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SHNID	Artist	Date	Venue	City	State	Archive Identifier
7867	Phish	1992-01-14	Living Room Rehearsals	Unknown	Unknown
Boombox AUD > Cass/1 > DAT; Marantz PMD430 > Sony DTC ZE700 (w/SBM)@44.1kHz; DA-302 > Dio 24/48 > SHN > CDWav > SF 4.5 > CEPro > SHN; A>D and DAT>SHN Transfers by Blane Harvey; Tracking and Fixes by Ben Mohr
100434	Phish	1992-01-29	Interview With Jon Fishman	Unknown	Unknown
Radio Shack telephone microphone
25303	Phish	1992-03-06	Portsmouth Music Hall	Portsmouth	NH
Note: This is a pitch-corrected reseed of this source Purported SBD > Cass/1 > DAT; Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz) > CD Wave > shntool > FLAC; Primary transfer by Robert Brown; Resampling, tracking and fixes by Ben Mohr; Pitched-correction by Mike Wren
23973	Phish	1992-03-06	Portsmouth Music Hall	Portsmouth	NH
SBD > Cass/1 > DAT; CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz) > CDWav > shntool > FLAC; Primary transfer by Robert Brown; Resampling, tracking and fixes by Ben Mohr
166778	Phish	1992-03-06	Portsmouth Music Hall	Portsmouth	NH
16-44 Earlier Transfer* Recording: Nakamichi cm300 cardioid > Sony D5 [no-dolby] > Master Cassette (Maxell XLIIS 90 & 100) Transfer: Master Cassette > Aiwa ADF810hx pro > Tascam CDR 700 > CDR (TDK 74 min blue bottom-painted white top) ID# 025303 is used for the following patches: David Bowie (12:39-14:56). This source has a cut at 14:48. *David Bowie transfer: cass mass > D5 > DR100 @ 16-44.1 - a CDR transfer of DB was (stupidly) never done because it's cut on the master and without it, the show fit on two 74min CDR's. The realities of economy.
27859	Phish	1992-03-07	Portsmouth Music Hall	Portsmouth	NH
Set 2 only; SBD > DAT; CDR > EAC > CDWav > shntool > SHN; SHN Conversion by Brandon Johnston
29197	Phish	1992-03-07	Portsmouth Music Hall	Portsmouth	NH
Set 1 only; AUD > Cass/x > Sony TC-WE305 > > Tascam US-122 > Wavelab > FLAC; Transferred by James Dineen; Mastering and FLAC Conversion by Marmar
123124	Phish	1992-03-07	Portsmouth Music Hall	Portsmouth	NH
flac16, 44kHz; (DFC/First Row Balcony) Nakamichi cm300/cp4's > Sony TC-D5M > Cass(m); Cass(m) > Nakamichi MR-1 > Korg MR-1000 > AudioGate > Korg Aqua > FLAC; Souce by Heaton; Transfer by Keo
123125	Phish	1992-03-07	Portsmouth Music Hall	Portsmouth	NH
flac24, 96kHz; (DFC/First Row Balcony) Nakamichi cm300/cp4's > Sony TC-D5M > Cass(m); Cass(m) > Nakamichi MR-1 > Korg MR-1000 > AudioGate > Korg Aqua > FLAC; Souce by Heaton; Transfer by Keo
123224	Phish	1992-03-07	Portsmouth Music Hall	Portsmouth	NH
flac16, 44kHz; (DFC/First Row Balcony) Nakamichi cm300/cp4's > Sony TC-D5M > Cass(m); Cass(m) > Nakamichi MR-1 > Korg MR-1000 > AudioGate > Korg Aqua > FLAC; Souce by Heaton; Transfer by Keo [Pitch correction & minor editing by Marmar; NOTE: this is a pitch-corrected version of SHNID 123124]
123225	Phish	1992-03-07	Portsmouth Music Hall	Portsmouth	NH
flac24, 96kHz; (DFC/First Row Balcony) Nakamichi cm300/cp4's > Sony TC-D5M > Cass(m); Cass(m) > Nakamichi MR-1 > Korg MR-1000 > AudioGate > Korg Aqua > FLAC; Souce by Heaton; Transfer by Keo [Pitch correction & minor editing by Marmar; NOTE: this is a pitch-corrected version of SHNID 123125]
145594	Phish	1992-03-07	Portsmouth Music Hall	Portsmouth	NH
flac16, 44kHz; (DFC/First Row Balcony) Nakamichi cm300/cp4's > Sony TC-D5M > Cass(m); Cass(m) > Marantz PMD-501 > Cool Edit > FLAC; Source and Transfer by BeerEngineer
76139	Phish	1992-03-11	Colonial Theater	Keene	NH
Unknown; CDR > EAC > FLAC
28441	Phish	1992-03-12	Flynn Theater	Burlington	VT
Set 2 only; SBD; CDR > EAC > Wavelab (mastering) > FLAC; CDRs provided by Alec Swenson
81001	Phish	1992-03-12	Flynn Theater	Burlington	VT
AKG 414 > D5 (Cass0) > Cass1; Yamaha KX-R470 > DSP24 > Wavelab > FLAC16; Taped by Dave Schanker; Transferred by Marmar
124147	Phish	1992-03-12	Flynn Theater	Burlington	VT
flac16; SBD > MC > Nak DR-1 > Sony PCM-R500; Sony PCM-R500 > Tascam SS-R1 > SoX v14.4.1 (48k > 44.1k) > Samplitude 11.01 (fades, edits) > CD Wave v1.98 > TLH (flac 8); Transferred by Jeff Mitchell
111594	Phish	1992-03-12	Flynn Theater	Burlington	VT
set 2 only Source 1: SBD > ? (Unknown DAT/Analog Gens) > CD > EAC > Wavelab (mastering) > FLAC16 Source 2(*): Master Cassette Audience (unknown mics) > Sony D5; Aiwa AD-F850 3-Head > Apogee AD1000 > Sony PCM R-500 > HHB CDR-850 > EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1)
2232	Phish	1992-03-13	Campus Club	Providence	RI
SBD > DAT @ 48Khz; Tascam DA-20mMkII > TB Montego Home Studio > Soundforge 4.5 (48>44.1 kHz) > SHN; Transferred by Dan Marquardt
14317	Phish	1992-03-13	Campus Club	Providence	RI
SBD; CDR > EAC > SHN
18911	Phish	1992-03-13	Campus Club	Providence	RI
SBD > Cass/0 > DAT > PCM > CDR > EAC > SHN > Reba (fixes) > SHN
81639	Phish	1992-03-13	Campus Club	Providence	RI
SBD > DAT; Panasonic SV-3700 > M-Audio 24/96 > WaveLab 5.0 (48>44.1kHz) > CDWav > FLAC; Transferred by B. Koucky
141271	Phish	1992-03-13	Campus Club	Providence	RI
flac16 48kHz SBD Transfer: DAT(c) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X v12.5.2.284 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell
475	Phish	1992-03-14	Roseland Ballroom	New York	NY
SBD > DAT; Denon DTR-80P > Opcode Datport > Cool Edit Pro v1.2 > Dart Pro 98 (48>44.1kHz) > CDWav > WAV > SHN > wav > Flac16 (level 8 with tags); updated May 2007
134885	Phish	1992-03-14	Roseland Ballroom	New York	NY
flac16 48kHz SBD; DAT(c) @ 48kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.2.284 (fades, edits, resample) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Charlie Miller & Arielle Phares; Transfer & edits by Jeff Mitchell
140345	Phish	1992-03-14	Roseland Ballroom	New York	NY
flac16 44.1kHz AKG c460b/ck63 > Sony WM-D6C (w/ Dolby B) > (Maxell XM-90) Cass(m); Cass(m) > Nakamichi DR-3 (w/ Type IV playback) > (Oade ACM Mod) Tascam HD-P2 > Samplitude Pro X3 [Build 35] (normalize, iZotope Ozone MBit+ dither & resample) > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Recorded by Terry Sullivan; Transfer by Terry Watts
140346	Phish	1992-03-14	Roseland Ballroom	New York	NY
flac24 96kHz AKG c460b/ck63 > Sony WM-D6C (w/ Dolby B) > (Maxell XM-90) Cass(m); Cass(m) > Nakamichi DR-3 (w/ Type IV playback) > (Oade ACM Mod) Tascam HD-P2 > Samplitude Pro X3 Suite (Build 35) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Recorded by Terry Sullivan; Transfer by Terry Watts
148317	Phish	1992-03-14	Roseland Ballroom	New York	NY
flac24/48 Source:2-AKG C460's W/CK-63 Hyper Cardiod ( 10" Apart ORTF ) Stand 7ft > Sony D-6C>Dolby B>Master Cassette Maxell MX-90 Cassette Transfer: Akai GX-A5X>Dolby B>Sound Devices 702 @ 24/48 November 2019 Compact Flash Transfer: CD Wave Editor>Traders Lttle Helper F.L.A.C. Encoded Location: GA Floor Behind Soundboard Taper: Terry Sullivan
3924	Phish	1992-03-17	Lisner Auditorium	Washington	DC
B+K 4011 (XY-90 degrees) > Sony D-10 Pro; Fostex D5 > Tascam CDRW 700 > CDR (master) > EAC > SHN; DAT>CD Transfer by Mark Lynn; SHN Conversion by Ben Mohr
5942	Phish	1992-03-17	Lisner Auditorium	Washington	DC
B+K 4011 (xy) > Sony D10 Pro (TS); Archive Python DDS/dat2wav > WAV > Soundforge (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Louie Rendek; Tracking and SHN Conversion by Mike Woellert
75485	Phish	1992-03-17	Lisner Auditorium	Washington	DC
SBD > DAT > Cass/3; Sony TC-KA3ES > DSP24 > Wavelab 24/48wavs (mastering) > FLAC16; Transferred by Marmar
22362	Phish	1992-03-19	Palace Theatre	New Haven	CT
Includes soundcheck; Nak 300 > D5 (Cass/0); Sony TC-WE805S > Art DI/O @48Khz (Input gain +~10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > REBA (24>16bit,48>44.1kHz) > SHNv3; Taped by John Redmond; Soundcheck: SBD > DAT > Cass/2; Sony TC-KA3ES > REBA (24>16bit,48>44.1kHz) > SHN
111225	Phish	1992-03-19	Palace Theatre	New Haven	CT
set 2 only; SBD > ? > cass/4; cassette (speed adjusted in Marantz PMD510) > Korg MR-1 (16/44.1) > Spark XL (tracking) > xACT (flac 8 w/ SBA & tags)
164445	Phish	1992-03-19	Palace Theatre	New Haven	CT
Set 2 Composite Plus Partial Soundcheck, Source 1: SBD Cassette 1st Gen > Aiwa ADF-810 > Tascam CDR-700 Source 2: FOB Nak CM300 CP1 > Sony D5 > Master Cassette*
1984	Phish	1992-03-20	The Forum	Binghamton	NY
Nak 300 > DAT; DAT > ZA2(48>44.1) > Soundforge > CD > EAC (plextor 32x) > Mkw > SHN; Posted to alt.binaries.phish
16141	Phish	1992-03-20	The Forum	Binghamton	NY
SBD > Cass/x > DAT > CDR > SHN
477	Phish	1992-03-20	The Forum	Binghamton	NY
sources unknown, set 1 is of different source than set 2; encoded by J. Haymond, seeded by "mrminor"; known flaws: odd tracking includes Hood tracked as 2 tracks, Terrapin + Possum as 1 track; d2t9 end cut;  static in d3t1; fluctuating levels in d1
166410	Phish	1992-03-20	The Forum	Binghamton	NY
flac16 Recorded by Brad Sands Onstage Mixing Console > Sony D6 > Master Cassette Transfer: low gen Maxell XLIIS-90's > Sony D5 > Tascam DR100 @ 24-48 > Soundforge [patches, levels, mix, dither to 16-44.1 @ full quality]
76506	Phish	1992-03-20	The Forum	Binghamton	NY
Set I only: SBD > Cass0 > DAT > Cass1; Sony TC-KA3ES > DSP24(24/48kHz) > Wavelab>FLAC16l Transferred, editwd, and mastered by Marmar
127202	Phish	1992-03-20	The Forum	Binghamton	NY
flac24, 96kHz; (balcony rail, 16ft split) Nakamichi cm100/cp1's > Sony WM-D6C > Cass(m); Cass(m) > Nakamichi Dragon > Korg MR1000 > Adobe Audition 3.0 > FLAC (24/96); Source by Ezekial Vaughn; Transfer by Andrew Sawyer
27791	Phish	1992-03-21	Chestnut Cabaret	Philadelphia	PA
AUD > DAT; CDR (liberated bootleg) > EAC > CDWav > SHN
164446	Phish	1992-03-21	Chestnut Cabaret	Philadelphia	PA
Partial Set 1 And Partial Set 2, Recorded by Brad Sands Onstage Mixing Console > Sony D-6 Master Cassette. Cassette 1st Gen > Aiwa ADF810 3-Head > Tascam CDR700RW > FLAC
479	Phish	1992-03-21	Chestnut Cabaret	Philadelphia	PA
Unknown> CDR > EAC > WAV > SHN, B. Hodges; known flaws: Static on Disc 1, Track 3 at 00:58 for .3 second;? second encore song, "Rocky Top" is missing; d3 has only encore- can fit on d1
21049	Phish	1992-03-21	Chestnut Cabaret	Philadelphia	PA
AKG 451/ck1 (XY) > B18 > Sony D5 (Cass/0); Cass/0 > Apogee AD-1000 > Echo MIA > Soundforge 7.0 > CDwav > FLAC; Taped and transferred by Todd Romero
166415	Phish	1992-03-21	Chestnut Cabaret	Philadelphia	PA
flac 16 SBD Recorded by Brad Sands Onstage Mixing Console > Sony D-6 Master Cassette Transfer: lo-gen cassettes Maxell XLIIS 90 > Sony D5 > Tascam DR100 at 24-48 > soundforge (levels, fades, patch, mix, dither at full quality to 16-44) Oct-Nov 2023
27173	Phish	1992-03-22	Mountain Stage Live	Charleston	WV
FM > Cass/1; CDR > EAC > FLAC
20971	Phish	1992-03-24	The Flood Zone	Richmond	VA
AKG 451 (XY) > B18 > D5 (Cass/0); (Cass/0) > Apogee AD1000 > Echo Mia > SF7.0 > CDwav > FLAC
28020	Phish	1992-03-25	Trax	Charlottesville	VA
FOB AT 4053; Transferred by Eddie Dunn
21447	Phish	1992-03-25	Trax	Charlottesville	VA
AKG 451 (XY) > b18 > D5 (Cass/0); Cass/0 > Apogee AD1000 > Echo Mia > SF7.0 > CDWav > FLAC
74943	Phish	1992-03-25	Trax	Charlottesville	VA
SBD > Cass/0 > DAT; DAT > VX Pocket V2 > Wave Lab 4 > CDWav > FLAC
81325	Phish	1992-03-25	Trax	Charlottesville	VA
SBD > Cass0 > DAT > Archive Python > vDAT > Wavelab > FLAC; Transferred by Marmar
31324	Phish	1992-03-26	Ziggy's	Winston Salem	NC
Nak 100 > Cass/1 > Sony TC-KA3ES > DSP24 @ 24/96 > Wavelab (24>16bit) > FLAC
91370	Phish	1992-03-27	1313 Club	Charlotte	NC
Nak300/cp1 > marantz pmd 430 > D6; Sony PCM R500 > Opcode DatPort > SoundForge4.5 > CD Wave > FLAC; Taped by Bryon Sosinski; Transferred by Chris Moore
29195	Phish	1992-03-27	1313 Club	Charlotte	NC
Set 2 only; Nakamichi CM300 > Sony D6 > Cass/0 > Tascam 103 > Event Gina @48kHz/32bit > Adobe Audition 1.5 (48>44.1kHz, 32>16bit) > shntool > FLAC; Transferred by James Treworgy
24374	Phish	1992-03-28	Variety Playhouse	Atlanta	GA
FOB AKG 460b/ck8 > DAT > CDR (master) > AquaCDBurn > shntool > FLAC; Taped by Chig Martin; Transferred by JTL
28849	Phish	1992-03-30	Mississippi Nights	St. Louis	MO
AUD > DAT > Cass/x > CDR > EAC > Mastering > FLAC; CDRs provided by Alec Swenson; Mastering by Marmar
81888	Phish	1992-03-30	Mississippi Nights	St. Louis	MO
AKG 1200's (cardioid dynamics) > Marantz PMD430; Maxell MX-S Metal cassette masters played on Marantz PMD510 (pitch adjusted) > Whirlwind PC-DI > Sound Devices 722 (@ 24/96) > firewire to Powerbook G4 > Spark XL 2.82 used for dither, re-sample to 16/44.1, & tracking > flac (xACT level 8); Taped by Fierce; Transferred by taperjoe
15185	Phish	1992-03-31	The Blue Note	Columbia	MO
Sony PV200 > Sony D5(Cass/0) > Tascam CDRW700 > CDR > EAC > CDWav > SHN; Taped by John Lysen; A>D Transfer by Chris Mrachek; SHN Conversion by Jason Schneider
137224	Phish	1992-03-31	The Blue Note	Columbia	MO
flac1644 SOURCE: AUD : SonyPV200 (omni's) > SonyTC-D5m (Cassette master no dolby) TRANSFER: SonyTC-D5m (Cass/m) > TascamDA-20mkII@48kHz/16bit > S/PDIF to AES > EdirolR-4Pro@48k (OadeConcertMod) CONVERSION: R-4Pro > USB > PC > Audacity (edits, fades, levels, resampled to 44.1kHz/16bit) > CDWav (tracking) > TLH ( FLAC/8 ) Recorded by John Lysen Transferred & converted by Chris Mrachek
137835	Phish	1992-03-31	The Blue Note	Columbia	MO
flac16 48kHz SonyPV200 (omni's) > SonyTC-D5m (Cassette master no dolby); SonyTC-D5m (Cass/m) > TascamDA-20mkII@48kHz/16bit > S/PDIF to AES > EdirolR-4Pro@48k (OadeConcertMod); Recorded by John Lysen; Transferred by Chris Mrachek
27720	Phish	1992-04-01	Liberty Hall	Lawrence	KS
AUD (Sennheiser ME80?) > Cass/0 > DAT; Tascam DA-20mkII > Audiophile 24/96 > Soundforge > CDWav > FLAC > WAV > Wavelab 5 (mastering) > CDWav > FLAC; Mastering by Bill Mitchell
28130	Phish	1992-04-03	Hyatt Regency Village Hall	Beaver Creek	CO
FOB Sennheiser ME40 > Sony D5; CDR > EAC > WAV > mkwACT > SHN > WAV > SF7.0 > CDWav > FLAC; FLAC Conversion by Todd Novak
12262	Phish	1992-04-03	Hyatt Regency Village Hall	Beaver Creek	CO
FLAC format; Sennheiser ME-40 > Cass/0 > CDR > Toast Audio Extractor (via Plextor PX-W4012TU) > shntool > FLAC
74413	Phish	1992-04-03	Hyatt Regency Village Hall	Beaver Creek	CO
SBD; CDR > EAC > WAV > mkwACT > SHN > WAV (Fix track breaks) > FLAC
138088	Phish	1992-04-03	Hyatt Regency Village Hall	Beaver Creek	CO
flac16, 48kHz; Nakamichi cm300/cp-4's > Sony TCD-D3 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by Andrew Derr; Transfer by Terry Watts
29104	Phish	1992-04-04	Fieldhouse	Boulder	CO
Set 1 only; AUD; CDR > EAC > FLAC; CDRs provided by Alec Swensen; FLAC Conversion by Marmar
166227	Phish	1992-04-04	Fieldhouse	Boulder	CO
flac 2448 Source: SBD > (?) > Maxell XLII90 [japan] > Sony D5 > Tascam DR100 @ 24-48 > Soundforge 24-48 10.23.2023
6773	Phish	1992-04-05	Fox Theater	Boulder	CO
SBD > DAT; Tascam DA-20 > DiO 2448 > Cool Edit Pro (48>44.1kHz) > CDWav > mkwACT > SHN
26492	Phish	1992-04-05	Fox Theater	Boulder	CO
Separate from Soundboard 16 track Mix > DAT @44.1kHz; Tascam DA-20mkII > M-Audio Audiophile 24/96 > Soundforge 5.0e (48>44.1kHz) > CDWav > mkwACT > SHN
138089	Phish	1992-04-05	Fox Theater	Boulder	CO
flac16, 48kHz; SBD > 16 track mixer > Sony TCD-D3 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by Mike Grace and Andrew Derr; Transfer by Terry Watts
481	Phish	1992-04-06	Western State College Gym	Gunnison	CO
SBD > Cass/x > DAT; SGI Digi I/O > Cooledit Digital NR > Digital EQ to boost treble > Cooledit (48>44.1kHz) > CDR; via P. Pokrandt; 4/21/92 filler
134886	Phish	1992-04-06	Western State College Gym	Gunnison	CO
flac16 48kHz SBD > C(?) > DAT; DAT(c) @ 48kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.2.284 (fades, edits, resample) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Charlie Miller & Arielle Phares; Transfer & edits by Jeff Mitchell
28131	Phish	1992-04-07	Fine Arts Auditorium, Fort Lewis College	Durango	CO
Set 1 and soundchck only; SBD > Cass/x > DAT; Tascam DA-20 > Waveterminal 2496 > Cool Edit Pro > CDWav > mkwACT > SHN; Set 1 DAT provided by Chris Ventura; Soundcheck provided by James Dineen; Transferred by Alec Swensen
76172	Phish	1992-04-07	Fine Arts Auditorium, Fort Lewis College	Durango	CO
Set 2 only; AUD > Cass/x > Sony TC-KA3ES > DSP24 > Wavelab > Mastering > FLAC16
22530	Phish	1992-04-07	Fine Arts Auditorium, Fort Lewis College	Durango	CO
Set 1 only; SBD > Cass/x > DAT; Tascam DA-20 > Waveterminal 2496 > Cool Edit Pro > CDWav > mkwACT > SHN; DAT provided by Chris Ventura; Transferred by Alec Swensen
138090	Phish	1992-04-07	Fine Arts Auditorium, Fort Lewis College	Durango	CO
flac16, 48kHz Nakamichi cm300/cp-4's > Sony TCD-D3 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by Andrew Derr; Transfer by Terry Watts
164572	Phish	1992-04-07	Fine Arts Auditorium, Fort Lewis College	Durango	CO
SBD Recorded by Brad Sands Onstage Mixing Console > Sony D-6 Master Cassette Cassette 1st Generation > Sony D-5 > Tascam CDR700RW > Nero CD-Wav conversion > CDWAveditor > FLAC
141667	Phish	1992-04-08	El Ray Theater	Albuquerque	NM
flac16 44.1khz Source: Soundboard recorded by Paul Languedoc, provided to Jeff Goldberg by Niel Ringstad via Page McConnell. Transfer: Jeff Goldberg
95207	Phish	1992-04-12	University of Arizona Ballroom	Tucson	AZ
Set 1 only; SBD > Cass/1 > Sony TC-WE305 > Acoustic Research AP031 RCAs > CDWav > Cool Edit Pro > FLAC
27608	Phish	1992-04-12	University of Arizona Ballroom	Tucson	AZ
Set 1 only; SBD > Cass/1 > Sony TC-WE305 > Tascam US-122 > CDWav > FLAC > Mastering > FLAC; Transferred by James Dineen; Mastering by Marmar (NOTE: this is a re-master of this source: /shn/95207)
21400	Phish	1992-04-13	After the Gold Rush	Tempe	AZ
Set 1 only; SBD > ? > DAT > Cass/0; Cass/0 > Apogee AD1000 > Echo Mia > SoundForge 7.0 > CDWav > FLAC
29198	Phish	1992-04-13	After the Gold Rush	Tempe	AZ
Complete show; SBD > Sony D6 > Cass/0; Cass/0 > Cass/1 > Pioneer CT-W606DR > ESS Allegro > Cool Edit Pro v1.01 > CDR; CDR > EAC > shntool > Sound Forge 7.0 > CDWav > FLAC; CDR Transfer by Ryan NeRoy; FLAC Conversion by Daniel Shay
3831	Phish	1992-04-15	Variety Arts Theater	Los Angeles	CA
SBD > Cass/0 > DAT > HHb CDR880 > CDR > EAC > SHN; SHN Conversion and fixes by Ben Mohr
134887	Phish	1992-04-15	Variety Arts Theater	Los Angeles	CA
flac16 48kHz SBD > C(?) > DAT; DAT(c) @ 48kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.2.284 (fades, edits, resample) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Charlie Miller & Arielle Phares; Transfer & edits by Jeff Mitchell
482	Phish	1992-04-16	Anaconda Theater, UCSB	Santa Barbara	CA
DSBD > Cass0> DAT> CD; bootleg source; no Antelope; note d1 md5 not available here
6082	Phish	1992-04-16	Anaconda Theater, UCSB	Santa Barbara	CA
SBD ('Follow Me To Gamehenge' bootleg); CDR > WAV > SHN
483	Phish	1992-04-16	Anaconda Theater, UCSB	Santa Barbara	CA
SBD > cass(0?) > DAT > SonyR500> AES EBU MonsterCable> ZA2> soundforge> CDr; transfer, S. McCloskey; via B. Dorrance to PCP offer; originally reported complete, but turns out not so- see Jeremy Clark's report in public comments section?
1883	Phish	1992-04-16	Anaconda Theater, UCSB	Santa Barbara	CA
DSBD > Cass/0 > DAT; complete source including splices via Jeremy Clark to PCP evines, see notes for details
31328	Phish	1992-04-16	Anaconda Theater, UCSB	Santa Barbara	CA
SBD > Cass/1 > Tascam 103 > Event Gina @44.1kHz/32bit; Note: Patchs from "bootleg" source; Transferred by J. Treworgy
92756	Phish	1992-04-16	Anaconda Theater, UCSB	Santa Barbara	CA
set 1: SBD > cass/? > CD; set 2: SBD > cass/1 > Tascam 103 > Event Gina @44.1/32bits > PC; mastered by J. Treworgy on 5/6/2005
166417	Phish	1992-04-16	Anaconda Theater, UCSB	Santa Barbara	CA
flac1644 Recording: Set 1: SBD > ? Set 2: Onstage monitor mix > Sony D6 > Cassette Rec. by B.Sands Source: Set 1: SBD > ? > 1996,1997 CDR [74min TDK blue bottom white top] Set 2: low gen cassette [Maxell XLII90 Japan] Transfer: Set 1: CDR > WAV > soundforge (levels-compatibility check - no processing) Set 2: low gen cassette [Maxell XLII90 Japan] > Sony D5 > Tascam DR100 @ 24-48 > soundforge [pitch, patches, levels, fades, mix, dither 16-44.1 @ full quality]
5088	Phish	1992-04-17	Warfield Theater	San Francisco	CA
SBD > Cass/x > DAT > CDR > EAC > SHN > FLAC
486	Phish	1992-04-18	Wilbur Field	Palo Alto	CA
(incomplete?)
94394	Phish	1992-04-18	Wilbur Field	Palo Alto	CA
SBD + AUD Matrix Mix; Mixed by Dan
94620	Phish	1992-04-18	Wilbur Field	Palo Alto	CA
DTS-Audio-CD 5.1 Mix; SBD (ShnID = 4524), Source: DSBD > Cass? > DAT; AUD (ShnID = 85404), Source: Neumann KM140s (90'xy,FOB) > Sony D3; Mixed by dan@am-dig.com
4524	Phish	1992-04-18	Wilbur Field	Palo Alto	CA
SBD > DAT > Cass/x > DAT; D8 > Active Oade > CMI8738 S/PDIF > Soundforge 4.5 (48>44.1kHz) > CDWav > SHNv3; Note: fixed SBEs provided 04/15/04
4525	Phish	1992-04-18	Wilbur Field	Palo Alto	CA
FOB Neumann KM140 @90deg (XY) > D3; D8 > Active Oade (Monster Coax) > cmi8738 spdif in > Soundforge 4.5 (48>44.1kHz) > CDWav > SHNv3; Transfer by Caspian; DAT provided by Kevin Shapiro
85404	Phish	1992-04-18	Wilbur Field	Palo Alto	CA
(FOB) Neumann KM140s > Sony D3; Tascam DA30MK2 > AudioPhile 2496 > Samplitude Pro 7 (resample to 44.1k) > CDWAV > FLAC; Transferred by DogLog
131518	Phish	1992-04-18	Wilbur Field	Palo Alto	CA
flac16, 48kHz; (FOB/90deg/XY) Neumann KM-140's > ??? > Sony TCD-D3; DAT(c) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by Kevin Shapiro via patch; DAT(c) provided by Bryon Sosinski; Transfer by Terry Watts
135342	Phish	1992-04-18	Wilbur Field	Palo Alto	CA
flac16 48kHz SBD; DAT(c) @ 48kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 Suite v13.1.2.170 (fades, edits, resample) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Charlie Miller & Arielle Phares; Transfer & edits by Jeff Mitchell
76524	Phish	1992-04-19	The Catalyst	Santa Cruz	CA
Source: SBD>Cass0>DAT>Cass2 Transfer: Sony TC-KA3ES>DSP24(24/48)> Wavelab>FLAC16
4849	Phish	1992-04-19	The Catalyst	Santa Cruz	CA
FOB Nak 300 > Panasonic SV-255 @48kHz (20' from stage, DFC); PCM-R300 > Optical Cable > Zoltrix Nightengale > SoundForge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHNv3; Dankseeds
487	Phish	1992-04-21	Redwood Acres Fairgrounds	Eureka	CA
SBD -> Cass5 -> Analog Sound Card -> CoolEdit Digital NR -> SHN; filler on 4/6/92 discs; via P. Pokrandt
7088	Phish	1992-04-21	Redwood Acres Fairgrounds	Eureka	CA
SBD(?) > Cass/x > JVC MX-D402T tape deck > headphone jack > Vortex PCI (analog card) > CDWav > WAV > mkwACT > SHNv3; Transferred by Kevin Kress; Note: missing encores
9505	Phish	1992-04-21	Redwood Acres Fairgrounds	Eureka	CA
Nak 100/cp1 > Sony D3 (110deg, XY @SBD); DAT > Protools > CDR; CDR > EAC > mkwACT > SHN; Taped and transferred by Kevin Shapiro; SHN Conversion by Mike O'Dea; md5's added 11/17/03
86821	Phish	1992-04-21	Redwood Acres Fairgrounds	Eureka	CA
SBD > Cass/1 > DAT; DAT > Zoltrix > WaveLab > CDWav > FLAC
18560	Phish	1992-04-22	Hilton Ballroom	Eugene	OR
Set 2p only; SBD > Cass/0 > Nak DR1 > Sony R500 (w/ SBM); Tascam DA-20 mkII > Audiophile 2496 > Soundforge 5.0e > CDWave > mkwACT > SHN; AUD>DAT Transfer by Clay Elwood; Transferred by Dan Marquardt
29199	Phish	1992-04-22	Hilton Ballroom	Eugene	OR
Set 1p,2 only; Set 1p,2p(b) Source: SBD > Cass/4 > Sony TC-WE805S > Art DI/O @48kHz > Delta DIO 2496 > WaveLab v4.0c > FLAC > Mastering > FLAC; Set 2p(a) Source; Set 1p,2p cass provided by Josh Porter; Transferred by Weave; Mastering and FLAC Conversion by Marmar
110006	Phish	1992-04-23	Oz Nightclub	Seattle	WA
Sonic Studios DSM omni mics > Sony WM-D6 cass (No Dolby); Nakamichi Dragon > RME Fireface > Sound Forge 10.0 > FLAC; Taped by David N. (NOTE: both 16 bit & 24 bit versions are available)
29147	Phish	1992-04-24	Roseland Theater	Portland	OR
SBD > Cass/x; Cass/x > Soundforge 5.0 > CDWav > CDR; CDR > EAC (secure) > FLAC; FLAC Conversion by Jesse Bloom
26161	Phish	1992-04-25	Rec Center, Evergreen State College	Olympia	WA
SBD > Cass/x; Dennon DRW-840 > Sony PCM-R500 @44.1kHz > Audiophile 2496 > CDWav > FLAC
28895	Phish	1992-04-25	Rec Center, Evergreen State College	Olympia	WA
Note: this is a fixed version of this source; SBD > Cass/x; Dennon DRW-840 > Sony PCM-R500 @44.1kHz > Audiophile 2496 > CDWav > FLAC > fixes > FLAC; Fixes by Marmar
166420	Phish	1992-04-25	Rec Center, Evergreen State College	Olympia	WA
flac24 48kHz Recorded by Brad Sands Monitor SBD > Sony D6 Cassette Transfer: Low gen Maxell XLII90 [japanese] > Sony D5 > Tascam DR100 @ 24-48 > Soundforge (levels, patches, speed, mix)
18912	Phish	1992-04-29	First Avenue	Minneapolis	MN
Set 2 only; SBD > Cass/0; Cass/0 > HB850 > CDR > EAC > CDWav > SHN; Transferred by Chris Jonus
94894	Phish	1992-04-29	First Avenue	Minneapolis	MN
Set 1: Audix cardioids > TC-D5M > WM-D6C (Cass/0); Set 2: SBD > Harmon Kardon cassette deck > WM-D6C > WM-D6C (Cass/0); Cass/0 > JVC TD-V541 > Tascam DA-20 > Creative Nomad Jukebox 3 > CDWav > FLAC; Taped and Transferred by Pat Volkerding
22401	Phish	1992-04-30	Barrymore Theatre	Madison	WI
Set 1 only; SBD > DAT(?) > Cass/2; Sony TC-KA3ES > Lucid AD 9624 A/D > REBA @24bit/48kHz (24>16bit, 48>44.1kHz) > SHNv3
35402	Phish	1992-04-30	Barrymore Theatre	Madison	WI
AUD > D5 (Cass/0); Sony TC-KA3ES > DSP24 > Wavelab 24/48 > FLAC16; Transferred by Marmar
14860	Phish	1992-05-01	The Rave at Central Park	Milwaukee	WI
Set 1 only; SBD > Cass/x > CDR > EAC > SHN; SHN Conversion by by Robert Brown; Posted to alt.binaries.phish
164578	Phish	1992-05-01	The Rave at Central Park	Milwaukee	WI
SBD Recorded by Brad Sands Onstage Mixing Console > Sony D-6 Master Cassette Cassette 1st Gen > Aiwa ADF810 3-Head > Tascam CDR700RW
3715	Phish	1992-05-01	The Rave at Central Park	Milwaukee	WI
Set 1 only; Bootleg CD ("Sloth") > EAC (secure mode w/ C2 error checking) > WAV > SHN v3.1; Seeded by Kevin Kress
74404	Phish	1992-05-01	The Rave at Central Park	Milwaukee	WI
Neumann RSM191A-S > Neumann MTX191A > Panasonic SV-255 @48kHz; CDR > EAC > Wavelab > FLAC CDRs provided by Joe Morrison; FLAC Conversion by Marmar
137491	Phish	1992-05-01	The Rave at Central Park	Milwaukee	WI
Neumann RSM191A-S>Neumann MTX191A>Panasonic SV255(@48K). Taped by Kevin Shapiro, who provided the master DAT clones for the transfer. Transferred and seeded via Dankseeds by Brian Feller ~ 12/10/2001.
8544	Phish	1992-05-02	Cabaret Metro	Chicago	IL
FOB Neumann RSM191A-S (150 deg) > Neumann MTX191A > Panasonic SV255 @48kHz (20' from stage, DFC, 8' high); Sony PCM-R300 > Zoltrix Nightengale > Sound Forge 4.5h(48-44.1kHz) > CDWav > mkwACT > SHNv3; Taped and seeded by Kevin Shapiro; Transferred by Brian Feller; Remastered by Brian Feller and Eric Warren
92580	Phish	1992-05-02	Cabaret Metro	Chicago	IL
Unknown Mic's -> Cass 2-> White 4856 EQ -> Emagic Audiowerks 2-> CDR ->EAC ->flac
131528	Phish	1992-05-02	Cabaret Metro	Chicago	IL
flac16, 48kHz; (FOB/150deg/m/s) Neumann RSM-191AS > MTX-191A > Sony TCD-D3 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; DAT(m) provided by Bryon Sosinski; Transfer by Terry Watts
138656	Phish	1992-05-02	Cabaret Metro	Chicago	IL
flac16 44.1khz Nak's hung from the ceiling > dat > cdr > eac > shn v 3.0 > [flac(8) by mvernon ~ 6/25/17 see notes]
6774	Phish	1992-05-03	Michigan State University Union Ballroom	East Lansing	MI
Neumann RSM191A-S > Neumann MTX191A > Panasonic SV255 @48kHz; Sony PCM-R300 > Zoltrix Nightengale > Sound Forge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; DAT clones provided by Kevin Shapiro; Transferred by Brian Feller
7069	Phish	1992-05-03	Michigan State University Union Ballroom	East Lansing	MI
Note: Fixed version of previously released seed (see notes); Neumann RSM191A-S > Neumann MTX191A > Panasonic SV255 @48kHz; Sony PCM-R300 > Zoltrix Nightengale > Sound Forge 4.5h (48>44.1kHz) > CDWav > mkwACT v.97b1 > SHNv3; Master DAT clones provided by Kevin Shapiro; Transferred by Brian Feller
118903	Phish	1992-05-05	Bogart's	Cincinnati	OH
flac16; [set 2 only]; unknown audience recording > cass/x; Marantz PMD-510 > Digidesign 003 @ 24bits/44khz > Ozone 3 MBIT+ dither (to 16 bit) > Adobe Audition 3.0 > Trader's Little Helper > FLAC;
151693	Phish	1992-05-05	Bogart's	Cincinnati	OH
flac16 48kHz Unknown AUD > ??? > Cass(3); Cass(3) > Nakamichi DR-3 > (Oade ACM) Tascam HD-P2 > CDWave > FLAC (16/48); Cass(x) provided by Scott Allred; Transfer by Terry Watts
164605	Phish	1992-05-06	St. Andrew's Hall	Detroit	MI
Source: SBD Recorded by Brad Sands Onstage Mixing Console > Sony D-6 Master Cassette Cassette 1st Gen > Aiwa ADF810 3-Head > Tascam CDR700RW
3685	Phish	1992-05-06	St. Andrew's Hall	Detroit	MI
flac16, 44kHz; (FOB/DFC/xy/30' back) Neumann RSM191AS > Neumann MTX-191A > Panasonic SV-255 > DAT(c); DAT(c) > Fostex D5 > Sek'd Prodif Plus > Samplitude > Soundforge > CDWave > SHN; Source provided by Brian Feller; Transfer by Jim Raras [DANKSEED]
140398	Phish	1992-05-06	St. Andrew's Hall	Detroit	MI
flac16, 48kHz; (FOB/DFC/xy/30' back) Neumann RSM-191AS > Neumann MTX-191A > Panasonic SV-255 > Sony TCD-D3 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Sourced by Bryon Sosinski and Kevin Shapiro DAT(m) provided by Bryon Sosinski; Transfer by Terry Watts
22976	Phish	1992-05-06	St. Andrew's Hall	Detroit	MI
flac16, 44kHz; [Set I only]; SBD > ??? > DAT > Cass(2); Cass(2) > Sony TC-KA3ES > Lucid AD 9624 > REBA > FLAC; Source provided by unknown; Transfer by Marmar
76240	Phish	1992-05-06	St. Andrew's Hall	Detroit	MI
flac16, 44kHz; [Set I only]; SBD > ??? > DAT(x) > Cass(x); Cass(x) > Sony TC-KA3ES > DSP24 > Wavelab > FLAC16; Source provided by Todd Ahrens; Transfer by Marmar
33812	Phish	1992-05-07	The Agora	Cleveland	OH
FOB Neumann RSM191-s (X-Y) > Panasonic SV255; Tascam DA-20 > M-Audio FireWire > Soundforge 8.0 > Adobe Audition 1.5 > shntool > FLAC
28132	Phish	1992-05-07	The Agora	Cleveland	OH
AUD > Cass/x; CDR > EAC > CDWav > Soundforge 6.0 > shntool > SHN; SHN Conversion by Brandon Johnston
95206	Phish	1992-05-07	The Agora	Cleveland	OH
Neumann RSM-191s > SV255 > D3; Taped by Bryon Sosinski & Kevin Shapiro; Transferred by Marmar
11729	Phish	1992-05-08	The Riviera Theater	Buffalo	NY
Nak 300 (cardioid) > Casio DA-2 > CDR > EAC > WAV > mkwACT > SHN
28848	Phish	1992-05-08	The Riviera Theater	Buffalo	NY
FOB Nakamichi 300 (cardioid) > Casio DA-2; Pansonic SV-3700 > HHB CDR-800 > CDR > EAC > SHN; Taped and transferred by Jim Duffy
164644	Phish	1992-05-09	The Syracuse Armory	Syracuse	NY
SBD, Set 2 Only, Recorded by Brad Sands. Onstage Mixing Console > Sony D-6 Master Cassette SBD Cassette 1st Gen > Aiwa ADF810 3-Head > Tascam CDR700RW
3439	Phish	1992-05-09	The Syracuse Armory	Syracuse	NY
Set 2, E only; SBD > Cass/0 > DAT; CTD8000H-S > DAT2WAV > Soundforge 5.0 > Wavelab 3.3 > CDWav > SHN; Transfer and fixes (see info file) by Robert Brown
3539	Phish	1992-05-09	The Syracuse Armory	Syracuse	NY
2-Nak300's > DAT; CTD8000H-S > DAT2WAV > Soundforge 5.0 (48>44.1kHz) > CDWav > SHN; Transfer by Robert Brown
127438	Phish	1992-05-09	The Syracuse Armory	Syracuse	NY
flac24, 96kHz; Nakamichi cm100/cp4's > Sony WM-D6C > Cass(m); Cass(m) > Nakamichi Dragon > Korg MR1000 > Adobe Audition > FLAC (24/96); Source by Ezekial Vaughn; Transfer by Andrew Sawyer
148175	Phish	1992-05-09	The Syracuse Armory	Syracuse	NY
flac24/48khz Source:2-AKG C460's W/CK-63 Hyper Cardiod ( 10" Apart ORTF ) Stand 7ft > Tascam Porta One>DBX Encoded>Master Cassette Maxell Metal Capsule 100 Cassette Transfer: Akai GX-A5X>DBX Decoded>Sound Devices 702 @ 24/48 November 2019 Compact Flash Transfer: CD Wave Editor>Traders Lttle Helper F.L.A.C. Encoded Location: GA Floor Behind Soundboard Taper: Terry Sullivan
24019	Phish	1992-05-10	University of Massachusetts	Amherst	MA
FOB Nak 300 > D5 (Cass/0) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +12dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > FLAC > Wavelab (24>16bit,48>44.1kHz) > CDWav > SHNv3; Taped by John Redmond
164762	Phish	1992-05-12	St. Lawrence University	Canton	NY
SBD Recorded By Brad Sands Onstage Mixing Console > Sony D-6 Master Cassette Cassette 1st Gen > Aiwa ADF810 3-Head > Tascam CDR700RW
15662	Phish	1992-05-12	St. Lawrence University	Canton	NY
SBD > DAT > Cass/x > Phillips FW-930 > RCA analog > SantaCruz soundcard > CDWav > mkwACT > SHN; Transferred by Peter Grossman
26286	Phish	1992-05-12	St. Lawrence University	Canton	NY
AUD > Cass/x; Dennon DRW-840 > Sony PCM-R500 @44.1kHz > Audiophile 2496 > CDWav > FLAC
95205	Phish	1992-05-12	St. Lawrence University	Canton	NY
Set 2 only; SBD > Cass/1 > DAT; ARCHIVE Python > vDAT > WaveLab4 > CD Wave > FLAC
135343	Phish	1992-05-12	St. Lawrence University	Canton	NY
flac16 48kHz Set 2 only; SBD > C(1) > DAT; DAT(c) @ 48kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 Suite v13.1.2.170 (fades, edits, resample) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Charlie Miller & Arielle Phares; Transfer & edits by Jeff Mitchell
16673	Phish	1992-05-14	The Capitol Theater	Port Chester	NY
Unknown; CDR > EAC > WAV > shntool > mkwACT > SHN; SHN Conversion by Jody Bugabear
98169	Phish	1992-05-14	The Capitol Theater	Port Chester	NY
SBD > Cass/1 > DAT @48kHz; Tascam DA-20 mkII > Event Gina > Adobe Audition 1.5 (48>44.1kHz) > FLAC; Transferred by Jamie Treworgy
112232	Phish	1992-05-14	The Capitol Theater	Port Chester	NY
set 2 only; SBD > Cass/0 > DAT; DAT > zoltrix > WaveLab > CD Wave > Flac; Transferred by Rusty
138084	Phish	1992-05-14	The Capitol Theater	Port Chester	NY
flac16 48kHz AKG414 > Custom Oade Preamp > Sony D-10 Pro II > DAT; DAT(m) @ 48kHz > Sony PCM-R500 > Tascam DA-3000; Taped & Transferred by Jim Wise
166432	Phish	1992-05-14	The Capitol Theater	Port Chester	NY
flac 2448 Recording: SBD > DAT > low gen cassette Transfer: Maxell XLIIS 100 (1) XLII 100 [japan] (2) > Sony tcD5m > Tascam DR100 @ 24-48 > Soundforge (fades, levels, and patches only) 11-15-2023
109820	Phish	1992-05-16	Orpheum Theatre	Boston	MA
Set 2 only; Unknown Soundboard Cassette > Audacity 1.2.4 > FLAC16; Transferred by Duanebase
20998	Phish	1992-05-16	Orpheum Theatre	Boston	MA
source set1 and set2 thru Its Ice: SBD->denon dtr-80p(dat)->sonyd5 (cass0) source set2: shotguns? > D5 transfer: cass0-> Apogee AD-1000-> Echo MIA-> SF7.0-> CDWave -> flac
128611	Phish	1992-05-16	Orpheum Theatre	Boston	MA
flac24, 96kHz; Nakamichi cm100/cp4's > Sony WM-D6C > Cass(m); Cass(m) > Nakamichi Dragon > Korg MR1000 > Adobe Audition > FLAC (24/96); Source by Ezekial Vaughn; Transfer by Andrew Sawyer
166452	Phish	1992-05-16	Orpheum Theatre	Boston	MA
flac 2448 Recording: Set 2: Nak 300 (cardioid) > Sony D5 [no dolby] > Cassette Master Soundcheck: Source unknown, sounds like front of house ambient mic feed Transfer: Set 2: Cassette Master (Maxell XLII 90 japanese) > Sony D5 > Tascam DR100 @ 24-48 > Soundforge Soundcheck: (?) > Maxell XLII90 > (same as above) 11-09-2023
12613	Phish	1992-05-17	The Achilles Rink	Schenectady	NY
Nak 300 > D5 > PCM R500 > SBM-1 @44.1kHz; DA-20mkII > Delta Dio 2496 > Soundforge 4.5 > CDWav > SHN; Transferred by Brandon Johnston
115803	Phish	1992-05-17	The Achilles Rink	Schenectady	NY
flac16, 44kHz; Nakamichi cm100/cp4's > Sony TC-D5M > Cass(m) > CDR(x); CDR(x) > EAC > FLAC; Source by David Slusarczyk; Transfer by ifthir
123092	Phish	1992-05-17	The Achilles Rink	Schenectady	NY
flac16, 44kHz; Nakamichi cm100/cp4's > Sony TC-D5M (Dolby B) > Cass(m); Cass(m) > Nakamichi MR-1 (Dolby B off) > Korg MR-1000 > AudioGate > Korg Aqua > FLAC; Source by Heaton; Transfer by Keo
123093	Phish	1992-05-17	The Achilles Rink	Schenectady	NY
flac24, 96kHz; Nakamichi cm100/cp4's > Sony TC-D5M (Dolby B) > Cass(m); Cass(m) > Nakamichi MR-1 (Dolby B off) > Korg MR-1000 > AudioGate > Korg Aqua > FLAC; Source by Heaton; Transfer by Keo
20165	Phish	1992-05-18	Flynn Theater	Burlington	VT
SBD > Cass/0 > DAT; Tascam DA-20 > Coax > Waveterminal 2496 > Cool Edit Pro 2.0 > CDWav > mkwACT > SHN; Transferred by Alec Swensen
130709	Phish	1992-05-18	Flynn Theater	Burlington	VT
flac24, 96kHz; Nakamichi cm100/cp4's > Sony WM-D6C > Cass(m); Cass(m) > Nakamichi Dragon > Korg MR1000 > Adobe Audition > FLAC (24/96); Source by Ezekial Vaughn; Transfer by Andrew Sawyer
23525	Phish	1992-06-19	Stadtpark/Freilichtbuhn	Hamburg	Germany
SBD > Cass/x; CDR > EAC (secure) > Soundforge 7.0 > FLAC
5038	Phish	1992-06-20	Waldbuhn	Nordheim	Germany
SBD > Cass/1 > DAT; Marantz PMD430 > Sony DTC ZE700 (w/SBM) @44.1kHz; Tascam DA-302 > Coax > Dio 24/48 > CDWav > mkwACT > SHN; A>D and DAT>SHN transfers by Blane Harvey; Fixes by Ben Mohr
29105	Phish	1992-06-23	Philipshalle	Düsseldorf	Germany
Set 1 only; SBD > Cass/x; CDR > EAC > Mastering > FLAC; CDRs provided by Alec Swenson; Mastering FLAC Conversion by Marmar
5039	Phish	1992-06-24	Resi	Nuremberg	Germany
SBD > Cass/1 > DAT; Marantz PMD430 > Sony DTC ZE700 (w/SBM) @44.1kHz; Tascam DA-302 > Coax > Dio 24/48 > CDWav > mkwACT > SHN; A>D and DAT>SHN transfers by Blane Harvey; Fixes by Ben Mohr
23937	Phish	1992-06-28	Animal Showgrounds	Roskilde	Denmark
AUD > DAT; Aiwa XD-001 > Nightingale Pro 6 S/PDIF >Cool Edit Pro @44.1kHz > CDWav > mkwACT > SHN; Transferred by Friedemann Rothfuchs
100182	Phish	1992-06-28	Animal Showgrounds	Roskilde	Denmark
Sony ECM-155 > Denon DTR-80P (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > Samplitude SE v9.1.1 (fades, volume adjustments, track splits, 48 to 44.1 kHz) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel
15962	Phish	1992-07-09	Cumberland County Civic Center	Portland	ME
flac16, 44kHz; (FOB) AKG c460b/ck8's > Sony TC-D5 > Cass(m) > DAT(c); DAT(c) > Tascam DA-20 > Waveterminal 2496 > Cool Edit > CDWave > SHN/FLAC; Source by unknown; DAT(c) provided by Chris Venture, Transfer by Alec Swensen
28894	Phish	1992-07-09	Cumberland County Civic Center	Portland	ME
FOB Nak 300 > D5 (Cass/0) > Sony TC-WE805S > Art DI/O @48kHz > Delta DIO 2496 > WaveLab v4.0c > FLAC > Mastering > FLAC; Taped by John Redmond; Transferred by Weave; Mastering by Marmar
31780	Phish	1992-07-09	Cumberland County Civic Center	Portland	ME
AKG 460b/ck8x (110deg, XY) > Casio DA-7; Taped by Ricky Supon; Transferred and CDRs provide by Kevin Shapiro; Patch Source: Nak 300 > D5; Taped by John Redmond; Transferred by Steve Dumond; FLAC Conversion by Marmar
138091	Phish	1992-07-09	Cumberland County Civic Center	Portland	ME
flac16, 48kHz; Nakamichi cm300/cp-4's > Sony TCD-D3 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by Andrew Derr; Transfer by Terry Watts
28133	Phish	1992-07-10	Empire Court	Syracuse	NY
AKG 460; CDR > EAC > CDWav > Soundforge 6.0 > shntool > SHN; SHN Conversion by Brandon Johnston
85821	Phish	1992-07-10	Empire Court	Syracuse	NY
AKG 460b/ck63 > Crown PS > Tascam Porta-1 > Sony D3 > Sony D5 (Cass/0) > Sony D3 @48kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > r8brain v1.9 (48>44.1 kHz) > CDWav > FLAC; Transferred by Jason Sobel
92576	Phish	1992-07-10	Empire Court	Syracuse	NY
AKG460b/CK8X > Casio DA-7; Taped by Ricky Supon, Bryon Sosinski, and Kevin Shapiro; Transferred by Kevin Shapiro
121574	Phish	1992-07-10	Empire Court	Syracuse	NY
flac16; (FOB) Shure SM81 > Peavy phantom power > Sony D6 (Dolby B); Master Audience Cassette, TDK SA100 > Nakamichi DR-2 (Dolby B) > TC Electronics Impact Twin > Audacity 16/44.1 > WAV; Taped & Transferred by Eric Gabrielson
147216	Phish	1992-07-10	Empire Court	Syracuse	NY
flac16/44.1khz Source: 2-AKG C460's W/CK-63 Hyper Cardiod ( 10" Apart ORTF ) Stand 6ft > Sony TCD-5M>Dolby B Master Cassette Transfer: Sony TCD-5M>Sony PCM-R300 DAT DAT Tranfer:Sony PCM-2700>SP/DIF>HHB CD-R 850 Burn It October 1999 CD Transfer: CD Opital Drive>Traders Little Helper FLAC Encoding Location: GA Field F.O.B. Taper: Terry Sullivan
148318	Phish	1992-07-10	Empire Court	Syracuse	NY
flac24/48 Source: 2-AKG C460's W/CK-63 Hyper Cardiod ( 10" Apart ORTF ) Stand 7ft > Tascam Porta One>DBX Encoded>Master Cassette Maxell MX-S 90 Cassette Transfer: Akai GX-A5X>DBX Decoded>Sound Devices 702 @ 24/48 November 2019 Compact Flash Transfer: CD Wave Editor>Traders Lttle Helper F.L.A.C. Encoded Location: GA Field F.O.B. Taper: Terry Sullivan
15473	Phish	1992-07-11	Garden State Arts Center	Holmdel	NJ
SBD > DAT; DAT > optical > Marantz Pro-burner > CDR > EAC > WAV > mkwACT > SHN; DAT provided by Charlie Dirksen and Kevin Shapiro; SHN Conversion by Charlie Kidder
92578	Phish	1992-07-11	Garden State Arts Center	Holmdel	NJ
DSBD > DAT > Protools > CD; Transfer by: Kevin Shapiro; EAC & remastering by Marmar
28027	Phish	1992-07-12	Jones Beach Ampitheater	Wantagh	NY
FOB Neumann RSM191S (110 degrees XY) > D10-Pro; CDR > xACT > AIFF > xACT > FLAC; Taped by Bryon Sosinski; DAT>CD transfer by Kevin Shapiro; FLAC Conversion by Dave Mallick
133665	Phish	1992-07-12	Jones Beach Ampitheater	Wantagh	NY
flac16 48kHz AKG460; DAT(c) @ 48kHz > Sony PCM-R500 > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.0.264 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Charlie Miller & Arielle Phares; Transfer & edits by Jeff Mitchell
164310	Phish	1992-07-14	The Boathouse	Norfolk	VA
Cassette SBD 1st Gen > Sony D-5 > Tascam DR-100 > 24bit WAV > Soundforge 16bit dither > FLAC
11899	Phish	1992-07-14	The Boathouse	Norfolk	VA
Nak 300 > Nak mx100 > D5 > SHN; Note: md5's separated by set, not discs
14554	Phish	1992-07-14	The Boathouse	Norfolk	VA
AUD > DAT > Cass/x > DAT > Pioneer CDRW509 > EAC > SHN; SHN Conversion by Datgeek; This is probably an EAC extraction of this source.
30845	Phish	1992-07-14	The Boathouse	Norfolk	VA
Note: This is a pitch corrected version of this source.
32921	Phish	1992-07-14	The Boathouse	Norfolk	VA
Shure pro mics XY (90deg center) > D3 dat; Sony PCM R500 > Opcode DatPort > SF4.5 > CD Wave > FLAC; taped by Brian Sprouse; transferred by Chris Moore
2327	Phish	1992-07-15	Trax	Charlottesville	VA
SBD > Cass/0 > DAT @48k; Tascam DA-P1 > Turtle Beach Montego II > Sound Forge 4.5 (resample 48k > 44.1k, Interpolation accuracy 4, with anti-alias filtering) > CDWave > SHN; DAT > SHN conversion by Dave Pecoraro
21048	Phish	1992-07-15	Trax	Charlottesville	VA
AKG 451/ck1 (XY) > b18 > Sony D5 (Cass/0); Cass/0 > Apogee AD-1000 > Soundforge7.0 > CDwav > FLAC; Taped and transferred by Todd Romero
33245	Phish	1992-07-15	Trax	Charlottesville	VA
Neumann RSM 191 @125degXY > D3; D > Protools > CDR > FLAC; taped by Kevin Shapiro; transferred by Kevin Shapiro & Chris Moore
112506	Phish	1992-07-15	Trax	Charlottesville	VA
SBD > cass/x; Marantz PMD510 > Korg MR-1 (16/44.1); MR-1 HD > Spark XL (tracking) > xACT > flac (Level 8); Transferred by taperjoe
135344	Phish	1992-07-15	Trax	Charlottesville	VA
flac16 48kHz SBD; DAT(c) @ 48kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 Suite v13.1.2.170 (fades, edits, resample) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Charlie Miller & Arielle Phares; Transfer & edits by Jeff Mitchell
166454	Phish	1992-07-15	Trax	Charlottesville	VA
flac 2448 Source: Onstage monitor mix > Sony D6 > Master Cassette Recorded by Brad Sands Transfer: low gen Maxell XLII 90's [japanese] > Sony D5 > Tascam DR100 @ 24-48 > Soundforge [patches, levels, speed*, corrections]
28747	Phish	1992-07-16	The Flood Zone	Richmond	VA
SBD/AUD Matrix; Tascam DA-20mkII > SBLive Platinum > Soundforge 5.0 > SHN
127348	Phish	1992-07-16	The Flood Zone	Richmond	VA
flac16 48kHz Partial Soundcheck; Sony PZM's->Sony D5; Sony TC-K615S->Maudio 410->Wavelab 5.0->wav->Flac 16/48 (level 8)
109816	Phish	1992-07-16	The Flood Zone	Richmond	VA
SBD > cass/1 > Nakamichi Dragon > Korg MR1000 > Korg Audio Gate > Adobe Audition 3.0 > Trader's Little Helper > FLAC (NOTE: this is a 24bit seed)
33301	Phish	1992-07-16	The Flood Zone	Richmond	VA
Neumann RSM 191 @125degXY > D3; D > Protools > CDR > FLAC; taped by Kevin Shapiro; transferred by Kevin Shapiro & Chris Moore
125355	Phish	1992-07-19	Garden State Arts Center	Holmdel	NJ
flac16; Sony ECM-959 stereo mic (in hat) > Sony Walkman WMD3 > Maxell XLII-S Cassette Master (Dolby B); Master Cassette > Nakamichi Dragon (120us bias / Dolby B decode) > Sound Devices 722 input (@24/96); Soundforge Pro 10.0e (Volume normalization, Sample rate conversion, dithering to 16 bits) > CD Wave > FLAC; Taped & Transferred by Scott Bernstein
7099	Phish	1992-07-21	Great Woods Center for the Performing Arts	Mansfield	MA
SBD > DAT; Tascam DA-20mkII > RME digi 96/8 PST > CDWav > mkwACT > SHN; Transferred by SnowRide
2056	Phish	1992-07-24	Jones Beach Music Theater	Wantagh	NY
DSBD > DAT; DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > SHN (no extraction); Transfer and SHN conversion by Jon Seff; Note: much of MSO is cut (from dat copy)
141438	Phish	1992-07-24	Jones Beach Music Theater	Wantagh	NY
flac16 48kHz SBD; DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 Suite [Build 35] > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
7098	Phish	1992-07-24	Jones Beach Music Theater	Wantagh	NY
Note: Original seed was 48kHz, updated version available 2/5/02. Please verify which version you have! (all md5's provided for reference); SBD > DAT; Tascam DA-20mkII > RME digi 96/8 PST > CDWav > mkwACT > SHN
488	Phish	1992-07-25	Stowe Performing Arts Center	Stowe	VT
DSBD > DAT > CDR; w/ Santana et al
490	Phish	1992-07-25	Stowe Performing Arts Center	Stowe	VT
SBD > DAT > CD; converted by Quahog
8852	Phish	1992-07-25	Stowe Performing Arts Center	Stowe	VT
shn16, 44kHz; SBD > DAT > SHN
11034	Phish	1992-07-25	Stowe Performing Arts Center	Stowe	VT
shn16, 44kHz; SBD > DAT; Tascam DA-20mkII > RME digi 96/8 PST > CDWav > mkwACT > SHN; Transferred by SnowRide
13928	Phish	1992-07-25	Stowe Performing Arts Center	Stowe	VT
shn16, 44kHz; SBD > DAT > SHN; Note: this is the same Source as DB#8852, but the two parts of YEM have been joined and a new MD5 created.
127201	Phish	1992-07-25	Stowe Performing Arts Center	Stowe	VT
shn16, 44kHz; DSBD > DAT > CD; Note: this is the likely an EAC of DB#13928.
135081	Phish	1992-07-25	Stowe Performing Arts Center	Stowe	VT
flac16, 48kHz; SBD > ??? > DAT(c); DAT(c) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by unknown; DAT(c) provided by William Lapier; Transfer by Terry Watts
135345	Phish	1992-07-25	Stowe Performing Arts Center	Stowe	VT
flac16 48kHz SBD > ??? > DAT(c); DAT(c) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC (16/48); DAT(c) provided by William Lapier; Transfer by Terry Watts; Edits by Jeff Mitchell
141439	Phish	1992-07-25	Stowe Performing Arts Center	Stowe	VT
flac16 48kHz SBD; DAT(c) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 Suite [Build 35] > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
120879	Phish	1992-07-27	Saratoga Performing Arts Center	Saratoga Springs	NY
flac16; Nakamichi 700s > Teac DA-P20; DAT Master > WAV > FLAC
150567	Phish	1992-07-27	Saratoga Performing Arts Center	Saratoga Springs	NY
flac16/44.1khz Source: Nakamichi CM700/CP-1 > TEAC DAT Master > DAE Taper: dismal & Team Nakamichi
88175	Phish	1992-07-27	Saratoga Performing Arts Center	Saratoga Springs	NY
AUD > Cass/3; Onkyo TA-RW344> Grace Design Lunatec V3 > Tascam HD-P2 @24bit,96kHz > WaveLab 5.01b (DSP) > CDWav > FLAC; Transferred by Jason Sobel
35030	Phish	1992-07-30	Meadow Brook Music Theater	Rochester Hills	MI
(FOB) Sonic Studios DSM-10 omni > D3; Sony PCM R500 > Opcode DatPort > SF4.5 > CD Wave > FLAC; Taped by Ian VanHuysen; Transferred by Chris Moore
82113	Phish	1992-08-01	Poplar Creek Music Theatre	Hoffman Estates	IL
Nak 300 > Sony cassette deck (unknown model); Master cassette > cd-r (Sony cd burner) > extracted with Toast Titanium > Peak used for speed correction > Spark XL used for re-tracking > flac (level 8 xACT); Taped & Transferred by Fierce; Speed correction & re-tracking by taperjoe
24709	Phish	1992-08-02	Riverport Amphitheatre	Maryland Heights	MO
AUD > DAT > Cass/2 > Sony CDR-W33 > CDR > EAC > Soundforge 6.0 > CDWav > shntool > SHN; SHN Conversion by Brandon Johnston
25489	Phish	1992-08-13	Greek Theater	Los Angeles	CA
SBD > Cass/0 > DAT; DAT > SB Live 2 > SF 6.0 > SHN; Transferred by Greg Prenatt
25491	Phish	1992-08-14	Greek Theater	Los Angeles	CA
SBD > Cass/0 > DAT; DAT > SB Live 2 > SF 6.0 > SHN; Transferred by Greg Prenatt
35113	Phish	1992-08-14	Greek Theater	Los Angeles	CA
DSBD > DAT; Sony PCM R500 > Opcode DatPort > SF4.5 > CD Wave > FLAC; Transferred by Chris Moore
492	Phish	1992-08-14	Greek Theater	Los Angeles	CA
SBD > ? > DAT > CDR; despite listed date, is snippets of both 8/13, 8/14; OSPS#2; via M. Masse, C. Savarick
135346	Phish	1992-08-14	Greek Theater	Los Angeles	CA
flac16 48kHz SBD; DAT(c) @ 48kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 Suite v13.1.2.170 (fades, edits, resample) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Charlie Miller & Arielle Phares; Transfer & edits by Jeff Mitchell
493	Phish	1992-08-15	Greek Theater	Los Angeles	CA
SBD > dat > CD; despite listed date, is snippets of 8/13,14,15; improved source relative to previous 8/13,14 CD
25492	Phish	1992-08-15	Greek Theater	Los Angeles	CA
SBD > DAT > CDR > SHN; SHN Conversion by Greg Prenatt
11900	Phish	1992-08-17	The Coach House	San Juan Capistrano	CA
SBD > Cass/0 > DAT; Tascam DA-20 > coax > WAV > Cool Edit > CDWav > mkwACT > SHNv3; Transferred by Linda Webster
77120	Phish	1992-08-17	The Coach House	San Juan Capistrano	CA
SBD > Cass/1 > DAT; ARCHIVE Python > vDAT > WaveLab4 > CDWave > Flac/CDR; Transferred by Rusty
135347	Phish	1992-08-17	The Coach House	San Juan Capistrano	CA
flac16 48kHz SBD > C(?) > DAT; DAT(c) @ 48kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 Suite v13.1.2.170 (fades, edits, resample) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Charlie Miller & Arielle Phares; Transfer & edits by Jeff Mitchell
108985	Phish	1992-08-19	Pima County Fair	Tucson	AZ
unknown mics > Sony TCS-430; master cassette > Nak CR-1 > Alesis ML-9600 @ 24-bit/96KHz > Audacity 1.3.11beta > flac
110763	Phish	1992-08-25	The Downs	Santa Fe	NM
Nak 300 Guns > Dat @ 48khz; Tascam DA-40 > M-Audio 2496 > Adobe Audition 3.0 > r8brain > Trader's Little Helper > FLAC; Transferred by ifthir
156106	Phish	1992-08-27	Santa Barbara County Bowl	Santa Barbara	CA
flac1644 Recording Info: AUD (unknown mics) > Cassette Master (Maxell XLII) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
156107	Phish	1992-08-27	Santa Barbara County Bowl	Santa Barbara	CA
flac2496 Recording Info: AUD (unknown mics) > Cassette Master (Maxell XLII) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
114541	Phish	1992-08-28	Concord Pavilion	Concord	CA
Sonic Studios DSM-6 omnidirectional binaural microphones > Sony TCD-D3 @ 16/48; Fostex D5 > M-Audio Firewire Audiophile > Sony Sound Forge 9.0e build 441 > iZotope SRC 64 bit SRC (48khz > 44khz) > Adobe Audition 3.0 > Trader's Little Helper > FLAC; Taped by Jean Lerond; Transferred by ifthir
80776	Phish	1992-08-29	Shoreline Amphitheatre	Mountain View	CA
HiFi VHS > CDWav > FLAC
21859	Phish	1992-08-29	Shoreline Amphitheatre	Mountain View	CA
HiFi VHS > CDWav > FLAC > REBA (editing) > SHNv3
31924	Phish	1992-08-29	Shoreline Amphitheatre	Mountain View	CA
SBD > Cass/1; CDR > EAC > FF > FLAC
114542	Phish	1992-08-29	Shoreline Amphitheatre	Mountain View	CA
Sonic Studios DSM-6 omnidirectional binaural microphones > Sony TCD-D3 @ 16/48; Fostex D5 > M-Audio Firewire Audiophile > Sony Sound Forge 9.0e build 441 > iZotope SRC 64 bit SRC (48khz > 44khz) > Adobe Audition 3.0 > Trader's Little Helper > FLAC; Taped by Jean Lerond; Transferred by ifthir
114543	Phish	1992-08-30	Cal Expo Amphitheater	Sacramento	CA
Sonic Studios DSM-6 omnidirectional binaural microphones > Sony TCD-D3 @ 16/48; Fostex D5 > M-Audio Firewire Audiophile > Sony Sound Forge 9.0e build 441 > iZotope SRC 64 bit SRC (48khz > 44khz) > Adobe Audition 3.0 > Trader's Little Helper > FLAC; Taped by Jean Lerond; Transferred by ifthir
21437	Phish	1992-10-30	Boston Garden	Boston	MA
AUD; CDR > EAC > SHN; SHN Conversion by Peter Sahlin
24020	Phish	1992-10-30	Boston Garden	Boston	MA
FOB Nak 300 > D5 (Cass/0) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +12dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > FLAC > Wavelab (24>16bit,48>44.1kHz) > SHNv3; Taped by John Redmond
494	Phish	1992-11-19	Ross Arena, St. Michael's College	Colchester	VT
Nakamichi CM3000; Transfer: PCM R500> AES/EBU> ZA2> Cooledit> SHN, S. McCloskey; via M. Fischer, J. Law; some digi glitches on the master DAT, but possibly better than other version(s)
2058	Phish	1992-11-19	Ross Arena, St. Michael's College	Colchester	VT
Unknown source (most likely Nak CM3000 > DAT); DA-20mkII > ZA2 > SF4.5 > CDWav > SHN; Transfer by Jimmy Sellers
27589	Phish	1992-11-19	Ross Arena, St. Michael's College	Colchester	VT
SBD > Cass/1 > DAT; D100 > Zoltrix > WaveLab 4 > CDWav > FLAC; Transferred by Rusty Gray
82817	Phish	1992-11-19	Ross Arena, St. Michael's College	Colchester	VT
SBD > Cass/1 > DAT; Archive Python > vDat > WaveLab 4 > CDWav > FLAC; Transferred by Rusty Gray
105728	Phish	1992-11-19	Ross Arena, St. Michael's College	Colchester	VT
LivePhish FLAC download; Note: Do NOT trade this recording by any means, including matrix sources! The ffp is merely listed as reference.
135348	Phish	1992-11-19	Ross Arena, St. Michael's College	Colchester	VT
flac16 48kHz Nakamichi CM300 + CP4; DAT(c) @ 48kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 Suite v13.1.2.170 (fades, edits, resample) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Charlie Miller & Arielle Phares; Transfer & edits by Jeff Mitchell
3354	Phish	1992-11-20	Palace Theater	Albany	NY
FOB 2-AKG 460b/ck63 (on tripod) > Teac DA-P20; CTD8000H-S > DAT2WAV > Soundforge 5.0 (48>44.1kHz) > CDWav > SHN; Transfer by Robert Brown
143843	Phish	1992-11-20	Palace Theater	Albany	NY
flac16, 44kHz; (FOB/25' back) Nakamichi cm100/cp-4's > Sony TC-D5 > (dolby) Cass(m); Cass(m) > Marantz PMD-501 > ??? > Cool Edit > FLAC; Source and Transfer by BeerEngineer
26752	Phish	1992-11-20	Palace Theater	Albany	NY
Source: SBD>C1>DAT Xfer: d100 > zoltrix > WaveLab4 > CDWave > Flac/CDR
28841	Phish	1992-11-20	Palace Theater	Albany	NY
Nak 300 > D5 (Cass/0); Cass/0 > Sony TC-WE805S > Art DI/O @48kHz > Delta DIO 2496 > WaveLab v4.0c > FLAC > Mastering > FLAC; Taped by John Redmond; Transferred by Weave; Mastering by Marmar
35175	Phish	1992-11-20	Palace Theater	Albany	NY
Neumann RSM-191s @ 125deg XY > D3 > DAT; Sony PCM R500 > Opcode DatPort > SF4.5 > CD Wave > FLAC; Taped by Scott Pridgeon; Transferred by Chris Moore
82966	Phish	1992-11-20	Palace Theater	Albany	NY
SBD > Cass/1 > DAT; Archive Python > vDAT > CDWav > FLAC; Transferred by Rusty Gray
114480	Phish	1992-11-20	Palace Theater	Albany	NY
Nak 300's w/CP4 guns > Sony D5; MAC > CD > EAC > WAV > FLAC; Taped by David Slusarczyk; Transferred by ifthir
147142	Phish	1992-11-20	Palace Theater	Albany	NY
flac16/44.1khz Source: 2-AKG C460's W/CK-63 Hyper Cardiod ( 10" Apart ORTF ) Stand 6ft > Teac DA-P20 DAT @16/48 Location: ORCH L/C Row D Seat 24 F.O.B. Taper: Terry Sullivan DAT Tranfer: Sony PCM-2700>SP/dif>Philips CDR-830 September 1998 CD Transer: CD Optical Drive>Traders Little Helper FLAC Encoding
19941	Phish	1992-11-21	Sports Complex at SUNY Stony Brook	Stony Brook	NY
AKG 460/ck61 > Teac DA-P20 @48kHz; Tascam DA-20 > Delta DiO 2496 > Sound Forge 6.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Daniel Shay
97715	Phish	1992-11-21	Sports Complex at SUNY Stony Brook	Stony Brook	NY
Nak 300 > Sony TCD-D3 @48kHz; Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (48>44.1 kHz) > FLAC; Taped by Eliot Byron; Transferred by Jason Sobel
163653	Phish	1992-11-21	Sports Complex at SUNY Stony Brook	Stony Brook	NY
flac16 48kHz AKG CK61 > AKG460 > Teac DA P-20; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX10 Pro > Samplitude Pro X7 > TLH (flac 8) > Foobar Live Show Tagger; Transfer by Jeff Mitchell
2286	Phish	1992-11-22	Bailey Hall, Cornell University	Ithaca	NY
flac16, 44kHz;(OTS) AKG c460b/ck63's > Teac DA-P20; Conner CTD8000H-S > DAT2WAV > Soundforge > CDWave > SHN; Source by unknown; Transfer by Robert Brown
147143	Phish	1992-11-22	Bailey Hall, Cornell University	Ithaca	NY
flac16/44.1khz Source: 2-AKG C460's W/CK-63 Hyper Cardiod ( 10" Apart ORTF ) Stand 6ft > Teac DA-P20 DAT @16/48 Location: ORCH Center Row M Seat 17 Taper: Terry Sullivan DAT Tranfer: Sony PCM-2700>SP/dif>Philips CDR-830 September 1998 CD Transer: CD Optical Drive>Traders Little Helper FLAC Encoding
3555	Phish	1992-11-23	Broome County Forum	Binghamton	NY
2-AKG460b/ck63 > Teac DA-P20; CTD8000H-S > DAT2WAV > Soundforge 5.0 (48>44.1kHz) > CDWav > SHN
35208	Phish	1992-11-23	Broome County Forum	Binghamton	NY
Schoeps CMC 5/21s @ 105deg XY > D3; Sony PCM R500 > Opcode DatPort > SF4.5 > CD Wave > FLAC; Taped by Ian Van Huysen; Transferred by Chris Moore
147144	Phish	1992-11-23	Broome County Forum	Binghamton	NY
flac16/44.1khz Source: 2-AKG C460's W/CK-63 Hyper Cardiod ( 10" Apart ORTF ) Stand 6ft > Teac DA-P20 DAT @16/48 Location: Orch. B Row A Seat 110 Taper: Terry Sullivan DAT Transfer: Sony PCM-2700>SP/dif>Philips CDR-830 September 1998 CD Transer: CD Optical Drive>Traders Little Helper FLAC Encoding
150989	Phish	1992-11-23	Broome County Forum	Binghamton	NY
flac16/44.1khz Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Casseete Deck>2 TDK MA-110 And 90 Minute Metal Cassette Master Tapes> Sony TC-D5M Cassette Deck(Playback)>Harmon Kardon CDR 20 Home CD Burner>CD>Exact Audio Copy>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker.
166254	Phish	1992-11-25	Keswick Theater	Glenside	PA
flac 2448: SBD > Maxell XLIIS 90's [most likely 2nd gen] > Sony D5 > Tascam DR100 @ 24-48 > Soundforge
32410	Phish	1992-11-25	Keswick Theater	Glenside	PA
Sony ECM 260 > Sony D5 (Cass/0); Cass/0 > Sony TCK-615S > Maudio 410 16/48 > Wavelab 5.0 > FLAC; Taped by Ben Miller; Transferred by Chris Hall; Mastering by Marmar
13169	Phish	1992-11-27	Capitol Theater	Port Chester	NY
Neumann RSM190i > Neumann matrix box > Panasonic SV-255; CDR > EAC > SHN
85791	Phish	1992-11-27	Capitol Theater	Port Chester	NY
FOB Sennheiser 421 > Panasonic SV-255 @48kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > r8brain v1.9 (48>44.1kHz) > CDWav > FLAC; Taped by Joe LeClair; Transferred by Jason Sobel
97676	Phish	1992-11-27	Capitol Theater	Port Chester	NY
Nak 300 > Sony TCD-D3 @48kHz; Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (48>44.1kHz) > FLAC; Taped by Eliot Byron; Transferred by Jason Sobel
109994	Phish	1992-11-27	Capitol Theater	Port Chester	NY
(set 1 only) Neumann RSM-191 > Neumann MTX-191 > Sony TCD-D3 (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Transferred by Terry Watts
135223	Phish	1992-11-27	Capitol Theater	Port Chester	NY
flac16 Unknown AUD; Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Transferred & Seeded by Bill Graves
138121	Phish	1992-11-27	Capitol Theater	Port Chester	NY
flac16 48kHz AKG414 > Custom Oade Preamp > Sony D-10 Pro II > DAT; DAT(m) @ 48kHz > Sony PCM-R500 > Tascam DA-3000; Taped & Transferred by Jim Wise
12855	Phish	1992-11-28	Capitol Theater	Port Chester	NY
Neumann U87 (additional unknown) > DAT
85857	Phish	1992-11-28	Capitol Theater	Port Chester	NY
FOB Schoeps mk4 > Reuthelhuber PS > Panasonic SV-255 @48kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > r8brain v1.9 (48>44.1kHz) > CDWav > FLAC; Taped by Joe LeClair; Transferred by Jason Sobel
133666	Phish	1992-11-28	Capitol Theater	Port Chester	NY
flac16 48kHz Unknown DAT labeled SBD; DAT(c) @ 48kHz > Sony PCM-R500 > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.0.264 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Charlie Miller & Arielle Phares; Transfer & edits by Jeff Mitchell
97690	Phish	1992-11-28	Capitol Theater	Port Chester	NY
Nak 300 > Sony TCD-D3 @ 48kHz; Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 > r8brain v1.9 (48>44.1kHz) > CD Wave > FLAC; Taped by Eliot Byron; Transferred by Jason Sobel
135224	Phish	1992-11-28	Capitol Theater	Port Chester	NY
flac16 Unknown; Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Transferred & Seeded by Bill Graves
138122	Phish	1992-11-28	Capitol Theater	Port Chester	NY
flac16 48kHz AKG414 > Custom Oade Preamp > Sony D-10 Pro II > DAT; DAT(m) @ 48kHz > Sony PCM-R500 > Tascam DA-3000; Taped & Transferred by Jim Wise
20975	Phish	1992-11-30	Metropol	Pittsburgh	PA
Nak 100 (XY) > Sony D5 (Cass/0); Cass/0 > Apogee AD1000 > SF7.0 > CDWav > FLAC
20818	Phish	1992-12-01	Livingston Fieldhouse, Dennison College	Granville	OH
LivePhish FLAC download; Note: Do NOT trade this recording by any means, including matrix sources! The ffp is merely listed as reference.
496	Phish	1992-12-02	Newport Music Hall	Columbus	OH
Neumann RSM190i> Nuemann PS> SV-255>D3; Transfer: DA-P1> Zefiro ZA2(48>44.1)> SoundForge XP 4.5>CDWav> .shn; stemming from a digiphish tree; seed via Raymond Coghlan; transfer by Eric McRoberts; upload by Kris Kwilas; note levels off at start; splice or tape stoppage between Runaway and encore on DAT seed
23527	Phish	1992-12-02	Newport Music Hall	Columbus	OH
Neumann RSM190i > Neumann PS > SV-255 > D3 > DA-P1; Tascam DA-20 mkII > Apogee Wyde Eye S/PDIF > Audiophile 2496 > Cool Edit 2000 > CDWav > CDR > EAC > CDWav > Soundforge 6.0 > shntool > SHN; SHN Conversion by Brandon Johnston
35368	Phish	1992-12-02	Newport Music Hall	Columbus	OH
Schoeps CMC5/mk21 @105deg XY > D3; Sony PCM R500 > Opcode DatPort > SF4.5 > CDWav > FLAC; Taped by Ian Van Huysen; DAT provided by Kevin Shapiro; Transferred by Chris Moore
110532	Phish	1992-12-02	Newport Music Hall	Columbus	OH
set 2 only; Neumann RSM-191 > Neumann MTX-191 > Sony TCD-D3 (48kHz) Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; Transferred by Terry Watts
111826	Phish	1992-12-02	Newport Music Hall	Columbus	OH
Neumann RSM-191 > Neumann MTX-191 > Panasonic SV-255 > Sony TCD-D3 (48kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Taped by Scott Pridgeon, Mark Lamke, and Alan Schmit; Transferred by Terry Watts
14431	Phish	1992-12-03	Bogart's	Cincinnati	OH
Neumann km140 > Sony d5 (Cass/0) > Cass/1 > DAT > CDR > EAC > SHN; Cass>DAT>CDR transfer by C. Ventura; SHN conversion by J. Barnes
15023	Phish	1992-12-03	Bogart's	Cincinnati	OH
Neumann km140 > Sony D5 (Cass/0) > Cass/1 > DAT; Sony PCM-M1 > Delta DIO 2496 > Wavelab 4.0 > CDWav > shntool > SHN; DATs provided by Coby Mize; Transferred by Bill Gardner
109995	Phish	1992-12-03	Bogart's	Cincinnati	OH
(set 1 only) Neumann RSM-191 > Neumann MTX-191 > Panasonic SV-255 (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Transferred by Terry Watts
110623	Phish	1992-12-03	Bogart's	Cincinnati	OH
Nak CM300's > Marantz PMD430 (cass/M); Master cassettes > Edirol R-09 (16/44.1) > Audacity (speed correction) > Spark XL > xACT > flac (Level 8); Taped by Doug Berkman; Transferred by Joe Fierce and taperjoe
25827	Phish	1992-12-04	Mississippi Nights	St. Louis	MO
PZM (10' apart) > Marantz PMD-430 (w/ DBX NR) > Cass/0; Cass/0 > Marantz PMD-430 (w/ DBX NR) > Audiomedia III @44.1kHz > Protools 4.1.1 > SHN > xACT v1.5.9 > FLAC
111340	Phish	1992-12-04	Mississippi Nights	St. Louis	MO
Nak 300's > Marantz PMD430 > cass/M > cass/1; 1st gen cassettes (speed adjusted in Marantz PMD510) > Korg MR-1 (24/96) > Audiogate (dither/re-sample to 16/44.1) > Spark XL (patches, tracking) > xACT (flac 8 w/ SBA & tags); Taped by Doug Berkman; Transferred by taperjoe
23508	Phish	1992-12-05	Vic Theater	Chicago	IL
SBD > DAT; CDR > EAC > SLOTH > FLAC
26855	Phish	1992-12-05	Vic Theater	Chicago	IL
FOB Schoeps CMC5/mk21 (XY, 100deg) > VMS52 > D3; DAT > Protools > CDR > EAC > FLAC; Taped by Ian VanHuysen; Transferred by Kevin Shapiro; FLAC Conversion by Brian Feller
25694	Phish	1992-12-06	Vic Theater	Chicago	IL
Neumann RSM-191S (XY@150deg) > SV255 (@SBD); DAT > Protools > CDR > EAC (secure) > FLAC; Taped by Mark Lamke, Steve Johnson, Kevin Shapiro; DAT>CDR by Kevin Shapiro; SHN Conversion by Brian Feller
110014	Phish	1992-12-06	Vic Theater	Chicago	IL
Neumann RSM-191 > Neumann MTX-191 > Panasonic SV-255 (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Transferred by Terry Watts
20381	Phish	1992-12-07	First Avenue	Minneapolis	MN
AUD > Cass/x; CDR > EAC (secure) > WAV > mkwACT > SHN
11730	Phish	1992-12-08	Barrymore Theatre	Madison	WI
unknown
25728	Phish	1992-12-10	State Theater	Kalamazoo	MI
Neumann RMS190i > Neumann PS > Panasonic SV255; DA-20mkII > Delta Dio 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > SHN; Transferred by Brandon Johnston
135349	Phish	1992-12-10	State Theater	Kalamazoo	MI
flac16 48kHz Neumann RMS190i; DAT(c) @ 48kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 Suite v13.1.2.170 (fades, edits, resample) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Charlie Miller & Arielle Phares; Transfer & edits by Jeff Mitchell