Sources for Billy Martin (illy B)

SHNIDDateVenueCityStateArchive Identifier
1271902012-02-26Brooklyn BowlBrooklynNY
Billy Martin & Wil Blades Duo; flac16; Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
1271912012-02-26Brooklyn BowlBrooklynNY
Billy Martin & Wil Blades Duo; flac24; Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
1204512012-05-26Goodfoot LoungePortlandOR
Billy Martin & Wil Blades Duo; flac16; Source: mk4 DIN onstage center 4' high > kc5 > cmc6 > SD722 (24/96) > Wavelab (+9dB gain, fades, resample, dither) > CDWave > flac16
1271922012-05-27Goodfoot LoungePortlandOR
Billy Martin & Wil Blades Duo; flac16; mk4 DIN onstage center 4' high > kc5 > cmc6 > SD722 (24/96) > Wavelab (+5dB gain, fades, resample, dither) > CDWave > flac16
1204492012-05-30HopmonkSebastopolCA
Billy Martin & Wil Blades Duo; flac16; Source: center stage Telefunken ELA M260 (mid) / Telefunken AR-51 (side) > SD 744T (mic) @ 24/96 + Telefunken ELA M261 (Leslie low) > SD 744T (mic) + sbd (keys subgroup) > SD 744T (line)
1271932012-06-01Great American Music HallSan FranciscoCA
Billy Martin & Wil Blades Duo; flac16; center stage SoundField ST350 (b-format) > Tascam DR-680 (line) @ 24/48 + Neumann KM-140 (clavinet) > Tascam DR-680 (line) + Neumann TLM-102 (Leslie hi) > Lunatec V3 > DR-680 (sp/dif) + Neumann KM-130 (Leslie lo) > Lunatec V3 > DR-680 (sp/dif); ST350 > Ambisonic Studio (supercardiod @ 90-degrees); Leslie hi > sample delay > Oxford EQ (hi pass) > Sonalksis SV-315mk2 compressor; Leslie lo > sample delay; Clavinet > sample delay; mixdown > Ozone 5 Maximizer
1271942012-06-02The MintLos AngelesCA
Billy Martin & Wil Blades Duo; flac16; AKG c422 > s42 > Grace Design Lunatec V2 > Sonic AD2K+ > Roland R-44 (S/PDIF digital input) (~Center, ~15' back, ~8' Matthellini clamp/magic finger, Manfrotto extension pole, nanoclamp,Mic Config: X/Y (supercardiod),Record Format: 24-bit, 96 kHz); SDHC card > USB 2.0 card reader > MacBook Air; Edit: quadratic (linear) fades; invert phase; change gain +4.0 db/set 1, +2.0 db/set 2 (Wave Editor 1.5.7); Tracking (Wave Editor 1.5.7); Resample: Ultra-steep, Linear Phase (Izotope ReSampler/Wave Editor 1.5.7); Dither: Ultra Shape, High Amount (MBIT+/Wave Editor 1.5.7); Final Format: 16-bit, 44.1 kHz; Encode, Verify: xACT; Tagging, etc.: Live Show Tagger, ReplayGain (foobar2000)
1271962012-11-04Duling HallJacksonMS
Billy Martin & Wil Blades Duo; flac24; Schoeps MK41 > Naiant PFA > Tascam HSP-82[24-Bit/48kHz] (Stage Lip); Wave Editor > xACT (FLAC 8)
1271972012-11-10Bear Creek Music & Art Festival, Spir...Music ParkLive OakFL
Billy Martin & Wil Blades Duo; flac16; Busman BSC1 K1(Cards) >Gakcables >Fostex FR-2LE (16/44) >CF Card (FOB in Sbd Cage); Wavelab 5 (Resample/Dithering/Fades) >CD Wave (Tracking) >TLH >Flac 16 (Level 8)>Tagged with Foobar 2000
1271982012-11-27SPACEEvanstonIL
Billy Martin & Wil Blades Duo; flac16; Sennheiser e914's > Sound Devices 722 (24/48, 40 Hz HPF @ 12 dB/oct.); CF card > Audiogate (normalize, fades, tracking, dither/re-sample to 16/44.1) > xACT (flac 8 w/ SBA)