Sources for Artist Group Tim O'Brien
1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2016 2017 2018 2019 2020
SHNIDArtistDateVenueCityStateArchive Identifier
29431Tim O'Brien2005-01-21The Down HomeJohnson CityTN
Flac16 Set 1: (2) Schoeps CCM5 > Lunatec V3 > Digigram VX-Pocket > Sony Vaio > 24bit/48k WAV mics placed ORTF onstage center at instrument height and clamped to Tim's vocal mic stand; Set 2 & Soundcheck: Soundboard > Tascam DA-P1 > 48k DAT; all source files resampled, dithered, edited and converted to 16bit/44.1k FLAC
29220Tim O'Brien2005-02-05SchubasChicagoIL
flac16; post production matrix consisting of: AUD> Taper: Brian Skalinder Location : Center, stage lip, 6' stand Mic Config: NOS (30cm, 90?) Source: Schoeps MK21/KC5/CMC6 > Lunatec V3 > Nomad JB3 Conversion: Nomad JB3 > Adaptec FireConnect 4300 > Notmad Explorer > PC Format: 16-bit, 44.1 kHz and SBD> Taper: Mike Wagner & Pat Skerrett Location: n/a Mic Config: n/a Source: SBD > Tascam DA-P1 Conversion: ? Format: 16-bit, 44.1 kHz Editing: ? Mix by Brian Skalinder Software: Cool Edit Pro 2.1
28115Tim O'Brien2005-02-05SchubasChicagoIL
flac16 SBD>DAP1
29428Tim O'Brien2005-02-24UnknownSalidaCO
Flac16 Soundboard > Tascam DA-P1 > 48k DAT source files resampled, edited and converted to 16bit/44.1k FLAC
29426Tim O'Brien2005-02-25Swallow Hill Music CenterDenverCO
Flac16 Soundboard > Tascam DA-P1 > 48k DAT source files resampled, edited and converted to 16bit/44.1k FLAC
29422Tim O'Brien2005-02-26Sunset Events CenterFort CollinsCO
Flac16 Soundboard > Tascam DA-P1 > 48k DAT source files resampled, edited and converted to 16bit/44.1k FLAC
30306Tim O'Brien2005-02-26Sunset Events CenterFort CollinsCO
Flac 16 Source:sdbd>Dave's(Tim's Road Manager)DAP1>m1 TX: M1>U24>Laptop Normed to -16dB, fades with SF6 Tracked with CDWave
29420Tim O'Brien2005-02-28Bluebird CafeNashvilleTN
Flac16 (2) Schoeps CCM5 > Lunatec V3 > Digigram VX-Pocket > Sony Vaio > 24bit/48k WAV mics placed ORTF onstage center at instrument height and about 3-4'away from Tim/Darrell, who were in the center of the stage; source files resampled, dithered, edited and converted to 16bit/44.1k FLAC
29221Tim O'Brien2005-03-04Methodist ChurchLake DallasTX
flac16; Source: SBD-DAT-Mini-disc-soundforge-wav-shn
29416Tim O'Brien2005-03-11The HandlebarGreenvilleSC
Flac16 Soundboard > Tascam DA-P1 > 48k DAT source files resampled, edited and converted to 16bit/44.1k FLAC
29417Tim O'Brien2005-03-12Brock Performing Arts CenterMocksvilleNC
Flac16 Soundboard > Tascam DA-P1 > 48k DAT source files resampled, edited and converted to 16bit/44.1k FLAC
29418Tim O'Brien2005-04-05CubaGalwayIreland
Flac16 Soundboard > Sony D8 > 48k DAT source files resampled, edited and converted to 16bit/44.1k FLAC
122077Tim O'Brien2005-04-28Merlefest Watson StageWilkesboroNC
Flac16 Source: XM radio > Oade w-mod UA-5 > NJ3 (via optical @ 44.1khz); Transfer: NJ3 (via firewire) > Wavelab 5 (trims and fades) CDWave > flac
29419Tim O'Brien2005-05-14FairgroundsHiawaseeGA
Flac16 Soundboard > Sony D8 > 48k DAT source files resampled, edited and converted to 16bit/44.1k FLAC had to use EQ to boost the low frequency enough to hear it without overwhelming the rest of the recording
29339Tim O'Brien2005-05-19The Belcourt TheaterNashvilleTN
Soundboard > Digigram Vx-Pocket > Sony Vaio > 24bit/48k WAV, resampled, dithered, and edited to 16bit/44.1k FLAC
94897Tim O'Brien2005-05-22Center for Cultural ExchangePortlandME
Flac16 Source: Soundboard Master DAT Recorded by Andrew Wallace Transfer: Panasonic SV-3700 > Korg MR-1 DSD @ [1 bit 2.8 mhz] Rate Conversion: AudioGate to [24/44.1] Mastering: In WaveLab with Nomad Factory Plugins Dithered to [16/44.1] > CD Wave > TLH > Flac Mastering by Bill Koucky
29489Tim O'Brien2005-06-01The Station InnNashvilleTN
Flac16 Soundboard + Schoeps CCM5 (onstage/omni) > Lunatec V3 > Digigram VX-Pocket > Sony Vaio > 24/48k WAV
29623Tim O'Brien2005-06-05Strawberry Park Bluegrass FestivalPrestonCT
Flac16 Soundboard > Lunatec V3 > Digigram VX-Pocket > Sony Vaio > 24bit/48k WAV -2 channel source recording mixed in post from 2 seperate SBD (mono House) tracks -original tracks were Left Vocals and Right Instruments -mix is about LEFT 60/40 and RIGHT 40/60 (vocals/instruments)
29629Tim O'Brien2005-06-09Tractor TavernSeattleWA
Flac16 Source: Sony ECM-19B's (60' From Stage - 7' High) > Sony PCM-M1 @ 48 kHz > Master DAT Transfer: Master DAT > Sony PCM-M1 > Oade 7-Pin > Hosa DRA-501 > Creative Extigy > Cool Edit Pro v1.2a (Capture/ 48 To 44.1 kHz/ Editing/ Fades) > CD Wave Editor v1.93b2 (Tracking) > FLAC Frontend v1.1.0 > FLAC
30059Tim O'Brien2005-06-16Telluride Bluegrass FestivalTellurideCO
Flac16 source: KM84i>V3>NJB3 location: SBD Left, Innermost stand, Nutter transfer: NJB3>HD>Goldwave>Flac taped/transferred: johnr
30060Tim O'Brien2005-06-16Telluride Bluegrass FestivalTellurideCO
Flac16 (2) Schoeps CCM5 > Lunatec V3 > Digigram VX-Pocket > Sony Vaio > 24bit/48k WAV mics run ORTF/FOB center on 7'stand and 25' in front of SBD area source files resampled, dithered, edited and converted to 16bit/44.1k FLAC; taped by Nashphil
30061Tim O'Brien2005-06-17Telluride Bluegrass FestivalTellurideCO
Flac16 (2) Schoeps CCM5 > Lunatec V3 > Digigram VX-Pocket > Sony Vaio > 24bit/48k WAV mics run ORTF/FOB center on 7'stand and 25' in front of SBD area source files resampled, dithered, edited and converted to 16bit/44.1k FLAC; taped by Nashphil
30062Tim O'Brien2005-06-19Elk's Park Workshop Stage Telluride Bluegrass FestTellurideCO
Flac16 Soundboard > HHb BurnIT (XLR analog out) > Digigram VX-Pocket > Sony Vaio > 24bit/48k WAV source files resampled, dithered, edited and converted to 16bit/44.1k FLAC
30201Tim O'Brien2005-06-25Downtown Square CorydonCorydonIN
Flac16 source: Schoeps mk2s (split ~8' either side of sbd) > kc5> cmc6xt> Sonosax SX-M2> mod. SBM-1> D8 @ 44.1k transfer: Fostex D-5> VX Pocket 440> Sound Studio> xACT> FLAC
30870Tim O'Brien2005-07-15Grey Fox Bluegrass Festival, Main StageAncramdaleNY
Flac16 Source: (2) AT 4041's > Graham-Patten DMIC-20 > Hosa ODL 276 > Creative Nomad JB3 [44.1] Config: 70*, 4" spacing Location: DFC, behind soundboard, 8ft high Transfer: JB3 [usb] > PC > CDWAV > FLAC (347mb)
30871Tim O'Brien2005-07-16Grey Fox Bluegrass Festival, Masters WorkshopAncramdaleNY
Flac16 Source: (2) AT 4041's > Graham-Patten DMIC-20 > Hosa ODL 276 > Creative Nomad JB3 [44.1] Config: 70*, 4" spacing Location: DFC, FOB, 15 ft back, 6ft high Transfer: JB3 [usb] > PC > CDWAV > FLAC (293mb) Recorded & Transfered by K. Januszak (januszak@hotmail.com) & S. Nochajski (nochajski@gmail.com)
30305Tim O'Brien2005-07-31Planet Bluegrass Ranch - Main StageLyonsCO
Flac16 Marshall MXL 2003's (Royer Mod)>V3>CO2>JB3 Mastered: SF6 (Fades & normed to -16dB) tracked in CDWave>flac Recording: paul@thespps.org
30350Tim O'Brien2005-07-31Planet Bluegrass Ranch - Main StageLyonsCO
Flac16 Taper: Brian Skalinder bskalinder@yahoo.com Location: 4' RoC, ~8' FOB, ~7' up Mic Config: XY (0cm, 90?) Source: AKG C414B-ULS (cardioid) > Oade Transparent-PLUS UA-5 > Nomad JB3 Conversion: Nomad JB3 > Adaptec FireConnect 4300 > Notmad Explorer > PC Format: 16-bit, 44.1 kHz Editing: CD-Wave (tracking), Cool Edit Pro 2.1 (fades)
30821Tim O'Brien2005-07-31Planet Bluegrass Ranch - Main StageLyonsCO
Flac16 (2) Schoeps CCM5 > Lunatec V3 > Digigram VX-Pocket > Sony Vaio > 24bit/48k WAV -mics run ORTF/FOB center from last row of the Poser Pit on 5' stand and 35' from the stage. Inside the pit, there were 2 small PA center fills just under the lip of the stage plus the subs, in addition to the overhead PA arrays directed towards the main concert field. The Poser Pit is the first 35-40' of space directly in front of the stage reserved for Artists/Guests/Crew, and Posers of course. -source files resampled, dithered, edited and converted to 16bit/44.1k FLAC
30822Tim O'Brien2005-07-31Planet Bluegrass Ranch - Main StageLyonsCO
Flac16 Taper: Andrew Pierce / aapierce@gmail.com Location: 3.5' RoC, ~8' FOB, ~8' up Mic Config: ORTF (17cm, 110?) Source: Neumann AK-40s> LC-3 > KM100s> Lunatech V3 > Nomad JB3 Conversion: Nomad JB3 > Notmad Explorer > PC Format: 16-bit, 44.1 kHz Editing: CD-Wave (tracking)
32841Tim O'Brien2005-10-08Station InnNashvilleTN
Flac16 Recording / Mixing / Mastering by NashPhil Soundboard + (2) Schoeps CCM5 > Motu Traveler > Nuendo / Toshiba Laptop 4 channels at 24bit/48k mics were 20' from stage, 20' apart and 8' high in AB/Cardioid mode distortion is present in first song from house source files edited, resampled, dithered, and converted to 16bit/44.1k FLAC
31380Tim O'Brien2005-10-14The BirchmereAlexandriaVA
Flac16 Modified XMPCR > Digital Output > M Audio Delta DiO 24/96 > WaveLab @ 16/44.1 > HD > CD Wave Editor (tracking) > shntool (confirm tracks cut on sector boundaries) > FLAC Frontend v. 1.7.1 Etree edition (level 6 compression)
76370Tim O'Brien2005-11-10Riverhawk Music FestivalBrooksvilleFL
Flac16 source: SBD dual matrix XLR outputs > Apoge Mini-me > Sony PCM-M1 transfer: Sony PCM-M1 (master dat) > Wavelab > cd wave > flac (level 6) 44.1kHz/16-bit
31539Tim O'Brien2005-11-11The Riverhawk Music FestivalBrooksvilleFL
Flac16; Source: ADK TL's (Cards, DINA, 4' up) > Bumblebee MiAGi-II Silver Cables > Edirol UA-5 (T+ Mod) > JB3 (48K) Transfer: JB3 > Firewire > PC > Cool Edit Pro (Fades, Compression on applause, 48k>44k) > CD Wave > FLAC Taped and Transfered by: Brian Hadella
82421Tim O'Brien2005-11-11The Riverhawk Music FestivalBrooksvilleFL
Flac16 SBD:(dual balanced/XLR matrix outs) > Apogee Mini-me (16-bit/48 k/Hz) > Sony PCM-M1 mastered by Kevin Preuss transfer: Sony PCM-M1 > M-audio usb > wavelab (conv. to 44.1 kHz) > cd wave/flac
32116Tim O'Brien2005-12-30Station InnNashvilleTN
Flac16 Multi-Track 24 bit Recording > 16 bit/44.1k FLAC