Sources for Artist Group Grateful Dead
unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
SHNIDArtistDateVenueCityStateArchive Identifier
15982Grateful Dead1972-11-17Century II Convention HallWichitaKS
Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy
9182Grateful Dead1972-11-18Hofheinz PavilionHoustonTX
set 2 (listed as d2,d3); Owsley MC> ?> D> CD; via Mike Lai with thanks to Wayne Gucwa
9002Grateful Dead1972-11-18Hofheinz PavilionHoustonTX
2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus
123077Grateful Dead1972-11-18Hofheinz PavilionHoustonTX
flac16; Set 2 Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
3910Grateful Dead1972-11-19Hofheinz PavilionHoustonTX
SBD; sound adjustments during Bertha, minor digi-noise at the end of Jack Straw; Transferred and seeded to etree by Mike Lai, from Bruce Fried DAT
132970Grateful Dead1972-11-19Hofheinz PavilionHoustonTX
flac24; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
17705Grateful Dead1972-11-19Hofheinz PavilionHoustonTX
Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions.
122783Grateful Dead1972-11-19Hofheinz PavilionHoustonTX
flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation
122784Grateful Dead1972-11-19Hofheinz PavilionHoustonTX
flac24; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation
123577Grateful Dead1972-11-19Hofheinz PavilionHoustonTX
flac24; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122784
123578Grateful Dead1972-11-19Hofheinz PavilionHoustonTX
flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122783
132969Grateful Dead1972-11-19Hofheinz PavilionHoustonTX
flac16; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
142329Grateful Dead1972-11-19Hofheinz PavilionHoustonTX
flac16; Source: SBD > Master Reel > 1st Gen Reel > DAT (44.1k) - Provided by Tim Dalton; Lineage: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018; the original version of this source was missing s2t13
4081Grateful Dead1972-11-22Austin Municipal AuditoriumAustinTX
sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min
115730Grateful Dead1972-11-22Austin Municipal AuditoriumAustinTX
flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
115765Grateful Dead1972-11-22Austin Municipal AuditoriumAustinTX
flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC. fix of shnid 115730
141188Grateful Dead1972-11-22Austin Municipal AuditoriumAustinTX
flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
141189Grateful Dead1972-11-22Austin Municipal AuditoriumAustinTX
flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
5288Grateful Dead1972-11-24Dallas Memorial AuditoriumDallasTX
SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs
141266Grateful Dead1972-11-24Dallas Memorial AuditoriumDallasTX
flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
141267Grateful Dead1972-11-24Dallas Memorial AuditoriumDallasTX
flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
152827Grateful Dead1972-11-26San Antonio Civic AuditoriumSan AntonioTX
flac16/44 a remaster of shn #9248 with short patches from shn #123022 by acetboy 2021-07-07
9248Grateful Dead1972-11-26San Antonio Civic AuditoriumSan AntonioTX
SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B.
123022Grateful Dead1972-11-26San Antonio Civic AuditoriumSan AntonioTX
flac16; Unknown SBD version of Dark Star > Bobby McGee; this alternate version has no cut in Dark Star, but is slightly hissier than the previous version
127478Grateful Dead1972-11-26San Antonio Civic AuditoriumSan AntonioTX
flac16; This is a restored version of SHNID 9248 combined with SHNID 123022 to produce the full show. It is not based on any new sources. Modifications by Dan McDonald (droncit@yahoo.com).
158749Grateful Dead1972-11-26San Antonio Civic AuditoriumSan AntonioTX
flac1644 SBD > Master Reel > Reel > PCM > DAT (44.1k)
5801Grateful Dead1972-12-10Winterland ArenaSan FranciscoCA
MSR > Cass x 3 > DAT > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Justin Cucci, Mark Perini
141755Grateful Dead1972-12-10Winterland ArenaSan FranciscoCA
flac16/48kHz; Partial Show Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) (16-bit/48k)> Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/48k)> Adobe Audition 3.0 > TLH flac1648
132778Grateful Dead1972-12-10Winterland ArenaSan FranciscoCA
flac16; Restored version of source ID 5801 (MSR > Cass x 3 > DAT > CDR > EAC > SHN) by Droncit; Diamond Cut 8.5 Forensics was used for equalization and virtual valve simulation, an enhancer and some slight noise reduction.
121029Grateful Dead1972-12-11Winterland ArenaSan FranciscoCA
flac16; 2 source matrix: Soundboard (shnid=107885): Lineage: "7 MR @ 7 1/2 ips.>R@ 3 3/4 ips.(Kidd dub for Jerry)>R @ 3 3/4 ips(Will Boswell)>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering)>> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz Audience (shnid=108946): Analog Audience Source: Taped from balcony Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x TDK c 90's sd Analog Lineage: External Stereo Mic >> Sony TC-124 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Matrix by dusborne using Adobe Audition CS6 and Audacity 2.0
153091Grateful Dead1972-12-11Winterland ArenaSan FranciscoCA
flac16/48 Primary Source Info: Master 7" Soundboard Reels @ 7 1/2 ips > Reel to Reel @ 3 3/4 ips (Kidd dub for Jerry) > Reel to Reel @ 3 3/4 ips(Will Boswell) Secondary Source Info: Master Soundboard Reels > Taper's Section Stream Transfer Info: 2nd generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2021 > TLH flac2496
153092Grateful Dead1972-12-11Winterland ArenaSan FranciscoCA
flac24/96 Primary Source Info: Master 7" Soundboard Reels @ 7 1/2 ips > Reel to Reel @ 3 3/4 ips (Kidd dub for Jerry) > Reel to Reel @ 3 3/4 ips(Will Boswell) Secondary Source Info: Master Soundboard Reels > Taper's Section Stream Transfer Info: 2nd generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2021 > TLH flac2496
100398Grateful Dead1972-12-11Winterland ArenaSan FranciscoCA
flac16; Source: SBD>MR>R>C>WAV>FLAC Patch Source: Unknown AUD>??>C>WAV>FLAC; C>FLAC Conversion by Cousinit
5251Grateful Dead1972-12-11Winterland ArenaSan FranciscoCA
SBD > MR > ?? > CDR; EAC > Cool Edit (remove some pops, see info file) > CD Wave (split tracks) > SHN (seekable) by Matt Vernon, from Paul B. seed discs; missing some songs; see info file for other flaw notes
107885Grateful Dead1972-12-11Winterland ArenaSan FranciscoCA
flac16; Lineage: 7" MR @ 7 1/2 ips.>R@ 3 3/4 ips.>R @ 3 3/4 ips>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering) >> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz; All transfers, edits and mastering done in the 24 bit realm Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV | Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8
108946Grateful Dead1972-12-11Winterland ArenaSan FranciscoCA
flac16; Taped from balcony External Stereo Mic >> Sony TC-124 >> MAC; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke
5802Grateful Dead1972-12-12Winterland ArenaSan FranciscoCA
partial; mixed source SBD, AUD: MR > ? > DAT > CDR > EAC > SHN; Aud: Mcass > DAT > ZA2 > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Mark Wienke, Mark Perini; to CDead vine
32041Grateful Dead1972-12-12Winterland ArenaSan FranciscoCA
SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC Transfered and Edited By Charlie Miller
2329Grateful Dead1972-12-15Long Beach ArenaLong BeachCA
SBDmR> C> D> CDR; via Ben Yerys, M. Weinke; reportedly stemming from David Gans; includes possibly extraneous Box of Rain, JGB repeats in d3?
17186Grateful Dead1972-12-15Long Beach ArenaLong BeachCA
Lineage: S:MR>Cass>DAT>PCM>DAT>CD, w/ patches from S:MR>R>R>DAT copy. Remastered, transferred to CD, and encoded to SHN by David Hollister
136651Grateful Dead1972-12-15Long Beach ArenaLong BeachCA
flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT
1563Grateful Dead1972-12-31Winterland ArenaSan FranciscoCA
Pre-FM KSAN Reel > DAT > .SHN; to abgd; note out of order tracking
6340Grateful Dead1972-12-31Winterland ArenaSan FranciscoCA
cleaned up version of previous shn set, by Charles Weir; tracked in as-played order; sector boundaries corrected with shntool; d1,d3 now tracked for 80 min
26559Grateful Dead1972-12-31Winterland ArenaSan FranciscoCA
Bertha Remaster of the patched PreFM source, by Jay Ashley
20559Grateful Dead1972-12-31Winterland ArenaSan FranciscoCA
Main Source: Vault pre-FM reels > DAT Patch Source: pre-FM KSAN reel (/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol WAV > SHN editing, encoding & patching by Matt Vernon
137465Grateful Dead1972-12-31Winterland ArenaSan FranciscoCA
flac16; Recording of FM Broadcast on KSAN > ? > DAT provided and transferred by Stuccoholmes; Mastering & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm
141135Grateful Dead1972-12-31Winterland ArenaSan FranciscoCA
flac16/48kHz; Source Info: Vault Master Soundboard Reels > Dat (16/48k); Transfer Info: Dat (Sony PCM-R500) 16/48k > Tascam DA-3000 (16-bit/48k) > Adobe Audition 3.0 (16/48k)> TLH flac1648; the original source had errors in track 6
152205Grateful Dead1972-??-??Alembic StudiosSan FranciscoCA
flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC