Sources for Artist Group Medeski Martin & Wood
1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2016 2017 2018 2019
SHNIDArtistDateVenueCityStateArchive Identifier
118876Medeski Martin & Wood2012-02-09The Pour HouseJames IslandSC
flac16; Source: Franken-Nak CM300/CP-1 {Cardiod, Onstage on Kwon NOS Bar} > Grace Design Lunatec V2 > Tascam DR-680 {24/48}; Post/Tracking: Wavelab 6 {+6dB, Peak Master, UV22HR, Resampler 192kHz} > CD Wave Editor > Trader's Little Helper > FLAC (6)
119989Medeski Martin & Wood2012-02-09The Pour HouseJames IslandSC
flac16; DO NOT TRADE; Source: Franken-Nak CM300/CP-1 {Cardiod, Onstage on Kwon NOS Bar} > Grace Design Lunatec V2 > Tascam DR-680 {24/48} + Soundboard + ceiling mounted SP C4's @ 44.1 KHz; Post/Tracking: Wavelab 6 {Onstage source: +6dB, Peak Master, UV22HR, Resampler 192kHz}{Audio Montage} > CD Wave Editor > Trader's Little Helper > FLAC (6)
127191Billy Martin (illy B)2012-02-26Brooklyn BowlBrooklynNY
Billy Martin & Wil Blades Duo; flac24; Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
127190Billy Martin (illy B)2012-02-26Brooklyn BowlBrooklynNY
Billy Martin & Wil Blades Duo; flac16; Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
127146Medeski Martin & Wood2012-04-20Stanser Musiktage, Kollegium St. FidelisStansSwitzerland
mp2; Radio DRS2, Hotbird DVB MP2 @ 256kbps/48kHz; Hauppauge WinTV-HVR-4400-HD internal card > MPEG TS Video > Total Video Converter > MP2 256kbps/48kHz > MP3DirectCut edits; via DIME
120097Medeski Martin & Wood2012-05-01Lantaren-VensterRotterdamNetherlands
flac16; Source: DPA 2006C > Aerco MP-2 > Sony PCM-M10 (24/48); Location: Clamped to balcony railing, DFC, ~ 4.5 meters high (directly over soundboard), ~ 20 meters from stage, AB (spaced ~ 65 cm); Transfer: WAV (24/48)~> Wavelab 6- Cut low shelf, Mid boost~> R8brain Pro 16/44.1 WAV~> CDWAVE~> Traders Little Helper, SBE Check, SHNTOOL_len, FLAC LVL 8 Tagged In Foobar2000- Live Show Tagger
134974Medeski Martin & Wood2012-05-04Off-Beat Jazz Festival - Kaserne BaselBaselSwitzerland
flac16; Source: Audience recording (Nokia N9)
120151Medeski Martin & Wood2012-05-10Masonic TempleBrooklynNY
flac16; Source: Neumann TLM-170 (cardoids, FOB center main floor in sweet spot, about 30 ft. from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0d (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings, manual clap removal); Tracked in CDWav.
120153Medeski Martin & Wood2012-05-10Masonic TempleBrooklynNY
flac16; Source: Schoeps mk4 (fob/dfc @ 30') -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
120154Medeski Martin & Wood2012-05-10Masonic TempleBrooklynNY
flac24; Source: Schoeps mk4 (fob/dfc @ 30') -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
120451Billy Martin (illy B)2012-05-26Goodfoot LoungePortlandOR
Billy Martin & Wil Blades Duo; flac16; Source: mk4 DIN onstage center 4' high > kc5 > cmc6 > SD722 (24/96) > Wavelab (+9dB gain, fades, resample, dither) > CDWave > flac16
127192Billy Martin (illy B)2012-05-27Goodfoot LoungePortlandOR
Billy Martin & Wil Blades Duo; flac16; mk4 DIN onstage center 4' high > kc5 > cmc6 > SD722 (24/96) > Wavelab (+5dB gain, fades, resample, dither) > CDWave > flac16
120449Billy Martin (illy B)2012-05-30HopmonkSebastopolCA
Billy Martin & Wil Blades Duo; flac16; Source: center stage Telefunken ELA M260 (mid) / Telefunken AR-51 (side) > SD 744T (mic) @ 24/96 + Telefunken ELA M261 (Leslie low) > SD 744T (mic) + sbd (keys subgroup) > SD 744T (line)
127193Billy Martin (illy B)2012-06-01Great American Music HallSan FranciscoCA
Billy Martin & Wil Blades Duo; flac16; center stage SoundField ST350 (b-format) > Tascam DR-680 (line) @ 24/48 + Neumann KM-140 (clavinet) > Tascam DR-680 (line) + Neumann TLM-102 (Leslie hi) > Lunatec V3 > DR-680 (sp/dif) + Neumann KM-130 (Leslie lo) > Lunatec V3 > DR-680 (sp/dif); ST350 > Ambisonic Studio (supercardiod @ 90-degrees); Leslie hi > sample delay > Oxford EQ (hi pass) > Sonalksis SV-315mk2 compressor; Leslie lo > sample delay; Clavinet > sample delay; mixdown > Ozone 5 Maximizer
127194Billy Martin (illy B)2012-06-02The MintLos AngelesCA
Billy Martin & Wil Blades Duo; flac16; AKG c422 > s42 > Grace Design Lunatec V2 > Sonic AD2K+ > Roland R-44 (S/PDIF digital input) (~Center, ~15' back, ~8' Matthellini clamp/magic finger, Manfrotto extension pole, nanoclamp,Mic Config: X/Y (supercardiod),Record Format: 24-bit, 96 kHz); SDHC card > USB 2.0 card reader > MacBook Air; Edit: quadratic (linear) fades; invert phase; change gain +4.0 db/set 1, +2.0 db/set 2 (Wave Editor 1.5.7); Tracking (Wave Editor 1.5.7); Resample: Ultra-steep, Linear Phase (Izotope ReSampler/Wave Editor 1.5.7); Dither: Ultra Shape, High Amount (MBIT+/Wave Editor 1.5.7); Final Format: 16-bit, 44.1 kHz; Encode, Verify: xACT; Tagging, etc.: Live Show Tagger, ReplayGain (foobar2000)
122247Medeski Martin & Wood2012-10-03Narrows Center for the ArtsFall RiverMA
flac16; Source: MXL v67n (Omni @30")> UA-5 (T+)> Yamaha C24(WAV 24bit/96k); Transfer: SD> Audacity > WAV > TLH (FLAC (8))
122262Medeski Martin & Wood2012-10-03Narrows Center for the ArtsFall RiverMA
flac16; Source: DPA 4023>Lunatec V3>AD2K(24bit/48khz)>Tascam HD-P2>CF Card; CF Card>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe); Mics were 40' from stage just right of center
122274Medeski Martin & Wood2012-10-03Narrows Center for the ArtsFall RiverMA
flac24; Source: DPA 4023>Lunatec V3>AD2K(24bit/48khz)>Tascam HD-P2>CF Card; CF Card>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Mics were 40' from stage just right of center
122248Medeski Martin & Wood2012-10-04Keswick TheaterGlensidePA
flac16; Source: mk4v(DIN, in hat)>N-Box>M-10; Transfer: CF>HDD>Audacity 1.3.13-beta (track, FLAC encode)>r8brain (24/48>16/44.1 conversion; quality setting:'very high'); Location: FOB/DFC
122249Medeski Martin & Wood2012-10-04Keswick TheaterGlensidePA
flac24; Source: mk4v(DIN, in hat)>N-Box>M-10; Transfer: CF>HDD>Audacity 1.3.13-beta (track, FLAC encode); Location: FOB/DFC
122250Medeski Martin & Wood2012-10-05Jordan Hall, New England Conservatory of MusicBostonMA
flac16; Source: Schoeps MK22>KC5>CMC6>Sonosax SX-R4(24bit/96khz); WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe); Mics were 6th row center (21cm,110degrees)
122251Medeski Martin & Wood2012-10-05Jordan Hall, New England Conservatory of MusicBostonMA
flac24; Source: Schoeps MK22>KC5>CMC6>Sonosax SX-R4(24bit/96khz); WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Mics were 6th row center (21cm,110degrees)
122260Medeski Martin & Wood2012-10-06Massry Center For The Arts, College Of Saint RoseAlbanyNY
flac16; Source: Schoeps MK22>KC5>CMC6>Sonosax SX-R4(24bit/96khz); WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe); Mics were 7th row center (21cm,110degrees)
122261Medeski Martin & Wood2012-10-06Massry Center For The Arts, College Of Saint RoseAlbanyNY
flac24; Source: Schoeps MK22>KC5>CMC6>Sonosax SX-R4(24bit/96khz); WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Mics were 7th row center (21cm,110degrees)
122275Medeski Martin & Wood2012-10-06Massry Center For The Arts, College Of Saint RoseAlbanyNY
flac16; Source: (7th row center) Neumann AK40/LC3/KM100 (DIN)> Sonosax SX-M2> Apogee Minime> Edirol R-44 (24/48) on a SDHC Card; Transfer: SDHC Card> Card Reader> PC> Reaper v4.22 (Dither to 16 bit and resample to 44.1k)> CD Wav (Tracked and converted to flac @ level 8)
122361Medeski Martin & Wood2012-10-07Museum Events Center at Bethel WoodsBethel WoodsNY
flac24; Source: Schoeps mk21(fob/dfc 5th row, NOS) -> kc-5 -> cmc6 -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
122345Medeski Martin & Wood2012-10-07Museum Events Center at Bethel WoodsBethel WoodsNY
flac16; Source: Schoeps mk21(fob/dfc 5th row, NOS) -> kc-5 -> cmc6 -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
122282Medeski Martin & Wood2012-10-08Bergen PACEnglewoodNJ
flac16; Source: mk4v(DIN, in hat)>N-Box>M-10; Transfer: CF>HDD>Audacity 1.3.13-beta (track, FLAC encode)>r8brain (24/48>16/44.1 conversion; quality setting:'very high'); Location: FOB/DFC
122283Medeski Martin & Wood2012-10-08Bergen PACEnglewoodNJ
flac24; Source: mk4v(DIN, in hat)>N-Box>M-10; Transfer: CF>HDD>Audacity 1.3.13-beta (track, FLAC encode); Location: FOB/DFC
122350Medeski Martin & Wood2012-10-10Ridgefield PlayhouseRidgefieldCT
flac16; Source: Busman BSC2/K11 > Tascam DR-680 (24-bit/96k); Location: DFC/DINa clamped to balcony rail; Transfer: Sony Sound Forge Pro 10.0 (0db Normalization; L3 UltraMaximizer Stereo; Fades; Resampled with iZotope 64-Bit SRC @ Highest quality; Bit-Depth Conversion (24>16) with iZotope MBIT+ Dither with Ultra noise shaping, High dither) > CDWave > FLAC16 via Trader's Little Helper @ Level 8
122363Medeski Martin & Wood2012-10-10Ridgefield PlayhouseRidgefieldCT
flac24; Source: Busman BSC2/K11 > Tascam DR-680 (24-bit/96k); Location: DFC/DINa clamped to balcony rail; Transfer: Sony Sound Forge Pro 10.0 (0db Normalization; L3 UltraMaximizer Stereo; Fades) > CDWave > FLAC24 via Trader's Little Helper @ Level 8.
127148Medeski Martin & Wood2012-10-10Ridgefield PlayhouseRidgefieldCT
flac16; Nakamichi CM-1000 CP-101 > Aerco MP-2 > Sony PCM-M10 (24/44.1); (24/44.1) WAV > Adobe Audition 3.0 > (16/44.1) WAV > Totalrecorder 8.4 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC; via Traders' Den
122351Medeski Martin & Wood2012-10-11Sherman TheaterStroudsburgPA
flac16; Source: Busman Bsc1 (Hypers)>HYDRA silver Shorty XLR's>Fostex FR-2LE(Busman T-mod) @24/48; Location: FOB/JROC/POS @ 7"; Transfer: CF Card>Wavelab 6.0(Resample and Dithering>CD Wave(tracking>TLH(flac 16 level 8)
122365Medeski Martin & Wood2012-10-12The ParamountHuntingtonNY
flac16; Source: Schoeps mk5(fob/dfc 8th row, cardioid DIN) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
122366Medeski Martin & Wood2012-10-12The ParamountHuntingtonNY
flac24; Source: Schoeps mk5(fob/dfc 8th row, cardioid DIN) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
122368Medeski Martin & Wood2012-10-12The ParamountHuntingtonNY
flac16; Source: Schoeps mk21(fob/dfc 8th row, NOS) -> kc-5 -> cmc6 -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
122369Medeski Martin & Wood2012-10-12The ParamountHuntingtonNY
flac24; Source: Schoeps mk21(fob/dfc 8th row, NOS) -> kc-5 -> cmc6 -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
122370Medeski Martin & Wood2012-10-12The ParamountHuntingtonNY
flac16; Source: AKG 393>Edirol R44 FOB; Transfer: SD Card>PC>CD Wave>Traders Little Helper>Flac (Level 8) FOB
122595Medeski Martin & Wood2012-10-14Rams Head On StageAnnapolisMD
flac16; Source: Schoeps MK4's ORTF>Active cable>Schoeps VMS02Ib> Sony M-10 @ 24/96; Assembly: r8brain pro for 16/44, aa3 for edits, cdwav for tracks, tlh for tags, foobar for tags (1st set recorded by soundboard area appx 40' from stage; 2nd set recorded 10' stage center)
127196Billy Martin (illy B)2012-11-04Duling HallJacksonMS
Billy Martin & Wil Blades Duo; flac24; Schoeps MK41 > Naiant PFA > Tascam HSP-82[24-Bit/48kHz] (Stage Lip); Wave Editor > xACT (FLAC 8)
127197Billy Martin (illy B)2012-11-10Bear Creek Music & Art Festival, Spir...Music ParkLive OakFL
Billy Martin & Wil Blades Duo; flac16; Busman BSC1 K1(Cards) >Gakcables >Fostex FR-2LE (16/44) >CF Card (FOB in Sbd Cage); Wavelab 5 (Resample/Dithering/Fades) >CD Wave (Tracking) >TLH >Flac 16 (Level 8)>Tagged with Foobar 2000
127198Billy Martin (illy B)2012-11-27SPACEEvanstonIL
Billy Martin & Wil Blades Duo; flac16; Sennheiser e914's > Sound Devices 722 (24/48, 40 Hz HPF @ 12 dB/oct.); CF card > Audiogate (normalize, fades, tracking, dither/re-sample to 16/44.1) > xACT (flac 8 w/ SBA)
123226Medeski Martin & Wood2012-12-13Blue Note Jazz ClubNew YorkNY
flac16; Source: Tascam DR-40 > 16bit WAV > WaveLab 6.11 (tracking/fades) > Trader’s Little Helper (fix SBEs + FLAC Level 8) > MP3Tag (ID tags)
123227Medeski Martin & Wood2012-12-14Blue Note Jazz ClubNew YorkNY
flac16; Source: Tascam DR-40 > 16bit WAV > WaveLab 6.11 (tracking/fades) > Trader’s Little Helper (fix SBEs + FLAC Level 8) > MP3Tag (ID tags)
123228Medeski Martin & Wood2012-12-15Blue Note Jazz ClubNew YorkNY
flac16; Source: Tascam DR-40 > 16bit WAV > WaveLab 6.11 (tracking/fades) > Trader’s Little Helper (fix SBEs + FLAC Level 8) > MP3Tag (ID tags)
127164Medeski Martin & Wood2012-12-16Blue Note Jazz ClubNew YorkNY
flac16; Edirol R-09HR (16/44-internal mics); WAV > PC > CDWav > FLAC