Sources for Garcia

SHNIDDateVenueCityStateArchive Identifier
125601979-01-30KeystoneBerkeleyCA
Reconstruction: MAC > CD > EAC > SHN. Recorded by Steve Spitalny and John Angus, Sony ECM-990 (balcony rail, stage left) > Nak 550 > patched out to Sony TC-158 master cassette (UD XLII) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted down by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT.
116721979-02-27KeystoneBerkeleyCA
Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN.
1058071979-02-27KeystoneBerkeleyCA
flac1644: MOTB 0124: Eldon Porray's 2 x Sony ECM 280 >> Sony TC 153SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] ... ; transfered by Bob Menke, mastered by Bill Koucky and Derek McCabe.
63641979-03-07Rancho NicasioSan RafaelCA
Reconstruction: MSR -> PCM -> DAT -> Digi001 -> SHN
1377161979-03-07Rancho NicasioSan RafaelCA
Reconstruction; flac1644; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11. Mastering and editing by acetboy on Pro Tools LE. Track, FLAC and Pack by Copperdomebodhi. 16 bit 44.1kHz. a project **GEMS** Betamania Release February 4, 2017
1387871979-03-07Rancho NicasioSan RafaelCA
Reconstruction; flac16xx; MSR > PCM > DAT (48k), provided by Rich Gastwirt; transfer: DAT > Sony PCM-R500 > Sound Devices 744T > wav 16/48, by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
44381979-03-09Cabaret CotatiCotatiCA
Reconstruction: Sbd>Mreel>Pcm>Dat>Cdr Seeded by Mike Lai; [txt/md5]
100161979-03-09Cabaret CotatiCotatiCA
Reconstruction: MSR > DAT > CD. DAT > CD by David Hollister, seeded by Justin Walther.
116731979-03-30The CatalystSanta CruzCA
Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, FOB Nakamichi CM-700 mics > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN
1060041979-03-30The CatalystSanta CruzCA
flac1644; MOTB 0128: Eldon Porray's 2 x Sony ECM 280s >> Sony TC 153SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] ... flac.
96081979-04-08Cabaret CotatiCotatiCA
Reconstruction: MSR > PCM > DAT > CD > EAC > SHN.
101401979-04-11Rainbow Music HallDenverCO
Reconstruction: Early & Late Shows: MAC > CD > EAC > SHN.
Likely misdated performance from April 12
Rough quality, probably lossy sourced, for completists only.
1671031979-04-12Rainbow Music HallDenverCO
Reconstruction; flac1644; Late Show; AUD compilation. Source 1, tracks 01 & 02: Mono AUD Reel > ? > DAT(?) > SHN, with thanks to JGMF. Source 2, tracks 04 thru 08: Mono AUD > ? > Cassette, liberated from ebay. Transfer Source 1: Unknown transfer to SHN > TLH > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source 2: Maxell XLII > Nakamichi CR-5 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
1671171979-04-12Rainbow Music HallDenverCO
Reconstruction; flac1644; Early Show; Source 1, tracks 01 thru 08: Mono AUD Reel > ? > DAT(?) > SHN, with thanks to JGMF. Source 2, tracks 09 thru 12: Mono AUD > ? > Cassette, liberated from ebay. Transfer Source 1: Unknown transfer to SHN > TLH > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source 2: Maxell XLII > Nakamichi CR-5 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
1261611979-04-13Rainbow Music HallDenverCO
Reconstruction; flac2448; MSC (TDK SA) > 1st gen cassette (TDK AD) recorded on Sony 158SD deck.
This is a misdated copy of the previous night's late show.
1385681979-04-13Rainbow Music HallDenverCO
Reconstruction; flac1644; MSC (TDK SA) > 1st gen cassette (TDK AD) recorded on Sony 158SD deck.
This is 126161 24 bit -> 16 bit
This is a misdated copy of the previous night's late show.
96091979-04-23Old WaldorfSan FranciscoCA
Reconstruction: Early & Late shows: MAC (Taped by Eldon Porray, Nak CM-700s > Sony TC-D5) > DATs > CDs > EAC > SHN.
101411979-04-28Keystone Palo AltoPalo AltoCA
Reconstruction, set I only: MAC > DAT > CD > EAC > SHN. Recording details unknown. Master cassette played back on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT).
1555621979-04-28Keystone Palo AltoPalo AltoCA
Master Audience Cassette (Sony ECM 990F> Nakamichi 550) > Sony D5 (Maxell UDXLII C90 No Dolby)
Nakamichi 582Z > Korg MR2000S DFF@5.6 > Audiogate > 24/96 Wave > Wavelab 6 > Ozone RX7A > Ozone 5A > Ozone Rx7A > CDWave > Flac24
279191979-05-18Old WaldorfSan FranciscoCA
Reconstruction: Master audience cassette > ? > cassette > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)
1510971979-05-18Old WaldorfSan FranciscoCA
Reconstruction; flac1644, early and partial late shows; MAC (Unknown equipment and taper) > 1979 snail mail trade on a single Maxell UD90 with Dolby (1st gen cassette from the collection of John Musgrave); Transfer (November 2020): Nakamichi CR7A with Dolby (azimuth aligned, bias @ 120usec) > Korg MR2000-S @ 1 bit 5.6 MHz dsdiff; AudioGate (24-96) > Har-Bal 3.7 & iZotope RX8 advanced > Goody (Capstan & Audition-Pitch adjustments, various amounts; Align & center channels) > CD Wave > TLH.
Likely the same recording as SHNID 27919.
1514171979-05-18Old WaldorfSan FranciscoCA
Reconstruction; flac 2496; early + partial late; Source: Unknown equipment and taper > snail mail trade on a single Maxell UD90 with Dolby. Transfer (November 2020): Nakamichi CR7A with Dolby (azimuth aligned, bias @ 120usec) > Korg MR2000-S @ 1 bit 5.6 MHz dsdiff. AudioGate (24-96) > Har-Bal 3.7 & iZotope RX8 advanced > Goody* > CD Wave > TLH Flying -M-
148041979-05-19Old WaldorfSan FranciscoCA
MA? > unknown cassette generations > NAK MR-1 w/ balanced lines > MOT4 828 286/48k > Cassette to CD via Cakewalk Sonar > normalization & downsampling via Cooledit 2000K > tracking via CDWAV > CD clone > EAC using plextor 241040A secure mode with c2> SHN via mkwWACT. Extraction & encoding by Ron Sinko.
961581979-05-30Keystone Palo AltoPalo AltoCA
Reconstruction: SOUNDBOARD > ?? > CD > GEMS edit station > FLAC.
236751979-06-08Rio TheaterRodeoCA
MSR > PCM > 2C > DAT > WAV > SHN, via Jim Powell and Chris Ladner.
1491201979-06-13Early show, Late show, River TheaterGuernevilleCA
Garcia; Reconstruction; partial early show; flac 16: Nakamichi mics w/CP3 caps -> Nakamichi 550 master cassette (played back on a Nakamichi 582 back in the early 1980s) -> 1st Gen Reel@7.5ips -> 2nd Gen Reel @3.75ips Transfer: 2nd Gen Reel @3.75ips (played back on TEAC A-4010SL: same deck it was originally recorded on) -> Lexicon Lambda -> LogicPro (tracking only) -> wav 16/44.1 -> xAct (sbe correction) -> wav -> flac16 (transferred by Alan Bershaw on January 21, 2010)
1491211979-06-13Early show, Late show, River TheaterGuernevilleCA
Garcia; Reconstruction; late show; flac 16:Nakamichi mics w/CP3 caps -> Nakamichi 550 master cassette (played back on a Nakamichi 582 back in the early 1980s) -> 1st Gen Reel@7.5ips -> 2nd Gen Reel @3.75ips; Transfer: 2nd Gen Reel @3.75ips (played back on TEAC A-4010SL: same deck it was originally recorded on) -> Lexicon Lambda -> LogicPro (tracking only) -> wav 16/44.1 -> xAct (sbe correction) -> wav -> flac16 (transferred by Alan Bershaw on January 21, 2010)
63651979-06-16Keystone Palo AltoPalo AltoCA
Reconstruction: MSR -> PCM -> DATs -> Digi001 -> SHN DAT@48 -> Optical S/PDIF -> HD (24 bit @48) -> ProTools LE 5.0.1 (tracking, 16 bit/44.1) -> WAVE -> SHN
979431979-06-16Keystone Palo AltoPalo AltoCA
Reconstruction: Set 2 Partial, SBD > ?? > CDR > EAC(secure mode, c2, filled up leading & trailing silent blocks w/silence) > TLH > Flac Level 8.
166771979-06-17Keystone Palo AltoPalo AltoCA
Reconstruction: MSC > C > WAV > CE2k (11db NR, tracking) > SHN
279201979-06-17Keystone Palo AltoPalo AltoCA
Reconstruction: Master soundboard reel > PCM > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)
44361979-06-22Keystone Palo AltoPalo AltoCA
Reconstruction:SBD Reel-> DAT@48k-> Montego II Plus @44k-> HD via Soundforge-> CDWav; transfer by E. Pearson; via Andy Gustin
44371979-06-22Keystone Palo AltoPalo AltoCA
Reconstruction: SBD> Master Reel> PCM> DAT> ZA2> Soundforge 4.0> CDWAV> SHNv3 (no DAE); via J. Lutch
101321979-06-22Keystone Palo AltoPalo AltoCA
Reconstruction: SBD > Master reel > PCM > DAT > CD > SHN.
116741979-07-06KeystoneBerkeleyCA
Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 Master DAT) > DATs > CDs > EAC > SHN
1457101979-07-06KeystoneBerkeleyCA
Reconstruction; flac16: Source: Unknown Audience DAT > FLAC at 16 bit 44.1 kHz From the collection of Jeff Knudsen, Track, flac and tagging by John Wenzel Transfer and mastering by Jamie Waddell
101421979-07-07Keystone Palo AltoPalo AltoCA
Reconstruction: MAC > D > CD > EAC > SHN. Taped by Eldon Porray (patched out of Bob Menke's deck), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT)
837231979-07-07Keystone Palo AltoPalo AltoCA
Reconstruction, set I: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. March 2007.
839531979-07-07Keystone Palo AltoPalo AltoCA
Reconstruction, set I: matrix of MSC source (shnid 83723) and Eldon Porray MAC source (shnid 10142), via sirmick.
1065431979-07-07Keystone Palo AltoPalo AltoCA
Reconstruction:Recording Info:SBD -> Cassette Master (Nakamichi 350/Maxell UDXLI90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
44351979-07-08Keystone Palo AltoPalo AltoCA
Reconstruction: Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD; from the Jerry Site's "Release One"; via imgoinmad@home.com
1659081979-07-08Keystone Palo AltoPalo AltoCA
Reconstruction; flac1648; SBD > Reels (7" @15 ips) > 48 kHz DAT from Tom Rumland (aka THRAK at LL); Recorded by Betty Cantor-Jackson; DAT tape transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel
1359381979-07-20Rio TheaterRodeoCA
Reconstruction; partial; flac1644; unknown very good audience recording to CD, Restored by Jamie Waddell in Walebab 7.1 June 2016.
110481979-07-22Civic AuditoriumSanta MonicaCA
Reconstruction: hodgepodge of 6/16 and 6/22 material; MS?> ? > CD > EAC > SHN
172571979-07-22Civic AuditoriumSanta MonicaCA
Reconstruction: hodgepodge of 6/16 and 6/22 material; MSC > PCM > DAT > CDR > EAC > WAV > MKW > SHNv3, by Dan Carr. Note: textfile incorrectly suggests that this is less complete than the previously circulating .shn set. This looks to be the same material, but without the actual song names, tracked differently, and with a clearer lineage.
1574561979-07-22Civic AuditoriumSanta MonicaCA
Reconstruction; flac2496; SBD Master Cass ? > ? > MZ cassette dubbed 9/25/79 > Nakamichi Dragon playback > Tascam DA-3000 (WAV (24/96) > Adobe Audition 2022. Transfer, mastering and editing by David Minches, June 2022. Pitch diagnosis by AF.
1580541979-07-22Civic AuditoriumSanta MonicaCA
Reconstruction; flac24; Recorded by The Los Angeles tape eXchange (LAX); Source: 2 Sennheiser MKH-404 tu mics (handheld, about 4 ft. separation) > Teac PC-10 w Dolby B using (2) TDK SA-90 cassettes and sitting in the center section, 7th row near the isle on the left; Transfer (August 24, 2022): Nakamichi CR7A (w Dolby B, azimuth alignment and 70usec Bias) > Korg MR2000s @ 5.6 MHz DSDIFF AudioGate (24-96) > iZotope RX8 advanced & Har-Bal 3.7 (clean-up & prep) > Adobe Audition 3.0 (pitch bender) > CD Wave > TLH
1580531979-07-22Civic AuditoriumSanta MonicaCA
Reconstruction; flac16; Recorded by The Los Angeles tape eXchange (LAX); Source: 2 Sennheiser MKH-404 tu mics (handheld, about 4 ft. separation) > Teac PC-10 w Dolby B using (2) TDK SA-90 cassettes and sitting in the center section, 7th row near the isle on the left; Transfer (August 24, 2022): Nakamichi CR7A (w Dolby B, azimuth alignment and 70usec Bias) > Korg MR2000s @ 5.6 MHz DSDIFF AudioGate (24-96) > iZotope RX8 advanced & Har-Bal 3.7 (clean-up & prep) > Adobe Audition 3.0 (pitch bender) > CD Wave > TLH
125901979-08-10Temple BeautifulSan FranciscoCA
Reconstruction: MAC (Taped by Phil Jarret, JVC stereo mic > TEAC PC 10) > 3CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.
813111979-08-10Temple BeautifulSan FranciscoCA
Reconstruction: Bob Menke's FOB MAC w/ Nak 700s > Sony TC-D5 > WAV > CD-R > EAC > WAV > FLAC.
237921979-09-15Keystone Palo AltoPalo AltoCA
Reconstruction. Source: MAC(Nakamichi CM-700 mics > Sony TC-D5)>CDR>WAV>SHN. Taper: Bob Menke.
101431979-09-22KeystoneBerkeleyCA
Reconstruction: MAC > D > CD > EAC > SHN. Taped by Eldon Porray (front row balcony, left of soundboard), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT)
140811979-10-07KeystoneBerkeleyCA
Jerry Garcia Band: partial set II only: MAC (recorded by John Angus, Sony mic > Technics deck [Maxell UD-XLIIs]) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted up by 90 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT.
326161979-10-07KeystoneBerkeleyCA
JGB: MAC (Taped by John Angus & Scott Hart, Sony mics > Technics deck) > Sony TCD5 playback > Roland UA-30 interface > Mac Powerbook via Peak 4.1 > CD (Toast v5.2) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v.1.7.1 etree edition). Analog > CD transfer by slip, EAC > FLAC by jjoops.
1229791979-10-14Keystone Palo AltoPalo AltoCA
JGB; flac; aud 2nd gen cassette, Jerry Moore's copy, Rob Berger transfer/seed
132031979-10-21KeystoneBerkeleyCA
Jerry Garcia Band: MAC (recorded by Steve Spitalny, unknown mics > Sony D-5M) > 1 cassette > DAT > CD > HP 9350i extraction using EAC > re-tracking using CD Wave > .shn encoding using mkwACT.
1322521979-11-07WMMR-FM Radio Station StudioPhiladelphiaPA
interview; flac1644; Jerry Garcia WMMR-FM Radio interview with Lyn Kratz & Michael Tearson at 2:30AM; TDK D90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644 Transferred and tagged by Andrew Faintych.
134261979-11-16Keystone Palo AltoPalo AltoCA
Jerry Garcia Band: AUD (SONY ECM99's) > Sony TCD5 > Master Cassette > Roland UA-30 USB A/D > MAC G3 Powerbook > WAV > CDR > WAV > SHNv3. Taper: John Angus.
1049321979-11-16Keystone Palo AltoPalo AltoCA
flac1644: Recorded by John Angus and Scott Hart; 2 AKG D224Es> Sony TCD-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding.
133401979-11-18KeystoneBerkeleyCA
Jerry Garcia Band: AUD(SONY ECM 99) > SONY TCD5 > DAT > CDR > WAV > SHNv3, taped by John Angus and Scott Hart.
1068951979-11-18KeystoneBerkeleyCA
flac2496; Recorded by John Angus and Scott Hart; Sony mics > Technics deck; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0 > FLAC encoding. Pitch Correction by Joe B. Jones.
1060571979-12-17KeystoneBerkeleyCA
flac1644; Recording Info:Unknown Mics -> ? -> Cassette (Maxell UDXLII); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller.
228891979-12-20Keystone Palo AltoPalo AltoCA
Jerry Garcia Band. Source: SBD>?>C>D>WAV>SHN. Cassette>DAT transfer by J.Powell. DAT>WAV editing>SHN encoding by C.Ladner.
919651979-12-20Keystone Palo AltoPalo AltoCA
JGB: SBD > ? > Cassette; Transfer: Maxell XL-II > Nakamichi DR-8 (Dolby off) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, by Andrew F. (May 2008)
1571861979-12-20Keystone Palo AltoPalo AltoCA
flac1648Source: Master > Reel > DAT at 16/48 from ANON
Speed Correction by Jason Chastain
2022 DAT Transfer and Mastering by Jim Blackwood
Listening Assistance, Track, FLAC, and Pack by Steve Gravel
44341979-12-21Keystone Palo AltoPalo AltoCA
Jerry Garcia Band: SBD:MR> DAT> CD
132321979-12-21Keystone Palo AltoPalo AltoCA
Jerry Garcia Band: MSR > DAT > CD > SHN
246421979-12-21Keystone Palo AltoPalo AltoCA
Jerry Garcia Band: SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN
1386771979-12-21Keystone Palo AltoPalo AltoCA
JGB; flac1648; sbd > master reel > dat (48k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017.
1414991979-12-21Keystone Palo AltoPalo AltoCA
"Treatment" of SHNID 4434 using multiple microphones, captured and mixed at 24 bit 96kHz. The Music was played December 23, 2010 at The Historic Rialto Theatre in Tucson, Arizona. Recorded and Mastered by Jim Blackwood with assistance by Jamie Waddell Mastering captured at 24/44.1 > Dither > 16/44.1 > FLAC (no SRC used)
1415001979-12-21Keystone Palo AltoPalo AltoCA
"Treatment" of SHNID 4434 using multiple microphones, captured and mixed at 24 bit 96kHz. The Music was played December 23, 2010 at The Historic Rialto Theatre in Tucson, Arizona. Recorded and Mastered by Jim Blackwood with assistance by Jamie Waddell Mastering captured at 24/44.1 > FLAC (no SRC used)