient Mico> SPDIF>DR100MKII @24-44.1 7' 20cm 90deg. Converted to 16-44.1 no other edits; Mid balcony roc clamped to I-beam; Recorded by Greg Nash
136328Phish2016-07-02Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz mics were DIN setup in the OTS; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136329Phish2016-07-02Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 96kHz mics were DIN setup in the OTS; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136673Phish2016-07-02Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz mics were NOS setup in the OTS; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge; Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136674Phish2016-07-02Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 96kHz mics were NOS setup in the OTS; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136675Phish2016-07-02Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz mics were NOS setup in the OTS; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge; Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136676Phish2016-07-02Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 96kHz mics were NOS setup in the OTS; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136758Phish2016-07-02Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz; (Lawn/Center) Neumann KMR821 (PAS)> AETA PSP-3 + Neumann U89i (Omni, split 4 ft) > Zoom F8 (24/48) on a SDHC Card; Processing > SDHC Card > Mac Mini > Audacity > Fission (flac 16/44.1); Taped and Transferred by Ed Guidry
168737Phish2016-07-02Saratoga Performing Arts CenterSaratoga SpringsNY
flac2448 MDAUD: microphones: ch 1/2: AKG ck22 split 3'|AKG ck8(shotgun); ch 3/4 CenterFWD 0'|AKGck61 naiant PFA Center rear 180' > recorder: Tascam DR680(24/48) >SD Location: DFC lawn ~ 175' from stage Transfer: SD WIN7 > Audacity level adjustment > CD Wav editor > TLH (flacs) Recorded: Kyle Holbrook & Michael Deary Processed: Kyle Holbrook & Michael Deary Transferred: Kyle Holbrook
136309Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz Chopped Sennheiser ME64>Custom K6 Box>Audient Mico> SPDIF>DR100MKII @24-44.1 7' 20cm 90deg. Converted to 16-44.1, normalize, no other edits; Location: Mid lawn center; Recorded by Greg Nash
136310Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz OTS, DFC; Schoeps mk22 (NOS)> Nbob KCY> Naiant PFA> Busman Mod Tascam Dr70d @ 24/48; SD Card> Macbook Pro> iZotope (Dither & SRC)> Sound Studio (Tracking and Fades)> xAct (Flacing); Recorded and Transferred by: Noah Bickart
136317Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 48kHz OTS, DFC; Schoeps mk41v (PAS)> Nbob KCY> Naiant PFA> Busman Mod Tascam Dr70d @ 24/48; SD Card> Macbook Pro> Sound Studio (Tracking and Fades)> xAct (Flacing); Recorded and Transferred by: Noah Bickart
136318Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz OTS, DFC; Schoeps mk22 (NOS)> Nbob KCY> Naiant PFA> Busman Mod Tascam Dr70d @ 24/48; SD Card> Macbook Pro> izotope (Dither & SRC)> Sound Studio (Tracking and Fades)> xAct (Flacing); Recorded and Transferred by: Noah Bickart
136319Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 48kHz OTS, DFC; Schoeps mk22 (NOS)> Nbob KCY> Naiant PFA> Busman Mod Tascam Dr70d @ 24/48; SD Card> Macbook Pro> Sound Studio (Tracking and Fades)> xAct (Flacing); Recorded and Transferred by: Noah Bickart
136330Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz mics were DIN setup in the OTS dfcl Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136331Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 96kHz mics were DIN setup in the OTS dfc; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136677Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz mics were NOS setup in the OTS; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge; Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136678Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 96kHz mics were NOS setup in the OTS; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136679Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac16 44.1kHz mics were NOS setup in the OTS; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge; Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136680Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac24 96kHz mics were NOS setup in the OTS; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
168747Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac2448 MDAUD: microphones: ch 1/2: AKGck22 split 10' ch 3 : AKGck61 center Fwd 0' ch 4/5: AKGc414XLS/ST MS fig 8 > recorder: Tascam DR680(24/48) >SD Location: DFC lawn ~ 175' from stage Transfer: SD WIN7 > Audacity level adjustment > CD Wav editor > TLH (flacs) Recorded: Kyle Holbrook & Michael Deary Transferred: Kyle Holbrook
168792Phish2016-07-03Saratoga Performing Arts CenterSaratoga SpringsNY
flac2448 2 AKG c451EBck8 mics> Sony D5 (as preamp)> Sony M10 24/48. Location: DFC Lawn halfway up the hill on a 7’ stand mics pointed at the stacks. Lineage: Sony M10 24/48> Sony Sound Forge Studio 10.0 for all tracking, editing, fades and conversion to HD FLAC. Taped, Mastered and Uploaded by Mark Van Blunk
136358Phish2016-07-06Cross Insurance ArenaPortlandME
flac16 Telefunken ELA M 260/AKG ck8 Shotguns (PAS) > Zoom F8(24/48) Wave > > MacBook Pro > Sound Forge 2.5(Normalize,Fade,Track) > xAct(Tagging) > Flac; Recorded and Mastered by by Ted Gakidis
136359Phish2016-07-06Cross Insurance ArenaPortlandME
flac16 44.1kHz FOB, DFC 40’ from the Stage 6’ high; Schoeps mk22 (22cm/110*)> Nabob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24/48; SC Card> Macbook Pro> Sound Studio (fades and tracking)> iZotope (SRC & Dither)> xAct (Tagging and Flaccing)
136360Phish2016-07-06Cross Insurance ArenaPortlandME
flac24 48kHz FOB, DFC 40’ from the Stage 6’ high; Schoeps mk22 (22cm/110*)> Nabob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24/48; SC Card> Macbook Pro> Sound Studio (fades and tracking)> xAct (Tagging and Flaccing)
136361Phish2016-07-06Cross Insurance ArenaPortlandME
flac16 44.1kHz FOB, DFC 40’ from the Stage 6’ high; Schoeps mk3 (NOS)> Nabob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24/48; SC Card> Macbook Pro> Sound Studio (fades and tracking)> iZotope (SRC & Dither)> xAct (Tagging and Flaccing)
136362Phish2016-07-06Cross Insurance ArenaPortlandME
flac24 48kHz FOB, DFC 40’ from the Stage 6’ high; Schoeps mk3 (NOS)> Nabob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24/48; SC Card> Macbook Pro> Sound Studio (fades and tracking)> xAct (Tagging and Flaccing)
136369Phish2016-07-06Cross Insurance ArenaPortlandME
flac16 44.1kHz mics were NOS FOB dfc 40’ from stage; Schoeps mk22>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge; Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136370Phish2016-07-06Cross Insurance ArenaPortlandME
flac24 96kHz mics were NOS FOB dfc 40’ from stage; Schoeps mk22>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136371Phish2016-07-06Cross Insurance ArenaPortlandME
flac16 44.1kHz mics were DIN FOB dfc 40’ from stage; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136372Phish2016-07-06Cross Insurance ArenaPortlandME
flac24 96kHz mics were DIN FOB dfc 40’ from stage; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136671Phish2016-07-06Cross Insurance ArenaPortlandME
flac16 44.1kHz Sennheiser K6RD/ME66>Wendt X3>R05 @24-44.1 PAS 9' Converted to 16-44.1, no other edits; directly behind SBD (formerly known as the official taper section); Recorded by Greg Nash
136672Phish2016-07-06Cross Insurance ArenaPortlandME
flac16 44.1kHz Chopped Sennheiser ME64>Custom K6 Box>Audient Mico> SPDIF>DR100MKII @24-44.1 20cm 90deg. 9' Converted to 16-44.1, no other edits; directly behind SBD (formerly known as the official taper section); Recorded by Greg Nash
136411Phish2016-07-08Xfinity CenterMansfieldMA
flac16 Telefunken ELA M 260/AKG ck8 Shotguns (PAS) > Zoom F8(24/48) Wave > MacBook Pro > Sound Forge 2.5(Normalize,Fade,Track) > xAct(Tagging) > Flac; Recorded and Mastered by by Ted Gakidis
136412Phish2016-07-08Xfinity CenterMansfieldMA
flac16 44.1kHz mics were DIN setup in the OTS just right of center; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136413Phish2016-07-08Xfinity CenterMansfieldMA
flac24 96kHz mics were DIN setup in the OTS just right of center; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136468Phish2016-07-08Xfinity CenterMansfieldMA
flac16 44.1kHz mics were NOS setup in the OTS dfc; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge; Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136469Phish2016-07-08Xfinity CenterMansfieldMA
flac24 96kHz mics were NOS setup in the OTS dfc; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136470Phish2016-07-08Xfinity CenterMansfieldMA
flac16 44.1kHz mics were NOS setup in the OTS dfc; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge; Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136471Phish2016-07-08Xfinity CenterMansfieldMA
flac24 96kHz mics were NOS setup in the OTS dfc; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136414Phish2016-07-09Xfinity TheatreHartfordCT
flac16 MG21>nBob Actives>nBox Platinum>Sony M10(24/48); Soundboard Dead Center; SDHC Card>Adobe Audition 3.0>CDWave 1.71; recorded by Keith Antaya
136415Phish2016-07-09Xfinity TheatreHartfordCT
flac16 44.1kHz Sennheiser MKH8060 (Super Card Short Shotguns) > Zoom F8 @ 24/44.1; DFC Clamped To Rail Behind SBD @ 8.5’ PAS; SD Card > MBP > Peak Pro (Fades, ID’s & Dither) > Xact (Flac Conversion & Tagging); recorded by Ted C.
136416Phish2016-07-09Xfinity TheatreHartfordCT
flac16 44.1kHz AKG C414xls card/hyper > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2; pointed at PA array, behind SBD, dead center, 12.5 feet high; R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums ); Recorded, processed and let loose by Mike Kutik
136439Phish2016-07-09Xfinity TheatreHartfordCT
flac16 44.1kHz mics were DIN setup in the OTS dfc; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge; Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136440Phish2016-07-09Xfinity TheatreHartfordCT
flac24 96kHz mics were DIN setup in the OTS dfc; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136450Phish2016-07-09Xfinity TheatreHartfordCT
flac16 44.1kHz mics were NOS setup in the OTS dfc; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136451Phish2016-07-09Xfinity TheatreHartfordCT
flac24 96kHz mics were NOS setup in the OTS dfc; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136452Phish2016-07-09Xfinity TheatreHartfordCT
flac16 44.1kHz mics were NOS setup in the OTS dfc; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136475Phish2016-07-09Xfinity TheatreHartfordCT
flac2496 mics were NOS setup in the OTS dfc Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz) WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp) Recorded and transferred by Andy Murray
136418Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac24 96kHz mics were DIN setup in the OTS left of center; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136419Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac16 44.1kHz mics were DIN setup in the OTS left of center; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136435Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac16 44.1kHz Schoeps MK41[DINa/OTS/DFC@SBD Rail/Rycote INV6-HG Shock/Movo WS80 Screens] -> NBob KCY -> Naiant PFAs -> DarkTrain Rt Angle Stubby XLRs -> Tascam DR-70D[BWF@24/96-LOW Gain] -> 64gb SanDisk Extreme Pro SD Card; [BWF@24/96] > WaveLab v6.11[Fades/Gain/Crystal Resampler(Ultra)/MBIT+ Dither(Ultra/High)] > [WAV@16/44.1] > CD Wave v1.98[Tracking/Cue Sheets] > CKRename v1.08 > Traders Little Helper v2.7.0[FLAC/Level 8/Align On Sector Boundaries(Fix)/Verify/FFP/MD5/ST5] > [FLAC@16/44.1] > MP3Tag v2.78 > .FLAC16; Taped/Transferred/Mastered/Uploaded by Bean
136436Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac24 96kHz Schoeps MK41[DINa/OTS/DFC@SBD Rail/Rycote INV6-HG Shock/Movo WS80 Screens] -> NBob KCY -> Naiant PFAs -> DarkTrain Rt Angle Stubby XLRs -> Tascam DR-70D[BWF@24/96-LOW Gain] -> 64gb SanDisk Extreme Pro SD Card; [BWF@24/96] > WaveLab v6.11[Fades/Gain] > [WAV@24/96] > CD Wave v1.98[Tracking/Cue Sheets] > CKRename v1.08 > Traders Little Helper v2.7.0[FLAC/Level 8/Verify/FFP/MD5/ST5] > [FLAC@24/96] > MP3Tag v2.78 > .FLAC24; Taped/Transferred/Mastered/Uploaded by Bean
136437Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac16 44.1kHz sec 200, row N, seat 4, "tapers section" behind Mixer enclosure, dead center; DINA Kwonbar, Schoeps A20S shock, Windtech MPC-10 clamp, DPA UA0896 screens, clamped on stand at 9 ft; Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz; Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.12, ffp & md5-TLH
136438Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac24 48kHz sec 200, row N, seat 4, "tapers section" behind Mixer enclosure, dead center; DINA Kwonbar, Schoeps A20S shock, Windtech MPC-10 clamp, DPA UA0896 screens, clamped on stand at 9 ft; Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz; Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.12, ffp & md5-TLH
136453Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac16 44.1kHz mics were NOS setup in the OTS left of center; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136454Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac24 96kHz mics were NOS setup in the OTS left of center; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136455Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac16 44.1kHz mics were NOS setup in the OTS left of center; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
136456Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac24 96kHz mics were NOS setup in the OTS left of center; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
136515Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac16 44.1kHz DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96); DIN/OTS/LOC 6’ clamp to stand back left corner seat last row of section directly behind the soundboard; 722>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler/MBIT+ Dither)>xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped and Transferred by: Lenny Stubbe
136516Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac24 96kHz DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96); DIN/OTS/LOC 6’ clamp to stand back left corner seat last row of section directly behind the soundboard; 722>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.38(encode, tag, fingerprint)>flac24 (level 8 ); Taped and Transferred by: Lenny Stubbe
138751Phish2016-07-10Lakeview AmphitheaterSyracuseNY
flac16 48khz Left of the sbd ( tapers sec) mic stand 10 ft; Ccm4s-702 16 bit > Goldwave split>TLH8. A Duncan Oldham Master. Audio slice and dice, upload Dolphinsmile
136492Phish2016-07-15Gorge AmphitheatreGeorgeWA
flac16 44.1kHz FOB/DFC > Neumann Ak40 (NOS) > Lc3 > Km100 > Eaa PSP2 > Sd 702 @ 24/48; Cf Card > *Wavelab 6.0 (resample, UV 22 HR) > Cd Wave > Traders Little Helper > 16/44 FLAC; recorded by gotfob
136517Phish2016-07-15Gorge AmphitheatreGeorgeWA
flac16 Nakamichi CM-300's w/ Teac Omni Capsules>Tascam DR-70d @ Soundboard 8'; Tascam DR-70>laptop>Audacity volume boost 3db>CD Wave>R8 Brain FLAC Level 8; Taped & Transferred by Chris McGrath
136580Phish2016-07-15Gorge AmphitheatreGeorgeWA
flac16 44.1kHz FOB/DFC (pit back rail)> MBHO 603 Cards> Naiant Tinybox> Sony M10 16/44.1; 5ft high approx DINa angled up about 20 deg; DPA black windscreens with rats; EQed 10kHz> to about 3dB to compensate for rats; Rec by Eric Wilkens
136493Phish2016-07-16Gorge AmphitheatreGeorgeWA
flac16 44.1kHz FOB/DFC > Neumann Ak40 (NOS) > Lc3 > Km100 > Eaa PSP2 > Sd 702 @ 24/48; Cf Card > *Wavelab 6.0 (resample, UV 22 HR) > Cd Wave > Traders Little Helper > 16/44 FLAC; recorded by gotfob
136554Phish2016-07-16Gorge AmphitheatreGeorgeWA
flac16 Nakamichi CM-300's w/ Teac Omni Capsules>Tascam DR-70d @ left corner of Soundboard 8'; Tascam DR-70>laptop>C.E.P. volume boost>CD Wave>R8 Brain FLAC Level 8; Taped & Transferred by Chris McGrath
136581Phish2016-07-16Gorge AmphitheatreGeorgeWA
flac16 44.1kHz FOB/DFC (pit back rail)> MBHO 603 Cards> Naiant Tinybox> Sony M10 16/44.1; 5ft high approx DINa angled up about 20 deg; DPA black windscreens with rats; EQed 10kHz> to about 3dB to compensate for rats; Rec by Eric Wilkens
136518Phish2016-07-18Bill Graham Civic AuditoriumSan FranciscoCA
flac16 44.1kHz Schoeps mk4v(ortf)>kcy>AKI>M222> NT222>Sonosax SX-R4+ 24/96; FOB DFC 5ft; SDHC>Audacity 16/44.1>Amadeus Pro>xACT' Taped By: Chris King
136519Phish2016-07-18Bill Graham Civic AuditoriumSan FranciscoCA
flac16 44.1kHz Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44); FOB/DFC/KFC/ZFC/AARP 40' From Stage, 6' High; Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16); ID3 Tagged In Foobar 2000; Recorded By: Z-Man
136520Phish2016-07-18Bill Graham Civic AuditoriumSan FranciscoCA
flac16 44.1kHz Schoeps mk21(nos)>Kcy>Schoeps Vst 62IUg>(Internal Pre)Sonosax SX-R4+ 24/96; FOB DFC 5ft; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
136565Phish2016-07-18Bill Graham Civic AuditoriumSan FranciscoCA
flac16 44.1kHz FOB/DFC > Neumann Ak40 (NOS) > Lc3 > Km100 > Eaa PSP2 > Sd 702 @ 24/48; Cf Card > *Wavelab 6.0 (resample, UV 22 HR) > Cd Wave > Traders Little Helper > 16/44 FLAC
136576Phish2016-07-18Bill Graham Civic AuditoriumSan FranciscoCA
flac24 96kHz Schoeps mk4v(ortf)>kcy>AKI>M222> NT222>Sonosax SX-R4+ 24/96; FOB DFC 5ft; SDHC>Audacity 24/96>Amadeus Pro>xACT; Taped By: Chris King
136582Phish2016-07-18Bill Graham Civic AuditoriumSan FranciscoCA
flac24 96kHz Schoeps mk21(nos)>Kcy>Schoeps Vst 62IUg>(Internal Pre)Sonosax SX-R4+ 24/96; Location:FOB DFC 5ft; SDHC>Audacity 24/96>Amadeus Pro>xACT; Taped By: Chris King
136551Phish2016-07-19Bill Graham Civic AuditoriumSan FranciscoCA
flac16 44.1kHz Schoeps mk4v(ortf)>kcy>AKI>M222> NT222>Sonosax SX-R4+ 24/96; FOB DFC 5ft; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
136552Phish2016-07-19Bill Graham Civic AuditoriumSan FranciscoCA
flac24 96kHz Schoeps mk21(nos)>Kcy>Schoeps Vst 62IUg>(Internal Pre)Sonosax SX-R4+ 24/96; FOB DFC 5ft; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
136553Phish2016-07-19Bill Graham Civic AuditoriumSan FranciscoCA
flac16 44.1kHz Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44); FOB/DFC/KFC/ZFC/AARP Approximately 40' From Stage, 6' High; Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000; Recorded By: Z-Man
136566Phish2016-07-19Bill Graham Civic AuditoriumSan FranciscoCA
flac16 44.1kHz FOB/DFC > Neumann Ak40 (NOS) > Lc3 > Km100 > Eaa PSP2 > Sd 702 @ 24/48; Cf Card > Wavelab 6.0 (resample, UV 22 HR) > Cd Wave > Traders Little Helper > 16/44 FLAC
136577Phish2016-07-19Bill Graham Civic AuditoriumSan FranciscoCA
flac24 96kHz Schoeps mk4v(ortf)>kcy>AKI>M222> NT222>Sonosax SX-R4+ 24/96; Location:FOB DFC 5ft; SDHC>Audacity 24/96>Amadeus Pro>xACT; Taped By: Chris King
136583Phish2016-07-19Bill Graham Civic AuditoriumSan FranciscoCA
flac24 96kHz Schoeps mk21(nos)>Kcy>Schoeps Vst 62IUg>(Internal Pre)Sonosax SX-R4+ 24/96; Location:FOB DFC 5ft; SDHC>Audacity 24/96>Amadeus Pro>xACT; Taped By: Chris King
136562Phish2016-07-20Bill Graham Civic AuditoriumSan FranciscoCA
flac16 44.1kHz Schoeps mk21(Nos)>kcy>AKI>M222> NT222>Sonosax SX-R4+ 24/96; FOB DFC 5ft; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
136563Phish2016-07-20Bill Graham Civic AuditoriumSan FranciscoCA
flac16 44.1kHz Schoeps mk4v(ortf)>Kcy>Schoeps Vst 62IUg>(Internal Pre)Sonosax SX-R4+ 24/96; FOB DFC 5ft; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
136564Phish2016-07-20Bill Graham Civic AuditoriumSan FranciscoCA
flac16 44.1kHz Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44); FOB/DFC/KFC/ZFC/AARP Approximately 40' From Stage, 6' High; Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16)ID3 Tagged In Foobar 2000; Recorded By: Z-Man
136567Phish2016-07-20Bill Graham Civic AuditoriumSan FranciscoCA
flac16 44.1kHz FOB/DFC > Neumann Ak40 (NOS) > Lc3 > Km100 > Eaa PSP2 > Sd 702 @ 24/48; Cf Card > Wavelab 6.0 (resample, UV 22 HR) > Cd Wave > Traders Little Helper > 16/44 FLAC
136578Phish2016-07-20Bill Graham Civic AuditoriumSan FranciscoCA
flac24 96kHz Schoeps mk21(Nos)>kcy>AKI>M222> NT222>Sonosax SX-R4+ 24/96; Location:FOB DFC 5ft; SDHC>Audacity 24/96>Amadeus Pro>xACT; Taped By: Chris King
136584Phish2016-07-20Bill Graham Civic AuditoriumSan FranciscoCA
flac24 96kHz Schoeps mk4v(ortf)>Kcy>Schoeps Vst 62IUg>(Internal Pre)Sonosax SX-R4+ 24/96; FOB DFC 5ft; SDHC>Audacity 24/96>Amadeus Pro>xACT; Taped By: Chris King
136579Phish2016-07-22The ForumInglewoodCA
flac16, 44kHz; (FOB/DFC/DINa/6.5') Microtech Gefell M21's > Naiant Tinybox > Tascam DR-60D; Tascam DR-70D > Audacity > CDWave > FLAC; Source and Transfer by Aaron Bowers
136585Phish2016-07-22The ForumInglewoodCA
flac16, 48kHz; (OTS/ROC/10') [(ortf) MBHO 440's] + [(xy) Busman BSC1/K11's] > Zoom H6; Zoom H6 > Adobe Audition > FLAC; Source and Transfer by Joe Logrippo
136586Phish2016-07-22The ForumInglewoodCA
flac24, 48kHz; (OTS/ROC/10') [(ortf) MBHO 440's] + [(xy) Busman BSC1/K11's] > Zoom H6; Zoom H6 > Adobe Audition > FLAC; Source and Transfer by Joe Logrippo
136592Phish2016-07-22The ForumInglewoodCA
flac16, 44kHz; (FOB/DFC/6.5') Schoeps MK4v's > NBob actives > Naiant Littlebox > Tascam DR-60D; Tascam DR-60D > Audacity > CDWave > FLAC; Source and Transfer by Aaron Bowers
136594Phish2016-07-22The ForumInglewoodCA
flac16, 44kHz; (FOB) Neumann Ak40 > LC3ka > km100's > Lunatec V3 > Apogee MiniMe > Marantz PMD-661; Marantz PMD-661 > Soundforge > CDWave > FLAC; Source and Transfer By Todd Hodulik
136848Phish2016-07-22The ForumInglewoodCA
flac16, 44kHz; (OTS/ROC/PAS/9') AKG c460b/ck8's > Tascam DR-70D; Tascam DR-70D > Audacity > CDWave > FLAC; Source by Joe Logrippo; Transfer by Aaron Bowers
136589Phish2016-07-23Sleep Train AmphitheatreChula VistaCA
flac24 48kHz Microtech Gefell M20 > NBob|PFA > Tascam DR-70D @ 24bit/48kHz Transfer: DR-70D > USB > Adobe Audition 3.0 > CDWave > FLAC (Level 8); Section 203, Row P, Seats 17-18, center, 7' high | 25cm @ 70º; Recording and Transfer: audBall
136590Phish2016-07-23Sleep Train AmphitheatreChula VistaCA
flac16 Microtech Gefell M20 > NBob|PFA > Tascam DR-70D @ 24bit/48kHz; DR-70D > USB > Adobe Audition 3.0 > CDWave > FLAC (Level 8); Section 203, Row P, Seats 17-18, center, 7' high | 25cm @ 70º; Recording and Transfer: audBall
136591Phish2016-07-23Sleep Train AmphitheatreChula VistaCA
flac16 44.1kHz AKG Ck1/a60 (DIN)> Naiant Actives > Naiant Tinybox (+18db) > Sony PCM-M10 (24/48); Section 102 inside SBD/mixing area, 7' up; Audacity normalize,resample,dither) > cdwav (track) > TLH (flac,meta); Recorded and Mastered by: Aaron Bowers
136593Phish2016-07-23Sleep Train AmphitheatreChula VistaCA
flac16 Neumann Ak40>Lc3ka>Km100>V3>MiniMe>PMD661 24/48; Section 102 inside SBD/mixing area, 7' up; CF Card>Soundforge9.0 (normalized)>CDWave>TLH; Taped And Transferred By Todd Hodulik
136596Phish2016-07-23Sleep Train AmphitheatreChula VistaCA
flac16 44.1kHz Sennheiser MKH 8050 + MicroTech M300>Zoom F-8; Recorded from OTS which was situated Directly to right of FOH Console; 3 Channel Mix done in post using Wavelab 6; Recorded by Pat Myers, aka DATPAT
136597Phish2016-07-23Sleep Train AmphitheatreChula VistaCA
flac16 44.1kHz (Set 1) AKG ck3|a60m|c460b > Tascam DR-70D (24bit/44.1khz) (Set 2) Audio Technica u853r (line cardioids) > Tascam DR-70D (24bit/44.1khz) Transfer: SD Card > Audacity (gain/fades/dither) > CDWav > Trader's Little Helper > .flac; OTS, Sec 203, Row P, Seat 17 pointed @ stacks, 20cm @ 60*; taped/transferred by: (jbanyai97@yahoo.com)
136773Phish2016-08-26Oak Ridge FarmArringtonVA
flac16 Schoeps mk4 > Nbob KCY Cables > Naiant PFA > Zoom F8; SD Card > Audition 6.0 > CDWave > FLAC; Recorded and Mastered By: tonedeaf
136790Phish2016-08-26Oak Ridge FarmArringtonVA
flac16 DPA 4023 > Zoom F8 (24/48); F8 > iMac. Tracked and resampled via Sound Studio, FLAC via xACT; Recorded by Alex Leary & Pat Myers
136775Phish2016-08-26Oak Ridge FarmArringtonVA
flac24 Schoeps mk4 > Nbob KCY Cables > Naiant PFA > Zoom F8; SD Card > Audition 6.0 > CDWave > FLAC; Recorded and Mastered By: tonedeaf
136799Phish2016-08-26Oak Ridge FarmArringtonVA
flac16, 44.1kHz; Neumann TLM 170's (Blumlein) > Zoom F-8; Wavelab (LDither using Apoggee Uv22hr); Taped & Transferred by Pat Myers
164784Phish2016-08-26Oak Ridge FarmArringtonVA
flac2496 location: ots - (just slightly fob), right of center, by foh barricade source: schoeps mk4 (DINa) -> kcy -> vms5u -> mytek 192 -> marantz pmd-661 @ 96 kHz 24 bit transfer: sd card -> internal card reader -> dell xps m1730 edits: channels summed & balanced, fades added, normalized, flac'd & track split in magix sound forge 16.1.1; encore patched using tonedef's fob: mk4 -> kcy-> niant -> zoom f8 source; flac files tagged using foobar2000 taped by: team no drama
136795Phish2016-08-28Lockn' Festival, Oak Ridge FarmArringtonVA
flac16, 44.1kHz; (FOB) Schoeps mk22 > Kcy > Schoeps Vst 62IUg > Sonosax SX-R4+ (24/96); SDHC > Audacity 16/44.1 > Amadeus Pro > xACT; Taped & Transferred by Chris King
136796Phish2016-08-28Lockn' Festival, Oak Ridge FarmArringtonVA
flac16, 44.1kHz; Neumann TLM 170's (Blumlein) > Zoom F-8; Taped & Transferred by Pat Myers
136797Phish2016-08-28Lockn' Festival, Oak Ridge FarmArringtonVA
flac16, 44.1kHz; (FOB) Schoeps mk4v > kcy > AKI > M222 > NT222 > Sonosax SX-R4+ (24/96); SDHC > Wavelab (edits, fades, tracking, src & dither/uv22hr) > FLAC (level 8); Taped & Transferred by Chris King
136798Phish2016-08-28Lockn' Festival, Oak Ridge FarmArringtonVA
flac24, 96kHz; (FOB) Schoeps mk4v > kcy > AKI > M222 > NT222 > Sonosax SX-R4+ (24/96); SDHC > Wavelab (edits, fades, tracking) > FLAC (level 8); Taped & Transferred by Chris King
136825Phish2016-09-02Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (FOB/ORTF) Schoeps mk21 > kc5 > cmc6xt's > Sonosax SX-M2 > Sony M10; Sony M10 > Sound Studio > FLAC; Source and Transfer by Brian Porter
136826Phish2016-09-02Dick’s Sporting Goods ParkCommerce CityCO
flac24, 48kHz; (FOB/ORTF) Schoeps mk21 > kc5 > cmc6xt's > Sonosax SX-M2 > Sony M10; Sony M10 > Sound Studio > FLAC; Source and Transfer by Brian Porter
136828Phish2016-09-02Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (card/FOB/6') Telefunken M60's > Tascam DR-680mkII; Tascam DR-680mkII > Audacity > CDWave > FLAC; Source and Transfer by BonoBeats
136813Phish2016-09-02Dick’s Sporting Goods ParkCommerce CityCO
flac24, 48kHz; (ROC/FOB/PAS/2’spread/12’up) Nakamichi cm100/cp-4's > Tascam DR680; Tascam DR680 > Audacity > FLAC; Source and Transfer by Matthew Hernandez
136814Phish2016-09-02Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (ROC/FOB/PAS/2’spread/12’up) Nakamichi cm100/cp-4's > Tascam DR680; Tascam DR680 > Audacity > FLAC; Source and Transfer by Matthew Hernandez
136819Phish2016-09-02Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (FOB/DFC/NOS/6') Neumann ak43 > LC3 > km100's > Lunatec V3 > (Oade TMOD) Tascam HD-P2; Tascam HD-P2 > Soundforge > CDWave > FLAC; Source and Transfer by Brad Shears
136836Phish2016-09-02Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; DPA 4015a(NOS/FOB/1’ROC@6’)->Portico 5012->Mytek 192->SD788T(24/96)->UV22HR(16/44.1)->FLAC; Recorded and transferred by Scott Schneider
136837Phish2016-09-02Dick’s Sporting Goods ParkCommerce CityCO
flac16, 48kHz; (FOB/DFC/DIN/6') AKG ck61's > NBob actives > NBox Platinum > Tascam DR-70D; Tascam DR-70D > Wavelab > CDWave > FLAC; Source and Transfer by Ryan Stearns
136838Phish2016-09-02Dick’s Sporting Goods ParkCommerce CityCO
flac16, 48kHz; (FOB/DFC/DIN/6') AKG ck63's > NBob actives > NBox Platinum > Tascam DR-70D; Tascam DR-70D > Wavelab > CDWave > FLAC; Source and Transfer by Ryan Stearns
136839Phish2016-09-02Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (3' split) Nevaton MCE400 > Naiant Tinybox > Sony M10; Sony M10 > Wavelab > CDWave > FLAC; Source and Transfer by sloppyart
136829Phish2016-09-03Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (hyper/FOB/6') Telefunken M60's > Tascam DR-680mkII; Tascam DR-680mkII > Audacity > CDWave > FLAC; Source and Transfer by BonoBeats
136811Phish2016-09-03Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (FOB/DFC/NOS/6') DPA 4015c's > Portico 5012 > Mytek 192 > Sound Devices 788T > UV22HR > FLAC; Source and Transfer by Scott Schneider
136812Phish2016-09-03Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (FOB/DFC/18mm/65deg/6') DPA 4022's > Sonosax SX-M2 > Mytek 192 > Sound Devices 788T > UV22HR > FLAC; Source and Transfer by Scott Schneider
136820Phish2016-09-03Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (FOB/DFC/NOS/6') Neumann ak43 > LC3 > km100's > Lunatec V3 > (Oade TMOD) Tascam HD-P2; Tascam HD-P2 > Soundforge > CDWave > FLAC; Source and Transfer by Brad Shears
136831Phish2016-09-03Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (FOB/ORTF) Schoeps mk21 > kc5 > cmc6xt's > Sonosax SX-M2 > Sony M10; Sony M10 > Sound Studio > FLAC; Source and Transfer by Brian Porter
136832Phish2016-09-03Dick’s Sporting Goods ParkCommerce CityCO
flac24, 48kHz; (FOB/ORTF) Schoeps mk21 > kc5 > cmc6xt's > Sonosax SX-M2 > Sony M10; Sony M10 > Sound Studio > FLAC; Source and Transfer by Brian Porter
136845Phish2016-09-03Dick’s Sporting Goods ParkCommerce CityCO
flac16, 48kHz; (FOB/DFC/NOS/6') AKG ck61's > NBob actives > NBox Platinum > Tascam DR-70D; Tascam DR-70D > Wavelab > CDWave > FLAC; Source and Transfer by Ryan Stearns
136846Phish2016-09-03Dick’s Sporting Goods ParkCommerce CityCO
flac16, 48kHz; (FOB/DFC/DIN/6') AKG ck63's > NBob actives > NBox Platinum > Tascam DR-70D; Tascam DR-70D > Wavelab > CDWave > FLAC; Source and Transfer by Ryan Stearns
136834Phish2016-09-04Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (FOB/ORTF) Schoeps mk21 > kc5 > cmc6xt's > Sonosax SX-M2 > Sony M10; Sony M10 > Sound Studio > FLAC; Source and Transfer by Brian Porter
136835Phish2016-09-04Dick’s Sporting Goods ParkCommerce CityCO
flac24, 48kHz; (FOB/ORTF) Schoeps mk21 > kc5 > cmc6xt's > Sonosax SX-M2 > Sony M10; Sony M10 > Sound Studio > FLAC; Source and Transfer by Brian Porter
136815Phish2016-09-04Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (FOB/DFC/DIN) Schoeps mk22's > Nbob KCY > Naiant PFA > (Busman Mod) Tascam DR-70d; Tascam DR-70d > Sound Studio > iZotope > FLAC; Source and Transfer by Noah Bickart
136816Phish2016-09-04Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (FOB/DFC/NOS/6') DPA 4015c's > Portico 5012 > Mytek 192 > Sound Devices 788T; Sound Devices 788T > UV22HR > FLAC; Source and Transfer by Scott Schneider
136817Phish2016-09-04Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (FOB/DFC/18mm/65deg/6') DPA 4022's > Sonosax SX-M2 > Mytek 192 > Sound Devices 788T; Sound Devices 788T > UV22HR > FLAC; Source and Transfer by Scott Schneider
136818Phish2016-09-04Dick’s Sporting Goods ParkCommerce CityCO
flac24, 48kHz; (FOB/DFC/DIN) Schoeps mk22's > Nbob KCY > Naiant PFA > (Busman Mod) Tascam DR-70d; Tascam DR-70d > Sound Studio > iZotope > FLAC; Source and Transfer by Noah Bickart
136821Phish2016-09-04Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (FOB/DFC/NOS/6') Neumann ak43 > LC3 > km100's > Lunatec V3 > (Oade TMOD) Tascam HD-P2; Tascam HD-P2 > Soundforge > CDWave > FLAC; Source and Transfer by Brad Shears
136822Phish2016-09-04Dick’s Sporting Goods ParkCommerce CityCO
flac16, 48kHz; (FOB/DFC/NOS/6') AKG ck61's > NBob actives > NBox Platinum > Tascam DR-70D; Tascam DR-70D > Wavelab > CDWave > FLAC; Source and Transfer by Ryan Stearns
136824Phish2016-09-04Dick’s Sporting Goods ParkCommerce CityCO
flac16, 48kHz; (FOB/DFC/DIN/6') AKG ck63's > NBob actives > NBox Platinum > Tascam DR-70D; Tascam DR-70D > Wavelab > CDWave > FLAC; Source and Transfer by Ryan Stearns
136827Phish2016-09-04Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (FOB/DFC/ORTF/6') (JW Mod) AKG c460b/ck61's > (Oade OCM) Marantz PMD-661; Marantz PMD-661 > Soundforge > CDWave > FLAC; Source and Transfer by Brad and Jessi Shears
136830Phish2016-09-04Dick’s Sporting Goods ParkCommerce CityCO
flac16, 44kHz; (hyper/FOB/6') Telefunken M60's > Tascam DR-680mkII; Tascam DR-680mkII > Audacity > CDWave > FLAC; Source and Transfer by BonoBeats
136910Phish2016-09-04Dick’s Sporting Goods ParkCommerce CityCO
flac24, 48kHz; (FOB) Schoeps mk41v > Nbob KCY > Naiant 60v PFA > Busman Mod Tascam DR-70d @ 24bit /48kHz; SDHC Card > Macbook Pro > Sound Studio (Tracking & Fades) > xAct (Tag & FLAC); Taped & Transferred by Noah Bickart
137049Phish2016-10-14North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Schoeps mk41v(dina)>kc5>M222> NT222>Sonosax SX-R4+ 24/96; OTS; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
137052Phish2016-10-14North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Schoeps mk4v(nos)>Kcy>Schoeps Vst 62IUg>(Internal Pre)Sonosax SX-R4+ 24/96; OTS; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
137054Phish2016-10-14North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Schoeps mk21(nos)>Kcy>AKI>SchoepsCMC6>EAA PSP-2>Sonosax SX-R4+ 24/96; OTS; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
137047Phish2016-10-14North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Peluso cemc6/ck21 [a,b/25' split] -> E.A.A. PSP-2 -> Tascam DR-680 [24/48]; ots/fob @ sbd/stand @ 8'; DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FooBar; recorded by: Col. George and Chris Davis
137048Phish2016-10-14North Charleston ColiseumNorth CharlestonSC
flac24 48kHz Peluso cemc6/ck21 [a,b/25' split] -> E.A.A. PSP-2 -> Tascam DR-680 [24/48]; ots/fob @ sbd/stand @ 8'; DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FooBar; recorded by: Col. George and Chris Davis
137050Phish2016-10-14North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Nakamichi cm100/cp4 [Rainey] -> Sound Devices MP-2 -> Tascam DR-680 [24/48]; ots/fob @ sbd/loc/stand @ 8'; DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FooBar; recorded by: Col. George and Chris Davis
137051Phish2016-10-14North Charleston ColiseumNorth CharlestonSC
flac24 48kHz Nakamichi cm100/cp4 [Rainey] -> Sound Devices MP-2 -> Tascam DR-680 [24/48]; ots/fob @ sbd/loc/stand @ 8'; DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FooBar; recorded by: Col. George and Chris Davis
137053Phish2016-10-14North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Schoeps mk21 > KC5 > CMC6xt > EAA PSP-2 > Aeta 4MinX (@24bit/96kHz); Split 25', 8' Stands, 0 Degrees, Front Corners of FOH; SDHC > Samplitude SE 9.1.1(dither/resample) > CDWave > flac(16/44.1); Taped, Transferred/Seeded by: taylorc
137092Phish2016-10-14North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz DPA 4028 > Sonosax SX-M2 > Tascam DR-100mkIII @ 24/96l; 90 ft. center; .wav @ 24/96 > Audacity 2.1.2 (dither to 16/44.1); Taper: George Wang
137093Phish2016-10-14North Charleston ColiseumNorth CharlestonSC
flac24 96kHz DPA 4028 > Sonosax SX-M2 > Tascam DR-100mkIII @ 24/96; 90 ft. center; .wav @ 24/96 > Audacity 2.1.2l Taper: George Wang
137055Phish2016-10-15North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Schoeps mk41v(dina)>kc5>M222> NT222>Sonosax SX-R4+ 24/96; OTS; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
137058Phish2016-10-15North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Schoeps mk4v(nos)>Kcy>Schoeps Vst 62IUg>(Internal Pre)Sonosax SX-R4+ 24/96; OTS; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
137059Phish2016-10-15North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Schoeps mk21(nos)>Kcy>AKI>Schoeps CMC6>EAA PSP-2>Sonosax SX-R4+ 24/96; OTS; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
137056Phish2016-10-15North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Berliner CM-33’s > Naiant Littlebox > Sony PCM-M10 (24/48); SDHC > Amadeus Pro (16/44.1) > WAV > xACT > Flac; Front left corner of FOH, 8’ high; Taped by: NSL
137057Phish2016-10-15North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Schoeps mk21 > KC5 > CMC6xt > EAA PSP-2 > Aeta 4MinX (@24bit/96kHz); Split 25', 8' Stands, 0 Degrees, Front Corners of FOH; SDHC > Samplitude SE 9.1.1(dither/resample) > CDWave > flac(16/44.1); Taped, Transferred/Seeded by: taylorc
137060Phish2016-10-15North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Peluso cemc6/ck21 [a,b/25' split] -> E.A.A. PSP-2 -> Tascam DR-680 [24/48]; ots/fob @ sbd/stand @ 8'; DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FooBar; recorded by: Col. George and Chris Davis
137061Phish2016-10-15North Charleston ColiseumNorth CharlestonSC
flac24 48kHz Peluso cemc6/ck21 [a,b/25' split] -> E.A.A. PSP-2 -> Tascam DR-680 [24/48]; ots/fob @ sbd/stand @ 8'; DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FooBar; recorded by: Col. George and Chris Davis
137065Phish2016-10-15North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Nakamichi cm100/cp4 [Rainey] -> Sound Devices MP-2 -> Tascam DR-680 [24/48]; ots/fob @ sbd/loc/stand @ 8'; DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FooBar; recorded by: Col. George and Chris Davis
137066Phish2016-10-15North Charleston ColiseumNorth CharlestonSC
flac24 48kHz Nakamichi cm100/cp4 [Rainey] -> Sound Devices MP-2 -> Tascam DR-680 [24/48]; ots/fob @ sbd/loc/stand @ 8'; DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FooBar; recorded by: Col. George and Chris Davis
137077Phish2016-10-15North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz Schoeps MK41V>KC5>CMC6>Aeta PSP3>Roland R-26>24bit/48kHz WAV>Audacity (patch right channel for 4min of first song, fades, track, amplify, downsample, dither)>FLAC ( level 8 ); Recorded and produced by acidjack
137118Phish2016-10-15North Charleston ColiseumNorth CharlestonSC
flac24 96kHz DPA 4028 > Sonosax SX-M2 > Tascam DR-100mkIII @ 24/96; 90 ft. center; taped by George Wang
137119Phish2016-10-15North Charleston ColiseumNorth CharlestonSC
flac16 44.1kHz DPA 4028 > Sonosax SX-M2 > Tascam DR-100mkIII @ 24/96; 90 ft. center; .wav @ 24/96 > Audacity 2.1.2 (dither to 16/44.1); taped by George Wang
137068Phish2016-10-16Jacksonville Veterans Memorial ArenaJacksonvilleFL
flac16 44.1kHz Schoeps mk41v(dina)>kc5>M222> NT222>Sonosax SX-R4+ 24/96; OTS; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
137106Phish2016-10-16Jacksonville Veterans Memorial ArenaJacksonvilleFL
flac16 44.1kHz Schoeps mk21(nos)>Kcy>AKI>SchoepsCMC6>EAA PSP-2>Sonosax SX-R4+ 24/96; OTS; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
137067Phish2016-10-16Jacksonville Veterans Memorial ArenaJacksonvilleFL
flac16 44.1kHz Schoeps m934c > M221B > PS > Aeta 4MinX (@24bit/96kHz); Front Right Corner of FOH, 8' Stand, DIN, m934c/cardioid; SDHC > Samplitude SE 9.1.1(dither/resample) > CDWave > flac(16/44.1); Taped, Transferred/Seeded by: taylorc
137078Phish2016-10-16Jacksonville Veterans Memorial ArenaJacksonvilleFL
flac16 44.1kHz Line Audio OM1 (68cm)> Apogee Mini-MP> Tascam DR-70D (24/48); Audacity (EQ [notch @ 80hz], normalize, shaped dither, FLAC); Foobar2000 (tags); Half-way between stage and SBD, 6.5' stand; Recorded by Craig Taraszki
137107Phish2016-10-16Jacksonville Veterans Memorial ArenaJacksonvilleFL
flac16 44.1kHz Schoeps mk4v(nos)>Kcy>Schoeps Vst 62IUg>(Internal Pre)Sonosax SX-R4+ 24/96; OTS; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
137190Phish2016-10-16Jacksonville Veterans Memorial ArenaJacksonvilleFL
flac16 Schoeps mk41v's(DIN)>kc5>m222>nt222>788t + Neumann ak43's(NOS)>lc3>lemosax>788t; Inside SBD/10 ft ROG; 788t>Wavelab 6>CD Wave>Wavelab 6>Flac; Taped and Transferred by: Derek Davis
137090Phish2016-10-18Ascend AmphitheaterNashvilleTN
flac16 44.1kHz Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44); OTS/Barely FOB/DFC/KFC/ZFC/AARP Section 102, Row W, Between Seats 13 & 14, 8' High; Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16)ID3 Tagged In Foobar 2000; Recorded By: Z-Man
137091Phish2016-10-18Ascend AmphitheaterNashvilleTN
flac16 44.1kHz Schoeps m934c > M221B > PS > Aeta 4MinX (@24bit/96kHz); Section 102, Row W, Seat 14, 8' Stand, DIN, m934c/cardioid; SDHC > Samplitude SE 9.1.1(dither/resample) > CDWave > flac(16/44.1); Taped, Transferred/Seeded by: taylorc
137094Phish2016-10-18Ascend AmphitheaterNashvilleTN
flac16 44.1kHz Neumann KM184’s > Sonosax SX-M2 > Sound Devices 744T @ 48 kHZ/24 bit; Right FOH, 7.5 ft. high, ORTF; Macbook Pro, Logic Pro X, and xACT; Recorded by D. Fries
137098Phish2016-10-18Ascend AmphitheaterNashvilleTN
flac16 44.1kHz Schoeps mk21 (FOB/ORTF wide) > kc5 > cmc6xt > Sonosax SX-M2 > Mytek 192 > Tascam HD-P2 (24/48); CF > Sound Studio > xACT > .flac (16/44)
137099Phish2016-10-18Ascend AmphitheaterNashvilleTN
flac24 48kHz Schoeps mk21 (FOB/ORTF wide) > kc5 > cmc6xt > Sonosax SX-M2 > Mytek 192 > Tascam HD-P2 (24/48); CF > Sound Studio > xACT > .flac (24/48)
137111Phish2016-10-18Ascend AmphitheaterNashvilleTN
flac16 44.1kHz 2 Nakamichi CM-300 w/ CP-2 > Sound Devices MixPre > Tascam DR-680 MKII @ 2496 > SDHC + 1 Nakamichi CM-300 w/ CP-4 > Tascam DR-680 MKII @ 2496 > SDHCl; SDHC > Samplitude Pro X2 (Build 256) > iZotope RX5 v5.00.135 (Resample & Dither) > TLH v2.7.0 (Align On Sector Boundaries, flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell; Seeded to etree 2016-10-24
137112Phish2016-10-18Ascend AmphitheaterNashvilleTN
flac24 96kHz 2 Nakamichi CM-300 w/ CP-2 > Sound Devices MixPre > Tascam DR-680 MKII @ 2496 > SDHC + 1 Nakamichi CM-300 w/ CP-4 > Tascam DR-680 MKII @ 2496 > SDHC; SDHC > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell
137113Phish2016-10-18Ascend AmphitheaterNashvilleTN
flac16 44.1kHz AKG C451E w/ CK22 > Shure A15AS > Tascam DR-680 MKII @ 2496 > SDHC; SDHC > Samplitude Pro X2 (Build 256) > iZotope RX5 v5.00.135 (Resample & Dither) > TLH v2.7.0 (Align On Sector Boundaries, flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell
137114Phish2016-10-18Ascend AmphitheaterNashvilleTN
flac24 96kHz AKG C451E w/ CK22 > Shure A15AS > Tascam DR-680 MKII @ 2496 > SDHC; SDHC > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell
137195Phish2016-10-18Ascend AmphitheaterNashvilleTN
flac16 44.1kHz Schoeps mk41v's(DIN)>kc5>m222>nt222>788t + Neumann ak43's(NOS)>lc3>lemosax>788t; Section 102, Row W; 788t>Wavelab 6>CD Wave>Wavelab 6>Flac; Taped and Transferred by: Derek Davis
137124Phish2016-10-19Ascend AmphithaterNashvilleTN
flac16 44.1kHz 2 Nakamichi CM-300 w/ CP-2 > Sound Devices MixPre > Tascam DR-680 MKII @ 2496 > SDHC + 1 Nakamichi CM-300 w/ CP-4 > Tascam DR-680 MKII @ 2496 > SDHC; SDHC > Samplitude Pro X2 (Build 256) > iZotope RX5 v5.00.135 (Resample & Dither) > TLH v2.7.0 (Align On Sector Boundaries, flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell
137095Phish2016-10-19Ascend AmphithaterNashvilleTN
flac16 44.1kHz Schoeps m934c > M221B > PS > Aeta 4MinX (@24bit/96kHz); Section 102, Row W, Seat 14, 8' Stand, DIN, m934c/cardioid; SDHC > Samplitude SE 9.1.1(dither/resample) > CDWave > flac(16/44.1); Taped, Transferred/Seeded by: taylorc
137096Phish2016-10-19Ascend AmphithaterNashvilleTN
flac16 44.1kHz Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44); OTS/FOB Barely/DFC/KFC/ZFC/AARP Section 102, Row W, Between Seats 13 & 14, 8' High; Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16); ID3 Tagged In Foobar 2000; Recorded By: Z-Man
137097Phish2016-10-19Ascend AmphithaterNashvilleTN
flac16 Recorded with DPA 4021’s > Sonosax SX-M2 > SD 744T @ 48 kHZ/24 bit FOH, center, 8 ft. high; All post production with Macbook Pro, Logic Pro X, and xACT; Recorded by D. Fries
137105Phish2016-10-19Ascend AmphithaterNashvilleTN
flac16 44.1kHz Avantone CK-1 (cardioid) > Fostex FR-2LE (24/48); CF > HDD > Wavelab 6.0 > CD Wave Editor > Traders' Little Helper; FOB/~DFC; mics ~ 8 feet high (from the lawn behind the board/OTS); Taped by: MSTaper w/ Lee Beth
137120Phish2016-10-19Ascend AmphithaterNashvilleTN
flac16 44.1kHz Schoeps mk21 (FOB/ORTF wide) > kc5 > cmc6xt > Sonosax SX-M2 > Mytek 192 > Tascam HD-P2 (24/48); CF > Sound Studio > xACT > .flac (16/44)
137121Phish2016-10-19Ascend AmphithaterNashvilleTN
flac24 48kHz Schoeps mk21 (FOB/ORTF wide) > kc5 > cmc6xt > Sonosax SX-M2 > Mytek 192 > Tascam HD-P2 (24/48); CF > Sound Studio > xACT > .flac (24/48)
137125Phish2016-10-19Ascend AmphithaterNashvilleTN
flac24 96kHz 2 Nakamichi CM-300 w/ CP-2 > Sound Devices MixPre > Tascam DR-680 MKII @ 2496 > SDXC + 1 Nakamichi CM-300 w/ CP-4 > Tascam DR-680 MKII @ 2496 > SDXC; SDXC > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell
137196Phish2016-10-19Ascend AmphithaterNashvilleTN
flac16 44.1kHz Schoeps mk41v's(DIN)>kc5>m222>nt222>788t + Neumann ak43's(NOS)>lc3>lemosax>788t; Section 102, Row W; 788t>Wavelab 6>CD Wave>Wavelab 6>Flac; Taped and Transferred by: Derek Davis
137108Phish2016-10-21Verizon Wireless Amphitheatre at Encore ParkAlpharettaGA
flac16 44.1kHz Schoeps mk41v's(DIN)>kc5>m222>nt222>788t + Neumann ak43's(NOS)>lc3>lemosax>788t; Section 103 Row Q; 788t>Wavelab 6>CD Wave>Wavelab 6>Flac; Taped and Transferred by: Derek Davis
137126Phish2016-10-21Verizon Wireless Amphitheatre at Encore ParkAlpharettaGA
flac24 96kHz (DPA 4023 > Sonosax SX-M2) + (DPA 4028 > Lunatec V3 (Oade ACM mod)) > Sound Devices 744T @ 24/96; Sec 102 Row CC Seat 34; recorded by George Wang
137127Phish2016-10-21Verizon Wireless Amphitheatre at Encore ParkAlpharettaGA
flac16 44.1kHz (DPA 4023 > Sonosax SX-M2) + (DPA 4028 > Lunatec V3 (Oade ACM mod)) > Sound Devices 744T @ 24/96; Sec 102 Row CC Seat 34; .wav @ 24/96 > Audacity 2.1.2 (dither to 16/44.1)
137130Phish2016-10-21Verizon Wireless Amphitheatre at Encore ParkAlpharettaGA
flac16 44.1kHz 2 Nakamichi CM-300 w/ CP-2 > Sound Devices MixPre > Tascam DR-680 MKII @ 2496 > SDXC + 1 Nakamichi CM-300 w/ CP-4 > Tascam DR-680 MKII @ 2496 > SDXC; SDXC > Samplitude Pro X2 (Build 256) > iZotope RX5 v5.00.135 (Resample & Dither) > TLH v2.7.0 (Align On Sector Boundaries, flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell
137131Phish2016-10-21Verizon Wireless Amphitheatre at Encore ParkAlpharettaGA
flac24 96kHz 2 Nakamichi CM-300 w/ CP-2 > Sound Devices MixPre > Tascam DR-680 MKII @ 2496 > SDXC + 1 Nakamichi CM-300 w/ CP-4 > Tascam DR-680 MKII @ 2496 > SDXC; SDXC > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger)' Recorded and processed by Jeff Mitchell
137137Phish2016-10-21Verizon Wireless Amphitheatre at Encore ParkAlpharettaGA
flac16 44.1kHz AKG C451E w/ CK22 > Shure A15AS > Tascam DR-680 MKII @ 2496 > SDXC; SDXC > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (Align On Sector Boundaries, flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell
137138Phish2016-10-21Verizon Wireless Amphitheatre at Encore ParkAlpharettaGA
flac24 96kHz AKG C451E w/ CK22 > Shure A15AS > Tascam DR-680 MKII @ 2496 > SDXC; SDXC > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell
137135Phish2016-10-22Verizon Wireless Amphitheatre at Encore ParkAlpharettaGA
flac16 44.1kHz 2 Nakamichi CM-300 w/ CP-2 > Sound Devices MixPre > Tascam DR-680 MKII @ 2496 > SDXC + 1 Nakamichi CM-300 w/ CP-4 > Tascam DR-680 MKII @ 2496 > SDXC; SDXC > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (Align On Sector Boundaries, flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell
137136Phish2016-10-22Verizon Wireless Amphitheatre at Encore ParkAlpharettaGA
flac24 96kHz 2 Nakamichi CM-300 w/ CP-2 > Sound Devices MixPre > Tascam DR-680 MKII @ 2496 > SDXC + 1 Nakamichi CM-300 w/ CP-4 > Tascam DR-680 MKII @ 2496 > SDXC; SDXC > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell
137139Phish2016-10-22Verizon Wireless Amphitheatre at Encore ParkAlpharettaGA
flac16 44.1kHz AKG C451E w/ CK22 > Shure A15AS > Tascam DR-680 MKII @ 2496 > SDXC; SDXC > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (Align On Sector Boundaries, flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell
137140Phish2016-10-22Verizon Wireless Amphitheatre at Encore ParkAlpharettaGA
flac24 96kHz AKG C451E w/ CK22 > Shure A15AS > Tascam DR-680 MKII @ 2496 > SDXC; SDXC > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded and processed by Jeff Mitchell
137409Phish2016-10-22Verizon Wireless Amphitheatre at Encore ParkAlpharettaGA
flac16 44.1kHz SP LSD2 (Fig 8 at 45) > V2 > TMOD FE-LE2 ( 24/48 ); DFC 30ft up in lawn by the old oak tree with mic @ 10 ft; TMOD FE-LE2 WAV (24/48) > Audacity > FLAC 16/44 (Level 8)
137122Phish2016-10-24Verizon Theatre at Grand PrairieGrand PrairieTX
flac16 44.1kHz DPA 4018er(DIN/DFC@8.5’/OTS)->Sonosax SX/M2->PCM-M10(24/96)->UV22HR(16/44.1)->xACT->FLAC; Recorded and transferred by Scott Schneider
137132Phish2016-10-24Verizon Theatre at Grand PrairieGrand PrairieTX
flac16 44.1kHz DPA 2011c's -> Sonosax SX-R4 (24/48); FOB, DFC, Section 103, Row O, DINa; Sonosax SX-R4 -> Audacity (16/44) -> CD Wave -> Flac
137185Phish2016-10-24Verizon Theatre at Grand PrairieGrand PrairieTX
flac16 AKG 480b/ck63 -> SD-744T (24/48); 90 degree din (height about 7 foot) from TS (section 305); Audacity > CDwav > TLH
137443Phish2016-10-24Verizon Theatre at Grand PrairieGrand PrairieTX
flac24, 48kHz; Neumann KM150 + Neumann KM140 + Rode NT-2A > Zoom F8 (24bit/48kHz); SDHC -> Soundforge Pro 11 > CD Architect 5.2 > Traders Little Helper Level 8 @24/48; Taped & Transferred by Don Olker
137128Phish2016-10-25Verizon Theatre at Grand PrairieGrand PrairieTX
flac16 44.1kHz DPA 4018er(DIN/DFC@11.5’/OTS)->Portico 5012->SD788T(24/96)->UV22HR(16/44.1)->xACT->FLAC; Recorded and transferred by Scott Schneider
137134Phish2016-10-25Verizon Theatre at Grand PrairieGrand PrairieTX
flac16 44.1kHz DPA 2011c's -> Sonosax SX-R4 (24/48); FOB, LOC, Section 104, Row O, x-y; Sonosax SX-R4 -> Audacity (16/44) -> CD Wave -> Flac
137442Phish2016-10-25Verizon Theatre at Grand PrairieGrand PrairieTX
flac24, 48kHz; Neumann KM150 + Neumann KM140 + Rode NT-2A > Zoom F8 (24bit/48kHz); SDHC -> Soundforge Pro 11 > CD Architect 5.2 > Traders Little Helper Level 8 @24/48; Taped & Transferred by Don Olker
137519Phish2016-10-25Verizon Theatre at Grand PrairieGrand PrairieTX
flac16 44.1kHz AKG 480b/ck63 > Sound Devices 744T (24/48); Audacity > CD Wave > TLH; Taped & Transferred by Walt Ferguson
137142Phish2016-10-28MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz DPA 4018er(DIN/DFC@11.5’/OTS)->Portico 5012->SD788T(24/96)->UV22HR(16/44.1)->xACT->FLAC; Recorded and transferred by Scott Schneider
137143Phish2016-10-28MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz DPA 4022(NOS/DFC@11.5’/OTS)->Sonosax SX/M2->SD788T(24/96)->UV22HR(16/44.1)->xACT->FLAC; Recorded and transferred by Scott Schneider
137146Phish2016-10-28MGM Grand Garden ArenaLas VegasNV
flac24 96kHz DPA 4018er(DIN/DFC@11.5’/OTS)->Portico 5012->SD788T(24/96)->xACT->FLAC; Recorded and transferred by Scott Schneider
137186Phish2016-10-28MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz Schoeps mk41v's(DIN)>kc5>m222>nt222>788t + Neumann ak43's(spaced 1.5 feet)>lc3>lemosax>788t; Inside SBD/100ft from stage/10ft ROG; 788t>Wavelab 6>CD Wave>Wavelab 6>Flac; Taped and Transferred by: Derek Davis
137235Phish2016-10-28MGM Grand Garden ArenaLas VegasNV
flac16 Schoeps CMC6/MK4 > Sound Devices 744T (24bit/96k) > Samplitude Pro X3 > FLAC/16; (3 Discs Audio / 1 DVD FLAC); Recorded By Charlie Miller
137239Phish2016-10-28MGM Grand Garden ArenaLas VegasNV
flac24 96kHz Schoeps CMC6/MK4 > Sound Devices 744T (24bit/96k) > Samplitude Pro X3 > FLAC/24; Recorded By Charlie Miller
137147Phish2016-10-29MGM Grand Garden ArenaLas VegasNV
flac24 96kHz DPA 4018er(DIN/DFC@12’/OTS)->Portico 5012->SD788T(24/96)->xACT->FLAC; Recorded and transferred by Scott Schneide
137144Phish2016-10-29MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz DPA 4018er(DIN/DFC@12’/OTS)->Portico 5012->SD788T(24/96)->UV22HR(16/44.1)->xACT->FLAC; Recorded and transferred by Scott Schneider
137145Phish2016-10-29MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz BSC1-K11's (ortf) + MBHO440's (xy) > h6 @24/48; Channel 1 and 3 busman BSC1-K11's ORFT +Channel 2 and 4 mbho440's XY; Ots 10' high, ROC; SDHC > Abobe Audition CS6 > TLH; Recorded , transferred, mastered by Joe Logrippo
137187Phish2016-10-29MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz Schoeps mk41v's(DIN)>kc5>m222>nt222>788t + Neumann ak43's(spaced 1.5 feet)>lc3>lemosax>788t; Inside SBD/100ft from stage/10ft ROG; 788t>Wavelab 6>CD Wave>Wavelab 6>Flac; Taped and Transferred by: Derek Davis
137236Phish2016-10-29MGM Grand Garden ArenaLas VegasNV
flac16 Schoeps CMC6/MK4 > Sound Devices 744T (24bit/96k) > Samplitude Pro X3 > FLAC/16; Recorded By Charlie Miller
137240Phish2016-10-29MGM Grand Garden ArenaLas VegasNV
flac24 96kHz Schoeps CMC6/MK4 > Sound Devices 744T (24bit/96k) > Samplitude Pro X3 > FLAC/24; Recorded By Charlie Miller
137149Phish2016-10-30MGM Grand Garden ArenaLas VegasNV
flac24 96kHz DPA 4018er(DIN/DFC@12’/OTS)->Portico 5012->SD788T(24/96)->xACT->FLAC; Recorded and transferred by Scott Schneider
137285Phish2016-10-30MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz OTS - DFC; Microtech Gefell M210s > Oade M248 > SD722 > 24/48 SD Card > CD > me > Adobe Audition > CD wave > TLH > flac 16 > you > enjoy; Recorded and Master by Jon Pasternak
137148Phish2016-10-30MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz DPA 4018er(DIN/DFC@12’/OTS)->Portico 5012->SD788T(24/96)—>UV22HR(16/44.1)->xACT->FLAC; Recorded and transferred by Scott Schneider
137153Phish2016-10-30MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz AKG C568EB > ua-5 > h6 + BSC1-K31 (Hypers) > h6 @24/48 Channel L and R: AKG C568EB (pointed at stacks) + Channel 1 and 3: BSC1-K3 (XY); OTS 10' high center; SDHC > Abobe Audition CS6 > TLH; Recorded, transferred, mastered by Joe Logrippo
137160Phish2016-10-30MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz Telefunken elam 260's (hypers)>Sonosax>AD2K+>PMD661 24/48; Inside sbd cage 100ft from stage. 10ft right of center; CF Card>Soundforge9.0 (normalized)>CDWave>TLH; Taped and Transferd by Todd Hodulik
137188Phish2016-10-30MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz Schoeps mk41v's(DIN)>kc5>m222>nt222>788t + Neumann ak43's(spaced 1.5 feet)>lc3>lemosax>788t; Inside SBD/100ft from stage/10ft ROG; 788t>Wavelab 6>CD Wave>Wavelab 6>Flac; Taped and Transferred by: Derek Davis
137237Phish2016-10-30MGM Grand Garden ArenaLas VegasNV
flac16 Schoeps CMC6/MK4 > Sound Devices 744T (24bit/96k) > Samplitude Pro X3 > FLAC/16; Recorded By Charlie Miller
137241Phish2016-10-30MGM Grand Garden ArenaLas VegasNV
flac24 96kHz Schoeps CMC6/MK4 > Sound Devices 744T (24bit/96k) > Samplitude Pro X3 > FLAC/24; Recorded By Charlie Miller
137286Phish2016-10-31MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz OTS - DFC; Microtech Gefell M210s > Oade M248 > SD722 > 24/48 SD Card > CD > me > Adobe Audition > CD wave > TLH > flac 16 > you > enjoy; Recorded and Master by Jon Pasternak
137154Phish2016-10-31MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz DPA 4018er(DIN/DFC@12’/OTS)->Portico 5012->SD788T(24/96)—>UV22HR(16/44.1)->xACT->FLAC; Recorded and transferred by Scott Schneider
137155Phish2016-10-31MGM Grand Garden ArenaLas VegasNV
flac24 96kHz DPA 4018er(DIN/DFC@12’/OTS)->Portico 5012->SD788T(24/96)—>xACT->FLAC; Recorded and transferred by Scott Schneider
137159Phish2016-10-31MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz Telefunken elam 260's (hypers)>Sonosax>AD2K+>PMD661 24/48; Inside sbd cage 100ft from stage. 10ft right of center; CF Card>Soundforge9.0 (normalized)>CDWave>TLH; Taped and Transferd by Todd Hodulik
137183Phish2016-10-31MGM Grand Garden ArenaLas VegasNV
flac16 48kHz MBHO440 + BSC1-K31 (Hypers) + AKG C568EB > ua-5 > h6 @24/48; Ots 10' high , center; Recorded , transferred, mastered by Joe Logrippo
137184Phish2016-10-31MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz Neumann KM184 > Sonosax SX-M2 > Roland R-05 @ 48 kHZ/24 bit; Front right FOH, 7 ft. high, ORTF mic configuration; All post production with Logic Pro X and xACT; Recorded by D. Fries
137189Phish2016-10-31MGM Grand Garden ArenaLas VegasNV
flac16 44.1kHz Schoeps mk41v's(DIN)>kc5>m222>nt222>788t + Neumann ak43's(spaced 1.5 feet)>lc3>lemosax>788t; Inside SBD/100ft from stage/10ft ROG; 788t>Wavelab 6>CD Wave>Wavelab 6>Flac; Taped and Transferred by: Derek Davis
137238Phish2016-10-31MGM Grand Garden ArenaLas VegasNV
flac16 Schoeps CMC6/MK4 > Sound Devices 744T (24bit/96k) > Samplitude Pro X3 > FLAC/16; Recorded By Charlie Miller
137242Phish2016-10-31MGM Grand Garden ArenaLas VegasNV
flac24 96kHz Schoeps CMC6/MK4 > Sound Devices 744T (24bit/96k) > Samplitude Pro X3 > FLAC/24; Recorded By Charlie Miller
168771Phish2016-10-31MGM Grand Garden ArenaLas VegasNV
flac2448 Beyerdynamic CK930 > Naiant Tinybox > Sony M10 (@24/48)
137447Phish2016-12-28Madison Square GardenNew YorkNY
flac16, 48kHz; Schoeps mk22 > Nbob KCY > Darktrain KCY Snake > Naiant PFA > Busman Mod Dr-70d @ 24/48; SD Card > Macbook Pro > Sound Studio > xAct; Taped & Transferred by Noah Bickart
137450Phish2016-12-28Madison Square GardenNew YorkNY
flac24, 48kHz; Schoeps mk22 > Nbob KCY > Darktrain KCY Snake > Naiant PFA > Busman Mod Dr-70d @ 24/48; SD Card > Macbook Pro > Sound Studio > xAct; Taped & Transferred by Noah Bickart