Sources for Artist Group Grateful Dead
unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
SHNIDArtistDateVenueCityStateArchive Identifier
6953Grateful Dead1978-01-06Swing AuditoriumSan BernardinoCA
Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; upgrade in circulation
24629Grateful Dead1978-01-06Swing AuditoriumSan BernardinoCA
SBD: MC>RR>DAT>CD>EAC>DC5>CD Discs From Jools Elliott AUD patches from Noah Weiner AUD: MC>RR>DAT>CD Taper=Bob Menke - Sony ECM280s>Sony TC-158 CD Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com.
152854Grateful Dead1978-01-06Swing AuditoriumSan BernardinoCA
flac16/44 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick July 2021
152855Grateful Dead1978-01-06Swing AuditoriumSan BernardinoCA
flac24/96 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > CD Wave > Flac24 edited and mastered SIRMick July 2021
153175Grateful Dead1978-01-06Swing AuditoriumSan BernardinoCA
flac16/44 Source: Sbd > Cassette Master > Cassette (1st gen) Transfer: Cassette (1st gen) > Nakamichi CR7A > PCM > wav 16/44.1 via: Bob Menke Lineage: wav > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > Cd Wave > Flac16 edited and mastered SIRMick August 2021
152609Grateful Dead1978-01-07Golden Hall, Community ConcourseSan DiegoCA
Recording Info: SBD > Cassette Master > DAT > CD
Transfer Info: CD > Samplitude Professional v10.1 > Adobe Audition v1.5 > FLAC
7204Grateful Dead1978-01-07Golden Hall, Community ConcourseSan DiegoCA
Master Soundboard Cassette > Reel to Reel > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; beginning and end cuts; low volume digiwhiz in mingle @ ~2:10; upgrade in circulation
17806Grateful Dead1978-01-07Golden Hall, Community ConcourseSan DiegoCA
SBD> MC> R> D> CD> EAC> SHN from previous Scot Clugston seed, patched with AUD> ??> CD> EAC> SHN; final edits/encoding by JCotsman
127345Grateful Dead1978-01-07Golden Hall, Community ConcourseSan DiegoCA
flac16; 2 Source Matrix by dusborne; Soundboard (shnid:17806) SBD>MC>R>D>CD>EAC>SHN patched with: AUD>?>CD>EAC>SHN final edits/encoding by JCotsman and Audience (shnid:89474) Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac; Transfer by: Pantagruel
89474Grateful Dead1978-01-07Golden Hall, Community ConcourseSan DiegoCA
flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac
7201Grateful Dead1978-01-08Golden Hall, Community ConcourseSan DiegoCA
Master Soundboard Cassette > Cassette > DAT> CDR, with AUD patch in Other One; CD Mastering / Patching, EAC'ed / SHN'ed by Scott Clugston; with thanks to Lawrence Peryer, Charlie Connor; d1 tracked for 80 min; upgrade in circulation
14670Grateful Dead1978-01-08Golden Hall, Community ConcourseSan DiegoCA
SBDMR > R > PCM > DAT > CD > EAC > SHN note: Jerry had laryngitis on this night and therefore he did not sing. d1t7 - cut in SBD cross faded with AUD/3 from 03:29 to 03:54 d2t5 - cut in SBD cross faded with AUD/3 from 01:00 to 07:12 EAC, SHN and cross fades by Noah Weiner - November, 2002
34854Grateful Dead1978-01-08Golden Hall, Community ConcourseSan DiegoCA
Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer
102349Grateful Dead1978-01-08Golden Hall, Community ConcourseSan DiegoCA
flac24; Analog Audience Source: Master Audience Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0109 24/96 (The original release of this source from 2009-11-03 had errors in the tags.)
102500Grateful Dead1978-01-08Golden Hall, Community ConcourseSan DiegoCA
flac16; Analog Audience Source: Master Audience Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UDXL II; Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By: Derek McCabe; MOTB Release: 0109
153085Grateful Dead1978-01-08Golden Hall, Community ConcourseSan DiegoCA
flac16/44 Recording Info: SBD -> Cassette Master -> AIFF
Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC
95068Grateful Dead1978-01-10Shrine AuditoriumLos AngelesCA
flac16; Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
95069Grateful Dead1978-01-10Shrine AuditoriumLos AngelesCA
flac24; MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
95134Grateful Dead1978-01-10Shrine AuditoriumLos AngelesCA
flac16 Matrix: MAC = 3 x Maxell UDXL II A2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] and SBD>MC>?>CD>EAC>SHN (Source ID 14523)
14523Grateful Dead1978-01-10Shrine AuditoriumLos AngelesCA
SBD>MC>?>CD>EAC>SHN; (see lineage info); Thanks to Raoul Duke & Hanno Bunjes; edits/encoding by JCotsman
133618Grateful Dead1978-01-10Shrine AuditoriumLos AngelesCA
flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02)
133619Grateful Dead1978-01-10Shrine AuditoriumLos AngelesCA
flac24; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02)
89475Grateful Dead1978-01-11Shrine AuditoriumLos AngelesCA
flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac
92086Grateful Dead1978-01-11Shrine AuditoriumLos AngelesCA
flac16; Matrix, Sources used: 1) SBD > MC > R > PCM > D > CD > EAC > SHN and 2) audience recording on a Marantz pro cassette deck, don't recall the model & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Matrixed by SIRMick
12894Grateful Dead1978-01-11Shrine AuditoriumLos AngelesCA
SBD master reel > Cass > DAT > CD-R > EAC > .SHN ; upgrade in circulation
13190Grateful Dead1978-01-11Shrine AuditoriumLos AngelesCA
SBD>MC>R>PCM>D>CD>EAC>SHN (??); see comments on lineage; Thanks to Raoul Duke edits/encoding by Matt Vernon & JCotsman
110959Grateful Dead1978-01-11Shrine AuditoriumLos AngelesCA
flac16; Matrix: Analog Aud: 2 x AKG D224E >> Sony TC-158SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and Analog SBD: SBD >> MSC (dolby C) >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16
135498Grateful Dead1978-01-11Shrine AuditoriumLos AngelesCA
flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller; the original version had errors in the tracking; [lease don't circulate the original (19 track) version
135499Grateful Dead1978-01-11Shrine AuditoriumLos AngelesCA
flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
4629Grateful Dead1978-01-13Arlington TheaterSanta BarbaraCA
Master Soundboard Cassette> Cassette> DAT> CDR> EAC> SHN
105208Grateful Dead1978-01-13Arlington TheaterSanta BarbaraCA
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD  >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
135500Grateful Dead1978-01-13Arlington TheaterSanta BarbaraCA
flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
135501Grateful Dead1978-01-13Arlington TheaterSanta BarbaraCA
flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
88091Grateful Dead1978-01-14Bakersfield Memorial AuditoriumBakersfieldCA
flac16; source: aud > ??? > cdr > eac > wav > flac
99092Grateful Dead1978-01-14Bakersfield Memorial AuditoriumBakersfieldCA
flac16; Source: Unknown Audience recording, believed to be a 3rd gen cass Transfer: cass > Nakamichi DR-1 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab(with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac16
16114Grateful Dead1978-01-14Bakersfield Memorial AuditoriumBakersfieldCA
SBD> [MR>C ?] >DAT>CDR via Raoul Duke encoded by Matt Vernon
105758Grateful Dead1978-01-14Bakersfield Memorial AuditoriumBakersfieldCA
flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
135521Grateful Dead1978-01-14Bakersfield Memorial AuditoriumBakersfieldCA
flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
105811Grateful Dead1978-01-14Bakersfield Memorial AuditoriumBakersfieldCA
flac16; MTX 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Soundboard Source: gd78-01-14.sbd.vernon.16114.sbeok.shnf
135522Grateful Dead1978-01-14Bakersfield Memorial AuditoriumBakersfieldCA
flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
80954Grateful Dead1978-01-15Selland ArenaFresnoCA
flac16; AUD>MC>C>D>CD>EAC>SHN>?>FLAC; These are from the same source as the audience portion of shn id 13252. This completes what circulates from that aud.
13252Grateful Dead1978-01-15Selland ArenaFresnoCA
mixed source: set 1: SBD> ?> C> SHN (low number of analog gens); set 2: AUD> MC> C> D> CD> EAC> SHN; Thanks to Hanno Bunjes, Chuck Kiefe; final edits/encoding by JCotsman. Additional material from the audience recording used for this source can be found here.
106182Grateful Dead1978-01-15Selland ArenaFresnoCA
flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein
14555Grateful Dead1978-01-17Sacramento Memorial AuditoriumSacramentoCA
SBD>MR>C>D>CD>SHN; missing Around & US Blues; Thanks to Raoul Duke; edits/encoding by Matt Vernon & JCotsman
141144Grateful Dead1978-01-17Sacramento Memorial AuditoriumSacramentoCA
flac16; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit to 16-bit via dBpoweramp
141145Grateful Dead1978-01-17Sacramento Memorial AuditoriumSacramentoCA
flac24; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
141146Grateful Dead1978-01-17Sacramento Memorial AuditoriumSacramentoCA
flac16; Source Info: Master Soundboard Reels > Cassette > Dat > CD > EAC > SHN (shnid 14555); This is a patched and re-mastered version of the shnid14555 soundboard source from Matt Vernon & JCotsman
13101Grateful Dead1978-01-18Stockton Civic AuditoriumStocktonCA
SBD> MR> ?> D> CD> EAC> SHN; patched with AUD> MC> C> D> CD> EAC> SHN; technical problems with SBD (see caveat); Thanks to Mike Tausig and Jack Warner; edits/encoding by JCotsman
18656Grateful Dead1978-01-18Stockton Civic AuditoriumStocktonCA
Set Two AUD>MC>??>DAT>CDR via Raoul Duke encoded by Matt Vernon
31940Grateful Dead1978-01-22McArthur Court, University Of OregonEugeneOR
flac16; SBD, 1st 4 songs in 2nd set AUD
101437Grateful Dead1978-01-22McArthur Court, University Of OregonEugeneOR
flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
101436Grateful Dead1978-01-22McArthur Court, University Of OregonEugeneOR
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
287Grateful Dead1978-01-22McArthur Court, University Of OregonEugeneOR
Source: DNC Close Encounters Tree; SBD> M?> C> PCM> Sound Forge> CD-R> SHN; show is missing some tracks in the middle, but it's the only part of the show that circulates in a clean SBD
28846Grateful Dead1978-01-22McArthur Court, University Of OregonEugeneOR
flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell
2014Grateful Dead1978-01-22McArthur Court, University Of OregonEugeneOR
Source: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 see additional notes in info file via John D'Auria
4974Grateful Dead1978-01-22McArthur Court, University Of OregonEugeneOR
d1,d3: sbd> ??> cd> eac> shn, d2 from previous shn set (see notes in info file); to gdlive, via popi
110632Grateful Dead1978-01-22McArthur Court, University Of OregonEugeneOR
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> FLAC; Set 2: (1st 4 songs) (FOB) AKG D224E -> Cassette Master -> FLAC (shnid=101436); Set 2: (Terrapin through Saint Stephen) SBD -> Cassette Master > FLAC; Set 2: (Not Fade Away through U.S. Blues) SBD -> Reel Master > FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
32255Grateful Dead1978-01-30Uptown TheatreChicagoIL
flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller
12437Grateful Dead1978-01-30Uptown TheatreChicagoIL
Tim Powell recording (Sony ECM-99/Sony TC-152) AUD>MC>R>DAT>CDR via Raoul Duke.
148564Grateful Dead1978-01-30Uptown TheatreChicagoIL
flac16; Source Info: Master Soundboard Reel > Dick Latvala's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> 16/44.1 .wav > Adobe Audition CC 2019 > TLH flac16
164894Grateful Dead1978-01-30Uptown TheatreChicagoIL
flac1648 Low Gen audience recording; AKG mics, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
164895Grateful Dead1978-01-30Uptown TheatreChicagoIL
flac2496 Low Gen audience recording; AKG mics, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
164896Grateful Dead1978-01-30Uptown TheatreChicagoIL
flac1648 Tim Powell's Master Audience Cassettes; Sony ECM 99 mics > Sony TC-152 cassette deck > 1st Generation Reels > DAT (16/48) Transfer Info: DAT (Sony PCM-R500)(16/48) > Tascam DA-3000 > 16/48 .wav > Adobe Audition CC 2023 > TLH flac1648
1807Grateful Dead1978-01-31Uptown TheaterChicagoIL
set 2; SBDMR> Cass> DAT> CDR> EAC> SHN; via Mike (Dank Star) Parrillo; upgrade in circulation
32256Grateful Dead1978-01-31Uptown TheaterChicagoIL
flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller
17074Grateful Dead1978-01-31Uptown TheaterChicagoIL
set 1 mostly AUD>MC>R>CD>EAC>SHN, set 2 SBD>MR>C>D>CD>EAC>SHN with aud patches via Jack Warner and Mike Parrillo encoded/edits by Jeff Cotsman and Matt Vernon; upgrade in circulation
17807Grateful Dead1978-01-31Uptown TheaterChicagoIL
AUD> MC> R> CD> EAC> SHN; patched with SBD> MR> C> D> CD> EAC> SHN; Thanks to Jack Warner; edits/encoding by Matt Vernon & JCotsman; note d1t1-7 md5s same as in previous seed, others differ
123059Grateful Dead1978-01-31Uptown TheaterChicagoIL
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller
101556Grateful Dead1978-01-31Uptown TheaterChicagoIL
flac16; Matrix: 60 sbd/40 aud. In addition the gain on the sbd was increased by 1 decibel and for the aud reduced by the same amount sbd: SBD > Master Reel > Dat > CD > FLAC (shnid 32256) and aud: AUD > MC > R > CD > EAC > SHN (shnid 17807)
158700Grateful Dead1978-01-31Uptown TheaterChicagoIL
flac1644 Source Info: Master FOB Audience Cassettes (possibly Tim Powell); Sony ECM-99 mics > (most likely) Sony TC-152 > Reel to Reel > Tim McKenzie's DAT 16 bit/44.1 kHz (KAO Gold 460m) > CDR Transfer Info: DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O > Hosa DRA-501 coax cable > Tascam CD-RW750 > CDR CDR (Tascam SS-CDR200) > Tascam DA-3000 > .wav(16bit/44.1 kHz) > Adobe Audition 2022 > TLH flac16
164231Grateful Dead1978-01-31Uptown TheaterChicagoIL
flac1644 fixed version of shnid158700 . Master FOB Audience Cassettes (possibly Tim Powell); Sony ECM-99 mics > (most likely) Sony TC-152 > Reel to Reel > Tim McKenzie's DAT 16 bit/44.1 kHz (KAO Gold 460m) > CDR Transfer Info: DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O > Hosa DRA-501 coax cable > Tascam CD-RW750 > CDR CDR (Tascam SS-CDR200) > Tascam DA-3000 > .wav(16bit/44.1 kHz) > Adobe Audition 2023 > TLH flac16
97744Grateful Dead1978-02-01Uptown TheaterChicagoIL
flac16; MAC>R>C>WAV>FLAC
1017Grateful Dead1978-02-01Uptown TheaterChicagoIL
MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks
138451Grateful Dead1978-02-01Uptown TheaterChicagoIL
flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1
19464Grateful Dead1978-02-03Dane County ColiseumMadisonWI
Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano.
19465Grateful Dead1978-02-03Dane County ColiseumMadisonWI
Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
132731Grateful Dead1978-02-03Dane County ColiseumMadisonWI
flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHz; DAT Zero-(DL) > DAT#1 > DAT#2; 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
139370Grateful Dead1978-02-03Dane County ColiseumMadisonWI
flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; Six songs from Set 1 are .mp3 sourced
164048Grateful Dead1978-02-03Dane County ColiseumMadisonWI
flac1648 Source Info: Master Audience Cassettes; AKG mics > unknown deck > 1st generation cassettes > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi DR-1) > Tascam DA-300 (24/96 .wav) > Adobe Audition 2023 > TLH flac2496
164049Grateful Dead1978-02-03Dane County ColiseumMadisonWI
flac2496 Source Info: Master Audience Cassettes; AKG mics > unknown deck > 1st generation cassettes > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi DR-1) > Tascam DA-300 (24/96 .wav) > Adobe Audition 2023 > TLH flac2496
164050Grateful Dead1978-02-03Dane County ColiseumMadisonWI
flac1644 Master Audience Cassettes (unknown equipment) > PCM > Tim McKenzie's DAT (16/44.1) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > .wav 16/44.1 > Adobe Audition 2023 > TLH flac16
122949Grateful Dead1978-02-04Milwaukee AuditoriumMilwaukeeWI
flac16; Partial 1 song Matrix by Hunter Seamons; Soundboard recording by Dan Healy; Audience recording transferred by Raoul Duke
12199Grateful Dead1978-02-04Milwaukee AuditoriumMilwaukeeWI
AUD> MC> R> C> DAT> CDR> EAC> CD; Re-mastered via the Owens?s Brothers Vault. ; via Raoul Duke; Seeded to etree by Matt Vernon
132719Grateful Dead1978-02-04Milwaukee AuditoriumMilwaukeeWI
flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS; Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHZ; DAT Zero-DAT#1 (Rob Bertrando); 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
138311Grateful Dead1978-02-05Uni Dome, University Of Northern IowaCedar FallsIA
flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1
19466Grateful Dead1978-02-05Uni Dome, University Of Northern IowaCedar FallsIA
Set Two only Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
19471Grateful Dead1978-02-05Uni Dome, University Of Northern IowaCedar FallsIA
Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Dat seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano.
123360Grateful Dead1978-02-05Uni Dome, University Of Northern IowaCedar FallsIA
flac16; Set 2 only; Two source matrix: Soundboard (shnid:19471) Soundboard->Master Reel->DAT->DAT->ZA2->Soundforge->.wav->mkw->SHN and Audience (shnid:19466) Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
138384Grateful Dead1978-02-05Uni Dome, University Of Northern IowaCedar FallsIA
flac16; Set 2; Source: Unknown FOB AUD (mono) from Brian Schley tape collection; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2017
151646Grateful Dead1978-02-05Uni Dome, University Of Northern IowaCedar FallsIA
flac16/44khz; Sick Bits Vol. 34
Matrix: SBD (Shnid=19471) + AUD1 (Shnid=19466) - primary and AUD2 (Shnid=138384) - patches
Matrixed (edited, mixed and converted) by Chris Chappell
151822Grateful Dead1978-02-05Uni Dome, University Of Northern IowaCedar FallsIA
flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick
151821Grateful Dead1978-02-05Uni Dome, University Of Northern IowaCedar FallsIA
flac16 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and mastered SIRMick February 2021
151838Grateful Dead1978-02-05Uni Dome, University Of Northern IowaCedar FallsIA
flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021
151837Grateful Dead1978-02-05Uni Dome, University Of Northern IowaCedar FallsIA
flac16/44 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021
290Grateful Dead1978-04-06Curtis Hixon Convention HallTampaFL
mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR; upgrade in circulation
81307Grateful Dead1978-04-06Curtis Hixon Convention HallTampaFL
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
148069Grateful Dead1978-04-06Curtis Hixon Convention HallTampaFL
flac24; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
148068Grateful Dead1978-04-06Curtis Hixon Convention HallTampaFL
flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
81508Grateful Dead1978-04-06Curtis Hixon Convention HallTampaFL
flac16; SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD) Mix consisting of SBD - shn id 81307, AUD - shn id 81494
81767Grateful Dead1978-04-06Curtis Hixon Convention HallTampaFL
DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> PCM -> Dat and AUD:Recorded by Bob Wagner; Sony 54Ps> Sony TC-158; mixed by Kevin Tobin
81494Grateful Dead1978-04-06Curtis Hixon Convention HallTampaFL
flac16; Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; patches and speed correction by Kevin Tobin
82030Grateful Dead1978-04-06Curtis Hixon Convention HallTampaFL
DVD-VA: (Video Audio) 2 audio tracks; 1) SBD + AUD Matrix 2 Source Mix (shnid=81508) & 2) DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> PCM -> Dat and AUD:Recorded by Bob Wagner; Sony 54Ps> Sony TC-158 (shnid=81767); audio only - no video
18510Grateful Dead1978-04-06Curtis Hixon Convention HallTampaFL
Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; upgrade in circulation
140694Grateful Dead1978-04-06Curtis Hixon Convention HallTampaFL
flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
147759Grateful Dead1978-04-06Curtis Hixon Convention HallTampaFL
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2019
83715Grateful Dead1978-04-07The SportatoriumPembroke PinesFL
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
10208Grateful Dead1978-04-07The SportatoriumPembroke PinesFL
7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out>DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT; Source DAT via Joe Samaritano; upgrade in circulation DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor
150559Grateful Dead1978-04-07The SportatoriumPembroke PinesFL
flac16; Source: Betty Cantor’s Master SBD Reel > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
140736Grateful Dead1978-04-07The SportatoriumPembroke PinesFL
flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
148529Grateful Dead1978-04-07The SportatoriumPembroke PinesFL
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019
164367Grateful Dead1978-04-07The SportatoriumPembroke PinesFL
flac1644 SBD > Master Reel (7in 7.5ips 1/2trk) > PCM > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16
83716Grateful Dead1978-04-08Veterans Memorial ColiseumJacksonvilleFL
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
4088Grateful Dead1978-04-08Veterans Memorial ColiseumJacksonvilleFL
SBD> Bettyboard 7" reels @ 7.5ips> PCM> DAT> CDR> SHN; seeded by Katy Miller; upgrade in circulation
4144Grateful Dead1978-04-08Veterans Memorial ColiseumJacksonvilleFL
SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; upgrade in circulation
150560Grateful Dead1978-04-08Veterans Memorial ColiseumJacksonvilleFL
flac16; Source: Betty Cantor’s Master SBD Reel > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
83404Grateful Dead1978-04-08Veterans Memorial ColiseumJacksonvilleFL
flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > Fostex D5 > optical S/PDIF out (Jace's tape) > disk WBOTB Transferred by Tim Deibert 3-10-02
140789Grateful Dead1978-04-08Veterans Memorial ColiseumJacksonvilleFL
flac24; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
140922Grateful Dead1978-04-08Veterans Memorial ColiseumJacksonvilleFL
flac16; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
147787Grateful Dead1978-04-08Veterans Memorial ColiseumJacksonvilleFL
flac16/48kHz; Recording Info:Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
147788Grateful Dead1978-04-08Veterans Memorial ColiseumJacksonvilleFL
flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
148006Grateful Dead1978-04-08Veterans Memorial ColiseumJacksonvilleFL
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019
148615Grateful Dead1978-04-08Veterans Memorial ColiseumJacksonvilleFL
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 148006 & 147787.
81262Grateful Dead1978-04-10Fox TheaterAtlantaGA
flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (or 441s) + Sony 54P> passed through Nakamichi 550> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC * Patches supplied by SB>MR>PCM>DAT>CD (Note: On 12/28/2006 David Minches circulated a fixed version of d3t04 through d3t07)
15782Grateful Dead1978-04-10Fox TheaterAtlantaGA
Betty Board>?>CD; Unknown seeder; upgrade in circulation
5259Grateful Dead1978-04-10Fox TheaterAtlantaGA
Sbd > MR > PCM >Dat > cdr > Eac > wav > shn; Eac > Shnv3 by Ernie Dodd, from Paul B seed discs; see info file for flaw notes; upgrade in circulation
108665Grateful Dead1978-04-10Fox TheaterAtlantaGA
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
150608Grateful Dead1978-04-10Fox TheaterAtlantaGA
flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 16, 2020
18098Grateful Dead1978-04-10Fox TheaterAtlantaGA
SBD -> Rm -> PCM -> Dat via Charlie Miller
140836Grateful Dead1978-04-10Fox TheaterAtlantaGA
flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMickJanuary 2018
148538Grateful Dead1978-04-10Fox TheaterAtlantaGA
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019
163314Grateful Dead1978-04-10Fox TheaterAtlantaGA
flac2448; Source: Unknown mics & deck > MAC > 1st Gen back-up copy, concert recording by John Hicks & Dennis Fong. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > WAV 2448 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2023
291Grateful Dead1978-04-11Fox TheaterAtlantaGA
SBD> Reel > PCM> DAT> CDR> SHN; note missing last 2 songs- Sugar Magnolia, encore JGB; known flaws: noticable clicking on d1t8, possibly from bad DAE; reel Glitch d/o d2t3 10:56 - 11:00; via M. Lai, C. Vinci; upgrade in circulation
81257Grateful Dead1978-04-11Fox TheaterAtlantaGA
flac16; SBD -> Rm -> PCM -> Dat - Seamless fix of shn id 18099 via Bill Tetzeli
108666Grateful Dead1978-04-11Fox TheaterAtlantaGA
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
18099Grateful Dead1978-04-11Fox TheaterAtlantaGA
SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation
150607Grateful Dead1978-04-11Fox TheaterAtlantaGA
flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 17, 2020
141775Grateful Dead1978-04-11Fox TheaterAtlantaGA
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
157181Grateful Dead1978-04-11Fox TheaterAtlantaGA
flac1644; 1st Set; Source: Handheld deck (mono) > Maxell XLII, concert recording by John Hicks & Dennis Fong. Transfer: MAC(?) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644. Transferred by Andrew F. 07/2022
157654Grateful Dead1978-04-11Fox TheaterAtlantaGA
flac2448; Source: Handheld deck (mono) > Maxell XLII, concert recording by John Hicks & Dennis Fong. Transfer: MAC(?) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022
11476Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry
14085Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
95673Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN
134820Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
18805Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified)
105875Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
flac16; Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller
148071Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
106985Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
148070Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
107156Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; fix of shind 106985
149339Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
134566Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
flac16; Matrix 2 Source Mix - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
134567Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
DTS-Audio-CD 5.1 Mix; SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
141776Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
149531Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
flac16; Source: Betty Cantor’s Master SBD Reel > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; this is a corrected version of source ID 149339
155360Grateful Dead1978-04-12Cameron Indoor Stadium, Duke UniversityDurhamNC
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
83717Grateful Dead1978-04-14Cassell Coliseum, Virginia PolytechnicBlacksburgVA
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
147789Grateful Dead1978-04-14Cassell Coliseum, Virginia PolytechnicBlacksburgVA
flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
7251Grateful Dead1978-04-14Cassell Coliseum, Virginia PolytechnicBlacksburgVA
Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; drop out followed by a short digi-snit in JBG ~ 0:28
147790Grateful Dead1978-04-14Cassell Coliseum, Virginia PolytechnicBlacksburgVA
flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
149542Grateful Dead1978-04-14Cassell Coliseum, Virginia PolytechnicBlacksburgVA
flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
148291Grateful Dead1978-04-14Cassell Coliseum, Virginia PolytechnicBlacksburgVA
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2019
33683Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC
86412Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac 16; Sick Bits Vol. 24 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=33683) + AUD (shnid=18556). Matrixed by Chris Chappell.
7047Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
SBD> MR> PCM> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; missing encore, splice in NFA; upgrade in circulation
18556Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
Recorded by Bob Wagner; Sony 54Ps> Sony TC-158, transferred and encoded by David Minches
34932Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac16; SBD > MR > PCM > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 33683
116981Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac16 Source: (single) Nakamichi CM300 with CP1 cardioid capsule front of board> Nakamichi 550 deck with dolby B on; Transfer: (original) Nak 550 Dolby B on> Apogee Mini-Me @ 16/44> wav; Assembly: AA3 for fades and edits, CDWav for tracks, TLH for Flac7, Foobar for tags; Recorded by Mark Olkon; Transferred and Assembled by Mike Schuncke
137402Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac24; Set 2 Source: sbd; All Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6]
137403Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac16; Set 2 Source: sbd; Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor to Split Tracks & covert to Flac16 [Level 6]; TLH to fix SBE
147791Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
148571Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac16/48kHz; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
147792Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
148572Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac24; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
148442Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick December 2019
149543Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
152890Grateful Dead1978-04-15William & Mary HallWilliamsburgVA
flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021
82273Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller
81457Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac16; Source: Betty Soundboard Media: master reels Lineage: SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac Taped by: Betty Cantor Transfer by: Jim Goldman Mastered by: Jim Goldman
98510Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac16; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave> adobe 2.0 16/44>flac transferred & seeded by Rob Berger
98535Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
98791Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac16; Recording by Bob Wagner: 3 Sony ECM-54 Ps> Sony 158 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 16 bit/ 44.1 kHz version
98509Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac24; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac transferred & seeded by Rob Berger
292Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
SBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream; upgrade in circulation
16619Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
another version of previous shn set(s) with unknown relationship to either (parent, reshn, fix?); md5s differ from previous; upgrade in circulation
20085Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
Possible lineage Master reel> PCM>??> DAT> Sonic Solutions>CD via David Gans, encoded by Brooke Hessel for GDH-Trading Tree; upgrade in circulation
34971Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
Source: SBD>R2R>PCM>DAT>CDR>SHN ; Fix of shn id 292: SBE fixed on D1t12. Processed by xACT 1.55 to make WAVE headers canonical (44 bytes) on all SHN files.; upgrade in circulation
139240Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac16 44.1khz Commercial bootleg release; "For The Faithful" Soundboard; Kiss The Stone records KTS 528/529 released 1996 EAC (secure) > Flacfrontend (level 8) 2/2008 by deadtrader
147801Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac16/48kHz; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
147802Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac24; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
148565Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
148566Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac24; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
148386Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019
149552Grateful Dead1978-04-16Huntington Civic CenterHuntingtonWV
flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
81315Grateful Dead1978-04-18Civic ArenaPittsburghPA
flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Patches supplied by A:C:D:CD recorded with Shure SM57s> Sony TC-158
14036Grateful Dead1978-04-18Civic ArenaPittsburghPA
SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) patched with aud via Joey Browning, Matt Vernon, & Raoul Duke mastered by Jeff Cotsman
12383Grateful Dead1978-04-18Civic ArenaPittsburghPA
Source: Shure SM57s>Sony TC-158 > MAC > DAT > CDR via Rauol Duke. shn encoding Matt Vernon
132410Grateful Dead1978-04-18Civic ArenaPittsburghPA
flac16; Set 2 Source: MAC>XL-IIS>XL-IIS (FOB,2); Transfer: Maxell XL-IIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged
94494Grateful Dead1978-04-19Veterans Memorial HallColumbusOH
flac16; Recording Info: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller
7286Grateful Dead1978-04-19Veterans Memorial HallColumbusOH
SBD > Master Reel > CD > Sonic Solutions > CD mastered by David Gans; Source shns from Bob Murphy; partial retrack by Darrin Sacks
9121Grateful Dead1978-04-19Veterans Memorial HallColumbusOH
SBD>Rm>CD>David Gans Sonic Solutions>CD; via Charlie Miller; Seeded to etree by Sean Cheadle
94522Grateful Dead1978-04-19Veterans Memorial HallColumbusOH
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
97501Grateful Dead1978-04-21Rupp Arena, University Of KentuckyLexingtonKY
flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
10149Grateful Dead1978-04-21Rupp Arena, University Of KentuckyLexingtonKY
SBD>MR>C>D>CD; Patched with AUD>MC>R>D>CD; Missing US Blues & most of Dire Wolf; See info file for details; via Jim Ballinger & Jeff Cook; Seeded to etree by J. Cotsman
123212Grateful Dead1978-04-21Rupp Arena, University Of KentuckyLexingtonKY
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
151823Grateful Dead1978-04-21Rupp Arena, University Of KentuckyLexingtonKY
flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
151824Grateful Dead1978-04-21Rupp Arena, University Of KentuckyLexingtonKY
flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
165006Grateful Dead1978-04-21Rupp Arena, University Of KentuckyLexingtonKY
flac1648 Low Gen audience recording; Unknown equipment, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
165007Grateful Dead1978-04-21Rupp Arena, University Of KentuckyLexingtonKY
flac2496 Low Gen audience recording; Unknown equipment, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
92808Grateful Dead1978-04-22Nashville Municipal AuditoriumNashvilleTN
flac16; Recording Info:Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90);Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller
97508Grateful Dead1978-04-22Nashville Municipal AuditoriumNashvilleTN
flac16; Set 1 Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
12384Grateful Dead1978-04-22Nashville Municipal AuditoriumNashvilleTN
Source: Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR. via Willy shn encoding Matt Vernon
133786Grateful Dead1978-04-22Nashville Municipal AuditoriumNashvilleTN
flac16; Recording Info: Set 1: SBD -> Master Cassette -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Set 1: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; Set 2: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
133792Grateful Dead1978-04-22Nashville Municipal AuditoriumNashvilleTN
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
32899Grateful Dead1978-04-24Horton Field House, Illinois State UniversityNormalIL
flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller
97543Grateful Dead1978-04-24Horton Field House, Illinois State UniversityNormalIL
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
3296Grateful Dead1978-04-24Horton Field House, Illinois State UniversityNormalIL
MR> ?> R> D> Digi96> Soundforge> CDWAV> SHN; Mike McCaw; see info file for lineage notes; upgrade in circulation
20598Grateful Dead1978-04-24Horton Field House, Illinois State UniversityNormalIL
sbd attributed to Alan Thompson submitted by okcomputerboy (dkonrad99@hotmail.com); upgrade in circulation
20605Grateful Dead1978-04-24Horton Field House, Illinois State UniversityNormalIL
SBD Master Cass>DAT>Cass>DAT>CD>EAC>SHN. Remastered by Mattman from source discs supplied by David Hollister. ; upgrade in circulation
109177Grateful Dead1978-04-24Horton Field House, Illinois State UniversityNormalIL
flac16; Recorded on a small mono cassette recorder with built-in Wollensak 402 mic; First Generation Cassette>Tascam130>Pro Tools LE>wav>flac
82962Grateful Dead1978-05-05Thompson Arena, Dartmouth CollegeHanoverNH
flac16; Source: FOB Audience Recording (30 Rows Back) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
6149Grateful Dead1978-05-05Thompson Arena, Dartmouth CollegeHanoverNH
Sony ECM-99A's>Sony TC-152 > Master Audience Cass > DAT's; Taper: Steve Rolfe; dat> sek'd prodif+ card> hard drive> cdwav > shntool (pad zeros @ end of sets to have complete sectors) >mkw (seekable); dat>shn transfer by dale shepherd, from Matt Vernon DAT; see info file for flaw notes
18655Grateful Dead1978-05-05Thompson Arena, Dartmouth CollegeHanoverNH
Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation
112180Grateful Dead1978-05-05Thompson Arena, Dartmouth CollegeHanoverNH
flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
114348Grateful Dead1978-05-05Thompson Arena, Dartmouth CollegeHanoverNH
flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; This is a remaster of shnid=112180; All Transfers and Mastering By Charlie Miller
97070Grateful Dead1978-05-06Patrick Gymnasium, University Of VermontBurlingtonVT
flac16; partial; Source: fm > tandberg (probably TCD 310 MkII) with dolby > tdk sa C90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac
82963Grateful Dead1978-05-06Patrick Gymnasium, University Of VermontBurlingtonVT
flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
92356Grateful Dead1978-05-06Patrick Gymnasium, University Of VermontBurlingtonVT
flac16; set two partial, Undocumented audience cassette of unknown generations transfered at 24/96 on a tascam112 MKII deck>apogee minime>aes-ebu xlr>Lynx2>wavelab6.0 Mastered on the GEMS Edit Station In Wavelab 6.0 Weiss Saracon Dither to 16/44.1 by Jamie Waddell Trac'ed cdwave,flac'ed flac frontend level 8 Tagged in tag and rename
96896Grateful Dead1978-05-06Patrick Gymnasium, University Of VermontBurlingtonVT
flac16; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>adobe 16/44>flac
96897Grateful Dead1978-05-06Patrick Gymnasium, University Of VermontBurlingtonVT
flac24; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>flac
97071Grateful Dead1978-05-06Patrick Gymnasium, University Of VermontBurlingtonVT
flac16; Source: aud > unknown gens cassettes playback > pioneer ct-f1000 with dolby > maxell xlII c90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac (updated source info; had been marked as sbd)
6711Grateful Dead1978-05-06Patrick Gymnasium, University Of VermontBurlingtonVT
Sony ECM-99A's> Sony TC-152 > Master Audience Cass > DAT's; Dat Tascam DA-P1 > Sek'd Prodif+ card > Sek'd Red Roaster (edits, fades- see txt) > Cdwav (splits) > mkw; Boundaries verified with Shntool; No dae, no eq, no signal processing; Recorded by Steve Rolfe; Dat > shn transfer by Dale Shepherd; Source Dats from Matt Vernon
13726Grateful Dead1978-05-06Patrick Gymnasium, University Of VermontBurlingtonVT
1st set: SBD>MC>?>CD>EAC>SHN; 2nd set: AUD>MC>D>SHN; probably not more than one analog gen for the sbd portion; Thanks to Alex MacDonald, Dale Shepherd, and Matt Vernon; edits/encoding by JCotsman
18657Grateful Dead1978-05-06Patrick Gymnasium, University Of VermontBurlingtonVT
Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation
80126Grateful Dead1978-05-07Field House, Rensselaer Polytechnic InstituteTroyNY
SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD (shn id 8327) patched with MAC (1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT (shn id 8763)
83498Grateful Dead1978-05-07Field House, Rensselaer Polytechnic InstituteTroyNY
flac16; Source: Audience FOB Recording Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
8327Grateful Dead1978-05-07Field House, Rensselaer Polytechnic InstituteTroyNY
SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD; via Jeff Cook; Seeded to etree by Matt Vernon
8763Grateful Dead1978-05-07Field House, Rensselaer Polytechnic InstituteTroyNY
MAC(1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT; with SBD patches; via Dale Shepherd; seeded to etree by Matt Vernon
18672Grateful Dead1978-05-07Field House, Rensselaer Polytechnic InstituteTroyNY
Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal via Mark Cohen SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon; upgrade in circulation
130513Grateful Dead1978-05-07Field House, Rensselaer Polytechnic InstituteTroyNY
flac16; Fresh Legs Matrix using shnid=80126 and shnid=91347
152545Grateful Dead1978-05-07Field House, Rensselaer Polytechnic InstituteTroyNY
flac1644; Source: Stereo mic & recorder (models unknown) > TDK AD-90's (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2021
12184Grateful Dead1978-05-09Onongada County War MemorialSyracuseNY
AUD (Sony 54P's) > MC > DAT > CDR or AUD (Sony 54P's) > MC > C > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon
132774Grateful Dead1978-05-09Onongada County War MemorialSyracuseNY
flac16/48kHz; Cassette Audience Master recorded By Eddie Claridge; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Cassette Masters played back on Nakamichi Dragon-Sony PCM R-700 DAT (original A-D by J.W.); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz WAV; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
147972Grateful Dead1978-05-09Onongada County War MemorialSyracuseNY
flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
147971Grateful Dead1978-05-09Onongada County War MemorialSyracuseNY
flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
3899Grateful Dead1978-05-10Veterans Memorial ColiseumNew HavenCT
SBD; via Mike Lai
18753Grateful Dead1978-05-10Veterans Memorial ColiseumNew HavenCT
Aud, Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN Via JR Fishman
127485Grateful Dead1978-05-10Veterans Memorial ColiseumNew HavenCT
flac24; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 > flac; transferred & seeded by Rob Berger
127408Grateful Dead1978-05-10Veterans Memorial ColiseumNew HavenCT
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03899) seeded by Mike Lai and Audience (shnid:18753) Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN; Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN; Transcribed by JR Fishman
127486Grateful Dead1978-05-10Veterans Memorial ColiseumNew HavenCT
flac16; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger
1187Grateful Dead1978-05-11Springfield Civic CenterSpringfieldMA
sdb> reel master> cassette> dat> cdr; via Mike Lai; upgrade in circulation
6317Grateful Dead1978-05-11Springfield Civic CenterSpringfieldMA
FOB Nak mics > sony d5 > master audience cass > dat's; patches added (see info); dat@48> sek'd prodif+ card (resampled to 44.1)> cd wave> mkw; d1 tracked for 80 min; dat>shn transfer by Dale Shepherd, from Matt Vernon source DATs
16333Grateful Dead1978-05-11Springfield Civic CenterSpringfieldMA
SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD via Charlie Miller
147803Grateful Dead1978-05-11Springfield Civic CenterSpringfieldMA
flac16/48kHz 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
18658Grateful Dead1978-05-11Springfield Civic CenterSpringfieldMA
Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches
127386Grateful Dead1978-05-11Springfield Civic CenterSpringfieldMA
flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:16333) SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD; Audience (shnid:06317) fob audience recording with a sbd patch nak mics > sony d5 > master audience cass > dat's; dat@48>sek'd prodif+ card (resampled to 44.1)>cd wave>mkw; and Audience (shnid:18658) **This source was used for Drums -> Space only Source: Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT
147804Grateful Dead1978-05-11Springfield Civic CenterSpringfieldMA
flac24; 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
7207Grateful Dead1978-05-13The SpectrumPhiladelphiaPA
Sony ECM33P7 + AKGD1000E > Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits) > Cdwav > Mkw; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd; see info file for editing and flaw notes; d1 tracked for 80 min; upgrade in circulation
17406Grateful Dead1978-05-13The SpectrumPhiladelphiaPA
AudMC > DAT > WAV > SHN. Recorded by Steve Rolfe with two Sony ECM-33P's > Teac PC-10 deck left of center, about the 20th row. A > D and encoding by Noah Weiner.
116978Grateful Dead1978-05-13The SpectrumPhiladelphiaPA
flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
152885Grateful Dead1978-05-13The SpectrumPhiladelphiaPA
flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-Audua (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021
7639Grateful Dead1978-05-14Providence Civic CenterProvidenceRI
Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav; via Matt Vernon; Dale Shepherd
108840Grateful Dead1978-05-14Providence Civic CenterProvidenceRI
flac16;AUD: 1x AKG D200E (mono recording) > Sony TC-153SD > Maxell UD-XLII 90's. Recorded from lower arena riser, first section to left of stage, Section 110 Row G. Taped by Tim Friend. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 07/2010
108996Grateful Dead1978-05-14Providence Civic CenterProvidenceRI
flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
124932Grateful Dead1978-05-14Providence Civic CenterProvidenceRI
flac16; 2 source matrix by dusborne; Soundboard (shinid:108996) SBD -> Cassette Master -> Dat -> CD; CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:7639) Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav > Mkw; Boundaries verified with Shntool; No dae, no normalizing, no eq or processing of any kind; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd
152506Grateful Dead1978-05-14Providence Civic CenterProvidenceRI
flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021
8333Grateful Dead1978-05-16Uptown TheaterChicagoIL
AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner
106548Grateful Dead1978-05-16Uptown TheaterChicagoIL
flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding Pitch Correction by Joe B. Jones
164764Grateful Dead1978-05-16Uptown TheaterChicagoIL
flac1648 2 different sources combine to provide the complete show. Neither source appears to be in general circulation. The primary source containing the first set and Scarlet > Fire are of lesser quality than the secondary source which comprises El Paso thru the end of the show 1st Set & Scarlet Begonias > Fire On The Mountain: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassette El Paso thru the end of the show: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassette Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496
117206Grateful Dead1978-05-16Uptown TheaterChicagoIL
flac16; Partial Set 2 Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
128380Grateful Dead1978-05-16Uptown TheaterChicagoIL
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
164765Grateful Dead1978-05-16Uptown TheaterChicagoIL
flac2496 2 different sources combine to provide the complete show. Neither source appears to be in general circulation. The primary source containing the first set and Scarlet > Fire are of lesser quality than the secondary source which comprises El Paso thru the end of the show 1st Set & Scarlet Begonias > Fire On The Mountain: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassette El Paso thru the end of the show: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassette Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496
107950Grateful Dead1978-05-17Uptown TheaterChicagoIL
flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. The beginning of many songs were clipped and patched with SHNID 8334.
8334Grateful Dead1978-05-17Uptown TheaterChicagoIL
AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner
109000Grateful Dead1978-05-17Uptown TheaterChicagoIL
flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
128393Grateful Dead1978-05-17Uptown TheaterChicagoIL
flac16; Both Sets Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
109101Grateful Dead1978-05-17Uptown TheaterChicagoIL
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
131740Grateful Dead1978-05-17Uptown TheaterChicagoIL
flac16; Complete Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi 300 microphones
163477Grateful Dead1978-05-17Uptown TheaterChicagoIL
flac1648 Source Info: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496
163478Grateful Dead1978-05-17Uptown TheaterChicagoIL
flac2496 Source Info: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496
156757Grateful Dead1978-06-04Campus Stadium, UC Santa BarbaraGoletaCA
flac1644; Source: Lo-Fi mono AUD from the tape collection of Rich Petrunis. Transfer: Old TDK's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2022
87090Grateful Dead1978-06-04Campus Stadium, UC Santa BarbaraGoletaCA
flac16; Master audience cassettes> Open Reel (Sony 153>Tandberg 9141) > DAT (Tandberg 9141>Tascam DA-20 @ 44.1kHz)
94407Grateful Dead1978-06-04Campus Stadium, UC Santa BarbaraGoletaCA
flac16; Recording Info: SBD (Betty's Recording Mix) -> Master Cassette (Maxell UD C-90) -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
10530Grateful Dead1978-06-04Campus Stadium, UC Santa BarbaraGoletaCA
SBD>MC>C>D>CD; patched with AUD>MC>R>D>CD; See info file for details; via Raoul Duke and Mike Tausig; Seeded to etree by Matt Vernon & J. Cotsman
137295Grateful Dead1978-06-04Campus Stadium, UC Santa BarbaraGoletaCA
flac16; Set One & Set Two Partial; Source: FOB AUD unknown lineage, from Brian Schley tape collection. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016
7048Grateful Dead1978-06-25Autzen Stadium, University Of OregonEugeneOR
SBD> MC> ?> D> CD> EAC> SHN; ; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file; d2 tracked for 80 min
130649Grateful Dead1978-06-25Autzen Stadium, University Of OregonEugeneOR
flac16; Recording Info: SBD > MC? > ? > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked upgrade of shnid 7048.
145143Grateful Dead1978-06-25Autzen Stadium, University Of OregonEugeneOR
flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
145144Grateful Dead1978-06-25Autzen Stadium, University Of OregonEugeneOR
flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
152977Grateful Dead1978-06-25Autzen Stadium, University Of OregonEugeneOR
flac1648 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 > RX8 > Flac16
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain
152976Grateful Dead1978-06-25Autzen Stadium, University Of OregonEugeneOR
flac2496 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain
7355Grateful Dead1978-07-01Arrowhead StadiumKansas CityMO
Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr
97424Grateful Dead1978-07-01Arrowhead StadiumKansas CityMO
flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
7356Grateful Dead1978-07-03St. Paul Civic CenterSt. PaulMN
Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr
97601Grateful Dead1978-07-03St. Paul Civic CenterSt. PaulMN
flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
120130Grateful Dead1978-07-03St. Paul Civic CenterSt. PaulMN
flac16; Low-gen Audience Cassette (Set 1: TDK SA-90; Set 2: Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (DFF 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 (pitch, edit) > CD Wave Editor (track) > Trader's Little Helper (wav > flac) > Flac16; Transfer, edit/patch, pitch correction by Bob Morris, May 2012
91785Grateful Dead1978-07-05Omaha Civic AuditoriumOmahaNE
flac16; MOTB Release: 0070 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe
91786Grateful Dead1978-07-05Omaha Civic AuditoriumOmahaNE
flac24; MOTB Release: 0070 24/96 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe
97299Grateful Dead1978-07-05Omaha Civic AuditoriumOmahaNE
flac16; Recorded by Bob Wagner Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
11481Grateful Dead1978-07-05Omaha Civic AuditoriumOmahaNE
AUD(Sony 54P?s>Sony TC-158)>MC>C>DAT>CD; via Paul B; Seeded to Etree by T. Wiley
82931Grateful Dead1978-07-07Red Rocks AmphitheatreMorrisonCO
flac16; AUD Source: Recording by Bob Wagner. Sony ECM-54P's > Sony TC-158. Transfer: MAC > Teac AN-180 outboard Dolby unit > Sony TC 755 open reel deck > Scotch Classic reels at 7.5 IPS, Dolby-B, by Jerry Moore. Reels > Sony TC 850 open reel deck > Teac AN-180 Dolby unit > Sony SBM-1 (super bit mapper) > Tascam CD-Rw4U stand alone burner, by Rob Berger. CDR > EAC > WavMerge > CD-Wave (new track ID's) > TLH (SBE-OK, lossless compression, and checksums) > FLAC, Feb 2007