Identifiers for Zero
1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2004 2005 2006 2007 2008 2011 2012 2013 2016 2019 2021 2022
Archive Identifier | |
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Date | Venue |
Source | |
zero1997-01-10.flac16 | |
1997-01-10 | The Catalyst |
149833 | flac16/44.1khz Source: Nak300 > Sony D10 Pro II Sony PC-R300 > NJB3 > CDWAV > TLH Taped and transfered by Lobster |
zero1997-02-22.shnf | |
1997-02-22 | Catalyst |
33271 | Nakamichi 700's (XY, left cntr, onstage) > Sony D7 > DAT@48K > Sony PCM-R500 > Zefiro ZA2 (convert to 44.1K) > Sound Forge (normalize) > CD Wave > mkwACT > SHN |
zero1997-02-22.flac16 | |
1997-02-22 | The Catalyst |
149835 | flac16/44.1khz Source: NAK 300 > Sony D10 Pro II Transfer: Sony PC-R300 > NJB3 > CDWAV > FFE Recorded and Transferred by Lobster |
zero1997-02-24.shnf | |
1997-02-24 | San Jose Live |
14069 | {onstage} Neumann KM150s (XY) > DAT; Transfer: D8 (DAT) > WAV via SEK'D Prodif Plus > Samplitude Project & CDWav > SHN [no DAE] |
zero1997-03-01.flac16 | |
1997-03-01 | The Fillmore |
76234 | Dr. Bob's Nak 700s (onstage) > Sony D5 (as pre) > Sony D7 / transfer: Tascam DA-20mkII > LynxONE > Samplitude 6.0 > SoundForge 4.5 > CDWav > flac / recorded by Dr Bob / transfer by Rich Selleseth |
Zero1997-03-26.onstage.m300.shnf | |
1997-03-26 | Backstage |
17542 | onstage Microtech Gefell M300-> Aphex 107 Tubessence pre-> Phillips ISP 5022 Reference D/A->DA-P1 xfer via D8->SEK'D Prodif Plus->Samplitude Project->CDWav->MKWAct->shn |
zero1997-03-27.shnf | |
1997-03-27 | Crystal Ballroom |
15613 | {onstage} Microtech Gefell M300 > Aphex 107 Tubessence pre > Phillips ISP 5022 A/D > DA-P1 (DAT); Transfer: D8 (DAT) > WAV via SEK'D Prodif Plus > Samplitude Project & CDWav > SHN [no DAE] |
zero1997-03-27.flac16 | |
1997-03-27 | Crystal Ballroom |
149836 | flac16/44.1khz Source: Senn 441 > Sony D6 > MAC Transfer: Cass > Sony D6 > Sony PCM R300 > NJB3 > Audacity > CD Wave > TLH > Flac Recorded by Kirk Davis Transferred by Lobster |
zero1997-03-29.shnf | |
1997-03-29 | Mateel Community Center |
14088 | {onstage} Microtech Gefell M300 > Aphex 107 Tubessence pre > Phillips ISP 5022 A/D > DA-P1 (DAT); Transfer: D8 (DAT) > WAV via SEK'D Prodif Plus > Samplitude Project & CDWav > SHN [no DAE] |
zero97-4-18shnf | |
1997-04-18 | Maritime Hall |
33765 | {onstage} Microtek Gefell M300 > Aphex 107 > Philips 5022 ISP > Tascam DAP-1 > DAT > ? > AUDIO CDR > ? > AUDIO CDR > ? > SHN [DAE step(s)] Appears to be a variant of this source. |
zero1997-04-18.151960.sbd.danchik.chief.mcgee.miller.sirmick.flac1648 | |
1997-04-18 | Maritime Hall |
zero1997-04-26b.flac | |
1997-04-26 | Hefe's Night Club |
80783 | (Stage) Nak 700/CP701 > Dat > SEK'D Prodif Plus > Samplitude > CDWav > Flac Recorded by Dr. Bob Transferred by Ray Brooks |
zero1997-04-26a | |
1997-04-26 | Humboldt State University |
80782 | (FOB/In Hat) Nak 700/CP701 > Dat > LynxOne > Samplitude > Sound Forge > CDWav > Flac Recorded By Dr. Bob |
zero1997-05-10.nak700.wagner.miller.105826.flac16 | |
1997-05-10 | Community Center |
105826 | flac16;Recording Info:(Stage) Nakamichi 700/CP701 -> Sony D5 (As Mic Pre-Amp) -> Dat (Sony D8/48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.22 -> FLAC; Recorded By Robert "Dr. Bob" Wagner; All Transfers and Mastering By Charlie Miller |
zero1997-05-23 | |
1997-05-23 | Maritime Hall |
149840 | Source: 2nd gen cassette (maxell XLII) Xfer: JVC TD-R441 > Tascam DR-40 > Audacity > WAV taper unknown transferer Eric Burns |
zero1997-05-30.shnf | |
1997-05-30 | Catalyst |
10883 | Source: onstage Neumann KM150 (XY)->DAT/Clone Transfer: D8->SEK'D Prodif Plus->Samplitude Project->CDWav->MKWAct->shn->Plextor Plexwriter 8/20 |
zero1997-06-07.shnf | |
1997-06-07 | Mt. Shasta Music Festival |
80784 | Unknown Mics > ? > CD > EAC > Shn |
zero1997-06-08.shnf | |
1997-06-08 | Mt. Shasta Music Festival |
80785 | Unknown Mics > ? > CD > EAC > Shn |
zero1997-06-21.beyer.flacf | |
1997-06-21 | Fort Ross Fireman's Benefit |
149837 | flac16/44.1khz source: 2 Beyer M160 Microphones > Sony TC-D5M (25 feet from stage - right next to the soundboard) > analog cassette master Maxell MX100's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
zero1997-06-21.shnf | |
1997-06-21 | Firefighter's Benefit |
10884 | Source: Onstage Neuman KM 150 XY mics>DAT Playback: DAT Clone>Sony D8>SEK'D Prodif Plus>Samplitude>CDWav>MKWAct>SHN>Plexwriter 8/20 |
zero1997-08-09.flac16 | |
1997-08-09 | The Catalyst |
111322 | Nak300 > Sony D10 Pro II > Sony PC-R300 > NJB3 > CDWAV > TLH > Flac |
zero1997-08-15.beyer.flacf | |
1997-08-15 | Maritime Hall |
123339 | Recorded, transferred and mastered to .wav files by D5scott Source: 2 Beyer M160 microphones - 20 feet from stage/center > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
Zero1997-08-15.shn | |
1997-08-15 | Maritime Hall |
80786 | (Stage) Unknown Mics > ? > CD > EAC > mkw > Shn |
zero1997-08-31drbob | |
1997-08-31 | Art & Wine Festival |
76235 | Dr Bob's onstage Nak 700s > Sony D-5 as pre-amp > DAT transfer: Tascam DA-P1 > LynxONE > Samplitude 6.0 > SoundForge 4.5 > CDWav > flac |
zero1997-09-13.shnf | |
1997-09-13 | Fillmore Auditorium |
14023 | Source : (on-stage) Nak 700 cardioids > Sony D5M as mic preamp > Sony D7 Transfer: Sony R-500 DAT > HHb 850 > EAC > MKW > SHN |
zero1997-09-16.flac | |
1997-09-16 | Shank Hall |
80787 | Unknown Mics > Dat > SEK'D Prodif Plus > Samplitude > CDWav > Flac Transferred by Ray Brooks |
zero1997-09-18.shnf | |
1997-09-18 | House of Blues |
80788 | Unknown Mics > ? > CD > EAC > Shn |
zero1997-09-19.shn.Gunnerz.Pub | |
1997-09-19 | Gunnerz Pub |
27385 | Source: Microtek Gefell M300 -> Aphex 107 > Tubessence micpre -> Philips 5022 ISP-> Tascam DAP-1 > ? > CD-R Transfer: EAC > SHN |
zero1997-09-20.FOB.AKG451.Darby.Flac1644 | |
1997-09-20 | Pleasantdale Amphitheatre @ Doug Nixon's Acreage |
123854 | Master Audience Recorded By Mr. Darby AKG451EB/CK1's (DIN/DFC/FOB 40 Feet From Stage)> Whirlwind Phantoms>Sony D7 @ 16/48 Transfer Information:Fostex D-5>Tascam HD-P2> HDD>Audacity (Tracking/Fades)> xACT (FLAC8) Tracks Renamed,Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename By Keo |
zero1997-09-20.FOB.AKG451.Darby.Flac1648 | |
1997-09-20 | Pleasantdale Amphitheatre @ Doug Nixon's Acreage |
zero1997-09-20.123853.AKG451EB-CK1.Darby.flac1648 | |
1997-09-20 | Pleasantdale Amphitheatre @ Doug Nixon's Acreage |
123853 | flac1648;Master Audience Recorded By Mr. Darby AKG451EB/CK1's (DIN/DFC/FOB 40 Feet From Stage)> Whirlwind Phantoms>Sony D7 @ 16/48 Transfer Information:Fostex D-5>Tascam HD-P2> HDD>Audacity (Tracking/Fades)> xACT (FLAC8) Tracks Renamed, Metadata Tagging With Tag&Rename By Keo |
zero1997-09-23.shnf | |
1997-09-23 | The Vogue Theater |
80789 | (FOB) Audio Techina 822 > Dat > wav > CDWav > mkw > Shn |
zero1997-09-24 | |
1997-09-24 | Chelsies |
125990 | Schoeps Mics > Dat > Cass > CD > EAC> Flac |
zero1997-09-26.flac16 | |
1997-09-26 | Wilbert's |
29768 | Source: Unknown mics > DAT > D7 (48k) Transfer: D8(m) > Delta Dio 2496 > Sound Forge 7.0(fades, 48k>44k) > CD Wave > Flac |
zero1997-09-27.shnf | |
1997-09-27 | Ripley's |
33255 | unknown onstage mics > CDR > EAC > SHN > |
zero1997-10-11c61 | |
1997-10-11 | Stella Blue's |
29679 | Recording Info: (Stage) AKG C61/CK1 -> DAT Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) |
zero1997-10-12.flac | |
1997-10-12 | Alachua Music Festival |
80790 | (Stage) Nak 700/CP701 > Dat > SEK'D Prodif Plus > Samplitude > Flac |
zero1997-10-12c61 | |
1997-10-12 | Alachua Music Festival |
29680 | Recording Info: (Stage) AKG C61/CK1 -> DAT Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 1 Disc FLAC) |
zero1997-10-13.shnf | |
1997-10-13 | Media Play |
149839 | Taped by John Barnett Onstage > DAT > CM > PC > EAC > SHN Transfered by Todd Albert |
zero1997-10-13.flac | |
1997-10-13 | Media Play |
149834 | flac16/44.1khz onstage Nak 700's->Sony D7 DAT xfer via D8->SEK'D Prodif Plus->Samplitude Project-> CDWav->FLAC frontend->flac |
zero1997-10-13c61 | |
1997-10-13 | Media Play |
29681 | Recording Info: (Stage) AKG C61/CK1 -> DAT Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude v7.02 Professional -> FLAC (1 Disc Audio / 1 Disc FLAC) |
zero1997-10-14.flac | |
1997-10-14 | Brick City Music Hall |
76236 | Recording Info: (Stage) AKG C61/CK1 > Dat > CD |
zero1997-10-15c61 | |
1997-10-15 | Brick City Music Hall |
29682 | Recording Info: (Stage) AKG C61/CK1 -> DAT Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) |
zero1997-10-15.shnf | |
1997-10-15 | Brick City Music Hall |
33254 | Senn 421 + Senn ME80 > Dat > Cassette Master > CD > EAC > Shnf |
zero1997-10-16c61 | |
1997-10-16 | Georgia Theatre |
29670 | Recording Info: (Stage) AKG C61/CK1 -> DAT Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) |
zero1997-10-17.flac | |
1997-10-17 | Black Mountain Music Festival |
80791 | (FOB/In Hat) Nak 700/CP701 > Dat > SEK'D Prodif Plus > Samplitude > Flac |
zero1997-10-18a.flac | |
1997-10-18 | Black Mountain Music Festival |
80271 | Early Show (Stage) Nak 700/CP701 > Sony D5(As Mic Pre-Amp) > Dat > SEK'D Prodif Plus > Samplitude > CDWav > Flac |
zero1997-10-18b.flac | |
1997-10-18 | Ziggy's |
80283 | (Stage) Nak 700/CP701 > Sony D5(As Mic Pre-Amp) > Dat > SEK'D Prodif Plus > Samplitude > CDWav > Flac |
zero1997-10-19.akgc61.shnf | |
1997-10-19 | Variety Playhouse |
27386 | Onstage > DAT > CM > PC > EAC > SHN |
zero1997-10-22.shnf | |
1997-10-22 | Terrapin Station |
11274 | Unknown |
zero1997-10-22.nak100.fob.flac16 | |
1997-10-22 | Terrapin Station |
148592 | Source: Nakamichi CM100/CP1 > Sony D7 (FOB, DFC, 16/48) Transfer: DAT Master - Sony PCM-R500>Coax>Hosa ODL-276A Coax to Optical Converter>Optical>Mac Mini via Audacity (December 2019) taped/mastered/seeded by chk |
zero1997-10-23.shnf | |
1997-10-23 | Brownie's |
15177 | Source: (on-stage) AMS ST-250 Soundfield->
AMS ST-250 Control Box->Sony D10 Pro II Transfer: D8->SEK'D Prodif Plus-> Samplitude Project->CDWav->MKWAct->shn |
zero97-10-24shn | |
1997-10-24 | Wetlands Preserve |
33252 | {onstage} AKG C61/CK1 (XY) > Panasonic sv-255 > DAT > ? > AUDIO CDR > ? > AUDIO CDR > ? > SHN [DAE step(s)] |
zero1997-10-24.144818.nak300.buzzeo.flac16 | |
1997-10-24 | Wetlands Preserve |
144818 | Source:Nakamichi 300 cardioids > Sony D7 Location:Wooden bench next to the SBD booth stand at 8' Recorded, edited and seeded by Michael Buzzeo |
zero1997-10-24.150343.mg300.flac1648 | |
1997-10-24 | Wetlands Preserve |
150343 | flac16/48khz Microtech Gefell M300->Sonosax->SBM1->DA-P1->Clone to me> Tascam deck used to clone file in Microtrack>Goldwave tracking> TLH8 |
zero1997-10-31.akgC61.stiefel.miller.110033.flac16 | |
1997-10-31 | McKenzie Ballroom |
110033 | Recording Info:(Stage) AKG C61/CK1 -> Dat (Tascam DA-P1); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Recorded By Jimmy Stiefel; All Transfers and Mastering By Charlie Miller |
zero1997-10-31.shnf | |
1997-10-31 | McKenzie Ballroom |
80793 | (Stage) AMS-ST250 Soundfield > ? > Shn |
zero1997-11-01.shnf | |
1997-11-01 | Crystal Ballroom |
33251 | On-stage AKG C61 mics w/CK1 (XY) capsules > DAT > DAT/Clone > SEK'D Prodif Plus > Soundforge > CD Wave > mkwACT > Easy CD > Plexwriter 8/20 > SHN |
zero1997-11-02.flac16 | |
1997-11-02 | Fenix |
76237 | AKG460/CK61>DA-P1(48kHz) X/Y onstage Recorded by Jim Steifel DAT to SHN transfer source: PCM-M1>Audiophile 2496>Soundforge 5.0(resample/fades)>CDWav>FLAC ver 1.1.1 Transferred by Rob DeGrado |
zero19971121.flac16 | |
1997-11-21 | Maritime Hall |
zero1997-11-22.shn | |
1997-11-22 | The Catalyst |
10887 | Source: Sennheiser MKH416 P48->DAT Transfer: D8->SEK'D Prodif Plus->Samplitude->CDWav->MKWAct->shn->Plexwriter 8/20 |
zero1997-12-11.shnf | |
1997-12-11 | Quixote's True Blue |
16722 | {onstage} AKG C61's w/CK1 > DAT; Transfer: D8 (DAT) > WAV via SEK'D Prodif Plus > Samplitude Project & CDWav > SHN (seek tables appended) [no DAE] |
zero1997-12-12.mk8 | |
1997-12-12 | Fox Theater |
33249 | Schoeps mk8/21 > vms0z1b > ad1000 > dat > DA-P1 > sek'd prodif plus > soundforge > mkwACT > shn |
zero1997-12-12.early.akgC61.cooper.miller.109280.flac16 | |
1997-12-12 | Nick's Bar |
109280 | flac16;Recording Info:(Stage) AKG C61/CK1 -> Master Dat (Tascam DA-P1/48k); Transfer Info:Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Recorded By Pat "PC" Cooper ; All Transfers and Mastering By Charlie Miller |
zero1997-12-13.shnf | |
1997-12-13 | Double Diamond |
149838 | On Stage Senn 441>Dat>CD |
zero1997-12-15.flac16 | |
1997-12-15 | Rafters |
80794 | (FOB) Schoeps MK4 > KCY Active Cables > Schoeps VMS 21b > Dat > MT2496 > WaveLab > CDWav > Flac |
zero1997-12-31.shnf | |
1997-12-31 | Mystic Theater |
32922 | KMi84->DAT > D8->SEK'D Prodif Plus->Samplitude Project->CDWav->MKWAct->shn |