Sources for Artist Group Grateful Dead
unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
SHNIDArtistDateVenueCityStateArchive Identifier
8623Grateful Dead1974-02-22Winterland ArenaSan FranciscoCA
soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive
11654Grateful Dead1974-02-22Winterland ArenaSan FranciscoCA
SBD > ? > SHN; Missing Sugar Mag's & UJB; Unknown seeder
21128Grateful Dead1974-02-22Winterland ArenaSan FranciscoCA
Lineage: SBD > D > CD > SSSB *12-14-2002* Files were run through shntool to correct sector boundary errors. The date was also corrected as the soundcheck does not circulate from the 24th, because there wasn't one....FLAC encoding and shntool processing done by Mr. Marmar 12/2002 Converted from flac to shn by SIRMick (thedarkstar@btinternet.com)
21539Grateful Dead1974-02-22Winterland ArenaSan FranciscoCA
Sources: 1 - sbd > ? > shn > wav > shn 2 - sbd > cass? > cdr > wav > shn via SIRMick (thedarkstar@btinternet.com)
26763Grateful Dead1974-02-22Winterland ArenaSan FranciscoCA
mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller
114556Grateful Dead1974-02-22Winterland ArenaSan FranciscoCA
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
151721Grateful Dead1974-02-22Winterland ArenaSan FranciscoCA
flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2 > FLAC
164447Grateful Dead1974-02-22Winterland ArenaSan FranciscoCA
flac1648 Audience source (a Louis Falanga master?); Unknown Equipment; Don Wolfe's Low Gen Reels (2nd/3rd generation?) Transfer Info: Low Gen Reels (Technics RS-1506) > Apogee Mini-Me > .wav 24/96 > Adobe Audition 2023 > TLH flac2496
164448Grateful Dead1974-02-22Winterland ArenaSan FranciscoCA
flac2496 Audience source (a Louis Falanga master?); Unknown Equipment; Don Wolfe's Low Gen Reels (2nd/3rd generation?) Transfer Info: Low Gen Reels (Technics RS-1506) > Apogee Mini-Me > .wav 24/96 > Adobe Audition 2023 > TLH flac2496
198Grateful Dead1974-02-23Winterland ArenaSan FranciscoCA
incomplete; SBD > Reel > PCM > DAT > CD > EAC > SHN; via Jay Serafin, Seth Kaplan, G.S. Hamilton; missing Big River, Ramble On Rose, Me And My Uncle, Casey Jones; note complete copy now in shn
3382Grateful Dead1974-02-23Winterland ArenaSan FranciscoCA
complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min
26362Grateful Dead1974-02-23Winterland ArenaSan FranciscoCA
Bertha Remaster of the Master Reel source; SBD> MR> DAT> CDA> SHN> DAW (Bertha)> CDA/SHN, by Jay Ashley
115607Grateful Dead1974-02-23Winterland ArenaSan FranciscoCA
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
151722Grateful Dead1974-02-23Winterland ArenaSan FranciscoCA
flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2 > FLAC
13961Grateful Dead1974-02-24Winterland ArenaSan FranciscoCA
Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD
199Grateful Dead1974-02-24Winterland ArenaSan FranciscoCA
SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed
200Grateful Dead1974-02-24Winterland ArenaSan FranciscoCA
S:MR> PCM> DAT> CD (Jay Serafin); via David Hollister?
21370Grateful Dead1974-02-24Winterland ArenaSan FranciscoCA
SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net sector boundaries fixed with shntool, new shns and md5s SIRMick(thedarkstar@btinternet.com)
136142Grateful Dead1974-02-24Winterland ArenaSan FranciscoCA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - mixing by Kevin Tobin
136266Grateful Dead1974-02-24Winterland ArenaSan FranciscoCA
flac16; Unknown Audience Recording > PCM; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Pitch Corrected By Kevin Tobin In Adobe Audition; Mastering in Wavelab 7.1 by Jamie Waddell; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel
116902Grateful Dead1974-02-24Winterland ArenaSan FranciscoCA
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
136140Grateful Dead1974-02-24Winterland ArenaSan FranciscoCA
flac16; Matrix 2 Source Mix - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; - matrix mixing by Kevin Tobin
136141Grateful Dead1974-02-24Winterland ArenaSan FranciscoCA
DTS-Audio-CD 5.1 Mix; SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - DTS mixing by Kevin Tobin
136276Grateful Dead1974-02-24Winterland ArenaSan FranciscoCA
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
136641Grateful Dead1974-02-24Winterland ArenaSan FranciscoCA
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
151723Grateful Dead1974-02-24Winterland ArenaSan FranciscoCA
flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat (44.1k) Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Adobe Audition v3 > Samplitude Professional v11.2 > FLAC
82531Grateful Dead1974-03-23Cow PalaceDaly CityCA
DTS Audio 5.1; SBD (shnid 1689) Master Soundboard Reel > DAT + AUD shnid 79610 Master Audience Cassette > Dat (or PCM?)
82507Grateful Dead1974-03-23Cow PalaceDaly CityCA
flac16; Matrix 2 Source Mix - SBD (shnid 1689) + AUD (shnid 78599)
1186Grateful Dead1974-03-23Cow PalaceDaly CityCA
incomplete; SBD> reel master> cassette> dat> cdr; via Mike Lai; update: portions of show are now DP24- go buy it
83453Grateful Dead1974-03-23Cow PalaceDaly CityCA
Sources: AUD MC>(PCM?)>DAT>DA-20>M-Audio 192 (Shnid=78599) Editing and mastering by The Wizard
78599Grateful Dead1974-03-23Cow PalaceDaly CityCA
flac16; Master Audience Cassette > Dat (or PCM?) Edits & Tracking in Wavelab 6.0 by **__** : BBE processing, Crystal Sample Rate converter, L3 multimaximizer>dithered44.1k/16>FLACfrontend SBE FREE Patches by Michael Hughey in Adobe Audition
1689Grateful Dead1974-03-23Cow PalaceDaly CityCA
Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it
1995Grateful Dead1974-03-23Cow PalaceDaly CityCA
modification of previously-circulating shn set- d2 retracked by Leigh Orf; update: portions of show are now DP24- go buy it
12468Grateful Dead1974-03-??Mars Hotel OuttakesSan FranciscoCA
Mars Hotel Outtakes; SBD>?>CDR
152494Grateful Dead1974-03-??Mars Hotel OuttakesSan FranciscoCA
flac16/44 BOOTLEG: Unsurpassed Volume 8; Label: Dead Man CatalogNo: DM027 > eac > wav > flac
152493Grateful Dead1974-03-??Mars Hotel OuttakesSan FranciscoCA
Source: MSR>?>Bill Gadsden Reel>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd August 2003
10529Grateful Dead1974-05-12University Of NevadaRenoNV
Partial 2nd Set; AUD>?>CD; via Jack Warner; Seeded to etree by Matt Vernon
16749Grateful Dead1974-05-12University Of NevadaRenoNV
MSR>C>DAT>CD w/ pitch corrected aud patches for disk 3 only of SBD seed via Sean Cribbs
90176Grateful Dead1974-05-12University Of NevadaRenoNV
flac16; AUD>?>CDRs>EAC>SHN - original shnid 10529 - audio patches and speed correction by Kevin Tobin
2224Grateful Dead1974-05-12University Of NevadaRenoNV
MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file
22248Grateful Dead1974-05-12University Of NevadaRenoNV
Appears to be reshn'd DAE version of SHNID=2224. Extraction and 'fix' performed by Matt.
90172Grateful Dead1974-05-12University Of NevadaRenoNV
flac16; Matrix 2 Source Mix - SBD (shn id 2224) MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks + AUD (shn id 10529) Partial 2nd Set; AUD>?>CD; via Jack Warner - matrix mixing by Kevin Tobin
90179Grateful Dead1974-05-12University Of NevadaRenoNV
DTS Audio 5.1; SBD (shn id 2224) MSR>C>DAT>CDRs>EAC>SHN + AUD (shn id 10529)AUD>?>CDRs>EAC>SHN Shns supplied by Jack Warner - dts mixing by Kevin Tobin
150221Grateful Dead1974-05-12University Of NevadaRenoNV
flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC
1823Grateful Dead1974-05-14Adams Field House, University Of MontanaMissoulaMT
MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy
114462Grateful Dead1974-05-14Adams Field House, University Of MontanaMissoulaMT
flac16; Recording Info: Set 1: SBD -> Master Reel -> Cassette -> Dat (48k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professionl v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
163756Grateful Dead1974-05-14Adams Field House, University Of MontanaMissoulaMT
flac2496 Source: Audience Cassettes (up to El Paso described on j-card as 7th gen and the rest of show 8th gen) from collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2023
163755Grateful Dead1974-05-14Adams Field House, University Of MontanaMissoulaMT
flac1644 Source: Audience Cassettes (up to El Paso described on j-card as 7th gen and the rest of show 8th gen) from collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope Neutron 3 > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2023
163764Grateful Dead1974-05-14Adams Field House, University Of MontanaMissoulaMT
flac1648 Set 1: SBD -> Master Reel -> Cassette -> Dat (48k) flac1644 Set 2: SBD -> Master Reel -> Dat (44.1k)
202Grateful Dead1974-05-17P.N.E. ColiseumVancouverBC
updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler
89972Grateful Dead1974-05-17P.N.E. ColiseumVancouverBC
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
28041Grateful Dead1974-05-17P.N.E. ColiseumVancouverBC
flac16; set 1,2p; hand-held external stereo mic> portable Sony cassette deck> BASF LH C120 MC> [1 cass gen for Promised only] > HD> CDWave > flac frontend > flac; Taped by: Mike Kent, transferred by Pantagruel
131464Grateful Dead1974-05-19Portland Memorial ColiseumPortlandOR
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:116983) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:115876) Source:Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC Transferred and Encoded by Cousinit
79781Grateful Dead1974-05-19Portland Memorial ColiseumPortlandOR
flac16; Remastered version of shn id 6957: Master Soundboard Reel > PCM > DAT> CDR with tweaks to the spectrum (Waves REQ 4-band), light compression (Waves R-Comp), slight warmth enhancement to the low-end (BBE2 lo-contour) and digitally maximized with the Waves L3 Multimaximizer.
203Grateful Dead1974-05-19Portland Memorial ColiseumPortlandOR
SBDMR -> DAT; DAT -> CD -> EAC -> SHN; via A. Jerugim; 5/21: copy retracked on sector boundaries by J. Kempka; see public comments for detailed flaw notes
6957Grateful Dead1974-05-19Portland Memorial ColiseumPortlandOR
complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston
115876Grateful Dead1974-05-19Portland Memorial ColiseumPortlandOR
flac16; Source: Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC; Transferred and Encoded by Cousinit
106716Grateful Dead1974-05-19Portland Memorial ColiseumPortlandOR
flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C); Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957); Source 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
107165Grateful Dead1974-05-19Portland Memorial ColiseumPortlandOR
flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C) Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957) Source 3: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
116983Grateful Dead1974-05-19Portland Memorial ColiseumPortlandOR
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
87114Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
flac16; Matrix 2 Source Mix - SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV + AUD (shn id 10150) AudMC > WAV > SHN - matrix mixing by Kevin Tobin
87143Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
flac16; Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)
87124Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
DTS Audio 5.1; SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496 + AUD (shn id 10150) AudMC > WAV > SHN - dts mixing by Kevin Tobin
87164Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
DVD-VA; (Video Audio) 2 audio tracks; 1) SBD + AUD Matrix 2 Source Mix (shn id 87114) & 2) DTS Audio 5.1 (shn id 87124); SBD: MSR> C> Dats> CD> EAC> SHN> WAV and AUD: AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee; audio only - no video
114321Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
flac16; Updated source: Audience recording by Don Amick; Transcription Pathway: Maxell XLII-90 cassettes (unknown generation) ? Nakamichi DRAGON (no Dolby, EQ 120 µsec) ? ADC Sound Shaper Two Mk II stereo frequency equalizer ? Edirol UA-5 T-MOD PLUS (custom-modified by the Oade Brothers) (driven by MME, in advanced mode; set to Red Book Standard for LPCM streaming) ? USB 2.0 ? Audacity 1.2.6 (set to 32-bit float/44.1kHz resolution for recording LPCM stream; set to Red Book Standard and, with snap-to on, to cdda min:sec:frames 75 fps for cutting tracks on sector boundaries and exporting them as .wav’s); Transcribed by George M. Prescott Jr. on October 14, 2010
1347Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in; DAE/SHN by Seth Kaplan, upload by G.S. Hamilton; see info file for misc notes; previously uncirculated; note offbeat tracking- see pub comment
98822Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
flac16; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee
98901Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
flac24; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee
109887Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
2597Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of previous shn set, courtesy Josh Belkin
10150Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner
22801Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496 (shn id 2597) patched with AudMC > WAV > SHN (10150) via Charles Wier
150950Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
flac16/48khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
150951Grateful Dead1974-05-21Edmundson Pavilion, University Of WashingtonSeattleWA
flac24/96khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
111301Grateful Dead1974-05-25Campus Stadium, UCSBSanta BarbaraCA
flac16; Recording Info: FOB Audience Recording by Jeremy Witt Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free
205Grateful Dead1974-05-25Campus Stadium, UCSBSanta BarbaraCA
MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn; via Jonathan Miller, Adam Roux; David Hollister reports problems on USB track
2635Grateful Dead1974-05-25Campus Stadium, UCSBSanta BarbaraCA
MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track
162440Grateful Dead1974-05-25Campus Stadium, UCSBSanta BarbaraCA
flac16; Soundboard Reel >DAT >CDR >FLAC Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o by OldNeumanntapr
111432Grateful Dead1974-05-25Campus Stadium, UCSBSanta BarbaraCA
flac16; Matrix: 60%sbd/40% aud; Sources: Master Soundboard Reel > Dick Latvala's Cassette > DAT > mastered to CD-R on an HHB CDR-850 > .shn (shnid 2635) Originally seeded to phlash.etree.org by Johnathan Miller. FOB Audience Recording by Jeremy Witt (shnid 111301) Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free
97182Grateful Dead1974-06-08Oakland-Alameda County ColiseumOaklandCA
flac16; Set 1 & encores MR>R(JG)>R(WB & Pat Lee)@ 3 3/4 ips. Set 2 Lineage: MR>DAT Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH
94594Grateful Dead1974-06-08Oakland-Alameda County ColiseumOaklandCA
flac16; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave >> TLH >> Flac 1644 Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas
2365Grateful Dead1974-06-08Oakland-Alameda County ColiseumOaklandCA
Master Audience Reel > Reel to Reel > PCM > DAT, plus Master Soundboard Reel > DAT (Playin' > Wharf Rat> Playin', plus Eyes); mastered and seeded by Scott Clugston with thanks to Skankweed; d3 tracked for 80 min; Ship cut on master
94596Grateful Dead1974-06-08Oakland-Alameda County ColiseumOaklandCA
flac24; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas
97268Grateful Dead1974-06-08Oakland-Alameda County ColiseumOaklandCA
flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller
135277Grateful Dead1974-06-08Oakland-Alameda County ColiseumOaklandCA
flac16; 2 source matrix by Dusborne; Soundboard (shnid:97268), Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC, Re-Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC, Re-mastered By Charlie Miller; Audience (shnid:94596), FOB Master Cassettes (MAC), Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> MAC, Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96],Mastering: WAV 24/96 > Audition 3.0 > Wavelab 5.0 > Izotope Ozone3(dithering) > CDWave > TLH > Flac 2496, Taped By: Louis Falanga, Transfer By: Bob Menke, Mastering By: Paul Gilbert
207Grateful Dead1974-06-16Des Moines State Fair GrandstandDes MoinesIA
SBD (could be MR> C> D); complete version via M. Bryan, G. Hamilton; Bertha- splice @ 4:04- serious mix problems prior to this; Sugaree- MR flip @ 3:59; Playin'- d/o @0:01, d/o @3:16; T.Jed- <1 sec. digi-noise @0:02; W.Rat- MR flip @2:50
15781Grateful Dead1974-06-16Des Moines State Fair GrandstandDes MoinesIA
S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details
17701Grateful Dead1974-06-16Des Moines State Fair GrandstandDes MoinesIA
S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself
26452Grateful Dead1974-06-16Des Moines State Fair GrandstandDes MoinesIA
mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt)
136659Grateful Dead1974-06-16Des Moines State Fair GrandstandDes MoinesIA
flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
136660Grateful Dead1974-06-16Des Moines State Fair GrandstandDes MoinesIA
flac16; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
136709Grateful Dead1974-06-16Des Moines State Fair GrandstandDes MoinesIA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - mixing by Kevin Tobin
136706Grateful Dead1974-06-16Des Moines State Fair GrandstandDes MoinesIA
flac16; Matrix 2 Source Mix - SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - matrix mixing by Kevin Tobin
136707Grateful Dead1974-06-16Des Moines State Fair GrandstandDes MoinesIA
DTS-Audio-CD 5.1 Mix; SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - DTS mixing by Kevin Tobin
143135Grateful Dead1974-06-16Des Moines State Fair GrandstandDes MoinesIA
flac16; Partial Show Source: SBD > MR > Dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered by SIRMick
89690Grateful Dead1974-06-18Freedom HallLouisvilleKY
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
32528Grateful Dead1974-06-18Freedom HallLouisvilleKY
flac16; Speed Corrected Version of the SBD>MR>1 cass>DAT>ZA2>SHN source Additional lineage for this version: SHN (id=209) > WAV > Cool Edit Pro (see notes) > FLAC(8)
209Grateful Dead1974-06-18Freedom HallLouisvilleKY
SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8
18150Grateful Dead1974-06-18Freedom HallLouisvilleKY
Bertha Remaster of the digitized Master Reel source. SBD>>MR>>DAT>>ZA2>>SHN>>DAW(Bertha) - Sound A
211Grateful Dead1974-06-20The OmniAtlantaGA
Set II, E; SBD reel -> ??? -> CD; t4 8:50 small reel blip; via D. Finney; additional source info not forthcoming
2179Grateful Dead1974-06-20The OmniAtlantaGA
Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min
105427Grateful Dead1974-06-20The OmniAtlantaGA
flac16; Recording Info: SBD > MR > Cassette > DAT > CD; Transfer Info: CD > Soundforge 8 to retrack and eliminate dead air-no music was cut! > Flac 16. Sourced from shnid 2179
83488Grateful Dead1974-06-22Jai-Alai FrontonMiamiFL
flac 16; Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193). Matrixed by Chris Chappell.
212Grateful Dead1974-06-22Jai-Alai FrontonMiamiFL
MR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks
90200Grateful Dead1974-06-22Jai-Alai FrontonMiamiFL
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
14193Grateful Dead1974-06-22Jai-Alai FrontonMiamiFL
AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn)
30972Grateful Dead1974-06-22Jai-Alai FrontonMiamiFL
SBDMR> CASS> DAT> CD> EAC> SHN> DC6> CD; THE OWEN BROTHERS VAULT; Editing and Mastering by The Wizard
30999Grateful Dead1974-06-22Jai-Alai FrontonMiamiFL
Source: AUD>CASS>DAT>WAV>SHN>DC5>WAV>SHN ; THE OWEN BROTHERS VAULT ; mastering of SHNid=14193; Editing and Mastering by The Wizard
105825Grateful Dead1974-06-22Jai-Alai FrontonMiamiFL
flac24; akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seed by Rob Berger; lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac
106156Grateful Dead1974-06-22Jai-Alai FrontonMiamiFL
flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24)
106179Grateful Dead1974-06-22Jai-Alai FrontonMiamiFL
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
145646Grateful Dead1974-06-22Jai-Alai FrontonMiamiFL
flac16; akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seed by Rob Berger; lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; This file set is 16 bit @ 44.1
148680Grateful Dead1974-06-22Jai-Alai FrontonMiamiFL
flac16; source: aud cassette master; taped by Jerry Moore; new "master" created with the original shn #105825 files; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details
83489Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
flac 16; Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265). Matrixed by Chris Chappell.
122255Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin
122269Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
flac24; Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin
122270Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
flac16; Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin
122271Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
DTS-Audio-CD 5.1 Mix; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin
84615Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
flac16; source: aud cassette master akg d1000e's>Sony TC-152 taped by Jerry Moore lineage: aud c.m.>dat>cdr>eac>cd wave>flac transfered by Rob Berger '99, tracking by John Tallmadge
105867Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
flac24:Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)
7894Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
AUD MR> R> DAT/1> HD> SHN> CD; recorded by Neil Merin - unknown mics > Uhrer 5" master reel; A>D transfer by Noah Weiner; includes SBD-sourced encore
213Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
SBD, with patches (see updated info file for details, including about "blank" tracks); "painstakingly complete" version assembled by J. Belkin; also see additional comments from D. Sacks: contrary to original info file, primary SBD was not subject to NR; report from Skank: only discs 1&2 were posted? to abgd at first, fixed d3 before completing; to etree via A. Stern 2/2; pre-fixed d3 may have been etreed earlier- note fixed d3 has 10 tracks
14265Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON.
16780Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
MSR>DAT>CD w/ MAC>DAT patches
30846Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
Remaster of sbd w/ aud patches by Owens Brothers
96890Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
AudMC > DAT>CD>DC6>CD Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT, DAT > SHN/CD Editing and Mastering by The Wizard, see info file for details
105755Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010
105983Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
flac16; Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)
116312Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith
145674Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
flac16; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010; 16 bit 44.1 khz version
148679Grateful Dead1974-06-23Jai-Alai FrontonMiamiFL
flac16; source: aud cassette master; taped by Jerry Moore; new "master" created from the original files from shn #105755; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details
214Grateful Dead1974-06-26Providence Civic CenterProvidenceRI
MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- go buy it
16037Grateful Dead1974-06-26Providence Civic CenterProvidenceRI
AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones.
105919Grateful Dead1974-06-26Providence Civic CenterProvidenceRI
flac24; aud cassette master, 24 bit transfer, rec. by Jerry Moore, transfer/seed by Rob Berger
119613Grateful Dead1974-06-26Providence Civic CenterProvidenceRI
flac16; 2 source matrix: Soundboard (shnid=00214): Source for disc 1: SBD>MR>C>DAT>CDR; Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) and Audience (shnid=105919): source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b nak dragon>hd-p2 24/96>cd wave>flac
136647Grateful Dead1974-06-26Providence Civic CenterProvidenceRI
flac24; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
136648Grateful Dead1974-06-26Providence Civic CenterProvidenceRI
flac16; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
140081Grateful Dead1974-06-26Providence Civic CenterProvidenceRI
flac16; Recording Info: SBD > Master Reel > Dat (Panasonic SV-3800/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
149947Grateful Dead1974-06-26Providence Civic CenterProvidenceRI
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 140081 & 105919
151833Grateful Dead1974-06-26Providence Civic CenterProvidenceRI
flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Brian Mandel gdplusmore@aol.com Master Cassette Nakamichi BX-150 Transfer->Nakamichi BX300 Cassette Maxell XL11-S90 x3 circa 1984 Wave/ Flac Conversion & Editing 2-20-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac Edits Tape Flips - Audacity
154913Grateful Dead1974-06-28Boston GardenBostonMA
flac1644; Partial Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021
10984Grateful Dead1974-06-28Boston GardenBostonMA
set 1; SBD> MR> DAT> Sonic Solutions> CD> ?> EAC> SHN; EAC'ed / SHN'ed by Tom Snider, Jr., with thanks to Jeff Cook; other material from show is featured on Dick's Picks 12 itself, go buy it
16038Grateful Dead1974-06-28Boston GardenBostonMA
complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18
106003Grateful Dead1974-06-28Boston GardenBostonMA
flac24; source: aud cassette master taped by Jerry Moore lineage: aud>sony ecm99 stereo mic>sony tc-152sd (2)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/11/10
139780Grateful Dead1974-06-28Boston GardenBostonMA
flac16; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Professional v11.1 > FLAC/16; All Transfers and Mastering by Charlie Miller; the original version had a cut in Weather Report Suite
149954Grateful Dead1974-06-28Boston GardenBostonMA
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139780 & 106003.
97225Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
DTS Audio 5.1; DTS-Audio-CD 5.1 Mix of SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN
97650Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
DVD-Audio 5.1 Surround Sound (MLP Encoded 6ch x 16/44) Soundboard - Aud Matrix by Dan Haugh
82179Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
flac16; Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537)
216Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
SBD> MR> cass> DATx2> ZA2> CDRx1> EAC> SHN; via Andy, Tiedrich, Skank, A. Stern; to abgd and etree
96275Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
15537Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16
89998Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
flac16; Set 2 only, Matrix of the following sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537). This source fixed a flaw in d2t04 of shn id 82179
106027Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
flac24; source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger
97185Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
flac16; SBD + AUD Matrix Mix (65%/SBD + 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN
17814Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
SBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner
143331Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
flac24; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018
145132Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
flac16; source: aud cassette master taped by Jerry Moore; lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; transferred & seeded by Rob Berger; This file set is 16 bit @ 44.1
145133Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
flac16; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1
155034Grateful Dead1974-06-30Springfield Civic CenterSpringfieldMA
flac1644; 1st Set, Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021
217Grateful Dead1974-07-19Selland ArenaFresnoCA
set 2 partial; MR> DAT> CDR; seed via D. Gans, D. Finney; md5s for shns and wavs given (complete show now in circulation (Upgrade now in circulation.)
12381Grateful Dead1974-07-19Selland ArenaFresnoCA
MSR > D > CD patched with MAC > C > C > D Mastering and patches by Dave Greenberg. SHN conversion by Jay Gerland (EAC/mkwACT). Project instigated and organized by Jim Powell. Additional patching by Tim Symons 7-29-02; Note- This is the previous shn set with the 'additional patching'. (Upgrade now in circulation.)
102866Grateful Dead1974-07-19Selland ArenaFresnoCA
flac 16 Source: Recorded by AS and friends with borrowed UC Santa Cruz AV gear; 2 Shure omni mics > Sony portable (152 possibly) cassette recorder; Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact; Pitch corrected -72 cents from master playback
32634Grateful Dead1974-07-19Selland ArenaFresnoCA
flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat
4596Grateful Dead1974-07-19Selland ArenaFresnoCA
complete; Master Reel> Cassette(1)> DAT@44.1K> DAT> WAV> Soundforge 4.0> CDWAV> SHN w/seek tables appended; DAT> WAV via Sony SDT-9000 DDS Drive using VDat DAT seed from Rob Eaton, DAT>SHN by Jamie Lutch, QC by dankseeds; see info file for flaw and editing notes; see pub comments for d2 md5 notes (Upgrade now in circulation.)
102766Grateful Dead1974-07-19Selland ArenaFresnoCA
flac16; 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact; Recorded by AS and friends with borrowed UC Santa Cruz AV gear; upgrade now in circulation.
103132Grateful Dead1974-07-19Selland ArenaFresnoCA
flac16; Matrix 60% sbd/40% aud (- 4dbs) sbd - shnid 32634 Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) aud - shnid 102866 Recorded by AS and friends with borrowed UC Santa Cruz AV gear 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact
88979Grateful Dead1974-07-21Hollywood BowlLos AngelesCA
flac16; MOTB Release: 0056 16/44.1 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
89033Grateful Dead1974-07-21Hollywood BowlLos AngelesCA
flac24 MOTB Release: 0056 24/96 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
8102Grateful Dead1974-07-21Hollywood BowlLos AngelesCA
Sony ECM-22p > Sony TC-152 master cassette > reel > DAT > CDR; taper Rob Bertrando; via Andy Gustin, Tony Gardner; end of Scarlet cut
8241Grateful Dead1974-07-21Hollywood BowlLos AngelesCA
Rob Bertrando's Sony ECM-22P mics > Sony TC-152 Cassette Master; AudMC >Reel > DAT > CD; Seeded to etree by Noah Weiner
88553Grateful Dead1974-07-21Hollywood BowlLos AngelesCA
flac16; Recording Info: (FOB) Sony ECM-22P -> Cassette Master -> Reel -> Dat; Around & Around through 1:03 of Truckin' supplied by RB's Master: (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152/Sony CRO-90) Dat Transfer Info: Dat -> Samplitude Professional v9.11 -> FLAC Cassette Master Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.11 -> FLAC/16 Recorded By Rob Bertrando All Transfers and Mastering By Charlie Miller
31436Grateful Dead1974-07-21Hollywood BowlLos AngelesCA
flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller
1072Grateful Dead1974-07-25International AmphitheaterChicagoIL
SBD MR > CASS > DAT > CD; original seed via Jim Wise; via Jon Miller, Alan J. Fink, Greg Hamilton; see info file and addendum for notes
12656Grateful Dead1974-07-25International AmphitheaterChicagoIL
SBD -> Rm -> Dat -> Sonic Solutions -> CD seeded by Charlie Miller
152924Grateful Dead1974-07-25International AmphitheaterChicagoIL
flac16 Source: SBD -> Vault Master Reel -> Dat -> Sonic Solutions -> CD
Remastered by Jim Blackwood
Pitch Correction by Jason Chastain
2420Grateful Dead1974-07-27Roanoke Civic CenterRoanokeVA
SBD> MR> C> DAT> CDR; via Seth Kaplan
107804Grateful Dead1974-07-27Roanoke Civic CenterRoanokeVA
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
132188Grateful Dead1974-07-27Roanoke Civic CenterRoanokeVA
flac16; unknown gen audience recording > ? > FLAC
132282Grateful Dead1974-07-27Roanoke Civic CenterRoanokeVA
flac16; Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr; Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16
136793Grateful Dead1974-07-27Roanoke Civic CenterRoanokeVA
flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:107804) Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN-> Adobe Audition v3.0-> Samplitude Professional v11.03-> FLAC; Audience (Shnid:132282) Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr,Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced >CD Wave > TLH > Flac 16
167055Grateful Dead1974-07-27Roanoke Civic CenterRoanokeVA
flac1644 SBD > Master Reel > Cassette > Dat > CD Transfer Info: CD > Adobe Audition v3.0 > Samplitude Professional v11.03 > FLAC
29482Grateful Dead1974-07-29Capital CentreLandoverMD
flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell
17968Grateful Dead1974-07-29Capital CentreLandoverMD
AudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner
2277Grateful Dead1974-07-29Capital CentreLandoverMD
SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd
106066Grateful Dead1974-07-29Capital CentreLandoverMD
flac24; source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (2)tdk c-120sd's**, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/14/10
107756Grateful Dead1974-07-29Capital CentreLandoverMD
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
123816Grateful Dead1974-07-29Capital CentreLandoverMD
flac16; Source: 2nd Set Mono AUD, 3rd Gen tape, kindly provided by Seaweed1010. Transfer: MX-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. Feb 2013
107990Grateful Dead1974-07-29Capital CentreLandoverMD
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut (2496) > AIFF CD tracking via Audacity [w/dither] > FLAC1644 via xAct)
108281Grateful Dead1974-07-29Capital CentreLandoverMD
flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC2496 & FLAC1644 > AIFF > Final Cut [2496] > tracking via Audacity > FLAC2496 via xAct)
32353Grateful Dead1974-07-31Dillon StadiumHartfordCT
flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC
1019Grateful Dead1974-07-31Dillon StadiumHartfordCT
SBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies
7363Grateful Dead1974-07-31Dillon StadiumHartfordCT
AudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner
112951Grateful Dead1974-07-31Dillon StadiumHartfordCT
flac16; The baseline used for this release: gd1974-07-31.1019 (SBDMR> DATx> CD> DAT> CD> EAC> SHN) I used Cool Edit 2000 to perform amplitude and EQ adjustments. EQ with Cool Edit 2000 by Phil Matera** philipmatera@optonline.net
115499Grateful Dead1974-07-31Dillon StadiumHartfordCT
flac16; source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac
136161Grateful Dead1974-07-31Dillon StadiumHartfordCT
flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
136162Grateful Dead1974-07-31Dillon StadiumHartfordCT
flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
121836Grateful Dead1974-07-31Dillon StadiumHartfordCT
flac16; SBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD) SBD (shnid = 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC and AUD (shnid = 115499) source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - matrix mixing by Kevin Tobin
121838Grateful Dead1974-07-31Dillon StadiumHartfordCT
DTS-Audio-CD 5.1 Mix; SBD (shn id 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC + AUD (shn id 115499) source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - dts mixing by Kevin Tobin
100653Grateful Dead1974-08-04Philadelphia Civic ArenaPhiladelphiaPA
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC16)
1574Grateful Dead1974-08-04Philadelphia Civic ArenaPhiladelphiaPA
MSR> DATs> CDRs> EAC> SHN; small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; via Bob Fishman, Darrin Sacks
1631Grateful Dead1974-08-04Philadelphia Civic ArenaPhiladelphiaPA
SBD> MR> DAT> CDR; transfer by Stephen Agan; via Bob Allred to vines, offer; tracked differently from Sacks shn set, but with same AUD patches: in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; see pub comments for additional notes
9112Grateful Dead1974-08-04Philadelphia Civic ArenaPhiladelphiaPA
I: AudMC > DAT > WAV > SHN II: AudMC > R? > Beta Hi-Fi PCM > CASS > WAV > CD > EAC > SHN; Seeded to etree by Noah Weiner
20369Grateful Dead1974-08-04Philadelphia Civic ArenaPhiladelphiaPA
AUDMC > DAT > WAV > SHN Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen DAT > SHN/CD by Noah Weiner
157364Grateful Dead1974-08-04Philadelphia Civic ArenaPhiladelphiaPA
flac1644; Set One; Source: Lo-Fi mono AUD from the tape collection of Rich Petrunis & with thanks to John Petrunis. Transfer: TDK SD-90 (c.1975) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2022
1826Grateful Dead1974-08-05Philadelphia Civic ArenaPhiladelphiaPA
MSR> C> C> DATs> CDRs> EAC, with AUD patches from Jerry's Moore's MC>D>CD (AKG D1000s>Sony TC-152); via Darrin Sacks
140873Grateful Dead1974-08-05Philadelphia Civic ArenaPhiladelphiaPA
flac16; Recording Info: Soundboard > ?? > PCM (16 bit) (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16. Note this originally circulated as a soundcheck for 6/22/1974 but was identified as the jam from 8/5/1974 and has been moved to the correct date.
21294Grateful Dead1974-08-05Philadelphia Civic ArenaPhiladelphiaPA
AUDMC > DAT > WAV > SHN - Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Added to etree by Noah Weiner.
108814Grateful Dead1974-08-05Philadelphia Civic ArenaPhiladelphiaPA
flac16; Source: MSR>C>C>DAT Conversion : DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC
131660Grateful Dead1974-08-05Philadelphia Civic ArenaPhiladelphiaPA
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:108814) MSR>C>C>DAT DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC; Audience (shnid:21294)AUDMC > DAT > WAV > SHN; Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck; Maxell UD-120 cassettes, with Dolby B ON
151039Grateful Dead1974-08-05Philadelphia Civic ArenaPhiladelphiaPA
flac16/44.1khz Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamkichi Dragon) > DAT (Panasonic SV-3800/48k) > Avid MBox Pro > Pro Tools 12 > WAV (44.1k)
126356Grateful Dead1974-08-06Roosevelt StadiumJersey CityNJ
flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1463) MR > DAT > CD > Sonic Solutions > CD Circulation > Plextor SCSI 40x Reader > EAC and Audience (shnid:5914) MR>R>DAT>HD>Soundforge>SHN>CD; Recorded by Neil Merinu sing an unknown mic (mono) onto a Uhrer 5" reel deck. The end of the show plus other missing parts from Neil's tapes are supplied by Ihor Slabicky's recording (AUDMC>DAT>HD> Soundforge>SHN>CD)
5914Grateful Dead1974-08-06Roosevelt StadiumJersey CityNJ
AUD (unknown mic) MR> R> DAT> HD> Soundforge> SHN> CD, recorded by Neil Merin; plus patches from Ihor Slabicky's AUD (see info file); A>D by Noah Weiner; via Audience Devotional Tree
1463Grateful Dead1974-08-06Roosevelt StadiumJersey CityNJ
fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy"
135847Grateful Dead1974-08-06Roosevelt StadiumJersey CityNJ
flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transfer & seeded by Rob Berger
135848Grateful Dead1974-08-06Roosevelt StadiumJersey CityNJ
flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger
135934Grateful Dead1974-08-06Roosevelt StadiumJersey CityNJ
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - mixing by Kevin Tobin
135929Grateful Dead1974-08-06Roosevelt StadiumJersey CityNJ
flac16; Matrix 2 Source Mix - SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - matrix mixing by Kevin Tobin
135930Grateful Dead1974-08-06Roosevelt StadiumJersey CityNJ
DTS-Audio-CD 5.1 Mix; SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - DTS mixing by Kevin Tobin
166779Grateful Dead1974-08-06Roosevelt StadiumJersey CityNJ
flac1644; Recording info: Master reel > DAT (via Anon); Transfer info: Tascam DA-302 > Sound Devices 722 (digital transfer); Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel
32642Grateful Dead1974-09-09Alexandra PalaceLondonEngland
Dick's Picks Vol 7 Outtakes by Sir Mick
154544Grateful Dead1974-09-09Alexandra PalaceLondonEngland
flac16/44 Unknown audience with unknown lineage via Brian Flegel
12846Grateful Dead1974-09-09Alexandra PalaceLondonEngland
SBD>MR>DAT(X2)>CDR; Note- Missing 6 of last 8 songs; Seeded to etree by Sly_Wow
135635Grateful Dead1974-09-09Alexandra PalaceLondonEngland
flac16; Partial SBD > ? > flac
97013Grateful Dead1974-09-09Alexandra PalaceLondonEngland
flac 16; Source: sbd > mr > dat (x2) > cdr > eac > mkwact > wav > flac
135655Grateful Dead1974-09-09Alexandra PalaceLondonEngland
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
18806Grateful Dead1974-09-10Alexandra PalaceLondonEngland
Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano
11601Grateful Dead1974-09-10Alexandra PalaceLondonEngland
SBD>?>CD; May be missing up to three first set songs; See info file for details; Note- Many tracks appear on DP7, Buy it here ; via Craig Reimer; Seeded to etree by Willy
135654Grateful Dead1974-09-10Alexandra PalaceLondonEngland
flac16; Lineage: Vault Soundboard Reels->Cassette-> DAT->PCM->DAT
135699Grateful Dead1974-09-10Alexandra PalaceLondonEngland
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
4647Grateful Dead1974-09-11Alexandra PalaceLondonEngland
SBD (as previous shn set), with added AUD patches- see info file for details; patching by Hanno Bunjes, some cleanup by Alasdair; to BUDD offer; Hanno's notes; note d3 tracked for 80 min; note parts of the run are on Dick's Picks 7- go buy it
132458Grateful Dead1974-09-11Alexandra PalaceLondonEngland
flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:012183) Candelario Matrix MSR > D> CD; Soundboard 2(Shnid:121207) SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC and Audience (Shnid:131901) unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a
3190Grateful Dead1974-09-11Alexandra PalaceLondonEngland
complete; SBD Reel master > DAT > CDR > EAC > SHN; Extraction and .shn encoding by Seth Kaplan; Slight retracking of discs 2 and 3 (CoolEdit/CDWav) and re-shn (v2) by G.S. Hamilton; to BUDD and etree; note parts of the run are on Dick's Picks 7- go buy it
7365Grateful Dead1974-09-11Alexandra PalaceLondonEngland
Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A
12183Grateful Dead1974-09-11Alexandra PalaceLondonEngland
Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's
121207Grateful Dead1974-09-11Alexandra PalaceLondonEngland
flac16; Partial SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC
131901Grateful Dead1974-09-11Alexandra PalaceLondonEngland
flac16; Recorded by unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a
135802Grateful Dead1974-09-11Alexandra PalaceLondonEngland
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version in circulation
135883Grateful Dead1974-09-11Alexandra PalaceLondonEngland
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes the flaws in source ID 135802
32641Grateful Dead1974-09-14OlympiahalleMunichGermany
aud remaster by Sir Mick
28353Grateful Dead1974-09-14OlympiahalleMunichGermany
flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
6162Grateful Dead1974-09-14OlympiahalleMunichGermany
AUD MR> D> CD; via Hanno Bunjes; Sugar Magnolia has dropout (seems to be on all copies); Hanno's notes
9890Grateful Dead1974-09-14OlympiahalleMunichGermany
Philips mic> Telefunken reel deck, taper Gerhard Schinzel; master AUD reel > CD with "safety cass" patch in WRS, transferred to CD by Uli Teute and were re-mastered by Dave Greenberg; SHN conversion by Jay Gerland, with thanks to Jason Chastain; circulated via Deadlists Project; see listening notes in info file
30653Grateful Dead1974-09-14OlympiahalleMunichGermany
flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller
131395Grateful Dead1974-09-14OlympiahalleMunichGermany
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:30653) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller and Audience (shnid:9890) MAR > CD. This audience tape was mastered by Gerhard Schinzel from mid-floor using a Philips mic and a Telefunken reel deck. The reel masters were transferred to CD by Uli Teute and were re-mastered by Dave Greenberg
32292Grateful Dead1974-09-18Parc Des ExpositionsDijonFrance
flac16: **SOUNDCHECK ONLY** Lineage: SBD -> Master Reel -> Dat Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Mastered By Charlie Miller
3398Grateful Dead1974-09-18Parc Des ExpositionsDijonFrance
SBD> MR> ?> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding By Jeff M.; Phil & Ned and Encore are missing
5807Grateful Dead1974-09-18Parc Des ExpositionsDijonFrance
SBD > pre-FM master (reel?) > DAT CD, patched with SBD > master reel > PCM > DAT > CD > SoundForge >CD; pitch modified, plus other editing- see notes in info file; missing USB, Phil and Ned
21925Grateful Dead1974-09-18Parc Des ExpositionsDijonFrance
Bertha Remaster of the master reel source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+
20675Grateful Dead1974-09-18Parc Des ExpositionsDijonFrance
Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) SHN'd By Charlie Miller from Pre-FM GDH Production Discs charliemiller87@earthlink.net 11/19/03
20732Grateful Dead1974-09-18Parc Des ExpositionsDijonFrance
Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon
5648Grateful Dead1974-09-20Palais Des SportsParisFrance
SBD > master reel > reel to reel > DAT > CD > SoundForge > CD; stemming from Marcello Gasperini?s and Julian's source material; see info file for various fixes and flaws; to a tree?, runs a bit slow? (see notes in info for companion 9/21/74 shns)
131529Grateful Dead1974-09-20Palais Des SportsParisFrance
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
154273Grateful Dead1974-09-20Palais Des SportsParisFrance
flac1644; 1st Set; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021
30654Grateful Dead1974-09-21Palais Des SportsParisFrance
flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller
5649Grateful Dead1974-09-21Palais Des SportsParisFrance
sets 2,3; SBD > master reel > reel to reel > DAT > CD > SoundForge > CD, plus patches; see info file for fixes and flaws; d2 tracked for 80 min; to a tree?; reportedly runs a bit fast; includes 1/24/69 filler
131530Grateful Dead1974-09-21Palais Des SportsParisFrance
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
222Grateful Dead1974-10-16Winterland ArenaSan FranciscoCA
SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate
88251Grateful Dead1974-10-16Winterland ArenaSan FranciscoCA
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
12577Grateful Dead1974-10-16Winterland ArenaSan FranciscoCA
Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman
88180Grateful Dead1974-10-16Winterland ArenaSan FranciscoCA
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
137664Grateful Dead1974-10-16Winterland ArenaSan FranciscoCA
flac24; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
90145Grateful Dead1974-10-16Winterland ArenaSan FranciscoCA
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
137663Grateful Dead1974-10-16Winterland ArenaSan FranciscoCA
flac16; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > iZotope RX5 Advanced > wav 16/44.1 > CD Wave > TLH > flac16; edited and mastered SIRMick
107036Grateful Dead1974-10-16Winterland ArenaSan FranciscoCA
flac16; Sony ECM 250 >> Sony 110 (mono) >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga
131539Grateful Dead1974-10-16Winterland ArenaSan FranciscoCA
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:90145) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC and Audience (shnid:107036) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120; Analog Lineage: Sony ECM 250 >> Sony 110 (mono) >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga
10360Grateful Dead1974-10-17Winterland ArenaSan FranciscoCA
MSR>DAT>CDR; Seeded to etree by Carl Royer
137630Grateful Dead1974-10-17Winterland ArenaSan FranciscoCA
flac24; Partial Set 1 & 2 Source: Room mics * > Master Audience Reel > Reel From The Debbie Stash; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
16189Grateful Dead1974-10-17Winterland ArenaSan FranciscoCA
MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon
99031Grateful Dead1974-10-17Winterland ArenaSan FranciscoCA
flac16; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData
99032Grateful Dead1974-10-17Winterland ArenaSan FranciscoCA
flac24; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for POWr3 Dither 24bit/96 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData
140588Grateful Dead1974-10-17Winterland ArenaSan FranciscoCA
flac16/48kHz; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT
225Grateful Dead1974-10-18Winterland ArenaSan FranciscoCA
set 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- go buy it; see public commnets for flaw note on d2t5
5436Grateful Dead1974-10-18Winterland ArenaSan FranciscoCA
sets 2,3; SBD MR > PCM > DAT 44.1kHz > CD > shn; via Jack Romanski to gdlive
22796Grateful Dead1974-10-18Winterland ArenaSan FranciscoCA
Bertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+
21213Grateful Dead1974-10-18Winterland ArenaSan FranciscoCA
SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN. SHN'd By Charlie Miller
110515Grateful Dead1974-10-18Winterland ArenaSan FranciscoCA
flac16; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
21785Grateful Dead1974-10-18Winterland ArenaSan FranciscoCA
Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II and III : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller
34950Grateful Dead1974-10-18Winterland ArenaSan FranciscoCA
Recording Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN All Transfers Done By Charlie Miller
110558Grateful Dead1974-10-18Winterland ArenaSan FranciscoCA
flac24; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
110771Grateful Dead1974-10-18Winterland ArenaSan FranciscoCA
flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller
111459Grateful Dead1974-10-18Winterland ArenaSan FranciscoCA
flac24; Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011
227Grateful Dead1974-10-19Winterland ArenaSan FranciscoCA
SBD multitrack > DAT > CD; via A. Fink, M. Ferguson; known flaw: d3 Beginning of Sugar Magnolia is cut; note some material from show appears on album Steal Your Face- go buy it
21927Grateful Dead1974-10-19Winterland ArenaSan FranciscoCA
Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04
228Grateful Dead1974-10-19Winterland ArenaSan FranciscoCA
SBD; via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for flaw notes
131704Grateful Dead1974-10-19Winterland ArenaSan FranciscoCA
flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith
112531Grateful Dead1974-10-19Winterland ArenaSan FranciscoCA
flac24; 24 bit 88.2kHz SBD Reel > cass Recorded by the Immortal Owsley Stanley;
112791Grateful Dead1974-10-19Winterland ArenaSan FranciscoCA
flac16; reel > cass recorded by Owsley Stanley
cass > 24bit/88.2kHz by Blackwood/Waddell
dithered/tracked by SteveSw
116170Grateful Dead1974-10-19Winterland ArenaSan FranciscoCA
flac24; SBD Reel > cass Recorded by the Immortal Owsley Stanley; cass > 24bit/88.2kHz WAV by Blackwood/Waddell; WAV (shnid 112531) > CD Wave (remove "dead air" and split tracks) > FLAC (24/88) by Tim Keeler
116341Grateful Dead1974-10-19Winterland ArenaSan FranciscoCA
flac24; Lineage:16 track "truck monitor mix">2 track mixdown reel(Garcia's)>R @ 3 3/4 ips.>FLAC
Transferred by: Matt Smith
131694Grateful Dead1974-10-19Winterland ArenaSan FranciscoCA
flac24; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips. > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith
139578Grateful Dead1974-10-19Winterland ArenaSan FranciscoCA
flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick; Fixed version in circulation
140626Grateful Dead1974-10-19Winterland ArenaSan FranciscoCA
flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; This is a fixed version of source ID 139578
152593Grateful Dead1974-10-19Winterland ArenaSan FranciscoCA
flac1644; Source: Unknown AUD from the collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021
94851Grateful Dead1974-10-20Winterland ArenaSan FranciscoCA
flac16; SBD>7" 1/2 track 7 1/2 IPS MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac
97193Grateful Dead1974-10-20Winterland ArenaSan FranciscoCA
flac16; Lineage: Multitrack MR>2 track mixdown>?R>R>CD Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs>Trac'ed Cdwave Flac'ed level 8 TLH
229Grateful Dead1974-10-20Winterland ArenaSan FranciscoCA
mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for quality note
132112Grateful Dead1974-10-20Winterland ArenaSan FranciscoCA
flac24; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel(Garcia's) > R @ 3 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered December 2014 by Matt Smith
132113Grateful Dead1974-10-20Winterland ArenaSan FranciscoCA
flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel(Garcia's) > R @ 3 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered December 2014 by Matt Smith