Sources for Artist Group Tim O'Brien
1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2016 2017 2018 2019 2020
SHNIDArtistDateVenueCityStateArchive Identifier
22973Tim O'Brien2001-01-31The Station InnNashvilleTN
Soundboard > Panasonic SV-3800 > 44.1k DAT
28657Tim O'Brien2001-03-24Spirit of the Suwannee Music ParkLive OakFL
flac16; SBD > ? > FLAC
21074Tim O'Brien2001-04-07Old Settlers FestivalDripping SpringsTX
Source: SBD:DAT (Sony PCM M1)
128263Tim O'Brien2001-04-29MerleFestNorth WilkesboroNC
Flac16 Source: Neumann SKM-140's->Lunatec V2->Tascam DAP-1->HHb CDR-850->EAC (Extraction/FLAC); Master Recording By: Michael Anderson; Seeded By: Michael Clark
21075Tim O'Brien2001-05-09The Station InnNashvilleTN
Recording: NashPhil Soundboard > Panasonic SV-3800 > 44.1k DAT ---Mastering: NashPhil 44.1k DAT Master > Panasonic SV-3800 > Zefiro Za2 > 44.1k PCM.WAV > CDR/SHN
21103Tim O'Brien2001-06-13Gate A1 - Nashville International AirportNashvilleTN
Recording: NashPhil Soundboard > Sony PCM-M1 > 44.1k DAT ---Mastering: NashPhil 44.1k DAT Master > Panasonic SV-3800 > Zefiro Za2 > 44.1k PCM.WAV > CDR/SHN Edits performed with Cool Edit Pro 1.2
21104Tim O'Brien2001-06-24Telluride Bluegrass FestivalTellurideCO
Recording: Zac WilliamsAudience - Omni Pattern (2) AKG 414 > Lunatec V2 > Tascam DA-P1 > DAT ---Mastering: Zac Williams DAT Master > Sony TCD-D8 > Waveterminal U2A > CDR/SHN
146455Tim O'Brien2001-07-13Castoro Cellars WineryTempletonCA
Flac16 Source: Panasonic WM60AT's (FOB - DFC - 20' From Stage) > Bass Rolloff > Sony TCD-D8 @ 44.1 kHz > Master DAT (Only Source); Transfer: Master DAT > Sony PCM-M1 > Oade 7-Pin > Hosa DRA-501 > Creative Extigy > Cool Edit Pro v1.2a (Capture/ Hard Limiting to -1dB/ Fades) > CD Wave Editor v1.93b2 (Tracking) > FLAC Frontend v1.1.0 > FLAC; Recorded, Transferred, Encoded & Uploaded By: Ryan NeRoy
32369Tim O'Brien2001-07-21Grey Fox Bluegrass FestivalAncramdaleNY
Flac16 Lineage: Digital Aud Schoeps CMC6/MK4 > Casio DA-7 DAT FOB 3rd Row In Front of Left Speaker Stack Transfered Sept 2003 Panasonic SV-3700 > Tascam CD-RW 700 to Flac Feb 9,2006 Recorded By and Transfers By Bill Koucky Decompression with flac Frontend (v.1.7.1), Minor retracking done with CD Wave v.1.94.8), renaming with File Renamer (v.1.0.0) and level 8 compression with flac Frontend (v.1.7.1) by Gary Field
21105Tim O'Brien2001-09-14Laurel TheaterKnoxvilleTN
Recording: NashPhil Soundboard > Digigram VX-Pocket V2 > Sound Forge 5.0 > 24bit/48k PCM.WAV > Sony Vaio PCG-C1VSX/K ---Mastering: NashPhil 24bit/48k PCM.WAV > 16bit/44.1k > CDR/SHN Resampled, dithered, & edited using Sonic Foundry Sound Forge 5.0 ---Notes: Actually is a matrix, The SBD was patched to a Mackie Mixer and the two stage mics were mixed with an ambient Shure mic placed near the SBD. I took the balanced main XLR feeds from that and barely got any signal. The guy running the mix was mixing for a radio station and kept forgetting and leaving ambient mic up during the song creating an echo during Ireland's and Gentle. I did what I could with what I had and made it sound pleasing.
21106Tim O'Brien2001-09-23St. Michael's PavillionMont ClarePA
Recording: Ron Ferry Soundboard > 44.1k DAT ---Mastering: NashPhil 44.1k DAT > Panasonic SV-3800 > Zefiro Za2 > 44.1k PCM.WAV > CDR/SHN Edits performed with Cool Edit Pro 1.2
21107Tim O'Brien2001-11-02The Bomhard TheaterLouisvilleKY
Recording: NashPhil Soundboard > Digigram VX-Pocket V2 > Sound Forge 5.0 > 24bit/48k PCM.WAV > Sony Vaio PCG-C1VSX/K ---Mastering: NashPhil 24bit/48k PCM.WAV > 16bit/44.1k > CDR/SHN Resampled, dithered, & edited using Sonic Foundry Sound Forge 5.0
21108Tim O'Brien2001-11-03The Station InnNashvilleTN
Recordings: NashPhil & Pat Skerrett Soundboard > Digigram VX-Pocket V2 > Sound Forge 5.0 > 24bit/48k PCM.WAV > Sony Vaio PCG-C1VSX/K ...and... Audience - On Stage 10'Spread at Instrument Height Shoeps CMC6/MK4 > Lunatec V2 > Benchmark AD2K+ > Tascam DA-P1 > 48k DAT- --Mastering: NashPhil: I mixed both sources together afterwards with the SBD getting slightly more prominence in the mix. This is mainly for the vocals and to dampen the crowd chatter. Both sources sound amazing on their own. We had the Shoeps on swivel stands so we were able to move them as the musicians moved around on stage. During the Thile set, the Shoeps were less than 3 feet from Chris and Casey. We taped the stage/monitors with Shoeps, and we taped the Soundboard house mix in 24bit. You get a little of both.
21109Tim O'Brien2001-11-04The Station InnNashvilleTN
Recording: NashPhil Soundboard > Digigram VX-Pocket V2 > Sound Forge 5.0 > 24bit/48k PCM.WAV > Sony Vaio PCG-C1VSX/K ---Mastering: NashPhil 24bit/48k PCM.WAV > 16bit/44.1k > CDR/SHN Resampled, dithered, & edited using Sonic Foundry Sound Forge 5.0
21112Tim O'Brien2001-11-10Ashevill Music ZoneAshevilleNC
Recording: ? (2) MBHO 603/KA200n > Sound Devices MP-2 > Tascam DA-P1 > CDR/SHN ---Mastering: NashPhil Boosted levels and retracked.
21113Tim O'Brien2001-11-15FitzGerald'sBerwynIL
Recording: Patrick Skerrett & Mike Wagner: ORTF - On Stage Center Schoeps CMC6/MK4 > Lunatec V2 > Benchmark AD2K+ > Tascam DA-P1 ---Mastering: Patrick Skerrett & Mike Wagner: Tascam DA-P1 > Motu2408 > Peak > CDR
21114Tim O'Brien2001-12-27Station InnNashvilleTN
Recordings: NashPhil & Pat Skerrett 4 Track Mix with Soundboard & Schoeps --Source#1 = Audience - ORTF On Stage Center (2) Schoeps CMC6/MK4 > Lunatec V2 > Benchmark AD2K+ > Digigram VX-Pocket V2 > Sound Forge 5.0 > 24bit/48k PCM.WAV > Sony Vaio PCG-C1VSX/K --Source#2 = House Feed Soundboard > Panasonic SV-3800 > 44.1k DAT ---Mastering/Notes: NashPhil: All edits, resamples, and dithers performed with Soundforge 5.0. Combined 2 sources afterwards in Multi-track using Cool Edit Pro. Mix is about 50/50. Levels were boosted and balanced to final mixdown. All of the tracks except first 2 are from this 4 track mix. The first 2 tracks are from the rehearsal jam before the soundcheck. They were sitting in a circle warming up. I put the 2 Schoeps on a swivel ORTF flexi-mount and spun them opposing each other. No mixing was done.