Identifiers for Zero
1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2004 2005 2006 2007 2008 2011 2012 2013 2016 2019 2021 2022
Archive Identifier | |
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Date | Venue |
Source | |
zero1995-01-07.149712.matrix.flac | |
1995-01-07 | Great American Music Hall |
149712 | flac16/48khz Recording Info: SBD + (Stage) AKG C61/CK1 > Mackie CR1604 > Yamaha AD2X > Dat (Tascam DA-30/48k) Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k (1 DVD FLAC) Mixed and Recorded By Steve Fink Transferred and Mastered By Charlie Miller charlie@kimock.com November 28, 2016 |
zero1995-01-27.shn | |
1995-01-27 | Catalyst - |
149800 | 2 Nak 700's in hat on dance floor->D7/Clone xfer via D8->SEK'D Prodif Plus->Samplitude-> CDWav->MKWAct->shn->Plexwriter 8/20 |
zero1995-02-04.flac | |
1995-02-04 | New George's |
80658 | (FOB/In Hat) Nak 700/CP701 > Dat > SEK'D Prodif Plus > Samplitude > Flac Recorded by Robert Wagner Transferred by Ray Brooks |
zero1995-02-17.mtx.miller.117073.flac16 | |
1995-02-17 | Ballard Firehouse |
117073 | Recording Info:SBD + (Stage) AKG C61 -> Mackie CR-1604 -> Dat (48k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
zero1995-02-18.matrix.miller.flac16 | |
1995-02-18 | Slow Ride |
117186 | flac16; Recording Info: SBD + (Stage) AKG C61 -> Mackie CR-1604 -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
zero1995-02-19.matrix.flac16 | |
1995-02-19 | La Luna |
123094 | SBD + (Stage) AKG C61 -> Mackie CR-1604 -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
zero95-02-20.shnf | |
1995-02-20 | Wow Hall |
27350 | Source: SBD>DAT>CDR |
zero1995-02-20.matrix.flac16 | |
1995-02-20 | WOW Hall |
123095 | SBD + (Stage) AKG C61 -> Mackie CR-1604 -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
zero1995-03-10.shn | |
1995-03-10 | New George's |
80659 | Unknown Mics > ? > Shn |
Zero1995-03-31.matrix.shnf | |
1995-03-31 | Brew & Beets |
149799 | onstage AKG c61/dsbd matrix->DAT xfer via D8->SEK'D Prodif Plus->Samplitude->CDWav-> MKWAct->shn->Plextor 8/20 |
zero1995-04-01.shnf | |
1995-04-01 | Brew & Beet |
12153 | on stage akg c63/dsbd matrix->DAT xfer via D8->SEK'D Prodif Plus->Samplitude->CDWav->MKWAct->shn->Plexwriter 12/10/32S On 2/21/03 JJ Clifton removed filler, re-allinged the tracks and tracks re-shn'd to correct sector boundary errors |
zero1995-04-08matrix | |
1995-04-08 | Mr. Q's |
34518 | SBD + (Stage) AKG C61 -> Mackie 1604 -> Yamaha AD-20 -> Cassette Master xfer: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
zero1995-04-14.nakcm300s | |
1995-04-14 | The Catalyst |
149803 | flac16/48khz source: Nakamichi CM-300 microphones > DAT up front, mic stand lineage: 1st clone of DAT master>Tascam DA-20 mkII>S/PDIF> MOTU 2408 mkII>computer>CD Wav>flac1648 xfer by Henry Heikkinen April 2018 |
zero1995-04-14.flac | |
1995-04-14 | The Catalyst - |
80660 | Nak Mics > ? > CD > EAC > Flac |
zero1995-04-23.shnf | |
1995-04-23 | Irvine Auditorium |
33265 | {stage-lip} AMS ST250 (blumlein) > Modified Sony D10 Pro II > D8 > SEK'D Prodif Plus > Samplitude > CD Wave > mkwACT > shn |
zero1995-04-24.shnf | |
1995-04-24 | Arbutus Town Hall |
27373 | Source: AMS ST250 ?Soundfield? On Stage
(2-1/2 feet on stand, DFC) Blumlein Technique
(Crossed Pair Figure Eights @ 90 degrees)->
AMS Control Box->Modified Sony D10 Pro II Transfer: D8->SEK'D Prodif Plus->Samplitude Project-> CDWav->MKWAct->shn (seek tables appended) |
zero1995-04-26.shn | |
1995-04-26 | Johnny D's |
80661 | Unknown Mics > ? > Shn |
zero1995-04-26.nak.flacf | |
1995-04-26 | Johnny D's Restaurant and Club |
149802 | flac16/44.1khz Nak CM-100 mikes > Radio Shack mini-mixer > Nak. BX-100 cassette deck (dolby off) > tape copy (copied on Nak. BX-100 cassette decks w/dolby off) > Maxell XLII 90 min. cassettes (master and copy) > played on Nak. BX-300 into soundforge (wav) > flac (sb's aligned) |
zero1995-04-28.shnf | |
1995-04-28 | Blue Star Cafe |
33764 | {onstage} AMS ST250 (2-1/2 feet on stand, DFC, Blumlein) > Modified Sony D10 Pro II > D8 > SEK'D Prodif Plus > Samplitude Project > CD Wave > mkwACT > shn (seek tables appended) |
zero1995-04-29.ams.flacf | |
1995-04-29 | The Bottom Line |
116175 | -Source labeled AMS 250 Stereo Mics > Sony D3 (Clone) -Source taped by Ron Keyser -Tascam DA-40 > S/PDIF > M-Audio 2496 @ 48khz -48khz > 44khz sample rate conversion via iZotope SRC 64 bit SRC -Tracking performed in Adobe Audition 3.0 -FLAC conversion via Trader's Little Helper -Big thanks to the guy who got this to me, you know who you are. All transfers by ifthir@hotmail.com 7/7/2011 |
Zero1995-04-30.flac16 | |
1995-04-30 | Blue Star Cafe |
149801 | flac16/44.1khz Soundfield AMS ST250’s > LOS > Dat - CD > EAC > Flac (Tlh) Transferred by BB Productions |
zero1995-05-20.sbd.miller | |
1995-05-20 | Fillmore Auditorium |
116750 | Recording Info:SBD -> Dat (48k); Transfer Info:Dat (Tascam DA-20mkII) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
zero1995-06-03.sbd.miller.116910.flac16 | |
1995-06-03 | Winston's |
116910 | flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Tascam DA-20mkII) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
zero1995-06-13.155378.sbd.williams.lemond.sirmick.flac1648 | |
1995-06-13 | White Rabbit |
zero1995-06-14set2.shnf | |
1995-06-14 | White Rabbit - <b>*Set 2 Only*</b> |
33256 | SBD > DAT > D8 > SEK'D Prodif Plus > Samplitude & CDWav > SHN |
zero1995-06-25.mtx.fixed.miller.97253.flac16 | |
1995-06-25 | Humpty's |
97253 | flac16;Recording Info:SBD + (Stage) Neumann Mics -> Cassette Master; Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; fix of shnid 96339 |
zero1995-06-29.mtx.flac16 | |
1995-06-29 | Humpty's |
96352 | Source: SBD/AUD Matrix (70%/30% Mix) -> DAT -> CD Lineage: CD -> EAC -> Flac |
Zero1995-07-08.Senn.shnf | |
1995-07-08 | Shady Grove |
33259 | Sennheiser ME-40-K3U > D-7 |
Zero1995-07-09.SBD.shnf | |
1995-07-09 | Mainstage - Old Reneissance Faire Grounds |
27374 | Source: SBD > DAT Transfer: (optical) from Sony 59ES > zoltrix Nightingale Pro 6 > SEKD Samplitutde 2946 (post processing == normalizing) > Feurio Wave Editor (For track editing)>Plextor CDRW Burner > CDR > EAC > SHNv3 |
Zero1995-07-29.AKG451.Darby.Flac1644 | |
1995-07-29 | Mishawaka Amphitheatre |
149804 | flac16/44.1khz Master Audience Recorded By Mr. Darby AKG451EB/CK1's (DIN/ROB 40 Feet From Stage) > Whirlwind Phantoms > Teac DA-P20 @ 16/48 Transfer Information:Fostex D-5 > Tascam HD-P2 > HD > Amadeus Pro (Tracking/Fades/FLAC8) Tracks Renamed, Ditherted/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename By Keo |
zero1995-08-04.flac16 | |
1995-08-04 | Great American Music Hall |
111317 | SBD > Dat > Sony PC-R300 > NJB3 > Cool Edit Pro > CD Wave > TLH > Flac |
zero1995-08-11.shnf | |
1995-08-11 | The Catalyst |
33763 | {FOB) Sennheiser ME-80 (30' back from Kimock) > D3 > DAT > CDR > EAC > SHN |
zero95-8-11flac16 | |
1995-08-11 | The Catalyst |
149806 | flac16/44.1khz Live audience recording by Chief. re-mastered from the dat clone 8.9.05 & post Art Granoff |
zero1995-08-25.nak300 | |
1995-08-25 | Juanita's |
117807 | nak300>cp1>D5 maxell metal; fob dfc @ 7ft cass(m) > cd-r sent to me. taped by Doug Wright cd >Audacity + 2.5 > CDWave>Tlh Flac 8 |
zero1995-08-26.shure.flacf | |
1995-08-26 | Chester's Place |
119198 | Source: Shure BG4.0's > Sony D6 Lineage: Cass/M > Nak DR-3 > Philips CDR750 > EAC > CDWav > FLAC Recorded/transferred: Christian Richart |
zero1995-08-27.shure.flacf | |
1995-08-27 | Winfest |
119197 | Source: Shure BG4.0's > Sony D6 Lineage: Cass/M > Nak DR-3 > Philips 750 > EAC > CDWav > FLAC Recorded/transferred: Christian Richart |
zero1995-08-27 | |
1995-08-27 | Winfest |
117808 | nak300>cp4>D5>maxell metal; OTS DFC @9ft taped by Doug Wright cass(m)>16/44.1 CDs to me; CD>Audacity +2.7> CDwave edits>TLH Flac 8 |
zero1995-09-01.shn | |
1995-09-01 | Cubby Bear |
80663 | Unknown Mics > ? > CD > EAC > Shn |
zero1995-09-02.sbd.cohen.117034.flac16 | |
1995-09-02 | Capitol Square Concourse |
117034 | SBD -> Dat. Dat Master (Panasonic SV3700) -> Wavelab 5.0 -> FLAC. Sound by Phil G., Recording by Dave Cohen |
zero1995-09-03.flac | |
1995-09-03 | Cabooze |
76229 | (Stage) AKG C451E's w/ CK-1 cardioids (XY) > Panasonic SV-255 > SEK'D Prodif Plus > Samplitude > CDWav > Flac |
zero1995-09-10.shnf | |
1995-09-10 | Brickworks |
27375 | Source: Unknown > CDR Transfer: AUDIO CDRs > WAV via EAC (logfiles included) > SHN |
zero1995-10-19.shnf | |
1995-10-19 | Arbutus Town Hall |
18754 | AMS ST250 ?Soundfield? On Stage (2-1/2 feet on stand, DFC) Blumlein Technique (Crossed Pair Figure Eights @ 90 degrees)-> AMS Control Box->Modified Sony D10 Pro II |
zero1995-10-21.shnf | |
1995-10-21 | Blue Star Cafe |
18755 | AMS ST250 ?Soundfield? On Stage (2-1/2 feet on stand, DFC) Blumlein Technique (Crossed Pair Figure Eights @ 90 degrees)-> AMS Control Box->Modified Sony D10 Pro II |
zero1995-10-22.shnf | |
1995-10-22 | Blue Star Cafe |
18541 | AMS ST250 ?Soundfield? On Stage (2-1/2 feet on stand, DFC) Blumlein Technique (Crossed Pair Figure Eights @ 90 degrees)-> AMS Control Box->Modified Sony D10 Pro II |
zero1995-10-28 | |
1995-10-28 | Hilton Ballroom |
80664 | Source: unknown audio CD > EAC > SHN |
zero1995-10-28.sennheiser | |
1995-10-28 | Hilton Ballroom |
149809 | flac16/44.1khz Source: Sennheiser ME40/K3U (XY config) > Sony TCD7 DAT Transfer: Sony M1 > WT2496 > SF8 recorded & transfered by Dean Grabski (taperdean@gmail.com) |
zero1995-11-03.nak700s.drbob.flac16 | |
1995-11-03 | Sweetwater |
149808 | flac16/44.1khz Nak 700s in hat behind first table ctr (6-8' from stage) > Sony D-5 (as pre) > Sony D-3 transfer: transfer: Tascam DA-20mkII > LynxONE > Samplitude 6.0 > SoundForge 4.5 > CDWav > flac recording by Robert Wagner (Dr. Bob) transfer etc. by Richard Selleseth |
zero1995-11-11.nak700.wagner.miller.96340.flac16 | |
1995-11-11 | Palookaville |
96340 | flac16;Recording Info:(FOB) Nakamichi 700/CP1 -> Dat (Sony D3/48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; Recorded by Robert Wagner (Dr. Bob); All Transfers and Mastering By Charlie Miller |
zero1995-11-18.nak700.wagner.miller.96342.flac16 | |
1995-11-18 | Fairfax Pavilion |
96342 | flac16;Recording Info:(FOB) Nakamichi 700/CP1 -> Dat (Sony D3/48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; Recorded by Robert Wagner (Dr. Bob); All Transfers and Mastering By Charlie Miller |
Zero1995-12-30.flac | |
1995-12-30 | Maritime Hall |
27376 | Source: DSBD Transfer: Panasonic SV-3800 > Monster Coax > Soundforge 6.0 > CD Wave > Flac |
Zero1995-12-31.flac | |
1995-12-31 | Maritime Hall |
27377 | Source: DSBD Transfer: Panasonic SV-3800 > MOnster Coax > Soundforge 6.0 > CD Wave > Flac |
zero1995-12-31.at822.flac16 | |
1995-12-31 | The Maritime Hall |
149807 | flac16/44.1khz DAUD: Audio Technica 822 (~ 7-8' high on stand on balcony behind SBD) -> Aerco Pre-Amp -> Sony D-7 @ 48KHz -> MDAT -> Sony PCM-R500 (playback) -> coax s/pdif -> MOTU Traveler -> MacBook Pro/Digital Performer 5.1 (record/transfer, fades, peak normalize, split tracks, resample to 44.1khz) -> .wav -> xACT v1.62 -> FLAC (level 8) Recorded by Art Newberg & James Bartoli Edited and FLAC'd by James Bartoli |