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Live Concert Database
Sources for Medeski Martin & Wood
SHNIDDateVenueCityStateArchive Identifier
1061222010-02-17House of BluesSan DiegoCA
flac16; FOB ORTF Neumann KM-140 > Lunatec V2 > Benchmark AD2K+ @ 24/44 t: 2nd set normalized, MDA VST noise shaped dither in AmadeusPro 1.3.2
1084212010-02-17House of BluesSan DiegoCA
flac16; 3 mic post-mix: {([2] AKG c460b/a60m/ck3 (~ DIN, 70 deg., 8' high, ROC next to lighting board) -> 'vintage' mod. pres) + ([1] AKG c452eb/ck22 (center omni) -> 'transparent' mod. pre)} -> Busman V/T mod. Edirol R-4 Pro @ 24bit/44.1KHz -> MacBook Pro/Digital Performer 5.1 (import, set 3 track mix, para EQ, peak normalize, fades, split tracks) -> .wav -> iZotope RX (MBIT+ dither to 16bit) -> .wav -> xACT v1.62 -> FLAC (level 8); Recorded, mixed, and FLAC'd by James Bartoli
1061632010-02-18El ReyLos AngelesCA
flac16; set 1: FOB ORTF Neumann KM-140 > Lunatec V2 > Benchmark AD2K+ @ 24/44; set 2: FOB XY~90 Neumann KM-140 > Lunatec V2 > Benchmark AD2K+ @ 24/44; t: 1st set normalized, MDA VST noise shaped dither in AmadeusPro 1.3.2
1062092010-02-19House of BluesAnaheimCA
flac16; XY~90 Neumann KM-140 > Lunatec V2 > Benchmark AD2K+ @ 24/44; transfer: 2.2 dB gain + MDA VST noise shaped dither in AmadeusPro 1.4.5
1062172010-02-19House of BluesAnaheimCA
flac16; SBEs; AKG 460/Ck61x Set to DIN-Oade T. MOD PMD 661 All Post Production (Normalization and Tracking only) Done on Sony Soundforge 9.0 Workstion
1062112010-02-20Rio TheaterSanta CruzCA
flac16; XY~90 Neumann KM-140 > Lunatec V2 > Benchmark AD2K+ @ 24/44;transfer: 8.2 dB gain, MDA VST noise shaped dither in AmadeusPro 1.4.5
1062122010-02-20Rio TheaterSanta CruzCA
flac16; AKG 481 (DIN) > ACM 671 @ 24/48; Location: 2nd row, DFC, 7' high; Transfer: 671 > Amadeus II > xACT > FLAC lvl 8
1062182010-02-21The FillmoreSan FranciscoCA
flac16; SBEs on Set II; FOB ORTF Neumann KM-140 > Lunatec V2 > Benchmark AD2K+; transfer: 2.4 dB gain, MDA VST NS dither with Amadeus 1.4.5
1062262010-02-21The FillmoreSan FranciscoCA
flac16; AKG 483 (DIN) > ACM 671 @ 24/48; Location: OTS, 8' high; Transfer: 671 > Amadeus II > xACT > FLAC lvl 8
1062742010-02-21The FillmoreSan FranciscoCA
flac16; Schoeps mk4v/kc5/cmc6 > Lunatec v2 > Sound Devices 722 @ 24/48 (fob/dfc/din); transfer: CF card > Powerbook G4 > Sound Studio 3.0.1 > xACT > FLAC
1073352010-02-21The FillmoreSan FranciscoCA
flac16; Neumann AK40 > LC3 > KM100 > Edirol R4 (Busman T-mod) @ 24/48 (OTS); Edirol R4 > Sound Studio Pro (tracking, fades, 16/44.1 conversion) > Flac (level 8); Taped & transferred by Todd Fleisher
1073362010-02-21The FillmoreSan FranciscoCA
flac24; Neumann AK40 > LC3 > KM100 > Edirol R4 (Busman T-mod) @ 24/48 (OTS); Edirol R4 > Sound Studio Pro (tracking, fades) > Flac (level 8); Taped & transferred by Todd Fleisher
1062792010-02-23Mystic TheaterPetalumaCA
flac16; AKG 481 (DIN) > ACM 671 (24/48); Location: 1st rail, DFC, ~7 ft high; Transfer: CF > Amadeus II > xACT > FLAC lvl 8
1062812010-02-23Mystic TheaterPetalumaCA
flac16; FOB XY~90 Neumann KM-140 > Lunatec V2 > Benchmark AD2K+ @ 24/44; transfer: 6.5 dB gain, VST MDA NS dither in Amadeus 1.4.5
1063022010-02-25McDonald TheatreEugeneOR
flac16; Neumann Ak40's(NOS) > Lc3 > Km 100 > Psp2 > SD 702 @ 24/48; Location: FOB 6th Row DFC (set I 5' Up,Set II 6' Up); Transfer: Cf Card > Wavelab 6.0 (Resample,UV 22 HR) > Cd Wave > TLH > 16/44 FLAC
1063062010-02-25McDonald TheatreEugeneOR
flac16; Schoeps MK4 > CMC6 > Lunatec V2 > Tascam HDP2 (24/88.2); Transfer: CF card > SF8 > WAVELAB (UV22HR Resample/dither) > CDWAVE > FLAC
1073692010-02-25McDonald TheatreEugeneOR
flac16; Rode NT-5 > M-Audio MicroTrack (16 bit, 44.1k) (last row of floor, directly in front of the sound board (underneath the balcony), right of center, ~7 feet high, one mic pointed at each stack); CF Card > wav > cdwav (track split) > flac; Taped by Ryan Frank & Matt Teske
1063142010-02-26Roseland TheatrePortlandOR
flac16; Source: Neumann Ak40's(NOS) > Lc3 > Km 100 > Psp2 > SD 702 @ 24/48; Location: (Balcony DFC Clamped To Rail); Transfer: Cf Card > Wavelab 6.0 (Resample,UV 22 HR) > Cd Wave > TLH > 16/44 FLAC
1063712010-02-26Roseland TheatrePortlandOR
flac16; schoeps mk4 NOS clamped to balcony rail, center > kc5 > cmc6 > SD722 (24/96) > Wavelab (fades, resample, dither) > CDWave > flac16
1063852010-02-27Showbox At MarketSeattleWA
flac16; Sony PCM-D50 (Built in mics) (24bit/48 kHz); Location: Right of SBD, 15 ft up, XY; Transfer: Tracked, SRCd at best iZotrope setting, dithered using MBit+ Ultra shaping, and exported to FLAC at 16/44.1 using Wave Editor (Macintosh Based)
1063922010-02-27Showbox At MarketSeattleWA
flac24; Sony PCM-D50 (Built in mics) (24bit/48 kHz); Location: Right of SBD, 15 ft up, XY; Transfer: Tracked using Wave Editor (Macintosh Based)
1073802010-02-27Showbox At MarketSeattleWA
flac16; Rode NT-5 > M-Audio MicroTrack (16 bit, 44.1k) (directly behind the sound board, which was significantly left of center, ~8' high, one mic pointed at each stack); CF Card > wav > cdwav (track split) > flac; Taped by Ryan Frank & Matt Teske
1073782010-04-07Fukuoka RoomsFukuokaJapan
flac16; Source: this audio was ripped from the videos located here: http://www.ustream.tv/channel/organicgroove; played the videos in my browser, recorded as WAV in Cool Edit Pro 2.1, then TLH > FLAC; Tracking/Seed preparation: FLAC > Trader's Little Helper (decode to WAV) > WavLab 4.0 (tracking) > Trader's Little Helper (SBE fixing > FLAC Level 8) > MP3tag (ID tags added)
1073792010-04-09The Bottom LineNagoyaJapan
flac16; Source: this audio was ripped from the videos located here: http://www.ustream.tv/channel/organicgroove; played the videos in my browser, recorded as WAV in Cool Edit Pro 2.1, then TLH > FLAC; Tracking/Seed preparation: FLAC > Trader's Little Helper (decode to WAV) > WavLab 4.0 (tracking) > Trader's Little Helper (SBE fixing > FLAC Level 8) > MP3tag (ID tags added)
1072162010-04-10Shibuya O-EastTokyoJapan
flac16; Rode NT4 > Edirol UA-5 Digi-mod (Digital 44.1 kHz, 16 Bit) > iriver iHP-120 Rockbox (Digital) > CD wave (Split Tracks) > FLAC (Level 8) (1st row, DFC, 1.9m high); Taped by Watanabe Satoshi
1072192010-04-10Shibuya O-EastTokyoJapan
flac16; KA200N+MBP604 > PCM-D50 (1st row center of 2nd floor balcony); CDR > PC > EAC > WAV > Soundengine Free re-tracked > FFFT > Flac; Taped by Eri; Re-tracked & Flaced by Jan
1072432010-04-11Tokyo Kinema ClubTokyoJapan
flac16; MXL 2003 > V2 > SONY D50 (WAV24 bit/48k); Flac > FFFT > Wav > SoundEngine Free re-tracked > FFFT > Flac; Taped by 1046; Re-tracked & Flaced by Jan
1073522010-04-11Tokyo Kinema ClubTokyoJapan
flac16; s1-mk41 / s2-mk4v > vst62iu > Sound Devices 744T (s1-DINA 3m RoC, 12m back, 2m high / s2-dORTF 0.5m LoC, 10m back, balcony rail); CF Card Reader (USB2.0) > Dell Vostro 1500 > Wavelab 5.01c* > CDWav 1.94 > FLAC; Taped by Andy Liu
1078742010-05-13SESC PompeiaSao PauloBrazil
flac16; Sony stereo mic > Sony MZ-NH1 Hi-MD (44.1 kHz/16-bit linear PCM audio) > .WAV (tracking on Sound Forge 9.0) > .FLAC (Trader's Little Helper level 8); via DIME
1080882010-06-04Red Rocks AmphitheatreMorrisonCO
flac16; Source: Schoeps mk41 > Nbox > Edirol R-09 @ 24/48 (fob/dfc/dina); Transfer: R-09 > G5 > Sound Studio 3.5.6 > xACT > FLAC
1088672010-06-28Ottawa International Jazz Festival - Main StageOttawaON
flac16; Source: AT3035's (Cardioids, DIN 90°/20cm,) > Hydra XLR's > Busman Mod Fostex FR-2LE (16bit/44.1kHz); Location: Front row centre;
1095762010-08-07The Scranton Jazz FestivalScrantonPA
flac16; Busman Bsc1 (Hypers)>kind cables>Fostex FR-2LE(Busman T-mod) (FOB/DFC/DIN 8' High); FR-2LE>Wavelab 6.0>CD Wave>TLH(flac 16); Taped & transferred by Jack Riley
1106602010-11-11State TheatreState CollegePA
flac16; Source: Busman Bsc1 (Hypers)>HYDRA silver Shorty XLR's>Fostex FR-2LE(Busman T-mod) @24/96; Location: Last Row in Balcony 6' POS; Transfer: CF Card>Wavelab 6.0(Resample and Dithering>CD Wave(tacking>TLH(flac 16 level 8)
1158692010-11-13Mr. Smalls TheatreMillvalePA
flac16: Source: AKG C1000s > Sony PCM-M10 > CD; WAV (tracking) > FLAC Frontend > Trader's Little Helper (create ffp's)
1107202010-11-14Tarrytown Music HallTarrytownNY
flac16; Source: AKG ck1~> c460b~> Silver T's~> Busman Mod PMD660; Location/Configuration: Row H, Seat 106 & 107; APPROX 30' From The Stage; Bodies @ 80* , Caps Spaced 10"; Editing: Soundforge 8: Pencil Tool- Minimize Unruly Spikes; Tracked In CDWAVE; Flac'd In Traders Little Helper; Tagged In Foobar 2000 With Live Show Tagger
1107782010-11-14Tarrytown Music HallTarrytownNY
flac16; Source: AKG-391 (front row of balcony, dead center) -> Samson Mixpad -> Sony M-1 DAT(m). Master DAT playback: Sony R500 -> Sound Devices 722 digital input (@24/48); Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav
1107792010-11-14Tarrytown Music HallTarrytownNY
flac16; Source: Neumann TLM-170 (cardoids, front row of balcony, dead center) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0b (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav.
1144022010-11-14Tarrytown Music HallTarrytownNY
flac16; Schoeps mk22~> kc5~> cmc6~> fostex fr2le with oade mod@48-24 (Row H, Seat 106 & 107, APPROX 30' From The Stage, Caps Spaced 12.5", Angle Of 80 degrees); R8brain for 24bit/48kHz to 16bit/44.1KHz conversion > Tracked In CDWAVE > Flac'd In Traders Little Helper > Tagged In Foobar2000 With Live Show Tagger; Taped & transferred by Todd Turmel
1112192010-11-16Asbury HallBuffaloNY
flac16: Source: Milab VM-44 Links > Naiant Littlebox > Sony PCM-M10 [24/48]; Transfer: MicroSD > PC > Sony Sound Forge Audio Studio 9.0 [Normalize -0.00 dB (100%), Dither (16-bit Triangular) & Resample to 44,100 Hz] > CD Wav > Flac16 (736 MB)
1107212010-11-16Asbury HallBuffaloNY
flac16; Source: SBEsBeyer MC930's [Balcony, DFC] > Mini-Me > MT II; Lineage: CF > USB > Wavelab [UV22HR Dither, Resample, Fades] > WAV > FLAC; tracks not split on sector boundaries; there is a fixed version in circulation
1107862010-11-16Asbury HallBuffaloNY
flac16; Source: DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96); Config/Location: DIN/FOH/DFC 10' stand; Transfer: 722>Firewire>Macbook> Sound Studio 3.6(fades, normalize peak, track)>Wave Editor (iZotope Resampler/MBIT+ Dither)> xACT 1.71(align on sector boundaries, encode, tag, fingerprint)>flac16
1107872010-11-16Asbury HallBuffaloNY
flac24; Source: DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96); Config/Location: DIN/FOH/DFC 10' stand; Transfer: 722>Firewire>Macbook> Sound Studio 3.6(fades, normalize peak, track)> xACT 1.71(encode, tag, fingerprint)>flac24
1108012010-11-16Asbury HallBuffaloNY
flac16; FIX - Source: Beyer MC930's [Balcony, DFC] > Mini-Me > MT II; Lineage: CF > USB > Wavelab [UV22HR Dither, Resample, Fades] > WAV > FLAC; via DIME - fix of previous source
1109122010-11-16Asbury HallBuffaloNY
flac16; Source: DPA 4060's (7th row just left of center)> DPA MPS6030 > Tascam DR-07 > USB > Soundforge 10 (normalize to 96%) > cdwav > flac
1107472010-11-18Westcott TheatreSyracuseNY
flac16; Source: MBHO603a/KA200N > Fostex FR2-LE
1108392010-11-18Westcott TheatreSyracuseNY
flac24; Source: Microtech Gefell M20 > JK Labs ECMS-23 > Sound Devices 722 (mic in, +20 db); Conversion: compact flash card > IBM Lenovo ThinkPad T60; Editing: Steinberg WaveLab v5.01b (build 240), decibel increase to both channels (resulting in -.20 peaks) via the "change gain" command; Final Format: 24 bit, 48 kHz; Tracking: CD Wave v1.93.3; Compression: FLAC v1.2.1, Trader's Little Helper v2.6.0 (Build 168), Level 8
1108832010-11-18Westcott TheatreSyracuseNY
flac16; Source: Microtech Gefell M20 > JK Labs ECMS-23 > Sound Devices 722 (mic in, +20 db); Conversion: compact flash card > IBM Lenovo ThinkPad T60; Editing: Steinberg WaveLab v5.01b (build 240), decibel increase to both channels (resulting in -.30 peaks) via the "change gain" command, resample with ReSampler 192 at High Quality, dither with MegaBitMax, iZotope Ozone 3, Medium Noise Shaping, Normal Dither Amount; Final Format: 16 bit, 44.1 kHz; Tracking: CD Wave v1.93.3; Compression: FLAC v1.2.1, Trader's Little Helper v2.6.0 (Build 168), Level 8, Sector Boundaries Aligned using "fix" setting
1108492010-11-19Port City Music HallPortlandME
flac16; Source: AKG ck1~> c460b~> Silver T's~> Busman Mod PMD660; Location/Configuration: FOB/ROC/20'From Stage; Bodies @ 70* ,Caps Spaced 10"; Editing: RAW wav; Tracked In CDWAVE; Flac & SHNTOOL In Traders Little Helper; Tagged In Foobar 2000 With Live Show Tagger
1111242010-11-19Port City Music HallPortlandME
flac16; Source: Schoeps mk22>kc5>cmc6>fostex fr2le with oade mod@48-24>cf; Location/Configuration: FOB/ROC/20'From Stage; Transfer: cf>vegas-src-44-16>cdwave>flac
1108002010-11-20House of BluesBostonMA
flac16; Source: BSC1-K3 (hypers) > Silver Cables > FR-2LE [BA TMod] (24/48);Transfer: CF Card > Audacity (fades, tracking) > r8brain (downsampling) > TLH > Flac (level 8) DFC/DIN/8' high
1108462010-11-20House of BluesBostonMA
flac16; Source: Schoeps MK41(DIN DFC behind the soundboard)>KC5>CMC6>Sonosax SX-M2>Apogee Mini-me(aes out 24bit/96khz)>COAX>Edirol R-44; Transfer: SDHC Card>usb>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16bit/44.1khz)>XAct(FLAC 8,ffp,fix sbe)
1108472010-11-20House of BluesBostonMA
flac24; Source: Schoeps MK41(DIN DFC behind the soundboard)>KC5>CMC6>Sonosax SX-M2>Apogee Mini-me(aes out 24bit/96khz)>COAX>Edirol R-44; Transfer: SDHC Card>usb>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp)