SHNID 34812 Phish 1996-08-16
Plattsburgh Air Force Base, Plattsburgh, NY
Summary (download all files)
SBD + AUD Matrix Mix (65%-SBD/35%-AUD) - (NOTE: both 16 bit / 44.1 kHz & 24 bit / 48 kHz versions are available)
Textdoc (download)
************************************************************ 16 bit / 44.1 kHz INFO FILE ************************************************************ Phish Clifford Ball Day 1 Plattsburgh Air Force Base Plattsburgh, NY August 16, 1996 SBD + AUD Matrix Mix (65%-SBD/35%-AUD) Disc 1 01 [03:20] Captain Sanity Intro 02 [06:21] Chalkdust Torture 03 [10:30] Bathtub Gin 04 [08:51] Ya Mar 05 [06:25] AC/DC Bag 06 [09:09] Esther > 07 [13:08] Divided Sky TT [64:08] Disc 2 01 [07:16] Halley's Comet > 02 [14:04] David Bowie 03 [13:29] Split Open & Melt 04 [03:49] Sparkle 05 [08:47] Free 06 [10:45] The Squirming Coil 07 [05:05] Waste * 08 [03:51] Talk * 09 [03:11] Train Song * 10 [03:54] Strange Design * 11 [01:29] Hello My Baby * TT [75:48] Disc 3 01 [15:59] Mike's Song > 02 [06:00] Simple > 03 [06:12] Contact > 04 [09:48] Weekapaug Groove TT [38:02] Disc 4 01 [07:55] Makisupa Policeman > 02 [06:26] Also Sprach Zarathustra > 03 [15:20] Down With Disease > 04 [05:20] NICU 05 [03:20] Life On Mars 06 [20:17] Harry Hood Encore 07 [01:55] Amazing Grace TT [60:36] * acoustic, mini-stage --------------------------------------------------------- Source Info SBD Source: SBD > DAT (99% of the show) Transfer: Tascam DA40 DAT@48kHz > REBA > Wavelab 4.0e > 44.1kHz Wav > CD Wave > SHNv3 **NO DAE WAS INVOLVED** Via: The immortal, unstoppable Marmar AUD Source: FOB: AKG 460B/ck61 > Sonosax SX-M2 > DA-P1 (@ 48kHz) recorded FOB on a stand Transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1 kHz) > CD Wave > FLAC Recorded by Dave Flaschner Transferred by Jason Sobel --------------------------------------------------------- Tech Notes FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 65% SBD, 35% AUD mix. - Mixed by dan@am-dig.com - FLAC conversion done 01-JAN-2006 - Artwork at 300dpi by dan@am-dig.com - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear quad jewel case. --------------------------------------------------------- Notes (new approach) The SBD source had some sector boundary issues. At every track change there was approx. 0.025 seconds of music dropped. This although completely inaudible, made things difficult to synch. I had the option to either trim the exact same amount from the AUD or "add" the missing portion with a patch from either the SBD or the AUD. In the end I did a combination of all 3. Because this is only a fraction of a second edit the patches are smooth and completely undetectable. This is interesting, check your SBD copies. This SBD source was mysteriously missing approx 1min 56sec of Davied Bowie. This was done with a very clever splice. I went ahead and patched this missing portion with a DAT SBD copy I have had for years. I applied 6 second crossfades at each end. This patch is smooth and most likely undetectable. Besides the missing material in the middle of the jam in David Bowie the is a source change at approx 10min 35sec. This source is sitill SBD but much more "narrow" although still stereo. I went ahead and patched this with my DAT SBD copy. Under very close scrutiny this source switch may be detectible. Split Open and Melt uses 3 diffent sources, all in the very first minute. It starts off with approx 37 seconds from an FM DAT source some kind unknown person sent me a year or so ago. Then switches to approx 25 seconds of a 2 AUD source matrix mix. This AKG source plus the AUD source that originally patch the whole first minute. Then at approx 1min 3sec it switches to the FM DAT source to complete the song. These source switches are obvious to the listener but is not in jarring or disruptive. Several second crossfades were used btwn sources to make the transitions as smooth as possible I applied a gradual step up increase of +8db to the SBD and the AUD sources on the acoustic numbers in set 2. Then a gradual step down to the original recording levels. This is so you can enjoy the acoustic numbers without increasing the volume and then blowing your speakers when Mike's Song starts. This entire show can be rejoined seamlessly on longer media. --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The straight DSBD and FOB: Schoeps MK4 2. SBD + AUD Matrix Mix at 16/44 CD-Audio 3. SBD + AUD Matrix Mix at 24/48 DVD-Audio 4. SBD + AUD DTS-Audio-CD 5.1 Surround Sound 5. SBD + AUD DVD-Audio 5.1 Surround Sound --------------------------------------------------------- ************************************************************ 24 bit / 48 kHz INFO FILE ************************************************************ Phish Clifford Ball Day 1 Plattsburgh Air Force Base Plattsburgh, NY August 16, 1996 DVD-AUDIO 24/48 SBD+AUD Matrix Mix (65%-SBD/35%-AUD) Set 1 01 [03:20] Captain Sanity Intro 02 [06:21] Chalkdust Torture 03 [10:30] Bathtub Gin 04 [08:51] Ya Mar 05 [06:25] AC/DC Bag 06 [09:09] Esther > 07 [13:08] Divided Sky 08 [07:16] Halley's Comet > 09 [14:04] David Bowie Set 2 10 [13:29] Split Open & Melt 11 [03:49] Sparkle 12 [08:47] Free 13 [10:45] The Squirming Coil 14 [05:05] Waste * 15 [03:51] Talk * 16 [03:11] Train Song * 17 [03:54] Strange Design * 18 [01:29] Hello My Baby * 19 [15:59] Mike's Song > 20 [06:00] Simple > 21 [06:12] Contact > 22 [09:48] Weekapaug Groove Set 3 23 [07:55] Makisupa Policeman > 24 [06:26] Also Sprach Zarathustra > 25 [15:20] Down With Disease > 26 [05:20] NICU 27 [03:20] Life On Mars 28 [20:17] Harry Hood Encore 29 [01:55] Amazing Grace * acoustic, mini-stage --------------------------------------------------------- Source Info SBD Source: SBD > DAT (99% of the show) Transfer: Tascam DA40 DAT@48kHz > REBA > Wavelab 4.0e > 44.1kHz Wav > CD Wave > SHNv3 **NO DAE WAS INVOLVED** Via: The immortal, unstoppable Marmar AUD Source: FOB: AKG 460B/ck61 > Sonosax SX-M2 > DA-P1 (@ 48kHz) recorded FOB on a stand Transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1 kHz) > CD Wave > FLAC Recorded by Dave Flaschner Transferred by Jason Sobel --------------------------------------------------------- Tech Notes FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. Soundforge 8.0 was used to convert the sample rate from 44.1 to 48k. CEP was used to do the multitrack mixdown to 24/48. DiscWelder was used to author and create the DVD-Audio in 24/48. DVD Decryptor read and created the ISO image file. This incorporates 2 channels of 24/96 wave files. This is a 65% SBD, 35% AUD mix - Mixed by dan@am-dig.com - FLAC conversion done 01-JAN-2006 - Artwork at 300dpi by dan@am-dig.com - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim DVD case (inner and outer DVD artwork included). This represents the 24 bit files that are the result of all my editing and the multitrack mixdown preserved in 24 bit. It is unclear exactly what we have in the way of high resolution. However it seems what we have here would not be represented accurately in 16/44. What you are getting is the full result of the matrix mix process. How much different does this sound? is this better? A little and yes. This is more accurate and has more dynamic range. 24/48 resolution versus a 16/44 of the same material will usually result in very subtle but important differences. Most of it relying on the quality of the DVD-A player and the D to A conversion. With that in mind, this 24 bit copy is no different. Small but important gains over the same material in 16/44. This is just one man's take. Take it or leave it. --------------------------------------------------------- Notes (new approach) The SBD source had some sector boundary issues. At every track change there was approx. 0.025 seconds of music dropped. This although completely inaudible, made things difficult to synch. I had the option to either trim the exact same amount from the AUD or "add" the missing portion with a patch from either the SBD or the AUD. In the end I did a combination of all 3. Because this is only a fraction of a second edit the patches are smooth and completely undetectable. This is interesting, check your SBD copies. This SBD source was mysteriously missing approx 1min 56sec of Davied Bowie. This was done with a very clever splice. I went ahead and patched this missing portion with a DAT SBD copy I have had for years. I applied 6 second crossfades at each end. This patch is smooth and most likely undetectable. Besides the missing material in the middle of the jam in David Bowie the is a source change at approx 10min 35sec. This source is sitill SBD but much more "narrow" although still stereo. I went ahead and patched this with my DAT SBD copy. Under very close scrutiny this source switch may be detectible. Split Open and Melt uses 3 diffent sources, all in the very first minute. It starts off with approx 37 seconds from an FM DAT source some kind unknown person sent me a year or so ago. Then switches to approx 25 seconds of a 2 AUD source matrix mix. This AKG source plus the AUD source that originally patch the whole first minute. Then at approx 1min 3sec it switches to the FM DAT source to complete the song. These source switches are obvious to the listener but is not in jarring or disruptive. Several second crossfades were used btwn sources to make the transitions as smooth as possible I applied a gradual step up increase of +8db to the SBD and the AUD sources on the acoustic numbers in set 2. Then a gradual step down to the original recording levels. This is so you can enjoy the acoustic numbers without increasing the volume and then blowing your speakers when Mike's Song starts. This entire show can be rejoined seamlessly on longer media. Included is a folfer of JPEGs. These are images associated with this show and the dates 8/16 and 8/17/96. I have included these for use in creating and authoring your own DVD-Audio if you choose. --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The straight DSBD and FOB: Schoeps MK4 2. SBD + AUD Matrix Mix at 16/44 CD-Audio 3. SBD + AUD Matrix Mix at 24/48 DVD-Audio 4. SBD + AUD DTS-Audio-CD 5.1 Surround Sound 5. SBD + AUD DVD-Audio 5.1 Surround Sound ---------------------------------------------------------
Media Size
0
Media Size Uncompressed
0
SHN Disc Count
3
WAV Disc Count
4
Date Circulated
03/2006
Entered By
mvernon
Created At
Sat May 27 2006 17:10:15 GMT+0000 (Coordinated Universal Time)
Updated At
Mon Jun 12 2023 06:26:11 GMT+0000 (Coordinated Universal Time)
Checksums
16bit.flac.md5 (download)
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24bit_FFP (download)
phish1996-08-16-mtx24-t01.flac:ba2c2767ae3f46340cb2a9e0e43f9957 phish1996-08-16-mtx24-t02.flac:2ad4d83870dc0f0b6cbab321a9a2ce63 phish1996-08-16-mtx24-t03.flac:262205a08127a3dee752c2168c4903c5 phish1996-08-16-mtx24-t04.flac:68f86686a7b9540f74b8d5942c7c813a phish1996-08-16-mtx24-t05.flac:cd4cb631dd67f646b686b08e54fba78f phish1996-08-16-mtx24-t06.flac:fbe28448bcc9aa74b12a2f24b20ee4b6 phish1996-08-16-mtx24-t07.flac:162de3beba1167d2d21e7526eb09956f phish1996-08-16-mtx24-t08.flac:a4a6e1ad7c40e79f48facd0544a55a22 phish1996-08-16-mtx24-t09.flac:3e74e0c50d0c126cbda2be96d306a9c6 phish1996-08-16-mtx24-t10.flac:77572179890e98924c025f83163cde18 phish1996-08-16-mtx24-t11.flac:3f8db36720773aa9de452bfdf754f5a0 phish1996-08-16-mtx24-t12.flac:b523e19165282cfd2674e0f744f8f415 phish1996-08-16-mtx24-t13.flac:cd1830a590cd1010959cc89a0e00db98 phish1996-08-16-mtx24-t14.flac:2c15c39da3e92165918ff9c1dee5c8de phish1996-08-16-mtx24-t15.flac:c3ffd0c36f1e277dd8d60f033f3980ea phish1996-08-16-mtx24-t16.flac:7f18090a390f1dc4a3e6aa70ae516917 phish1996-08-16-mtx24-t17.flac:8c0ae2b9a595284b450960bb900f92f5 phish1996-08-16-mtx24-t18.flac:22f0cbc372f573509ad2f201a2b0123a phish1996-08-16-mtx24-t19.flac:e5630d82d440623785ea013b23a00588 phish1996-08-16-mtx24-t20.flac:aa9ad2d750b635be1024a580d723201f phish1996-08-16-mtx24-t21.flac:c7ba92f9f9947aea085463a07aeaca0a phish1996-08-16-mtx24-t22.flac:bb36775bc493b493046339b948ec673b phish1996-08-16-mtx24-t23.flac:e46b86cbdfbd82d1cd9029c1817d8721 phish1996-08-16-mtx24-t24.flac:d7eae9707df1f8f3a16cd1ed74486c21 phish1996-08-16-mtx24-t25.flac:1175e1592b53b7c9da0537e93cdba554 phish1996-08-16-mtx24-t26.flac:7d025e7a0caae16c7c6551621b427edc phish1996-08-16-mtx24-t27.flac:5b1481a07a5b9d8649e854eca56db17a phish1996-08-16-mtx24-t28.flac:3ed4ecbb81f15a1aca6b7e38dc47e618 phish1996-08-16-mtx24-t29.flac:25ec5469d28620ddf222761fa4b1f93b
16bit.ffp (download)
;flac fingerprints generated by xACT 2.51 on 2023-06-12 10:21:25 +0000 phish1996-08-16-mtx-d1t01.flac:fdee9162be9be974ddbb5aa558fc4b67 phish1996-08-16-mtx-d1t02.flac:765f83f6ba892507aea233e2ec025b44 phish1996-08-16-mtx-d1t03.flac:3b19ce6bfc61645f8fab0d475bd20217 phish1996-08-16-mtx-d1t04.flac:7aae30ac5314c48253a40c305805d9b8 phish1996-08-16-mtx-d1t05.flac:e5d3db45588b56ba1e00a18a937f81f3 phish1996-08-16-mtx-d1t06.flac:7a0e4b41f25ca7d8e3d8e80b0a204450 phish1996-08-16-mtx-d1t07.flac:be4466c15827390eaaee7f974080a384 phish1996-08-16-mtx-d2t01.flac:aa6eadc2d6173c8a6bb811390261c762 phish1996-08-16-mtx-d2t02.flac:eaab451ab0360da097700717d5ac24c0 phish1996-08-16-mtx-d2t03.flac:8d2bbfda8031debcb1427cfc19fb5607 phish1996-08-16-mtx-d2t04.flac:ff18eca7f00188856b6a27e3ce229993 phish1996-08-16-mtx-d2t05.flac:127ba8989b6e5a8de215701493ae7cf1 phish1996-08-16-mtx-d2t06.flac:f87685e404fbf9a93913a4d5b3a76e46 phish1996-08-16-mtx-d2t07.flac:1171d40d369fac5e41481dd34ee3aba3 phish1996-08-16-mtx-d2t08.flac:da0bdd0a3b7506f11358caf0e767bd17 phish1996-08-16-mtx-d2t09.flac:c0dec6f564510397af1ff4b55c432582 phish1996-08-16-mtx-d2t10.flac:6b80f985d41c458dd5b8a8c9a5336a8f phish1996-08-16-mtx-d2t11.flac:f5a95fa5bb04c1354d5d6e4cde086239 phish1996-08-16-mtx-d3t01.flac:7046054bc53dba261196e5df9b2fcbc0 phish1996-08-16-mtx-d3t02.flac:ed1eb2ff8fb4d02f2675d5beb1943532 phish1996-08-16-mtx-d3t03.flac:0ca9c41b6b66a1da506ca74c263cded7 phish1996-08-16-mtx-d3t04.flac:93b956e9ca7596a9b9b4183ea89ecb41 phish1996-08-16-mtx-d4t01.flac:676da2dd08a5d3d3d2b472432f907b5b phish1996-08-16-mtx-d4t02.flac:56378310540077ab30712b9aedd5d964 phish1996-08-16-mtx-d4t03.flac:460ac470cf5d796bdb5e0fb6863e1782 phish1996-08-16-mtx-d4t04.flac:e93b1a8a30ce4d21ec0903406345e58b phish1996-08-16-mtx-d4t05.flac:4673d5251058b5c3156b6d59047bfad1 phish1996-08-16-mtx-d4t06.flac:c51c7eced945fdf5a80539623e430498 phish1996-08-16-mtx-d4t07.flac:2b957ba5d682fa980d59b41cfc4ec848
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