Sources for Medeski Martin & Wood

SHNIDDateVenueCityStateArchive Identifier
1188762012-02-09The Pour HouseJames IslandSC
flac16; Source: Franken-Nak CM300/CP-1 {Cardiod, Onstage on Kwon NOS Bar} > Grace Design Lunatec V2 > Tascam DR-680 {24/48}; Post/Tracking: Wavelab 6 {+6dB, Peak Master, UV22HR, Resampler 192kHz} > CD Wave Editor > Trader's Little Helper > FLAC (6)
1199892012-02-09The Pour HouseJames IslandSC
flac16; DO NOT TRADE; Source: Franken-Nak CM300/CP-1 {Cardiod, Onstage on Kwon NOS Bar} > Grace Design Lunatec V2 > Tascam DR-680 {24/48} + Soundboard + ceiling mounted SP C4's @ 44.1 KHz; Post/Tracking: Wavelab 6 {Onstage source: +6dB, Peak Master, UV22HR, Resampler 192kHz}{Audio Montage} > CD Wave Editor > Trader's Little Helper > FLAC (6)
1271462012-04-20Stanser Musiktage, Kollegium St. FidelisStansSwitzerland
mp2; Radio DRS2, Hotbird DVB MP2 @ 256kbps/48kHz; Hauppauge WinTV-HVR-4400-HD internal card > MPEG TS Video > Total Video Converter > MP2 256kbps/48kHz > MP3DirectCut edits; via DIME
1200972012-05-01Lantaren-VensterRotterdamNetherlands
flac16; Source: DPA 2006C > Aerco MP-2 > Sony PCM-M10 (24/48); Location: Clamped to balcony railing, DFC, ~ 4.5 meters high (directly over soundboard), ~ 20 meters from stage, AB (spaced ~ 65 cm); Transfer: WAV (24/48)~> Wavelab 6- Cut low shelf, Mid boost~> R8brain Pro 16/44.1 WAV~> CDWAVE~> Traders Little Helper, SBE Check, SHNTOOL_len, FLAC LVL 8 Tagged In Foobar2000- Live Show Tagger
1349742012-05-04Off-Beat Jazz Festival - Kaserne BaselBaselSwitzerland
flac16; Source: Audience recording (Nokia N9)
1201512012-05-10Masonic TempleBrooklynNY
flac16; Source: Neumann TLM-170 (cardoids, FOB center main floor in sweet spot, about 30 ft. from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0d (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings, manual clap removal); Tracked in CDWav.
1201532012-05-10Masonic TempleBrooklynNY
flac16; Source: Schoeps mk4 (fob/dfc @ 30') -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
1201542012-05-10Masonic TempleBrooklynNY
flac24; Source: Schoeps mk4 (fob/dfc @ 30') -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
1222472012-10-03Narrows Center for the ArtsFall RiverMA
flac16; Source: MXL v67n (Omni @30")> UA-5 (T+)> Yamaha C24(WAV 24bit/96k); Transfer: SD> Audacity > WAV > TLH (FLAC (8))
1222622012-10-03Narrows Center for the ArtsFall RiverMA
flac16; Source: DPA 4023>Lunatec V3>AD2K(24bit/48khz)>Tascam HD-P2>CF Card; CF Card>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe); Mics were 40' from stage just right of center
1222742012-10-03Narrows Center for the ArtsFall RiverMA
flac24; Source: DPA 4023>Lunatec V3>AD2K(24bit/48khz)>Tascam HD-P2>CF Card; CF Card>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Mics were 40' from stage just right of center
1222482012-10-04Keswick TheaterGlensidePA
flac16; Source: mk4v(DIN, in hat)>N-Box>M-10; Transfer: CF>HDD>Audacity 1.3.13-beta (track, FLAC encode)>r8brain (24/48>16/44.1 conversion; quality setting:'very high'); Location: FOB/DFC
1222492012-10-04Keswick TheaterGlensidePA
flac24; Source: mk4v(DIN, in hat)>N-Box>M-10; Transfer: CF>HDD>Audacity 1.3.13-beta (track, FLAC encode); Location: FOB/DFC
1222502012-10-05Jordan Hall, New England Conservatory of MusicBostonMA
flac16; Source: Schoeps MK22>KC5>CMC6>Sonosax SX-R4(24bit/96khz); WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe); Mics were 6th row center (21cm,110degrees)
1222512012-10-05Jordan Hall, New England Conservatory of MusicBostonMA
flac24; Source: Schoeps MK22>KC5>CMC6>Sonosax SX-R4(24bit/96khz); WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Mics were 6th row center (21cm,110degrees)
1222602012-10-06Massry Center For The Arts, College Of Saint RoseAlbanyNY
flac16; Source: Schoeps MK22>KC5>CMC6>Sonosax SX-R4(24bit/96khz); WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe); Mics were 7th row center (21cm,110degrees)
1222612012-10-06Massry Center For The Arts, College Of Saint RoseAlbanyNY
flac24; Source: Schoeps MK22>KC5>CMC6>Sonosax SX-R4(24bit/96khz); WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Mics were 7th row center (21cm,110degrees)
1222752012-10-06Massry Center For The Arts, College Of Saint RoseAlbanyNY
flac16; Source: (7th row center) Neumann AK40/LC3/KM100 (DIN)> Sonosax SX-M2> Apogee Minime> Edirol R-44 (24/48) on a SDHC Card; Transfer: SDHC Card> Card Reader> PC> Reaper v4.22 (Dither to 16 bit and resample to 44.1k)> CD Wav (Tracked and converted to flac @ level 8)
1223452012-10-07Museum Events Center at Bethel WoodsBethel WoodsNY
flac16; Source: Schoeps mk21(fob/dfc 5th row, NOS) -> kc-5 -> cmc6 -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
1223612012-10-07Museum Events Center at Bethel WoodsBethel WoodsNY
flac24; Source: Schoeps mk21(fob/dfc 5th row, NOS) -> kc-5 -> cmc6 -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
1222822012-10-08Bergen PACEnglewoodNJ
flac16; Source: mk4v(DIN, in hat)>N-Box>M-10; Transfer: CF>HDD>Audacity 1.3.13-beta (track, FLAC encode)>r8brain (24/48>16/44.1 conversion; quality setting:'very high'); Location: FOB/DFC
1222832012-10-08Bergen PACEnglewoodNJ
flac24; Source: mk4v(DIN, in hat)>N-Box>M-10; Transfer: CF>HDD>Audacity 1.3.13-beta (track, FLAC encode); Location: FOB/DFC
1223502012-10-10Ridgefield PlayhouseRidgefieldCT
flac16; Source: Busman BSC2/K11 > Tascam DR-680 (24-bit/96k); Location: DFC/DINa clamped to balcony rail; Transfer: Sony Sound Forge Pro 10.0 (0db Normalization; L3 UltraMaximizer Stereo; Fades; Resampled with iZotope 64-Bit SRC @ Highest quality; Bit-Depth Conversion (24>16) with iZotope MBIT+ Dither with Ultra noise shaping, High dither) > CDWave > FLAC16 via Trader's Little Helper @ Level 8
1223632012-10-10Ridgefield PlayhouseRidgefieldCT
flac24; Source: Busman BSC2/K11 > Tascam DR-680 (24-bit/96k); Location: DFC/DINa clamped to balcony rail; Transfer: Sony Sound Forge Pro 10.0 (0db Normalization; L3 UltraMaximizer Stereo; Fades) > CDWave > FLAC24 via Trader's Little Helper @ Level 8.
1271482012-10-10Ridgefield PlayhouseRidgefieldCT
flac16; Nakamichi CM-1000 CP-101 > Aerco MP-2 > Sony PCM-M10 (24/44.1); (24/44.1) WAV > Adobe Audition 3.0 > (16/44.1) WAV > Totalrecorder 8.4 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC; via Traders' Den
1223512012-10-11Sherman TheaterStroudsburgPA
flac16; Source: Busman Bsc1 (Hypers)>HYDRA silver Shorty XLR's>Fostex FR-2LE(Busman T-mod) @24/48; Location: FOB/JROC/POS @ 7"; Transfer: CF Card>Wavelab 6.0(Resample and Dithering>CD Wave(tracking>TLH(flac 16 level 8)
1223652012-10-12The ParamountHuntingtonNY
flac16; Source: Schoeps mk5(fob/dfc 8th row, cardioid DIN) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
1223662012-10-12The ParamountHuntingtonNY
flac24; Source: Schoeps mk5(fob/dfc 8th row, cardioid DIN) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
1223682012-10-12The ParamountHuntingtonNY
flac16; Source: Schoeps mk21(fob/dfc 8th row, NOS) -> kc-5 -> cmc6 -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
1223692012-10-12The ParamountHuntingtonNY
flac24; Source: Schoeps mk21(fob/dfc 8th row, NOS) -> kc-5 -> cmc6 -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
1223702012-10-12The ParamountHuntingtonNY
flac16; Source: AKG 393>Edirol R44 FOB; Transfer: SD Card>PC>CD Wave>Traders Little Helper>Flac (Level 8) FOB
1225952012-10-14Rams Head On StageAnnapolisMD
flac16; Source: Schoeps MK4's ORTF>Active cable>Schoeps VMS02Ib> Sony M-10 @ 24/96; Assembly: r8brain pro for 16/44, aa3 for edits, cdwav for tracks, tlh for tags, foobar for tags (1st set recorded by soundboard area appx 40' from stage; 2nd set recorded 10' stage center)
1232262012-12-13Blue Note Jazz ClubNew YorkNY
flac16; Source: Tascam DR-40 > 16bit WAV > WaveLab 6.11 (tracking/fades) > Trader’s Little Helper (fix SBEs + FLAC Level 8) > MP3Tag (ID tags)
1232272012-12-14Blue Note Jazz ClubNew YorkNY
flac16; Source: Tascam DR-40 > 16bit WAV > WaveLab 6.11 (tracking/fades) > Trader’s Little Helper (fix SBEs + FLAC Level 8) > MP3Tag (ID tags)
1232282012-12-15Blue Note Jazz ClubNew YorkNY
flac16; Source: Tascam DR-40 > 16bit WAV > WaveLab 6.11 (tracking/fades) > Trader’s Little Helper (fix SBEs + FLAC Level 8) > MP3Tag (ID tags)
1271642012-12-16Blue Note Jazz ClubNew YorkNY
flac16; Edirol R-09HR (16/44-internal mics); WAV > PC > CDWav > FLAC