Identifiers for Zero

Archive Identifier
DateVenue
Source
zero1998-01-15.akg414.flac16
1998-01-15The Coach House
119360Source: AKG 414's > Sonosax SX-M2 > HHb PDR-1000
Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC
Recorded: unknown
Transferred: Jeff Bowen
Zero1998-01-18.nak.shnf
1998-01-18Ventura Theatre
33268{onstage} Nak 700's > Sony D5M as mic preamp > D7/Clone > Tascam DA-20>HHB Burnit830>EAC>Plex8/4/32>SHN
Zero1998-01-31.shnf
1998-01-31Maritime Hall
27389Onstage AKG C61 > DA-P1 (uncertain)
zero1998-01-31.senn421.shnf
1998-01-31Maritime Hall
118637(Stage) Senn 421>Dat>CDR
zero1998-03-04.shnf
1998-03-04Hawaiian Hut
27353Source: AKGC61s > DAT > CDR > EAC > SHN
zero1998-03-04.150925.stage-akg.granoff.flac16
1998-03-04Hawaiian Hut
150925flac16 Recording Info: (Stage) AKG c61 (X/Y) + Vocals Direct > Mackie CR1604 > Tascam DAP-20 > AIFF > Flac Recording and Transfer by: Art Granoff
Zero1998-03-06.nak.shnf
1998-03-06Crown Room of the Naniloa Hotel -
27390Source: {onstage} Nak 700's > Sony D5M as mic preamp > D7/Clone
Transfer: Tascam DA-20>HHB Burnit830>EAC>Plex8/4/32>SHN
zero1998-03-07.shnf
1998-03-07Beach near Royal Waikaloan
27391Dr. Bob's Nak 700's on stage > D7 > digital transfer > CDR > EAC > MKW
zero1998-03-07.flac16
1998-03-07Beach near Royal Waikoloa Hotel
149870flac16/44.1khz Source: Neumann km184's (xy) > Aerco MP-2 > Sony TCD-D7 Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC Recorded: unknown Transferred: Jeff Bowen Extraction/seed: Brad Foster
zero1998-03-08.shnf
1998-03-08Kings Room at the Royal Waikaloan
33272{onstage} Nak 700's > Sony D5M as mic preamp > D7/Clone > D8 > SEK'D Prodif Plus > Samplitude Project (48->44.1) > CD Wave > mkwACT > .shn (seek appended)
zero1998-03-08.flac16
1998-03-08King's Room, Royal Waikoloa Hotel
149871flac16/44.1khz Source: Neumann km184's (xy) > Aerco MP-2 > Sony TCD-D7 Lineage: DAT/M > DAT/1 > CD > EAC > CDWav > FLAC Recorded: unknown Extraction/seed: Brad Foster
zero1998-03-20
1998-03-20Chester's Place
28337Recording Info: (Stage) Microtech-Gefell M300 -> Aphex 107 -> Phillips ISP 5022 -> Master Dat (Tascam DA-P1/48k) Transfer Info: Master Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional ->FLAC
zero1998-03-21
1998-03-21Chester's Place
28338Recording Info: (Stage) AKG C61/CK1 -> Master Dat (Panasonic SV-255/48k) Transfer Info: Master Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC
zero1998-03-22
1998-03-22Chester's Place
28339Recording Info: (Stage) AKG C61/CK1 -> Master Dat (Panasonic SV-255/48k) Transfer Info: Master Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC
zero1998-03-27.shnf
1998-03-27Maritime Hall
76239Unknown Mics > Dat > CD > EAC > Shn
zero1998-03-28.stage-m300.abramson-miller.106742.sbeok.flac16
1998-03-28The Catalyst
106742Recording Info: (Stage) Microtech-Gefell M300 -> Aphex 107 -> Phillips ISP 5022 -> Dat (Tascam DA-P1) Transfer Info: Dat (Sony D8) -> M-Audio DIo2448 -> Samplitude v7.02 Professional -> FLACat (Sony D8) -> M-Audio DIo2448 -> Samplitude v7.02 Professional -> FLAC
zero1998-04-18.150401.aud.schneider.flac1644
1998-04-18Mystic Theater
150401flac16/44.1khz Excellent Unknown FOB Audience DAT clone > Tascam DA-20mkII > Prodif Gold > Soundforge 10 > CD Wave (Tracks) > TLH Flac (8) Fresh DAT Transfer, Bass reduce EQ, Hundreds of handclaps addressed, Minor volume adjustments: Andy Schneider - July 2020
zero1998-04-18.aud
1998-04-18Mystic Theater
zero1998-04-18.150616.on-stage-nak700.wagner.miller.flac1644
1998-04-18Mystic Theater
150616Recording Info: (Stage) Nakamichi 700 > Sony TC-D5M (Mic Pre-Amp) > DAT Master (Sony TC-D7/44.1k) Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 (2 Discs Audio / 1 DVD FLAC) All Transfers and Mastering by Charlie Miller
zero1998-04-24.onstage.bruno.flac16
1998-04-24Cal-Neva Lodge
106207On-Stage Mics > DAT.
Transfer: Fostex D-5 DAT Master Recorder > Tascam US-144 Audio Device > Sony SoundForge 9.0.
Editing & additional sound mastering w/ Bias Peak Pro 5.2 by Bruno.
zero1998-04-24.onstage.bruno.sbeok.flac16
1998-04-24Cal-Neva Lodge
zero1998-04-25stage
1998-04-25Cal-Neva Lodge
83068Recording Info: (Stage) Unknown Mics -> Dat (48k)
Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
zero1998-05-01.shnf
1998-05-01319 Club
149873unknown stage mics > ? > CDR > EAC > SHN EAC done by skbnut@yahoo.com, logfiles included
zero1998-05-01.m300.flac16
1998-05-01319 Club
76215(Stage) Microtech-Gefell M300 > Aphex 107 > Phillips ISP 5022 > Dat > Sound Forge > SHN > Samplitude > Flac
zero1998-05-03.sbd
1998-05-03Cafe Tomo
10888Source: (Stage) Unknown Mics>DAT>CDR (x?)>EAC>WAV>mkwACT>SHN
zero1998-05-03.m300.flac16
1998-05-03Cafe Tomo
76216(Stage) Microtech-Gefell M300 > Aphex 107 > Phillips ISP 5022 > Dat > Sound Forge > SHN > Samplitude > Flac
zero1998-05-05.shnf
1998-05-05Ventura Theater
80799Unknown Mics > ? > CD > EAC > Shn
zero1998-05-06.mg300.abramson.miller.xxxxx.flac16
1998-05-06Coach House
96916flac16;Recording Info:(Stage) Microtech-Gefell M300 -> Aphex 107 -> Phillips ISP 5022 -> Dat (Tascam DA-P1) -> Sound Forge -> CD (SHN); Transfer Info: CD (SHN) -> Samplitude Professional v10.2 -> FLAC; Recorded By Brian Abramson; Mastered By Charlie Miller
zero1998-05-06.schoeps.flacf
1998-05-06Coach House
96607(FOB) Schoeps CMC6/MK41 > Sonosax SX-M2 > DA-P1 > D8 > D3 > Audiophile 2496 > Sound Forge 9.0 > CDWav > Flac
zero1998-05-07.neumann.flacf
1998-05-07Belly Up Tavern
96608(FOB) Neumann KM140 > Panasonic SV-255 > D8 > D3 > Audiophile 2496 > Sound Forge 9.0 > CDWav > Flac
zero1998-05-07.mg300.abramson.miller.xxxxx.flac16
1998-05-07Belly Up Tavern
96917flac16;Recording Info:(Stage) Microtech-Gefell M300 -> Aphex 107 -> Phillips ISP 5022 -> Dat (Tascam DA-P1) -> Sound Forge -> CD (SHN); Transfer Info: CD (SHN) -> Samplitude Professional v10.2 -> FLAC; Recorded By Brian Abramson; Mastered By Charlie Miller
zero1998-05-08.shnf
1998-05-08House of Blues
10889Source: Senn K3u w/ ME40 caps->PortaDat Transfer: D8->SEK'D Prodif Plus->Samplitude Project->CDWav->MKWAct->shn->Plexwriter 12/10/32S
zero1998-05-23.mg300.abramson.miller.xxxxx.flac16
1998-05-23Frontier Ranch
96919flac16;Recording Info:(Stage) Microtech-Gefell M300 -> Aphex 107 -> Phillips ISP 5022 -> Dat (Tascam DA-P1) -> Sound Forge -> CD (SHN); Transfer Info: CD (SHN) -> Samplitude Professional v10.2 -> FLAC; Recorded By Brian Abramson; Mastered By Charlie Miller
zero1998-05-24.m300.flac16
1998-05-24The Cubby Bear
76217(Stage) Microtech-Gefell M300 > Aphex 107 > Phillips ISP 5022 > Dat > Sound Forge > SHN > Samplitude > Flac
zero1998-05-24
1998-05-24CubbyBear
149872flac16/44.1khz AKG 461 > Beyer MV100 > DA-P1 Taped by Joe Uidice? Patched by Jeff Frank? Definitely transferred by Jeff Frank. Transfer: Tascam DA20 > Edirol UA-1D > CD Wave > Adobe Audition 1.0 (48 > 44.1) > CD Wave > FLAC
zero1998-05-26.155929.akg480.moore.mgoldey.flac16
1998-05-26The Magic Bag
zero1998-05-29.shnf
1998-05-29Wilmer's Park
33264SBD > DAT > D8 > SEK'D Prodif Plus > Samplitude Project > CD Wave > mkwACT > .shn
zero1998-05-30
1998-05-30Wetlands
80800(FOB) Schoeps CMC6/MK4 > Apogee AD1000 > Dat > CD > EAC > Flac
zero1998-05-30.mg300.abramson.miller.xxxxx.flac16
1998-05-30Wetlands Preserve
96921flac16;Recording Info:(Stage) Microtech-Gefell M300 -> Aphex 107 -> Phillips ISP 5022 -> Dat (Tascam DA-P1) -> Sound Forge -> CD (SHN); Transfer Info: CD (SHN) -> Samplitude Professional v10.2 -> FLAC; Recorded By Brian Abramson; Mastered By Charlie Miller
zero1998-06-06
1998-06-06Maritime Hall
30633onstage AKG c61 > DAT > ? > CDR > EAC > SHN
zero1998-09-12c61
1998-09-12San Geronimo Cultural Center
29690Recording Info: (Stage) AKG C61/CK1 -> Dat (Tascam DA-P1)
Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC)
zero1998-09-12.beyer.flacf
1998-09-12San Geronimo Valley Cultural Center
149705flac16/44.1khz Master audience cassette, recorded with 2 Beyer M160 microphones > Sony TC-D5M (Maxell MX90's). Recorded 25 feet from the stage-dead center, with the microphone stand 7 feet high for the 1st set, and 20 feet high for the 2nd set. Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
zero1998-12-18shnf
1998-12-18Maritime Hall
27354Source: akg c61's w/ ck-1 cardioids (xy) onstage ---> Panasonic sv-255
Transfer: Nak 700>Sony D5M ( Mic Pre )>D7 onstage
zero1998-12-18.fob-schoeps.birkhead.gmb.99687.flac16
1998-12-18Maritime Hall
zero1998-12-18.099687.birkhead.gmb.flac16
1998-12-18Maritime Hall
99687Source: Schoeps CMC6/MK4 > Sanosax > Tacsam DA-P1 DAT Master [48 khz]
Recorded by Jim Birkhead
Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab
Mastering with iZotope Ozone 4 > r8brain to [44.1] > CD Wave > Flac
Transfer and mastering by Bill Koucky June 21, 2009 Green Mountain Bro.
zero98-12-19shn
1998-12-19The Maritime Hall
27355Source: Akg c61's w/ ck-1 cardioids (xy) onstage ---> Panasonic sv-255
Transfer: Nak 700>Sony D5M ( Mic Pre )>D7 onstage
zero1998-12-19.99598.birkhead.gmb.flac16
1998-12-19Maritime Hall
99598Source: Schoeps CMC6/MK4 > Sanosax > Tacsam DA-P1 DAT Master [48 khz]
Recorded by Jim Birkhead
Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab
Mastering with iZotope Ozone 4 > r8brain to [44.1] > CD Wave > Flac
Transfer and mastering by Bill Koucky June 17, 2009 Green Mountain Bro.