LCDB: Sources for Garcia

Sources for Garcia

unknown 1961 1962 1963 1964 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995

SHNID	Date	Venue	City	State
20678	1974-01-17	Keystone	Berkeley	CA
Garcia & Saunders; SBD=>MR =>DAT (44.1KHz) =>CDR
76398	1974-01-17	Keystone	Berkeley	CA
Garcia & Saunders; Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid); fix by kevtobin
76399	1974-01-17	Keystone	Berkeley	CA
Garcia & Saunders: MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110. This matches the sbd of 1/17/74 and portions of audience from shnid=10024; speed correction and patching by kevtobin
76401	1974-01-17	Keystone	Berkeley	CA
Garcia & Saunders; DTS Audio 5.1 Mix; SBD: Compilation of SBD1 Dick's Gift (MSR>DATs>CDRs>EAC>SHN) & SBD2 (SBD=>MR =>DAT (44.1KHz) =>CDR); AUD: MAC > D > CD > EAC > SHN; mixed by kevtobin
76471	1974-01-17	Keystone	Berkeley	CA
Garcia & Saunders: primary source MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110 from shnid 76399 with additional audience material added to complete show
76474	1974-01-17	Keystone	Berkeley	CA
Garcia & Saunders; Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid) with beginning of Harder They Come patched in; fix of 76398
76475	1974-01-17	Keystone	Berkeley	CA
Garcia & Saunders; DTS Audio 5.1 Mix; SBD: Compilation of SBD1 Dick's Gift (MSR > DATs > CDRs > EAC > SHN) & SBD2 (SBD=> MR => DAT (44.1KHz) => CDR); AUD: AUD1: MAC > D > CD > EAC > SHN & AUD2 unknown lineage patch to complete disk 2; Patched version of 76401; mixed by kevtobin
90398	1974-01-17	Keystone	Berkeley	CA
JGMS; flac16DTS Audio 5.1 Mix; SBD: Compilation of SBD1 Dick's Gift (MSR > DATs > CDRs > EAC > SHN) & SBD2 (SBD=> MR => DAT (44.1KHz) => CDR); AUD: AUD1: MAC > D > CD > EAC > SHN & AUD2 unknown lineage patch to complete disk 2; Sync corrected version of 76475; mixed by kevin tobin
90365	1974-01-17	Keystone	Berkeley	CA
JGMS; flac16; Matrix 4 Source Mix - SBD1 & 2 (shn id 76474) Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid) with beginning of Harder They Come patched in; upgrade of 76398 + AUD1 & 2 (shn id 76471) primary source MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110 from shnid 76399 with additional audience material added to complete show - matrix mixing by Kevin Tobin
136780	1974-01-17	Keystone	Berkeley	CA
JGMS; Soundboard > Master Reel > DAT (48k)
8873	1974-01-18	Keystone	Berkeley	CA
Garcia & Saunders: MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110.
10024	1974-01-18	Keystone	Berkeley	CA
Garcia & Saunders: patched version: MAC > D > CD > EAC > SHN, Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110 + MSR > D > CD patches from sbd portion that usually circulates as part of "Dick's Gift." Patching by Sean Cribbs. Subsequent extraction using EAC, retracking using CD Wave, sector boundary verification using shntool, .shn encoding using mkwACT, and seeding by Joe Jupille.
8064	1974-01-19	Pauley Ballroom, U. of California	Berkeley	CA
Garcia & Saunders: MSR > P > D > CD > EAC > SHN.
166973	1974-01-19	Pauley Ballroom, U. of California	Berkeley	CA
JGMS; flac16; Recording info: Master SBD reel > PCM > DAT via Anon; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel
11254	1974-02-05	Great American Music Hall	San Francisco	CA
Garcia & Saunders: Probable MSR > ?R > DATs > CDs > EAC > SHN
32088	1974-02-05	Great American Music Hall	San Francisco	CA
Garcia & Saunders: MSR (Sony TC-377, 7" reels @ 7.5ips by Ed Perlstein)> PCM > DAT > DAT (plyback on Sony PCM-R500) > S/PIDF coaxial > Audiophile 2496/P4 2 GHz > recorded as 24 bit/48 KHz WAV with Wavelab 5 > Waves L3 Multimaximizer using hi res CD rendering settings > 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 5).
6381	1974-02-09	Rheem Theater	Moraga	CA
Garcia & Saunders: Source: MSR > D @ 48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > Downsampled to 44.1/Normalized to 98% > SHN (no extraction)
17787	1974-02-09	Rheem Theater	Moraga	CA
Garcia & Saunders: Master soundboard reels (7" 1/4 track @ 7.5ips recorded with Sony TC-377) > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). More complete than the previously circulating version.
30597	1974-02-09	Rheem Theater	Moraga	CA
Garcia & Saunders: SB Reel 15 IPS (baked & transfered to DAT about '93) / 48khz low-gen clone - Sony PCM-1 / 7 pin - Nightengale PCI / Optical (reverse format) - Ce Pro 2000 Record 48k - Ce Pro 2000 Downsample to 44k / highest quality, pre-post filter - CDWav / ShnTool / FLAC - seeded by kung@steve-behan.com 10/03
126304	1974-02-09	Rheem Theater	Moraga	CA
JGMS; flac1644; Will Boswell's 7.5 ips reels "Do not know the exact lineage but they sound pristine and think they were recorded and never played" > Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC, via Matt Smith.
166536	1974-02-09	Rheem Theater	Moraga	CA
JGMS; flac 1648; SBD > Master Reel > ? > DAT (48k); Transfer Info: DAT (Panasonic SV-3900) > Tascam DA-3000 (16-bit-48k) > Samplitude Pro X6 Suite > Flac16-48. All Transfers and Mastering by Charlie Miller. December 15, 2023
122026	1974-02-10	Keystone	Berkeley	CA
JGMS: Partial Set 2; Betty Cantor-Jackson sbd > ? > .flac1644
8063	1974-02-16	Keystone	Berkeley	CA
Garcia & Saunders: MAC (Louis Falanga's FOB Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN.
91471	1974-02-16	Keystone	Berkeley	CA
JGMS: MSR > DAT3x > Delta Dio 2496 soundcard > Soundforge > Flac.
136781	1974-02-16	Keystone	Berkeley	CA
JGMS; Soundboard > Master Reel (10" reel @ 7.5 ips Â½ track) > Dat (48k)
8654	1974-02-??	Unknown	Unknown	Unknown
Garcia & Saunders, specific date and location unknown: MAC (Louis Falanga's Sony ECM-250 > Sony TC-110) > DATx1 > CDx1 > EAC > CDx1 > EAC > SHN
32377	1974-03-08	Unknown	Stinson Beach	CA
Grisman, Greene, Garcia, Thompson, Wolfe: partial rehearsal, M(?)SC > Sonic > CD > EAC > FLAC, via David Gans (2006 KPFA GD Marathon).
33750	1974-03-09	Keystone	Berkeley	CA
Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.
136782	1974-03-09	Keystone	Berkeley	CA
JGMS; Soundboard > Master Reel > DAT (48k)
96895	1974-03-??	Fantasy Studios	Berkeley	CA
Compliments of Garcia Outtakes, Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab Mastering: In WaveLab with Nomad Factory Plug ins > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky.
9411	1974-04-20	Pilgrimage Theater	Los Angeles	CA
Great American Music Band: MS? > ? > CD > EAC > SHN.
20699	1974-04-20	Pilgrimage Theater	Los Angeles	CA
Great American String/Music Band: multi gen cass/soundboard > BBE362NR > DAT > Sek'd Prodif Plus > Soundforge > Cdwin > SHN
93823	1974-04-20	Pilgrimage Theater	Los Angeles	CA
Great American Music Band: SBD MR (House Source) > Will Boswell's reel (Akai GX625 @ 7.5 ips) > apogee mini me (24/96) > apogee mini dac (monitoring) > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH). A>D by Matt Smith.
141982	1974-04-28	Marin County Veterans' Auditorium and Grounds	San Rafael	CA
Marin County Bluegrass Festival; flac16; placeholder date; source: sbd reel, exact gen unknown, Jerry Moore's copy; lineage: reel playback on Sony TC-765>sbm1>dat>cdr>soundforge>cdr>eac>flac transferred by Rob Berger '99
6379	1974-06-04	Lion's Share	San Anselmo	CA
Garcia & Saunders: MSR > PCM > DAT > CDR [> SHN]
141971	1974-06-04	Lion's Share	San Anselmo	CA
JGMS; flac 16; SBD > Recorded on two 10" 1/2trk 7.5ips reels Master Reels > PCM transfer at 16 bit / 44.056kHz; recording was gratefully supplied by PO and Stucco TINA Holmes
8062	1974-06-05	Lion's Share	San Anselmo	CA
Garcia & Saunders: MSR? > ? > CD, set II only.
6375	1974-06-06	Keystone	Berkeley	CA
Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN
7331	1974-06-12	Keystone	Berkeley	CA
Great American String Band: S:R>C>D>CDx1>EAC>SHN
83290	1974-06-12	Keystone	Berkeley	CA
SBD > Rm > Dat > CD > EAC > Shn. Appears to be a re-shn of shnid 7331.
83232	1974-06-12	Keystone	Berkeley	CA
GASB: Louis Falanga's MAC (Sony ECM 270 or 280 mics > Sony TC-110 [mono]) > 7" 1/4 track Scotch 203 Reel @ 7.5 ips w/Dolby nr (on a Sony TC-755 w/Teac an-180 nr: Jerry Moore's 1st gen copy), reel transfer 1/07 by Rob Berger: Sony TC-850 > Teac an-180 nr > sbm1 > cdr > eac > cd wave > flac.
13768	1974-06-13	Keystone	Berkeley	CA
Great American String Band: MS? > ? > CD > EAC > SHN.
14984	1974-07-02	Bottom Line	New York	NY
Garcia & Saunders: MAC (Taped by Jerry Moore, two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).
6611	1974-07-03	Bottom Line	New York	NY
Garcia & Saunders: Probable AUDMC (Taper Jerry Moore, AKG D1000e mics > Sony TC-152) > DAT x 1 > CD. Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN
9103	1974-07-03	Bottom Line	New York	NY
Garcia & Saunders: MAC (Taped by Jerry Moore AKG D1000e mics > Sony TC-152) > DATx1 > CD, transferred via DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN. Slightly re-tracked version of previous shn set (SHN > mkwACT > WAV > re-tracking using WavMerge and CD Wave > mkwACT > SHN).
14985	1974-07-03	Bottom Line	New York	NY
Garcia & Saunders: MAC (Taped by Jerry Moore, two AKG D1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).
8072	1974-07-12	Keystone	Berkeley	CA
Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN.
25623	1974-07-13	Keystone	Berkeley	CA
Garcia & Saunders: Mislabel of 2/9/74. Source given as SBD > ? > C > DAT > WAV > SHN. This .shn set should not be traded.
117653	1974-07-21	Keystone	Berkeley	CA
JGMS; flac1644; MSR > PCM > DAT > ZA2 > CDR (xx) > EAC > flac1644. Uncertain date, uncertain venue.
4488	1974-07-22	Keystone	Berkeley	CA
Garcia & Saunders: source unknown; Jerry Site lists circulating mSR>PCM>DAT.
10127	1974-07-22	Keystone	Berkeley	CA
Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN
86198	1974-07-22	Keystone	Berkeley	CA
Garcia & Saunders: MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with L3 Multimaximizer > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky.
8073	1974-08-09	Keystone	Berkeley	CA
Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN
6382	1974-08-11	Keystone	Berkeley	CA
Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN, plus missing songs from Lou Tamboukas's MAR > R > DAT > CD; via Jack Warner.
8650	1974-08-15	Great American Music Hall	San Francisco	CA
JGMS; shnf; Menke MAC [had been listed as Louis Falanga's upfront Sony ECM-250 > Sony TC-110] > DATx1 > CD > EAC > CD > EAC > SHN. Note that this originally circulated as 8/14/74, but is now believed to be 8/15/74
116253	1974-08-15	Great American Music Hall	San Francisco	CA
JGMS; flac1644; Bob Menke's Sony F-995 => Sony TC-124 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> flac1644]
9416	1974-08-23	Berkeley Community Theater	Berkeley	CA
Garcia & Saunders: MAC > C > R > D > CD > EAC > SHN.
10612	1974-08-24	Great American Music Hall	San Francisco	CA
Garcia & Saunders: 10" MSR > C > DAT > CD > EAC > SHN.
167114	1974-08-24	Great American Music Hall	San Francisco	CA
JGMS; flac16; Recording info: Master SBD reel > cassette (likely) > DAT via Anon; DAT transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel
6380	1974-08-30	Freeborn Hall (University of California Davis)	Davis	Ca
Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN
8652	1974-09-02	Marx Meadow (Golden Gate Park)	San Francisco	CA
Garcia & Saunders, partial show: probable lineage MSR > P > D > CD, per The Jerry Site.
31903	1974-09-02	Marx Meadow (Golden Gate Park)	San Francisco	CA
Garcia & Saunders, complete: MSR > PCM > DAT > CDR > eac (secure mode/align on sector boundaries checked/no extraction errors) > flac frontend(level 6).
76174	1974-09-02	Marx Meadow (Golden Gate Park)	San Francisco	CA
Garcia & Saunders, partial show: MR > ? > CD > EAC > MKW > SHN.
8665	1974-10-05	Keystone	Berkeley	CA
Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN
9026	1974-10-06	Great American Music Hall	San Francisco	CA
partial 1st set: MSR > ? > D > CD > EAC > SHN
136783	1974-10-06	Great American Music Hall	San Francisco	CA
complete 1st set; SBD > master reel > DAT(48k)
23676	1974-10-27	Golden Bear	Huntington Beach	CA
Garcia and Saunders. Late show. Source: MAC>C>C>DAT>WAV>SHN. Taper and mics unknown.
11030	1974-10-31	Memorial Gymnasium (University of San Francisco)	San Francisco	CA
Garcia & Saunders: partial show: MS? > ? > CD > EAC > SHN
19436	1974-10-31	Memorial Gymnasium (University of San Francisco)	San Francisco	CA
Garcia & Saunders: MSR > R > C > DAT > WAV > SHN, C > SHN Conversion by Cousinit.
111191	1974-11-02	Keystone	Berkeley	CA
MOTB Release: 0158 24/96 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UD C-90 Analog Lineage: 1 x Sony ECM 270 >> Sony TC 110 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 >> Korg AudioGate >> WAV [24/96] Taped By: Robert Castelli, Transfer By: Bob Menke, Mastering By: Derek McCabe
110552	1974-11-02	Keystone	Berkeley	CA
flac1644; MOTB 0158; Robert Castelli's 1 x Sony ECM 270 >> Sony TC 110Â >> MA C; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... FLAC1644. Transfer By: Bob Menke; Mastering By: Derek McCabe.
8651	1974-11-05	Bottom Line	New York	NY
Garcia & Saunders: Early Show: MAC (Jerry Moore's AKG D1000Es > Sony TC-152) > DATx2 > CD > EAC > SHN
16806	1974-11-05	Bottom Line	New York	NY
Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).
117249	1974-11-05	Bottom Line	New York	NY
JGMS; early show; flac2496; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding.
163367	1974-11-05	Bottom Line	New York	NY
JGMS; flac1644; Late Show; Source: Audience Cassette> ? > CD > HD. Recorded by Mike Gold; Unknown cassette deck with a single mic
6613	1974-11-06	Bottom Line	New York	NY
Garcia & Saunders: Early Show: Master Cassette Audience > DAT > CD. (Probable source: AUDMC [Taper Jerry Moore, AKG D1000e mics > Sony TC-152].) Between track tunings have been edited out to allow show to fit on a single 80min cd
16807	1974-11-06	Bottom Line	New York	NY
Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).
117248	1974-11-06	Bottom Line	New York	NY
JGMS; early show; flac2496; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding.
14306	1974-11-07	Bottom Line	New York	NY
Garcia & Saunders: Early Show: MAC (Taped by Jerry Moore [front of the third tier of tables, dead center], AKG 1000Es > Sony TC-152) > Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track IDs) > SHNTOOL (SBE fix) > master CD > HP 9350i extraction (EAC v0.9 beta 4) > .shn encoding (mkwACT v0.97 beta 1).
34741	1974-11-07	Bottom Line	New York	NY
Garcia & Saunders: Jerry Moore's MAC (front of the third tier of tables, dead center AKG D 1000E mics > Sony TC-152) > unknown transfer details and subsequent gens > DAT > WAV 48k > FLAC 48k. DAT transfer by Todd Evans, FLAC encoding by Mike Hughey (GEMS).
117247	1974-11-07	Bottom Line	New York	NY
JGMS; early show; flac2496; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding.
9711	1974-11-08	The Dome - C.W. Post College	Brookville	NY
Garcia & Saunders: MAC > DAT > CD > EAC > SHN Recorded by Jerry Moore, AKG D1000Es > Sony TC-152.
16839	1974-11-08	The Dome - C.W. Post College	Brookville	NY
Garcia & Saunders: MAC (Taped by Jerry Moore, AKG D1000Es [front of orchestra about ten feet in front of PA, right side of stage] > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam CD-RW700 master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).
94547	1974-11-08	The Dome - C.W. Post College	Brookville	NY
JGMS: Gerry Moskal's Sony Stereo ECM > SONY TCD126 MAC > 1 reel > 1 cassette > Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > MKW > shn. Transfer/SHN Conversion by Brian Mandel.
8661	1974-11-09	Capitol Theater	Passaic	NJ
Garcia & Saunders, Late Show: MAC (Ihor Slabicky, AKG d190e mics > Sony TC-152sd deck onto Ampex 90min High Frequency Master Cassette) > played on a Nak CR-3A > Lucid AD9624 24-bit A/D converter (44.1kHz) > DAT (Sony R500) > CD
10740	1974-11-10	Palace Theatre	Albany	NY
Garcia & Saunders, complete show: reportedly MSR > P > D > CD > EAC > SHN, but this is highly suspect. See info file for details.
18202	1974-11-10	Palace Theatre	Albany	NY
Garcia & Saunders/Legion of Mary: MSR > DAT 48k > PCM > CDR > PCM > SHN.
98704	1974-11-10	Palace Theatre	Albany	NY
JGMS: sbd 2nd generation reel (Jerry Moore's reel); Lineage: sbd reel master > reel > 10.5" reel @ 7.5 ips, dolby b; Transfer by Rob Berger: Technics RS-1506 playback > Sony NR-335 >Tascam HD-P2 24/48. Editing, downsampling and FLAC encoding by David Minches.
10128	1974-11-13	Paul's Mall	Boston	MA
Garcia & Saunders: Early Show: Uher hand-held mic > Uher 4000 5" master reel > playback on a Teac 2300 reel to reel > MacIntosh pre-amp > Teac 2300 7" reel > CD > EAC > SHN. No DAT stage, 7" reel run directly to CDR in sound studio. EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max. "Picks From 1066" Volume 3. Personal vault release series, thanks to Jeff Siniawsky and Neil Merin. Show mastered by Jeff and Neil.
121034	1974-11-13	Paul's Mall	Boston	MA
JGMS; Late show; Unknown AUD cassette, kindly supplied by Seaweed1010; Transfer: XLIIS-100 > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. July 2012
164149	1974-11-13	Paul's Mall	Boston	MA
JGMS; Late show; flac2448; Source: Unknown AUD cassette, marked "1st Gen", liberated from ebay. Transfer: XLII > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 03/2023
164198	1974-11-13	Paul's Mall	Boston	MA
JGMS; Early Show; flac2448; Source: Unknown AUD cassette, marked "1st Gen", liberated from ebay. Transfer: XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 04/2023
6383	1974-11-14	Paul's Mall	Boston	MA
Garcia & Saunders: Late Show: Uher hand-held mic-->Uher 4000 5" master reel--> playback on a Teac 2300 reel to reel-->MacIntosh pre-amp-->Teac 2300 7" reel-->CDR-->EAC-->SHN No DAT stage, 7" reel run directly to CDR in sound studio EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max
16461	1974-11-14	Paul's Mall	Boston	MA
Garcia & Saunders: Early Show: MAC (Taped by Jimmy Warburton, single Sony ECM-99 stereo mic [on a table, 8' from stage, left-of-center] > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby B off] > Pioneer RT-701 playback > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > shn (mkwACT) > wav (mkwACT) > tracking (CD Wave) > .shn (mkwACT).
135968	1974-11-14	Paul's Mall	Boston	MA
JGMS; flac1644; early show: AUD marked "1st Gen" rescued from ebay for coupla bucks. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016
4487	1974-11-15	Worcester Polytechnic Institute	Worcester	MA
Garcia & Saunders: Late Show. Sbd> Mreel> Cass> Dat> CDR. Seeded by Mike Lai. (Note: probable cassette master. See Comments and updated shn set for details.)
8071	1974-11-15	Worcester Polytechnic Institute	Worcester	MA
Garcia & Saunders: Late Show: MSC > 1C > 2D > CD (Sony PCM R500 > HHB 800) > EAC > SHN via Ryan Shriver and Andy Lemieux. This version is a slight quality upgrade of the previously circulating copy, is more complete, and has a documented lineage.
16808	1974-11-16	Tower Theatre	Upper Darby	PA
Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).
16809	1974-11-16	Tower Theatre	Upper Darby	PA
Garcia & Saunders, Late Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).
4486	1974-11-28	Great American Music Hall	San Francisco	CA
Garcia & Saunders: MSR>PCM>DAT
85987	1974-11-28	Great American Music Hall	San Francisco	CA
Source: MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. June 2007
8177	1974-12-15	EMU Ballroom (University of Oregon)	Eugene	OR
JGMS: MSR>P>D>CD>EAC>SHN
24317	1974-12-28	Golden Bear	Huntington Beach	CA
Garcia & Saunders. Source: MA (mics/taper unknown) > ? > C > DAT > WAV > SHN.
121743	1974-12-28	Golden Bear	Huntington Beach	CA
JGMS; flac1644; Shure Unidyne IV mics > Uher 4400 reel master @ 3.75 ips > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer and Organic Pitch Correction by Rob Berger
121744	1974-12-28	Golden Bear	Huntington Beach	CA
JGMS; flac2496; Shure Unidyne IV mics > Uher 4400 reel master @ 3.75 ips > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer and Organic Pitch Correction by Rob Berger
8643	1974-12-29	Golden Bear	Huntington Beach	CA
Garcia & Saunders: Late Show: MAR (Charlie Disalvo, spaced Shure Unidyne IVs [one in front of Garcia, one in front of Fierro an unknown distance away] > Uher 4400 @ 3.75ips) > D > CD > EAC > SHN.
17019	1974-12-29	Golden Bear	Huntington Beach	CA
Garcia & Saunders: MAR > DAT > CD > EAC > SHNv3. Recorded by Charlie Disalvo, spaced Shure Unidyne IVs [one in front of Garcia, one in front of Fierro an unknown distance away]. This seed seems to derive from audio discs related to the earlier .shn set, but introduces seekability and possibly small cosmetic changes.
93978	1974-12-29	Golden Bear	Huntington Beach	CA
JGMS, early show: Charlie Disalvo's 2x Shure Unidyne IVs (spaced ca. 15') > Uher 4400 (3.75ips master reels) > taperpat's 3.75ips 1st gen reel > Akai GX 625 playback > Apogee Mini ME (@24/96) > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to 20/44) > CD > EAC > CD Wave > Sony Sound Forge Studio 7.0 > Trader's Little Helper (FLAC8 encoding).
151373	1974-12-29	Golden Bear	Huntington Beach	CA
JGMS; flac16 Remaster and Packaging of shnid-8643 and shnid-93978 Speed Corrections by Jason Chastain, Mastering by Jamie Waddell, Track FLAC and Pack by Steve Gravel.

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