Grateful Dead
Civic Center
Springfield, MA
June 30, 1974

DTS-Audio-CD 5.1 Mix

Disc 1
01 [02:16] Intro
02 [04:21] Don't Ease Me In
03 [08:04] Black Throated Wind
04 [06:26] Peggy-O
05 [05:53] Jack Straw
06 [06:54] Loser
07 [06:23] Greatest Story 
08 [07:18] Cumberland Blues
09 [07:42] Dire Wolf
TT [55:21] 

Disc 2
01 [18:25] Playing In The Band >
02 [08:34] Uncle John's Band >
03 [06:11] Playing (Reprise)
Set 2
04 [01:17] Intro
05 [10:04] China Cat Sunflower >
06 [08:03] I Know You Rider
07 [06:59] Big River
08 [09:11] Scarlet Begonias
09 [05:07] El Paso
TT [73:54] 

Disc 3
01 [05:30] US Blues >
02 [13:37] Truckin' >
03 [16:24] Eyes Of The World >
04 [06:26] Space/Jam >
05 [09:17] Stella Blue
06 [09:58] Not Fade Away >
07 [07:29] Goin' Down The Road >
08 [05:03] One More Saturday Night
09 [04:12] Outro
TT [77:59]

No encore played

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Source Info

SBD (shnID = 96275)
Recording Info: SBD > Master Reel > CD
Transfer Info: CD > Samplitude Professional v10.2 > FLAC
All Transfers and Mastering By Charlie Miller
December 6, 2008

AUD (shnID = 15537)
AudMC > DAT > WAV > SHN
Recording Info: Recorded by Jerry Moore, 1st level off floor, 
audience right, roughly center court with 2 handheld AKG D-1000E > 
Sony 152 deck.  Maxell UD-120 cassettes, with Dolby B ON.
Analog > DAT transfer by Mark Cohen, January, 2003
DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) February, 2003

Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT 
deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach 
Montego II Digital I/O > Sound Forge (wav editing and track 
IDs) > SHNTOOL (SBE fix) > MKW Audio Compression Toolkit (shn)

Thanks to all the hard work from the folks mentioned above with
their loving care getting these sources out.

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Notes on the Source Material

SBD (ShnID = 87643)
Another flawless transfer by Charlie Miller. This is probably the 
best 1973 or 74 recording I have ever heard.  It is also a very 
complete recording with just 2 small cuts in songs and with most 
of the btwn song tuning intact as well.

AUD1 (ShnID = 15537)
A terrific AUD recording by the master.  Jerry Moore nails it again 
with a great document of a 1974 dead show.  This is exactly the type 
of recording you want to mix with a SBD to combine forces and make 
the whole greater than the sum of the parts.  Also much of the btwn
song tuning is intact and the combination of these 2 sources probably
is every second of this show from start to finish.  Including btwn
song tuning plus long intro and outro material.  The whole enchilada.

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Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch both of the sources.  SF8.0 was used for the EQ setting 
for the CTR and LFE channels. Surcode CD Pro DTS was used to 
encode to DTS.   
- Mixed by dan@am-dig.com
- FLAC conversion 10-JAN-2009 
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double CD case.
- Special thanks to unknown photographers for the images used 
for this artwork.

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DTS-Audio-CD Info

Front 
Left Channel SBD 
Right Channel SBD 

Center 
Mono Mix -5db SBD DEQ'd 

Surround 
Left Channel AUD 
Right Channel AUD

Sub/LFE 
Mono Mix -5db SBD DEQ'd  

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Notes

d1t01 "Intro" this is comprised mostly of the AUD source and then
crossfades before the first song starts.

d1t02 "Don't Ease" the mix is all over the place for the first 1
minute.  Mixing with the AUD has helped but not fixed this problem.

d1t08 "Cumberland Blues" the SBD was missing approx 30 seconds.
This section is comprise of just the AUD source.  The AUD source 
was EQ'd and levels adjusted to better blend with the sound of
the SBD.  Crossfades applied to each end of the patch.

d2t04 "Intro" this is comprised mostly of the AUD source and then
crossfades before the first song of the second set starts.

d3t03 "Eyes Of The World" the SBD was missing approx 30 seconds.
This section is comprise of just the AUD source.  The AUD source 
was EQ'd and levels adjusted to better blend with the sound of
the SBD.  Crossfades applied to each end of the patch.

d3t09 "Oturo" A crossfades after the last song start and the is 
comprised mostly of the AUD source.

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Notes on the Sound Samples

Sample_1

This is 15 second segments of the AUD, then the matrix and then
the SBD (.15 AUD, .15 MTX, .15 SBD - in that order).  Just to give 
you listen of all 3 versions.  Note the subtle changes in sound 
over the straight SBD.  The extra warmth and lingering notes from 
the guitar and the additional "thump" to the bass.

Sample_2

This sample gives you a quick A/B comparison to the straight
SBD.  You'll hear a 15 second clip of the MTX followed by a
15 second clip of the SBD. 15 seconds MTX, 15 seconds SBD
and so on. This quiet portion and allows for a bit more of 
the AUD to get into the mix.  

Again, this clip was used b/c the sound difference is the more 
apparent during this particular portion.  The majority of the 
recording you will only hear more subtle sound differences btwn 
the SBD and the Matrix.  The difference in tone and the overall 
"size" of the recording being the most noticeable differences 
to the SBD source.  This is even more obvious on the 5.1 
surround sound versions.

Sample_3

Here is the AUD patch in Cumberland Blues.  The AUD for this
portion underwent quite a bit of DSP to try and make the source 
transition as minimally jarring as possible.  D'EQing, dynamic 
compression and level adjustment as well long in/out crossfades.

Sample_4

Here is the AUD patch in Eyes Of The World.  The AUD for this
portion underwent quite a bit of DSP to try and make the source 
transition as minimally jarring as possible.  D'EQing, dynamic 
compression and level adjustment as well long in/out crossfades.

Sample_5.1

This is a sample of what to expect in the 6 different channels 
used to make the 5.1 surround sound.  First you get 15 seconds
of the front left/right channels, then 15 seconds of the center
channel, then 15 seconds of the subwoofer/LFE channel and then
15 seconds of the rear left/right channels. (The front and rear 
are stereo in a 5.1 mix - usually the center and sub are mono 
but for this sample they are 2 channel mono.)

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Lineup

Jerry Garcia (guitar, vocals)
Bob Weir (guitar, vocals)
Phil Lesh (bass)
Keith Godchaux (keyboards, vocals)
Bill Kreutzmann (drums, percussion)
Donna Jean Godchaux (annoying backup vocals)

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More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these new 
sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure that 
your receiver will recognize a DTS-Audio-CD, so the first 
time you're trying to playback a DTS-Audio-CD you must do 
a test to determine if it can. Begin with the volume very 
low, start the disc and rise the volume gradually. NEVER 
listen to a DTS-Audio-CD through the analogue audio outputs 
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal 
Audio-CD from FLAC files.

---------------------------------------------------------


Additional Formats

This show is available in the following formats:

1. The SBD and AUD sources listed above.
2. CD-Audio SBD+AUD Matrix Mix at 16/44 
3. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44 
4. DVD-Audio SBD+AUD Matrix Mix at 24/48
5. DVD-Audio 5.1 Surround Sound at 16/44  
  (6 Channels of 16/44 - MLP Encoded)

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